Bandito’s

VA Shows You Must See This Week: October 16 – October 22

Marilyn Drew Necci | October 16, 2019

Topics: .gif From God, Bandito's, BigForestFire, Bingo Beer Co, Breakers, Charlie's American Cafe, Chugfest, Cobra Cabana, Cokenail, Elizabeth Cook, Faucet, Genosha, Ghost Logic, God Mother, Gorrak, Gull, Hold Close, House & Home, IX Art Park, Kool Keith, LNT, Love Roses, Minimum Balance, Narrow Head, Nine Line, plan 9 records, Pound, Ruckus The Bulldog, shows you must see, Sleave, Slump, Starcoast, Studebaker Huck, The 40 Boys, The Canal Club, The Chuggernauts, The Number 12 Looks Like You, The Second After, The tin pan, The Vailix, Trash Boat, VE, Weedeater, Weird Tears, Will Hoge, Wylder

FEATURED SHOW
Saturday, October 19, 3 PM
Cobra Cabana’s One Year Cobranniversary, feat. Kool Keith, Weedeater @ Cobra Cabana – Free!
It’s hard to believe that it’s only been a year since Cobra Cabana opened over in Carver. They’ve wasted no time making themselves an integral part of the Richmond scene, from their delicious and politically-informed menu to organizing motorcycle rallies and hosting outdoor rock n’ roll parties. They’ll be hosting another outstanding party this Saturday afternoon, and whether you’re there every week or haven’t made it in yet at all, you’re going to want to be there.

This one-year celebration is branching out from the hard-rockin’ theme of the last big show at Cobra Cabana, giving it a huge dose of hip hop talent with a headlining set from Kool Keith himself. This legend of rap has been rocking mics and dropping bizarre and fascinating rhymes for over three decades now, getting his start with Ultramagnetic MCs in the late 80s and hitting a creative peak in the late 90s with Sex Style, Dr. Octagonecologyst, and First Come First Served… all of which were released under different names. Keith’s still incredibly prolific to this day, and returned to his Dr. Octagon alter ego last year for the excellent Moosebumps: An Exploration Into Modern Day Horripilation, before following that up with this year’s equally great but far more straightforward KEITH.

All of which is to say that this groundbreaking hip hop veteran hasn’t lost a single step even after three decades, and you’ll need to see the fire he can bring to Cobra Cabana this Saturday. And speaking of fire, expect North Carolina metalheads extraordinaire Weedeater to spark up some serious stoner grooves when they hit the stage. It’s been a few years since their last LP, Goliathan, entered the world, but having recently recruited Dixie’s former Buzzoven bandmate Ramzi Ateyeh to take over the drum kit, they’re revitalized and back to full power. Expect to be bowled over — in slow motion, of course. As celebrations go, this one’s gonna be hellacious.

Wednesday, October 16, 6 PM
The Number 12 Looks Like You, God Mother, Pound, .gif From God, Genosha @ The Canal Club – $16 (order tickets HERE)
What a time to be alive. I never thought I’d see the day when there’d be a revival of the kind of metallic, chaotic, sassy noisecore that I was super-stoked about in my late 20s. I guess this is growing up, huh? No complaints here — especially not when it means the return of New Jersey maniacs The Number 12 Looks Like You, who carved a swath through the mid-2000s metalcore scene with wild slabs of frenetic guitar fuckery and constant tempo changes, such as 2003’s Put On Your Rosy Red Glasses and 2008’s Here At The End Of All Things. I’m certainly glad to get more of that.

And this year brings an answer to the fervent desires of all their fans, as the band released their first LP in over a decade, Wild Gods, last month. They’re slightly less frantic on this new LP than in previous work, but their mindblowing mixture of mathcore, jazz, and screamo remains alive and well, and it’s sure to have you vacillating between spastic twitching and frantic headbangs throughout their Canal Club set this evening. They’re joined by two talented fellow touring groups, Sweden chaotic metallers God Mother and Seattle instrumental tech-grind duo Pound, along with two excellent local acts, .gif From God and Genosha, both of which you definitely need to be familiar with if heavy, chaotic craziness is your thing. This starts early, so head straight over after work — you don’t want to miss any of it.

Thursday, October 17, 8 PM
Gorrak, Gull, Faucet @ Bingo Beer Co – Free!
A show at Bingo Beer certainly brings back a lot of memories. Specifically of driving by the old bingo hall that this local craft brewing company has moved into and wondering if someone could book a punk rock show there. A lot of people tried, no one ever succeeded, but now, decades and an owner change later, music has finally come to the old bingo hall. And I for one think that’s pretty fucking cool.

It might be hard to label this show “punk rock” in any conventional, musical sense of the word, but the fact that it features three DIY bands that are very much in the open-minded “it’s how you think, not how you sound” tradition of punk, pushes it in that direction nonetheless. Gorrak is a powerful, borderline-metallic jazz duo who are celebrating the release of a new self-titled LP loaded with complex, exciting sax-drum riffage. Fans of local powerhouses like Dumb Waiter and Paint Store are definitely going to want to get on board the Gorrak train. It helps that tried-and-true solo experimentalist Gull is on this show as well — we all know what we’re getting from Gull, and we all know that it rules. I know nothing about brand new locals Faucet, but really, by now haven’t you got more than enough reasons to finally see a show at the bingo hall? I think you do.

Friday, October 18, 6:30 PM
Narrow Head, Slump @ Plan 9 Records – $5 donation
We may all associate record store appearances by bands with massive meet-and-greets at midnight the night their new album comes out, but sometimes record store shows are something completely different — a way to bring young bands with great new albums to the curious music fans of a new town. This is one of those in-stores, and as such, it’s sure to combine the informal atmosphere of a basement show with the inviting surroundings of your favorite place to lose an afternoon flipping through the used vinyl racks.

Texas group Narrow Head are the stars of this particular Plan 9 show, and they come to Richmond to bring us all the word about their latest EP, Coursing Through, released last month on Advanced Perspective Records. This two-song, 10-minute EP is a great showcase for what Narrow Head are sure to bring to Richmond this Friday night — big fuzzy waves of guitar, powerful drums, and an excellent undercurrent of minor-chord melody just below the surface. If your idea of shoegaze is more early Dino Jr than later Slowdive, these guys are sure to thrill you. They’ll be joined by Richmond hardcore-sludge maniacs Slump, who just might get a little gazey themselves at quieter moments, right before hitting you over the head with another massive banger. The whole thing should be over in about two hours, but time always flies when you’re having fun.

Saturday, October 19, 8 PM
Will Hoge, Elizabeth Cook @ The Tin Pan – $32.50 (order tickets HERE)
Saturday night at The Tin Pan will bring us a double shot of modern country stars who are far from conventional Nashville-radio pap. The double-shot starts out with Will Hoge, who has been dubbed “The Tennessee Troublemaker” by Mojo Nixon himself. Hoge got the name due to his outspoken political views, which not only got an airing on last year’s My American Dream — a rockin’ country LP sure to appeal to fans of both Jason Isbell and Gary Clark Jr. — but also showed up on t-shirts he sold on tour, featuring slogans like “Will Trade Racists For Refugees.” Will Hoge is the kind of guy country music needs more of, and here in Richmond, it’ll be great to get a big dose of what he has to offer this Saturday night.

It’ll also be great to get a visit from Elizabeth Cook, a longtime Grand Ole Opry performer who has a long-running Sirius XM show on the Outlaw Country channel and has shown her debt to classic country spitfires like Loretta Lynn with memorable singles like “Sometimes It Takes Balls To Be A Woman.” In 2016, she released her first album in six years, Exodus Of Venus, coming out the other side of a difficult period involving divorce, rehab, and mental illness with a powerful statement of strength. The album’s tough country sound makes her a good pairing with Will Hoge’s similar approach, and really, if you’re trying to hear the best country music has to offer in 2019, you can’t find a much better show to go to than this one. I know it ain’t cheap, but scrounge up the cash and get there. You’ll be glad you did.

Sunday, October 20, 9 PM
VE, Weird Tears, Minimum Balance @ Bandito’s – Free!
The free local triple threat at Bandito’s is always a Sunday night standby, and it’s that way for a reason. For one thing, Bandito’s is the Richmond live music scene’s best-kept secret — the room sounds great. For another thing, these shows never cost anything to get into. For another, there’s some amazing food available at Bandito’s, so you can (and should) always start your evening off with some tacos. And of course, the bands they book are always dope, whether they’re touring legends of punk or the best our own scene has to offer.

This night is of the latter variety, and VE, which used to stand for Various Eggs and doesn’t appear to stand for anything anymore, are at the top of the heap. It’s been a long time since they released some new original music, but their moody indie-lounge sound, which evokes both Leonard Cohen and Mark Eitzel, remains intact, and will surely cast a formidable atmosphere over the side room at Bandito’s. Weird Tears will bring their own unique, mournful power-pop approach to the evening, which is sure to be a highlight, and Minimum Balance rounds things out with some driving, spunky alt-rock sounds that are sure to delight all comers. This one is well worth your time.

Tuesday, October 22, 6 PM
Trash Boat, House & Home, Sleave, Hold Close, Nine Line, The Second After @ The Canal Club – $13 (order tickets HERE)
It’s always interesting to see what the UK does with US-originating sounds like pop-punk and hardcore. Trash Boat are the latest British export to combine both of these genres, and instead of landing anywhere in the neighborhood of Neck Deep, on one hand, or Gallows on the other, they carve out their own niche at the intersection point of melodic, emotional punk and driving hardcore power on 2018’s Crown Shyness, an excellent example of the fact that some UK bands are able to hold their own with the best exports from these shores.

Trash Boat have pivoted a bit with new single “Synthetic Sympathy,” moving in a poppier and dancier direction, but it’s always tough to tell whether such moves represent a stylistic shift or just a slight outlier. Either way, it shows that the band’s still got what made them worth our time in the first place, so you could certainly do a lot worse than journeying to the Canal Club this Tuesday night and catching them live onstage. A whole bunch of local talents, including heavy-emotion trio Sleave — who are actually about to release an LP on a UK label — and speedy easycore quartet Nine Line, are also on the bill, and you should really show up on time so you can get a good look at what’s happening in this musical world here in Richmond as well as over in the UK.

Elsewhere Around The State:

Friday, October 18, 8 PM
Wylder, Starcoast, BigForestFire @ Charlie’s American Cafe (Norfolk) – $10 in advance/$12 day of show (order tickets HERE)
Formed in Virginia and currently based in DC, Wylder are an indie-folk group with a lovely sort of sound, one that on their most recent LP, this year’s Golden Age Thinking, doesn’t just adhere to the typical sound you think of when you hear the genre descriptor “indie-folk.” Which is to say, they aren’t just another group of bearded boys with wide eyes doing their best Sam Beam. There’s some real sonic variance here, from the string-sweetened indie-rock melodies of lead single “Ghosts” to the quieter, more precisely constructed acoustic ambience of album closer “Right To My Head.”

So can we expect the live incarnation of Wylder to hit the stage in full-on rock mode, loud and proud? Or will we get a quieter, more acoustically-driven evening? Well, chances are the answer will depend on the song. It seems most reasonable to expect many different moods from Wylder, a band with many degrees to their approach — though all of them are driven by their talent. The evening will also feature performances by Virginia Beach quartet Starcoast, who bring rich vocal harmonies to their brand of upbeat indie pop; as well as BigForestFire, a group whose jammed-out grooves are often fueled by trumpet. This will be a lovely night.

Sunday, October 20, 1 PM
Chugfest, feat. Studebaker Huck, Breakers, Ghost Logic, Cokenail, Love Roses, Ruckus The Bulldog, LNT, The 40 Boys, The Chuggernauts, The Vailix @ IX Art Park (Charlottesville) – $10 donation to UVA Cancer Center’s Patient Services Fund
When you hear a name like “Chugfest,” you might very well think it’s a day’s festivities centered around beer. However, in this case, the festival appears to have been put together by Charlottesville punk band The Chuggernauts, so I suppose it’s named after them. But then, they’re named after how much they love to drink beer (as demonstrated on tunes like “Drinking Problem” and “Party On”), so it’s all the same in the end. That said, this event is really about drinking and rocking out for a good cause, not just for the hell of it, and all proceeds from raffles and donations will go to UVA Cancer Center’s Patient Services Fund, which helps direct support to patients and survivors in need of medical services.

I can’t speak to what kind of drinking you can or can’t do at this event — it’s in a public park, so that really comes down to city ordinances up there in Charlottesville. What I can tell you is that you’ll get sets from nearly a dozen punk rock bands from all around the state, not just the Chuggernauts but also long-running C-ville punks The 40 Boys, Richmond’s favorite speedy-punk sons Love Roses, funk-blues-metal duo Ruckus The Bulldog, Tidewater skate rats LNT, countrified rockabilly boyos Studebaker Huck, and a whole bunch more. This should be a great afternoon of fun sounds for a good cause, and it’ll sure liven up your Sunday. So consider taking a trip up to C-ville for this one — you’ll thank me later.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Kool Keith by Jason Persse, CC BY-SA 2.0, via Wikimedia

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 9 – October 15

Marilyn Drew Necci | October 9, 2019

Topics: Alien Boys, Angelica Rockne, ASM, Bandito's, Bedouine, Black Iris, Bleeding Out, Capital Ale House Music Hall, Colebrooke, Fallout, Future Terror, Gus Seyffert, Holy Fingers, Horse Culture, J Clyde Morris, Lee Bains III & Glory Fires, Mariee Sioux, Mike Watt & The Missingmen, Molly Drag, Mr. Kitty, Municipal Waste, Nana Grizol, Napalm Death, Panic Priest, Past Life, Pastel Ghost, Picker's Alley, Pigs Blood, Piranha Rama, shows you must see, Sibyl, Sick Of It All, Skullshitter, Solar Halos, Take Offense, The Broadberry, The Golden Pony, The Minks, Wonderland

FEATURED SHOW
Wednesday, October 9, 5:30 PM
Municipal Waste, Napalm Death, Sick Of It All, Take Offense @ The Broadberry – $24.50 (order tickets HERE)
I don’t like doing this. And by “this,” I mean recommending that you go to a show that may very well be sold out by the time you read these words. On the other hand, when an absolute epic powerhouse of a lineup like this one comes to town, I feel powerless to do anything else. After all, not only is one of Richmond’s foremost heavy bands at the top of the bill, two absolute legends of two different genres are directly underneath them, and there’s even a fantastic up-and-comer to sweeten the pot. What music journalist can possibly resist this one? Certainly not me.

Let’s get into a little more detail, beginning with the hometown boys. Municipal Waste spent several years being less than fully active, as the members’ various other projects (Iron Reagan, BAT, Cannabis Corpse, etc) hit full speed. However, the last couple of years have seen them crank things up in a big way, first adding former Cannabis Corpse axe-slinger Nikropolis in 2015 to give them a twin-guitar attack after 15 years, then releasing long-awaited sixth LP Slime And Punishment in 2017. This month finds them following up that album with a four-song EP entitled The Last Rager, which is the sort of title that should simultaneously remind us all of past Best Friends’ Day craziness, even as it may inspire some concern about how long the band’s future will extend. If anything, that’s even more of a reason to see them tonight.

Now let’s quickly discuss the other amazing bands on this bill. Napalm Death are absolute legends of UK grindcore and first-wave death metal, and despite many different member changes over the years, are still cranking out face-scorching brutal speed-demon anthems, most recently on 15th album Apex Predator — Easy Meat, released in 2015. As for Sick Of It All, they were one of the key bands defining NYHC in the late 80s. They proceeded to take it worldwide in the 90s with two high-profile major label releases, Scratch The Surface and Built To Last. These days, they’re still going strong, heavy and powerful as ever, and they proved it on last year’s 12th LP, Wake The Sleeping Dragon! The combo of this hardcore legend and the grindcore/death metal legend Napalm Death is unbeatable, especially when topped by RVA’s own legends in the making, Municipal Waste. But show up on time for this one too, because California metallic hardcore rippers Take Offense kick it off, and their brand new third LP, Keep An Eye Out, shows just how ably they carry the legacy of late 80s thrash metal into the modern era. This will be a shred fest from beginning to end. My advice is that you do what you have to do to get a ticket.

Wednesday, October 9, 8 PM
Mr. Kitty, Pastel Ghost, Panic Priest @ Fallout – $8 in advance/$12 at the door (order tickets HERE)
If you don’t make it into the Broadberry tonight, you can always head down to Shockoe Bottom and join in with the gothic freaks dancing to spooky synth-pop at Fallout. You’ll be wearing black, they’ll be wearing black, you’ll fit right in. Tonight’s headliner is Mr. Kitty, an Austin-based electro-synth auteur who released a double LP, Ephemeral, earlier this year. While the album is every bit as likely to get your feet moving with darkened-dancefloor grooves, the fact is that Mr. Kitty wrote it about the suicide of a longtime friend. The resulting album is strongly influenced by grief and sadness, which come through in the minor-key melodies that add an emotional layer to the 30(!) dance anthems enclosed on Ephemeral.

Mr. Kitty’s Ephemerality tour brings him to town accompanied by another Austin electro-pop artist, Pastel Ghost, who released an excellent, dreamy LP entitled Ethereality last year, and thus provided the other half of the tour title. Pastel Ghost’s music is less dark and gothic, more dreamy and atmospheric, and at times reminds me of the way Grimes sounded at the time of her breakthrough 2012 LP, Visions (I have no idea what Grimes sounds like now). The result is excellent, making Pastel Ghost a perfect pairing with Mr. Kitty that’s sure to get the Fallout dance floor undulating. Gloomy baritone goth balladeer Panic Priest will bring a Sisters Of Mercy-ish sound to the evening as well, making this absolute ear candy for the fog-enshrouded dancefloor habitues of Fallout. Join them.

Thursday, October 10, 9 PM
Pigs Blood, ASM, Skullshitter, Bleeding Out @ Bandito’s – Free!
Things are going to get downright vicious at this Thursday night Bandito’s show, and I’m not talking about the kind of viciousness that occurs when I attack a plate of Bandito’s nachos, either. (Well, I’m not just talking about that kind of viciousness.) This show brings a brutal out-of-town band with a recent release on excellent Brooklyn label Stygian Black Hand to Richmond to join up with a local Stygian Black Hand band and rule the roost at one of the best taco places in town.

Pigs Blood hail from Milwaukee, and play what they like to describe as “bestial black/death war metal.” New LP A Flock Slaughtered adds the imprimatur of truth to that genre designation with ten tracks of gory, guttural rage to blast your head apart. Expect them to deliver a similar effect at Bandito’s this Thursday night. Their brutality will be matched by that of Richmond’s ASM (Antichrist Siege Machine), whose crawling early Carcass-style chaos is shown off to excellent effect on brand new LP Schism Perpetration. As a bonus treat, NYC’s Skullshitter and Toronto’s Bleeding Out will hit you with a heaping helping of the brutal grind chaos excellently displayed on their brand new split LP on Nerve Altar Records, a copy of which you will no doubt be able to score at the merch table after their set. Do it.

Friday, October 11, 9 PM
Alien Boys, Future Terror @ Wonderland – $10
The second I discovered Alien Boys, they delighted me. I hadn’t even heard a note of their music, but after so many bands full of men have given themselves “so-and-so girls” names, it makes me incredibly happy to see a band full of women (or at least non-men — some members use “they” pronouns) going with a “so-and-so boys” name. Outstanding — I love it. And fortunately for me, I also love Alien Boys’ music!

Their LP Night Danger is a rip-roaring blast of fast, catchy punk with urgent lyrics about the violence visited upon women in this patriarchal society — a message more people need to hear. It’s sure delivered in a delightful package; Alien Boys’ sound evokes memories of melodic punk ragers like The Gits, Naked Aggression, and The New Bomb Turks. When these “boys” pull up at Wonderland this Friday night, they’re going to rock you hard and leave you stoked. RVA speed demons Future Terror, who feature members of Asylum, Prisoner, and Enforced, will blast you with some powerful thrash to kick this one off, and you might just get a third band on the bill as well. Even if you don’t though, trust me, this lineup is awesome enough.

Saturday, October 12, 9 PM
Solar Halos, Holy Fingers, Horse Culture, Sibyl @ Wonderland – $10
If I am to be completely honest, I got pretty bored of that whole 70s-inspired doom metal wave a few years ago. However, it’s been nice over the past couple of years to see it mutate into a new wave of epic progressive psychedelic sludge, and the fact that we’re getting a double dose of that exact sort of thing at Wonderland this Saturday night is pretty delightful on the whole.

It begins with Chapel Hill riff-rockers Solar Halos, who display formidable talent and powerful creativity on their latest LP, Coiled Light. These space-traveling slow-motion riffs are sure to get your third eye wide open. Not to be outdone, Baltimore’s Holy Fingers will summon up the peyote-drenched desert landscapes of last year’s Holy Fingers II, taking you on a spectral acid trip that’s entirely their own. RVA sludgeheads Horse Culture will add their own locally-grown take on the sound into the mix, while local newcomers Sibyl take things in a hazier direction to kick off an excellent evening that’s sure to thrill all the lysergic travellers among you.

Sunday, October 13, 7 PM
Bedouine, Gus Seyffert @ Capital Ale House Music Hall – $15 (order tickets HERE)
In recent years, there’s been a movement in serious record-nerd circles toward rediscovery of obscure folk artists who released albums on tiny labels with press runs in the low hundreds. Vashti Bunyan is just the tip of the iceberg; in 2019, if you really wanted to dig, you could find dozens of such artists, all of whom tap into an almost psychedelic atmosphere of minimal yet beautiful acoustic songwriting, which is given an unusual character by the lack of budget afforded them at the time. You might well wonder what those artists could have accomplished in a proper studio — but if you want to hear what an artist from that niche could have created had they been allowed to fully realize their vision, you have to turn to Bedouine.

Bedouine is the project of acoustic guitarist, singer, and songwriter Azniv Korkejian, who displays subtle yet undeniable prowess on this year’s Bird Songs Of A Killjoy. The lush string sections and jazzy, understated instrumental accompaniment given her voice and guitar on this album never overwhelm the gorgeous melodies and poignant lyrics Korkejian brings into the world with a relaxed grace that belies the powerful emotion at work in her music. Bedouine’s performance this Sunday night might require a quieter, more attentive posture than you’re used to engaging during rock n’ roll shows, but it’ll be 100 percent worth it. Listen closely — there’s an entire world within their music.

Monday, October 14, 7:30 PM
Mike Watt & The Missingmen, Piranha Rama, J. Clyde Morris @ Capital Ale House Music Hall – $20 (order tickets HERE)
Mike Watt has been an absolute legend for decades now. An incredibly talented and influential bass player, he’s exercised formidable influence over the past 40 years of low-end sounds in the worlds of punk, jazz, alt-rock and more. His membership in groups like The Minutemen, fIREHOSE, The Stooges, J Mascis & The Fog, and a thousand others has led to his indelible imprint on pretty much every bass player who has picked up the instrument in the last 30 years (including me). And it’s allowed him to remain an incredibly busy guy, even at 60-plus years old. Now, after joining with the surviving members of 80s noise-punk deathtrippers Flipper for a European tour, he’s returned home to reactivate one of his several backing bands and head out on a solo jaunt across America.

The Missingmen was Mike Watt’s backing band on his most recent solo LP, 2011’s Hyphenated-Man — an excellent collection of invigorated tunes capturing the spirit of his classic work with The Minutemen and fIREHOSE. This 2019 tour, named “the Dick Watt tour” after Watt’s late father, sees a slightly rearranged Missingmen hitting the road to play a selection of faves from throughout Watt’s career, as well as a variety of covers that he’s made his own over the years. If you dig anything Mike Watt’s done, the set’s sure to offer some songs to make you smile in delighted recognition — and the rest of the time, you’ll be just as thrilled, because it’s Mike Watt and he absolutely wails on bass, just like he always has.

Tuesday, October 15, 7 PM
Mariee Sioux, Angelica Rockne @ Black Iris – $20 (order tickets HERE)
Two quiet acoustic folk shows in a week? Hey, my ears aren’t what they once were — and if you keep blowing yours out at loud metal shows, yours won’t be either. A couple of quiet nights listening to incredibly talented folk singers certainly won’t kill you — if anything, it’ll do the opposite. That’s particularly true when Mariee Sioux is at the top of the bill.

This Native American singer-songwriter has a very different approach than that of Bedouine, who we discussed earlier. As is made clear on her recently-released third album, Grief In Exile, her delicate fingerpicking and charming high vocal harmonies have an intricate and soothing effect. Sioux’s performance will display quiet beauty of a sort that’s sure to stick with you long after you leave Black Iris on this cool autumn Tuesday night.

Elsewhere Around The State:

Saturday, October 12, 6 PM
Lee Bains III & Glory Fires, Nana Grizol, Colebrooke @ Picker’s Alley (Fredericksburg) – $10 (order tickets HERE)
It’s a little too on-the-nose to call Lee Bains III & his Glory Fires glorious, isn’t it? That said, it’s an easy adjective to land on with this group, a ripping Southern punk band who mix heartland rock riffs with the roaring rage of classic American punk like MC5 and the Dead Boys, even as they consistently foreground a strong political consciousness that’s more than a little reminiscent of the Drive-By Truckers. Have you ever wished DBT were 25 percent less country and 25 percent more punk? If so, Lee Bains III & Glory Fires are definitely the band for you.

They’ll be hitting Fredericksburg this Saturday in the company of Nana Grizol, a band that simultaneously draws from roots in the American folk-punk scene of a decade ago and the psychedelic indie-pop Elephant 6 scene of the late 90s. Featuring former members of Defiance Ohio, Elf Power, Neutral Milk Hotel and many more, Nana Grizol combine the shambling melodic grace of folk-punk with the DIY pop psychedelia of the classic Elephant 6 bands, keeping you dancing with lovely tunes played on unexpected instruments, and an approach that is punk in execution even as it brings us a bounty of delightful pop gems. This duo of contrasting Southern punk groups will offer a cornucopia of genres for the delight of the Fredericksburg punks — and it could offer the same thing to you, if you’re willing to drive an hour north for a great show. And why wouldn’t you be?

Sunday, October 13, 8 PM
The Minks, Molly Drag, Past Life @ The Golden Pony (Harrisonburg) – $7 in advance/$10 day of show (order tickets HERE)
We all know by now that Nashville isn’t just for country music, right? Having brought us groups like Los Straitjackets, Be Your Own Pet, and Diarrhea Planet, that city has shown us all by now that it’s more than capable of rocking the fuck out. Therefore, it’s not really a surprise that their latest export is The Minks, a group driven by the “create or combust” approach of frontwoman Nikki Barber. This raison d’etre manifests itself on The Minks’ brand new LP, Light and Sweet, in some rollicking blues-garage rock n’ roll with a strong Southern twist and a ton of swaggering energy.

Grabbing hold of that powerful energy is the main reason for you to wrap up your weekend at Harrisonburg’s Golden Pony with the Minks, but openers Molly Drag and Past Life have quite a bit to offer in their own right. Molly Drag’s just-released Touchstone offers quite the contrast to what the Minks have to offer, in the form of introspective, emotional guitar-driven ballads that should appeal to the emo kids who’ve spent some nights sitting up alone in dark bedrooms. Philadelphia’s Past Life is a good bit more upbeat, bringing some indie-style power-pop that’s sure to offer a strong dose of energy to get this show kicked off in proper fashion. Let’s rock.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 25 – October 1

Marilyn Drew Necci | September 25, 2019

Topics: Applaud The Impaler, Autopsy Affair, Baby Grill, Bandito's, Bob Mould, Brain Drain, Braincell, Catfish And The Bottlemen, Cognitive, Coy Pond, Dead Aim, Dirty Fuss, Dori Freeman, gallery 5, Gorrak, Green Fiend, Isabella VanKesteren, J Clyde Morris, Jimmy and the Delay, July Talk, Korine, Leopard Print Taser, Neighbor Lady, Oxx, Paint Store, Shadow Age, shows you must see, Strung Out, The Broadberry, The Bunker Brewpub, The Camel, The Canal Club, The Casualties, The Front Porch, The National, Thin Pigeon, Through The Eyes Of The Dead, Will Johnson, Wingtips, Wonderland

FEATURED SHOW
Wednesday, September 25, 7 PM
Bob Mould, Will Johnson @ The Broadberry – $25 in advance/$30 at the door (order tickets HERE)
This one should just be a given, y’all. That said, we need to talk about Bob Mould, because I feel like he might be fading from the spotlight a bit for anyone who is under 40 — and if you are under 40, and you like loud music played on guitars, you need to be aware of Bob Mould. Here’s why: because he’s been making loud, fast, impassioned, beautiful rock music for four solid decades, and he’s been excellent at it pretty much the entire time. At the dawn of the 80s, he formed Husker Du, a formidable trio who were to the Minnesota punk scene what Black Flag were to LA, or Minor Threat were to DC: the first, the best, the most consistent, the least complacent. Between their 1982 live debut album, Land Speed Record, and their breakup six years later, Husker Du not only made massive innovations in the world of hardcore punk but also laid some of the most important groundwork for the Nirvana-led grunge/alternative rock explosion of the early 90s.

Husker Du had ended by then, but Bob Mould was still heavily involved, then leading an incredible second power trio called Sugar (which also featured future Drive-By Truckers producer David Barbe). Sugar only lasted a few years, but they created a legacy with the four releases they produced in that short time — one that far outlasted their lifespan. Leading lights of the early 00s rock revival like Ted Leo owed a huge debt to the music Mould had created a decade earlier. Today, Mould is in the midst of a late-career renaissance that has seen him, backed by a trio featuring members of Superchunk and Verbow, release four stellar solo albums in a row, the most recent being this year’s outstanding Sunshine Rock.

While Mould isn’t bringing his band to Richmond, his current “solo electric” tour brings us a format with plenty to offer in its own right. Due to his issues with hearing loss (something a lot of us aging musicians can relate to), he often performs by himself, but the lower volume never stops him from giving his all to the performance, and you can certainly expect a powerful set when he takes the Broadberry stage. What’s more, he uses the solo format as an opportunity to perform music from throughout his incredibly consistent 40-year career, so we may be fortunate enough to hear a few Husker Du and Sugar songs mixed into the set as well as a great selection of the many excellent tunes he’s released over the past decade of solo albums. Whether you celebrate Mould’s entire catalog or need a crash course in what makes this guy so great, you’re sure to get a treat tonight at the Broadberry. See you there.

Wednesday, September 25, 6 PM
Through The Eyes Of The Dead, Cognitive, Green Fiend, Applaud The Impaler, Autopsy Affair, Braincell @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
Being in a tech-death band is apparently pretty brutal — and not just in a musical sense. South Carolina band Through The Eyes Of The Dead spent their first decade or so as a band shedding members willy-nilly, with the only constant remainder being lead guitarist Justin Longshore. Each of their first three albums featured a different singer, a different drummer, and a different rhythm guitarist. However, the turbulence within the band seems finally to have calmed, as 2017 saw Through The Eyes Of The Dead release their fourth album, Diosmus, with almost exactly the same lineup as their third album seven years earlier. An impressive achievement, given the circumstances.

But that’s not the only impressive achievement of the band’s recent history. What’s even more awesome is the musical evolution they’ve undergone from their early days as a white-belt hipster deathcore band into the powerhouse of technical death metal heavyosity they’ve become today. Their recent work doesn’t mess around with melody or simplistic breakdowns — it goes straight for the throat with nonstop brutality, of the sort that’ll keep you headbanging throughout a metal-as-fuck evening at The Canal Club. Regional death metal stalwarts aplenty will be on this bill to get you warmed up, but save some of your energy — you’ll need it if you want to make it through the Eyes Of The Dead set in one piece.

Thursday, September 26, 9 PM
Dirty Fuss, Thin Pigeon, J Clyde Morris @ Wonderland – $10
Down n’ dirty, no-frills rock n’ roll — their ain’t a damn thing wrong with that. Proving this statement to be true is Nashville band Dirty Fuss’s prime directive. They do a great job of fulfilling their mission on debut LP American Animals, which was released earlier this summer and is sure to bring a gleam to the eye of Ty Segall and White Stripes fans everywhere.

This isn’t complicated music, and it isn’t recorded in a highly polished and sterilized studio. Instead, it’s the kind of wild noise you’d expect to hear in a sweaty barroom with inadequate climate control, the kind of place where by the end of the night, there are empties with cigarette butts floating in them sitting on every flat surface (gross). Wonderland isn’t quite that room, but it’s as close as you’re gonna get in smoking-ban Richmond, and you’ll be able to catch your breath a little bit easier after you spend an evening dancing your ass off to Dirty Fuss. Hard to complain about that.

Friday, September 27, 9 PM
Oxx, Gorrak, Paint Store @ Wonderland – $10
Back to Wonderland once again, and this time it’s for an entirely different type of chaos. The sort of massive hectic noise that Danish math-metal trio Oxx brings to Shockoe Bottom this Friday night may be summed up by the fact that they called their new album The Skeleton Is Just A Coat Hanger; These Are The Black Strings That Make You Dance.

Having just blown 10 percent of my word count on that title, it’s going to be that much harder to describe exactly what Oxx has in store for you, but considering the complexity, unpredictability, and sheer panicked energy of their music, I have to admit that it’s not all that easy to describe anyway. Do you like fast, heavy, hectic music that makes you want to bang your head but challenges you with knowing exactly when to do so? If so, Oxx is the band for you. Get ready to rock the hell out — and expect some strong help with the rocking from two Richmond noise-rock powerhouses: wild jazz-metal hybrid Gorrak, and math-rock fascination machine Paint Store. It’s gonna rule.

Saturday, September 28, 8 PM
Leopard Print Taser, Brain Drain, Baby Grill, Jimmy and the Delay @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
I love it when a band with a truly original name comes across my radar for the first time. Leopard Print Taser? Holy shit, that’s great. I don’t even care what they sound like — I’m in. Fortunately for me, I didn’t get let down at all once I listened to this Massachusetts quartet, who manage on their 2018 EP, Teeth Are Not Bones, to bring exactly the sort of shocking bite you’d expect from their name to a melodic punk sound that is both energetic and emotionally-driven, in a manner that is sure to please fans of bands like Mannequin Pussy and Screaming Females.

There’s a bunch of awesome local stuff happening on this bill as well, starting with Brain Drain. This trio bashes out some wild, hectic rock n’ roll noise that seems like the perfect fit for this bill — if you haven’t been rocked by this Richmond crew yet, now’s the perfect time to start. Baby Grill, a grungy two-piece who may or may not have a drummer with them at this performance, will get you dancing around the room with a particularly excellent combo of catchy tunes and rumbling distortion. And finally, I have to give a shoutout to RVA Mag contributor Jimmy O’Keefe, who apparently has a solo project that will be opening this show — I had no idea! Bringing catchy indie tunes with baritone vocals, this opener should be a fun time. And so should this entire show — so don’t miss it!

Sunday, September 29, 8 PM
Neighbor Lady, Isabella VanKesteren, Coy Pond @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
As a kid, I would have used this band’s name to describe some weird person who lived on my block. As an admittedly weird adult, I’m sure that phrase gets applied to me on at least an occasional basis. But I’m cool with that, and I’m also cool with Atlanta band Neighbor Lady, whose music has a laid-back cool and relaxed catchiness that makes it easy to slip right into.

On Neighbor Lady’s 2018 LP Maybe Later, they mix a psychedelic take on indie rock tunefulness with more than a touch of old-time Appalachian mystery, in a manner that should definitely appeal to Richmond music fans who miss The Diamond Center and wish Julie Karr would play local solo shows more often. They may not exactly blow the roof off the Camel this Sunday night — they’re too subtle for that. But their set is sure to expand your mind in some pleasing directions.

Monday, September 30, 9 PM
Shadow Age, Wingtips, Korine @ Bandito’s – Free!
Last year, Shadow Age’s self-titled LP was an undisputed highlight of Richmond music. It was made bittersweet when it was followed only a month later by the announcement of the group’s indefinite hiatus. But in light of the fact that they’d departed the scene at the very moment of gaining some incredible creative momentum had to make you wonder whether they wouldn’t be back pretty soon. Sure enough, by December, the occasion of Strange Matter’s extended farewell celebration brought them back from their hiatus to perform their first show as a quintet.

And now, this Monday at Bandito’s, we get another return engagement from Shadow Age, one billed as their “only show this year.” This melodic, fog-enshrouded gothic postpunk group have a ton of great songs in their catalog, and the thought of hearing them live one more time should definitely be enough to entice both longtime fans and new converts down to Bandito’s for this free Monday night show. No word on how many members the group will have for this performance, but trio, quartet, and quintet lineups have all charmed in the past, so it’s sure to be worth it regardless.

Tuesday, October 1, 6:30 PM
Catfish And The Bottlemen, July Talk @ The National – $25.50 in advance/$28.50 at the door (order tickets HERE)
Sometimes it feels like rock music is on a long downward slide into irrelevance. It can be tough to find rock bands that are able to attain a share of popularity while also retaining artistic quality. As has been true for decades now, though, the British continue to be much better at locating exactly that sort of band, and ensuring that they do achieve some degree of success — at least, across the pond.

Catfish And The Bottlemen’s current American tour has brought them to The National, so they’re doing pretty well on this side of the Atlantic as well, but if you haven’t checked them out yourself yet, you owe it to yourself to fix that. This Tuesday night is the perfect time to get better acquainted with this charming group and their catchy brand of melodic pub-rock, which lands somewhere between first-LP Radiohead and The Libertines. Their new album, The Balance, shows that, even though not every song hits the highs of their all-time greatest tune, “Cocoon,” they’ll always keep your toes tapping and give you some great choruses to sing along with. Consistency — it’s an underrated virtue.

Elsewhere Around the State:

Wednesday, September 25, 7 PM
Strung Out, The Casualties, Dead Aim @ The Bunker Brewpub (Virginia Beach) – $20 (order tickets HERE)
In the mid-90s, the California skate-punk sound ruled the world. NOFX and Bad Religion were the kings of the proto-Warped Tour hill, but the bands on their respective labels (Fat Wreck Chords and Epitaph) had ways of distinguishing themselves from the pack. Propagandhi was political, Lagwagon was emo, Ten Foot Pole’s singer was a major-league baseball pitcher… and Strung Out were metal. Don’t get me wrong, they still had the speedy melodic riffing and unforgettable catchy choruses that were common across the entire genre, but the licks guitarists Jake Kiley and Rob Ramos busted out were definitely the group’s most distinguishing characteristic.

These days, though, you’d also have to give Strung Out credit for staying power. After a 2018 acoustic EP, Black Out The Sky, they released their ninth full-length, Songs Of Armor And Devotion, just last month, and it proves they haven’t lost a single step since the heady days of the Survival Of The Fattest compilation. Catchy choruses and metal leads are still in abundance, and they surely will be at The Bunker Brewpub tonight as well! So if neither of the Richmond shows I’ve already told you about tickle your fancy, you certainly can’t go wrong gassing up and heading East on 64. If you hurry, you can catch opening sets by drunk-punk mainstays The Casualties and VA Beach hardcore survivors Dead Aim, which will certainly sweeten the pot.

Sunday, September 29, 7 PM
Dori Freeman @ The Front Porch (Charlottesville) – $18 in advance/$20 at the door (order tickets HERE)
Dori Freeman isn’t from any of the cities our more urbane readers would necessarily expect a Virginia musician to come from. She’s from Galax, a Southwest VA town close to the NC border, about 90 minutes south of Blacksburg. They used to build a lot of furniture down there, but the factories have gone away; these days, the main industry in that city is old-time folk and country music. Therefore, the fact that Freeman has risen to prominence with her old-fashioned blend of Appalachian influence and the Nashville sound of the mid-20th century isn’t nearly as surprising as you might think at first.

Freeman’s set to release her fourth album, Every Single Star, any day now. In fact, it will be released between the time when I write these words and the day this show will take place. The new album finds Freeman much happier than she’s been on previous work — newly married, she’s largely turned away from lonesome lover’s laments in favor of songs about making a relationship work. The result is a collection of positive tunes that incorporate 60s pop influences into a country framework that should delight fans of Loretta Lynn and Emmylou Harris. Dori Freeman will bring all of this to wonderful full-color life at Charlottesville’s the Front Porch this Sunday evening, and you’re going to want to be there. Mark your calendar.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 11 – September 17

Marilyn Drew Necci | September 11, 2019

Topics: Antonio Garcia, Arrival Of Autumn, Bandito's, BigDumbBaby, Black Iris, Blackliq, Brian Jones, Cary Street Cafe, Charlie's American Cafe, Colleen Thorburn, Coy Pond, D R O N E S, Druglord, Finding Verona, Flaural, gallery 5, Grebes, Hand Out, Incite, John Cage, Justin Alexander, Justin McConchie, Killroy G, Long Division, Max Gowan, Midlife Pilot, militia, Moons, Muscle Worship, Nicomo, Pinson Chanselle, prison, PT Burnem, Reggie Pace, RIsing Revolution, Scaphe, Scott Burton, Serial Hawk, shows you must see, Soulfly, Sun Against Artemis, Suzi Fischer, Swordplay, The Appleseed Cast, The Camel, The Dark Room, The NorVa, Tony Martucci, Triptides, Unearth, W I S H, WE Singleton Center for the Performing Arts, Wonderland, Zach Ware

FEATURED SHOW
Sunday, September 15, 7 PM
Swordplay, PT Burnem, Blackliq, Killroy G, D R O N E S @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
It’s always nice when a prodigal Richmond musician returns home, and that’s what’ll be happening at Gallery 5 this Sunday as Swordplay hits Richmond once again to celebrate the release of his latest album, Paperwork. The rapper who last made a mark on the Richmond scene with his 2013 LP Tap Water has been living on the West Coast for over four years now, and he returns to Richmond having received a law degree from Berkeley. Not bad, right?

While Paperwork isn’t technically Swordplay’s first release in six years — a reissue of a 2009 CD-R release (remember those?) called Malista came out on cassette (we would have said “remember those?” about cassettes in 2009) earlier this year on MilledPavement Records — it is the first real new material from Swordplay in over half a decade, and shows quite a bit of growth since Tap Water, even as it retains all the qualities that made previous Swordplay albums so great: forthright emotion, complex and irreverent wordplay, acoustic and melodic touches mixing with pounding boom-bap beats to keep you dancing.

It’s always nice to see what’s been up with someone we haven’t been in touch with for a while. On Paperwork, Swordplay makes clear that he’s still doing well. And for his release party at Gallery 5, he’ll be gathering together a whole bunch of old friends to remind us all what we’ve been missing. He’s joined by some frequent collaborators, including the illustrious and always furiously political PT Burnem and the introspective and talented producer Erik Akers, aka D R O N E S. Sets from veteran Richmond emcee Blackliq and recent up-and-comer Killroy G will round out this bill with some serious rhyme fire. Get ready.

Wednesday, September 11, 8 PM
John Cage’s Musicircus, curated by Brian Jones, Justin Alexander, Antonio Garcia; feat. Suzi Fischer, Pinson Chanselle, Scott Burton, Reggie Pace, Zach Ware, Justin McConchie, Colleen Thorburn, Tony Martucci @ WE Singleton Center For The Performing Arts – Free!
It’s the middle of the week and we could all use something different. But over at VCU’s WE Singleton Center For The Performing Arts, some music-department faculty are getting together with a bunch of notable Richmond musicians to find out just how different things can get. Tonight they’ll all be gathering to perform John Cage’s Musicircus, one of many conceptual pieces created by 20th century experimental composer John Cage, who is most famous for “4’33” (yeah, the totally silent song).

This Cage piece is not silent at all, but instead described as a situation in which any number of musicians are gathered together in the same place at the same time and instructed to play whatever they want, without regard to what anyone else is playing, for at least an hour. If you’re imagining a wall of absolute noise chaos, you’re on the right track — but the whole reason Cage came up with the idea was to get people to look beyond the wall of noise and find the interesting juxtapositions that exist within. With members of the Spacebomb house band, No BS! Brass Band, Luray, The Big Payback, Agents Of Good Roots, and many more talented local musicians involved in this particular performance, potential is high for some amazing sounds to come out of it. Listen closely.

Thursday, September 12, 8 PM
Hand Out, W I S H, Midlife Pilot @ Bandito’s – Free!
Going to free shows is never a bad idea — even if you’ve never heard the bands involved. Take this one, for example — before I checked out the event page for this free show at Bandito’s, I had no idea who Hand Out are. Now that I’m familiar with this New Orleans-based melodic punk quartet, I’m giving this show highest marks. Hand Out’s 2018 EP, Blood & Water, was already pretty great, and they took things to an even higher level of excellence on their split EP with Ghostpool, released earlier this year.

Having spent some time with Hand Out’s ringing guitars, excellent vocal harmonies, and driving tempos, I’d say that they’d be worth paying a significant sum to see live. But hey, at Bandito’s this Thursday, you get to see them for free! You’d be a fool to turn that deal down, especially with local shoegazers W I S H and catchy Richmond pop-punkers Midlife Pilot on the bill as well. Plus — like I’m always telling you with Bandito’s shows — you can use the money you would have spent on admission to buy a big delicious plate of nachos. There’s nothing not awesome about that.

Friday, September 13, 7 PM
Max Gowan, Coy Pond, BigDumbBaby @ Black Iris – $5-10 suggested donation
The experimental sounds that were a regular occurrence at Black Iris a year or so ago have mostly died away or found other places to land, but this Friday night event shows that this gallery hasn’t entirely turned away from live performance — always a nice thing to learn in a city where finding a place to catch live music can sometimes be a challenge. What’s really nice is the sounds Black Iris is bringing us this Friday, mainly from DC songwriter Max Gowan.

Gowan sometimes performs under the name Max Gowan And The, which should tell you a little bit about how he operates. Bygones, the LP he released earlier this year, is full of quietly beautiful acoustic pop tunes that sound like they were recorded in a very private ad-hoc space (a bedroom, perhaps?), but glow with perfect melodies that shine in the slightly experimental context in which they exist. This sort of music may experience an interesting transition into the live environment; indeed, this may be the sort of show that everyone will get the most out of if everyone is very very quiet. But that doesn’t mean you should skip it — quite the contrary. Gowan has a lot to offer, and the fact that you might have to listen closely only makes the eventual payoff that much more rewarding.

Saturday, September 14, 9 PM
Grebes, Nicomo, Moons @ The Dark Room – $5
I haven’t heard much about Richmond-based singer-songwriter project Grebes, and apparently I’ve been missing out. A solo creation from Jacob Ungerleider, who previously played in Natalie Prass’s backing band, Grebes is a keyboard-driven powerhouse of quietly soulful indie pop sounds. They demonstrate their facility with that style on debut LP House Creature, which was released earlier this year, and if you dig the idea of The Beatles jamming with Marvin Gaye in the wee small hours of the morning, you’re going to want to dig into this one.

You’re also going to want to come check out New York trio Nicomo, the Nico Osborne-led trio who just released their latest EP, Views, last month. Its six songs showcase Osborne’s songwriting prowess, and the group’s charming folkish sound, which also mixes in unusual instruments and field recordings to add a bit more texture — though who knows how such things will come off in the live environment. Regardless, it should be lovely. Richmond-based opener Moons will add some texture to the evening with some Hendrix-inspired psych-rock jams to get your night started right.

Sunday, September 15, 9 PM
Serial Hawk, Druglord, Scaphe @ Wonderland – $10
This show is for all you intellectual post-metallers who enjoy slow-motion headbangs but get more stoked when you’re afforded an opportunity for contemplation of sheer riff majesty. Serial Hawk, an epic quartet who mix Isis-style moments of mood with brutal slow-motion pound and outright noise like Windhand jamming with Neurosis, are sure to please your ears when they pound hairline cracks into the Shockoe Bottom sidewalks outside Wonderland this Sunday night.

On tour behind their brand new double LP, Static Apnea, Serial Hawk are bringing an intriguingly complex and less-than-predictable approach to the intersection of two genres — post-metal and doom — which in 2019 can both feel very played out in less capable hands. Serial Hawk will remind you of why you loved all this music in the first place, and they’ll do so while blowing your mind (and your eardrums). They’ll be joined in this by Minnesota ragers Scaphe, who up the tempo and the noise for their complex and scathing two-piece approach. Richmond stoner heroes Druglord will kick the evening off with a set of hazy proto-metal dirges sure to put you in the proper mood for an evening of powerful noise.

Monday, September 16, 9 PM
Triptides, Flaural @ Cary Street Cafe – $10
A name like Triptides might lead you to expect some pretty straightforward jam-band action, but this California crew who are pulling into Richmond for the very first time are much more complicated than all that. Rather than dipping into the Deadhead sound that constitutes the usual brew for everyone’s favorite hippie hangout, Cary Street Cafe, this group takes a left turn into technicolor psychedelic pop.

On latest LP Visitors, Triptides bust out a powerful sound that harks back to some of the best acid trips pressed to vinyl over the past half-century — Innerspeaker, Incense & Peppermints, Skylarking, Magical Mystery Tour, and more all shine through the sounds dished out by this excellent group of psychedelic rangers. Denver’s Flaural are also on the bill, and bring a similarly acid-soaked psychedelic pop style into play; though they may be a bit more grounded in melody, their sound constitutes the perfect pairing with Triptides’ glorious musical space travels. Catch both of them this Monday night, and take a trip into the center of your mind.

Tuesday, September 17, 7:30 PM
Rising Revolution, Finding Verona, Sun Against Artemis, Militia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
OK, this is going to be a lot of fun — especially since I didn’t think this kind of thing happened anymore. By “this kind of thing,” I mean random shows bringing together a variety of surprisingly young rock bands from the outer edges of the Richmond suburbs — which are very far out indeed in 2019. Rising Revolution headline this show, and this symphonic power metal group have an entire fictional backstory built up around their band which sounds straight out of Blade Runner, or maybe a Coheed And Cambria record.

Rising Revolution are serious about their symphonic chops, leaning into the sort of operatic vocals and baroque guitar leads that make bands like Dragonforce so entertaining. Meanwhile, Flaming Verona, who hail from out Louisa way and are one of two bands on this show whose only internet presence is an Instagram account (#generationz), are going for more of a Killswitch Engage/All That Remains metalcore-with-emphasis-on-metal thing. Sun Against Artemis have a 70s proto-metal thing going on that makes me think of Deep Purple crossed with first-LP Heart, and Militia are clearly going for some 80s thrash sounds. But what really makes all of them interesting is how young and fresh-faced they are — if most of these bands are too young to drive, I wouldn’t be surprised. How wild is that? The kids are still out there doing it. Get down with it.

Elsewhere Around the State:

Saturday, September 14, 7:30 PM
The Appleseed Cast, Muscle Worship, Long Division @ Charlie’s American Cafe – $15 (order tickets HERE)
The Appleseed Cast have been one of the longer-lived midwestern emo bands to come out of the late 90s emo scene that also produced bands like Braid, American Football, and The Jazz June. They also have managed to stay relatively consistent across a 20-year history that’s seen them endure quite a few lineup changes. At this point, singer-guitarist Christopher Crisci is the only original member that remains, but as the band has always been fueled by his creative choices, that’s not a bad thing.

This summer saw The Appleseed Cast release their eighth album and first in six years, The Fleeting Light Of Impermanence. And if you loved their atmospheric, progressive take on an emo sound that often strayed well into post-rock territory, it’s sure to make you smile just as much as previous efforts have. Crisci’s vocals retain the power to evoke both vulnerability and extreme beauty, and the soaring guitar melodies and powerful drumming only underscore the fact that The Appleseed Cast are still at the top of their game after two decades. How amazing is that going to be in the live setting? It’s certainly worth quite a bit more than the admission price you’ll pay to find out.

Monday, September 16, 5:30 PM
Soulfly, Unearth, Incite, Prison, Arrival Of Autumn @ The NorVA – $21.50 in advance/$25 at the door (order tickets HERE)
Back when Max Cavalera left Sepultura at the height of their fame to form Soulfly, it seemed like the legendarily riff-obsessed guitarist may have screwed up. Now, 20 years later, it’s clear that Cavalera’s choice just managed to create two great brutal thrash bands out of what had been only one. Which is a pretty excellent result, if you think about it. On 2018’s Ritual, the 11th Soulfly album, Cavalera and his crew of metal ragers — which currently includes his son Zyon on drums — show that they can still crank out powerful riffs with a strong Brazilian tribal influence and some serious groove power, just as they always have.

Long-running Boston metalcore rippers Unearth are also on this bill, and have quite a strong track record in their own right. Seventh album Extinction(s), released late last year, shows that Unearth have remained consistently talented at both metal shredding and serious mosh brutality. They’re sure to get the pit raging at the NorVA once they hit the stage. In addition to these two legends of metal rage, this bill also features a few talented members of the younger generation, most notably Phoenix metalcore headbangers Incite. Floridian relative newcomers Prison and Canada thrashers Arrival Of Autumn round out a bill full of serious metal. Get ready.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 7 – August 13

Marilyn Drew Necci | August 7, 2019

Topics: Alcindor, Another Round Bar and Grill, Bad Motivator, Bandito's, Bashful, Body Of Light, Clementine, Crucial Rip, Drab Majesty, Faded Home, Funeral Proposals, gallery 5, Garden Grove Brewing, Gravebound, Hide, Jerome's Dream, Marshall Family Values, Matt and the Skeleton Crew, Nightcreature, Ostraca, Peabody's, Psychonaut, Queen Of Jeans, Scott Yoder, shows you must see, Site Of Suffering, Talk Me Off, The Broadberry, The Canal Club, The Lawrence Arms, The Magenta Shift, The Menzingers, The Sidekicks, Thin Pigeon, This Kills Me, Turbo Mansion, Twin Films, Under Broken Skies, Vein, Walkie Talkie, Watchdogs

FEATURED SHOW
Friday, August 9, 7 PM
Jerome’s Dream, Vein, Ostraca, Watchdogs @ Gallery 5 – $15 (order tickets HERE)
If you have paid any attention to the underground screamo scene over the past decade or so, you’re sure to have heard of Jerome’s Dream. Active in the late 90s and very early 00s, this New England-based trio were crucial in defining the faster, more chaotic end of the genre as it was codified at the dawn of the new millennium. Bassist Jeff Smith’s high-pitched screams and refusal to use a mic during shows set a template for an entire generation of bands, and the band’s frenetic, dynamic songwriting demonstrated the most effective way of making a basement full of kids with dyed-black hair writhe and scream spastically along.

Of course, having broken up in 2001, the height of Jerome’s Dream’s fame and influence came long after their demise. But they returned to action this year with a long-awaited crowdfunded album that constitutes their first release in 18 years. Is it as good as the old stuff? Well, it shouldn’t be a surprise to hear that opinions are sharply divided on that subject! Between Smith’s inability to recreate his trademark wail (he’d already ceased to do so on the band’s final pre-breakup EP, Presents), the significantly more metallic sound of the guitars on the new LP (entitled LP, of course), and the less frantic, more complex song structures, Jerome’s Dream have certainly undergone a noticeable evolution in their 18 years away from the spotlight.

But will the live show still rule now that the members are all pushing 40? Well, there’s only one way to find out, and that’s to show up at Gallery 5 Friday night and see what these guys have to offer. All the stoked young screamo kids in attendance are sure to provide plenty of high-pitched screams of their own, so you may not even miss Smith’s screech. And with youthful screamo apostates Vein — who, on last year’s Errorzone, patterned themselves more after Slipknot and Mudvayne than anything associated with the 7-letter S word (not that that’s a bad thing) — in tow, local vets Ostraca representing Richmond screamo, and mosh-lovers Watchdogs opening things up, this is sure to be a killer show even if Jerome’s Dream just stand still and play their instruments. And let’s be real, even that will still be cool.

Wednesday, August 7, 7 PM
Drab Majesty, Hide, Body Of Light @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
The new romantics of the 80s aren’t so far gone, and these three Dais Records bands are coming to The Broadberry tonight to prove that. Drab Majesty are at the top of the bill, and there could be no other place for Deb Demure and Mona D, with their gothic-electro-postpunk beats, melodies, and life. Having just released their third LP, Modern Mirror, they’ll be taking over the Broadberry tonight to get all the eyeliner-bedecked dance floor warriors to move their feet in the dark.

Drab Majesty’s music definitely brings a nighttime ambience to the air, even if you’re listening to it at 11 AM on a sunny day, but there’s a surprising amount of melody built into what they’re doing as well, making for some killer tunes that’ll lock into your brainstem and refuse to let go. In a good way, of course. Chicago’s Hide, who are also on this bill, have not yet released their latest Dais Records LP, Hell Is Here, but the single preview track available is enough to let us all know that they’ll bring a decidedly angrier and more ominous vibe during their portion of the evening. If Drab Majesty will make you dance and sing along, Hide is going to make you stomp and scream. The bill will be rounded out by Body Of Light, whose brand new LP, Time To Kill, splits the difference between the other two bands on this bill with its pounding yet subtly melodic industrial approach. Dress in black for this one.

Thursday, August 8, 7 PM
Scott Yoder, Nightcreature, Thin Pigeon @ Gallery 5 – $7
A veteran of garage-rockers The Pharmacy and indie-folk singer-songwriter Kimya Dawson’s backing band, Seattle’s Scott Yoder has become quite the unique musical auteur over the past several years. His solo work mingles hints of retro psychedelia with the glamour of old Hollywood and the outright glam of Marc Bolan and David Bowie. Right now, he’s in the midst of releasing six different 7 inch singles over the course of this year, and on songs like “Silver Screen Starlet” and “Cloaked In Nite,” he’s brought a unique world to life in his music — a world he’ll bring to the Gallery 5 stage this Thursday night.

You’re not going to want to miss this one, and not just because Scott Yoder is gracing a local stage — he’ll meet his match in glamour and glitz when Richmond’s own Nightcreature take the stage. On their debut EP, On The Loose, released last fall, this powerful ensemble displayed plenty of garage grit and androgynous glam, all of which they’re sure to bring to the Gallery 5 stage on this lovely evening. Postpunk trio Thin Pigeon will open this one up with some elegant and memorable tunes of their own — expect glittering pop genius from one end to the other with this one.

Friday, August 9, 7 PM
Funeral Proposals, Marshall Family Values, Twin Films, Faded Home @ The Canal Club – $8 in advance/$10 at the door (order tickets HERE)
Ohio’s Funeral Proposals have been together for a few years, so I suppose by this point someone’s already made the “they put the ‘fun’ in funeral” joke. I still want to make it myself, though, because this band’s music is undeniably fun, at least on their latest EP, 2018’s Blue Deluxe. On some tracks they get an upbeat alt-rock groove going, on others they’re more of a bouncy pop group, but the element all of their songs retain in common is a contagious joy — which is only enhanced by the occasional surf-music vibe that comes through.

A trio of local groups join Funeral Proposals at The Canal Club this Friday night to provide various fun sounds of their own. Marshall Family Values sounds like something a politician might talk about, but musically they are quite a bit more pleasant than that might make it seem, mixing wailing guitars and prominent keyboards into a tasty melodic rock sound. Twin Films get more hazy and psychedelic with their indie vibes, and bring quite a bit of gorgeous melody in the process. And Faded Home have a raw, ambient sound that’s sure to evoke some feels. All in all, an excellent way to spend your Friday night.

Saturday, August 10, 7 PM
Crucial Rip, Gravebound, Under Broken Skies, Alcindor, Site Of Suffering @ Another Round Bar and Grill – $8
There was a point when it felt like Richmond’s home for brutal metal was Shockoe Bottom, but in recent months, it’s started to seem like the RVA metal scene has moved out to Lakeside. Another Round in particular has become a central gathering place for all of this city’s headbangers, and this Saturday night of brutal mosh madness will demonstrate to all the doubters exactly why that’s an entirely positive development. Death metallers Crucial Rip, who’ve been one of the city’s leading lights of metal for years now, will be at the top of this bill, giving you a heaping helping of rumbling low-end power, complete with the kind of sick breakdowns that fans of extremely heavy hardcore will gravitate to just as quickly as the death-heads do.

But they’re not all this evening has to offer — oh, far from it! Gravebound are also RVA-based, but their sound is much more familiar to those who dig bands like Sworn In and Chelsea Grin. It’s metalcore, but it’s extremely heavy metalcore — the type that’s also sure to start at least a few mosh pits over the course of their set. With Fredericksburg brutality merchants Under Broken Skies on the bill, as well as newcomers Alcindor and Site Of Suffering, this show is going to be full of reasons to bang your head. And we could all use more of those.

Sunday, August 11, 7 PM
This Kills Me (photo by Brianna Spause), Turbo Mansion, Matt and the Skeleton Crew, Bad Motivator @ Garden Grove Brewing – Free!
Philadelphia’s This Kills Me are coming to Garden Grove this weekend, and that’s going to be a real treat for all of us — whether you know it yet or not. Earlier this year, they released The End, an 8-song project that’s either a mini-LP or a long EP. I’ve never been any good at figuring that sort of thing out, but I do know great melodic songwriting when I hear it. Folks, this is it.

I’m tempted to call This Kills Me a post-hardcore band, but if anything I think it may be more true to say post-pop-punk (which is too many hyphens — believe me, I know); their sound is sure to appeal to fans of classic late-90s bands like Farside and Gameface. Whether those references mean anything to you or not (and if you’re under 30, I’m betting you’re on the latter side of that one), you’ll certainly have a lovely time seeing this band at Garden Grove, especially since the bill features multiple excellent local bands, Turbo Mansion foremost among them. AND, on top of all that, it’s free! Who can argue with that?

Monday, August 12, 8 PM
The Lawrence Arms, Talk Me Off, Bashful @ Bandito’s – Free!
One absolute treat of a free show deserves another, right? For those of you out there who love modern pop-punk, the headline of this little blurb is all you really need to hear — I’m guessing you’re already making plans to queue up outside Bandito’s the second you get off work on Monday. But for those who don’t quite know the deal, here it is: The Lawrence Arms is one of the most important bands in the world of melodic, emotional punk rock since the turn of the millennium. Albums like 2003’s The Greatest Story Ever Told have long since proved this to all who’ve encountered them.

They’ve been around for two entire decades at this point, and have been a bit less active over the past ten years or so, but they’re working on a new album scheduled for next year, and they’re coming to RVA because they have a night off their current tour with Bad Religion and felt like sharing their many classic tunes with us all. Bandito’s shows are always free, so it’s strictly first-come first-served for this one. Luckily for us all, tacos are cheap during Bandito’s happy hour, so come early, grab dinner, and be ready for the show to get rolling by 8:45. It’s gonna be a great one.

Tuesday, August 13, 7 PM
Beres Hammond, DJ Inferno @ The National – $25 in advance/$30 at the door (order tickets HERE)
Not just a Clash song or a Sade album, lovers rock is an entire subgenre of reggae, one that exists in contrast to the heavy-dub sound and Rasta politics of famous Jamaican reggae exports like Bob Marley and Peter Tosh. Lovers rock mixes the classic reggae lilt with soulful vocals and a stronger emphasis on melodies and balladry. Beres Hammond started out as a Jamaican dancehall singer in the 80s, but established himself internationally with his 90s work, which cemented him as a top-tier lovers rock single and led him to work in the early 00s with everyone from Big Youth to Wyclef Jean.

Now it’s 2019, and Hammond is in the midst of an international tour behind Never Ending, his 20th album and first in over five years. Singles like “I’m Alive” and the title track have proved that his talent is as strong as ever, and he’ll be coming to The National this Tuesday night to charm reggae fans all over the metro area with his reggae balladry. Get ready for an evening of dancing with your baby to Beres Hammond’s smooth, sweet lovers rock. It may only be Tuesday night, but this high’s gonna carry you straight through to the weekend.

Elsewhere Around The State:

Friday, August 9, 8 PM
The Menzingers, The Sidekicks, Queen Of Jeans @ Peabody’s (Virginia Beach) – $22 in advance/$25 at the door (order tickets HERE)
Here’s another one of the most important melodic, emotional punk rock bands to come along since the turn of the millennium. Two in one week? That’s pretty amazing, and if you’re a true fan, driving to Virginia Beach will seem like a small price to pay to catch Scranton pop-punk geniuses The Menzingers on their current tour. It’s been two years since their excellent fifth album, After The Party, and they’re currently preparing a sixth one, Hello Exile, for an October release.

That’s still a bit away, and so far, we’ve only heard one of the songs from it, but “Anna” is a gorgeous, heartrending banger that lets us all know the band who brought us angst-ridden classic “I Don’t Wanna Be An Asshole Anymore” still have all of their chops 100 percent intact. That’s reason enough to drive down for this one, but the fact that Ohio pop-punk/power-pop veterans The Sidekicks, as well as Philly indie/power-pop trio Queen Of Jeans, are also on the bill makes this one a downright can’t-miss event. So don’t miss it, punk!

Saturday, August 10, 8 PM
Psychonaut, The Magenta Shift, Walkie Talkie @ Clementine (Harrisonburg) – $7
It might be easy for Harrisonburg to slide right by the consciousness of a VA music fan from more populous cities closer to I-95, but paying even a little bit of attention will make it abundantly clear that the scene in the city of Macrock is jumping all year round, not just on that one spring weekend. Psychonaut are a Harrisonburg-based band bringing an excellent psychedelic sound to the city of JMU and beyond, if the rest of the state will only listen.

This show is a celebration of Mind — no, this isn’t some weird new-age workshop, Mind is the name of the new Psychonaut LP, and it’s an album full of dark, moody soundscapes that bring to mind Paisley Underground classics by Rain Parade and The Dream Syndicate, while also harking back to some of the deeper, more subtle bands of the post-Nirvana alt-rock revolution (though I’m gonna guess that neither they nor you, reader, have any memory of California trio Dada — but I promise they were good). The overall result is an album full of intriguing, multi-layered melodies and glittering guitars that pull you in deeper with every listen. To see Psychonaut bring this one to life onstage is sure to be the kind of treat that’s worth driving across the mountain for. Gas up the Jeep.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 24 – July 30

Marilyn Drew Necci | July 24, 2019

Topics: Abinnet Berhanu, Alice In Chains, Bandito's, BBQT, Big Fundamental, Billy Bacci, Bricks Restaurant & Pub, City Of Caterpillar, Cobra Cabana, Continuation, Drunk Mums, Enforced, Fed Ash, Friendship Commanders, gallery 5, gauche, Hearse, Hebret Musica, High Voltage, Ho99o9, Jeremy White, Kid Is Qual, Korn, Little River Creek Police, Oozing Meat, Post Pink, Prayer Group, Ride The Snake, Sanguis, shows you must see, Slump, Studio Two Three, The Broadberry, The Camel, The Panic Broadcast, The Protomen, Toxic Moxie, Twin Drugs, TWRP, Underoath, Vagabond, Veterans United Home Loans Amphitheater, Wonderland

FEATURED SHOW
Saturday, July 27, 2 PM
Cobra Cabana Presents Ride The Snake, feat. Enforced, BBQT, Toxic Moxie, High Voltage @ Cobra Cabana – Donations to RRFP
If there’s one thing this past week has told us, it’s that summer is most definitely here. And that definitely makes it the right time for riding in the streets — which is exactly what’ll be going on at Cobra Cabana’s afternoon gathering this Saturday, known as Ride The Snake. Jim Morrison memorably used that phrase to refer to ingesting psychedelic drugs in the desert, but Cobra Cabana are being a bit more literal in their use of it, as this afternoon is based around a motorcycle rally that they’re throwing to benefit Richmond Reproductive Freedom Project.

If you’re down for some motorcycle rally action, the group ride will depart from Cobra Cabana’s Carver location just after noon. But if you’re like me and just want to see some wicked bikes and hear some killer tunes, swing by about 2 PM. The motorcycle show starts then, giving you plenty of time to check out some glorious two-wheeled machines before the music gets rolling at 3. And what music it will be! Headlining the show will be up-and-coming Richmond ragers Enforced, whose new LP At The Walls is certain to confirm their status as blackened-thrashcore heirs apparent. Get ready for headbangs aplenty from this set.

Texas band BBQT is also on the bill, and if you dig that sharp, metallic glam rock sound immortalized by bands like the Runaways, you’re sure to get stoked for this band’s over-the-top swaggering attack. Of course, Richmond party machine Toxic Moxie are also on the bill with some disco-punk jams to get you smiling and bouncing. The bill is rounded out by local AC/DC tribute band High Voltage, who are sure to get things kicked off with a bang. It’s all to benefit a great cause, so bring your dollars for RRFP, bring your summertime party spirit, and — if you’ve got one in the garage — bring your bike for the motorcycle rally. This is going to be the best hot Saturday fun of the entire summer, and you’re not going to want to miss it.

Wednesday, July 24, 8 PM
Abinnet Berhanu & Hebret Musica @ Vagabond – Free!
In a city like this, it’s easy to let the punk and the electro and the indie and the metal obsess you to the extent that you forget about the hotbeds of sound from other genres that are just as vital here in Richmond as the scenes people more readily identify with this city. That’s why I’m thankful for the weekly jazz nights at Vagabond and various other venues around town — always offering a reminder that Richmond’s jazz scene is active, creative, and producing awesome new music at a rate just as prolific as the local indie and punk scenes.

The latest excellent export from Richmond’s jazz scene is the self-titled debut album by Hebret Musica, a quintet led by drummer and Richmond jazz mainstay Abinnet Berhanu. The group, whose name means “Community Music” in Amharic, the official language of Ethiopia, draws from Berhanu’s Ethiopian background to add a multi-national flavor to Hebret Musica’s classic hard-bop sound, which should bring smiles to the faces of any fans of Modern Jazz Quartet or Giant Steps-era John Coltrane — and I know y’all are out there. This show at Vagabond marks the official release of Hebret Musica’s debut album, after which they will hit the road and spend the weekend in DC. We might not see them back in Richmond again anytime soon, and this group has some incredible sounds to deliver to your waiting ears. So catch them while they’re here — head to Vagabond tonight.

Thursday, July 25, 6 PM
TWRP, The Protomen @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
This should be a fun gig. Canada’s TWRP, whose name stands for Tupper Ware Remix Party, have always had a colorful and amusing presentation, performing in costumes and hiding their true identities behind their catchy prog-rock sound and spacetime-traveling backstory. Only two weeks ago, TWRP released their second LP, Return To Wherever — a nice reference to legendary 70s jazz-fusion group Return To Forever — and that LP furthers their bouncy, jazzy, danceable yet rocking prog sound. Seeing them crank out these tunes in full costume is sure to be a blast.

The Protomen are an equally fun group, with a much longer history that ties closely into a classic Nintendo video game that many of us remember from our childhoods: Mega Man. Indeed, The Protomen have been writing concept albums based on the worlds of those 8-bit video games for about 15 years now, and setting their heavily story-oriented lyrics to music mixing progressive rock with the work of film-soundtrack composers like Ennio Morricone to create albums just as musically entertaining as they are narratively gripping. While they haven’t released an album on their own since 2015’s The Cover Up, they did appear on TWRP’s 2018 track “Phantom Racer,” so this tour pairing seems somewhat inevitable… and certain to maximize the awesomeness of both performances. Get stoked for this one, it’s gonna be out of this world.

Friday, July 26, 7 PM
Gauche, Post Pink, Continuation @ Gallery 5 – $10 (order tickets HERE)
It’s easy to associate punk rock with speed, volume, and rage, but back when it began as a musical movement, punk was still wide open. In the early days, all sorts of different sounds ended up in the mix, and some of them were quite fun, funky, and danceable. DC punk rockers Gauche, who feature members of Priests, Downtown Boys, and quite a few other notable groups out of the nation’s capital in recent years, hark back to that time on their brand-new LP, A People’s History Of Gauche.

From the forceful vocal attack and atonal chord structures to the pointed lyrics dealing with capitalism and colonialism, there’s no way to deny that this group’s music is punk as fuck. But the bouncy grooves that keep you moving throughout draw influence from the more adventurous groups of punk’s early days — everyone from The Slits to The Bush Tetras to The Bags, and beyond. The result is a sound that’s cathartic and full of inspired outrage, but also a whole ton of fun. And we could all use more of that.

Saturday, July 27, 6 PM
City Of Caterpillar, Oozing Meat, Continuation @ Studio Two Three – $10
Richmond Y2K-era screamo legends City Of Caterpillar blew minds all over the globe when they announced their reunion shows back in 2017; it wasn’t quite as big news as the Avail reunion, but damn close to it, and their Richmond dates sold out quickly. As far as anyone could tell back then, the reunion was a one-time thing, but it was accompanied by the release of one new recording — their legendary live track “Driving Spain Up A Wall,” finally laid down in the studio 15 years after their original breakup.

Now, in 2019 amid rumors of yet more new material to come, City Of Caterpillar has reunited once again, this time to perform at Toronto’s New Friends Fest on the first weekend in August. At first, the only other gigs they had scheduled were hours north of Richmond, but fortunately for us, they did manage to schedule a last-minute performance this Saturday night at Studio Two Three. The ad hoc nature of the show means that there are no advance tickets available — you’ll just have to show up at the Scott’s Addition art space with your cash in your hand and hope you get in. But for one more chance to see City Of Caterpillar explode out of their trademark melodic post-rock interludes into cathartic punk noise… how could it not be worth it?

Sunday, July 28, 10 PM
Prayer Group, Slump, Twin Drugs @ Bandito’s – Free!
This weekend is full of massive heavy noise, and Sunday night is perhaps the most massive of all, as Richmond sludge lords Prayer Group celebrate the release of their latest EP, Eudean, with a free show at Bandito’s. The new EP finds Prayer Group at their harrowing, churning heaviest, blasting us all with leaden grooves that roll right over you and leave no room for anything but headbangs.

The bass rumbles and thuds, drums pound, vocals howl in your face, and the noise of the guitar scrapes your eardrums raw in the best possible way. Don’t go into this one unprepared, but do expect to be blown away by what you find. And do expect some excellent sets from psychedelic hardcore freaks Slump and hazy shoegaze-psych maniacs Twin Drugs. Plus there are the nachos… always, always the nachos. End your weekend with this rager — it’s the right thing to do.

Monday, July 29, 7 PM
Big Fundamental, Little River Creek Police, Billy Bacci, Jeremy White @ The Camel – Free!
Big Fundamental is a loud rock n’ roll trio from right here in Richmond, who got together recently from somewhat surprising roots — solo singer-songwriters and free jazz freaks, coming together to rock out in that classic post-Nirvana 90s alt-rock style isn’t exactly a predictable occurrence. But when it results in some really good sounds, I’m sure none of us are wont to complain. Right?

Big Fundamental just released their first LP, which has the affirming title of You Belong Here, and is, according to singer-guitarist Stu Ruiz, about “the hard work of finding optimism.” It’s certainly true that that’s a difficult search in the era we’re all living through, but Big Fundamental’s catchy grunge riffs and steady-rolling pace throughout this album promise to bring smiles to all our faces, at least for a little while. Come join them this Monday night and shake off the beginning-of-the-workweek blues.

Tuesday, July 30, 9 PM
Drunk Mums, Friendship Commanders, Kid Is Qual @ Wonderland – $10
If you are wise in the ways of punk rock, you can probably guess that a band called Drunk Mums is primarily made up of young dudes. And if you know what’s up with Australia, learning that Drunk Mums are from the land down under is probably all you need to hear to know that they’ll rock you hard in a straightforward, no-frills style. If you know your international punk well enough to be stoked on bands like The Lime Spiders and Cosmic Psychos, Drunk Mums are sure to make you real happy. They’ll also make the more US-oriented among us who dig bands like the Marked Men and the Riverboat Gamblers smile.

Friendship Commanders are also on this bill, and while this Tennessee band have come a lot less far than Drunk Mums have, they’re still not exactly around here every week. Their heavy yet upbeat grunge-punk sounds wonderful on last year’s Bill, an LP I’m assuming is not named after my old roommate who never washed his dishes. This duo rocks really hard on recording, and are sure to get the crowd at Wonderland moving about. On-again off-again bass-oriented Richmond mainstay Kid Is Qual will return once again for an opening gig on this one, and it’s sure to rumble you in all the right ways. Get stoked for this one.

Elsewhere Around the State:

Saturday, July 27, 8 PM
Fed Ash, Hearse, The Panic Broadcast, Sanguis @ Bricks Restaurant & Pub (Staunton) – Free!
I’m well aware that music happens in quite a few different locales around this state. However, this might be the first time word of a show in Staunton, up there were I-64 and I-81 meet, has reached my ears. But I’m always up for new places to see awesome music in a live environment, so I’m glad to know about it. This Saturday night, if you happen to be up that way, you can catch a pretty great metal show full of blazing blast beats and harsh sludge over at Bricks Restaurant. And if you are up that way, you should definitely do that.

New York grinders Fed Ash are topping the bill, and their recent split LP with fellow grindcore maniacs Landfill shows that they like it fast, furious, and full of low-end rage. However, they can also crank down the tempo and shatter your mind with occasional blasts of crawling sludge, and are sure to do so during this performance. They’re accompanied on this bill by fellow New Yorkers Hearse, who also like to switch back and forth between blasting speed and harsh doom, but tend to focus more on the slow n’ heavy end of things. The result is sure to inspire mass amounts of slow-motion headbangs — and we always advocate for those around here. The bill will be rounded out by two western VA metal bands, Waynesboro groovers The Panic Broadcast and Charlottesville doom-drone crew Sanguis. Should be awesome.

Tuesday, July 30, 6 PM
Korn, Alice In Chains, Underoath, Ho99o9 @ Veterans United Home Loans Amphitheater (Virginia Beach) – $20 – $335 (order tickets HERE)
Nu metal was a punch line for a long time. However, recent years have shown that a whole new generation of kids who came of age in the early ’10s see bands like Korn in a whole different light than those of us who thought they were too cheesy and commercial back in the 90s. And really, Korn has stood the test of time well enough to hush us all up. Head came to his senses and rejoined the band a few years back, and 2019 finds them on the verge of releasing their 13th (!) album, The Nothing.

Advance single “You’ll Never Find Me” is cooler and heavier than you’d ever expect from these nu-metal torchbearers 25 years after their self-titled debut. So maybe it’s time for all of us to admit that Korn really do have something to offer that we should be paying attention to. Plus, they’re coming to town with Alice In Chains, who, believe it or not, have now been around longer and released just as many albums with current singer William DuVall (formerly of 80s hardcore band Neon Christ) than they ever were with Layne Staley. And I’m sure they still play all the songs you love from back then too, so hey… why examine it too closely? Let’s just go to the amphitheater and rock out.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond