Arms Bizarre Archives

VA Shows You Must See This Week: November 27 – December 3

Marilyn Drew Necci | November 26, 2019

Topics: 500$Fine, Agnostic Front, Arms Bizarre, Bandito's, Broken Chains Of Segregation, Bureau, Capital Ale House Music Hall, Cary Street Cafe, Foxing, Fun Size, Funky Monks, J. Roddy Walston & The Business, Keller Williams, Knuckle Hed, Lindsay Lou, Lobby Boy, Manchester Orchestra, Mutually Assured Destruction, NFK Nightmares, Oso Oso, Pat Keefe, Phelics, Raise Hell Over The Summer, shows you must see, Slapshot, smartmouth brewing, The Camel, The Canal Club, The Keels, The National, The NorVa, The Shack Band, Thin Pigeon, Tobacco Company Club, Uphill Down

FEATURED SHOW
Saturday, November 30, 7 PM
St. Edwards Reunion Show, feat. Fun Size (Photo by Joey Wharton), Broken Chains Of Segregation, Uphill Down, Knuckle Hed, 500$Fine, Phelics @ Capital Ale House Music Hall – $10 (order tickets HERE)
We’re used to believing that in the age of the internet, everything lives forever. Of course, if you had a Geocities site 20 years ago or a MySpace account 10 years ago, you know that isn’t true, but still. What about stuff from before the internet, though? How much history that still exists within living memory is totally unknown to everyone that wasn’t there at the time? To be more specific: how many of my readers under the age of 35 have any idea that the basement cafeteria of a Catholic school in Chesterfield County was once one of the more consistent music venues in the Richmond area?

I know, it sounds crazy! And yet, for a time in the late 90s, St. Edwards Epiphany School on Huguenot Road acted as a gateway for an entire generation of suburban high schoolers to get into the music scene. It seemed like a safe place to drop your curious 12 year old — because it very much was — and everyone from teenage pop-punk bands to downtown stalwarts played there on at least a semi-regular basis.

Of course, for the most part, you can’t hear any of the bands that were St. Edwards regulars anymore — at least, not the way they were heard at the time. Their primitive 4-track demo cassettes may have been digitized at some point, but the recording technology 18 year olds had access to at the time wasn’t the greatest, and almost none of these bands left behind recordings that captured the immediacy and joy of seeing them live. Therefore, we can all be grateful that, this Saturday night, half a dozen of the most memorable veterans of St. Edwards’ basement stage will be back together once again, doing a set for old times’ sake down at Capital Ale House.

Fun Size is still around today, so you may have caught their catchy, emotional pop-punk sound at one point or another. But 500$Fine’s bassist, Patrick Daly, tragically died at the age of 16, so this performance, with Bradley Lile of fellow St. Edwards stalwarts Cloud 13 filling Patrick’s spot on bass, will be their first in over two decades. Their fiery, political take on reggae-influenced melodic punk made them Chesterfield’s own high-school Clash for a couple of years. If you’ve never seen them before, you need to fix that. Descendents-style melodic punks Uphill Down will also be returning to action for the first time in a very long time, and a lot of us are itching for our chance to sing along with “Time Bomb” once again.

I’m way over on word count for this section, but I just can’t stop until I mention the Rage Against The Machine-meets-Quicksand midtempo political hardcore stylings of Broken Chains Of Segregation — the only band on this bill I never got to see the first time around (though I did see post-BCS act Conscience, so I’m not a total poser). We also can’t forget Knuckle Hed’s classic snotty pop-punk sound — show up to find out if frontman Brooks Cullum is still as wild onstage as he used to be — and Amelia County’s own Phelics, the emo boys from the country with the catchy tunes about life in the sticks. I know most of you weren’t there the first time, and have no reason to care about all these bands you’ve never heard of, but nonetheless, this is a one-time look back at an important chapter in Richmond music history, and you’d be a fool to pass up an opportunity to see so many of the bands that did the work to get us here today.

Wednesday, November 27, 10 PM
The Shack Band‘s Ninth Annual Gravy Ball @ Tobacco Company Club – $10
Thanksgiving is a great time of year to be a fan of jam bands. I don’t know what it is about this holiday — maybe it’s association with good times, good food, and good friends — but it brings out the best in all our local jam-rockers, and The Shack Band is no exception. For almost a decade now, they’ve been bringing out their sax-driven melodic jams for a super-fun pre-Thanksgiving throwdown known as the Gravy Ball. For year nine of the Gravy Ball, they’ve taken over the basement of the Tobacco Company to bring you two full sets of catchy tunes with plenty of sauce. So spice things up on the last night before the big family meal — you’ll be glad you did.

Thursday, November 28, 10 PM
Funky Monks @ Cary Street Cafe – Free!
Thanksgiving Day is like Christmas Day, in that it’s hard to find live music in which to partake. Most people are visiting family or gathering with a big crew of friends. But if all your peeps are out of town and you’ve got nowhere to go and no one to chill with, Cary Street Cafe has got you covered this year, because the Funky Monks will be doing one of their classic tributes to the Red Hot Chili Peppers — the pre-2006 stuff, when they were still good. This group takes things back to the good ol’ days by reuniting two of the three Santamaria Brothers, Andres and Gabe, who will delight you with live performances of all those Blood Sugar Sex Magik classics. Don’t spend Thanksgiving alone — bring your tube sock down to Cary Street Cafe and get funky with the monks.

Friday, November 29, 8 PM
Keller Williams’ Thanksforgrassgiving, feat. Keller Williams & The Keels, Lindsay Lou @ The National – $23 (order tickets HERE)
So bluegrass isn’t jam-band music, but in this day and age it’s about the closest you can get, at least culturally, so it’s no surprise that another big Thanksgiving throwdown taking place in Richmond this week is bluegrass-centered. Keller Williams has been making music with bluegrass as a foundation for over 25 years now, and he’ll be celebrating his mix of that classic Kentucky folk music and farther-reaching influences like reggae, jazz, and psychedelia with his Thanksforgrassgiving show on Friday night at The National.

For this show, Williams will be playing with Keller & The Keels, his trio with Larry and Jenny Keel, spotlighting their brand-new third album, Speed. This one’s a fun one, as it features bluegrass-style interpretations of popular tunes by such diverse artists as Weezer, Fiona Apple, and The Presidents Of The United States Of America. It should be a blast to see Williams and the Keels up there doing pedal-to-the-metal bluegrass versions of “Hash Pipe” and “Livin’ La Vida Loca,” and if your family Thanksgiving is as tough on your nerves as mine often can be, a little unmitigated fun will be a huge relief.

Saturday, November 30, 8 PM
J. Roddy Walston & The Business @ The National – $20.50 in advance/$23 at the door (order tickets HERE)
This was a tough choice, y’all. For a holiday week, there’s a ton going on this Saturday — Sammi Lanzetta and Tyler Meacham both have record release parties, Cattle Decapitation and Atheist are at the Canal Club, and there’s a big emo-friendsgiving thing happening at the Broadberry. But I felt like I would be doing you a disservice if I sent you anywhere but back to the National this Saturday night to see J. Roddy Walston & the Business one last time.

Yeah, that’s right — I said “one last time.” The group has been open on social media about the fact that this performance will be their last for the foreseeable future. They might play together again at some point in the future, but right now there are no plans for such a thing. So if you loved the piano-driven heartland rock of 2013’s Essential Tremors, featuring classic banger “Heavy Bells,” or their excellent 2017 follow-up, Destroyers Of The Soft Life — or if you’re just one of the fortunate ones who knows that this group puts on an absolutely hellacious live show — you’re going to want to make it out to The National on Saturday. Because if you don’t catch them now, odds are that you’ll never have another chance.

Sunday, December 1, 9 PM
Lobby Boy, Bureau, Thin Pigeon @ Bandito’s – Free!
No matter what time of year it is, the free Sunday night shows at Bandito’s are always a treat. This weekend in particular, we’ll all probably be sick of turkey by Sunday night, so a plate of delicious nachos or tacos will be just what the doctor ordered. And of course, you’ll get some great sounds from up-and-coming Virginia bands in the side room that secretly has the best live sound of any small venue in this city. I’m serious.

What will you be listening to this fine Sunday night? Well, for starters, you get a set from Harrisonburg indie group Lobby Boy, who just released a lovely new EP called Lore! (yes, with the exclamation point) earlier this month. It mixes upbeat guitar melodies and postpunk-style synth textures with some excellent melodic vocals and catchy choruses that’ll get your feet moving. Locals Bureau have a bit of a twee pop vibe about them, which should have the Citrus City-loving indie kids in this town smiling. RVA’s own Thin Pigeon will add a dose of driving postpunk goth energy to the bill, just to bring the lights down a bit. This one will be a fine end to a fine holiday weekend.

Monday, December 2, 8 PM
Pat Keefe & Friends @ The Camel – Free!
It always takes a while to get back into the swing of things after a long holiday weekend, which is probably why your best bet on this Cyber Monday is a relatively low-key affair. Head on down to The Camel after your dreary first day back at work to chill with Dalton Dash leader Pat Keefe, who’ll join together with some friends — including members of Dalton Dash and other rad local combos — to bust out some Dash-style upbeat acoustic tunes and get a smile spreading across your face. It’s not gonna be a super-big deal, but it’ll be a lovely way to spend an evening — and it’s hard to have a problem with that, right?

Tuesday, December 3, 7 PM
Agnostic Front, Slapshot, Mutually Assured Destruction @ The Canal Club – $18 (order tickets HERE)
You hardcore heads are going to need to be back in the swing of things by Tuesday, for sure, because an absolute stunner of a bill is heading your way and you’re going to want to be at peak energy for this one. The one and only Agnostic Front are coming to town, and they’re going to play their groundbreaking first album, Victim In Pain, from front to back. Agnostic Front are given credit for pioneering the crossover thrash sound later in the 80s, but Victim In Pain was their original statement of purpose. When it was released in 1984, it defined the classic NYHC sound, and remains a fundamental building block of hardcore to this very day. Tracks like “Blind Justice,” “Your Mistake,” “Last Warning,” and the immortal title track are unparalleled classics, and I guarantee that the entire Canal Club will be on their feet and moshing for all of them.

Amazingly enough considering the history of inter-city beef, Agnostic Front will be accompanied on this tour by near-equally groundbreaking Boston hardcore stalwarts Slapshot, whose 1986 debut Back On The Map defined the sound of that city’s hardcore scene as surely as Agnostic Front had done in New York two years earlier. Expect legendary tracks like “Chip On My Shoulder,” “Hang Up Your Boots,” and “No Friend Of Mine” to get the place going almost as crazy as Agnostic Front will an hour later. And considering that brand new Richmond band Mutually Assured Destruction, featuring former members of Breakaway, Down To Nothing, and Holy Land, is opening this one up, it’s gonna be a night of urgent sounds from beginning to end. Be prepared, y’all — this one’s gonna be off the chain.

Elsewhere Around The State:

Friday, November 29, 2 PM
Dark Arts Fest 2019, feat. Arms Bizarre, NFK Nightmares, Raise Hell Over The Summer @ Smartmouth Brewing (Norfolk) – Free!
We all expect that Black Friday will be a nightmare, right? There’s no way anyone hasn’t gotten to that point yet. But what if I told you that there is a place you can go this Friday where you can have a good time, get some shopping done away from the feeding frenzy of sale-hunting Walmart haunters, and hear some great music in the bargain? Is that something you might be interested in? Yeah, I thought it might be. Smartmouth Brewing is just a short drive down I-64 for all the Richmond denizens, and is right in the heart of Norfolk. It’ll be a great destination for all your Christmas shopping needs this Friday, as their 2019 Dark Arts Festival brings us the opportunity to patronize unique artisans and partake of some lovely art throughout the afternoon.

Then starting at 6 PM, it gives us some excellent musical delights as well! Three Norfolk combos will dispense aural treats for your ears from the stage, beginning with Arms Bizarre, whose heavy yet inviting sounds split the difference between psychedelic doom and fuzzy shoegaze. NFK Nightmares bring more of a catchy punk style to your Friday evening, to get you dancing and burning off those Thanksgiving calories. And Raise Hell Over The Summer will raise hell on Black Friday with some rockin’ tunes to kick off the evening. It’s gonna be a great time — and you can’t say that about anything else you might do on Black Friday, so plan your trip to Smartmouth Brewing now.

Saturday, November 30, 8 PM
Manchester Orchestra, Foxing, oso oso @ The NorVA (Norfolk) – $25 in advance/$29 at the door (order tickets HERE)
As melodramatic, emotional indie rock goes, Manchester Orchestra have certainly established themselves as leading lights of the genre. However, ten years ago, they were still hungry young kids looking to make their mark on the world. The mark they made came in the form of a classic album called Mean Everything To Nothing, which took their sound from their promising earlier records to another level entirely, and gave a generation of emo kids the kind of melodramatic rallying cry that every coming-of-age cohort of kids needs.

