FILM & TV




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Review | A Theater of the Mind, David Byrne Live in Richmond

It’s 1983 at Miami University in Oxford, Ohio, and I didn’t go to class much. I took Theater 101 as an elective because I thought it would be easy (it wasn’t). One Tuesday in October, the professor ditched the day’s syllabus and spent the next 75 minutes...

So You Want a Virginia Cannabis License? Read This First.

Editor’s Note: Following our recent coverage of Virginia’s cannabis market, where independent retailers face mounting pressure from enforcement and monopolistic lobbying, Max Jackson, founder of Cannabis Wise Guys and a presenter at the...

D’Angelo, Groundbreaking Neo-Soul Artist from Richmond, Dies at 51

Michael Eugene Archer, better known to the world as D’Angelo, has passed away. The Richmond-born singer, songwriter, and multi-instrumentalist didn’t just help create neo-soul, he refined it. His music, “thick as molasses,” as Rolling Stone once wrote, carried a voice...

Teen Drug Use in Chesterfield: A Student’s Perspective

In Virginia, teen drug use isn’t some distant statistic, it’s here, and it’s part of daily life. Nearly one in five teens in the state reports smoking marijuana within the past month, and Chesterfield County is no exception. What’s more troubling is how casual it’s...

It’s Still Our City | Ep. 15 James Munoz

"James Munoz, man, talk about a jack of all trades, this guy really does it all, and he’s one of the kindest people you’ll meet. A fun-inducing staple in the Richmond scene. Vocalist and guitarist for Xed Out. Vocalist for The Bled and Glock/Coma. Bartender at Cobra...

Richmond Takes Center Stage In Proposed Contemporary TV Series

Richmond provides the backdrop for many productions, from random alleyways on “Homeland” to the Laburnum House on the canceled “Mercy Street,” but it’s rare that the city receives the type of exposure Jai Jamison is aiming for with his forthcoming short, “Slave Cry.” A pilot for a proposed TV series, Jamison said he wanted to tell a contemporary...

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Kyle’s Criterion Corner: The Virgin Suicides (1999)

The Lisbon girls, oh the Lisbon girls. Sophia Coppola’s brilliant and vibrant 1999 debut “The Virgin Suicides” follows a group of teenage boys (now men 25 years later) obsessed with the five teenage Lisbon sisters, fixating on their lives just prior to their mystifying, premature deaths. Adapted from Jeffrey Eugenides’ novel, the film faithfully...

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Kyle’s Criterion Corner: The Breakfast Club (1985)

No film about adolescence has stood the test of time quite like John Hughes’ ode to forced school on a Saturday quite like “The Breakfast Club”. A quintessential 80’s flick, released slap dab in the middle of the decade, was a rounding success at the time of its release and then went on to become a fevered favorite among those looking for...

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Kyle’s Criterion Corner: Jabberwocky (1977)

Good nonsense is indeed hard to find. Terry Gilliam’s 1977’s “Jabberwocky” is less the spiritual successor of his previous landmark comedy “Monty Python and the Holy Grail”, but more of a continuation on that film’s satirical bent of the Dark Ages with silliness run amok during very cruel, nasty times. Based (very) loosely off of the mythical...

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Kyle’s Criterion Corner: Desert Hearts (1985)

A cornerstone for gay cinema, “Desert Hearts” is director Donna Deitch’s first scripted feature, but also a rare coming out in independent cinema and the romance genre. It’s 1959 and Vivian Bell (Helen Shaver) needs a divorce. She rides in on a train to Reno, Nevada to fulfill and establish a six-week residency, all while trying to maintain her...

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