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VA Shows You Must See This Week: October 31 – November 6

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FEATURED SHOW
Friday, November 2, 8 PM
Brian Wilson presents Pet Sounds: The Final Performances @ The Carpenter Theatre – $67-107 (order tickets HERE)
Richmond, we are in for a treat this Friday night — one that is both rare and unlikely to come again. I suppose there’s an outside chance you won’t recognize Brian Wilson’s name by itself like this, but you’re sure to know a great deal of his work as the bassist, vocalist, and chief creative mind behind the Beach Boys in their 60s heyday. Wilson wasn’t just an advocate for surf, sand, and killer falsetto harmonies, either; while songs like “I Get Around” and “Help Me Rhonda” are indisputable pop classics, it’s the material he created when he started growing up and getting more ambitious that has really made Brian Wilson a crucial figure in the last half-century of pop music.

The pinnacle of Wilson’s creative genius was Pet Sounds, a 1966 Beach Boys album that saw him skipping tours to stay home in the studio with legendary LA studio band The Wrecking Crew and create a towering masterpiece of symphonic pop. Wilson was known to refer to these elaborate creations as “teenage symphonies to God,” and that admittedly grandiose statement is fully borne out by the brilliant results he achieved. Pet Sounds featured several classic tunes that have been staples of the musical landscape ever since — “Wouldn’t It Be Nice,” “Sloop John B,” “God Only Knows,” and more — and went on to influence everyone from The Beatles to Animal Collective. Now, over 50 years after that classic album was released, Wilson is doing one last tour to commemorate Pet Sounds, after which he intends to retire the album from live performances.

Now, Brian Wilson is no spring chicken; he’s 76 years old, and actually had to reschedule this date from earlier this year due to health issues. Fortunately for us, after years of struggling with mental illness and being taken advantage of by unscrupulous managers, he’s been in top form for over a decade now, finally completing SMiLE, his long-abandoned follow-up to Pet Sounds, 15 years ago. He’s released two solo albums since then and, while not perfect, they are both far more enjoyable than what his cousin Mike Love did with the Beach Boys after Wilson left the group (“Kokomo,” anyone? Bleh). He’s accompanied on this tour by fellow original Beach Boy Al Jardine and early 70s Beach Boys bassist Blondie Chaplin, as well as a large complement of talented musicians who’ll reprise the fabulous work of The Wrecking Crew, all those years ago. God only knows, tickets are not cheap, but if you can wait a couple weeks to pay the power bill, you’ll get all the light you need to get you through the cold winter months ahead from this show. Highest possible recommendation.

Wednesday, October 31, 7 PM
Gallery 5’s Halloween Party, feat. Haircut, Unmaker, Alfred, Spooky Cool @ Gallery 5 – $5 in advance/$10 at the door (order tickets HERE)
We went through a solid week of Halloween-related shows last week, but the holiday still hasn’t finished yet, so let’s give it one more round before November begins with this wild night of underground sounds at Gallery 5. You’ll definitely find yourself in the perfect place to enjoy the spirit of the holiday, with spooky decorations everywhere, tons of glitter, and the always-enjoyable costume contest! So get dolled up, hit the Gallery, and get ready for the main attraction — which is, of course, the music. Gallery 5 has brought together several excellent musical acts from the local area with which to celebrate All Hallows Eve, spanning a wide variety of genres. And it’s gonna rule.

Haircut will bowl you over with a blast of angry, speedy punk, complete with bilingual lyrics and some relatable themes under all the vitriol. Unmaker have a goth-postpunk vibe that will appeal strongly to those who are bummed about Shadow Age going on hiatus, but will also connect with those who like the more metallic end of that whole thing (think Killing Joke). This show will constitute a release party for their new LP, Firmament, and where better for a goth band to have a release celebration than a Halloween party? The lineup’s rounded out by Alfred, a young rapper with a fresh approach to the weirder electronic end of that particular musical spectrum; and Spooky Cool, who recently made good on the promise of their years of local buzz with debut EP Every Thing Ever. No matter what flavor of the local scene you enjoy, you’re sure to get a taste of it here — and have an outstanding Halloween as well! Who can complain about that?

Thursday, November 1, 8 PM
The True Commonwealth, feat. Nickelus F, Michael Millions, Radio B, Cole Hicks, Sunny & Gabe @ Gallery 5 – $10
Nickelus F’s been one of the better rappers in this city — hell, this country — for over a decade now. Quite a few years over the past ten to fifteen have seemed like they were going to be his year, but somehow, it never seems to come to pass. 2018, though, seems like it might finally be the one. First he paired up with local punk rock label Vinyl Conflict for a vinyl release of his latest album, Stuck, which by the way is also a high-water mark in a career full of excellent releases. Then he got together with Richmond rap weirdo Lil Ugly Mane for a tour that took him across the country, playing to everyone from true-blue hip hop heads to moshpit-loving metalheads and punk maniacs. It feels like that whole punk rock-hip hop fusion that we all expected to happen after Rage Against The Machine and the Judgment Night soundtrack (instead we got Limp Bizkit. Ugh) is finally coming to pass.

So now, with this True Commonwealth show, Nickelus F stands at the top of a stacked bill featuring several of Richmond’s top hip hop talents. His compatriots in the AGM crew, Michael Millions and Radio B, have both demonstrated their styles and talents this year with new albums of their own — Hard To Be King and Jesus Never Wore A Suit, respectively. Taken in tandem with Stuck and Cole Hicks’s incredible coming-out party, May Day — also released in 2018, natch — the True Commonwealth showcase at Gallery 5 encompasses the top level of rap talent at work in RVA today. And that’s definitely something you’ll want to be part of, especially since the show will also feature a special guest performance from hot VA Beach duo Sunny and Gabe. They’ve got a 2018 album of their own, Peace Of Cake, and it shows off their wide-ranging sound just as they will do to get this party started tomorrow night. Don’t miss a moment.

Friday, November 2, 8 PM
Mothers, Mega Bog, Addy @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The indie kids should find a lot to enjoy at this show — but they aren’t the only ones. Mothers, who started in Athens, GA but moved to Philly last year, have a sound that definitely hints at the tension between beauty and darkness that marks the best music coming out of the indie scene these days. But they’ve got a good bit more going on, as they display on their sophomore album, Render Another Ugly Method, which just came out from Anti- Records. Its moments of languid torpor (“Beauty Routine”) hint at an uneasiness just under the surface, while the more energetic sounds found on the album (“Blame Kit”) function in lockstep, in a manner that almost sounds more like strained aural nervousness than painstakingly well-practiced tightness.

That is by no means a criticism, though — it’s this tone that suffuses throughout Mothers’ music that really makes them evocative, that brings the ideas the band is expressing through their somewhat abstract lyrics to solid, concrete life. Mothers will take you on an emotional journey, and if you’re not entirely comfortable with all the places you’ll go, you will at least be enjoying some excellent music on the trip. Mega Bog has a similar clearly-delineated wire-tight melodic indie-postpunk sound, but the emotional effect is very different, both brighter and deeper. Connect with both of these bands, and up-and-coming local opener Addy, and see where the night takes you. It’s sure to be an interesting trip.

Saturday, November 3, 8 PM
Abacus, Drones For Queens, Voarm, Hoboknife @ Strange Matter – $7 (order tickets HERE)
We’re heading rapidly toward the winter months, and now is the perfect time to get an increased dose of metal into your life. And rest assured, Strange Matter has the cure for what ails you, in the form of this tour package bringing together examples of brutal metal power from both sides of the Mason-Dixon Line. Abacus hail from the South — South Carolina, to be specific — and have a thick, dark sound full of harsh guitars and roaring vocals that pummel you just as hard as the punishment their rhythm section deals out.

Drones For Queens, who come from the northward locale of Philadelphia (always a hotbed for music and meanness), are just as ready to inflict some serious metal punishment as Abacus. They’ve got a slightly faster and cleaner approach, which just means it’ll take you longer to realize that their harsh vocals and thrashing guitars have slit your throat. Protect your neck — you’ll need it for headbanging. These two bands are on tour in support of their just released split EP, so make sure you attack the merch table with vigor in order to secure yourself a copy — this is one slab of rage you’ll want by your side throughout the winter months. Local mainstays Voarm and Hoboknife will open this show with a flagrant display of intense heavyosity. Get ready.

Sunday, November 4, 7 PM
Omni, Majjin Boo, Black Plastic @ Gallery 5– $8 in advance/$10 day of show (order tickets HERE)
Atlanta’s Omni are back at Gallery 5 once again, thanks as always to their pals at Citrus City Records, and all you indie kids who love to dance are going to want to make sure you’re there for it. Omni’s definitely got a little of that tuneful guitar jangle that we’ve all come to know and love from Citrus City’s many releases, but they bring in a solid dose of Southern-style postpunk as well, drawing inspiration from Georgia underground legends Pylon as well as Wire and The Feelies. I know I’m losing my younger readers with these comparisons, but an obvious modern reference would be Parquet Courts, mixed with the nervous dancefloor shuffle of the Talking Heads and that one Franz Ferdinand song everyone knows (and a lot of their other songs too).

Majjin Boo is a well-paired local to act as support on this bill; they’ve definitely got that same sort of wire-tight guitar bit that permeates Omni’s music, though Majjin Boo seems to derive it far more from the lighter, twinklier take on math-rock that several local bands have done an excellent job with in the past. Are they the next Fight Cloud? We can only hope. Finally, we need to mention the fact that openers Black Plastic suffered a pretty devastating setback recently, in the form of a house fire that destroyed most of their equipment and left members in need of a lot of financial support to get back on their feet. Whether or not you can make it to this show, they’d certainly appreciate whatever you’re able to throw their way via GoFundMe. But they’re gonna appreciate y’all showing up on time and giving them a warm reception just as much — and believe me, their brand of catchy, twangy power-pop certainly merits exactly that. So please, show up on time and give them some love.

Monday, November 5, 7 PM
Yashira, Gillian Carter, Infant Island, In Wolves Clothing @ Strange Matter – $10 (order tickets HERE)
Oh hell yeah. Yashira coming to town is a very good thing, regardless of whether it’s happening on a Monday night. Look, I know you’ll be tired from the weekend, and you’re still coming down from your Halloween hangover or whatever, but I don’t care. You need to go see this band. Yashira are an incredibly heavy band who are incorporating the epic heaviness of bands like Neurosis and early Mastodon with the kind of epic grind-crust madness of Tragedy and His Hero Is Gone. Their latest LP, Shrine, is an excellent example of this sort of thing that gets through its six songs just quickly enough to leave you wanting more.

Of course, now they’ve followed it up with a split EP with none other than metalcore legends Zao, and they’ll be laying waste to Strange Matter this Monday night. What more could you want? It would be so cliched for me to say “you could want the other three excellent bands on this bill,” but when the bands are indeed this amazing, how can I avoid it? Florida’s Gillian Carter are a band with a lengthy history of excellence in the field of metallic screamo, or something like that (even to this day, I can’t type the term “screamo” without cringing). Their new LP, …This Earth Shaped Tomb, is full of the simultaneously heavy and passionately emotional riffage that has become this group’s stock in trade, and proves that regardless of how silly they act on stage, there is real, powerful music at the heart of their existence. VA openers Infant Island and In Wolves Clothing exemplify the next wave of Virginia screamo (ack) and do so in outstanding fashion, so be sure you catch every second of this one.

Tuesday, November 6, 7:30 PM
Scott Bradlee‘s Postmodern Jukebox @ The National – $25.50 in advance/$28 day of show (order tickets HERE)
OK, let’s get this out there from the start — Scott Bradlee’s Postmodern Jukebox is hipster bait of the highest order. Covers of already-proven hits, redone to sound like different genres? Suburban goofballs have been gaga for this ever since the first time they heard the phrase “dynamite hack.” That said, I really can’t deny the talent at work here — nor the fact that jazz, unlike a lot of modern popular-music styles, was throughout its history far less about original composition than it was about putting your own stamp on tunes that might be your own… but might be well-loved standards that everyone knows. After all, it was this tradition that brought us John Coltrane’s take on “My Favorite Things,” and I certainly can’t hate on that.

So should you go see Scott Bradlee’s Postmodern Jukebox on Tuesday night at the National? Well, probably not if you hate jazz and swing — but if you see merit in these classic American music forms, and would like to see one very talented pianist and quite a few of his equally talented friends update those styles for the 21st century by applying them to songs from Michael Jackson’s “Thriller” and Toto’s “Africa” to Katy Perry’s “Roar” and Miley Cyrus’s “We Can’t Stop,” well, this is the place for you. Feel free to wear your best three-piece suit or cocktail dress and dance it up on the floor. But on the other hand, if it’s a little too soon after Halloween for all that, you’re welcome to just come as you are. Even if you hate hipsters, you’re sure to enjoy yourself.

Bonus Hampton Roads Picks:

Thursday, November 1, 7 PM
Mortuary, Battlemaster, Vorator, Rotten, Hiss @ RiffHouse Pub – $10 in advance/$15 at the door (order tickets HERE)
You guys — Mortuary is coming! The true headbangers among you are already stoked, but for the rest of you who need an explanation, let’s discuss the power and brutality dished out by Mexico’s pioneering group, who made their name by bringing death metal to the masses from their support slots on some huge Slayer tours in the late 80s. Their 1990 album Blackened Images is a cult classic today, its primitive and overpowering sound serving to light a fire under all the incredible riffs that come flooding out of every song, backed by incredible drumming and some seriously unhinged vocal roars and screams.

Mortuary were doing their thing before the deep growl became de rigeur in death metal, and the raging howls of their vocalist add a lot to their already blazing sound, connecting the group with its thrash influences and pointing the way forward into the more extreme genres that rule the metal scene today. Some excellent VA-area bands will be demonstrating those sounds from their support slots on this bill, from local legends like Battlemaster and Vorator to up-and-comers like Rotten and Hiss. All of it’s gonna be outstanding, and if you can afford to show up late with a headache to work on Friday morning, the drive down to Chesapeake’s RiffHouse Pub is more than worth it for this opportunity. Make it happen, metalheads.

Friday, November 2, 9 PM
Bantustans, A Deer A Horse, From Overseas @ Taphouse Grill – $5
If you like your underground rock bands both heavy and progressive, you need to be paying attention to what’s going on at the Taphouse Grill in Norfolk this Friday night. Bantustans, a Norfolk-based dual-drummer quartet who don’t have time to mess with vocals, are all set to lay down some heavy instrumental grooves that’ll keep your head nodding and your brain engaged regardless of the lack of lyrics. The complex rhythm patterns laid down by the group’s two drummers are both consistently in step with each other and allow for far more variation and creativity than is typically the province of the percussion. Not to be outdone, guitarist Aaron Evans’s tangled melodies and intricate song construction use a single guitar to add multiple layers of intrigue to this group’s unusual, hypnotic sound palette. They’ll be bringing some new material to this one, too, so it’s sure to delight even the most ardent of fans.

Bantustans are joined on this bill by New York heavy rockers A Deer A Horse, who certainly present just as enticing a musical buffet for the interested showgoer as the hometown headliners do. Having been around for close to a decade now, A Deer A Horse still haven’t given us a full-length yet, but they’re hard at work on one, and if the advance single they released only a couple of weeks ago is any indication, this record is sure to fulfill the promise of this group’s many EPs, showering us with the kind of darkly powerful rock n’ roll that has been the province of NYC since the days of Unsane, Surgery, and Live Skull. Singer/bassist Angela Philips’s name totally deserves to be mentioned in the same breath as Thalia Zedek’s, and if you’re tuned in, you know that’s high praise indeed. Norfolk openers From Overseas explore some ambient drone guitar experimentation, beginning this show with some strong atmospherics. It’ll only get more intense from there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Mortuary Drape (Italy), Volahn, Battlemaster, Voarm at Strange Matter

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MORTUARY DRAPE (Italian black/death veterans)
http://www.mortuary13drape.com/
VOLAHN (California, Black Twilight/Crepusculo Negro)
https://crepusculonegro.bandcamp.com/
BATTLEMASTER (RVA)
https://battlemaster.bandcamp.com/
VOARM (RVA)
https://voarm1.bandcamp.com/

Tuesday June 26th, 2018 @ Strange Matter RVA
$15 Advance // 18+
Tickets: https://www.ticketfly.com/purchase/event/1686812

Honored once again to host Italian death/black pioneers, the unholy MORTUARY DRAPE! For 32 years, central and founding member Wilderness Perversion has been cranking out essential slabs with a revolving cast of aptly named freaks such as Abysmal Wizard, Seeker of the Unknown, Arcane of Veiled Light, Left Hand Preacher, Old Necromancer, Without Name, Cruel Abbot, War Machine Helgast and even Emilio Cornaglia!

To have them back is a treat, especially with support from the mighty VOLAHN, the centerpiece behind Los Angeles’ Crepusculo Negro Records and Black Twilight Circle! For those who don’t already worship Black Twilight, it’s one of USBM’s finest micro-scenes led by Eduardo Ramirez (aka Volahn themself) featuring rulers such as Axeman, Ashdautas, Arizmenda, Shataan, Blue Hummingbird on the Left and even the d-beat/punk inspired Zoloa! For Ramirez, unlike other USBM, the BTC/CNR tribe serve as a conduit for spreading K’iche’ culture and Mayan ancestry. “Music was was part of every ritual my ancestors did, from going to war to having astrological ceremonies. Black metal is really harsh and ritualistic music, so it was perfect for me.” We also just added veteran Richmond horde BATTLEMASTER as well as the tour kickoff of RVA’s newest blackened cult, VOARM, get your tickets and prepare to be annihilated!!
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MORTUARY DRAPE (Translated from Italian): The MORTUARY DRAPE were born in 1986 for the intent of a central nucleus of three people of which only one (Wildness Perversion) is still part of the formation. The musical and inspirational directives in which the original components are oriented are ‘black metal’ animated by an esoteric-necromantic current both for the texts and for the scenographic impact: they baptize their style as ‘black-occult metal’

The following year, 1987, they published the first demo-tape, “Necromancy” whic collects excellent responses in the most intransigent underground environments, a demo that is destined to become in the following years an authentic cult-demo for lovers of the genre. In June 2009 the band underwent a sudden upheaval and Wildness Perversion remains the only member of the band, concentrating alone on the writing and arrangements of the successor of “Buried in Time.”

In May 2012 they were requested as a special guest at the Maryland Death Fest and have continued to dominate the United States. Stay tuned for news about the future of the band, 2016 Marked the 30 year anniversary of Drappo activity, they are working hard to ensure new concert and record surprises. In Spiritual, The 13 Drape
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VOLAHN:(Eduardo Ramirez aka VOLAHN’s teenage fandom was born out of the standard metal building blocks of Slayer and Metallica, then took a turn toward the darker-edged chaos of European black metal. But when it came time to create his own music, Ramirez took inspiration from a life-changing trip to Guatemala at the age of 17. His mother’s Guatemalan ancestry dates back to the K’iche’ Kingdom, which prior to Spanish colonization was one of the most powerful kingdoms of the Mayan civilization. Ramirez had visited his mother’s native land multiple times growing up, but this teenage trip was most profound.

“I was taken to the ruins of our actual tribe,” Ramirez says. “Our elders took me to the top of the temple there. As I stood atop the temple, I could see the whole valley where our people have lived for so many generations. It was a deep spiritual moment in my life, and it was where I came up with the name ‘Volahn’ for my music.” Through Volahn — a word he created and says means “ritual chaos” — Ramirez has created black-metal soundscapes that are both sprawling and caustic. He self-releases his records, along with those by other like-minded extreme-metal bands, through his label Crepúsculo Negro, also known as Black Twilight Circle.

Despite releasing albums as Volahn since 2008 and working with other bands on his Crepúsculo Negro label, Ramirez has only recently begun interacting with the rest of the local metal scene. He attributes his isolation not only to wanting to avoid outside influences on his music but also his desire to learn everything about the recording and distribution process. “We weren’t satisfied with the sound recording in other studios,” Ramirez says. “So we basically started from scratch, learning how to record ourselves. I think it helped all of our bands grow musically together. We keep focus by maintaining solidarity within our circle and keeping private and secretive.”

This focus has allowed Ramirez and fellow members of the Crepúsculo Negro roster to be some of the most prolific in today’s metal scene. Though a recent label compilation, Tliltic Tlapoyauak, features 16 different bands, the actual number of musicians is much smaller. Members of the Black Twilight Circle collective usually play in multiple bands, a byproduct of Ramirez keeping his musical endeavors close to home. His friendships within the collective often date back to his childhood years. Not all bands released through Crepúsculo Negro share Volahn’s focus on ancient civilizations, but at the core of the collective’s kinship is a shared admiration for their pre-Hispanic ancestries.

In addition to their studio output, Ramirez and Campos (of BHL) see their live performances as a deeply profound extension of their quest to honor their ancestors. “I feel like when we play live, it’s like a ritual,” Ramirez says. “When I play live, I feel like I’m in a meditative state. A big part of shamanism is meditation… extreme focus and having the feeling of other worlds beyond yourself. A show is not just us playing metal and headbanging. It’s a deeper meaning beyond just playing our guitars.”

Eventually, Ramirez wants to take his music to the land of his K’iche’ ancestors in Guatemala. “My ultimate goal would be to play at one of my ancestors’ ruins and do a generator show at a temple.”

RVA Shows You Must See This Week: June 20 – June 26

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FEATURED SHOW
Saturday, June 23, 6 PM
Rock N’ Roll Benefit for Daily Planet, feat. Toward Space, Ladygod, Long Arms, Venus Throw, Minimum Balance @ Sound Of Music – $10 donation
Music isn’t all fun and games. Often, it helps us get through our toughest moments, when we’re struggling with some of the most intense emotional experiences of our lives. That’s why, as often as live shows are a respite from our daily struggles, they also frequently help us tackle the most pressing issues affecting us as a community. Which brings us to this Saturday’s Rock N’ Roll Benefit for Daily Planet at Sound Of Music Studios. Put together by Toward Space bassist Seyla Hossaini, this show stands both as a memorial to a close friend and relative who passed away due to an overdose, and a benefit for the Daily Planet, which provides treatment options for those who struggle with substance abuse, including those with limited finances and no insurance.

Those who attend this show will be providing valuable support to this organization, which provides essential health care of the sort that too many of us may find ourselves needing at some point in the future. Those who attend this show will also get rocked to the heavens by a group of excellent rock n’ roll bands from the RVA area. Despite the seriousness of the show’s reason for being, there’s still going to be a lot of fun to be had. This all starts with Toward Space, the organizers and headliners of this whole shebang. This youthful garage-rock trio has been working on a full-length for quite a while now, most recently in the studio with Ladygod’s Skye Handler, and the limited amount of tunes they’ve already released are enough to knock this whole city on its ear. Suffice to say, they’re gonna rock your ass when they take the stage.

Speaking of Ladygod, this eclectic, psychedelic group of rock n’ roll troubadours will be on this show as well, giving us selections from their fascinatingly weird and bizarrely catchy 2017 debut LP, Rock N’ Roll Kaliphate. Long Arms will be here as well; James Menefee’s songwriting vehicle started off as an alt-country sort of thing, but by their 2017 LP Young Life had metamorphosed completely into a delivery system for Menefee’s killer Westerberg-esque rockin’ melodic tunes with a ton of heart. If you ask me, they’re better than ever. You really need to see all three of these bands, and for good measure, catch the sets from fellow RVA rockers Venus Throw and Minimum Balance as well. It’s for a good cause, and a great Saturday night out. What more could you ask for?

Wednesday, June 20, 9 PM
Debt Neglector, Park Sparrows, Talk Me Off @ Wonderland – $5
This one is gonna be a blast. Florida’s Debt Neglector might be a new name for RVA music fans, but when I tell you that members of this band used to be part of melodic punk mainstays New Mexican Disaster Squad, as well as Tony Foresta’s melodic punk side project, No Friends, it’s sure to perk your ears right up. And don’t worry, this band has not failed to bring the legacy of those past projects forward into 2018 — last year’s Atomicland full-length shows that their facility for melodic hooks, dirty guitars, and the sort of simultaneously catchy and gravelly vocals that make for the sweetest combination of acid and sugar has not faded in the slightest.

Debt Neglector are joined on this show by Park Sparrows, a local group with a similar sound and a similarly formidable pedigree — members of Landmines, Strike Anywhere, post-Avail group Freeman, and more. Park Sparrows just released a new EP, More Peace, and it is an excellent showcase of what these guys have to offer — a similar sort of melodic punk to that of Debt Neglector, but with both a more introspective feel and a witty, irreverent bite. It’s awesome, and they’ll surely be awesome live as well. Raging local hardcore punks Talk Me Off will kick off this short-and-sweet three-band bill, and it’s all happening at Wonderland, the perfect place to rock out on a Wednesday night with some catchy punk awesomeness. Don’t let the bike ride back from Shockoe Bottom dissuade you — this is gonna be worth it.

Thursday, June 21, 10 PM
PRIDE at Little Saint, feat. Result Of Choice, Deviant, Lipid @ Little Saint – Free!
It’s June, and while some of the more hetero-inclined among you may not take much notice, in the LGBTQ community, this is Pride Month, the time of year when we all stand up and let the rest of the world know that we’re here, we’re not going away, and we deserve the same respect and acceptance given to straight cisgender people. This show at Little Saint on Thursday night brings us a trio of hardcore bands doing exactly that, and the show is headlined by Florida’s Result Of Choice. Straight-up hardcore can sometimes get a little boring, but Result Of Choice do a lot to keep your attention, from their frantic riffing and speedy tempos to their vocalist’s intense  fury. They may be playing in a tiny restaurant, but this group is going to bring a huge dose of energy to their performance.

They’ll join two Richmond hardcore bands that wear their pride on their sleeve. Deviant have named themselves after the sort of things that LGBTQ people are often called by disapproving homophobes, and as someone who has always appreciated the way our community reclaimed the word “queer,” I approve. Deviant have a rougher, harsher sound than Result Of Choice, but a similar sort of driving energy and fury that feels angrier and darker. This promises to be intense. The show will begin with a set from Lipid, and I’ve learned more about this band since I last wrote about them. Featuring members of Kuni, Leather Daddy, and No Tomorrow, this band is proudly queer and punk as fuck, and should be a great way to kick off a concisely excellent show with an awesome theme and the perfect price over at Little Saint.

Friday, June 22, 9:30 PM
GELD, Terrorist, Fried Egg, Future Terror @ Flora – $8
Hardcore is apparently getting pretty insane in the land down under. GELD is a great example, hailing from Melbourne and featuring members of Kromosom and a couple other Aussie bands I don’t really know too well. I guess I’m missing out, though, because GELD are pure blistering mania and I want more. This band’s new EP on No Patience Records will rip your face off with riffs that sound like Negative Approach fed through a pile of noise and vocals that sound like a psychotic maniac in full-on meltdown. This band is hectic, and I’m sure they’ll be an imposing presence when they hit the Flora stage Friday night. You might wanna stand back.

GELD are joined on this bill by NYC hardcore crew Terrorist, who have a similarly harsh sound to GELD, though they do have a recognizably human vocalist. That’s not a strike against them, by the way. These guys hit hard and will knock you on your ass. As will Fried Egg, one of the more weirdly named hardcore bands to come out of Virginia — apparently there’s a limited-edition of their vinyl EP with a white and yellow pattern to make the record look like a literal fried egg. I approve. Anyway, these guys have a bizarre name, and their take on hardcore is kind of bizarre too, but it’s sure to draw you in, especially since they have such an energetic live attack. The whole thing will start out with some blown-out hardcore noise from local newcomers Future Terror — this one is sure to appeal to the Discharge fans among you. Kinda crazy to imagine all of this hectic noise happening in Flora’s back room, but it’s sure to be even crazier to see. You know what to do.

Saturday, June 23, 8 PM
McKinley Dixon & Friends, G.U.M.P., Contour, Shormey @ Strange Matter – $6 in advance/$10 day of show (order tickets HERE)
I don’t even have to tell you about McKinley Dixon at this point, do I? A young man with a new approach to the rap game, who spits powerful lyrics with a strong political undercurrent, and both performs and records with a killer live band but also has been known to rhyme over powerful hip hop production, as well as taking the DIY-or-die approach to touring and spreading the message that originated with underground punk — how can you not love this guy? This show is a release party for his new Citrus City cassette, The Importance Of Self-Belief, a sort of positive answer to his powerful 2016 debut, Who Taught You To Hate Yourself? It is absolutely essential if you still drive a beater with a cassette deck in the car (the best way to live, in my middle-aged opinion), that you grab yourself a copy of this one and bump it when you’re cruising around town.

It is also essential that you be at this show to score yourself a copy, as the set from McKinley and Friends, while absolutely the #1 reason to be there, is far from the only live musical joy you will experience at Strange Matter on this fine evening. A trio of fine acts from around the Mid-Atlantic region are also on this bill, starting with DC’s G.U.M.P, who capture a similar sort of vibe to that of McKinley and Friends, though there’s clearly a strong influence from heavier sounds running through their music as well — think Rage Against The Machine with a more contemplative vibe. South Carolina’s Contour take things in a jazzier, more psychedelic direction with their hazy, multi-layered music. And Tidewater-area musician Shormey takes a unique approach to singing and songwriting, with electronic sounds mingling with R&B and indie pop in a surprising manner (sometimes including Mac DeMarco covers). This whole show will be an excellent musical experience of the sort you won’t get anywhere else. You really need to come out.

Sunday, June 24, 8 PM
Warpark, Squid., Deli Kings, Black Plastic @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
This is a pretty hardcore/metal-heavy week, but we’ve still got a few for the indie-rockers among you, and this appearance by NYC’s Warpark should certainly get your juices flowing. Reconstituting themselves late last year from the ashes of The Lounge Act, Warpark are still a pretty new thing — their “Early Onset Regret” single is all they’ve released thus far. However, that song has such a promising sound that one could be forgiven for getting a little excited about it. It’s incredibly well-played, with layered guitars and melodic vocals that sometimes mingle in a manner reminiscent of sunshine indie groups like Grizzly Bear. However, Warpark knows how to kick on the distortion and floor us with the heaviness as well, and that’s certainly a big part of their appeal. Based on this one song, seeing what more they have in store at The Camel this Sunday night seems like it’s the move.

Squid., from Chicago, are also on this bill, and their Watersports LP (“Not about pee!” reads a disclaimer on their bandcamp page) shows them exploring an emotionally-driven sound that traces roots to both the “emo revival” of half a decade or so ago and the mellower post-Y2K sound of math-rock. It tends to stay quiet a lot of the time, but they know how to give their emotional sound a powerful weight through occasional applications of distortion — something I wouldn’t be surprised if they learned from old shoegaze records. I definitely approve. Local garage rockers Deli Kings and somewhat mysterious psych-rockers Black Plastic open up for a night of varied, yet consistently excellent, sounds.

Monday, June 25, 9 PM
Body Void, Tel, Horse Culture @ Cary St. Cafe – $7
OK, y’all, prepare yourself for some serious, unrelenting doom. In fact, what Body Void delivers is somewhere beyond doom, hitting the realm of crushing, terrifying slowness that marked the best work of Corrupted and Khanate. Body Void’s new LP, I Live In A Burning House, finds the group exploring similar terrain of torturously extended metallic horror. Other than the intro, only one song on the album is under 15 minutes in length, and the slowly-developing epics that Body Void deliver here build an enormous atmosphere that looms over the listener like hurricane stormclouds approaching ominously across a long expanse of placid ocean.

Then, with a sudden shriek of feedback, the storm breaks, and you’re pummeled by waves of distorted chords, pounding drums, and monstrous, otherworldly screams. And it does. Not. Stop. At least not until you’ve slo-mo headbanged yourself into a trance that, were this a horror movie, would make you the perfect victim for the vampires you can totally imagine sneaking up behind you. Don’t worry, that’s just the bartender. Go ahead and order another drink — this isn’t stopping anytime soon. And you don’t want it to, either.

Tuesday, June 26, 8 PM
Mortuary Drape, Volahn, Battlemaster, Voarm @ Strange Matter – $15 (order tickets HERE)
This is one for the serious metal scholars. Mortuary Drape hail from Italy and trace their origins back to the mid-80s, when their brand of occult-influenced black/death metal was a new and groundbreaking sound for anyone to tackle. Their landmark debut full-length, All The Witches Dance, is up there with other mid-90s European metal classics, delivering nonstop brutality with a fascinating atmosphere incorporating spectral chanting and what certainly seem to be occult invocations. While the group today only retains one original member, vocalist Wildness Perversion, they have retained their incredible ability to flatten all comers with powerful black/death metal, as proven on 2014’s Spiritual Independence.

But if I’m to be real with y’all, I can’t deny that Volahn is the group I’m most excited about on this bill. Hailing from the American Southwest, Volahn are the founders of the Crepúsculo Negro (aka Black Twilight Circle) label. The bands on this label use their music to explore their roots in pre-colonial Latin America, and the native tribes that were ultimately overtaken by Spanish conquistadors. Volahn and other Crepúsculo Negro bands declare their independence from colonization through fierce European-inspired black metal, which incorporates tribal influences to take their sound to another level entirely.  You can hear the explosive results on Volahn’s 2015 LP, Aq’ab’al, which is certainly one of the better black metal releases of the last few years. And you can hear them more immediately by coming to Strange Matter on Tuesday night and letting Volahn work their magic upon you. Don’t miss it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Battlemaster / Night Idea / Unmaker / Haircut at Gallery 5

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Doors 8pm / Sounds 9pm // DOS $8

it’s 420 freaks! this wacky bill is sure to fulfill any and all coma needs. plus a munchies table, so you can keep that food baby happy
+++++++++++++++

Battlemaster
https://battlemaster.bandcamp.com/

Night Idea
https://nightidea.bandcamp.com/

Unmaker
https://unmaker.bandcamp.com/releases

Haircut
https://haircutva.bandcamp.com/

RVA Shows You Must See This Week: 4/18-4/24

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FEATURED SHOW
Friday, April 20, 8 PM
420 at G5, feat. Battlemaster, Night Idea, Unmaker, Haircut @ Gallery 5 – $8
It’s always weird to live through a holiday you don’t celebrate, and hipster holidays like 420 are no different. That said, just as you don’t have to be a Christian to enjoy getting presents on December 25, you don’t have to be a dyed-in-the-wool marijuana connoisseur to scarf munchies and enjoy some loud music on April 20th. Rest assured, Gallery 5 will not be checking your bloodstream for THC at the door of this 420 celebration, which will bring you some rad local bands for a very economical price point, and offer you a “munchies table” in the bargain. Sounds like a great Friday night to me.

Battlemaster are your headliners on this bill, and these raging metal masters have been dishing out the triumphant, hyperspeed riffage for well over a decade now. Granted, they aren’t the most active band in the scene — it’s been three years since the release of their last LP, Battlehungry and Swordsworn — but then, what could be more fitting for a band headlining a 420 gig? There’s no rush, man, let’s just rage for now and then grab some eats. I gotta admit, y’all, there’s a lot about this 420 mindset that appeals to me.

Night Idea are a bit more active, dishing out their melodic, psychedelic take on math rock on four separate albums in the past seven years; the most recent being last fall’s Riverless. That said, regardless of their scientific approach to song structure, these guys at the end of the day are just some laid back dudes that want to hang. And you’ll be able to do just that as they serenade you with killer tunes that just might leave you scratching your head if you pay close attention. Local heavy-postpunk group Unmaker and raging hardcore punks Haircut round out a bill that’s a perfect celebration of the most stonerific day of the year. So get there on time; after all, the Cool Ranch Doritos aren’t gonna last.

Wednesday, April 18, 7 PM
The Aces, The Barons, Blush Face @ The Camel – $12 in advance/$15 at the door (order tickets HERE)
People talk a lot about the 90s being back these days, but I think we all need to admit that the 80s revival is a formidable aspect of our current musical culture as well. And not the sort of 80s revival we had a decade and a half ago; that was about fashion. This is about music, and where The Aces are concerned, it’s about good music. This four-woman group featuring two sisters might just remind you of fellow sister act Haim, but The Aces are no copycat; their debut album, When My Heart Felt Volcanic, has a grip of excellent melodies and catchy choruses to deliver to all of us, mixing chunky guitars with the same sort of synth swells that lended secret power to classic singles by 80s rockers like Rick Springfield and Corey Hart. I know, younger readers, you have no idea who those people are. Trust me.

Not that you even need to, because hearing the voices of The Aces will be enough to convince you that this band has a sound you need in your life. Their vocal harmonizing gives the already-incredible choruses of songs like “Stuck” and “Bad Love” an atomic-level power that’ll caress your eardrums and shatter your heart. It’s enough to make me long for days of the Saturday morning American Top 40 Countdown. Casey Kasem has passed on, Madonna is, um, not that good anymore, but The Aces are keeping the dream alive. They’re joined on this trip through RVA by Charlottesville’s own 80s-pop killers, The Barons, who mix musclecar references into their own version of guitar-driven, synth-inflected pop. Irrepressible local popsters Blush Face, who always bring a good time, will take the opening slot, and if that’s not a reason to arrive on time, I don’t know what is.

Thursday, April 19, 6 PM
Boston Manor, Free Throw, Homesafe, Hot Mulligan, Save Face @ Strange Matter – $15 (order tickets HERE)
As anyone who’s been paying attention to this column for the past few years will surely be aware, I’m a huge fan of emotionally-driven pop-punk. What’s more, I make no apologies for it, and I don’t think anyone else should either. Which is why I’m encouraging all of you who have even a shred of my love for the genre to hold your head high with pride and head out to Strange Matter Thursday night for this visit from Boston Manor. Despite what the name might lead you to think, this quintet hails from Blackpool, England, and if you listen closely to their 2016 full-length debut on Pure Noise Records, Be Nothing, you’ll hear tinges of that cross-the-pond lineage shining through.

In addition to the obvious emotional pop-punk touchstones, there are hints of underrated (at least here in the USA) UK groups like Funeral For A Friend and Idlewild on tracks like “Lead Feet” and “Broken Glass” — and I for one am certainly not complaining. In addition to this excellent UK headliner, this show also brings us a variety of other emo-pop bands from various locations west of the Atlantic and east of the Mississippi. Nashville’s Free Throw are a bit mellow and jangly, while Illinois group Homesafe has a lot of energy and crunch, bordering on melodic hardcore. Michigan’s Hot Mulligan have that way with witty song titles I’ve always loved (“All You Wanted by Michelle Branch,” “Pluto Was Never Really A Planet Either Even”), while New Jersey’s Save Face get all rock n’ rolly, bringing an almost-grunge influence to their melodic punk riffs. All of it’s rad, though. All of it is worth seeing. Don’t hide from it.

Friday, April 20, 8 PM
Bully, Shellshag, The Smirks @ Strange Matter – $12 (order tickets HERE)
Here’s some great news for anyone with good taste: Bully are hitting town once again. This Tennessee quartet have been lighting it up for close to five years now, with their highly energetic mix of melodic punk and post-grunge power-pop. Their first LP, Feels Like, grabbed a ton of attention for its striking songwriting chops and predilection for overdriven guitars and angst-ridden screams. Last year’s follow-up, Losing (perhaps the continuation of a sentence begun in the first album’s title?), hits even harder, cranking the angst up to 11 and giving frontwoman Alicia Bognanno plenty of opportunities to scream her head off.

Bully’s performance at Strange Matter Friday night will offer yet another opportunity, and it’d be a wise idea for all of us to station ourselves at ground zero of this impending explosion of rock n’ roll fury. If you’ve ever thought that Nirvana would have been an even better band if they were run by a woman, this is the band for you. Plus, they’ll be joined by minimalist garage-punk heroes Shellshag, who’ve been gracing Richmond with their presence regularly for years and have won over a lot of people in the process. If you don’t know, now you know. Local punk rock killers The Smirks open up with what is apparently their album release show. And look, I know I tell you quite often that you need to get to shows on time. But seriously, if you miss The Smirks’ LP release, you win the blue ribbon for blowing it.

Saturday, April 21, 8 PM
HeadlessMantis, Houdan The Mystic, Lucid Traveler, Mad Habit @ Gallery 5 – $5
This all-local Saturday night special is being brought to you by The Jamwich, a magazine covering regional music of what I’m guessing is the “jam” variety; and Progress Festival, a three-day fest taking place out in Dublin, a VA town somewhere outside of Radford. All of this will give you a definite idea of what this festival-preview night at Gallery 5 will have to offer, but you’d be foolish to write it off accordingly. Because honestly, while I’m no fan of “jam bands” as they are popularly conceived, all of the bands on this bill have quite a bit more to offer than warmed-over retreads of Phish or Disco Biscuits. And thank god for that.

HeadlessMantis is at the top of the bill, and this band has at least as much garage rock running through its swamp-monster veins as prog-psych. They’ll inspire a good deal more headbanging than goofy LSD twirl-dancing. Meanwhile, Houdan The Mystic has some pretty excellent math-rock chops, which they integrate into prog-rock melodies that might please the jam heads but are more likely to keep fans of mid-period King Crimson smiling. Lucid Traveler keep things funky with their instrumental tunes, and while they are probably closest of all these groups to being an actual jam band, they’ll keep the groove moving enough that you won’t want to hold it against them. And openers Mad Habit bring enough pop melodies to keep their psych sound engaging and fun. For a supposed show full of jam bands, this one is gonna be pretty darn unmissable.

Sunday, April 22, 9 PM
Desert Altar, Indighost, Lair @ Bandito’s – Free!
There was a time a few years ago when it seemed you couldn’t get through a week of live music here in Richmond without seeing at least two or three doom metal bands. Even if you were going to indie shows, it was pretty much everywhere. However, lately, it seems like the doom trend is starting to die. This may be bad news to any hipsters who were trying to get famous by wearing denim jackets and copping Fu Manchu riffs from 2001, but it’s good news for those who just want to enjoy good music without all the extra baggage. You’ll have a great opportunity to do so with some bands that might have missed the doom metal trend, but are still really excellent, this Sunday night at Bandito’s.

Indighost is the touring crew on this bill, and this Johnson City, TN crew seems to draw quite a bit of influence from their Appalachian background, as they mix spooky backwoods gloom with their doom-laden psychedelic melodies. Their 2017 album, Sphinx Rider, is the soundtrack for the best Hills Have Eyes-style rural-nowhere horror movie never actually made. At least we have the music, right? Local up-and-comers Desert Altar bring some witchy psych-doom sounds of their own to the bill, as brand new RVA heads Lair crush our heads with some mournfully beautiful sludge. Grab some nachos and settle in for some excellent bleakness.

Monday, April 23, 8 PM
Charmer, Ostraca, Au Revoir, Shy Low @ Strange Matter – $7
OK, before we go any farther can I just give a shoutout to this flyer? Is this really how those “flat-earthers” see the world? Holy hell, my brain is broken. But that’s OK, all will be well once again when this quartet of killer bands takes the stage at Strange Matter Monday night. Of course I’ve never made it a secret that I totally love Ostraca; one of the best bands to come out of Richmond anytime this decade, if you ask me. They only further proved it with the three killer releases they brought into the world last year, highlighted by their second LP, Last. If the idea of passionate, emotionally-driven metallic hardcore that draws equally from black metal, experimental noise, and raging thrash doesn’t appeal to you, then I think you need to come see Ostraca this Monday night and get your head right.

The great thing about this bill is that it not only features one of the best bands making music in this town right now but will also bring us three other groups with their own take on excellent heavyosity. New Jersey’s Au Revoir, the out-of-towners on this bill, bring some epic heavy instrumental jams along the lines of Pelican, or Earthless. Shy Low have been plying their own instrumental post-rock trade locally for a fair bit of time now, but 2017’s Burning Day EP showed us all that the group still have quite a few tricks up their sleeve. And of course, there’s Charmer, whose seemingly sweet name belies this group’s non-stop power-violence attack. On last year’s split EP with Amara, they dished out five songs in around four minutes, and they’ll be cranking ’em out at a similar rate of speed at Strange Matter. Don’t blink.

Tuesday, April 24, 7 PM
Hovvdy, Kenneka Cook, Addy @ Gallery 5 – $8 (order tickets HERE)
I’m still not sure I entirely approve of the whole “two v’s in place of a w” thing that’s been going around for a few years now. That said, I’ve heard a bunch of bands who went with this particular move, and I’ve liked them all. So for now, I’m willing to go with it in the case of Hovvdy. This duo was started by Austin drummers Will Taylor and Charlie Martin to explore their own interest in quiet, hypnotic sounds. Contrary to all the old jokes about drummers not having any musical ability, these two have created a gorgeous world of sound on their brand new album, Cranberry — which ironically features a significant amount of programmed beats. Give the drummer some!

Hovvdy will be joined on this show by Kenneka Cook, who should need no introduction for those who’ve been reading this column and this magazine lately. That said, I’ll offer a brief one: Cook is an amazing soul-funk-pop vocalist who creates incredible music in a variety of formats — sometimes on her own, with programmed loops backing up her vocals; sometimes with bands consisting of the best musicians Richmond has to offer. Which version of Cook’s live performance you’ll get at this show isn’t something I can tell you in advance, but I can tell you that either one is sure to blow you away and leave you begging for more. Addy will open things up with some bedroom-pop solo sounds that will transfer to the stage in unique and interesting ways. This whole bill is worth catching — don’t sleep on it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

And on April 23 at 7 PM, make sure to join VA music promoters Lucas Fritz (The Broadberry/The Camel), Mark Osborne (Strange Matter/Slimehole), and Jessica Gordon (RVA Shows/Trigger System), for a FACEBOOK LIVE interactive chat. The promoters will discuss the Richmond music scene, talk about their experiences booking bands, and ask you, the fan, what bands you want to see come to town. They’ll be asking some trivia questions to win tickets to upcoming shows and you can leave any questions you want them to answer in the comments section. Make sure to get in on the conversation this Monday!

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 10/18-10/24

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FEATURED SHOW
Saturday, October 21, 7 PM
Beach Slang, Ann Beretta, Pet Symmetry, Positive No @ The Broadberry – $17 in advance/$20 at the door (order tickets HERE)
Beach Slang is back, and it’s hard to feel anything but awesome about that. This band burst onto the scene several years ago by electrifying younger and older punks alike with their heart-on-sleeve sincerity and killer tunes. Leader James Alex Snyder started out playing punk rock guitar in Weston back in the 90s when he was still a very young man. Later in his career, he sought to recapture the yearning, do-or-die energy that had made his younger days feel so vital, to reignite his life instead of giving up and fading quietly into middle age. He formed Beach Slang to accomplish this goal, and what do you know, he pulled it off with flying colors! They’ve released several EPs and two full-length albums, simultaneously capturing the hearts of today’s punk kids and galvanizing an older generation who suddenly realized they were fading quietly into middle age themselves, and didn’t like the realization.

Perhaps it’s only a coincidence that Beach Slang’s co-headliner on this gig is Ann Beretta, a Richmond melodic punk band that was most active in the late 90s and early 00s, returning to action a few years ago after a decade off. They’ve got a couple of new albums coming out in the next year or so, one of which is rerecorded old songs (the old “we don’t have the rights to the original albums anymore” move), and one of which is entirely new material! A 7 inch single on Say-10 Records earlier this year gave a preview of both, with a rerecording of their beloved classic “Forever Family,” and a brand new tune called “Kill The Lights,” which has as much punk fire and melodic sweetness as ever. This show will see the release of the album of rerecorded old songs, so whether you missed them the first time around or you just wanna hear a new twist on some beloved tunes of your youth, you’ll definitely wanna grab a copy–and of course, catch the set from Ann Beretta, who still have a lot to offer even lo these many years later.

Opening up the evening will be a double whammy of awesome bands that are just as worth your attention as the headliners. Chicago’s Pet Symmetry brings us Into It. Over It. mastermind Evan Thomas Weiss in the role of pop-punk bandleader, dishing out some killer bouncy melodic choruses that still manage to bring that same emotional flavor that we’ve all come to love from his main project. Meanwhile, RVA’s own Positive No will join Ann Beretta in celebrating a brand new album at this show, as they’ll release their second LP, Partners In The Wild, the day before. Pre-release singles have seen the group continuing to emphasize their indie-shoegaze melodic chops while simultaneously cranking up the energy and taking more overt political stances, which is always refreshing. So basically in other words this is a stacked lineup from top to bottom and you’d be a fool to miss it.

Wednesday, October 18, 7 PM
Aura Noir, Mutilation Rites, Battlemaster, Bewitcher @ Strange Matter – $20 (order tickets HERE)
Aura Noir are a Norwegian trio whose members go by the notable sobriquets of Apollyon, Aggressor, and Blasphemer. At this point I feel like I’m sorta being redundant to tell you that they’re a thrashy old-school black metal band, but it’s never a bad idea to emphasize this sort of information when you’re dealing with a band like this one. Because Aura Noir are one of the thrashiest black metal bands ever. You might expect some modulation in the fury, some sort of atmospheric invocation or melodic break or something, but if so, you’d be disappointed. However, if it’s one-thousand percent nonstop metal fury you’re looking for, you’re in luck, because this band just does not stop. It’s been a few years since their fifth album, Out To Die, was released, but these guys haven’t slowed down one iota.

They’re joined on this gig by Brooklyn’s Mutilation Rites, who may not have the same level of black metal cred–New York isn’t as grim and frostbitten as Norway–but make up for it with a filthier, sharper attack that proves new school bands can be just as furious and unstoppable as the old-school originators. These guys also haven’t had a new LP out in a few years, but chances are they’ve got a whole new batch of ripping metal noise with which to slice your head off. In the best possible way, of course. Veteran RVA rippers Battlemaster will hold down one of the opening slots, so you know you’ll get some top-quality riffage early on. And the evening will kick off with a set from Bewitcher, a Portland band with a thrashy sound perfectly in line with the other bands on this bill. Nonstop headbangs–that’s what you can expect from Strange Matter tonight. Start lining up now.

Thursday, October 19, 8 PM
Natural Velvet, Toxic Moxie, Orange Drink @ Strange Matter – $10 (order tickets HERE)
Looking at the picture of Natural Velvet above, you might think that they’re gonna be one of those 90s-style lounge revival groups, like The Coctails or something (no one under 35 has any idea what I’m talking about right now). However, the truth is far different–and far more appealing, if you ask me, because I could never get into all that silly retro crap (one of my long-ago exes is scandalized). In fact, Natural Velvet being paired with Toxic Moxie makes a ton more sense once you check out their great new album, Mirror To Make You, which came out last June.

There’s less of a dance-funk edge to what Natural Velvet do than there is to Toxic Moxie’s sound, but that spooky, energetic vibe, which draws equally from the Fugazi-influenced post-hardcore of the mid-90s and the UK postpunk scene that birthed Siouxsie And The Banshees and Bauhaus, is all over the place. And it really makes this band cook–their new LP has an intensity to it that is sure to come across in spades live. You don’t want to miss this band any more than you want to miss one of Toxic Moxie’s rare but always-unforgettable performances. And what do you know, you’ll get both on this night, so you’re twice as blessed! Milwaukee-based, RVA-bred solo act Orange Drink will kick the evening off with some unpredictable yet always danceable tuneage. Get stoked!

Friday, October 20, 8 PM
Tower, Desert Altar, Grim Sleeper @ Wonderland – $7
When I see names like these on a bill, I always figure I’m in for some 70s-retro doom metal. Often, that’s exactly the case, and I find myself less than enthused. However, this gig at the always-excellent Shockoe Bottom dive bar Wonderland has plenty to offer to get me excited. First and foremost, there’s headliners Tower, who hail from New York and know how to keep the tempo high and the vocal crescendos higher–though it doesn’t hurt that they have a female vocalist shooting for those Dickinsonian wails. This band is clearly deriving quite a bit of influence from metal hall of famers like Iron Maiden and Judas Priest, and have absorbed from their idols the ability to dish out pedal-to-the-metal riffs perfect for triumphant high-speed burnouts on back country roads and late night highways.

They’re joined on this bill by locals Desert Altar and Grim Sleeper, and while my previous disinterest in retro doom (sorry, y’all, but it’s getting played out) might make you think I’m not down with these bands. Nothing could be further from the truth. It is true to say that Desert Altar are bringing those sorts of 70s proto-metal thud influences to bear, but they have a plentiful dosage of desert legends Kyuss in the mix, and that makes up for a lot. Meanwhile, Grim Sleeper bypass that whole doom thing and head straight for the filthy depths of sludge, drawing far more from that whole post-My War Eyehategod/Noothgrush/Cavity axis than anything that happened in the 70s. If you ask me, this is always the right move. So yes, come out to Wonderland for this show, and stick around for the whole thing. True classic metal is in the house this night.

Saturday, October 21, 8 PM
Grails, Brutal Measures @ Strange Matter – $13 in advance/$15 day of show (order tickets HERE)
You can expect a psychedelic journey through inner space from this night. Grails have been known for quite a while as leading purveyors of instrumental experimentation, tapping into everything from German cosmische sounds to Middle Eastern folk music, recontextualizing and redelivering it all through a unique worldview and a lineup full of incredible musicians with an extensive pedigree (OM, Steve Von Till, M. Ward, etc). The group’s latest album is called Chalice Hymnal and was released by Temporary Residence earlier this year. It synthesizes a variety of sounds Grails have explored in the past and proceeds to move through them all with an energy that is both intense and hypnotic. Like I said, a psychedelic journey.

Things will be much freakier during the performance from Brutal Measures, the name given to a duo combining the talents of Lydia Lunch and Weasel Walter. Lunch has been a caustic singer and poet fronting harsh postpunk bands since her youthful debut in the atonal, terrifying Teenage Jesus And The Jerks. Weasel Walter has done a million things, mostly in the milieu of experimental punk-damaged jazz–see his best-known and longest-running project, the Flying Luttenbachers. Of course, the fact that he’s also been in bands like Lair Of The Minotaur and Behold The Arctopus should tell you that he’s got some strong metal tendencies as well. So what happens when these two come together to take the stage? Simply put, Lunch reads harsh poetry while Walter bashes on a variety of instruments and creates a disturbing sound bed for Lunch’s equally disturbing words. The noise freaks will eat this up like candy–as will anyone who likes it when performers challenge their expectations and deliver something wholly unique.

Sunday, October 22, 8 PM
TV Girl, Brothertiger, Keep @ Strange Matter – $10 (order tickets HERE)
Here’s something you don’t encounter every week. TV Girl is an LA band with some serious LA vibes–their lush retro melodies combine with hip hop-style samples and programmed beats to create an impossibly hip blend of French pop, Spector-esque girl-group sounds, and the drugged-out post-party introspection of The Weeknd. Recent LP Who Really Cares features a caption on Bandcamp reading, “An album about Sex, or lack thereof, and its consequences, or lack thereof.” Songs like “Cigarettes Out The Window” and “(Do The) Act Like You Never Met Me” perfectly capture the sort of ennui-laced mid-20s melodrama that makes growing up so hard to do–especially when you still kinda wanna party all the time.

One good hip-town project deserves another, and therefore it’s apt that Brooklyn’s Brothertiger will also appear on this bill. A hazy synth-pop project with some 80s UK vibes (think Pet Shop Boys or New Order), Brothertiger also manage to do a little bit of chillwave evocation in their music, and channel some straight-up 1986 Top 40 sounds for their unforgettable choruses. They’ll get you swaying and smiling in the club, especially if you’re the sort of person who is still wearing sunglasses on the dance floor at 11 PM. Local up-and-comers Keep split the difference between the more synth-driven melodic sounds of the bands they’re sharing this bill with and the more 80s UK guitar-driven postpunk sound of bands like The Sound and The Chameleons. Either way, they’re awesome, and they fit right in on this bill, putting this evening’s hipness quotient right off the charts. Wear something pastel to blend in.

Monday, October 23, 7 PM
Ted Leo & The Pharmacists, Ian Sweet, DJ Adam Against @ Strange Matter – $15 (order tickets HERE)
Big news, y’all! Ted Leo is back. One of the great punk rock troubadours of the Dubya era, who kept the faith with killer albums like Hearts Of Oak and Shake The Sheets, took a long break after 2010’s The Brutalist Bricks, needing some time to regroup after professional difficulties and personal tragedies assailed him in rapid succession. Since that album, he’s made one album in collaboration with veteran singer-songwriter Aimee Mann under the name The Both, but this summer’s The Hanged Man is the first new music we’ve heard from Ted in seven years. It’s a darker, more introspective album than any of his previous work, and while first single “Can’t Go Back” sees him returning to the sort of uptempo power-pop sounds that he made his name on, a lot of this record is slower, quieter, and moodier than anything we’ve previously heard from Leo.

Does that mean he’ll have a different live show than when you saw him back in 2008 or so? There’s only one way to find out for sure. However, considering he’s back with his longtime backing band, The Pharmacists (who were for the most part not involved with the new album), it’d make sense to have some expectation for revival of our favorite uptempo moments from Leo eras past–though ultimately, who knows? Dude’s been through a lot. He will help lift our spirits regardless of what songs he chooses for his set list, though, just because it’s always nice to see Mr. Leo onstage in Richmond again. Tourmates Ian Sweet are pretty much the leading lights of the modern Brooklyn shoegaze-pop sound, so they’ll certainly satisfy you with their killer set, while legendary Young Pioneers frontman Adam Nathanson will put everyone in the mood with some time behind the turntables as DJ Adam Against. You won’t want to miss a moment.

Tuesday, October 24, 6 PM
Soulfly Does Nailbomb, Cannabis Corpse, Noisem, Lody Kong @ The Broadberry – $25 (order tickets HERE)
Nailbomb, a band who once proclaimed themselves “Proud To Commit Commercial Suicide,” existed for about a year in the mid-90s, during which they recorded one studio album, Point Blank, and played one live show before breaking up. The group’s main creative forces were Sepultura/Soulfly frontman Max Cavalera and Fudge Tunnel guitarist Alex Newport, both of whom played guitar and traded off on lead vocals. Their sound was an exploration into both Newport’s industrial-tinged leanings and Cavalera’s interest in hardcore punk. The band ceased to be a going concern after that one show, and has never come remotely close to reuniting.

However, in this era of 90s nostalgia, one can’t be but so surprised to see Cavalera’s current project dusting off those old Nailbomb songs and taking them out for a spin once again. Sadly, Alex Newport is not involved in this current project, meaning that it won’t quite be the same. Nonetheless, Soulfly is a pretty killer metal band in their own right, and Nailbomb fans who weren’t lucky enough to make it to Dynamo Open Air in 1995 can’t be blamed if they wanna finally get a chance to mosh it up to these (admittedly incredible) metal tunes. The tour features a variety of killer modern openers to sweeten the pot, too, and while Harm’s Way won’t make it to RVA, Soulfly/Nailbomb will be joined here by our own Cannabis Corpse, as well as Baltimoreans Noisem and Arizona sludgers Lody Kong. This last group shares a member with Soulfly in that Max Cavalera’s son Zyon plays drums in both; his other son Igor sings and plays guitar in Lody Kong as well. This is turning out to be quite the family affair. All the more reason to mosh it up.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [the rvamag address isn’t working for some reason, I haven’t had time to look into it! Bear with me]