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VA Shows You Must See This Week: November 20 – November 26

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FEATURED SHOW
Friday, November 22 & Saturday November 23
Raw Mom Weekend, Night 1: Alfred, Trapcry, Archangel, F.R.E.E.
Night 2: Gumming, True Body, VV, Lance Bangs, Sofia Lakis
@ Gallery 5 – single night: $8 in advance/$10 at the door. Weekend pass: $15 in advance (order tickets HERE)
Hope everyone’s getting their wallets limbered up, their psyches strengthened, and their cars fit for traveling, because it’s that time again! Yes indeed, folks, the holidays are coming sooner than you think — Thanksgiving is a mere eight days away, and Christmas, Hannukah, and Kwanzaa are only a month past that. It’s coming time to see the fam, with all the happiness and terror that entails. But before the holiday season officially kicks in, let’s celebrate our river city fam with the first ever Raw Mom Weekend at Gallery 5.

My old pal Rivanna Youngpool has really outdone herself with this one, bringing two nights of incredible local talent together on the Gallery 5 stage to celebrate the ever-renewing wellspring of talent that is the Richmond music scene. Night one is the night on which we will all dance, featuring hip hop, ambient electro, and psychedelic dance grooves from several different politically-informed artists of color. Rapper Alfred will headline and bring his lysergic beats and tongue-twisting rhymes to keep your ears burning and your feet moving. Trapcry, meanwhile, brings powerful electric funk with a strong social conscience, as Archangel explores spaced-out anime-inspired breakbeats.

That’s Friday night, and on Saturday, night two brings us a whole different approach that’s sure to be equally invigorating. The noisy, quirky, brilliant, powerful punk rock of Gumming tops the bill and promises to trip you out and rip your head off all at the same time. Things will get more gothic at points with sets from True Body and VV, while Lance Bangs will bring you an always-pleasing dose of slack indie rockin’. Sofia Lakis will kick things off with some beats to ensure that there’s plenty of dancing on this night as well. What better way do we have to celebrate the last weekend before the holidays spread their ambivalent malaise across the next six weeks? I can’t think of one.

Wednesday, November 20, 9 PM
Ant The Symbol, GIANT, Johnny Ciggs, Reppa Ton, Rah Scrilla, Jarv, C Shreve @ The Richmonder – Free!
Over here at RVA Mag, we’ve been following the work of Ant The Symbol for a solid decade now, since back when he was still Just Plain Ant of the Just Plain Sounds crew. He’s been growing and maturing as a producer and musician ever since, and over the past few years, his massive collaborative albums have become event listening for the entire RVA hip hop scene whenever he releases one. THE WHAT?! is the latest in a string of Ant The Symbol releases on his post-JPS home of Gritty City Records, and it shows that as time goes on, the man just gets better at making incredible music for the city’s best to spit rhymes over.

That doesn’t mean he’s getting predictable — even his latest crew of collaborators can acknowledge that. The first thing Kels says on his THE WHAT?! track, “My Way,” is, “I love you, Ant, but this beat’s weird.” Speaking personally, that’s why I look forward to each new Ant The Symbol project — where others get predictable, he gets creative. He’s put out so many records I’ve honestly lost count, and he still hasn’t come anywhere near repeating himself. That’s why you should make a point to show up tonight at Gritty City’s longtime live home, which is called The Richmonder instead of Emilio’s now but is still the same dope spot. Ant The Symbol’s gonna join with his Gritty City crew and a whole bunch of other talented rappers from Richmond and beyond to bring you the freshest new sounds this city has to offer, in the form of his new album. Don’t be left asking, “the what?” Show up tonight so you know the answer.

Thursday, November 21, 7 PM
Wild Pink, Addy, Recluse Raccoon, Beeline @ Poor Boys – $5
If you’ve been seeing the phrase “Prsmcat Presents” on a bunch of good shows lately, you’re not the only one — this new booking project from members of Majjin Boo has brought a cornucopia of excellent live music to the city over the past couple months, and established themselves as a name to look out for. This visit from Brooklyn’s own Wild Pink is just the latest positive result of Prsmcat’s efforts around town, many of which have involved the return of rad live sounds to the backroom stage at Poor Boys, the venue formerly known as Flora and, before that, Balliceaux. I can’t imagine anyone having any complaints about that.

Wild Pink are definitely worth spending a Thursday night in the aforementioned back room. On last year’s Yolk In The Fur, it’s clear why this trio dedicated their latest album to the memory of Tom Petty — that recently-departed heartland rocker is an obvious influence for Wild Pink, one they feed through a 21st century sensibility that evokes the best work by The War On Drugs. It’s smooth, comfortable, and ever-so-slightly melancholy, in a manner sure to evoke a sad smile of recognition. Wild Pink will be joined on this weekend-preview night at Poor Boys by some excellent local indie groups as well, foremost among them Recluse Raccoon. The results are sure to charm you.

Friday, November 22, 7:30 PM
Bonsai Trees, Dropping Ugly, Linden Row @ Garden Grove Brewing – Free!
Damn, y’all, I love it when this happens — when I’m poking through a list of bands, all of which I’m unfamiliar with, trying to find the makings of a killer show. I always find something good — this is Richmond, after all; we do live music RIGHT. But it’s rare that I am totally blown away by a band whose name I’ve never even heard before. However, Connecticut’s Bonsai Trees are that rare band.

This talented quartet’s recently-released Learn To Grow LP came out of nowhere to blindside me with its incredible collection of melodic, emotional alt-rock tunes. The more I listen to it, the more stoked I get. At this rate, I’ll be bouncing all over the room by the time they even take the Garden Grove stage Friday night. And whether you’ve heard them before or not, I pretty much guarantee that once they start playing, you’ll be just as over the moon as I am. The fact that their show is free and also features talented RVA combos Dropping Ugly and Linden Row merely sweetens the already-delicious pot. Is that how that particular cliche works? Oh, who cares. All I care about is you going to see Bonsai Trees Friday night. Seriously, do it.

Saturday, November 23, 8 PM
David Shultz, Nick Woods, Jonathan Vassar, Trey Burnart Hall @ Capital Ale House Music Hall – $8 (order tickets HERE)
By now, you’re probably used to seeing “singer-songwriter night” tagged onto certain performances that take place around this city, and you’ve come to expect certain things — talented solo performers who are for the most part just getting started with their musical careers, playing a selection of tunes you probably won’t have heard before but you just might love. This Saturday night show at Capital Ale House’s Richmond Music Hall could accurately be termed a singer-songwriter night as well, but if it were, it’d be a particularly stacked one, featuring as it does multiple Richmond musicians who’ve built decade-plus careers here in the river city.

Take David Shultz, for example. From his days fronting alt-country combo The Skyline to more recent solo acoustic outings and now some brand new tunes created with the assistance of multiple Spacebomb-affiliated creators (perhaps a harbinger of positive things to come?), Shultz has quite the track record going for him — and he’s clearly far from done as a creative musical force. His old pal Nick Woods is similar — once the Richmond-based frontman of indie-folk group Orioles, these days he’s making country-style acoustic music down in Nashville. And of course, Jonathan Vassar’s heartfelt folk-Americana sounds have been a constant here in Richmond for over 15 years now. Trey Burnart Hall is a relative newcomer by comparison, but he’s an incredibly talented one. If it’s a showcase for some of the most talented singer-songwriters this city’s ever produced that you crave, you’re in for a major treat at Capital Ale House this Saturday night.

Sunday, November 24, 6 PM
RVA Rap Elite Season Finale, feat. Team Radio (Radio B, Michael Millions, Cole Hicks, Cane, Intalek) vs Team Petey (Nickelus F, Big Sty, Easalio, Illa Styles, Fan Ran), Bravo vs. Chance Fischer, Big Sty, BlackLiq @ The Dark Room – $10
Battle rap is a strong tradition that dates back to the very dawn of hip hop, but it’s had its ups and downs over the decades. Freestyle battles between talented rappers are definitely on the upswing here in Richmond, though, and have been for the past few years, from the work of the Southpaw Battle Coalition to the star-studded presentations by RVA Rap Elite. This particular event constitutes the 2019 Season Finale for these events, which have relocated with the closing of Champion RVA to The Hofheimer Building’s Dark Room.

RVA Rap Elite majordomo Radio B is really pulling out all the stops for this last event of 2019, too — he and his AGM partner Nickelus F have each formed five-MC teams that will battle it out in a cypher sure to have faces melting and heads exploding all over the Hof. Between Radio B’s enlistment of heavy hitters Michael Millions, Cole Hicks, and more; and Nickelus F’s recruitment of Illa Styles, Fan Ran, and other world-class talents, it’s hard to predict who could prevail in this clash of the hip hop titans. Meanwhile, Bravo and Chance Fischer will strut their own stuff in a battle that’s guaranteed to showcase some devastating rhymes from these two top-level rhyme spitters. And of course, BlackLiq and Big Sty will each bring the fire with sets of their own. If you care at all about hip hop in RVA, you have got to make it out to this one — it really doesn’t get better.

Monday, November 25, 7 PM
Jimbo Mathus @ The Canal Club – $15 (order tickets HERE)
It’s entirely possible that right now, you’re thinking what I was thinking when I first saw this listing: “Jimbo Mathus… do I know who he is?” You almost certainly do, but chances are you know him better as the co-founder and leader of the Squirrel Nut Zippers than you do as a solo performer. Everyone remembers the Zippers from their late 90s hit, “Hell,” but that quick taste of success did them a disservice, as their old-time Dixieland jazz approach got them swept into the “swing revival” dustbin with the Cherry Poppin’ Daddies and old VHS copies of Swingers when the turn of the millennium rolled around.

Meanwhile, Jimbo Mathus was and remains a world-class talent with a wide-ranging creative sensibility that finds him dipping into the worlds of folk, blues, and Southern soul, as he’s proven with his 2019 solo album Incinerator — his fourth under his own name. The album sees him collaborate with former Zippers bandmate Andrew Bird, as well as Lily Hiatt and members of the Drive-By Truckers. The result isn’t that much like your memories of the Squirrel Nut Zippers, but it’s sure to be a hit with anyone who loves heartfelt American music created by truly unique characters that haven’t been homogenized by our country’s creeping suburban wasteland. That’s what you’ll get from Jimbo Mathus, and you’re going to love it.

Tuesday, November 26, 8 PM
La Dispute, Touche Amore, Empath @ The Broadberry – $25 (order tickets HERE)
One of the first articles I wrote for RVA Mag, nearly a decade ago, was about Touche Amore and Pianos Become The Teeth coming to town to perform. While La Dispute wasn’t part of that gig, they were, along with those other two bands, part of the loosely-aligned group known as The Wave. This was a cadre of half a dozen or so bands who formed an affiliation based on their mutual status as groups attempting to thread the needle between emo and hardcore at the dawn of the 2010s. Those groups have gone in a variety of musical directions since then — Pianos Become The Teeth have dropped the screaming and found a deep well of melodic emotion to draw from, Touche Amore have remained closely musically aligned to hardcore even as their exploration of deeply fraught lyrical content has cut ever closer to the bone.

As for La Dispute, 2019 has seen them sign to Epitaph Records and release their first LP in five years, Panorama. On it, vocalist Jordan Dreyer — always the most literarily inclined of The Wave’s songwriters — has gone deeper than ever into his novelistic inclinations, exploring his own emotional responses to trauma and tragedy in the lives of those he cares about over the course of the album’s 10 songs, even as the rest of the band generates dynamic compositions that move from quiet introspection to overwhelming crescendos in a matter of minutes. The result is an incredible musical journey that will have a powerful impact on all who witness it — especially in the live environment La Dispute will create at The Broadberry this Tuesday night. Let it impact you. Be there.

Elsewhere Around The State:

Friday, November 22, 6 PM
Femme Funk, feat. Shagwuf, Ships In The Night, Harli & The House of Jupiter, Dropping Julia, Marti @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
This Friday night in Charlottesville, The Southern Cafe will bring us the third annual celebration of C-ville’s showcase of femme musicians, Femme Funk. This year’s event is set to benefit Planned Parenthood of Charlottesville, and with the kind of peril reproductive rights and women’s health care face in Trump’s America, you’d be hard pressed to find a better cause than this one. Plus, you’ll get to hear a highly diverse set of sounds from Central Virginia performers of a feminine persuasion, and that’s always a joy.

It’s especially a joy when the evening is headlined by the unrestrained rock n’ roll passion of Shagwuf, whose blues-inflected alt-rock has been blowing minds around VA and beyond for quite a few years now. The evening will also feature as wide a variety of sounds as is possible to find in one room on one evening, from Harli & the House Of Jupiter’s powerful soul-punk fusion to Ships In The Night’s dark, ambient electronic sounds to the rootsy pop of Dropping Julia and the indie rocking of Marti. See how much femme artists have to offer the world of Virginia music and take a drive up 64 this Friday night for Femme Funk — you won’t be sorry.

Tuesday, November 26, 7:30 PM
Immortal Technique, GOOGZ @ Elevation27 (Virginia Beach) – $20-$25 (order tickets HERE)
If you’ve just been following the lists of new releases over the past eight years or so, you could be forgiven for thinking that Immortal Technique had retired from the hip hop game. We haven’t gotten any new music out of the most radical rapper in the game since his 2011 collection, The Martyr, and while he swears he’s still working on long-promised fifth album The Middle Passage, there’s no release date as yet. That’s all the more reason to head to Virginia Beach this Tuesday and see Immortal Technique murder the mic, live and in person.

While these days he’s probably better known for his radical left-wing politics due to multiple appearances on the shows of Joe Rogan and (uh) Alex Jones, Technique’s hip hop mixes those politics with some incredibly harsh lyrical content, leaving him somewhere between political rap and outright horrorcore — a dichotomy clearly visible in songs like “Point Of No Return” and “Dance With The Devil.” Regardless of whether you agree with everything Immortal Technique raps about (personally, I’ve never been a fan of his casual use of homophobic slurs), he’s an incredibly talented and provocative MC of the sort who doesn’t come around very often at all. So go see him, because there’s no telling when you’ll get the chance again.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Gumming, by Joey Wharton, via Twitter

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 23 – October 29

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FEATURED SHOW
Friday, October 25, 8 PM
Majjin Boo, Gold Connections, Castle OG, Antiphons, HotSpit @ The Camel – $5
Mathy, melodic indie rock is a sound that’s in vogue right now, and if you’re anything like me, you might find yourself mostly thinking “Yeah, this stuff is cool,” then going months without giving it another thought. However, Richmond’s own Majjin Boo blows all that faint-praise damnation into a million pieces.

I’ve liked Majjin Boo since their earliest demos, circa 2016 when they were just a quartet, but my esteem rose to a whole new level with the two-song single, “Tension Rod/One Wing,” that they released earlier this year after growing to a six-piece. Out of every new release I’ve heard this year, I’ve probably played those two songs most often. Not just out of Richmond bands, either — I love the new Jamila Woods, Bob Mould, and Mannequin Pussy records, but Majjin Boo has them all beat.

That’s why I am stoked as fuck about the fact that their debut full-length, Go Between, comes out next week on Egghunt Records. And that’s why I’m imploring you to go to The Camel this Friday night and catch their record release show. Complex yet glittering guitar melodies are only the beginning with this band — the dual-vocal harmonies, the dynamic and energetic drumming, and the whole band’s incredible ability to perfectly layer their instruments so six different people combine into one beautiful, seamless whole… well, suffice it to say, this is why Majjin Boo aren’t just another mathy indie band. The bandwagon’s pulling up Friday night at The Camel — jump on it now while the getting’s good.

Wednesday, October 23, 9 PM
Carnivora, Future Projektor, Cut The Architect’s Hand @ Wonderland – $7
Straight out of Salem, Massachusetts, some brutal, witchy metal is coming at you tonight in Shockoe Bottom. Carnivora is a band that’s been around for most of a decade. However, the recently released “Bogdweller” single is their first new material in over four years, and it finds the band heading into some new musical territory, thanks in part to the addition of Haydee Irizarry on vocals. Irizarry is capable of unleashing some gorgeous clean vocals, but for most of this song, she growls with terrifying low-end aggression over riffing that’s heavier than anything Carnivora have done before.

Remarkably, that makes this new single both heavier and more melodic than anything this Massachusetts band has done before. And it’s just one song! Imagine how much more awesomeness they have in store for us. Well, if you make it out to Wonderland tonight, you won’t have to. And you’ll get a bonus in the bargain; Future Projektor is a brand new power trio who bring back the early 90s days when heavy, complex instrumental bands (Breadwinner, Alter Natives, etc) ruled the roost around here. They feature members of Kepone, Gritter, and Honor Role as well, so the lineage is definitely there. Local heavy mainstays Cut The Architect’s Hand will kick this evening off with a solid dose of pounding midtempo grooves. Be there.

Thursday, October 24, 8 PM
Cyber Twin, Trash Boy, Deer Eat Birds @ Bingo Beer Co – Free!
There are a bunch of bands running around Virginia these days with “Twin” in their names, so I can understand why Cyber Twin might confuse you. But to clear things up, this is not Silver Twin, Twin Drugs, Glass Twin, or Two Cars (OK, that last one doesn’t really count) — it’s Cyber Twin, a Harrisonburg-based trio with a delightful resemblance to early Green Day showing through on debut EP Wire. Before they wrote the graduation song or the rock opera, Green Day were just a snotty power-pop band with messy hair, and Cyber Twin are pretty much the same thing, a quarter-century later. What’s not to love about that?

This show also features Philadelphia quartet Trash Boy, who have a ton of fun and make some really great catchy punk noise on their new LP, Who Will Take The Trash Out When We’re Gone? Their anthems for the alienated working class — “Job Interview,” “Piss On Their Graves,” and “Perfect Teeth” notable among them — are great things to hear and sing along with on a Thursday night when you’re just struggling to get through the week. The fact that this show is free will help you make it until payday without dying of boredom, and Deer Eat Birds will get things started with some great rock sounds to ensure that the second you walk in, you’ll have a smile on your face.

Friday, October 25, 8 PM
Camp Howard, Night Idea, Alfred @ Gallery 5 – $10 in advance/$15 day of show (order tickets HERE)
Damn — almost any other week, a Camp Howard record release show would have scored the feature slot. The fact that Majjin Boo put out my favorite record of the year thus far got them the nod, but it’s by a narrower margin than you might think. Camp Howard’s phenomenally structured indie-pop gems have stood head and shoulders above the average here in Richmond for years now, and their new LP, Cañón, is a stunning collection of their best material — now available on local powerhouse Citrus City Records, natch.

So what I’m saying is, you might end up choosing to hit up this Camp Howard record release show at Gallery 5 rather than the Majjin Boo record release show at the Camel, and if you were to do so, I wouldn’t have a single problem with that decision. These boys are moving in a downright Beatlesque direction on some of the new LP’s material, and that’s sure to light Gallery 5 with brilliant rays of sunshine pop this Friday night. With math-rock veterans Night Idea and unorthodox hip hop genius Alfred also on the bill, this show is sure to be a delight. If you’re not at the Majjin Boo show, you damn well better be at this one.

Saturday, October 26, 8 PM
Emily Easterly, Prabir Trio, Kevin Ganley @ Capital Ale House Music Hall – $8 (order tickets HERE)
You might know Emily Easterly as a local musician, if you’ve been around Richmond long enough. Back in 2001, when she was still a high school student, she released her first LP, Assembling Emily, by herself here in Richmond. Education took her to Miami later that year, and she’s been living in Brooklyn for the past decade or so, but whether you classify her as a local musician or not, she’s continued to make memorable sounds that whole time, and her first Richmond show in quite a while is certainly worth checking out, even if you’re young enough not to remember the days when she was making records here (and I know some of you are, which makes me feel a million years old).

Easterly’s most recent release is a 2018 single, “Yellow Leaves,” but she’s right on the cusp of releasing her fifth LP — and first full-length release in a decade — The Blems. In fact, it should be out the day before this show happens, so keep an eye out for copies at the merch table. But first, make sure you focus your full attention on the stage when Easterly is playing, because her riveting, dramatic take on alternative rock is positively gripping, with a dark, foreboding instrumental undercurrent that adds depth to her memorable vocal melodies. Easterly will be joined on this bill by Prabir Trio, featuring the talents of another early-00s Richmond singer-songwriter who’s remained local; and Kevin Ganley, a younger performer most familiar to local audiences as a member of HotSpit. This is going to be a wonderful-sounding night throughout. Be a part of it.

Sunday, October 27, 6 PM
Knocked Loose, Stick To Your Guns, Rotting Out, Candy, SeeYouSpaceCowboy @ The Canal Club – $22.50 (order tickets HERE)
It’s a heavy night of hardcore at The Canal Club, and it’s getting kicked off early so all the energetic teens who love to stagedive and mosh it up can do their thing in the pit. If you’re solidly middle-aged like me, you might want to stand back from this one a bit, since Kentucky’s Knocked Loose bring some serious pit-heaving rage on their latest LP, A Different Shade Of Blue. The vocals have enough of a raw edge to keep this band from descending into outright tough-guy monotony, instead introducing notes of apocalyptic anxiety into their incredibly brutal metallic hardcore pound.

So yeah, basically, you’re moshing. Or maybe headbanging towards the back of the room, depending on how well your hips are holding up these days. And Knocked Loose are bringing quite a few heavy hitters along on this jam-packed bill, so you can expect to be rocking out throughout the night. Veteran hardcore acts Stick To Your Guns and Rotting Out are also performing at The Canal Club this night. Local chaotic hardcore juggernaut Candy are on the bill too, and you can expect them to blow your mind with their noisy, aggressive attack. Plus, fresh off their first LP of all-new material, The Correlation Between Entrance and Exit Wounds, SeeYouSpaceCowboy rounds out this bill with a set of heavy-as-fuck chaotic sasscore that’s sure to get you revved up from moment one. This show’s gonna be mega.

Monday, October 28, 7 PM
Blacker Face, Spowder, Brain Drain, Tavishi @ Poor Boys – $5
Poor Boys, the venue formerly known as Flora, Balliceaux, and — if your memory stretches that far back — the original Bogart’s, has (re)opened their back room, and great sounds have returned to it once again. Let’s all rejoice with this challenging Monday night bill, topped off by Blacker Face. This multi-racial quintet has taken some heat for choosing such a name while also having white members, but co-founder and vocalist Jolene Whatevr has made it clear that she intentionally chose to combine the name and the racial makeup of the lineup, specifically to challenge the biases of their audience — especially the white members of that audience.

If you’re ready for that challenge, you better be ready for a musical challenge as well, because once you get used to how Blacker Face’s members look, you’ll be confronted with their fascinating musical mixture of jazz, postpunk, soul, and experimental music. On their latest LP, Distinctive Juju, the band throws clashing moods into the same songs, alternating between dissonant heaviness and soulful beauty and sometimes even layering them overtop one another. It’s not predictable or easily categorizeable, but Blacker Face definitely is an invigorating listen that is sure to be twice as eye-opening in the live environment. This is one performance you owe it to yourself to catch — even if it does take a few minutes for you to wrap your head around what Blacker Face is doing, the result is sure to be rewarding, and to provoke thought. And, speaking as a white person, I will say that we in particular always need more provocation to use our brains.

Tuesday, October 29, 7 PM
Wine Lips, She, Captain Scrunchie @ The Camel – $10 (order tickets HERE)
I’m inclined to have warm feelings toward Toronto’s Wine Lips, and not because I drink wine, or any other alcohol — you know by now that I don’t. It’s because “Wine Lips” is the name of a song by my favorite outlaw country singer, Lydia Loveless. However, this Canadian trio didn’t go along at all with my expectations before hearing them. Rather than even a touch of country, they bash out some energetic, catchy garage punk with a strong helping of rock n’ roll majesty mixed in. If you dig the more recent work of Ty Segall or Thee Oh Sees, Wine Lips are sure to connect with you.

They’re joined on this Tuesday night Camel bill by She, a group led by Liza Grishaeva and, indeed, formerly known as LIZA. It seems Grishaeva is pivoting towards a band identity rather than a solo project, but that doesn’t diminish the massive atmospheres and mournful ambience of the songs She has released thus far. Perhaps there’ll be a thicker sound backing them this time around? We’ll only know for sure once Tuesday night rolls around. This event will be rounded out by a performance from Captain Scrunchie, whose girls-in-the-garage aesthetic results in some very pleasing tuneage on their recently-released demo. Get ready to rock at this one.

Elsewhere Around The State:

Saturday, October 26, 5 PM
LAVA Halloween Extravaganza, feat. Black Sabbath, The Strokes, Fleetwood Mac, Tom Petty And the Heartbreakers, System of a Down, Pavement @ Toast (Norfolk) – $12 in advance/$15 day of show (order tickets HERE)
OK, so it’s almost Halloween, and you can’t be but so surprised to see shows like this popping up. Musicians love to learn sets of material by bands they love and play shows “in costume” as those other bands on Halloween, and if you’re a music fan, chances are you get a big kick out of it too. Therefore, this LAVA Extravaganza should bring you some delight, as a variety of Hampton Roads-area musicians come together to present the music of their faves on a fun Saturday evening at Toast.

A couple of these sets bring us a single band interpreting their favorites, and these are always pretty intriguing. For example, a Black Sabbath set by progressive soul band Paper Aliens and a System Of A Down set by indie-rockers Berries both inspire questions along the lines of “What’s THAT gonna be like?” Meanwhile, members of Tidewater-area notables like You’re Jovian, Mas Y Mas, LADADA, Mae, The Last Bison, Pet Name, Cupid McCoy, and more will join together to bring us sets of material by The Strokes, Pavement, Tom Petty, and Fleetwood Mac. All of this should be quite enjoyable, and to top all that off, there’s a costume contest too! What’s not to love about this one? So come on, all you Halloween heads! Get in the car this Saturday afternoon and get there.

Sunday, October 27, 6 PM
Taking Meds, Infant Island, Smallhands, Dozing @ The Recreation Center (Fredericksburg) – $5
Taking Meds is the sort of band name that lets you know where you stand right away. Nobody who’s in a super great place in life names their band Taking Meds. And sure enough, their most recent LP, I Hate Me, New York’s Taking Meds give us a collection of melancholy melodies with a powerful underlying crunch that’s sure to evoke memories of Dear You-era Jawbreaker or the last couple of Wonder Years LPs. It’s music for people who are getting older and still not quite finding the place in life where they fit. If you’ve ever felt that way, even for a moment, you’re sure to connect with what Taking Meds is bringing to Fredericksburg this Sunday evening.

They’ll be joined by a few Fredericksburg locals who do a lot to make clear that there is a real honest-to-god scene in that small city halfway between Richmond and DC. Infant Island’s energetic screamo has been buoyed considerably over the past couple years by the band members’ go-getter nature, and their contribution to a recent 4-way split EP shows that they’re only getting better as they go. Expect some serious emotional-musical fireworks from this performance. Fellow Fredericksburghers Smallhands have a hazy yet metallic approach that might make you reach for the term “blackgaze,” but gimmicky terms like that never really convey the full impact of bands like this one, so expect something quite a bit more expansive than that subgenre tag might evoke. The show will be rounded out by the first performance from Richmond melodic hardcore crew Dozing. Overall, this one should be well worth the single hour’s drive north. Make it happen.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

No Genre, No Gender: LGBTQ Music Thrives in Richmond

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Our 2019 Fall Pride Guide, in collaboration with VA Pride, is out now! In this article from the magazine, Alexander Rudenshiold dives deep into Richmond’s vibrant LGBTQ music scene.

It’s no secret that Richmond is experiencing a musical renaissance right now. Everywhere you look, there’s something happening in every genre: from metalcore to emo, and experimental hip hop to techno. It’s all happening, it’s all connected, and it’s all LGBTQ. While many of the musicians deemed “culturally relevant” at large are the same cookie-cutter, cisgender, straight white people that they have always been, Richmond’s underground music scene — like so many others across the United States — is run and populated by LGBTQ people.

Perhaps the most prominent recent success from the Richmond LGBTQ community is six-piece metalcore collective .Gif From God, who recently signed to Prosthetic Records: an internationally-distributed metal label known for putting out such titans as Lamb of God, Gojira, and Animals as Leaders. The band has become notable online not just for their punishing riffs, but also for the reactionary homophobic and transphobic rhetoric they’ve received in response to their music. The band exists in an intersection between different communities of LGBTQ people in Richmond, sharing members between scenes — most notably vocalist Mitchie Shue, known widely for their post-metal project Truman, and bassist Sofia Lakis, who also regularly DJs techno music.

“I believe the identities I hold directly shape the way I perceive and experience the world,” said Shue. “Most of what I write about in .Gif is in reference to mistakes I’ve made, frustrations I’ve felt, and a deep feeling of intense hopelessness, surrounding the circumstances of my existence and the people I care about.”

Sofia Lakis performs with .Gif From God. Photo by Courage Music Photography

Both Shue and Lakis also play guitar in the six-piece “revenge” band Listless, which has recently made appearances at DIY festivals up and down the East Coast. Shue elaborates that much of the content in both of these bands is focused around holding individuals accountable, and that “actions have consequences, and the ways in which we carry ourselves through the world hold weight and meaning.”

“I feel like these identities have shaped my perspective and experiences in both obvious and imperceptible ways, but at the end of the day, I make music to please my own palette,” said Lakis, an out bisexual trans woman. “I draw inspiration from my environment and my experience of it, and that experience is affected by my gender and sexual identity to varying degrees in any given situation.”

As a guitarist in Listless, Lakis said that most of her inspiration comes from sources of anger. “A lot is derived from my identity rubbing against the grain of my environment, or a self-loathing somberness and resentment stemming from dysphoria, disillusionment, and trauma.” With .Gif however, she thinks of things as a bit “cheekier,” specifically with regards to the genre typing of the band as “sasscore.”

DJ Sofia Lakis. Photo by Sarmistha Talukdar

“Sasscore is hard to define in strict musical terms, but there is a sort of queer connotation to it,” she said. “That goes along with certain sounds and tropes that basically serve as the hardcore/metal equivalent of ‘camp,’ referring to the more ‘effeminate’ qualities of some emo/screamo, mixed with a kind of off-kilter ‘lol, I’m so random’ humor trafficked by myspace-era scene kid memes.”

On top of all this, Lakis also books a series of electronic music showcases under the name “Formula,” aimed at bringing together the many dance scenes in Richmond. She directly credits the LGBTQ community with the success of these events. “LGBT+ artists were at the forefront of this party because we were the ones facilitating it,” she said. “And to a large degree, LGBT+ artists are the ones leading the charge in the Richmond dance music scene.”

Shue and Lakis find themselves at the intersection of two of Richmond’s most prominent LGBTQ music communities, the Great Dismal collective and Ice Cream Support Group. Shue, through Great Dismal, is responsible for many of the most notable offbeat metal and punk shows happening in Richmond booking prominent bands like The HIRS Collective and Soul Glo. The shows also give back to the local community, by donating a portion of the proceeds from each show to organizations working towards positive change, like the Richmond Reproductive Freedom Project and the Richmond Doula Project.

DJ Archangel. Photo via Soundcloud

Ice Cream Support Group is a collective of electronic artists organized by Angel Flowers (a.k.a. DJ Archangel), who regularly throw dance parties called “Ice Cream Socials” as fundraisers for some of the same organizations supported by Great Dismal. The Socials serve as an important springboard for DJs like Lakis, a place for them to experiment and find their sound. These groups represent a community which, while differing in some interests, comes together through the principles of what Shue calls “values-based organizing and mutual aid” — coming together around common goals and, despite their differences, supporting one another when they’re able.

Another vibrant new group on the scene is Space Litter Records, a community space run by Ana Davis and Sawyer Camden, both members of emo band Warrington. Since starting in February of this year, Space Litter has become a hub for DIY organizers across Richmond. They lend their space and time seemingly without limit and book their own shows, specifically with the intention to highlight marginalized voices. Davis explains that her identity affects the way she books shows, and that she specifically looks to book groups which aren’t entirely straight and white. “It feels good to see people performing who might not have had their parents pay for their instruments and lessons,” she said. “[People] who make DIY look and feel different for once.”

On top of affecting Space Litter’s booking practices, Camden, a trans man, said that his identity affects his songwriting as well (even if indirectly). “I honestly only have one song that’s actually about my trans identity, and dealing with that as a human,” he said. “But my identity shapes my whole life, and I sing mostly about my depression and anxieties, with very few songs about love and relationships. Oftentimes that stems from my ‘gay/trans lifestyle.’”

Sawyer Camden of Warrington. Photo via Warrington/Bandcamp

Critically, Richmond’s underground hip-hop and rap scene is also making major moves, particularly since LGBTQ rapper Alfred. released their latest album LIKE YOU!! on the notable indie label Topshelf Records, in conjunction with the joint Richmond-Brooklyn operation Citrus City Records. They, along with producer/rapper Ty Sorrell and noise rap duo BLVCKPUNX (of which DJ Archangel is a member) are leading a new wave of hip hop artists in Richmond exploring gender and sexuality through classic and experimental forms.

“I see [Great Dismal and Space Litter] making an effort to make connections across different genres, and bringing people together by simply providing spaces where marginalized people can feel safe and welcomed.” said Judy Hong. “[They] have been so gracious to me by booking and supporting me during my time in Richmond.” Hong, a non-binary/agender Korean-American and frontperson of indie rock band Baby Grill, and the mastermind behind longstanding label Quiet Year Records, also spoke to the hardships of being a QPOC (queer person of color) in music. “Whether it’s while playing shows, recording, or working with music journalists, the relationships I have with the people around me have largely shaped my experiences.”

They stress that there are a great number of practical issues which limit the access for many marginalized people to participate in this type of music. “Who has the PA, the recording studios, the booking calendars, the online platforms?” they ask. “Who will take me seriously and show they can respect me as a person?” For them, finding ways to connect with people higher up in the music industry is a challenge. “It’s still cis, straight, and white-dominated, and I’m just not around many people like that anymore — but that’s who’s calling the shots in the music industry, that’s who I have to get the attention of and impress. It’s discouraging sometimes, for sure.”

Judy Hong of Baby Grill. Photo by Rin Kim, via Baby Grill/Facebook

Despite setbacks like policing of DIY venues and closures of venues like Strange Matter, Richmond’s LGBTQ music scene has persisted and thrived, particularly in the past year. There’s a pervading sense of positivity that enmeshes its members, a sense of community that’s uniquely entwined seemingly-disparate genres into one giant web of support.

“Moving to Richmond from Columbia, SC — four, going on five years ago — was one of the best things I ever did for myself,” said Lakis, who credits the community here in Richmond with empowering her transition. “The resources provided by local organizations like Health Brigade are what brought me here, seeking residency and a chance to begin some form of medical transition. Along with those resources, I found a community full of the most supportive and generous people I’ve ever met, and I’ve made more friends than I could’ve imagined in a relatively short amount of time.”

Hong’s feelings echo Lakis’s. “I have a lot of love for the queer and trans people of color in Richmond,” they say. “While there’s still a lot of violence against LGBTQ people here (and everywhere), there’s pockets of joy and solidarity that make being here worth everything.”

“Being a queer POC in Richmond is actually sick because there are so many of us around,” said Davis. “It’s nice not to feel like such a freak in a town full of them.”

“Also,” adds Lakis, “it’s a pretty good place for a girl to find a date.”

Top Photo: .Gif From God at Gallery 5. Photo by Erik Phillips

VA Shows You Must See This Week: September 18 – September 24

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FEATURED SHOW
Saturday, September 21, 3 PM
Stone’s Throw Down In RVA, feat. White Denim (Photo by Barnaby Fairley), J. Roddy Walston & The Business, Cory Wong, Howlin’ Rain, The Long Ryders @ Brown’s Island – $20 (order tickets HERE)
The seasons are changing, y’all. The Autumnal Equinox, one of two days every year in which the sun is up for exactly 12 hours and down for the other 12, will arrive on Monday and mark the first day of fall. Therefore, this makes Saturday and Sunday the official Last Weekend Of Summer. And you know you’re gonna want to make that count. Fortunately for us all, Stone Brewing is here to help, having scheduled their annual Stone’s Throw Down In RVA celebration at Brown’s Island this Saturday afternoon and evening. And you’re going to want to be there.

A duo of massive modern rock n’ roll juggernauts are ready, willing, and able to offer top-quality assistance with making this not only the last but the best weekend of your entire Summer 2019. J Roddy Walston & The Business are the hometown boys, and will wrap the whole evening up in wonderful fashion with the piano-driven down-home rock sound we’ve all come to know and love. Their best-known riff monster may still be 2013’s “Heavy Bells,” from their ATO Records debut, Essential Tremors, but 2017 follow up Destroyers Of The Soft Life offered a pretty massive dose of rock power in its own right, from that incredible title down to the soaring high points of singles like “The Wanting” and “You Know Me Better.”

They’ll be sharing the top of the bill with Texas boogie rockers White Denim, who won my heart back when they released their 2016 monsterpiece of funky Southern rock, Stiff. Since then, they’ve released not one but two more albums, including this spring’s Side Effects — their ninth studio album in just under 11 years, so these guys certainly don’t slow down. The new LP proves that their adeptness with tunes that rock you hard while keeping your body moving on the dance floor is totally undiminished. Come find out for yourself at Brown’s Island this Saturday, and enjoy tunes from rock n’ roll veterans like Howlin’ Rain, Cory Wong, and reunited first-wave Paisley Underground legends The Long Ryders. It’s gonna be a top-notch afternoon of classic rock n’ roll, and the perfect way to say sayonara to summer 2019.

Wednesday, September 18, 9 PM
Pharmakon, Suppression, Tavishi, Noiro Zepol @ Wonderland – $10
Experimental noise artist Pharmakon has never exactly been an easy listen. The solo project of New York native Margaret Chardiet is based around terrifying screams, atonal synth loops, and industrial samples, and while the strong structures of Pharmakon’s music has always made it slightly more accessible than that of your average harsh noise project — think Merzbow — it’s still the kind of thing that could send anyone who isn’t adequately prepared for what’s coming running from a room at top speed. What’s wild is that on their latest album, Devour, released earlier this year, Pharmakon has moved even further in the direction of confrontational noise havoc. Chardiet’s vocals are even more shocking, rising to the outright monstrous level of Alan Dubin’s work with doom/noise project Khanate.

OK, look, I know that those of you who aren’t into testing the limits of the boundary between music and noise may not be catching any of my reference points — and that’s fine. But what you do need to know is that, if you’ve ever found anything enjoyable in the world of angry, noisy, extreme music of any kind, you’re going to want to see Pharmakon tonight. Not only is Chardiet a riveting performer, her compositions have an unusual ability to push beyond the cold intellectual facade of most experimental noise and reach the listener on a deep emotional level. If you haven’t experienced it yet, you owe it to yourself to do so at least once — even if it terrifies you. The terror is the point.

Thursday, September 19, 7:30 PM
Shonen Knife, Talk Me Off, Captain Scrunchie @ The Camel – $17 in advance/$20 at the door (order tickets HERE)
I’m not sure how well young music fans know the name Shonen Knife, but if they don’t, they certainly should. This trio of Japanese women, who released their first LP of catchy melodic punk back in 1982, were instrumental in bringing international attention to the underground punk scene of Japan. They weren’t as unhinged as GISM nor as caustic as Gauze, but that very fact made their heavily Ramones-influenced music approachable by music fans all over the world — and they quickly fell in love. High-profile fans like Kurt Cobain, Thurston Moore, and Steven McDonald of Redd Kross helped ensure that Shonen Knife became a name known all over the alt-rock world.

Today, Shonen Knife has over 20 albums to their credit, and they’re still going strong, releasing latest full-length Sweet Candy Power just a few months ago. The title track still retains the same mix of garage rock grit, DIY spirit, and pure pop goodness that made past Shonen Knife high points like “Twist Barbie,” “Antonio Baka Guy,” and “Catnip Dream” such classic tunes. This show is sure to be full of fun singalongs and big smiles, and if you aren’t part of it, you’ll be missing out, so get together with your friends tomorrow night and let’s knife.

Friday, September 20, 7 PM
McKinley Dixon, Alfred, Bon Ki @ Plan 9 Music – Free!
Richmond hip hop is taking things to the next level, and that’s true in all facets of the scene. McKinley Dixon is a prime example — not only has his focus on killer live performances and frequent tours helped him to gain fans all over the country, he’s reached some pretty influential ears. For proof, look no further than his brand new single, for which this free in-store at Plan 9 acts as a release party. The two song vinyl EP, “Anansi, Anansi” b/w “Wit These,” is coming out as part of the Document Series by powerful midwestern label Saddle Creek.

The Nebraska label made their name releasing legends of post-Y2K emo like Cursive and Bright Eyes, but with the Document Series, they hope to offer a higher profile to work from emerging underground artists all over the world. And of course, there’s no Richmond artist more deserving of this attention than McKinley Dixon, whose powerful hip hop is some of the best music being made locally in any genre, and whose A-side for the Document Series single just might constitute a new career high. Join Dixon, along with fellow local hip hop up-and-comer Alfred (who himself just released Like You!! on Topshelf Records) and newcomers Bon Ki. This one’s gonna be a blast.

Saturday, September 21, 9 PM
Sinister Haze, The Red Skulls, Crimson Heat @ Mojo’s – $5
By late this Saturday evening, you may well have had your fill of rock n’ roll out at Brown’s Island. But if you still want more, you should definitely head over to Mojo’s by 9 PM this Saturday night to catch a triple-threat banger of Virginia-area bands that are underrated, unexpected, and ready to blow your mind. Sinister Haze is at the top of the bill, and while this band has gone through periods of obscurity over the past couple of years, they’ve undergone a bit of lineup revision recently, and are now, if rumors are true (don’t quote me), on the cusp of releasing a new EP. This spaced-out psychedelic doom group showed exactly how heavy they could get on 2017’s Emperor Of Dreams, and if you’re hungry for more — and you should be — Mojo’s is the perfect place to be this Saturday night.

The Haze boys will be joined by a band who have, over the past decade-plus, been far more discussed than seen: The Red Skulls, a Roanoke-based early-2000s rock n’ roll project led by the Lunsford brothers: Joe (Avers/Peace Beast) and Sam (The Young Sinclairs/Stimulator Jones). I’m not sure what’s caused the two brothers to reunite their 2002-era garage rock quartet, but if their reputation for wild shows full of top-volume craziness is even somewhat justified, we’re all gonna be glad they’re back. Mysterious local newcomers Crimson Heat will kick off this show featuring just the right amount of bands (three. The number is three), so show up on time and grab yourself a cheesesteak. You won’t be sorry.

Sunday, September 22, 9 PM
Irreal, Benderheads, Dummies @ Fuzzy Cactus – $8
Here’s your entrance exam for this show. Don’t panic, it’s only one question long. Ready? Which band do you more readily associate with the genre term “hardcore”? A: Hatebreed. B: Anti-Cimex. If you answered B, congratulations — this is the show for you. Irreal is a hardcore punk band from Catalonia’s capital city of Barcelona, and they’ve got that same sort of blown-out rage with strong influences from Discharge and Gauze that you can find in classic Scandinavian hardcore (i.e. Anti-Cimex).

However, they’ve updated it with a creative passion that makes their new album a particularly fascinating listen, even if you don’t own at least a dozen black T-shirts with the sleeves cut off. The album in question, Fi Del Mon, actually comes out between when I’m writing this now and when this show is happening this Sunday. Ideally that means you’ll be able to pick up a vinyl copy for yourself after you storm up a raging circle pit on the floor at Fuzzy Cactus. Even if you haven’t got the scratch for vinyl right now, though, you’re gonna want to be there — this one’s going to be a real ripper. Especially in light of the fact that Irreal will be joined by local punk stalwarts Benderheads and D-beat newcomers Dummies, who apparently feature members of Haircut and Cement Shoes. That’s all the endorsement you should need to show up on time and ready to go off.

Monday, September 23, 9 PM
Parsnip, VV, DJ Sam Slug @ Fuzzy Cactus – $8
I know a parsnip is a vegetable, but I can’t remember if I actually know it under a different name. Let me do a quick Google… [Wait, is she serious? How unprofessional -ed.] OK no, it turns out that parsnips are just called parsnips, and they’re sorta like carrots and sorta like parsley, and… I’m pretty sure I’ve never eaten them. But we’re not here to talk about vegetables, we’re here to talk about bands — specifically the Parsnip that is an Australian band and not the one that I’m pretty sure has never showed up on my dinner plate.

The Australian band Parsnip is not too different from Japanese band Shonen Knife, who we talked about a little earlier — their music is poppy, catchy, and fun, but has a DIY production feel and carries obvious influences from punk and garage rock. The way they mix these two aspects together on brand-new debut LP When The Tree Bears Fruit makes for a very fun listen, and if you enjoyed smiling and bopping along with Shonen Knife at the Camel a few days before, you’re never going to regret doing the same thing again on Monday night at Fuzzy Cactus. Local punks VV are quite a bit weirder, and their music has veered in a decidedly “postpunk” direction over the last year or so, but if you loved their earlier material, you’re sure to have a blast with them at this show too. They’ll offer the perfect acidic counterpoint to Parsnip’s poppy sweetness. And Feel It Records head honcho DJ Sam Slug will be on hand to spin some tunes and get us all in the mood, so this is sure to be a great night all around.

Tuesday, September 24, 9 PM
Clowns, Waxjaw, Thin Pigeon @ Wonderland – $10
Australian punk is always a lot of fun, and Clowns are no exception. This Melbourne punk band are worldwide thanks to their Fat Wreck Chords deal, which brought us their latest LP, Nature/Nurture, earlier this year. It’s a whole ton of fun, bringing the skate-style upbeat melodic punk that we all expect from labels like Fat a big infusion of Aussie-style rollicking garage noise. This Tuesday-night rager marks Clowns’ first time coming through RVA — indeed, this tour is their first-ever jaunt to the East Coast — so it should be a proper fun time in the works! Make sure you’re part of it.

Clowns are joined on this trip through town by Huntington, WV queer punks Waxjaw, whose brand new LP, A Collection of Rituals In Sound, finds them mixing occult-vibe postpunk sounds with a strong sense of ringing melody that ensures this album is still a great deal of fun to listen to. We can surely expect a similar sort of fun from their live performance, and from that of Richmonders Thin Pigeon, who’ll kick off this whole shebang down in Shockoe Bottom! Liven up your midweek with this one, folks.

Elsewhere Around The State:

Friday, September 20, 6:30 PM
Smooth Hound Smith, Kyshona @ The Southern Cafe – $12 (order tickets HERE)
The one-man-band musical formula is one that’s become familiar over several decades, especially if you enjoy that roots-rock/Americana style that’s so conducive to this musical approach. You know the deal — guitar in the hands, drums at the feet, maybe a harmonica on a neck stand, and some heartfelt vocals. Smooth Hound Smith’s Zack Smith does pretty much all of that stuff, but he’s not the only member of this group — he’s joined by his wife, Caitlin Doyle-Smith, who contributes auxiliary percussion and some all-important vocal harmonies to give this band a whole lot more depth than you’d expect from their rudimentary setup.

While Smooth Hound Smith are certainly capable of busting out some raucous down-home rock n’ roll when the occasion calls for it, their latest LP, Dog In A Manger, finds them stretching out in multiple other directions, dipping into Southern soul, sweet folk balladry, and alt-country twang. If any of that sort of thing appeals to you, chances are you’re going to love seeing this two-person one-man band in action. They’ll be accompanied at this performance by Nashville soul-blues singer Kyshona, who’s sure to move you with her powerful, politically-informed tuneage. Show up on time for this one.

Saturday, September 21, 7 PM
This Wild Life, The Happy Fits, Rome Hero Foxes, Calebfolks @ Elevation27 – $16 (order tickets HERE)
The idea of acoustic emo might seem like something recent, like it only showed up once Evan Thomas Weiss of Into It. Over It. or Kevin Morby started touring with just an acoustic guitar. However, it’s actually got a pretty long tradition, one that stretches back to my mid-90s salad days of seeing house show sets by solo artists like Keith Welsh or Tom LoMacchio. This Wild Life approach things a bit differently, augmenting Kevin Jordan’s acoustic guitar and heartfelt vocals with electric guitar melodies and vocal harmonies from Anthony Del Grosso, but the percussionless, melody-first results of their approach are decidedly familiar both to vets of Vinnie Caruana and Geoff Rickly’s Acoustic Basement Tour from a couple of years ago and those of us who saw these kinds of acoustic sets in actual basements over a decade ago.

This Wild Life bring a particularly lovely flavor to their take on the acoustic sound, which makes them a welcome addition to a scene ususally much more dependent on percussion and distortion. On last year’s Petaluma LP, This Wild Life avoided the temptation to make their acoustic songs lightweight tunes about love and flowers, instead tackling difficult subjects that lie at the heart of life’s difficult moments and offering catharsis and support through their delightful melodies. You can certainly enjoy their music as you lie alone in your darkened bedroom, but it’s sure to be far more fulfilling to see This Wild Life perform live in a bright room full of smiling faces. So head to Elevation27 this Saturday night and let their music surround you. It’s gonna be beautiful.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: February 27 – March 5

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FEATURED SHOW
Friday, March 1, 7 PM
VOLUME! A Richmond Show Posters Retrospective, feat. Night Idea, Calvin Presents, Strawberry Moon, Billy Capricorn @ Gallery 5 – Free!
When we think about live music, we always think first of the incredible musicians we watch perform, and of the amazing music they make. But even though we may not always think about it, the imagery associated with musicians and their music is sometimes just as big an influence on which performers we rush out to see as the music itself. That’s why over the years, so many artists have put so much effort into crafting really incredible posters for their shows. The rockin’ performance onstage might be what gets you to stick around, but more often than any of us would like to admit, a really killer poster is a big part of what gets us in the door.

This definitely applies to Richmond, and we’ve been lucky over the years to have quite a few talented graphic artists in town turn their attentions to creating posters for gigs, with excellent results. This retrospective at Gallery 5, entitled VOLUME!, will showcase some of the best work the river city’s music scene has produced over the past several decades, from 80s punk to modern indie and hip hop. Artists include Doug Dobey, Bizhan Khodabandeh, Katie McBride, and a whole bunch more, so come see their work and immerse yourself in the artistic side of our wonderful local music scene.

Not to be outdone, there will be several excellent local musicians performing at this show as well, so you’ll be able to take breaks from looking at amazing works of art to see amazing works of music created right in front of you on the Gallery 5 stage. Local math-rock mainstays Night Idea head up this stacked bill of Richmond artists, which includes a wide variety of sounds; singer-songwriter Calvin Presents brings us jazzy soul magic, while Strawberry Moon will enrapture us all with off-kilter, minimalist pop hooks. And of course, Billy Capricorn — not to be confused with fellow locals Billy Neptune — will get the evening started with some immersive multi-layered beats. It’s a feast for your eyes and ears this First Friday, so bring your appetite.

Wednesday, February 27, 8 PM
The Cowboys, The Ar-Kaics, Wild Rose, Cruzer @ Studio Two Three – $10
The ongoing evolution of live music in Richmond takes its latest step tonight, as a full-on rock n’ roll show takes place over at Scott’s Addition’s Studio Two Three, normally a collaborative art studio. They’ll be pushing the screen-printing equipment aside tonight so we can all cut a rug, because Bloomington, IA’s The Cowboys are coming through town, supporting their fresh new album on RVA’s own Feel It Records, The Bottom Of A Rotten Flower.

For an album undeniably named after a less-than-appealing image, The Cowboys’ fourth full-length sure does a great job of bringing a smile to the listener’s face. This group has a definite punk undercurrent to their sound; raw, speedy riffage provides this record with it’s high-revving engine. But up top it’s garage-born power-pop all the way, full of killer guitar hooks and multipart vocal melodies. Is this a circle-pit record or a peppermint twist record? We won’t really know til we see what sort of fire this band has in their belly when they perform live for us all tonight — but regardless of the answer, it’s sure to be a fun time. That’s especially true with killer retro-garage ensemble The Ar-Kaics sharing the bill, not to mention C-ville rippers Wild Rose and local ragers Cruzer. Get to the gig — and wear your leather jacket, it’s cold out there.

Thursday, February 28, 8 PM
The Dawn Drapes, Cyber Twin, Recluse Raccoon @ Champion RVA – Free?
There was a time when we got shows at Champion Brewing’s RVA location almost every Thursday night. Oh, those were fun. I’m not sure what happened to that whole thing, but if this Thursday night show at Champion is any sort of sign, it seems to be a positive one — even if I totally can’t tell whether this show is free like the ones from a year or so ago were, or not. But hey, even if it costs you a few bucks, it’s worth it to get in and catch a set from The Dawn Drapes.

This indie group hails from Harrisonburg, a Virginia city far enough west of here to be in a completely different climate. Basically, if it’s under 40 degrees in Richmond, it’s a safe bet that it’s snowing in Harrisonburg. The Dawn Drapes reflect the smaller, cooler environs of their native city in their music, giving us a mellow, unhurried take on rock n’ roll music that straddles the line between chill indie and weird country. Think mid-period My Morning Jacket and you’re not too far off. Their new album, Slow Spin, is an excellent collection of material that’s emblematic of their laid-back approach, one that will have you swaying and smiling at Champion RVA on Friday night — even if you do have to pay to get in. If not, hey… that’s just more beer you can afford.

Friday, March 1, 6 PM
Shormey, Alfred, Donnie Dale, Chi @ Hardywood – Free!
There was a time when it would have been fair to assume that releases from Citrus City Records were indie in inclination, but that time’s largely gone. These days, the label has its fingers in all sorts of pies, mixing releases by local and international artists in all sorts of genres, and getting more seriously into live music promotion with the creation of their Underground Orchard promotional arm. This show ties into both of those progressions, being an Underground Orchard show celebrating a tour starring two Citrus City artists who can’t really be called “indie” by any stretch — even if Shormey has done a Mac DeMarco cover.

Shormey hails from Chesapeake, VA, and her two-song Citrus City single, Cruise!, gives off a feel-good beach-side vibe on the sunshine-disco A-side, even as the moody, minimal B-side shows her emotional depth and talented versatility. You’ll get all this and more when Shormey hits the stage to kick off her tour with Alfred. Alfred’s 2017 release, So Sensitive, featured a woozy, ambient production style and some well-constructed lyrics that were nonetheless delivered with a wobbly, sleepy drawl. Live, though, there’s a certain immediacy that will make all of this hit much harder. It’ll keep you grooving, and isn’t that what we should all be doing on a Friday night? Hey, if I’m wrong about that, I don’t want to be right.

Saturday, March 2, 6:30 PM
American Aquarium, Timmy The Teeth @ Ashland Theatre – $18 (order tickets HERE)
The arrival of the Ashland Theatre as not only a small-town movie house but an occasional venue for live performances is an auspicious one. And it’s not nearly as far out of the way as you might think; considering how congested traffic around this city is these days, a half-hour’s drive north to catch an excellent show in a really neat revived old building shouldn’t be any sort of impediment to your good time. This Saturday night is the second of two nights kicking off the Broadberry Entertainment Group’s official arrival at the Ashland Theatre, where they’ll be presenting shows on a semi-regular basis for the foreseeable future.

You really should make it up there for one of these in the near future, and as a musical introduction to this long-dormant spot, you can hardly do better than an evening with American Aquarium. This North Carolina band has been around for over a decade, but frontman BJ Barham recruited a whole new backing band a couple years ago, then released an excellent LP, Things Change, on New West last year. Songs like “Tough Folks” and “The World Is On Fire” show the masterful way Barham and co. pull from their Southern roots, country backgrounds, and rock n’ roll hearts to create an excellent mixture of Springsteen, Wilco, and the Drive-By Truckers, one that’ll hit home with anyone trying to make it in today’s hard-scrabble world. Come sing with them at the Ashland Theatre, and maybe you’ll feel a bit better about the struggles of this difficult world. If nothing else, the tunes will make you smile — and it’ll all be taking place in a beautiful environment that’s been seen too little over the last couple of decades. Let’s do it.

Sunday, March 3, 9 PM
Little Vicious, Gemini Love, Twin Films, The Mercy Alliance @ The Camel – $5 (order tickets HERE)
The trio is the ultimate expression of hard-hitting rock fury. Thus the expression “power trio” — generally defined as a group featuring one guitarist, one bassist, one drummer, all united together to demonstrate that no extra ingredients are needed to deliver full-force rock n’ roll. Little Vicious definitely puts the “power” in power trio, with singer-guitarist Marguerite King’s leather-lunged roar constituting just as much of an attention-getter as her band’s heavy-rolling tunes.

This Sunday, you’ll have the chance to get slapped in the face (metaphorically, at least) by Little Vicious’s excellent tuneage. Last fall’s self-titled release brings us songs with telltale names like “Whiskey Overhead” and “Choke,” all of which you’ll be able to appreciate at full volume when they take the stage at The Camel. They’ll be joined by some amazing locals as well, including Gemini Love, whose music tends more towards melody than rage, and will act as the chocolate to Little Vicious’s peanut butter at this show. Come enjoy a musical Reese’s Cup to wrap up your weekend. It’s sure to be delicious.

Monday, March 4, 9 PM
Young Scum, Jim Shorts, Commander Keen, Neat Sweep @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
As a podcast nerd of the first order, I was delighted to see Young Scum show up on KEXP’s Song Of The Day podcast recently. It seems the rest of the world is finally discovering what we’ve known in RVA for years — that when you’re looking for tuneful indie sounds with an undercurrent of melancholy and a million-dollar pop sense, you really can’t do better than Richmond’s own ironically-named quartet.

I say ironic because, for a band with the word “scum” in their name, Young Scum have some beautiful tunes. This makes them a good match on multiple levels for Maryland’s Jim Shorts, whose name reminds you of a perennially-sweaty article of clothing even as their riffy indie sounds summon up some 90s alt-rock memories. They’ve got a slight bit more crunch than Young Scum, which provides a pleasant contrast and just makes their music sound that much better together. Tennessee’s Commander Keen offer yet another flavor for this show’s tasty mix with their driving take on melodic punk, which should certainly appeal to fans of Superchunk, among many other bands. Local openers Neat Sweep get this whole thing started with some killer grunge-punk to get you bouncing. This one’s gonna be a blast.

Tuesday, March 5, 8 PM
Jontavious Willis (Photo by Jamaine Campbell) @ The Tin Pan – $20 (order tickets HERE)
I know for a lot of people, the idea of blues conjures up dim memories of loud guitars and pounding backbeats working through a 12-bar progression with plenty of stank on it — and don’t get me wrong, that kind of stuff is awesome. But I’ve always been the kind of crate-digger who finds the most resonance in the rural acoustic origins of the blues, the sounds created by African-American residents of the Mississippi Delta region and preserved for the modern ages on scratchy 78s.

It seems Jontavious Willis also gets a lot out of those early acoustic sounds — he’s only 22, but he’s gained accolades from blues legends like Taj Mahal and Keb’ Mo’. There’s also a pretty incredible video on YouTube in which he collaborates with Richmond’s own blues harp master Andrew Alli. His unadorned, acoustic take on the blues is deep, powerful, and a lot of fun — every bit as enjoyable as the work of the masters he’s been inspired by. He’s releasing a new album, Spectacular Class, in April, but before that happens, you can go see him right here in Richmond at the Tin Pan, and get an early taste. This may be the only chance we get to see him in such an intimate environment, so take it — you’re not going to regret it.

Bonus Hampton Roads Picks:

Thursday, February 28, 8 PM
Fred Armisen @ The NorVA – $29.50 in advance/$33 at the door (order tickets HERE)
Most likely, you know Fred Armisen’s name from his sketch comedy work on shows like Portlandia and Saturday Night Live. And who can blame you? He’s pretty memorable as a comedic performer. But Fred Armisen’s first role in the performing world was as a drummer, playing in groups like Trenchmouth and, um, the Blue Man Group (god, remember them? The 90s were weird).

In his recent stand-up work, Armisen has combined both of these career paths by creating comedy for musicians. His 2018 Netflix special, Standup For Drummers, focused on jokes that related to being the drummer in a band, or being another band member dealing with a drummer. On his current Comedy For Musicians But Everyone Is Welcome tour, he’s expanded his repertoire to talk about other types of musicians you might deal with when playing music professionally, as well as breaking down different genres that he’s got issues with. All of it is fuel for maximum hilarity, and whether you’re an actual musician or just a nerd who goes to a lot of shows, chances are you’re going to find this evening with Armisen at the NorVA quite amusing.

Saturday, March 2, 8 PM
Sneaks, Opal, Ty Sorrell, Tmobyle @ Charlie’s American Cafe – $10 in advance/$13 at the door (order tickets HERE)
Sneaks is a band name, and a pretty great one at that, but in reality it acts as a project name for a single musician, Eva Moolchan, who creates the music of Sneaks using only a bass, minimal beats, and her voice. Early material earned quite a few comparisons to postpunk minimalists Young Marble Giants, and the resemblance is certainly there. However, on the newest Sneaks full-length, Highway Hypnosis, there’s a much stronger dance-music influence that takes its tunes farther into minimal-electronic realms than they’ve ever occupied before.

This is a good thing. Sneaks’s music has always had the tendency to get your feet moving, and a greater focus on the danceable aspects has only improved the tunes she creates. What’s more, it makes for a different vibe in live performances — one you’ll experience up close and personal at Charlie’s American Cafe this Saturday. It’s only appropriate that she’s joined on this bill by multiple Tidewater-area hip hop artists, including Opal and Ty Sorrell. Both of them will bring the hard beats and killer flows. Tmobyle will start the evening off with a DJ set performed on a cell phone, which is apparently frowned upon in some circles. To me, it just sounds like the parties my old roommates used to throw — which were always dope. So yes, you should show up on time.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 30 – February 5

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FEATURED SHOW
Friday, February 1, 7 PM
WRIR’s 14th Anniversary Party, feat. Unmaker, Black Liquid, Trapcry, Alfred, Minor Poet, Rebekah Rafferty and the Wakes, The Vulgar Bulgars, Sweet Potatoes Music, Jr Wolf, RVA Comedy showcase, and more @ The Renaissance Ballroom (107 W. Broad St) – $15 (order tickets HERE)
It’s kind of amazing to look up every February and realize that it’s been another year with the awesomeness of WRIR right here in our city. From one unicorn to another, we certainly must admit that the cards tend to be stacked against the kind of radio station WRIR is — a community-run, volunteer-operated radio station that manages, despite its low 42-watt broadcast power, to reach a wide range of local listeners and to connect strongly with the Richmond musical community. What’s more, it’s a great place to learn more about the issues of the day, from right here in Richmond to around the country and the world.

So yeah, it’s a little tiny miracle to see WRIR holding on for another year — 14 so far, and here’s to many more. It’s also a cause for celebration, and that’s what the station and its community will be doing when they gather once again at the Renaissance Ballroom this Friday night for the latest edition of a yearly party that never fails to deliver the goods. This year’s edition features all kinds of excellent music, covering the wide spectrum of local talent. Unmaker are at the top of the bill, and their dark, heavy, metallic postpunk is sure to bring down the house at the end of a long happy night — especially considering their always-active live performance style.

But that’s just the beginning, really. The music on offer runs the gamut from the cerebral hip hop of Alfred to the indie rock of Minor Poet and from the klezmer (jazz-influenced Eastern European/Jewish folk dance music) sounds of the Vulgar Bulgars to the melodic alt-rock of Rebekah Rafferty and the Wakes, this show has seriously got everything the curious music fan could desire. Plus, it brings the kind of adventurous programming you can expect from WRIR into real life before your eyes, as Black Liquid coordinates a hip hop showcase that’ll recreate the kind of improvised rhyming excellence that often graces his Saturday night radio shows, and Jameson Babbowski brings a talented slate of local comedians to his own non-musical showcase. And of course, all your favorite WRIR DJs will be in the house, spinning tunes and making friends. Best of all, your ticket price goes toward helping WRIR bring us another year of awesomeness. What could be more worthwhile than that?

Wednesday, January 30, 8:30 PM
Vanilla Summit, Khrundo, Return To Sender @ Vagabond – Free!
Now that we’re out here in the world moving on after the loss of Strange Matter, there’s definitely been some urgent searching (at least on my part) for another reliable local venue to fill in the mid-week holes in the Richmond live music schedule. What I’m fast learning is that on Wednesday nights, Vagabond is likely to deliver the goods. Their Jazz Wednesdays series is a great place to be pretty much every single week if you want to learn more about the community of excellent jazz musicians existing in Richmond. Their scene may not get as much attention as punk, metal, or hip hop, but that says nothing about what the local players have to offer — which, it turns out, is a lot.

Vanilla Summit are a five-piece jazz group who’ve been grabbing spots on live dates around town for a while now, and their 2017 Green Session EP shows exactly why — this dual-drumming quintet creates some excellent funky grooves while also bringing the introspective melodies we so often want from jazz. They may not be joined live by the ever-talented McKinley Dixon, who graces one of the tracks on their EP, but they will be performing along with a couple of intriguing ensembles, also hailing from the world of local jazz. Khrundo is a group led by guitarist Jake Adams, which is apparently going to feature nine members on this Wednesday night, all coming together to kick some ferocious grooves. Plus there’s Return To Sender, a bass-less trio led by Vanilla Summit sax player Nate Clark, to kick things off right. If you don’t know, you’re gonna learn.

Thursday, January 31, 8 PM
Zack Mexico, Piranha Rama, Billy Neptune @ Capital Ale House Music Hall – $8 in advance/$10 day of show (order tickets HERE)
Zack Mexico isn’t one guy, it’s a band — and a full one at that, featuring eight members, two of whom are drummers who each play full kits. And this group doesn’t hail from the country across our controversial Southern border; instead, they come to us from the much closer region of North Carolina’s Outer Banks, which must be a pretty wild place to be if you’re not a tourist or a vacationer. The music Zack Mexico makes is certainly wild, and hard to pin down as well; what sort of sound you get from them depends significantly on which track you listen to.

However, one thing can be determined for sure — there’s a psychedelic sensibility that underpins everything this band does, and an unorthodox approach to music that lands them pretty far outside of what we expect from “indie” in 2019, though it always seems to result in catchy tunes that get your feet tapping and put a smile on your face. In that way, they’re a perfect musical companion to one of the best new bands to come out of Richmond in the last year. I’m speaking here of Piranha Rama, of course, whose music can just as easily be said to be catchy unorthodox psychedelic genius — as you know, if you heard their excellent LP from last year. Openers Billy Neptune will get this show started right, and Piranha Rama and Zack Mexico will come together to take care of the rest. Get on board.

Friday, February 1, 7 PM
Midlife Pilot, Joel Worford, Colpa Mia, Tyler Meacham @ Garden Grove Brewing – Free!
Here in Richmond, the kids really are all right. This show is a good opportunity for all of you to find that out, assuming you haven’t already been paying attention to the many mini-waves of talented singer-songwriters bringing out excellent music around this wonderful city over the past couple years or so. Midlife Pilot are at the top of this particular list, and they’ve certainly shown sufficient merit to justify that position — this group, the brainchild of singer-guitarist Casey Graham, released an excellent EP of emotionally-oriented melodic alt-rock tunes late last fall.

While Midlife Pilot demonstrated an outstanding full-band sound on that EP, Ready To Be That Way, it’s hard to say exactly how it’ll translate live, since Graham himself played everything but drums on the record. Can we expect an Into It. Over It.-style solo performance? Or will there be a full band onstage? Either way, based on Graham’s track record, we’re sure to get some awesome songs out of it. Colpa Mia is more clearly a full-band effort, and recent single “Atlas” shows them dabbling in both the emotional melodies of the alt-rock world and dipping into synthesized postpunk/indie sounds. Live, their multi-layered sound is sure to captivate. More definitively solo singer-songwriters Joel Worford and Tyler Meacham will round out this excellent bill of up-and-comers, which you can partake of for no money down! How can you pass that up? Be there.

Saturday, February 2, 7 PM
Them Evils, Gemini Love, Loxias, The Goodbye Forevers @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I don’t know where we as a society stand on loud, noisy rock n’ roll in this day and age. It seems like if you check out festival lineups it’s the indie bands who get the most acclaim, and when the occasional band manages to rise above the fray and get a reputation for rocking hard, they draw more hate from the tastemakers than anything else. So are all y’all gonna think I’m a behind-the-times middle-aged lady for sending you to see Them Evils on a Saturday night?

You’ll be either frustrated or relieved to know that I really don’t care how you judge me on this one. I’m over here rockin’ out, blissfully ignorant of any judgment that might be coming my way. And you’ll be in much the same position if you make your way to the Canal Club Saturday night. Because while the hipsters may all be allergic to distorted guitars and hard-hitting good-time grooves these days, it’s always such a relief to cast off that albatross of manufactured coolness and let yourself enjoy something sincerely. Them Evils are primed to provide you with some sincere enjoyment, and in all seriousness, you cool kids who enjoyed Wolfmother and Red Fang at one time or another are gonna dig this just as much as your Greta Van Fleet-loving little brother will. Stop with the excuses and show up already.

Sunday, February 3, 8 PM
30 Year Sick, Cold Choir, Gothic Lizard @ Fallout – $5 in advance/$8 at the door (order tickets HERE)
30 Year Sick is a pretty evocative name for a band, even if any contemplation of the concept behind the name just makes you (or at least me) think, “There’s no way you’d stay sick for 30 years and not die.” I mean, unless we’re talking “siiiick!” in the modern-slang sense of the term, in which case we just end up down a rabbit hole of talking about which bands that have been around since the late 80s still legitimately rule (spoiler: not many, that’s for sure). But seriously, we’re not here to talk about that — we’re here to talk about the show that’s coming to Fallout, everyone’s favorite Shockoe Bottom fetish bar, on Sunday night.

30 Year Sick, the band, who hail from North Carolina, have a pounding synth-goth sound, which is definitely on the rockin’ end of things where that genre is concerned. Their 2018 EP, Postpunks, has an intriguing title that certainly invites rock-crit types like myself to use lazy genre terms, but I’m trying really hard not to take the bait. Instead, I’ll tell you that 30 Year Sick mingle a gloomy rumbling rhythm section with ominous guitar and synth melodies, all of which is topped by the true star of the show: Akmeraj Niroc’s incredibly powerful voice, which is strong enough to raise the tiny hairs on the back of your neck. And then the whole band will rock you out in a manner sure to thrill fans of Sisters of Mercy and Killing Joke alike. Don’t be afraid — explore the darker corners of Fallout for this one. It’ll do you no harm.

Monday, February 4, 7 PM
Boy Harsher, Nightcrwlr, Aesthetic Barrier @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
It’s a good week for dark, gothic sounds. Spooky electronic duo Boy Harsher are releasing their latest LP, Careful, this Friday, and then on Monday, they’ll be here in town to play it live for us all. Careful was clearly born out of some pretty hard times, from loss of loved ones to difficulties in relationships, and singer Jae Matthews puts all of that into Boy Harsher’s music, combining as always with electronic musical genius Gus Muller to create an album’s worth of foreboding synthesized soundscapes.

Boy Harsher’s dark melodies and unnerving lyrical conceits have been compared (even by members of the group) to a David Lynch movie, and sonically, their work lands closest to a diabolical combination of Suicide and Yaz, with a strong dose of Nitzer Ebb-style severe European dance music. The kids in gleaming black Doc Martens will be stomping on the dance floor to this one, for sure; meanwhile, Matthews and Muller’s riveting presence is sure to keep you focused on the stage. Local electro-freaks Aesthetic Barrier will kick this all off, and we’ll get a bonus appearance from Nightcrwlr, yet another identity of the shapeshifting Kristina Esfandiari (King Woman/Miserable). It’s all going to be so amazing.

Tuesday, February 5, 9 PM
Brian Jones Trio, Doug Richards Orchestra @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
RVA jazz really is a solid ticket for your midweek musical jones in 2019, and that’s probably why our week is bookended by shows that fall under that category. This one brings us the latest appearance of a Brian Jones-led ensemble here in Richmond, and as local jazz heads know, the presence of Brian Jones in any group is a sign of top quality musicianship. Of course, we’re not talking about the original Rolling Stones guitarist who died in the late 60s, we’re talking instead about the local drummer who has played with everyone from Agents Of Good Roots to Jandek to Randy Brecker.

The Jones trio on display this time will include fellow RVA jazz luminaries Daniel Clarke (piano) and Randall Pharr (bass), but one of Jones’s most frequent collaborators, saxophonist JC Kuhl, will also be on the bill — but performing with the other group. The Doug Richards Orchestra will contain around 18 different musicians on this Tuesday night, including local jazz luminaries like John D’Earth, Bryan Hooten, Stefan Demetriadis, and the aforementioned JC Kuhl, as well as all three members of the Brian Jones Trio. Doug Richards, who founded VCU’s Jazz Studies program in 1980 and recently retired after four decades at the university, has a robust pedigree of his own, and what he brings to this formidable ensemble is sure to be intriguing and delightful. Don’t miss a moment.

Bonus Hampton Roads Picks:

Friday, February 1, 7 PM
The Josephines, The Heart Stompers @ Toast – $10 (order tickets HERE)
If you like to rock but also identify strongly with the Southern sound with which all of us from this state are intimately familiar, the music of The Josephines is sure to call to you on a deep, primal level. This group — yet another in which a feminine name belies the all-masculine lineup — hails from Kentucky and will definitely remind you that that state, like Virginia, is very much a part of the South no matter what latitudinal parallel Bowling Green sits on. They’ve got loud rockers in their repertoire that are sure to have you stomping, raging, and headbanging, but they’ve also got a big dose of bluegrass in their sound, ensuring that you’ll never forget what state they hail from.

The Josephines’ 2017 EP Sober Up certainly lets you know the musical headspace where these guys are coming from. Likewise, Hampton Roads local country ensemble The Heart Stompers lets you know where they’re coming from right in their name. Formerly known as Gina Dalmas and the Cow-Tippin’ Playboys — certainly an evocative name in itself — this group taps into the outlaw country sound of the 70s and 80s with a modern punk edge and an amazing voice out front, courtesy of Gina Dalmas herself. If you can get down with some honky-tonk partytimes, Toast is the place to be for you on Friday night.

Tuesday, February 5, 8 PM
Rayland Baxter, Illiterate Light @ Boathouse Live – $15 in advance/$18 day of show (order tickets HERE)
You Tidewater residents are sure to have a fun Tuesday night at the Boathouse with Rayland Baxter. This alt-country singer-songwriter comes from a music family (his dad played on REM and Bob Dylan albums), and certainly has his feet planted in that tradition, as his more alt-country/folk-Americana tunes make clear. But on his latest album, Wide Awake, Baxter showed that he’s capable of the sort of widescreen pop that made the Beatles and the Byrds legendary figures that influenced a generation. Baxter taps into that psychedelic power-pop sound rooted in Americana dirt that is so au courant in 2019 United States of America, evoking the Beach Boys, the Grateful Dead, and other powerful musical touchstones with aplomb… and just a splash of post-Mac DeMarco slacker irony.

But we shouldn’t focus only on our headliner here — tourmates Illiterate Light hail from right here in VA, Harrisonburg to be exact, and have been making a powerful impact on the commonwealth’s music scene for a couple of years now. For a guitar-drum duo, they make strong, deep music, which connects power-pop, alternative rock, and the melody-uber-alles alt-country approach of My Morning Jacket or Band Of Horses. They show off all this and more on brand new EP Sweet Beast, which is an excellent calling-card to present to music fans of all stripes who find themselves wondering whether they should take the plunge on these local boys striving to make good. Message from us: dive in. You’ll be glad you did.

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Top Photo: Unmaker, by David Morton

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond