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Finding The Sweet Side Of Virginia With Sid Kingsley

Julia Raimondi | November 13, 2019

Topics: American Paradox Records, Americana, blues, jordan stoll, local bands, music, richmond music, Sid Kingsley, sweet virginia

Richmond singer-songwriter Sid Kingsley wants people who hear his music to feel free and uplifted, and to realize the full potential of human emotion — “however you interpret that.”

Richmonder Sid Kingsley‘s musical career has been marked by continuous growth. His latest single, “Sweet Virginia,” is a sign of that growth in his subtle, yet successful, departure from his previous material.

“Sweet Virginia” still has sounds of singer-pianist Kingsley’s Americana roots, and it echoes his debut album Good Way Home; but it also points towards a musical shift for the artist, now moving into a more self-styled blues direction, a la Marc Cohn’s classic “Walking in Memphis.” Like “Walking in Memphis,” Kingsley’s single represents an ode to a city; this time, it’s Richmond. References to places like Texas Beach appear in the song, as well as other subtle Easter eggs for fans that listen closely.

Despite its carefully-placed references, “Sweet Virginia” doesn’t have a specific meaning.

“I don’t usually like to give the listener a ‘this is what the song is about’ explanation, because then they’re not allowed to use their imagination,” Kingsley said. “I’d rather invoke an emotion, like a feeling. It’s your song. You can interpret it however you want to.”

Photo via Sid Kingsley/Facebook

In Kingsley’s mind, “Sweet Virginia” feels like a road trip song. With its references to geographic locations — powerful, rising melodies and a strong, clear voice — it makes you want to drive down the highway with your windows rolled down.

The track also incorporates the feeling of change, and a lot has changed for the artist since his debut album with American Paradox Records. Most notably, this single is independently produced: Kingsley recorded it at Audio Verite in Richmond’s Northside, which is operated by producer, engineer, and musician Pedro Aida. The only people involved in the recording were Kingsley, the audio engineer, and Jordan Stoll — a drummer that Kingsley brought onboard as a full-time collaborator in August 2018.

Kingsley and Stoll met five years before they began to formally collaborate, played a show together in Northern Virginia soon after their meeting. Three years ago, Stoll moved from NoVA to Richmond, where he began to encounter Kingsley more often at shows. Once they got to know each other, he reached out to pursue playing together regularly.


Stoll was having a hard time finding a band that he truly enjoyed drumming for, while Kingsley was having trouble keeping band members that were consistent and reliable. He needed a drummer that could go on a cross-country tour, and Stoll got the call.

“Going across country alone, it’s like, ‘Is this going to work or not?’” Stoll said. “You’re in a car with someone for so long. You’re going to learn to know if you like them or not. But it worked out.”

After returning from their tour, Kingsley and Stoll solidified their partnership and began creating music together. Together they made their first single, “Bar Room Queen,” which was recorded live with a raw and stripped-down sound. Over the past year, they wrote “Sweet Virginia,” and recorded it in an actual studio.

On the new track, Kingsley took care of vocals, bass, and keys. Stoll played drums and supplied backing vocals. The result sounds like there’s more than two people playing, which shows the musical magic that the two can create when collaborating together.

To Kingsley, there was more recording freedom on the “Sweet Virginia” single compared to his previous album. While there was an audio engineer present, Kingsley said that he didn’t do much in terms of controlling how the single came out, which allowed Kingsley and Stoll to be as creative as they wanted to with it.

“This was us able to go in and write the song ahead of time, really know what we want to go for. When we got in there, [we knew] everything was going to fall into place, because we already had a game plan to begin with,” Stoll said. “And then it’s such a better-sounding quality.”

It is that freedom, in both the interpretation and the creation of music, that Kingsley and Stoll believe in so strongly. By listening to their music, Kingsley hopes that listeners can have the freedom to experience all the range of human emotions, but come away feeling positive and uplifted.

“Music should be human,” Kingsley said. “It should be all those emotions. We’ve been tossing around this term calling it ‘freedom music.’ Not to say that all music isn’t free, but this is more about feeling free — however you interpret that.”

Photo via Sid Kingsley/Facebook

For Kingsley and Stoll, after the release of their “Sweet Virginia” single, the next step in spreading their “freedom music” is the release of more songs that are currently in the works. They’ve also been on a mostly local tour: on the weekend of their single release, they played at Hardywood on Friday, The Hofheimer Building for the release on Saturday, and traveled to Greensboro, NC on Sunday.

On November 9, the duo played at the historic B.B. King’s Club Ebony in Indianola, Mississippi, a show that benefited educational programs offered by the B.B. King Museum for youth in the area.

Playing at the club is a huge honor for both Kingsley and Stoll, who view the venue as something sacred due to the amount of blues and other musical legends that have played there.

“They’ve kept it the same as they did back when it was still a segregated club,” Kingsley said. “It is a very sacred space to play in. It would be nice to get the blessings of the legends who played there.”

Top Photo via Sid Kingsley/Facebook

Music Sponsored By Graduate Richmond

For Landon Elliott, Love Is A Hurricane

Julia Raimondi | September 12, 2019

Topics: album release, alternative, American Paradox Records, Americana, country, folk, hurricane, indie, Landon Elliott, local music, music, pop, Scott Lane

“This record is the most honest I’ve ever been with myself and with the songs,” said Richmond songwriter Landon Elliott of his forthcoming album. 

At 8 a.m. on a sunny weekday morning, local Richmond musician Landon Elliott walks into the small but quaint Cafe Nostra near Brookland Park. Based on their brief exchange, it’s clear that he and the barista know each other. Elliott has a friendly tone to his voice, and there’s a spark in his eyes as he sits down to discuss his new single “Hurricane,” which came out at the end of August. Its music video was released shortly after on September 4, with the Richmond-based recording label American Paradox Records. 

“I’m excited to get the record out,” Elliott said. “I’m still processing it’s happening. It’s been a long time coming, and a long journey to make this happen. It has a lot of sonic differences than what I’ve done before, but I’m still staying true to my songwriting sensibilities. This record is the most honest I’ve ever been with myself and with the songs.” 

The partnership between American Paradox Records and Landon Elliott began in December 2017, after owner Scott Lane saw Elliott play earlier that fall at an open mic night at Poe’s Pub. 

Lane had just moved back to Richmond from Denver when he started his new label, he said, and was wrapping up a record production with Kenneka Cook when he decided to take Elliott on. 

Photo by Joey Wharton

Elliott and Lane had already begun a friendship by that time, and deciding to work together seemed like a natural addition to their relationship. 

“Scott has done a good job of pushing me,” Elliott said. “He’s the label, but also my producer. We co-produced this record together. What Scott was able to do was honor my vulnerability and my personality, and my voice as an artist, while also pushing the direction of things a little bit.” 

“Hurricane” is the first single to be released for Elliott’s new record, Domino — and with a yet-to-be-announced release date, the album represents a period of transition and questioning of a lot of things in his life and his worldview. 

As he hinted, the new “Hurricane” single does have a slightly different tone and sound than the Wildflowers EP he released in 2017, under the name Landon Elliott and The Goods. While the EP with The Goods had a stronger country/folk/Americana sound, which clearly had roots in artists like Johnny Cash and Hank Williams, Elliott said he was more inspired for the new album by the 1980s synth pop-rock sounds of Bruce Springsteen, Peter Gabriel, and Fleetwood Mac. 

And it shows. The sound of “Hurricane” is multi-layered, and while you can still hear his original Americana sound, there are also layers of synth and a slightly-more refined and mainstream sound than his earlier EP. The pop sound almost hides the raw, honest lyrics about the difficulty of being honest in a healthy relationship… almost. There are plenty of references to ghosts of the past, and the destruction that they can leave in their wake like a hurricane, as the title suggests. 

“This track is about relationships and its many forms,” Elliott said. “The struggles that go into making love work. Love is hard work, to really care about someone truly and know someone fully takes a lot of work.” 

The music video for “Hurricane” also reflects the struggle Elliott believes can be present in maintaining honest and loving relationships. Departing from the usual music video conventions of its genre, this video presents two dancers in a choreographed and improvised struggle for dominance and equality, before they end their performance in unison. Elliott himself is present, and sandwiched between them as they mouth the final lyrics together. 

“I had this vibe in my mind of an 80s ‘Dancing in the Dark’ aerobic style movement,” Elliott said. “I wanted to do a dance video. For my style of music, you don’t necessarily see a more dance-style music video.” 

Lane liked his idea, and suggested doing something even more out-there, Elliott said. 

“I suggested a total visual departure from his Americana genre,” Lane said. 

Lane had seen a dance performance in New York City based on similar themes of the struggle between love and hate. The performance was by a dancer named Georgia Usborne with Brooklyn’s Gallim Dance Company. Lane reached out to her about the possibility of choreographing something similar for Elliott’s video, and she agreed. 

“What Scott really connected to was the raw physicality paired with a space for emotional connections between dancers, and also that emotionality can draw the audience into a story without there actually being a story or narrative,” Usborne said. “So we used that as a starting point, having a man and a woman, and discussing the light and shade of the relationship that can be shown through big physical movements — and also less physical, highly charged moments.” 

The shoot was done in New York City, where Elliott and Lane met personally with Usborne, the dancers and the music video director. While the two dancers, Kayla Farrish and Sebastian Abarbanell, had been able to rehearse the choreographed parts once before — and some of the material was already familiar to Farrish, as much of the performance was inspired by a previous one of hers — they hadn’t had a lot of prior experience working together. 

Landon Elliott, from the “Hurricane” Music Video

To make the pressure even tougher, they only had five hours to shoot the entire video, including setup and take-down, Lane said. 

Despite the intense time pressure, they did it. Their team managed to film an entire music video, complete with some last-minute decisions, such as putting Elliott himself in the video. 

In the end, the video presents itself as a nearly surreal and chaotic dance. The pair of dancers fight and work together throughout the routine, visualizing the struggle of making a relationship work as Elliott sings, nearly motionless on the floor. At times, Abarbanell is seen leading. At others, it is Farrish. Occasionally they work together, and oftentimes their movements seem to contradict each other. In the end, they appear to make their differences work out, coming to lie down on opposite sides of Elliott as the song comes to a close. 

“This is the first music video I’ve worked where the musician was in the video,” Usborne said. “It was fabulous, I loved it. It was very focused, and we all cared a lot about it; there was real heart behind it. The track was super catchy, and it all came together well. It was a real pleasure, and I’d love to work with them again.” 

After the release of the music video, a new single will be released in September. Right now Elliott is on tour with fellow Richmonder Deau Eyes, and the last few dates of the tour will find them pairing up with Josiah Johnson, formerly of The Head and the Heart. 

Locally, Elliott will also be playing at The Broadberry on September 28 for the Shack Up festival, thrown each year by The Shack Band. This will be his first year playing at The Shack Up, Elliott said, and one of his first times playing solo on a platform that big. 

“I love the Broadberry,” Elliott said. “They’re all really good friends of mine. I’m looking forward to hamming it up with them. There’s a lot of bands I love on the bill.”

Top Photo by Joey Wharton

Music Sponsored By Graduate Richmond

Richmond jazz songstress Kenneka Cook on looping, her creative process & debut album

Christopher McDaniel | September 14, 2017

Topics: American Paradox Records, Cary St. Cafe, funk, jazz, Kenneka Cook, rva music, RVA Track, Scott Lane

For the seventh installment of RVA Track’s monthly live music video series, the local film collective chose to spotlight Kenneka Cook, an up and coming, talented jazz singer who calls Richmond home. Cook has been looping her funky jazz vocals in Richmond venues and that combined with her pipes have earned her a solid place in the local funk and jazz club scene. She has performed with local band Mikrowaves, and now the powerhouse blues singer is stepping out on her own with a debut album due to drop this winter.

“I’ve been looping for about four years,” Cook said of her recent public performances. “Looping requires a machine, an effect pedal, and you say whatever you want into it, record it, and it will repeat on a loop. After I’ve added all my vocals, I beatbox to put it to a beat. I actually got the idea from Reggie Watts, and when I tried, it was so cool!”


The whimsical sounds that arise from Cook and the jazz ensemble make the listener yearn for more. Cook has a couple songs out on YouTube, plus a TEDx Talk, but that isn’t satiating enough for those of us who want to hear more. If the music emanating from the seventh RVA Track video is any indication of how Kenneka Cook’s debut album will play, then Richmond is in for treat.

“I’ve been singing all my life,” Cook said about the origins of her music. She takes inspiration from the greats like Billie Holiday, Betty Carter and Sarah Vaughan.

“I like to sing about love, how the world needs more love, heartbreak, and my intimate surroundings. I’ll read something, or someone will say something, and I’m like, ‘Huh…’ I’ll run with it.”

Her live music video by RVA Track, “Brings Me Back”, premiered Aug. 14 and as soon as Cook opens her mouth to belt out the tune you can feel the passion and the soul behind it. It’s captivating. The video was filmed by Craig Zirpolo, Daniel Bagbey, Gabrielle Silvers and Joey Wharton at American Paradox Records, with audio by Scott Lane (The Congress), edited by Daniel Bagbey, and features a cool short animation by Leslie Herman.


Cook just finished recording her 10-track album with Lane and it’s currently out being mastered. Fans can expect a mix of covers as well as several of the singer’s original tracks.

“About half of them are mine, with one song I wrote with Scott Lane, and the rest are covers,” she said. “There’s a Vampire Weekend cover, a Nancy Sinatra cover, a little bit of everything.”

Be on the lookout on RVA Mag for when Cook’s album drops and in the meantime, you can catch the jazz singer next at Cary St. Café on Mon., Oct. 2,  alongside Big Lean and Pheen.

Top photo credit: Melissa Brugh Photography

 

RVA singer/songwriter Sid Kingsley to drop debut album ‘Good Way Home’ May 12

Amy David | April 21, 2017

Topics: American Paradox Records, Americana, blues, BLUES & ROCK, Scott Lane, Sid Kingsley, The Congress

Americana at its finest with deep soulful roots, and a voice with such conviction and depth, RVA singer/songwriter Sid Kingsley is the next musician you need to check out.

The artist first made RVA Mag’s ears perk up when he released his single, “Good Way Home” a few months ago, which is the title of his debut album set to drop via American Paradox Records May 12.

The song’s lyrics are a little heavy and tug at the heart strings, but Kingsley’s voice and piano playing makes it this powerful, feel-good beautiful song.

While we’re just becoming hip to this guy, Kingsley is no newbie to the RVA music scene. He moved here about three years ago and has regularly co-hosted the open mic nights at Cary St. Cafe alongside local folk group Dalton Dash.

Kingsley said that “Good Way Home” was the first song he ever wrote, which was about three years ago.

He recorded the album back in July in Scott Lane’s (The Congress) home studio in Jackson Ward, whom he met on a trip out west.

“I met him about five years ago when I was hitchhiking through the west and ended up in Denver and we had a mutual friend, and then when The Congress moved back to Richmond from Denver last year, he came to an open mic that I host and heard me sing a song and was really interested and wanted to hear what songs I had written,” Kingsley said.

The album features 10 tracks, half of which Kingsley wrote himself. So far RVA Mag has only heard two tracks, but if the rest of the album is anything like the two singles, it will be one full of heart , soul and substance.

“They can expect bluesy, soul Americana,” Kingsley said of the album. “I only do songs that I can make believable with audiences, just honesty really.

The other half of the album, Kinsley chose to include covers of folk songs.

“Old Scottish tunes, that are at least 100 years old,” he said.

A song called “These Are The Reasons” written by Russell Lacy of Virginia Moonwalker studio even makes it onto Good Way Home. It’s a song that gives you all the feels, something you could listen to on a rainy day with Kingsley’s voice providing the warmth you need.

Kingsley’s debut solo record is set to make for a diverse, well-rounded composition with fellow RVA music veterans Marcus Tenney (Foxygen, No BS Brass), Andrew Carper (Angelica Garcia), Kenneka Cook (Mikrowaves), and Lane featured on the album.

A native of Branchville, Virginia, Kingsley grew up on jazz and has played the saxophone for over 20 years.

“I started in like 5th grade, just listening to jazz albums and trying to emulate what they were doing,” he said. “Learning from some instructors, but there weren’t a lot where I lived so most of the stuff I learned on my own.”

He’s played the piano for the last five years, which he picked up while studying music at Radford University. It wasn’t until after he made his trip coast-to-coast trip during one summer while at college that he decided to try singing.

“I never considered myself a singer,” he said “When I started playing piano and writing the other songs I figured out I could sing.”

He left school to move with his girlfriend to New York, which is where he first played his music live and in 2014, Kingsley and his girlfriend moved to Richmond where the singer was immediately drawn to the city’s burgeoning music scene.

“The music scene was amazing and it was super inspiring,” he said.

After his releases his album next month, Kingsley will head out to Denver to play several shows before embarking on a mini tour at the end of May that will run through the end of summer.

Sid Kingsley will drop his debut album Good Way Home Friday, May 12 with a release party at Flora May 13. Sammi Lanzetta (formerly of Venus Guytrap) will also perform. Doors at 10 pm. Music at 11 pm. Free. 203 N. Lombardy St.

Photo credit: Joey Wharton

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