Now, ten years later, Manchester Orchestra are going on tour to celebrate a decade since that album’s release. Some things have changed in the interim, from details of sound to intricacies of lineup, but Andy Hull and co. still have that fire in their guts that made them so powerful at the time of Mean Everything To Nothing’s release — something they demonstrated most recently on 2017’s A Black Mile To The Surface — and you can expect both old and new tunes to be delivered with mind-blowing power and urgency on this night.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): drew@gayrva.com

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: February 6 – February 12

Marilyn Drew Necci | February 6, 2019

Topics: Alex Jonestown Massacre, Arms Bizarre, Bonjinski, Brook Pridemore, Cane, Chance Fischer, Continuation, Cypress, Dad, Dead Love Alive, gallery 5, Got My Own Sound, Guilt Wave, Heavy Mistress, Kensey, Mickey and Mallory, Patrick Bates, Prayer Group, RIsing Revolution, Sea Of Storms, shows you must see, Small Bones, Taphouse Grill, The Broadberry, The Camel, The Hague, The HofGarden, The Ledgesleepers, The Trillions, Three Sheets To The Wind, Uglyography

FEATURED SHOW
Saturday, February 9, 8 PM
Three Sheets To The Wind presents the 8th Annual Love Boat Luau @ The Broadberry – $12 in advance/$15 day of show (order tickets HERE)
Valentine’s Day is a difficult, fraught holiday. And I say that as a happily married woman — imagine what the single people are all going through out there. Of course, a lot of you don’t have to imagine, those of you who haven’t held hands with a human you adore in some lengthy period of time, or are struggling to even get the person you dig to even have the “what are we, exactly?” conversation. When you’re in situations like that, it can feel like the best plan is to cancel the 14th of February entirely.

But take heart, singletons everywhere, because Three Sheets To The Wind is here to help you blow away your troubles with a tremendously entertaining blast of yacht rock awesomeness! Their eighth annual Love Boat Luau has become quite the tradition here in RVA, as the now-ten-years-strong yacht rock tribute act brings to hilarious life a quasi-parodic celebration of the extravagant excesses of the 70s and 80s soft rock music scene.

So get to the Broadberry Saturday night, and give yourself a pick-me-up sure to carry you through the entire Valentine’s week. Three Sheets will be doing two big sets of classics by artists like Toto, Michael McDonald, Christopher Cross, and many more — and maybe you’ll even meet someone cute on the dance floor! Remember, they don’t wear that sailor suit every day… this is a special occasion. Word has it you can expect this event to sell out, so get your tickets now!

Wednesday, February 6, 8 PM
Anna Webber Trio, feat. Scott Clark and Adam Hopkins @ Vagabond – Free!
There was a point where I couldn’t get through a week of this column without writing about metal. These days, though, it seems that the hot RVA genre I can’t go a week without mentioning is jazz! It’s not a development I would have expected, but I definitely love it. And of course, Vagabond’s Jazz Wednesdays are a big part of what’s making it all happen — so keep up the good work over there, y’all.

This week’s Jazz Wednesday programming brings New York-based saxophonist Anna Webber to town — she’ll be joining up with two Richmond-based musicians of superior talent, in the form of drummer Scott Clark and bassist Adam Hopkins, to delight all comers. Webber’s just-released album Clockwise shows her talent in complex, unpredictable arrangements that work together in brilliant harmony with flurries of hot and heavy soloing. Of course, according to Hopkins, the trio won’t be playing any Clockwise material (makes sense — the album was recorded with a septet), but considering the talent of all involved, they’re sure to blow your mind with whatever they choose to perform. Don’t miss out on this one, y’all.

Thursday, February 7, 7 PM
Patrick Bates, The Trillions, Continuation @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
If you’re a regular reader, you know we covered a Patrick Bates show within this very column only a month ago. We don’t typically return to the same artist that frequently, but in this case, exceptions must be made. Bates, who hasn’t released a new record since 2015’s Feathers And Pearls, will be using this show to celebrate the release of his brand-new EP, Salad Days, by DC label Verses Records. Technically, it won’t even be out yet — it comes out the first week of March — but you’re sure to get a live preview of what’s in store for you, and based on the two songs we’ve already heard, it’s sure to be pretty great.

Really, the live performance is what this release is all about for Patrick Bates. Recorded over the course of nearly a decade by the songwriter and a rhythm section made up of some very talented friends, Salad Days does a good bit more than previous Bates releases to show exactly what the songwriter can create with a full-band backing in a live environment. And let me tell you, the hypnotic post-hardcore melodies this guy has in store for you are sure to delight whether you’re hearing them live or on a record. So go to this show, get stoked for Salad Days, and if there are advance copies available (we’re not promising anything), pick one up. You won’t regret it.

Friday, February 8, 8 PM
Teen Death, Dad, Sea Of Storms, Small Bones @ Gallery 5 – $5 in advance/$8 day of show (order tickets HERE)
Hey, here’s a name that always makes us happy to type: Teen Death. This local Richmond punk band doesn’t do all that much all that often — they’ve played a couple times in the last year or so, but we’re going on four years since they last released an EP that was less than three minutes long. This set may just be a good chance to hear this band play the excellent tunes you know so well — but really, what’s wrong with that? The way Teen Death simultaneously channel 90s alt-rock legends like Nirvana, The Toadies, and (early, good) Weezer even as they’re dishing out some grungy pop-punk riffage makes any opportunity to see them live more than worthwhile.

It’s also noteworthy that Teen Death are joined on this gig by Dad, a New York band that shares their name with a Richmond queercore band who’ve played Gallery 5 a time or two — so don’t get mixed up. This Dad shares some musical elements with Teen Death, though recent single “Road Soda” makes clear that Dad’s sound is rooted in frustration, anger, and noisy heaviness to a much greater extent than that of Teen Death. As their bandcamp page will tell you, they aren’t mad, they’re just… disappointed. But you won’t be disappointed by this show, especially with local post-hardcore veterans Sea Of Storms and entertaining newcomers Small Bones on the bill. Let’s rock.

Saturday, February 9, 9 PM
Cane, Got My Own Sound, Chance Fischer @ The HofGarden – $15 in advance/$20 at the door (order tickets HERE)
The HofGarden’s been making things pretty interesting in recent months — for an upscale multi-story venue that seems like the kind of place where rich business types would hang out, they’ve had some surprisingly strong talent performing in their multiple venues. That stays true this Saturday night as hip hop comes to the Hof in the form of Cane and GMOS (Got My Own Sound). This NoVA collaboration between a lyric-spitting rapper and a top-level jazz-fusion group is excellent at living in the liminal space between those two genres; they give us an outstanding aural vision of what that can sound like on their brand new EP, Out Of Love, for which this Richmond performance will act as a release party.

Cane and GMOS will be joined by one of Richmond’s most talented MCs in the form of Chance Fischer, who will also be kicking high-quality rhymes over music from a live band. Any fans of local hip hop are sure to know that this will be an excellent listen. And of course, the fact that in addition to the musical performances a whiskey-tasting will be taking place at this event should be no surprise for anyone who read our Chance Fischer profile from last year — the man knows his whiskey. Whether you partake in the booze or you’re just there for the music, though, this evening is sure to be worth every penny.

Sunday, February 10, 7 PM
The Hague, Ghoul Trouble, Kensey, Bonjinski @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Portland, Oregon’s The Hague are coming to town, and not to try anyone for war crimes, either (god, how many times have they heard a variation on that joke? Sorry guys). This melodic post-hardcore… OK, emo band are currently riding the wave of not one, not two, but THREE new releases since the start of 2019. And that’s probably a good thing for them, considering that a van wreck a week or so ago has forced them to finish their tour in a rented vehicle with very little on-hand cash.

So hey, show up to this one and pick up a record, huh? Between split EPs with Beach Party and Sun Valley Gun Club, and a brand new four-song cassette, these guys have quite a bit to offer. And musically, the same is true, as they’ve got crunchy guitars, killer chorus melodies, and an introspective mood that’s sure to connect with all comers. They’re joined on this bill by some rad locals, too, including punk-rock newcomers Ghoul Trouble, who I actually haven’t heard, but definitely have a rad logo. You’ll also get a set from energetic noise-grunge group Bonjinski and indie newcomers Kensey, all of which should be excellent. Don’t miss this one.

Monday, February 11, 8 PM
Harry Jay, Miette Hope, Cypress, The Ledgesleepers @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
You don’t really hear people talking about neo-soul too much anymore these days, do you? It’s kind of a shame; that subgenre produced some really great music for a while, including the excellent work of Richmond’s own D’Angelo. But it seems like it might be coming back — not only did some of the songs on Kenneka Cook’s last album remind me more than a little bit of Jill Scott, Boston artist Harry Jay is coming to Richmond this coming Monday night to show us that there’s still plenty to be done with the sound of that mostly-dissipated musical movement.

There’s not much Harry Jay can’t do: not only is he a tremendous singer, he also plays guitar and piano with tremendous talent, and writes incredible songs with plenty of feeling and heart. He’ll be bringing all of this to The Camel’s stage, letting us all know that a young artist early in his career can still have a lot to offer. Jay is joined on this bill by Brooklyn singer-songwriter Miette Hope, who integrates soul influences of her own into a more alt-rock-inspired sound that draws influence from artists like Fiona Apple and Jeff Buckley. Indie-folk singer songwriter Cypress will round out the bill, along with a set from brand new RVA band the Ledgesleepers, just to ensure that you get a full evening of top-notch music.

Tuesday, February 12, 8 PM
Alex Jonestown Massacre, Mickey And Mallory, Rising Revolution, Heavy Mistress @ The Camel – $5 in advance/$8 day of show (order tickets HERE)
OK so I’ve seen the Alex Jonestown Massacre name on a lot of bills around this town over the past year or so, but I must admit: I haven’t really dug into what this band is all about until now. Their name updates the sort of wry reference Anton Newcombe made to psychedelic pioneer and original Rolling Stones guitarist Brian Jones, and updates it for the Trump era. In case you didn’t figure it out yet (it took me a while), it’s a reference to Infowars blowhard Alex Jones, a reference made explicit in the lyrics and imagery on the group’s debut album, Fear Of A Flat Planet. And really, ya gotta love it.

Musically, Alex Jonestown Massacre are the same sort of catchy, erudite punk rock that Titus Andronicus specialized in during their early years, with a big dose of Against Me mixed in. And this makes them a good fit to top a bill with touring Baltimore group Mickey And Mallory, whose Natural Born Killers-referencing name gives a hint of the wry, self-effacing intelligence at the heart of their rockin’ melodic punk. Brand new album You’re A Nightmare provides more than enough reason to think that seeing this band live will be a worthwhile investment of your Tuesday night. Get on it.

Bonus Hampton Roads Picks:

Friday, February 8, 8 PM
Arms Bizarre, Prayer Group, Guilt Wave @ Taphouse Grill – $5
Down in Norfolk, they like to rock. And this Friday night, NFK’s Taphouse Grill will present a show totally worthy of the late, lamented Strange Matter (RIP, we’ll mourn you til we join you), featuring a trio of Virginia bands that all totally rock. Hard. Arms Bizarre, who are based in Virginia Beach and therefore pretty much local to the area, have a sludgy, heavy sound that is nonetheless interlaced throughout with downcast, melancholy melody, keeping them from ever falling into predictable stoner-rock monotony. Their 2017 album, Bizarre Family Drama, is a hidden gem that should be thrown into glorious light in the live setting.

Prayer Group, who occupies the middle slot, should be much more familiar to my usual Richmond readers, as this rollicking crew of noise-rockers have been laying Jesus Lizard-ish manic rage on us all for years now. One thing’s for sure: Norfolk’s in for a treat with this one. And the same is true of the set from Guilt Wave, which will round this evening off with some epic metal roaring fury of the sort that Mastodon unleashed in their earliest years, and fans of early Neurosis are also guaranteed to love. Let’s fucking rock.

Saturday, February 9, 9 PM
Brook Pridemore, Uglyography, Dead Love Alive @ Taphouse Grill – $5
It’s really tough to tell what you’re getting with Brook Pridemore if you try to go by the hype surrounding his work. Is it alt-country? Indie rock? Grunge? Punk? Well, the answer is sorta “all of the above, plus more,” and sorta “not even any of that,” so once again, the media (aka me) is no help. Just listen to his album Metal Is My Only Friend, which came out late last fall. You’ll hear reasons for lumping Pridemore into a variety of genres from song to song, but it’s the overall feeling of his music that matters most.

Specifically, this guy and his rotating collection of backing musicians (potentially none of which will make the trip down from New York for this show) flawlessly evoke feelings of ennui and alienation that all of us are intimately familiar with in these late-capitalist dystopia days. It’s sad, it’s sweet, it longs for something better… haven’t we all been there? So go to the Taphouse Grill (for the second day in a row) and find a connection with the music of Brook Pridemore. Uncategorizable Tidewater legends Uglyography and Norfolk rock n’ rollers Dead Love Alive will round this one out with some lovely sounds.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): drew@gayrva.com [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond