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Confederate Nostalgia, Black Voices: The Paradox of Polk Miller

Over a century ago, engineers from the Edison Company hauled their bulky recording equipment from New Jersey to Richmond, Virginia. In 1909, they captured one of the first interracial recording sessions in American history: Polk Miller, a white Confederate veteran...

The Felon Who Built Scott’s Addition

Before the beer taps and condos, before the buzzwords about ‘revitalization,’ Scott’s Addition’s future passed through the hands of a single man: Justin Glynn French. A convicted felon whose empire collapsed in scandal, he set the stage, even if unintentionally, for...

It’s Still Our City | Ep. 13 Stooping RVA

"The joy of finding a perfectly reusable gem on a sidewalk, in an alley, or on a porch stoop is one of the perks of living in such close proximity in the city of Richmond. The FOMO of not making it on your bike in time for a taxidermy dolphin or a surprisingly decent...

When Progress Meets Petunias: A Test of Richmond’s Imagination

For 35 years, Richmond hairdresser Rick Bridgforth has been quietly transforming a forgotten alley in The Fan into something remarkable. What began as a way to clean up trash and keep crime at bay grew into a lush oasis that's alive with color, buzzing with...

Kyle’s Criterion Corner: The Breakfast Club (1985)

No film about adolescence has stood the test of time quite like John Hughes’ ode to forced school on a Saturday quite like “The Breakfast Club”. A quintessential 80’s flick, released slap dab in the middle of the decade, was a rounding success at the time of its release and then went on to become a fevered favorite among those looking for...

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Kyle’s Criterion Corner: Jabberwocky (1977)

Good nonsense is indeed hard to find. Terry Gilliam’s 1977’s “Jabberwocky” is less the spiritual successor of his previous landmark comedy “Monty Python and the Holy Grail”, but more of a continuation on that film’s satirical bent of the Dark Ages with silliness run amok during very cruel, nasty times. Based (very) loosely off of the mythical...

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Kyle’s Criterion Corner: Desert Hearts (1985)

A cornerstone for gay cinema, “Desert Hearts” is director Donna Deitch’s first scripted feature, but also a rare coming out in independent cinema and the romance genre. It’s 1959 and Vivian Bell (Helen Shaver) needs a divorce. She rides in on a train to Reno, Nevada to fulfill and establish a six-week residency, all while trying to maintain her...

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Virginia Film Festival’s ‘Permanent’

The following is RVA Magazine's continued coverage of Charlottesville's Virginia Film Festival this past weekend. Staff writer Kyle Shearin was on the scene to highlight some of the films from the three-day event. If you missed the first in the series, you can check that review out here.  “Permanent”, a new film, comes from Virginian...

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Virginia Film Festival Review: Spike Lee’s ‘4 Little Girls’

Based in Charlottesville at the University of Virginia, the Virginia Film Festival has celebrated the art of film for over 30 years and this past weekend, it continued its tradition of highlighting new features and documentaries, fresh takes on timeless classics, and local filmmakers. Staff writer Kyle Shearin attended the festival and in the...

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Kyle’s Criterion Corner: The Lure (2016)

Not exactly a modern-spin on an old fable, The Lure is a stirring, if fragmented coming-of-human tale of two sisters who happen to be carnivorous, singing, vampire-like mermaids. After being lured by a family of intriguing music performers, Silver (Marta Mazurek) and Golden (Michalina Olszanska) two young, beautiful, mermaids find themselves the...

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