Alfred Archives

VA Shows You Must See This Week: March 4 – March 10

Marilyn Drew Necci | March 4, 2020

Topics: Addy, Ages, Alfred, Another Round Bar & Grill, Ant The Symbol, Antichrist Siege Machine, Ben FM, Buzzard Dust, Castle OG, City Dogs, Community Witch, Danet Jackson, Dead Kennedys, Demons, DJ Elliot Ness, DOA, Dysphonia, events in richmond va, events near me this weekend, events richmond va, f1ng3rs, gallery 5, Gull, Human Agony, Jenny Scheinman, JJ Speaks, Lance Bangs, Leya, Magic Wand, Majjin Boo, Michale Graves, Mind Shrine, Mister Earthbound, music, must see shows, Predation, PT, Rah Scrilla, Reppa Ton, richmond events, richmond va, richmond va bands, Robbie Fulks, RVA, Shormey, shows this week richmond, shows you must see, Sneeze, Spooky Cool, Taphouse Grill, The Camel, The Firnats, The NorVa, The tin pan, things to do in richmond va, things to do richmond va, Triumvir Foul, VV, Wonderland, You're Jovian, Young Scum

FEATURED SHOW
Friday, March 6, 7 PM
RVA Game Jams presents Split/Screen: A Video Games Themed First Friday Art Show, feat. Buzzard Dust, Ages, Gull, Mister Earthbound, Danet Jackson, F1NG3RS @ Gallery 5 – Free!
Sometimes, you guys, the world is just a major letdown. At those times it can be easy to get overwhelmed and feel like taking to your bed, pulling the covers over your head, and not coming out for six months. But take heart — there are still things worth being awake and in the world for. One of those is happening this Friday night, as RVA Game Jams partners up with Gallery 5 to bring us a First Friday art opening with a bit of a twist — it’s entirely focused on video games.

This event is a celebration of indie games in the Richmond area, and will feature playable demos of half a dozen games by local creators, including memorably named examples like Not Safe For Bugs and Deer In The Headlights. You’ll get a chance to check out art and artifacts from the creative process of video game development, as well as the opportunity to play these games yourself. And you’ll get to hear some really great tunes from local musicians while you’re at it!

Between rounds of the playable demos, you’ll enjoy sounds from Buzzard Dust, the fiery blackened thrash group who last released an LP on Richmond’s own Forcefield Records back in 2017. Word has it they’ve got a grip of new material to lay on us, though, so get stoked for that. Plus there’ll be a performance from Ages, the latest project from former Magnus Lush leader Age Shurte and talented members of other rad local groups like Weird Tears and Dumb Waiter. And we’ve still only scratched the surface, as several other area performers, from the almighty Gull to the psych-stoner jams of Mister Earthbound, as well as the video-game inspired electronica of F1NG3RS, are all on tap for the night as well. Let the often-solitary pursuit of video games be an opportunity for connecting with the world, and head over to Gallery 5 this Friday night. It’s better than hiding in bed — I promise.

Wednesday, March 4, 7 PM
Mind Shrine, Majjin Boo, Alfred., Castle OG, Shormey @ The Camel – $8 (order tickets HERE)
Mind Shrine may be from Texas, but things will be getting downright tropical, at least in a musical sense, at The Camel tonight when this catchy quartet brings their remarkable sound to town. On their recent self-titled EP, Houston’s Mind Shrine create a warmly glowing pop sound with roots in both smooth 70s AM radio sounds and the music of Brazilian leading lights like Caetono Veloso and Os Mutantes, but fed through an undeniable 21st century indie filter, resulting in pure indie-pop gold. You’re going to want to dive into the warm, sunny sounds this band produces, and the Camel’s giving you the perfect opportunity tonight.

The evening will also present a set from Majjin Boo, who released my favorite Richmond music of 2019 and still have a very secure place in my heart two months into the new year. If you’re not on their wavelength yet, now’s the time. You’ll also have the chance to catch excellent musicians Alfred and Shormey just before they leave town together on a pre-SXSW tour that will culminate with them performing at that legendary Austin, Texas music fest later this month. And of course, Castle OG will round out the bill with some rad local indie sounds. You’re not going to want to miss a minute of this one — so make sure you don’t.

Thursday, March 5, 9 PM
Triumvir Foul, Human Agony, Antichrist Siege Machine, Predation @ Wonderland – $10
That place on the spectrum of musical genre where death metal meets filthy lo-fi noise is a fascinating one for me personally, as it reflects a lot of the turmoil I find myself dealing with on a daily basis. If you, like me, are someone who has your fair share of mental struggles, you might find yourself connecting with Triumvir Foul, the Portland-based death-black-thrash group whose 2019 EP, Urine Of Abomination, covers old-school Autopsy-style death brutality with a rumbling haze of foreboding terror. In other words, it’s fucking awesome. And you’re going to want to see how it translates live.

Meanwhile, Triumvir Foul’s Invictus Productions labelmates, Human Agony, hail from across the northern border in Vancouver and bring a more grinding speed-metal assault on their most recent LP, Putrescence of Calvary, with just as much of the ominous lo-fi grit as Triumvir Foul has to offer. These two groups should make a great team — and locals Antichrist Siege Machine are the perfect complement, bringing the sort of unrelenting death metal rage they displayed on 2019’s Schism Perpetration to the Wonderland stage this Thursday night. They’ll be accompanied by mysterious noise project Predation, who I hear has something to do with Division Of Mind, but that’s all I can tell you. Assuage your inner turmoil with some outer turmoil at this show. You’ll thank me later.

Friday, March 6, 10 PM
Ant The Symbol’s City Dawgz Takeover, feat. Sneeze, Reppa Ton, Rah Scrilla, Ben FM, PT, DJ Elliot Ness @ City Dogs – Free!
Ant The Symbol’s always up to some interesting things, and in 2020, that definitely has not changed. 2019 saw the veteran RVA hip hop producer release The What?!, a dozen tracks featuring a who’s who of the city’s best MCs dropping rhymes overtop of Ant’s always-killer productions. Now in 2020, he’s surprised us all with a follow-up, Holyfield, featuring new versions of all of the songs from The What?! along with a few entirely new tracks. From my initial lessons, I’d guess he took the vocal tracks from The What?! and laid them over new productions; and since Ant’s productions are always the stars of the show, that makes it damn close to an entirely new album only a few months removed from the last one. That’s something worth throwing a party for.

So that’s what Ant The Symbol will be doing this Friday night at City Dogs, as he enlivens this hot dog shop with a variety of leading MCs from around the city, almost all of whom (with the exception of Sneeze) appear on Holyfield, The What?!, or both. DJ Elliot Ness is providing the music, and rappers who should need no introduction to Richmond hip hop heads, such as Reppa Ton, Rah Scrilla, Ben FM, and PT will contribute the rhymes. This leaves Ant The Symbol to hawk copies of the new Holyfield CD, contribute the tracks that Elliot Ness spins, and hang out with his many talented friends. Come chill with Ant The Symbol this Friday night, hear some great rhymes and dope beats, grab a copy of the new CD, and have a couple chili dogs while you’re at it. You won’t regret it.

Saturday, March 7, 8 PM
Addy, Spooky Cool, Young Scum, Castle OG @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
It still feels to me like Addy are a relatively new band on the Richmond scene. Therefore it’s kind of wild to note that they are just about to release their first LP on emo heavy-hitters Topshelf Records — but I’m definitely happy for them, and to see them representing Richmond so well. At Gallery 5 this Saturday night, they’ll be celebrating their debut full-length, Eclipse, which finds the group, originally a minimalist solo project of leader Adam Watkins, moving toward more of a group identity as their current four-piece lineup becomes the focus of their recorded sound.

On Eclipse‘s early singles, we hear Addy embracing a warm, laid-back version of the indie sound, one that definitely pulls in a little Southern flavor to spice things up country-style. There’s an undeniable charm to this band’s aural presence, and that’s sure to translate with ease to the live environment created at Gallery 5 Saturday night. Addy will be accompanied on this joyful musical evening by a few other great Richmond indie groups, including Young Scum, Spooky Cool, and Castle OG, but their new LP is what the evening is all about, so bring a few extra bucks to pick up a copy for yourself, and enjoy a pleasant evening enveloped by the wonderful sounds of Richmond, Virginia.

Sunday, March 8, 7 PM
Lance Bangs, The Firnats, You’re Jovian, Magic Wand @ The Camel – $8 (order tickets HERE)
The Citrus City Sunday residency at the Camel is such a boon to Richmond music, I swear — every time it rolls around, we get a wonderful mix of mainstays from one of Richmond’s leading indie labels and new sounds you might not expect but are always a pleasant surprise. This time around, we’re getting a little more of the known quantities than the unknown delights, but it’s very hard to complain when the known quantity at the top of the bill is Lance Bangs, the slacker-rock trio who’ve slipped into a quieter presence on the Richmond scene recently but still have a ton of excellent tunes to brighten your Sunday evening with. If it’s been a while since you’ve caught these guys live, remember what it was you dug about them so much to begin with this Sunday night at the Camel.

And make sure you show up on time for the other musical delights Citrus City has to offer this evening — rest assured, they are plentiful. The Firnats, who are currently working towards the release of a new album sometime this year, have been described to me as 50s doo-wop and 90s grunge, and as crazy as that sounds, it’s pretty much dead-on — and a very enjoyable listen that will appeal to the indie kids and Future Islands fans out there. You’re Jovian’s Norfolk-based shoegaze sound has been an underrated fave of mine for years, and I’m glad to see them making it up to Richmond more lately. If you don’t know the deal, find out on Sunday — you won’t be sorry. Melodic punk-grunge newbies Magic Wand will kick this evening off with a shot of much-needed energy. Come out to this one — it’ll be a blast.

Monday, March 9, 7:30 PM
Michale Graves, JJ Speaks @ Another Round Bar & Grill – $10 in advance/$15 at the door (order tickets HERE)
How you feel about this event is sure to depend to some extent on what the 90s were like for you. Back then, Glenn Danzig’s original punk band, The Misfits, had a revival in which brothers Jerry Only (bass) and Doyle (guitar) revived the long-dormant project with a new vocalist and some new material. Michale Graves was that new vocalist, and while people who’d grown up with the original Danzig-fronted Misfits were often dismissive of late-90s Graves-fronted releases like American Psycho, those records accumulated a strong following amongst the younger set — many of whom, thirtysomethings today — no doubt hold warm memories of Michale Graves-era Misfits in their hearts.

