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VA Shows You Must See This Week: August 1 – August 7

Marilyn Drew Necci | August 1, 2018

Topics: .gif From God, 37th and Zen, Betrayer, Beyond The Grave, Birds In Row, Can't Swim, Cardinal Skate Shop, Carl Anderson, Castle Of Genre, Cruelsifix, Death Palette, Deathsinger, deviant, Drug Church, Flight Club, gallery 5, Haircut, Hardywood, Haybaby, Hill Walkers, Jake Mayday, Lunar Vacation, Lunger, Microwave, Nic Perea, Noisem, Nosebleed, Piranha Rama, Portrayal Of Guilt, Promise Breaker, Rata Negra, Secret Cutter, Self-Inflicted, Sensual World, Serqet, Shormey, shows you must see, Slump, Sonnets, Sons Of Bill, Spooky Cool, strange matter, sundials, The Broadberry, The Canal Club, The New Reign, True Body, Wonderland, Wrinkle Neck Mules, Yeehaw Junction

FEATURED SHOW
Friday, August 3, 4 PM
Spooky Cool, Haybaby, Piranha Rama, Castle Of Genre @ Hardywood – Free!
It’s been a long time coming. Spooky Cool, the band formed from the ashes of psychedelic indie-folk group Zac Hryciak & the Jungle Beat, have been a steady presence on the local scene for a good three years now. And throughout that time, they have maintained a policy of mysteriousness, keeping social media to a minimum and staying entirely out of the studio. For the first year or so they were around, if you wanted to hear them, you had to go see them. For a while after that, live videos from Good Day RVA and other random YouTube uploaders with iPhones were all you could see.

But now, finally, three years into their career, Spooky Cool have taken a step into widespread availability with the impending release of their first EP, Every Thing Ever. The five-song cassette is coming this Friday from Citrus City Records, and along with it is coming a free celebration of its release at Hardywood. Whether you’ve been following this band for six months, two years, or since their first show, it’s sure to be a relief to finally have Spooky Cool tunes you can listen to somewhere other than live venues. And it’ll be even cooler to see them play all these songs live this Friday night, knowing that when you get home, you can listen once again to the songs they’ve gotten stuck in your head.

The free show Friday afternoon is also a celebration of a new brew release at Hardywood, so it’ll kick off at 4 PM to give those of you off work by then a chance to enjoy the tasty beverages. Music won’t start til 6, though, so you’ll have time to drive over after work and still catch it all. In addition to the headlining set by Spooky Cool — and the opportunity to purchase their new EP — this event also offers for your listening pleasure a set by RVA-via-Brooklyn indie-poppers Haybaby, who keep things off-kilter and unpredictable but never fail to deliver the melodic goods. Piranha Rama will be on the scene too, and if you missed their own recent record release show, this event will offer you the chance to catch up with these indie-garage-psych heads as well. Castle Of Genre will open up with their own unusual brand of synth-inflected indie melodies. Hurry over from work, you don’t want to miss a minute of this one.

Wednesday, August 1, 8 PM
Rata Negra, Haircut, Serqet, Sensual World @ Strange Matter – $10 (order tickets HERE)
Not to turn into Raymond Carver or anything, but we need to start this one out by discussing What We Talk About When We Talk About Melodic Punk. See, there are some of you who will thing such a genre tag indicates universally terrible music. Some of you will think I’m saying that Rata Negra sounds like NOFX or something. Some of you are in both of those groups of people. But I strongly encourage you, before you head out to Strange Matter tonight, to throw away all your preconceptions. Rata Negra is something else completely.

This Spanish band’s sound is driven by uptempo rhythms, bouncy basslines, melodic guitar leads, and catchy vocal choruses. But they have a dark undercurrent to their sound that draws from early dark punk groups like The Bats or The Wipers, even as they’re also bringing in a European flair that makes me think of Gorilla Angreb. They definitely don’t have a shred of 90s skate punk to offer — and that’s definitely a good thing. Rata Negra will be joined on this bill by a trio of local killers that’s led off by raging hardcore punkers Haircut, whose EP last winter certainly fired up the Christmas season (and will heat up this rather chilly and damp summer, too). Melodic peace-punks Serqet will get things started along with Sensual World, the latest project from the always-talented Julie Karr. You need this show in your life.

Thursday, August 2, 8 PM
Sons Of Bill, Wrinkle Neck Mules, Carl Anderson @ The Broadberry – $18 (order tickets HERE)
I haven’t been all that aware of Sons Of Bill, the band made up of brothers Sam, Abe, and James Wilson, plus a rhythm section, and I feel kinda bad about it. Not only are they from Charlottesville, they’ve released five albums over the past decade or so, and done a bunch of touring in Europe. How have I missed out on this band? Well, better late than never, I suppose. Their fifth album, Oh God Ma’am, just came out at the end of June, and it’s a good spot to jump on the Sons Of Bill bandwagon — so what are we waiting for? Let’s do it!

On their latest album, Sons Of Bill walk a fine line between multiple genres. At times, they seem to follow in the footsteps of alt-country pioneers like Wilco and Son Volt; at other times, their dark, new-wave vibes land somewhere between the spooky synth-pop of early Echo and the Bunnymen and the lush desolation of Red House Painters circa “Mistress.” All of it is subdued, but the emotional overtones that wash over you from the Wilson brothers’ heartfelt vocals and the layers of ringing guitars and reverberating piano leave an impact, for sure. While Sons Of Bill have a subtle initial effect, they will be impossible to ignore in a full-volume live environment. Let them draw you in.

Friday, August 3, 9 PM
Noisem, Secret Cutter, Cruelsifix @ Wonderland – $15
At long last, Baltimore thrashers Noisem return to RVA. These kids aren’t as young as they once were, and it’s been three years since they released any significant new material. However, they’re still at it, loud and heavy as ever, and they’ve just inked a deal with Relapse that promises to deliver their long-awaited third album sometime in the near future. Before they head into the studio, though, they’ve been hitting the road to sharpen up their chops and get ready to lay down some killer riffage. They’re sure to have plenty of ripping speedy thrash with which to tear shit up in Shockoe Bottom this Friday night, and if you like to headbang, you won’t want to miss this one.

From Sick/Tired to Amygdala, this year has seen Noisem joined on tour by a variety of bands with appeal beyond the world of straight-up thrash, and this Wonderland show is no exception. PA’s Secret Cutter, who recently refined their unique grind-sludge-noise hybrid on brand new LP Quantum Eraser, will be blowing into town in the company of Noisem, and you headbangers won’t want to miss their brutal, powerful brand of heaviness. It’ll twist your head around — as will openers Cruelsifix, who bring us a new take on a classic sound, updating classic Florida death metal for a new millennium. This one will rock you so hard, you’ll be glad for the relative brevity of a three-band bill, just to give your neck a break.

Saturday, August 4, 4 PM
Sundials, Yeehaw Junction, Jake Mayday @ Strange Matter – $8-10 (donations to RRFP)
Sundials are spread pretty thin these days. The emotionally-driven pop-punk quartet from RVA have been steadily spreading further afield over the past couple of years — Harris moved to Boston, then Chris moved to Philadelphia. Now, it seems, Carl will be leaving for the UK, leaving only one member still based here in Richmond. It’s been several years since Sundials released their last EP, Kick, back in 2014, and for most of that time, they’ve been a rare presence on the live scene around Richmond. Now, for obvious reasons, Sundials live performances are only going to get fewer and farther between.

All of which is makes it essential that you make it out to Strange Matter this Saturday afternoon to catch Sundials at the top of a matinee bill. You’re not gonna see them again anytime soon. You’ll also want to welcome a new presence on the local scene — Yeehaw Junction, a synth-driven pop band with a punky bounce and sincere, heartfelt lyrics, who recently arrived here from New England and have sounds that are sure to charm you. And of course, Jake Mayday, a longtime friend of Sundials and the Richmond scene — and probably pretty much everybody who’s ever met him, he’s a total sweetheart — will kick off the show with a set of sincere acoustic tunes that will make you smile. Who knows when we’ll see Sundials together on the same stage again — show up at Strange Matter this Saturday evening and give them a proper sendoff.

Sunday, August 5, 8 PM
Birds In Row, Portrayal Of Guilt, Sonnets, .gif From God, Lunger @ Strange Matter – $12 (order tickets HERE)
Oh wow, this is exciting. I’ve been a follower of French label Throatruiner Records for most of a decade now — their commitment to harsh, metallic hardcore at a time when such sounds were losing favor with mainstream HC and metalcore audiences made every new release on their label worth a listen. It was Throatruiner who brought fellow Frenchmen Birds In Row to my attention several years ago, and it was Throatruiner who really prepared me for what I was in for when Birds In Row finally released their second full-length, We Already Lost The World, on Deathwish earlier this year. The passionate screams, dynamic song structures, noisy guitars, and intense delivery of important messages on songs like “Love Is Political” and “Remember Us Better Than We Are” all embody the best qualities of what I’ve come to expect from Throatruiner. And on an American label? Perfect.

Best of all, Birds In Row are coming to Richmond this Sunday night to bring their dramatic, chaotic, and incredibly intense sound to Strange Matter. They’re sure to level the place and everyone in it — and what’s even cooler is that they’ll be bringing Texas killers Portrayal Of Guilt with them. This band’s still only got four songs (and a Christian Death cover) out, but they’ve made a big impact in a brief time with a small amount of music, purely through the forceful power of their live performances. Mixing aspects of chaotic, grinding hardcore with the metallic, emotionally-driven sound that has come to represent the 21st century underground “screamo” scene results in nothing but awesomeness when these guys hit the stage. And these heavy hitters will be joined on this bill by a variety of other excellent groups, including Salt Lake City’s Sonnets and local ragers .gif From God and Lunger. Seriously, y’all, don’t sleep on this one.

Monday, August 6, 7 PM
Lunar Vacation, Hill Walkers, Death Palette, Nic Perea @ Gallery 5 – $6
It may have been raining a whole lot here in Richmond over the past little while, but lest we forget, it is still summer, and therefore the perfect time for a Lunar Vacation. No, not a trip to the moon (though I suppose that would be pretty cool) — an excellent indie-pop band from down Atlanta way who have a ton of summery melodies with which to chase the rainy day blues away. Their brand new EP, Artificial Flavors, is loaded with the brand of shiny tunes this band have, only two EPs in, gained a reputation for, and they’re sure to bring a smile to your face with their expert mingling of electronic synth soundscapes, bouncing basslines, and Grace Repasky’s memorable vocal flourishes.

Lunar Vacation are exactly the tonic you need for yet another Monday back at stupid ol’ work (especially since this weekend is forecasted to be cloudy and rainy, just like this week). And they’ll be joined by some pretty great local talents as well. Hill Walkers are foremost among them, and while this local quartet may not focus as much on the synth-electronic end of things as Lunar Vacation, they coax some similarly shiny melodies out of their guitars and vocals, always to lovely effect. Death Palette is a new project from Rene Franco, better known as the more introverted half of Citrus City Records, and the solo demos I’ve heard certainly build anticipation for some smooth, tropical indie-pop. Nic Perea of Camp Howard opens things up with a solo set, and if that isn’t a guarantee of a great opening act, I don’t know what is. Show up on time and ready to get stoked.

Tuesday, August 7, 7 PM
Microwave, Can’t Swim, Drug Church, Flight Club @ The Canal Club – $15 (order tickets HERE)
We can’t get through a week without some emo, can we? I sure don’t want to! Thankfully, our last RVA slot of the week has been filled by a killer triple bill of emotion-fueled groups with various ratios of melody to volume on display in their styles — and all of them are awesome. Atlanta’s Microwave are at the top of the bill with some excellent songcraft and the sort of infectious choruses that’ll make you an instant fan (at least, if your tastes are anything like mine). 2016’s Much Love is full of excellent tunes with intriguing one-word song titles like “Roaches” and “Vomit.” Don’t worry, their sound is much more pleasant than those particular nouns would lead you to believe.

New Jersey’s Can’t Swim have a slightly heavier sound, with chunkier guitars and a more strained vocal approach, but their melodic sense is first-rate, and they display that fact on 2017’s Fail You Again with a collection of top-quality tuneage. The last release by Albany, NY’s Drug Church dates all the way back to 2015, but a one-song preview of their forthcoming full-length on Pure Noise Records shows that this band hasn’t lost its touch with catchy yet powerful post-hardcore, a sound they’ve used to standout effect on previous albums like 2013’s Paul Walker and 2015’s Hit Your Head. I for one am eagerly awaiting more — and we’ll probably all get a preview of their next offering at this show. Local pop-punk goofballs Flight Club open this one up; expect some serious fun.

NEW: Bonus Hampton Roads Picks!

Thursday, August 2, 6 PM
Self-Inflicted, Promise Breaker, The New Reign, Deathsinger, Betrayer, Beyond The Grave @ 37th and Zen – $5
That’s right, folks — in an effort to expand our reach and let you know about killer shows that might not make it to the Richmond area, we’ll be including a couple of shows per week from the Hampton Roads/Tidewater area of the state. We’ll start it off with a night of maximum heavyosity at Norfolk’s 37th and Zen, which is headlined by a touring double bill of New Hampshire’s Self Inflicted and PA’s Promise Breaker. Self Inflicted have that sort of heavy-hardcore mosh power that distinguishes prime offerings from modern bands like Harm’s Way while harking back to the prime days of Biohazard and Shattered Realm. Practice your floorpunching for this one.

Promise Breaker are also heavy as fuck, but this quartet likes to pick up the pace and throw some serious death-metallic bottom end into things. It isn’t quite deathcore; if anything, it’s closer to the sort of power-violence-damaged metallic hardcore that bands like Nails have messed around with in recent years. One thing’s for sure — it’ll level you. Maryland’s The New Reign round out this trio of touring shredders with some sludgy mosh-core tuned to drop Q. Guaranteed to rumble your guts. A trio of VA metal bands provide support, led off by Deathsinger, who straddle the line between Sworn In’s ridiculously-pulverizing death mosh and straight-up Dying Fetus-style death metal. Betrayer and Beyond The Grave round things off with some serious death, and all of it’s brought to you by Black Goat Booking — are these guys the Hampton Roads version of Between 2 Beers? Time will tell, but I’m definitely paying attention.

Friday, August 3, 7 PM
True Body, Nosebleed, Deviant, Slump, Shormey @ Cardinal Skate Shop – $8
The hardcore punk scene in Richmond is always hopping, but don’t let that blind you to what the Hampton Roads area has to offer — there are plenty of shows happening down that way as well, and sometimes they’re worth taking a trip for. This Friday night rager at Norfolk’s Cardinal Skate Shop is a prime example; headlined by goth-punk oddballs True Body, it’s a benefit for the bowl ramp Cardinal’s building out back to give locals a space to shred. It’s also True Body’s apparent farewell to Norfolk, so this will be a good time to catch their darkwave/batcave vibes before they head out of town. Are they moving to LA? Or just leaving for tour? I admit I have no idea… but regardless of the reason, they’re always worth seeing.

There’ll be several other much more straightforward HC/punk acts on this bill, including some Richmond rippers we all know and love. Nosebleed will get you moshing with some classic hardcore sounds that hit you hard and leave you gasping for breath, while RVA newcomers Deviant throw their weirdness/queerness in your face with some hard-driving old-school killers. Former True Body split partners Slump will be on hand to dish out their unique brand of psychedelic oddity, and the whole thing will be kicked off with a set of washed-out electropop from Norfolk’s own Shormey. Bring your board, this one’s gonna be a blast.

—-

Top photo by Joey Wharton

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Antiphons, Private Cry, Castle Of Genre, Twin Drugs, Groovy Movies @ Hardywood

RVA Staff | November 8, 2017

Topics: Antiphons, Castle Of Genre, Groovy Movies, Hardywood, Private Cry, Twin Drugs

If there’s one takeaway from the Richmond music scene in 2017, it’s that the whole Citrus City crew just keeps going with a high rate of great stuff. Antiphons are further proving this with their brand new EP, the release celebration for which will take place at this stacked free show at Hardywood Saturday evening. Fine is a five-track followup to their debut full-length, Groan, which was also released by Citrus City this year.

The EP isn’t out yet, obviously, so therefore we’ve only heard the first song thus far. But right now, it’s clear from opening single “Benadryl” that this band has a lot more in store. The title, referencing a stupor-inducing antihistamine that has had me staggering half-awake through many a spring day in my lifetime, fits well with the sound the band creates on this track and indeed, on all of their material. Glittering guitars flutter above hazy vocals and a muted yet subtly propulsive rhythm, which keeps the whole thing from drifting into somnolence. It’s not shoegaze in any traditional sense, but it would certainly make sense for you to gaze at your shoes while listening.

I’m going to advise you keep your eyes on the stage throughout this Saturday night festival of sound, however, as Antiphons are but one of the many local talents that await you on this bill. There aren’t many recorded sounds out there from Private Cry as yet, but the band’s done a lot to generate excitement on the local scene with striking live performances, so if you haven’t caught them yet, now’s a perfect time. Castle of Genre and Twin Drugs are both worth your time as well, with the former finding a niche somewhere not too far removed from that beautifully sluggish indie sound that’s all the rage lately, as the latter strike a much more traditional shoegaze chord with their Lilys/Swirlies-derived sound. All this plus newcomer Groovy Movies, about whom I know little beyond their admittedly appealing name, kicking things off–and it’s free! You can’t afford NOT to come to this one!

RVA Shows You Must See This Week: 11/8-11/14

Marilyn Drew Necci | November 8, 2017

Topics: Adam Jackson, Antiphons, Astronoid, Capital Ale House, Castle Of Genre, CGI Jesus, Cinemechanica, Classical Revolutions RVA, Danny Watts, Deau Eyes, DJ EMV, Doubtfire, Dumb Waiter, Flora, gallery 5, Gas Station Mentality, Give Em Hell Kid, Groovy Movies, Hardywood, JonWayne, Mending Fences, Moosetrap, My Enemies & I, Night Idea, Paint Store, Private Cry, Quatro Na Bossa, shows you must see, shy low, strange matter, Telltale, The Camel, The Canal Club, Thorp Jenson, Twin Drugs, Vanilla Summit, Vilified, Voids

FEATURED SHOW
Saturday, November 11, 5 PM
Antiphons, Private Cry, Castle Of Genre, Twin Drugs, Groovy Movies @ Hardywood – Free!
If there’s one takeaway from the Richmond music scene in 2017, it’s that the whole Citrus City crew just keeps going with a high rate of great stuff. Antiphons are further proving this with their brand new EP, the release celebration for which will take place at this stacked free show at Hardywood Saturday evening. Fine is a five-track followup to their debut full-length, Groan, which was also released by Citrus City this year.

The EP isn’t out yet, obviously, so therefore we’ve only heard the first song thus far. But right now, it’s clear from opening single “Benadryl” that this band has a lot more in store. The title, referencing a stupor-inducing antihistamine that has had me staggering half-awake through many a spring day in my lifetime, fits well with the sound the band creates on this track and indeed, on all of their material. Glittering guitars flutter above hazy vocals and a muted yet subtly propulsive rhythm, which keeps the whole thing from drifting into somnolence. It’s not shoegaze in any traditional sense, but it would certainly make sense for you to gaze at your shoes while listening.

I’m going to advise you keep your eyes on the stage throughout this Saturday night festival of sound, however, as Antiphons are but one of the many local talents that await you on this bill. There aren’t many recorded sounds out there from Private Cry as yet, but the band’s done a lot to generate excitement on the local scene with striking live performances, so if you haven’t caught them yet, now’s a perfect time. Castle of Genre and Twin Drugs are both worth your time as well, with the former finding a niche somewhere not too far removed from that beautifully sluggish indie sound that’s all the rage lately, as the latter strike a much more traditional shoegaze chord with their Lilys/Swirlies-derived sound. All this plus newcomer Groovy Movies, about whom I know little beyond their admittedly appealing name, kicking things off–and it’s free! You can’t afford NOT to come to this one!

Wednesday, November 8, 8 PM
JonWayne, Danny Watts, EMV, Adam Jackson @ Capital Ale House – $10 in advance/$12 day of show (order tickets HERE)
Am I a jerk if I look at JonWayne and my first thought is “Oh, I guess he’s the hipster Action Bronson”? Maybe, but upon listening I’ve learned that I’m wrong (and not just because the hipsters already love Action Bronson). JonWayne is not only a rapper but a producer, and he not only creates the beats for his rap tracks but also has released multiple instrumental albums, in the tradition of Dilla or Peanut Butter Wolf–the latter of which signed JonWayne to his Stones Throw label back in 2012. Since then, JonWayne has released multiple vocal and instrumental albums, his most recent being Rap Album Two earlier this year. Between his thick, soulful beats, which betray a history of serious crate-digging, and his sluggish yet erudite rhymes, the guy’s got a lot to recommend himself. Fans of deep, head-nodding beats and smooth flows should definitely stop sleeping on this guy.

Danny Watts is joining JonWayne on this trip to Richmond, and this Houston rapper just released his first LP, Black Boy Meets World. Coming out on Authors Recording Company, JonWayne’s new label, it also features production by JonWayne, who apparently missed producing for other rappers and signed Watts to give him an opportunity to step back behind the boards again. The results are killer, with Watts’s skilled flow taking center stage over subtler, more melodic beats than one might expect from a JonWayne solo joint. The two will be joined on this bill by LA rapper EMV and local opener Adam Jackson, bringing a night of hip hop to Capital Ale House of all places–which seems to be expanding its horizons lately. Commendable.

Thursday, November 9, 9 PM
Classical Revolutions RVA & Quatro Na Bossa @ Flora – $10
It’s time to expand our horizons, and get outside our comfort zones a little bit. I don’t know about you, but for me, a collaborative performance bringing together a local bossa nova quartet and a classical music ensemble definitely qualifies. Quatro Na Bossa have been playing bossa nova music around Richmond and the world for about 15 years now, and their smooth, sunny take on this traditional Brazilian form is enrapturing and shows off a wealth of talent among the group’s members.

Classical Revolutions RVA has been around for quite a bit less time than Quatro Na Bossa, but it is this group that is the reason for the event. Classical Revolutions RVA is kicking off a week-long celebration of their fifth anniversary with this performance. The ensemble formed with the mission to bring classical music out of the fancy music halls and back into the spaces where music lives and breathes, and they certainly achieve that end by spending an evening collaborating with a bossa nova band in the back room of a Mexican restaurant. The combined ensembles will bring us a variety of classical and popular compositions from some of Brazil’s greatest composers–and couldn’t we all do with a little more enlightenment where that’s concerned? I’d say so! Let’s hit this one up.

Friday, November 10, 8 PM
Night Idea, Cinemechanica, Dumb Waiter, Doubtfire @ Gallery 5 – $7
Things are getting both mathy and metallic this Friday night at Gallery 5. Night Idea are coming to us directly on the heels of releasing their excellent fourth LP, Riverless, which takes the band’s sound further in all sorts of different directions than it’s ever gone before. I love all the King Crimson-esque touches that bleed into the new songs, and all of the excellent melodies that remain at the foreground as they have throughout the band’s history. However, I must admit, when I think about math-rock, I’m always hoping for something heavier–something that harks back to the genre’s pioneering days here in RVA, with excellent bygone bands like Breadwinner, Slianglaos, and Ladyfinger.

For that reason, I’m super stoked to see that Night Idea will share the top spot on this bill with Cinemechanica, an Athens, Georgia band with a less-than-prolific track record (their 2016 self-titled LP is their first release since 2008 EP Rivals, and only their third release overall) but an incredibly powerful and, yes, heavy sound that makes up for any amount of lag time between albums. The group’s crunchy, powerful sound and completely unpredictable song structures and time signatures all unite to create the same sort of frenetic, powerful vibe generated by bands like Barkmarket, Meshuggah, and Drive Like Jehu. It’s super sick, it’s loaded with energy, and it’s set to knock your socks off when Cinemechanica take the stage–and who knows when the band will be back, considering their track record, so don’t miss this one! Local jazz-metal instrumental firebrands Dumb Waiter and metal powerhouse Doubtfire will kick things off in fine fashion, so show up on time–you won’t regret it.

Saturday, November 11, 8 PM
Thorp Jenson, Deau Eyes, Moosetrap @ The Camel – $7 (order tickets HERE)
If there’s one thing I’ve learned in the four or so years I’ve been doing this column, it’s that you should never assume you know about everything that’s happening around here, because the Richmond scene is always capable of throwing you a curveball. Thorp Jenson is the scene’s latest curveball for me personally–I was certainly not expecting a heartfelt alt-country singer to suddenly show up fully formed on our local scene, complete with praise from Rolling Stone magazine slotted into his press kit. Of course, a little digging shows that it’s not really as big a surprise as it seems at first blush–Jenson is really local singer-songwriter Chris Ryan, who picked up a goofy name from bandmates poking fun at his ranch-hand mustache and decided to run with it.

Jenson clearly has quite a few great local connections formed back when he was just another dude named Chris, as can be seen in the list of backing musicians and collaborators he’s accumulated on this album. With songwriting help from Spacebomb all-star Cameron Ralston and bass tracks on the album laid down by Butcher Brown’s Andrew Randazzo, it’s clear the man knows who to call to flesh out his tunes. That said, he’s the one who deserves the ultimate credit for new album Odessa‘s stunning mix of Petty, Springsteen, Willie Nelson, and the Drive-By Truckers–and you’re sure to get a kick out of the set he lays down while celebrating that album’s release at The Camel this Saturday night. So don’t let the many twists and turns of the local scene throw you–come out and catch on to this one.

Sunday, November 12, 5 PM
My Enemies & I, Give Em Hell Kid, Vilified, Voids, Telltale, Mending Fences @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I’ve never been ashamed to admit my love for metalcore, but once we cross the line into full-on nu-metal revival, things tend to head towards guilty pleasure territory. That said, if it’s done right I end up loving it just as much, which is why I’m stoked to see Richmond’s own nu-metal revivalists My Enemies & I celebrating the release of their first LP, The Beast Inside, at the Canal Club on Sunday. The album’s on Fearless Records, who I’ll always think of as the least likely home of At The Drive-In but has had considerable success in recent years with much heavier groups like Pierce The Veil and The Word Alive.

It’s pretty cool to see a local group hitting the big time like this, especially when their music is the kind of ridiculous blast of energy straight to the brain that this band brings. Their mix between rebellious mosh anthems and surprisingly emotional breakdowns is leavened with the hip hop-derived rhythms and programmed beats of Korn and the harsh, scraping noise and foul-mouthed irreverence of Slipknot. Songs like “Riot” (“Speak, motherfucker! Stand up, motherfucker!”) and “Funeral Party” (“Fuck what you heard of me”) remind me exactly why I loved blasting Iowa and Life Is Peachy out of my car’s tape deck 15 years ago. It’s high time this kind of thing showed back up. This show starts early and features fully FIVE opening bands, so I’m not gonna say you have to get there right when doors open, but this jammer is all-ages, so if you want to get down front, you better be ready to beat the rush. And watch out for stagedivers.

Monday, November 13, 8 PM
Astronoid, Shy Low, Paint Store @ Strange Matter – $10 (order tickets HERE)
Oh wow, new discovery of the week alert! Somehow I missed Astronoid’s 2016 album, Air, back when it came out, and only realized what this band actually has going on once I checked out this upcoming show to decide what to write about for Monday. Something like 30 seconds in, the debate was over. There’s no way I can miss the chance to highlight a band doing something this incredible. Air is an album that has received comparisons to Deafheaven and Alcest, which is automatically exciting to me. But what really makes this album stand out in the field of what has annoyingly been called “blackgaze” (shoegaze black metal. Don’t worry, I hate it too) is the way it manages to hide all its brutal riffing and blasting drums beneath gorgeous layers of beautifully harmonized clean vocals and some downright PRETTY guitar leads. Who saw that coming?

I didn’t, but I’m delighted to see this band coming to Strange Matter next Monday, and taking the opportunity to entrance us all with their intriguing hybrid sound, which I am imagining will somehow be both heavier and prettier in a live environment. They are well paired with Shy Low, whose recent Burning Day EP sees the band moving in a heavier direction from their earlier material while still retaining the elements of their epic instrumental sound with which they originally made their sound. Openers Paint Store have some of that Breadwinner-ish metallic math sound I was talking about earlier going on, and it’s always a welcome phenomenon. On the whole, this show is a can’t lose proposition. Don’t miss it.

Tuesday, November 14, 8 PM
Gas Station Mentality, CGI Jesus, Vanilla Summit @ The Camel – $5
I guess this is the week for heavy, metallic math-rock, and I suppose someone could imply that this betrays a lack of imagination on my part. But really, with the kind of bands that are coming to town this week, can you blame me? Gas Station Mentality is the latest intriguing math-metal group to grab my attention, and if you’re the sort of person who can resist a name like that, you’re stronger than I am. Now that I’ve heard the band’s Systematically Manufactured album from earlier this year, though, I know my instincts were correct, because this is definitely a trio to watch.

Gas Station Mentality cite jazz and funk influences in what they do, and you can certainly hear those bleeding through in the background, but the foreground is all Don Caballero/Breadwinner/Blind Idiot God type vibes, and it’s completely thrilling. Headbangers who enjoy the challenge of having to second-guess the beat on which they should throw their hair around will get a kick out of this one, as will the instrumental technicians who prefer to study a band’s dynamic fretwork. With CGI Jesus and Vanilla Summit representing RVA on the bill, there’ll be additional opportunities for study, as both of these bands bring a complex metallic sensibility to the realms of jazz improvisation. Whether you choose to closely follow the moves of the instrumentalists or to rock out with abandon, though, this is the show for you. You’ll have plenty of chances to do either–or both.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Castle of Genre discuss latest EP, ‘No Trick/Chanel’

Greg Rosenberg | October 13, 2017

Topics: Big Baby, Castle Of Genre, Hardywood

“Honed in real deep.”

This is what Castle of Genre drummer, Anthony Crawford, had to say (albeit, with a tongue-in-cheek tonality), for the writing of the Richmond band’s newest release, No Trick/Chanel, which dropped today. As cheeky as his quip may be, he’s not wrong. This release, named for the two tracks of which it is composed, is a brief culmination of the indie-pop band’s best parts, earnestly constructed to do no more or less than it needs to.

In addition to Crawford, Castle of Genre consists of Brandon Iqbal (vocals/guitar), Joey Fall (vocals/guitar), and Pat Stolte (bass). The four have made music together since high school, and that history is apparent in the chemistry these songs exhibit.

“We all know what we want, and what we like, and how we’re different from each other,” said Fall. “So, I think it makes the collaborative process a little easier for me.”

On “No Trick,” Fall’s vocals abruptly cut in, auto-tuned into a chordal melody, eliciting all the sincerity of a natural voice, while settling in the mix as another instrument in the ensemble. A Cyborg with real big feels. Brandon’s voice, higher in register and raw, compliments perfectly.

If these two golden pipes weren’t enough, Ali Mislowsky of the Richmond act, Big Baby, features on the track, contrasting with the song’s heaviest instrumentation, chaotic and crashing around Mislowsky’s calm, definitive, resonance.

The guitar work in this song is captivating, notably during a post-chorus interlude in which the delay peppered melody chimes aloft in the mix.

“For me, it felt like we were getting more into structure. [These songs] feel really thought out,” said Fall.

No Trick/Chanel was recorded and mixed by Brandon Iqbal and mastered by Dan Coutant at Sunroom Audio. The EP is a followup to the band’s 2016 release, Trance.


What really stands out in the structure of these songs is Castle of Genre’s use of space as an aesthetic device. “Chanel’s” choppy, punctual rhythms are a staple of the Castle of Genre sound, but are refined in a way that emphasizes the attention to detail put into writing the song.

“I think we started to think more about the melodies we used,” said Iqbal. “There’s times when me and [Fall] would record scratch vocals with no words and just be like ‘do we like those melodies?’”

“For the longest time we talked like ‘I can’t wait to make this song,’ or ‘I can’t wait to make a song that sounds like this,’ or ‘I love this new record from whoever, I can’t wait to write a song like that,’” said Fall. “We’re making the music we want to make,” Iqbal surmises (you can tell these guys are in sync). “Right, like it’s going beyond the capability of what we thought we could do.”

As for what’s next, Iqbal said the group is writing about five or six songs for another EP.

In the meantime, you can catch Castle of Genre Halloween night in Richmond playing at a house show with Secret Stuff, Save Face, and fellow Richmond band Young Scum. $5 cover. Details here. the band will be playing Fri., November 11 at Hardywood with Private Cry and TWIN DRUGS.

 

RVA Shows You Must See This Week 1/14-1/20

Marilyn Drew Necci | January 14, 2015

Topics: Asylum, Bandito's, Bitchmouth, Burn/Ward, Castle Of Genre, Chrome Daddy Disco, Comeback Kid, Dave Watkins, Die Twice, Dorthia Cottrell, Expire, Faded Lights, Fire Faithful, Four Year Strong, Girls Rock RVA, Gritter, Gull, Handguns, Hardywood, Heart To Heart, hot dolphin, Karma To Burn, Kid Is Qual, Kings, Kommunion, Lobo Marino, Orgasm, Sex Dagger, Sex Prisoner, shows you must see, Sierra, strange matter, Swamp Trees, The Broadberry, The Camel, Watermedown

FEATURE SHOW
Friday, January 16, 9 PM
Second Annual Bad Grrrl Revue, feat. Hot Dolphin, Bitchmouth, Asylum, Kommunion, Dorthia Cottrell @ Strange Matter – $5

My, how time flies! A year ago, I was just starting to do this weekly column, and one of the first shows I wrote about was a punk show consisting entirely of female-fronted bands.
[Read more…] about RVA Shows You Must See This Week 1/14-1/20

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