For those kids — and really, for any of us willing to give an aging punk rocker’s solo project a chance — this acoustic evening with Michale Graves at Another Round should be a treat. His acoustic performances find him bringing new power both to late-90s Misfits songs he wrote and material from his many solo albums since he left that group, all by himself with just an acoustic guitar and his strong, powerful voice. If you have a soft spot for “Dig Up Her Bones” or “Die Monster Die,” you’ll hear them in a whole new way this Monday night at Another Round. You won’t want to miss that.

Tuesday, March 10, 8 PM
Robbie Fulks, Jenny Scheinman @ The Tin Pan – $20 (order tickets HERE)
Based solely on talent, Robbie Fulks should be an outright legend in the country world. However, he’s never completely gotten his due in Nashville circles, partly because he has never been willing to play along with the way the country music industry works. For evidence of that fact, look no further than his classic tune about Music City, the memorably titled “Fuck This Town.” Thankfully, his cult following his given him a viable career over the last few decades, and he’s been able to follow his muse in a variety of fruitful directions.

Fulks’ latest move is one that shows why you should expect the unexpected from this talented songwriter — last year, he self-released a vinyl-only double LP called 16, which is a track-for-track reinterpretation of the long-maligned late-70s Bob Dylan album, Street Legal. That might sound like a recipe for disaster, but Fulks and his band find gold amid the critically-reviled nadir of Dylan’s career. They’ll surely demonstrate this with their Tuesday night show at the Tin Pan; whether Fulks does a whole bunch of Dylan tunes or sticks to his own delightful catalog, this is a musical evening that’s sure to delight all comers.

Elsewhere Around The State:

Friday, March 6, 9 PM
VV, Community Witch, Dysphonia, LEYA @ Taphouse Grill (Norfolk) – $5
Whether you’re a Richmond reader facing the prospect of an hour-plus drive to catch this show by a local favorite or a Tidewater denizen wondering what this RVA band has to offer, I can’t help but encourage you all to make your way to the Taphouse Grill this Friday night to catch VV. This Richmond postpunk foursome brings a harsh undercurrent of horror to their rumbling, dissonant sound on III, the EP they released in January that constitutes their first new material in over two years. If you didn’t catch up with VV a couple years ago when they first arrived on the scene, you should definitely get familiar with what they do now that they’re back in action. This group definitely brings the noise.

They’ll be performing with three homegrown Tidewater musical projects, all of whom bring the outsider punk vibes in plentiful amounts. Community Witch have a charming yet spooky lo-fi rumble to their jangle-punk sound. Dysphonia are hard to find evidence of online, but appear to have a bit more of a jangly indie vibe, one with a bit more melody than the other two groups we’ve discussed so far. And LEYA are just downright odd, but in a riveting manner. So this one is sure to both surprise and enlighten you. Expect the unexpected.

Tuesday, March 10, 7:30 PM
Dead Kennedys, DOA, Demons @ The NorVA (Norfolk) – $22.50 in advance/$27.50 at the door (order tickets HERE)
To all the aging punks out there, I’m sure it seems just as weird to you as it does to me that the Dead Kennedys have been around for longer without frontman, chief songwriter, and punk godfather Jello Biafra on vocals than they ever were with Biafra. But of course, in their post-Biafra incarnation, they’re pretty much a nostalgia act, mainly performing classics from the band’s original early-80s era, and releasing nothing more than a live album or two since they regrouped in the early 00s.

So why go see them? Well, because you certainly won’t ever see them with Biafra on vocals again, and this is the next best thing. Because they’re only gonna play old stuff you already know and love. Because if you can enjoy a DK’s tribute act at a Halloween covers show, you can certainly enjoy one featuring most of the original band. And because Canadian punk legends DOA and Hampton Roads hardcore group Demons are both on the bill as well. The cumulative whole of what this show has to offer is worth appreciating, even if it doesn’t feature Jello Biafra behind the microphone. So enjoy it, and don’t worry too much about the provenance.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Carl Raw on Unsplash

VA Shows You Must See This Week: February 19 – February 25

Marilyn Drew Necci | February 19, 2020

Topics: Afib, Alfred, Altria Theater, Balu, Berries, Bracewar, Brain Tourniquet, Breakup Shoes, Cadillac Cat, Cassius Kay, CEO, Civonnee, Combust, Daniel Case, Dashdown, Dee16Hunna, Delow, Division Of Mind, Don Chase, Elevation27, Enforced, events in richmond va, events near me this weekend, events richmond va, Excitable Boys, Fuzzy Cactus, gallery 5, GARZA, Gemi Jhay, Guardrails, Halfcast, Hive Collective, Jouwala Collective, Kaywan, Ley Cash, Lifters, Linden Row, Louderhead, Lowlifeball, Lxrd Sleeza, Madison Turner, Mia Money, Moochiee, music, must see shows, Mutually Assured Destruction, Neat Sweep, Okey Dokey, Pyrex Pedro, Qash, Rascal Grimez, Rasul, richmond events, richmond va, richmond va bands, RVA, Serqet, shows this week richmond, shows you must see, Skyy With 2 Y's, Summer Salt, The Broadberry, The Camel, The Dolphins, things to do in richmond va, things to do richmond va, Tommy Stinson, Tyrone Leake Jr, Weird Tears, Yamato Drummers, Young Apollo

FEATURED SHOW
Thursday, February 20, 7 PM
Bracewar, Division Of Mind, Combust, Mutually Assured Destruction, Guardrails @ The Camel – $15
There’s a lot going on in the Richmond music scene these days, within all sorts of different genres. And that’s wonderful! But if you want to talk about the styles of music that have a fertile, longstanding tradition in this town, you probably can’t do better than bringing up the Richmond hardcore scene. Going back to the dawn of the 80s and extending all the way to today, Richmond has been a town in which hardcore thrives, and this show at The Camel on Thursday night is the proof that this continues to be true in 2020.

At the top of the bill is Bracewar, one of those Richmond hardcore elder-statesman bands who moved into “plays a few shows a year but is otherwise inactive” mode at least seven years ago, but did thrill us all by releasing their first new material in almost a decade in the form of 2018 EP Colossal. They’ve maintained a slightly higher profile since then, but a Richmond Bracewar show is still a relative rarity, and if you delight in their signature brand of powerful breakdowns peppered with moments of high-speed thrashing, you’ll certainly want to catch this one.

Beyond Bracewar, this bill mostly focuses on current all-stars of Richmond’s straightforward hardcore scene, most predominantly Division Of Mind. This group’s recent self-titled LP on Triple B Records demonstrates that, while they are very skilled at the mosh, they have quite a bit more going on, and are worth your time and attention even if you don’t still find diving into an energetic pit to be the best way to spend a band’s set. Combust are actually from New York, but released a 12-inch EP on RVA’s own Edgewood Records last year, and will bring an energetic and welcome NYHC attack to the Camel’s stage. Plus, there’s Mutually Assured Destruction, who are taking heavy hardcore in an adventurous direction that doubtless owes a bit to Life Of Agony and Twitching Tongues, and the first show ever from Guardrails, who will kick this one off with a ton of pissed-off energy. Carry on the tradition, Richmond — be at this show.

Wednesday, February 19, 9 PM
Lifters, Weird Tears, Neat Sweep @ Fuzzy Cactus – $6
Punk rock has been enshrined in pop culture as music with something important to say, and I think that’s great, but one thing punk rock has always had room for, one that gets de-emphasized when we focus on The Clash and forget about the Ramones, is pure no-frills rock n’ roll melody. Durham’s Lifters might not qualify for punk rock if you’re expecting some sort of sophisticated political critique to emerge from their catchy tunes, but if you’re conversant with the genre’s history, the connection is undeniable. And that’s as it should be.

Tonight, if you’re looking for some catchy, fun tunes, played with plenty of energy but not that much polish, and reminding you of great groups like Radioactivity, Teengenerate, or the aforementioned Ramones, you’re going to want to point your feet toward Brookland Park’s own Fuzzy Cactus. There, Lifters and local melodic punk stalwarts Weird Tears and Neat Sweep are going to sweep you off your feet and get you caught up in the toe-tapping joys of punk rock. It all happens tonight; plan your evening accordingly.

Thursday, February 20, 9 PM
Excitable Boys, Daniel Case, The Dolphins @ Fuzzy Cactus – $7
It’s always interesting when you know enough about a band to care what they have to offer, but have no idea what they actually sound like. Such is the case with Excitable Boys, a band seemingly named for Warren Zevon’s most famous album, and made up of three different musicians one usually wouldn’t expect to see grouped together. In this case, those musicians include country-folk singer-songwriter Benjamin Shepherd, former Southside Stranglers guitarist Kevin Guild, and Irish-by-way-of-New-York indie-folk artist Cal Folger Day — who isn’t even a boy, putting a lie to the bandname in a far more entertaining fashion than the millions of all-male “girls” bands.

Anyway, that’s certainly an intriguing trio to bring together in one musical combo… but what exactly do you get when you mix an Irish indie-folk troubadour, a punk rock guitarist, and an Americana singer-songwriter? There’s only one way I know of to find out, and that’s to show up at Fuzzy Cactus this Thursday night and see what happens when the three of them take the stage together. It’s sure to be interesting; perhaps even, dare I say… exciting! (Sorry, y’all, but I couldn’t resist.)

Friday, February 21, 7:30 PM
Yamato Drummers present: Jhonetsu — Passion @ Altria Theater – $35 – $43 (order tickets HERE)
It’s not often that an opportunity for something truly unusual comes across our desk here at RVA Must-See Shows headquarters, so when something like this shows up in the local live music environment, we’ve got to make the most of it. Therefore, I encourage you to suck it up, deal with the higher-than-average ticket prices that accompany any night spent at the Altria, and go see Wadaiko Yamato, aka Yamato Drummers, this Friday night.

This group hails from Nara, Japan, a city once known as Yamato, and plays the sort of ensemble drumming native to Japan that’s known in the West as taiko. Wadaiko Yamato are a group made up of around a dozen different drummers, who explore the possibilities of percussion through polyrhythmic dynamics and highly choreographed theatrical dance performances. If you recognize the deep, transformative power of the beat that lies at the heart of music, you’re sure to be captivated and energized by what Wadaiko Yamato bring to the stage. It’s not the kind of thing you’ll see every weekend, either — that’s for sure. Make seeing this one a priority.

Saturday, February 22, 7 PM
Enforced, Alfred, Louderhead, Brain Tourniquet, Serqet @ Gallery 5 – $10
The war on drugs has been a highly damaging initiative of the US government over the past half-century or so. While it has failed to make a significant dent in the use and trafficking of mind-altering substances, it has allowed for a massive increase in the percentage of the US population that is incarcerated, a phenomenon that’s had a disproportionate effect on African Americans and low-income, marginalized folks across the country. This is why it’s heartening to see the first tentative steps being made here in Virginia to move beyond carceral methods of dealing with drug use and trafficking and toward decriminalization and harm reduction initiatives that grass-roots activist groups have been pushing for years.

This Saturday’s event at Gallery 5 will offer you the opportunity to both support these efforts and become part of them yourself… as well as hearing some great music, of course. The evening will begin with a free naloxone training session, then move on to music from Richmond leading lights like dark metallic hardcore ragers Enforced and psychedelic hip hop lyricist Alfred. There’ll also be a performance from Louderhead, who I am guessing is a Motorhead tribute band (always fun). And of course, DC power-violence freaks Brain Tourniquet and local goth-punk heroes Serqet will be in the house as well. The music will be great, the cause is just as great… get involved in this one.

Sunday, February 23, 9 PM
Catfest 4, feat. Cadillac Cat, Young Apollo, Gemi Jhay, Ley Cash, Pyrex Pedro, Civonnee, Balu, Delow, Cassius Kay, Qash, Skyy With 2 Y’s, Lowlifeball, Rasul, Don Chase, Ceo, Dee16Hunna, Mia Money, Lxrd Sleeza, Kaywan, Rascal Grimez, Tyrone Leake Jr., Moochiee @ The Camel – $10 (order tickets HERE)
It’s hard to keep up with the Richmond hip hop scene, and that’s not just because there’s a ton going on in this city. It’s also because hip hop is one music scene that doesn’t seem to have much use for the non-social-media internet, so information is at a premium, and google searches can only do so much. That said, I have been hearing the name Cadillac Cat for a while, so the fact that this jam-packed Sunday evening at The Camel is his fourth annual Catfest isn’t that much of a surprise.

If you also know the name Cadillac Cat, it’s probably because he’s produced a variety of material for Noah-O, including their 2017 full-length collab, Face/Off. These days, he’s working on a project called God Status, and if the video for first track “Free Shine” is any indication, this is going to be a hard-as-fuck street-level attack full of pounding beats and braggadocious flows. Expect something similar from his headlining set at this event. As for the 20-plus other artists performing, expect a crash course in an entire segment of the mid-Atlantic hip hop scene, one that’s sure to teach you a whole lot of shit you can’t learn from the internet.

Monday, February 24, 8 PM
Halfcast, Linden Row, Afib, Madison Turner @ The Camel – Free!
These free “Industry Night” shows the Camel has been throwing lately are intended to give all the people who work difficult shifts in the world of food service every weekend an opportunity to celebrate the end of their week’s busiest time. However, they also help out the Richmond live music preview industrial complex, an industry that I’m pretty sure consists entirely of me. So I’m really glad these exist, as they are sometimes the only thing remotely worth paying attention to on a Monday night — and that’s definitely true this week.

This week’s event offers a pretty strong local lineup, especially for a show that will cost you zero dollars to attend. That lineup is topped by Halfcast, a local trio who mix a chops-conscious metallic approach with alt-rock sensibilities to create crunchy melodic gold. Then there’s Linden Row, an alt-rock combo with plenty of energy and the same sort of mischievous surf-punk feel that shines through prime Pixies material; their set is sure to be a blast. I haven’t heard Afib, but they feature Truman drummer Dylan Anderson stepping out from behind the kit to pick up a guitar and play some indie/emo tunes, and that’s certainly an intriguing concept to me. And of course, Madison Turner, who’ll be playing her alt-punk-indie-folk tunes accompanied by a full band at this gig, is always worth seeing. So show up on time and catch it all. The price is more than fair.

Tuesday, February 25, 7 PM
GARZA, Jouwala Collective @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
Do you like to dance? If you do and you’ve spent any time at all in the state of Virginia, you’re sure to be familiar with the work of Rob Garza, better known as one half of the legendary DC duo Thievery Corporation. Thievery Corporation has been active for over two decades and show no signs of slowing down; indeed, they recently announced a new LP coming in the spring. However, Garza’s creative mind is always restless, and so he has brought us GARZA, a project initially born from his desire to write music for other people.

In the end, he couldn’t bear to give the music he’d come up with away, and it was released late last year on an EP entitled Where The Moon Hides, which finds Garza collaborating with vocalists Seann Bowe and EMELINE to create some lovely, immersive electronic melodies that increase the pop quotient of Garza’s Thievery Corporation work without losing that pulse that always keeps your feet moving. GARZA will utilize a whole ensemble of singers and live instruments to wonderfully recreate these tunes in a live setting at the Broadberry this Tuesday night. Be sure to wear your dancing shoes for this one.

Elsewhere Around The State:

Thursday, February 20, 7 PM
Summer Salt, Okey Dokey, Breakup Shoes, Berries @ Elevation27 (Virginia Beach) – $17 in advance/$20 day of show (order tickets HERE)
Groundhog or no groundhog, the fact remains that summer is far away at the moment. Therefore, it’s an especially welcome breath of fresh air that brings Summer Salt to Virginia Beach’s Elevation27 this Thursday night. This Austin Texas group mixes the sweet beach pop of Brian Wilson and the Brazilian bossa nova of artists like Gilberto Gil and Joao Gilberto into a base that is fundamentally indie-pop in nature. The result is the sort of lovely sound that’s sure to please fans of both Paul Simon’s Graceland and Animal Collective’s Feels.

In other words, it’s the perfect late-week listen for a Virginia locked in the late-winter doldrums. And it’s sure to bring a smile to your face even if you do have to don your heavy coat to walk from the club back to the car at the end of the night. The evening will also feature performances from catchy psychedelic indie group Okey Dokey, who hail from Nashville, and some electro-pop sounds from Arizona’s Breakup Shoes. Plus, VA Beach’s own Berries will kick off the evening with some charming indie-pop of their own. A splendid time is guaranteed for all.

Sunday, February 23, 7 PM
Tommy Stinson, Dashdown @ Hive Collective (Norfolk) – $25 – $100 (order tickets HERE)
Wrap up your weekend by spending an intimate evening in the company of Tommy Stinson and his acoustic guitar at Norfolk art gallery the Hive Collective. If you’re not familiar with Tommy Stinson by name, his time as bass player in The Replacements, Guns N’ Roses, and Soul Asylum should certainly let you know why he matters. But what really makes it a good idea for you to go see the man perform solo is the strength of his material as singer and songwriter, both under his own name and as the frontman for Bash And Pop.

That quartet, which released one excellent LP called Friday Night Is Killing Me in the wake of The Replacements’ early-90s breakup, then went their separate ways, got back together a few years ago for a long-awaited, much-belated follow-up called Anything Could Happen, which proved that they still had the spark that made their earlier work so wonderful. Stinson’s relatively recent solo LP, 2011’s One Man Mutiny, was just as great and heartfelt, and you can expect to see the sort of sloppy, sincere talent that’s always been the hallmark of his work on display at this intimate performance, so I highly recommend you get there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Gabe Becerra/Twitter

VA Shows You Must See This Week: November 20 – November 26

Marilyn Drew Necci | November 20, 2019

Topics: Addy, Alfred, Ant The Symbol, Archangel, Beeline, Big Sty, Blackliq, Bonsai Trees, Bravo, C Shreve, Cane, Capital Ale House Music Hall, Chance Fischer, Cole Hicks, David Shultz, Dropping Julia, Dropping Ugly, Easalio, Elevation27, Empath, F.R.E.E., Fan Ran, Femme Funk, gallery 5, Garden Grove Brewing, GIANT, GOOGZ, Gumming, Harli & The House of Jupiter, Illa Styles, Immortal Technique, Intalek, Jarv, Jimbo Mathus, Johnny Ciggs, jonathan vassar, La Dispute, Lance Bangs, Linden Row, Marti, Michael Millions, Nick Woods, Nickelus F, Poor Boys, Radio B, Rah Scrilla, Raw Mom Presents, Recluse Raccoon, Reppa Ton, RVA Rap Elite, Shagwüf, Ships In The Night, shows you must see, Sofia Lakis, The Broadberry, The Canal Club, The Dark Room, The Richmonder, The Southern Cafe, Touche Amore, Trapcry, Trey Burnart Hall, True Body, VV, Wild Pink

FEATURED SHOW
Friday, November 22 & Saturday November 23
Raw Mom Weekend, Night 1: Alfred, Trapcry, Archangel, F.R.E.E.
Night 2: Gumming, True Body, VV, Lance Bangs, Sofia Lakis
@ Gallery 5 – single night: $8 in advance/$10 at the door. Weekend pass: $15 in advance (order tickets HERE)
Hope everyone’s getting their wallets limbered up, their psyches strengthened, and their cars fit for traveling, because it’s that time again! Yes indeed, folks, the holidays are coming sooner than you think — Thanksgiving is a mere eight days away, and Christmas, Hannukah, and Kwanzaa are only a month past that. It’s coming time to see the fam, with all the happiness and terror that entails. But before the holiday season officially kicks in, let’s celebrate our river city fam with the first ever Raw Mom Weekend at Gallery 5.

My old pal Rivanna Youngpool has really outdone herself with this one, bringing two nights of incredible local talent together on the Gallery 5 stage to celebrate the ever-renewing wellspring of talent that is the Richmond music scene. Night one is the night on which we will all dance, featuring hip hop, ambient electro, and psychedelic dance grooves from several different politically-informed artists of color. Rapper Alfred will headline and bring his lysergic beats and tongue-twisting rhymes to keep your ears burning and your feet moving. Trapcry, meanwhile, brings powerful electric funk with a strong social conscience, as Archangel explores spaced-out anime-inspired breakbeats.

That’s Friday night, and on Saturday, night two brings us a whole different approach that’s sure to be equally invigorating. The noisy, quirky, brilliant, powerful punk rock of Gumming tops the bill and promises to trip you out and rip your head off all at the same time. Things will get more gothic at points with sets from True Body and VV, while Lance Bangs will bring you an always-pleasing dose of slack indie rockin’. Sofia Lakis will kick things off with some beats to ensure that there’s plenty of dancing on this night as well. What better way do we have to celebrate the last weekend before the holidays spread their ambivalent malaise across the next six weeks? I can’t think of one.

Wednesday, November 20, 9 PM
Ant The Symbol, GIANT, Johnny Ciggs, Reppa Ton, Rah Scrilla, Jarv, C Shreve @ The Richmonder – Free!
Over here at RVA Mag, we’ve been following the work of Ant The Symbol for a solid decade now, since back when he was still Just Plain Ant of the Just Plain Sounds crew. He’s been growing and maturing as a producer and musician ever since, and over the past few years, his massive collaborative albums have become event listening for the entire RVA hip hop scene whenever he releases one. THE WHAT?! is the latest in a string of Ant The Symbol releases on his post-JPS home of Gritty City Records, and it shows that as time goes on, the man just gets better at making incredible music for the city’s best to spit rhymes over.

That doesn’t mean he’s getting predictable — even his latest crew of collaborators can acknowledge that. The first thing Kels says on his THE WHAT?! track, “My Way,” is, “I love you, Ant, but this beat’s weird.” Speaking personally, that’s why I look forward to each new Ant The Symbol project — where others get predictable, he gets creative. He’s put out so many records I’ve honestly lost count, and he still hasn’t come anywhere near repeating himself. That’s why you should make a point to show up tonight at Gritty City’s longtime live home, which is called The Richmonder instead of Emilio’s now but is still the same dope spot. Ant The Symbol’s gonna join with his Gritty City crew and a whole bunch of other talented rappers from Richmond and beyond to bring you the freshest new sounds this city has to offer, in the form of his new album. Don’t be left asking, “the what?” Show up tonight so you know the answer.

Thursday, November 21, 7 PM
Wild Pink, Addy, Recluse Raccoon, Beeline @ Poor Boys – $5
If you’ve been seeing the phrase “Prsmcat Presents” on a bunch of good shows lately, you’re not the only one — this new booking project from members of Majjin Boo has brought a cornucopia of excellent live music to the city over the past couple months, and established themselves as a name to look out for. This visit from Brooklyn’s own Wild Pink is just the latest positive result of Prsmcat’s efforts around town, many of which have involved the return of rad live sounds to the backroom stage at Poor Boys, the venue formerly known as Flora and, before that, Balliceaux. I can’t imagine anyone having any complaints about that.

Wild Pink are definitely worth spending a Thursday night in the aforementioned back room. On last year’s Yolk In The Fur, it’s clear why this trio dedicated their latest album to the memory of Tom Petty — that recently-departed heartland rocker is an obvious influence for Wild Pink, one they feed through a 21st century sensibility that evokes the best work by The War On Drugs. It’s smooth, comfortable, and ever-so-slightly melancholy, in a manner sure to evoke a sad smile of recognition. Wild Pink will be joined on this weekend-preview night at Poor Boys by some excellent local indie groups as well, foremost among them Recluse Raccoon. The results are sure to charm you.

Friday, November 22, 7:30 PM
Bonsai Trees, Dropping Ugly, Linden Row @ Garden Grove Brewing – Free!
Damn, y’all, I love it when this happens — when I’m poking through a list of bands, all of which I’m unfamiliar with, trying to find the makings of a killer show. I always find something good — this is Richmond, after all; we do live music RIGHT. But it’s rare that I am totally blown away by a band whose name I’ve never even heard before. However, Connecticut’s Bonsai Trees are that rare band.

This talented quartet’s recently-released Learn To Grow LP came out of nowhere to blindside me with its incredible collection of melodic, emotional alt-rock tunes. The more I listen to it, the more stoked I get. At this rate, I’ll be bouncing all over the room by the time they even take the Garden Grove stage Friday night. And whether you’ve heard them before or not, I pretty much guarantee that once they start playing, you’ll be just as over the moon as I am. The fact that their show is free and also features talented RVA combos Dropping Ugly and Linden Row merely sweetens the already-delicious pot. Is that how that particular cliche works? Oh, who cares. All I care about is you going to see Bonsai Trees Friday night. Seriously, do it.

Saturday, November 23, 8 PM
David Shultz, Nick Woods, Jonathan Vassar, Trey Burnart Hall @ Capital Ale House Music Hall – $8 (order tickets HERE)
By now, you’re probably used to seeing “singer-songwriter night” tagged onto certain performances that take place around this city, and you’ve come to expect certain things — talented solo performers who are for the most part just getting started with their musical careers, playing a selection of tunes you probably won’t have heard before but you just might love. This Saturday night show at Capital Ale House’s Richmond Music Hall could accurately be termed a singer-songwriter night as well, but if it were, it’d be a particularly stacked one, featuring as it does multiple Richmond musicians who’ve built decade-plus careers here in the river city.

Take David Shultz, for example. From his days fronting alt-country combo The Skyline to more recent solo acoustic outings and now some brand new tunes created with the assistance of multiple Spacebomb-affiliated creators (perhaps a harbinger of positive things to come?), Shultz has quite the track record going for him — and he’s clearly far from done as a creative musical force. His old pal Nick Woods is similar — once the Richmond-based frontman of indie-folk group Orioles, these days he’s making country-style acoustic music down in Nashville. And of course, Jonathan Vassar’s heartfelt folk-Americana sounds have been a constant here in Richmond for over 15 years now. Trey Burnart Hall is a relative newcomer by comparison, but he’s an incredibly talented one. If it’s a showcase for some of the most talented singer-songwriters this city’s ever produced that you crave, you’re in for a major treat at Capital Ale House this Saturday night.

Sunday, November 24, 6 PM
RVA Rap Elite Season Finale, feat. Team Radio (Radio B, Michael Millions, Cole Hicks, Cane, Intalek) vs Team Petey (Nickelus F, Big Sty, Easalio, Illa Styles, Fan Ran), Bravo vs. Chance Fischer, Big Sty, BlackLiq @ The Dark Room – $10
Battle rap is a strong tradition that dates back to the very dawn of hip hop, but it’s had its ups and downs over the decades. Freestyle battles between talented rappers are definitely on the upswing here in Richmond, though, and have been for the past few years, from the work of the Southpaw Battle Coalition to the star-studded presentations by RVA Rap Elite. This particular event constitutes the 2019 Season Finale for these events, which have relocated with the closing of Champion RVA to The Hofheimer Building’s Dark Room.

RVA Rap Elite majordomo Radio B is really pulling out all the stops for this last event of 2019, too — he and his AGM partner Nickelus F have each formed five-MC teams that will battle it out in a cypher sure to have faces melting and heads exploding all over the Hof. Between Radio B’s enlistment of heavy hitters Michael Millions, Cole Hicks, and more; and Nickelus F’s recruitment of Illa Styles, Fan Ran, and other world-class talents, it’s hard to predict who could prevail in this clash of the hip hop titans. Meanwhile, Bravo and Chance Fischer will strut their own stuff in a battle that’s guaranteed to showcase some devastating rhymes from these two top-level rhyme spitters. And of course, BlackLiq and Big Sty will each bring the fire with sets of their own. If you care at all about hip hop in RVA, you have got to make it out to this one — it really doesn’t get better.

Monday, November 25, 7 PM
Jimbo Mathus @ The Canal Club – $15 (order tickets HERE)
It’s entirely possible that right now, you’re thinking what I was thinking when I first saw this listing: “Jimbo Mathus… do I know who he is?” You almost certainly do, but chances are you know him better as the co-founder and leader of the Squirrel Nut Zippers than you do as a solo performer. Everyone remembers the Zippers from their late 90s hit, “Hell,” but that quick taste of success did them a disservice, as their old-time Dixieland jazz approach got them swept into the “swing revival” dustbin with the Cherry Poppin’ Daddies and old VHS copies of Swingers when the turn of the millennium rolled around.

Meanwhile, Jimbo Mathus was and remains a world-class talent with a wide-ranging creative sensibility that finds him dipping into the worlds of folk, blues, and Southern soul, as he’s proven with his 2019 solo album Incinerator — his fourth under his own name. The album sees him collaborate with former Zippers bandmate Andrew Bird, as well as Lily Hiatt and members of the Drive-By Truckers. The result isn’t that much like your memories of the Squirrel Nut Zippers, but it’s sure to be a hit with anyone who loves heartfelt American music created by truly unique characters that haven’t been homogenized by our country’s creeping suburban wasteland. That’s what you’ll get from Jimbo Mathus, and you’re going to love it.

Tuesday, November 26, 8 PM
La Dispute, Touche Amore, Empath @ The Broadberry – $25 (order tickets HERE)
One of the first articles I wrote for RVA Mag, nearly a decade ago, was about Touche Amore and Pianos Become The Teeth coming to town to perform. While La Dispute wasn’t part of that gig, they were, along with those other two bands, part of the loosely-aligned group known as The Wave. This was a cadre of half a dozen or so bands who formed an affiliation based on their mutual status as groups attempting to thread the needle between emo and hardcore at the dawn of the 2010s. Those groups have gone in a variety of musical directions since then — Pianos Become The Teeth have dropped the screaming and found a deep well of melodic emotion to draw from, Touche Amore have remained closely musically aligned to hardcore even as their exploration of deeply fraught lyrical content has cut ever closer to the bone.

As for La Dispute, 2019 has seen them sign to Epitaph Records and release their first LP in five years, Panorama. On it, vocalist Jordan Dreyer — always the most literarily inclined of The Wave’s songwriters — has gone deeper than ever into his novelistic inclinations, exploring his own emotional responses to trauma and tragedy in the lives of those he cares about over the course of the album’s 10 songs, even as the rest of the band generates dynamic compositions that move from quiet introspection to overwhelming crescendos in a matter of minutes. The result is an incredible musical journey that will have a powerful impact on all who witness it — especially in the live environment La Dispute will create at The Broadberry this Tuesday night. Let it impact you. Be there.

Elsewhere Around The State:

Friday, November 22, 6 PM
Femme Funk, feat. Shagwuf, Ships In The Night, Harli & The House of Jupiter, Dropping Julia, Marti @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
This Friday night in Charlottesville, The Southern Cafe will bring us the third annual celebration of C-ville’s showcase of femme musicians, Femme Funk. This year’s event is set to benefit Planned Parenthood of Charlottesville, and with the kind of peril reproductive rights and women’s health care face in Trump’s America, you’d be hard pressed to find a better cause than this one. Plus, you’ll get to hear a highly diverse set of sounds from Central Virginia performers of a feminine persuasion, and that’s always a joy.

It’s especially a joy when the evening is headlined by the unrestrained rock n’ roll passion of Shagwuf, whose blues-inflected alt-rock has been blowing minds around VA and beyond for quite a few years now. The evening will also feature as wide a variety of sounds as is possible to find in one room on one evening, from Harli & the House Of Jupiter’s powerful soul-punk fusion to Ships In The Night’s dark, ambient electronic sounds to the rootsy pop of Dropping Julia and the indie rocking of Marti. See how much femme artists have to offer the world of Virginia music and take a drive up 64 this Friday night for Femme Funk — you won’t be sorry.

Tuesday, November 26, 7:30 PM
Immortal Technique, GOOGZ @ Elevation27 (Virginia Beach) – $20-$25 (order tickets HERE)
If you’ve just been following the lists of new releases over the past eight years or so, you could be forgiven for thinking that Immortal Technique had retired from the hip hop game. We haven’t gotten any new music out of the most radical rapper in the game since his 2011 collection, The Martyr, and while he swears he’s still working on long-promised fifth album The Middle Passage, there’s no release date as yet. That’s all the more reason to head to Virginia Beach this Tuesday and see Immortal Technique murder the mic, live and in person.

While these days he’s probably better known for his radical left-wing politics due to multiple appearances on the shows of Joe Rogan and (uh) Alex Jones, Technique’s hip hop mixes those politics with some incredibly harsh lyrical content, leaving him somewhere between political rap and outright horrorcore — a dichotomy clearly visible in songs like “Point Of No Return” and “Dance With The Devil.” Regardless of whether you agree with everything Immortal Technique raps about (personally, I’ve never been a fan of his casual use of homophobic slurs), he’s an incredibly talented and provocative MC of the sort who doesn’t come around very often at all. So go see him, because there’s no telling when you’ll get the chance again.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Gumming, by Joey Wharton, via Twitter

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 23 – October 29

Marilyn Drew Necci | October 23, 2019

Topics: Alfred, Antiphons, Berries, Bingo Beer Co, Blacker Face, Brain Drain, Camp Howard, Candy, Capital Ale House Music Hall, Captain Scrunchie, Carnivora, Castle OG, Cut The Architect's Hand, Cyber Twin, Deer Eat Birds, Dozing, Emily Easterly, Future Projektor, gallery 5, Gold Connections, Halloween cover shows, Hotspit, Infant Island, Kevin Ganley, Knocked Loose, LAVA, Majjin Boo, Night Idea, Paper Aliens, Poor Boys, Prabir Trio, Rotting Out, SeeYouSpaceCowboy, She, shows you must see, Smallhands, Spowder, Stick To Your Guns, Taking Meds, Tavishi, The Camel, The Canal Club, The Recreation Center, Toast, Trash Boy, Wine Lips, Wonderland

FEATURED SHOW
Friday, October 25, 8 PM
Majjin Boo, Gold Connections, Castle OG, Antiphons, HotSpit @ The Camel – $5
Mathy, melodic indie rock is a sound that’s in vogue right now, and if you’re anything like me, you might find yourself mostly thinking “Yeah, this stuff is cool,” then going months without giving it another thought. However, Richmond’s own Majjin Boo blows all that faint-praise damnation into a million pieces.

I’ve liked Majjin Boo since their earliest demos, circa 2016 when they were just a quartet, but my esteem rose to a whole new level with the two-song single, “Tension Rod/One Wing,” that they released earlier this year after growing to a six-piece. Out of every new release I’ve heard this year, I’ve probably played those two songs most often. Not just out of Richmond bands, either — I love the new Jamila Woods, Bob Mould, and Mannequin Pussy records, but Majjin Boo has them all beat.

That’s why I am stoked as fuck about the fact that their debut full-length, Go Between, comes out next week on Egghunt Records. And that’s why I’m imploring you to go to The Camel this Friday night and catch their record release show. Complex yet glittering guitar melodies are only the beginning with this band — the dual-vocal harmonies, the dynamic and energetic drumming, and the whole band’s incredible ability to perfectly layer their instruments so six different people combine into one beautiful, seamless whole… well, suffice it to say, this is why Majjin Boo aren’t just another mathy indie band. The bandwagon’s pulling up Friday night at The Camel — jump on it now while the getting’s good.

Wednesday, October 23, 9 PM
Carnivora, Future Projektor, Cut The Architect’s Hand @ Wonderland – $7
Straight out of Salem, Massachusetts, some brutal, witchy metal is coming at you tonight in Shockoe Bottom. Carnivora is a band that’s been around for most of a decade. However, the recently released “Bogdweller” single is their first new material in over four years, and it finds the band heading into some new musical territory, thanks in part to the addition of Haydee Irizarry on vocals. Irizarry is capable of unleashing some gorgeous clean vocals, but for most of this song, she growls with terrifying low-end aggression over riffing that’s heavier than anything Carnivora have done before.

Remarkably, that makes this new single both heavier and more melodic than anything this Massachusetts band has done before. And it’s just one song! Imagine how much more awesomeness they have in store for us. Well, if you make it out to Wonderland tonight, you won’t have to. And you’ll get a bonus in the bargain; Future Projektor is a brand new power trio who bring back the early 90s days when heavy, complex instrumental bands (Breadwinner, Alter Natives, etc) ruled the roost around here. They feature members of Kepone, Gritter, and Honor Role as well, so the lineage is definitely there. Local heavy mainstays Cut The Architect’s Hand will kick this evening off with a solid dose of pounding midtempo grooves. Be there.

Thursday, October 24, 8 PM
Cyber Twin, Trash Boy, Deer Eat Birds @ Bingo Beer Co – Free!
There are a bunch of bands running around Virginia these days with “Twin” in their names, so I can understand why Cyber Twin might confuse you. But to clear things up, this is not Silver Twin, Twin Drugs, Glass Twin, or Two Cars (OK, that last one doesn’t really count) — it’s Cyber Twin, a Harrisonburg-based trio with a delightful resemblance to early Green Day showing through on debut EP Wire. Before they wrote the graduation song or the rock opera, Green Day were just a snotty power-pop band with messy hair, and Cyber Twin are pretty much the same thing, a quarter-century later. What’s not to love about that?

This show also features Philadelphia quartet Trash Boy, who have a ton of fun and make some really great catchy punk noise on their new LP, Who Will Take The Trash Out When We’re Gone? Their anthems for the alienated working class — “Job Interview,” “Piss On Their Graves,” and “Perfect Teeth” notable among them — are great things to hear and sing along with on a Thursday night when you’re just struggling to get through the week. The fact that this show is free will help you make it until payday without dying of boredom, and Deer Eat Birds will get things started with some great rock sounds to ensure that the second you walk in, you’ll have a smile on your face.

Friday, October 25, 8 PM
Camp Howard, Night Idea, Alfred @ Gallery 5 – $10 in advance/$15 day of show (order tickets HERE)
Damn — almost any other week, a Camp Howard record release show would have scored the feature slot. The fact that Majjin Boo put out my favorite record of the year thus far got them the nod, but it’s by a narrower margin than you might think. Camp Howard’s phenomenally structured indie-pop gems have stood head and shoulders above the average here in Richmond for years now, and their new LP, Cañón, is a stunning collection of their best material — now available on local powerhouse Citrus City Records, natch.

So what I’m saying is, you might end up choosing to hit up this Camp Howard record release show at Gallery 5 rather than the Majjin Boo record release show at the Camel, and if you were to do so, I wouldn’t have a single problem with that decision. These boys are moving in a downright Beatlesque direction on some of the new LP’s material, and that’s sure to light Gallery 5 with brilliant rays of sunshine pop this Friday night. With math-rock veterans Night Idea and unorthodox hip hop genius Alfred also on the bill, this show is sure to be a delight. If you’re not at the Majjin Boo show, you damn well better be at this one.

Saturday, October 26, 8 PM
Emily Easterly, Prabir Trio, Kevin Ganley @ Capital Ale House Music Hall – $8 (order tickets HERE)
You might know Emily Easterly as a local musician, if you’ve been around Richmond long enough. Back in 2001, when she was still a high school student, she released her first LP, Assembling Emily, by herself here in Richmond. Education took her to Miami later that year, and she’s been living in Brooklyn for the past decade or so, but whether you classify her as a local musician or not, she’s continued to make memorable sounds that whole time, and her first Richmond show in quite a while is certainly worth checking out, even if you’re young enough not to remember the days when she was making records here (and I know some of you are, which makes me feel a million years old).

Easterly’s most recent release is a 2018 single, “Yellow Leaves,” but she’s right on the cusp of releasing her fifth LP — and first full-length release in a decade — The Blems. In fact, it should be out the day before this show happens, so keep an eye out for copies at the merch table. But first, make sure you focus your full attention on the stage when Easterly is playing, because her riveting, dramatic take on alternative rock is positively gripping, with a dark, foreboding instrumental undercurrent that adds depth to her memorable vocal melodies. Easterly will be joined on this bill by Prabir Trio, featuring the talents of another early-00s Richmond singer-songwriter who’s remained local; and Kevin Ganley, a younger performer most familiar to local audiences as a member of HotSpit. This is going to be a wonderful-sounding night throughout. Be a part of it.

Sunday, October 27, 6 PM
Knocked Loose, Stick To Your Guns, Rotting Out, Candy, SeeYouSpaceCowboy @ The Canal Club – $22.50 (order tickets HERE)
It’s a heavy night of hardcore at The Canal Club, and it’s getting kicked off early so all the energetic teens who love to stagedive and mosh it up can do their thing in the pit. If you’re solidly middle-aged like me, you might want to stand back from this one a bit, since Kentucky’s Knocked Loose bring some serious pit-heaving rage on their latest LP, A Different Shade Of Blue. The vocals have enough of a raw edge to keep this band from descending into outright tough-guy monotony, instead introducing notes of apocalyptic anxiety into their incredibly brutal metallic hardcore pound.

So yeah, basically, you’re moshing. Or maybe headbanging towards the back of the room, depending on how well your hips are holding up these days. And Knocked Loose are bringing quite a few heavy hitters along on this jam-packed bill, so you can expect to be rocking out throughout the night. Veteran hardcore acts Stick To Your Guns and Rotting Out are also performing at The Canal Club this night. Local chaotic hardcore juggernaut Candy are on the bill too, and you can expect them to blow your mind with their noisy, aggressive attack. Plus, fresh off their first LP of all-new material, The Correlation Between Entrance and Exit Wounds, SeeYouSpaceCowboy rounds out this bill with a set of heavy-as-fuck chaotic sasscore that’s sure to get you revved up from moment one. This show’s gonna be mega.

Monday, October 28, 7 PM
Blacker Face, Spowder, Brain Drain, Tavishi @ Poor Boys – $5
Poor Boys, the venue formerly known as Flora, Balliceaux, and — if your memory stretches that far back — the original Bogart’s, has (re)opened their back room, and great sounds have returned to it once again. Let’s all rejoice with this challenging Monday night bill, topped off by Blacker Face. This multi-racial quintet has taken some heat for choosing such a name while also having white members, but co-founder and vocalist Jolene Whatevr has made it clear that she intentionally chose to combine the name and the racial makeup of the lineup, specifically to challenge the biases of their audience — especially the white members of that audience.

If you’re ready for that challenge, you better be ready for a musical challenge as well, because once you get used to how Blacker Face’s members look, you’ll be confronted with their fascinating musical mixture of jazz, postpunk, soul, and experimental music. On their latest LP, Distinctive Juju, the band throws clashing moods into the same songs, alternating between dissonant heaviness and soulful beauty and sometimes even layering them overtop one another. It’s not predictable or easily categorizeable, but Blacker Face definitely is an invigorating listen that is sure to be twice as eye-opening in the live environment. This is one performance you owe it to yourself to catch — even if it does take a few minutes for you to wrap your head around what Blacker Face is doing, the result is sure to be rewarding, and to provoke thought. And, speaking as a white person, I will say that we in particular always need more provocation to use our brains.

Tuesday, October 29, 7 PM
Wine Lips, She, Captain Scrunchie @ The Camel – $10 (order tickets HERE)
I’m inclined to have warm feelings toward Toronto’s Wine Lips, and not because I drink wine, or any other alcohol — you know by now that I don’t. It’s because “Wine Lips” is the name of a song by my favorite outlaw country singer, Lydia Loveless. However, this Canadian trio didn’t go along at all with my expectations before hearing them. Rather than even a touch of country, they bash out some energetic, catchy garage punk with a strong helping of rock n’ roll majesty mixed in. If you dig the more recent work of Ty Segall or Thee Oh Sees, Wine Lips are sure to connect with you.

They’re joined on this Tuesday night Camel bill by She, a group led by Liza Grishaeva and, indeed, formerly known as LIZA. It seems Grishaeva is pivoting towards a band identity rather than a solo project, but that doesn’t diminish the massive atmospheres and mournful ambience of the songs She has released thus far. Perhaps there’ll be a thicker sound backing them this time around? We’ll only know for sure once Tuesday night rolls around. This event will be rounded out by a performance from Captain Scrunchie, whose girls-in-the-garage aesthetic results in some very pleasing tuneage on their recently-released demo. Get ready to rock at this one.

Elsewhere Around The State:

Saturday, October 26, 5 PM
LAVA Halloween Extravaganza, feat. Black Sabbath, The Strokes, Fleetwood Mac, Tom Petty And the Heartbreakers, System of a Down, Pavement @ Toast (Norfolk) – $12 in advance/$15 day of show (order tickets HERE)
OK, so it’s almost Halloween, and you can’t be but so surprised to see shows like this popping up. Musicians love to learn sets of material by bands they love and play shows “in costume” as those other bands on Halloween, and if you’re a music fan, chances are you get a big kick out of it too. Therefore, this LAVA Extravaganza should bring you some delight, as a variety of Hampton Roads-area musicians come together to present the music of their faves on a fun Saturday evening at Toast.

A couple of these sets bring us a single band interpreting their favorites, and these are always pretty intriguing. For example, a Black Sabbath set by progressive soul band Paper Aliens and a System Of A Down set by indie-rockers Berries both inspire questions along the lines of “What’s THAT gonna be like?” Meanwhile, members of Tidewater-area notables like You’re Jovian, Mas Y Mas, LADADA, Mae, The Last Bison, Pet Name, Cupid McCoy, and more will join together to bring us sets of material by The Strokes, Pavement, Tom Petty, and Fleetwood Mac. All of this should be quite enjoyable, and to top all that off, there’s a costume contest too! What’s not to love about this one? So come on, all you Halloween heads! Get in the car this Saturday afternoon and get there.

Sunday, October 27, 6 PM
Taking Meds, Infant Island, Smallhands, Dozing @ The Recreation Center (Fredericksburg) – $5
Taking Meds is the sort of band name that lets you know where you stand right away. Nobody who’s in a super great place in life names their band Taking Meds. And sure enough, their most recent LP, I Hate Me, New York’s Taking Meds give us a collection of melancholy melodies with a powerful underlying crunch that’s sure to evoke memories of Dear You-era Jawbreaker or the last couple of Wonder Years LPs. It’s music for people who are getting older and still not quite finding the place in life where they fit. If you’ve ever felt that way, even for a moment, you’re sure to connect with what Taking Meds is bringing to Fredericksburg this Sunday evening.

They’ll be joined by a few Fredericksburg locals who do a lot to make clear that there is a real honest-to-god scene in that small city halfway between Richmond and DC. Infant Island’s energetic screamo has been buoyed considerably over the past couple years by the band members’ go-getter nature, and their contribution to a recent 4-way split EP shows that they’re only getting better as they go. Expect some serious emotional-musical fireworks from this performance. Fellow Fredericksburghers Smallhands have a hazy yet metallic approach that might make you reach for the term “blackgaze,” but gimmicky terms like that never really convey the full impact of bands like this one, so expect something quite a bit more expansive than that subgenre tag might evoke. The show will be rounded out by the first performance from Richmond melodic hardcore crew Dozing. Overall, this one should be well worth the single hour’s drive north. Make it happen.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

No Genre, No Gender: LGBTQ Music Thrives in Richmond

Alexander Rudenshiold | October 11, 2019

Topics: .gif From God, Alfred, Ana Davis, Angel Flowers, Baby Grill, DJ Archangel, Great Dismal, health brigade, Ice Cream Support Group, Judy Hong, LGBTQ music, Listless, Mitchie Shue, Quiet Year Records, Richmond Doula Project, Richmond music scene, Richmond reproductive freedom project, Sawyer Camden, Sofia Lakis, Space Litter Records, strange matter, Ty Sorrell, Warrington

Our 2019 Fall Pride Guide, in collaboration with VA Pride, is out now! In this article from the magazine, Alexander Rudenshiold dives deep into Richmond’s vibrant LGBTQ music scene.

It’s no secret that Richmond is experiencing a musical renaissance right now. Everywhere you look, there’s something happening in every genre: from metalcore to emo, and experimental hip hop to techno. It’s all happening, it’s all connected, and it’s all LGBTQ. While many of the musicians deemed “culturally relevant” at large are the same cookie-cutter, cisgender, straight white people that they have always been, Richmond’s underground music scene — like so many others across the United States — is run and populated by LGBTQ people.

Perhaps the most prominent recent success from the Richmond LGBTQ community is six-piece metalcore collective .Gif From God, who recently signed to Prosthetic Records: an internationally-distributed metal label known for putting out such titans as Lamb of God, Gojira, and Animals as Leaders. The band has become notable online not just for their punishing riffs, but also for the reactionary homophobic and transphobic rhetoric they’ve received in response to their music. The band exists in an intersection between different communities of LGBTQ people in Richmond, sharing members between scenes — most notably vocalist Mitchie Shue, known widely for their post-metal project Truman, and bassist Sofia Lakis, who also regularly DJs techno music.

“I believe the identities I hold directly shape the way I perceive and experience the world,” said Shue. “Most of what I write about in .Gif is in reference to mistakes I’ve made, frustrations I’ve felt, and a deep feeling of intense hopelessness, surrounding the circumstances of my existence and the people I care about.”

*Sofia Lakis performs with .Gif From God. Photo by Courage Music Photography*

Both Shue and Lakis also play guitar in the six-piece “revenge” band Listless, which has recently made appearances at DIY festivals up and down the East Coast. Shue elaborates that much of the content in both of these bands is focused around holding individuals accountable, and that “actions have consequences, and the ways in which we carry ourselves through the world hold weight and meaning.”

“I feel like these identities have shaped my perspective and experiences in both obvious and imperceptible ways, but at the end of the day, I make music to please my own palette,” said Lakis, an out bisexual trans woman. “I draw inspiration from my environment and my experience of it, and that experience is affected by my gender and sexual identity to varying degrees in any given situation.”

As a guitarist in Listless, Lakis said that most of her inspiration comes from sources of anger. “A lot is derived from my identity rubbing against the grain of my environment, or a self-loathing somberness and resentment stemming from dysphoria, disillusionment, and trauma.” With .Gif however, she thinks of things as a bit “cheekier,” specifically with regards to the genre typing of the band as “sasscore.”

*DJ Sofia Lakis. Photo by Sarmistha Talukdar*

“Sasscore is hard to define in strict musical terms, but there is a sort of queer connotation to it,” she said. “That goes along with certain sounds and tropes that basically serve as the hardcore/metal equivalent of ‘camp,’ referring to the more ‘effeminate’ qualities of some emo/screamo, mixed with a kind of off-kilter ‘lol, I’m so random’ humor trafficked by myspace-era scene kid memes.”

On top of all this, Lakis also books a series of electronic music showcases under the name “Formula,” aimed at bringing together the many dance scenes in Richmond. She directly credits the LGBTQ community with the success of these events. “LGBT+ artists were at the forefront of this party because we were the ones facilitating it,” she said. “And to a large degree, LGBT+ artists are the ones leading the charge in the Richmond dance music scene.”

Shue and Lakis find themselves at the intersection of two of Richmond’s most prominent LGBTQ music communities, the Great Dismal collective and Ice Cream Support Group. Shue, through Great Dismal, is responsible for many of the most notable offbeat metal and punk shows happening in Richmond booking prominent bands like The HIRS Collective and Soul Glo. The shows also give back to the local community, by donating a portion of the proceeds from each show to organizations working towards positive change, like the Richmond Reproductive Freedom Project and the Richmond Doula Project.

Ice Cream Support Group is a collective of electronic artists organized by Angel Flowers (a.k.a. DJ Archangel), who regularly throw dance parties called “Ice Cream Socials” as fundraisers for some of the same organizations supported by Great Dismal. The Socials serve as an important springboard for DJs like Lakis, a place for them to experiment and find their sound. These groups represent a community which, while differing in some interests, comes together through the principles of what Shue calls “values-based organizing and mutual aid” — coming together around common goals and, despite their differences, supporting one another when they’re able.

Another vibrant new group on the scene is Space Litter Records, a community space run by Ana Davis and Sawyer Camden, both members of emo band Warrington. Since starting in February of this year, Space Litter has become a hub for DIY organizers across Richmond. They lend their space and time seemingly without limit and book their own shows, specifically with the intention to highlight marginalized voices. Davis explains that her identity affects the way she books shows, and that she specifically looks to book groups which aren’t entirely straight and white. “It feels good to see people performing who might not have had their parents pay for their instruments and lessons,” she said. “[People] who make DIY look and feel different for once.”

On top of affecting Space Litter’s booking practices, Camden, a trans man, said that his identity affects his songwriting as well (even if indirectly). “I honestly only have one song that’s actually about my trans identity, and dealing with that as a human,” he said. “But my identity shapes my whole life, and I sing mostly about my depression and anxieties, with very few songs about love and relationships. Oftentimes that stems from my ‘gay/trans lifestyle.’”

*Sawyer Camden of Warrington. Photo via Warrington/Bandcamp*

Critically, Richmond’s underground hip-hop and rap scene is also making major moves, particularly since LGBTQ rapper Alfred. released their latest album LIKE YOU!! on the notable indie label Topshelf Records, in conjunction with the joint Richmond-Brooklyn operation Citrus City Records. They, along with producer/rapper Ty Sorrell and noise rap duo BLVCKPUNX (of which DJ Archangel is a member) are leading a new wave of hip hop artists in Richmond exploring gender and sexuality through classic and experimental forms.

“I see [Great Dismal and Space Litter] making an effort to make connections across different genres, and bringing people together by simply providing spaces where marginalized people can feel safe and welcomed.” said Judy Hong. “[They] have been so gracious to me by booking and supporting me during my time in Richmond.” Hong, a non-binary/agender Korean-American and frontperson of indie rock band Baby Grill, and the mastermind behind longstanding label Quiet Year Records, also spoke to the hardships of being a QPOC (queer person of color) in music. “Whether it’s while playing shows, recording, or working with music journalists, the relationships I have with the people around me have largely shaped my experiences.”

They stress that there are a great number of practical issues which limit the access for many marginalized people to participate in this type of music. “Who has the PA, the recording studios, the booking calendars, the online platforms?” they ask. “Who will take me seriously and show they can respect me as a person?” For them, finding ways to connect with people higher up in the music industry is a challenge. “It’s still cis, straight, and white-dominated, and I’m just not around many people like that anymore — but that’s who’s calling the shots in the music industry, that’s who I have to get the attention of and impress. It’s discouraging sometimes, for sure.”

*Judy Hong of Baby Grill. Photo by Rin Kim, via Baby Grill/Facebook*

Despite setbacks like policing of DIY venues and closures of venues like Strange Matter, Richmond’s LGBTQ music scene has persisted and thrived, particularly in the past year. There’s a pervading sense of positivity that enmeshes its members, a sense of community that’s uniquely entwined seemingly-disparate genres into one giant web of support.

“Moving to Richmond from Columbia, SC — four, going on five years ago — was one of the best things I ever did for myself,” said Lakis, who credits the community here in Richmond with empowering her transition. “The resources provided by local organizations like Health Brigade are what brought me here, seeking residency and a chance to begin some form of medical transition. Along with those resources, I found a community full of the most supportive and generous people I’ve ever met, and I’ve made more friends than I could’ve imagined in a relatively short amount of time.”

Hong’s feelings echo Lakis’s. “I have a lot of love for the queer and trans people of color in Richmond,” they say. “While there’s still a lot of violence against LGBTQ people here (and everywhere), there’s pockets of joy and solidarity that make being here worth everything.”

“Being a queer POC in Richmond is actually sick because there are so many of us around,” said Davis. “It’s nice not to feel like such a freak in a town full of them.”

“Also,” adds Lakis, “it’s a pretty good place for a girl to find a date.”

Top Photo: .Gif From God at Gallery 5. Photo by Erik Phillips

VA Shows You Must See This Week: September 18 – September 24

Marilyn Drew Necci | September 18, 2019

Topics: Alfred, Benderheads, Bon Ki, Brown's Island, Calebfolks, Captain Scrunchie, Clowns, Cory Wong, Crimson Heat, DJ Sam Slug, Dummies, Elevation27, Fuzzy Cactus, Howlin' Rain, Irreal, J. Roddy Walston & The Business, Kyshona, McKinley Dixon, Mojo's, Noiro Zepol, Parsnip, Pharmakon, Plan 9 Music, Rome Hero Foxes, Shonen Knife, shows you must see, Sinister Haze, Smooth Hound Smith, Stone brewing, Suppression, Talk Me Off, Tavishi, The Camel, The Happy Fits, The Long Ryders, The Red Skulls, The Southern Cafe, Thin Pigeon, This Wild Life, VV, Waxjaw, White Denim, Wonderland

FEATURED SHOW
Saturday, September 21, 3 PM
Stone’s Throw Down In RVA, feat. White Denim (Photo by Barnaby Fairley), J. Roddy Walston & The Business, Cory Wong, Howlin’ Rain, The Long Ryders @ Brown’s Island – $20 (order tickets HERE)
The seasons are changing, y’all. The Autumnal Equinox, one of two days every year in which the sun is up for exactly 12 hours and down for the other 12, will arrive on Monday and mark the first day of fall. Therefore, this makes Saturday and Sunday the official Last Weekend Of Summer. And you know you’re gonna want to make that count. Fortunately for us all, Stone Brewing is here to help, having scheduled their annual Stone’s Throw Down In RVA celebration at Brown’s Island this Saturday afternoon and evening. And you’re going to want to be there.

A duo of massive modern rock n’ roll juggernauts are ready, willing, and able to offer top-quality assistance with making this not only the last but the best weekend of your entire Summer 2019. J Roddy Walston & The Business are the hometown boys, and will wrap the whole evening up in wonderful fashion with the piano-driven down-home rock sound we’ve all come to know and love. Their best-known riff monster may still be 2013’s “Heavy Bells,” from their ATO Records debut, Essential Tremors, but 2017 follow up Destroyers Of The Soft Life offered a pretty massive dose of rock power in its own right, from that incredible title down to the soaring high points of singles like “The Wanting” and “You Know Me Better.”

They’ll be sharing the top of the bill with Texas boogie rockers White Denim, who won my heart back when they released their 2016 monsterpiece of funky Southern rock, Stiff. Since then, they’ve released not one but two more albums, including this spring’s Side Effects — their ninth studio album in just under 11 years, so these guys certainly don’t slow down. The new LP proves that their adeptness with tunes that rock you hard while keeping your body moving on the dance floor is totally undiminished. Come find out for yourself at Brown’s Island this Saturday, and enjoy tunes from rock n’ roll veterans like Howlin’ Rain, Cory Wong, and reunited first-wave Paisley Underground legends The Long Ryders. It’s gonna be a top-notch afternoon of classic rock n’ roll, and the perfect way to say sayonara to summer 2019.

Wednesday, September 18, 9 PM
Pharmakon, Suppression, Tavishi, Noiro Zepol @ Wonderland – $10
Experimental noise artist Pharmakon has never exactly been an easy listen. The solo project of New York native Margaret Chardiet is based around terrifying screams, atonal synth loops, and industrial samples, and while the strong structures of Pharmakon’s music has always made it slightly more accessible than that of your average harsh noise project — think Merzbow — it’s still the kind of thing that could send anyone who isn’t adequately prepared for what’s coming running from a room at top speed. What’s wild is that on their latest album, Devour, released earlier this year, Pharmakon has moved even further in the direction of confrontational noise havoc. Chardiet’s vocals are even more shocking, rising to the outright monstrous level of Alan Dubin’s work with doom/noise project Khanate.

OK, look, I know that those of you who aren’t into testing the limits of the boundary between music and noise may not be catching any of my reference points — and that’s fine. But what you do need to know is that, if you’ve ever found anything enjoyable in the world of angry, noisy, extreme music of any kind, you’re going to want to see Pharmakon tonight. Not only is Chardiet a riveting performer, her compositions have an unusual ability to push beyond the cold intellectual facade of most experimental noise and reach the listener on a deep emotional level. If you haven’t experienced it yet, you owe it to yourself to do so at least once — even if it terrifies you. The terror is the point.

Thursday, September 19, 7:30 PM
Shonen Knife, Talk Me Off, Captain Scrunchie @ The Camel – $17 in advance/$20 at the door (order tickets HERE)
I’m not sure how well young music fans know the name Shonen Knife, but if they don’t, they certainly should. This trio of Japanese women, who released their first LP of catchy melodic punk back in 1982, were instrumental in bringing international attention to the underground punk scene of Japan. They weren’t as unhinged as GISM nor as caustic as Gauze, but that very fact made their heavily Ramones-influenced music approachable by music fans all over the world — and they quickly fell in love. High-profile fans like Kurt Cobain, Thurston Moore, and Steven McDonald of Redd Kross helped ensure that Shonen Knife became a name known all over the alt-rock world.

Today, Shonen Knife has over 20 albums to their credit, and they’re still going strong, releasing latest full-length Sweet Candy Power just a few months ago. The title track still retains the same mix of garage rock grit, DIY spirit, and pure pop goodness that made past Shonen Knife high points like “Twist Barbie,” “Antonio Baka Guy,” and “Catnip Dream” such classic tunes. This show is sure to be full of fun singalongs and big smiles, and if you aren’t part of it, you’ll be missing out, so get together with your friends tomorrow night and let’s knife.

Friday, September 20, 7 PM
McKinley Dixon, Alfred, Bon Ki @ Plan 9 Music – Free!
Richmond hip hop is taking things to the next level, and that’s true in all facets of the scene. McKinley Dixon is a prime example — not only has his focus on killer live performances and frequent tours helped him to gain fans all over the country, he’s reached some pretty influential ears. For proof, look no further than his brand new single, for which this free in-store at Plan 9 acts as a release party. The two song vinyl EP, “Anansi, Anansi” b/w “Wit These,” is coming out as part of the Document Series by powerful midwestern label Saddle Creek.

The Nebraska label made their name releasing legends of post-Y2K emo like Cursive and Bright Eyes, but with the Document Series, they hope to offer a higher profile to work from emerging underground artists all over the world. And of course, there’s no Richmond artist more deserving of this attention than McKinley Dixon, whose powerful hip hop is some of the best music being made locally in any genre, and whose A-side for the Document Series single just might constitute a new career high. Join Dixon, along with fellow local hip hop up-and-comer Alfred (who himself just released Like You!! on Topshelf Records) and newcomers Bon Ki. This one’s gonna be a blast.

Saturday, September 21, 9 PM
Sinister Haze, The Red Skulls, Crimson Heat @ Mojo’s – $5
By late this Saturday evening, you may well have had your fill of rock n’ roll out at Brown’s Island. But if you still want more, you should definitely head over to Mojo’s by 9 PM this Saturday night to catch a triple-threat banger of Virginia-area bands that are underrated, unexpected, and ready to blow your mind. Sinister Haze is at the top of the bill, and while this band has gone through periods of obscurity over the past couple of years, they’ve undergone a bit of lineup revision recently, and are now, if rumors are true (don’t quote me), on the cusp of releasing a new EP. This spaced-out psychedelic doom group showed exactly how heavy they could get on 2017’s Emperor Of Dreams, and if you’re hungry for more — and you should be — Mojo’s is the perfect place to be this Saturday night.

The Haze boys will be joined by a band who have, over the past decade-plus, been far more discussed than seen: The Red Skulls, a Roanoke-based early-2000s rock n’ roll project led by the Lunsford brothers: Joe (Avers/Peace Beast) and Sam (The Young Sinclairs/Stimulator Jones). I’m not sure what’s caused the two brothers to reunite their 2002-era garage rock quartet, but if their reputation for wild shows full of top-volume craziness is even somewhat justified, we’re all gonna be glad they’re back. Mysterious local newcomers Crimson Heat will kick off this show featuring just the right amount of bands (three. The number is three), so show up on time and grab yourself a cheesesteak. You won’t be sorry.

Sunday, September 22, 9 PM
Irreal, Benderheads, Dummies @ Fuzzy Cactus – $8
Here’s your entrance exam for this show. Don’t panic, it’s only one question long. Ready? Which band do you more readily associate with the genre term “hardcore”? A: Hatebreed. B: Anti-Cimex. If you answered B, congratulations — this is the show for you. Irreal is a hardcore punk band from Catalonia’s capital city of Barcelona, and they’ve got that same sort of blown-out rage with strong influences from Discharge and Gauze that you can find in classic Scandinavian hardcore (i.e. Anti-Cimex).

However, they’ve updated it with a creative passion that makes their new album a particularly fascinating listen, even if you don’t own at least a dozen black T-shirts with the sleeves cut off. The album in question, Fi Del Mon, actually comes out between when I’m writing this now and when this show is happening this Sunday. Ideally that means you’ll be able to pick up a vinyl copy for yourself after you storm up a raging circle pit on the floor at Fuzzy Cactus. Even if you haven’t got the scratch for vinyl right now, though, you’re gonna want to be there — this one’s going to be a real ripper. Especially in light of the fact that Irreal will be joined by local punk stalwarts Benderheads and D-beat newcomers Dummies, who apparently feature members of Haircut and Cement Shoes. That’s all the endorsement you should need to show up on time and ready to go off.

Monday, September 23, 9 PM
Parsnip, VV, DJ Sam Slug @ Fuzzy Cactus – $8
I know a parsnip is a vegetable, but I can’t remember if I actually know it under a different name. Let me do a quick Google… [Wait, is she serious? How unprofessional -ed.] OK no, it turns out that parsnips are just called parsnips, and they’re sorta like carrots and sorta like parsley, and… I’m pretty sure I’ve never eaten them. But we’re not here to talk about vegetables, we’re here to talk about bands — specifically the Parsnip that is an Australian band and not the one that I’m pretty sure has never showed up on my dinner plate.

The Australian band Parsnip is not too different from Japanese band Shonen Knife, who we talked about a little earlier — their music is poppy, catchy, and fun, but has a DIY production feel and carries obvious influences from punk and garage rock. The way they mix these two aspects together on brand-new debut LP When The Tree Bears Fruit makes for a very fun listen, and if you enjoyed smiling and bopping along with Shonen Knife at the Camel a few days before, you’re never going to regret doing the same thing again on Monday night at Fuzzy Cactus. Local punks VV are quite a bit weirder, and their music has veered in a decidedly “postpunk” direction over the last year or so, but if you loved their earlier material, you’re sure to have a blast with them at this show too. They’ll offer the perfect acidic counterpoint to Parsnip’s poppy sweetness. And Feel It Records head honcho DJ Sam Slug will be on hand to spin some tunes and get us all in the mood, so this is sure to be a great night all around.

Tuesday, September 24, 9 PM
Clowns, Waxjaw, Thin Pigeon @ Wonderland – $10
Australian punk is always a lot of fun, and Clowns are no exception. This Melbourne punk band are worldwide thanks to their Fat Wreck Chords deal, which brought us their latest LP, Nature/Nurture, earlier this year. It’s a whole ton of fun, bringing the skate-style upbeat melodic punk that we all expect from labels like Fat a big infusion of Aussie-style rollicking garage noise. This Tuesday-night rager marks Clowns’ first time coming through RVA — indeed, this tour is their first-ever jaunt to the East Coast — so it should be a proper fun time in the works! Make sure you’re part of it.

Clowns are joined on this trip through town by Huntington, WV queer punks Waxjaw, whose brand new LP, A Collection of Rituals In Sound, finds them mixing occult-vibe postpunk sounds with a strong sense of ringing melody that ensures this album is still a great deal of fun to listen to. We can surely expect a similar sort of fun from their live performance, and from that of Richmonders Thin Pigeon, who’ll kick off this whole shebang down in Shockoe Bottom! Liven up your midweek with this one, folks.

Elsewhere Around The State:

Friday, September 20, 6:30 PM
Smooth Hound Smith, Kyshona @ The Southern Cafe – $12 (order tickets HERE)
The one-man-band musical formula is one that’s become familiar over several decades, especially if you enjoy that roots-rock/Americana style that’s so conducive to this musical approach. You know the deal — guitar in the hands, drums at the feet, maybe a harmonica on a neck stand, and some heartfelt vocals. Smooth Hound Smith’s Zack Smith does pretty much all of that stuff, but he’s not the only member of this group — he’s joined by his wife, Caitlin Doyle-Smith, who contributes auxiliary percussion and some all-important vocal harmonies to give this band a whole lot more depth than you’d expect from their rudimentary setup.

While Smooth Hound Smith are certainly capable of busting out some raucous down-home rock n’ roll when the occasion calls for it, their latest LP, Dog In A Manger, finds them stretching out in multiple other directions, dipping into Southern soul, sweet folk balladry, and alt-country twang. If any of that sort of thing appeals to you, chances are you’re going to love seeing this two-person one-man band in action. They’ll be accompanied at this performance by Nashville soul-blues singer Kyshona, who’s sure to move you with her powerful, politically-informed tuneage. Show up on time for this one.

Saturday, September 21, 7 PM
This Wild Life, The Happy Fits, Rome Hero Foxes, Calebfolks @ Elevation27 – $16 (order tickets HERE)
The idea of acoustic emo might seem like something recent, like it only showed up once Evan Thomas Weiss of Into It. Over It. or Kevin Morby started touring with just an acoustic guitar. However, it’s actually got a pretty long tradition, one that stretches back to my mid-90s salad days of seeing house show sets by solo artists like Keith Welsh or Tom LoMacchio. This Wild Life approach things a bit differently, augmenting Kevin Jordan’s acoustic guitar and heartfelt vocals with electric guitar melodies and vocal harmonies from Anthony Del Grosso, but the percussionless, melody-first results of their approach are decidedly familiar both to vets of Vinnie Caruana and Geoff Rickly’s Acoustic Basement Tour from a couple of years ago and those of us who saw these kinds of acoustic sets in actual basements over a decade ago.

This Wild Life bring a particularly lovely flavor to their take on the acoustic sound, which makes them a welcome addition to a scene ususally much more dependent on percussion and distortion. On last year’s Petaluma LP, This Wild Life avoided the temptation to make their acoustic songs lightweight tunes about love and flowers, instead tackling difficult subjects that lie at the heart of life’s difficult moments and offering catharsis and support through their delightful melodies. You can certainly enjoy their music as you lie alone in your darkened bedroom, but it’s sure to be far more fulfilling to see This Wild Life perform live in a bright room full of smiling faces. So head to Elevation27 this Saturday night and let their music surround you. It’s gonna be beautiful.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

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