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The 40 Most Essential RVA Albums Of 2018 (Part 1)

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Richmond’s always been a great city for music, and that didn’t change one iota in 2018. If anything, it became a bit overwhelming — indeed, even the most comprehensively-minded local music nerd was likely to overlook a few things. While putting this list together, I found a few that I overlooked myself — and I’m sure you will as well.

This list features our best shot at the most essential and noteworthy albums that our city birthed this year, from any and all genres. Since so many different genres and scenes are thriving in this town, we had to include 40 just to feel like we weren’t leaving anything crucial out. And let’s be real — we probably still didn’t catch everything. The best advice we could possibly give you about following this town’s vibrant musical community is this: always dig deeper. Your new favorite record might be right around the corner.

These 40 albums are a good place to start. Today, we’re presenting the first 20 — in alphabetical order by artist name, so it doesn’t seem like we’re playing favorites. We’ll have the other 20 for you tomorrow. Happy listening!

Ant The Symbol – The Motions (Gritty City)
Over the past decade or so, Ant The Symbol has consistently remained one of the most talented producers in Richmond hip hop. His layered beats are jazzy, funky, and have a lot of emotion built into them, and it’s always interesting to see what rappers do with them. The Motions is full of classic grooves that both present a smorgasbord of Richmond MCs in the best possible light and make clear that, as always, Ant’s beats are the star of the show.

The Ar-Kaics – In This Time (Daptone)
This retro-garage heads return to the spotlight after a year or two of woodshedding with a new LP that is a must for the Nehru-jacketed 60s nerds who sleep with the Nuggets box sets under their pillow. That can’t be comfortable, so maybe this 21st century slab of meat-and-potatoes rock n’ roll can help y’all sleep better. Then again, these songs are so full of fun, snotty energy, there’s no way you’re gonna sleep at all with this record on the turntable. Just get up and dance.

Bad Magic – What’s Wrong With My Eyes (badmagic.bandcamp.com)
This union of three talented RVA music veterans (Julie Karr, Tim Falen, Jimmy Held) produces music that seems to split the difference between their various musical backgrounds (in everything from folk to grunge to post-hardcore) and bring us the best possible distillation of heartfelt, driving, melodic rock music. Vaguely psychedelic and obviously descended from punk rock in at least a spiritual fashion, this album gives us a glimpse at what ruled the university-station airwaves before Nirvana came along.

Saw Black – Water Tower (Crystal Pistol)
This supremely laid-back album comes to us from one of RVA’s foremost purveyors of country-Americana slackness, and has some downright beautiful moments that’ll shine bright for fans of artists like Sturgill Simpson or the Drive-By Truckers. You could probably also play it for your uncle who thinks music has sucked since Garth Brooks, or to expand the horizons of your little cousin who only knows about bro-country. But really, you should probably play it while you’re relaxing on the front porch on a Saturday afternoon with a cold beverage in your hand. That’s when it sounds best.

Scott Clark – ToNow (Clean Feed)
Drummer Scott Clark is a leader in the mostly-overlooked world of RVA jazz, and with his recent work, he’s made quite an impression beyond our city’s borders as well. Clark’s been tapping into his Native American heritage for his recent full-length works, and that continues with ToNow. This album is a contribution to the ongoing protest movement in Standing Rock, in the form of a musical clarion call, an ambient yet intense musical exploration featuring some of the leading lights in Richmond’s jazz scene. Immerse yourself.

Kenneka Cook – Moonchild (American Paradox)
2018 was Kenneka Cook’s year. This singer with the powerful, hypnotic voice put the entirety of Richmond under her spell, and Moonchild was the way she did it. The songs on this album move back and forth between soulful, jazzy R&B ensemble pieces featuring a bevy of talented local backing musicians and intriguing solo pieces constructed from electronic beats, synth hums, and massive stacks of multi-layered vocal loops, all constructed by Cook herself with electronic sequencing tools. It’s hard to say which of these two aspects of her music are more pleasing — in the end, it’s probably the combination of the two that gets best results.

Cruelsifix – Dark Snake (cruelsifix.bandcamp.com)
RVA metal is alive, well, and raging as ever. Cruelsifix finds some leading lights from the local scene coming together to fill their downtime with yet another rip-roaring contribution to the local metal landscape. They made their mark this year with a six-song debut EP that shows off their thrashing blackened death metal sound, and, with song titles like “Rabid Christ” and “Satan Earth Fuck,” makes clear that they aren’t just kidding around with the whole evil-as-hell-name move. Bang your head.

Lucy Dacus – Historian (Matador)
Certainly the RVA album of 2018 that got the most attention outside RVA, singer-songwriter Lucy Dacus has gone from house show sensation to international bright young thing in the space of two years, and has given us all yet another reason to be proud of our hometown. Dacus’s gorgeous, heartfelt tunes — which pair her smooth, beautiful voice with powerful melodies driven by a surprisingly tough rhythm section — took a leap beyond her already-assured debut album on Historian. Kudos to her.

McKinley Dixon – The Importance Of Self Belief (Citrus City)
In a city with a variety of different hip hop movements taking place, McKinley Dixon exists in a class by himself. He simultaneously brings a multitude of talented friends of various musical backgrounds together to take his music to a higher plane, and remains committed to first principles: those being strong rhymes, powerful beats, and most importantly something real to say. Even as he’s telling hard truths about oppression and struggles, he’s also uplifting your spirit with positive messages — look no further than the title track.

Fly Anakin & Ohbliv – Backyard Boogie (Mutant Academy)
Fly Anakin has been on fire lately, working hard to get himself and his crew, Mutant Academy, established in RVA and beyond. You can hear how much energy he’s bringing to the struggle in the hyperkinetic rhymes he spits on this album, which zap your ears with their sharpness even as they leave Anakin himself gasping for breath. Celebrated production legend Ohbliv contributes all of the production here, bringing a unified feel and a deep mood to Backyard Boogie, and providing a much-needed contrast with Fly Anakin’s manic intensity.

Gumming – Human Values (gumming.bandcamp.com)
The name of this group always makes me think of nursing home residents mashing down soft foods without benefit of dentures, but if you turn your back, rest assured, Gumming will show you just how much bite they’ve got. Human Values is a wall of angry noise that splits the difference between experimental psychedelic weirdness and pure punk rage, like the Butthole Surfers if they were fronted by X-Ray Spex’s Poly Styrene. Oh values, up yours.

Cole Hicks – May Day (colehicksva.bandcamp.com)
No one really wants to talk about this, but the fact is that hip hop tends to be a very masculine genre. It’s rare to hear a female MC spitting rhymes at all, let alone one that can stand toe-to-toe with the best in the game. On May Day, Richmond’s Cole Hicks adds her name to that list, contributing one of the best albums to come out of the genre in RVA this year and landing a top spot in what was already a banner year for Richmond hip hop albums. The beats hit hard, her rhymes hit harder, and her lyrical flow is unmatched, so quit tripping and start bumping May Day now.

Andy Jenkins – Sweet Bunch (Spacebomb)
Kinda country, kinda indie, and very Southern — that’s local singer-songwriter Andy Jenkins in a nutshell. The latest overnight sensation from the world of Spacebomb Records, Jenkins’s debut full-length, Sweet Bunch, has a laid-back, smoothly rolling feel that’ll put you in the frame of mind to rock contentedly in a porch swing as the lazy river rolls by. Some moments hit upon a sort of pastoral Van Morrison-ish feel, while others bust out the sunbaked twang of the Bakersfield sound. All of it is easy to enjoy.

Large Margin – Large Margin (largemargin.bandcamp.com)
Anyone who caught Brief Lives when they were around is bound to have thought the same thing I did — “that guitarist really goes off!” Brief Lives is gone, but the guitarist in question, Chris Compton, has moved on to becoming the frontman for Large Margin, joining up with a variety of local post-hardcore luminaries to exhume the spirit of Fugazi’s classic early 90s work and infuse it with a massive amount of frantic energy and 21st century political fury. One listen to this LP and you’ll want to rock out as hard as Compton does onstage.

Lipid – Freak Beat (Vinyl Conflict)
The growth of out-and-proud LGBTQ hardcore punk in this town has been one of the best things about 2018, not just for “representation” but also because it’s brought us a lot of great music from voices we weren’t necessarily hearing before. Lipid is probably the closest to old-school punk of this new crop of RVA queer-power bands, with a sound that mixes the sarcastic punk snarls of the Dead Kennedys with the sort of burly stuff that was coming out of NYC a while back — think Crazy Spirit, or The Men before they became a dad-rock bar band.

Love Roses/The Donalds – split (Tired & Pissed)
These two local punk bands are mainstays of the Shockoe Bottom punk scene that orbits around Wonderland, McCormack’s, and other venues the downtown hipsters aren’t necessarily clued into. They’ve both got a ton of anger to work through, mostly at the pathetic state of the USA today, and they do so with rage, melody, and humor. The Donalds are more midtempo, Love Roses more melodic, but both bands are a ton of fun.

Manatree – Engines (manatree.bandcamp.com)
This band of teenagers has really matured on their latest album, which reflects the stripped-down sound Manatree’s increasingly taken on as the lineup shrinks. Frontman Jack Mayock’s considerable talent on guitar and keyboards gets a lot of room to show itself on Engines, as does the sort of growth he’s done as a vocalist since his high school days. Manatree’s math-rock roots are still clear on this album, but as a band, they’re getting weirder, more cerebral, and more fascinating. I guess this is growing up.

Michael Millions – Hard To Be King (Purple Republic)
Dropping back on January 2, this LP acted as the starting gunshot for an amazing year of RVA music. Michael Millions brought the realness from the opening moments of this one, working with some of the most talented hip hop producers in town to create the perfect instrumental tracks for his powerful lyrics and rock-solid flow. And Millions clearly had a lot to say, filling all of these tracks with powerful declarations of what it’s like to be a working class African-American man in the neighborhoods of Richmond that the Scott’s Addition hipsters don’t even know exist. You can’t afford not to listen to this one.

Nickelus F – Stuck (AGM)
From one AGM heavyweight to another. This year saw incredible statements of purpose and power from all of that formidable crew’s leading lights, and Nickelus F’s Stuck was the hardest-hitting of them all. It’s only fair, considering how long he’s been working to advance his sound; that said, we’re all reaping the benefits, because Stuck proves that after a decade and a half of steady grinding, Sweet Petey is better than ever. If you didn’t catch him on tour with Lil Ugly Mane, you need to at least grab this. It’ll twist your head around.

Ostraca – Enemy (Skeletal Lightning)
People are starting to notice Richmond’s thriving screamo scene; Noisey even wrote about it this summer. If you’re not hip, Ostraca is the first name you need to get familiar with. This scorching trio has been honing their sound for over a decade, arriving on their third album at the strongest and most assured collection of material they’ve brought into the world yet. From harsh screams over furious lightning-speed metallic rage to long, slowly-building post-rock epics, Enemy displays the full range of Ostraca’s considerable talents. Dig in, and remember — there’s plenty more where that came from.

That’s the first half of the list — tune in tomorrow for the rest!

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 5 – December 11

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FEATURED SHOW
Friday, December 7, 9:30 PM
Claudio Simonetti’s Goblin performs Suspiria @ The Byrd Theatre – $35 (order tickets HERE)
This is pretty much a once-in-a-lifetime event, and you pretty much need to be there if you have any interest at all in horror movies, spooky European prog rock of the 70s, or both. Here’s the deal: the Italian prog group Goblin did quite a few soundtracks for horror movies back in the 70s and 80s, including several for legendary Italian horror director Dario Argento. In 1977, they did what is probably their most famous work in the score for Argento’s most famous film, Suspiria. Now, in a weird tie-in to the 2018 remake of the film, Claudio Simonetti’s Goblin are on tour performing the Suspiria score live along with the film. This Friday night, they’ll be doing so at The Byrd Theatre. How cool is that?

Goblin has been made up of many people over the years, and at this point in history, there are several active or dormant projects that have used variations on the name in the past decade or so. Claudio Simonetti, the group’s longtime keyboardist, is currently leading a trio featuring the members of his late-90s/early-00s metal band, Daemonia, and that’s the version of Goblin that will be coming to the Byrd. Anyone who’s seen Suspiria or soundtracked an awesome Halloween party with the soundtrack album will recognize the essential role Simonetti’s keyboards play in the film’s music; basically, if there were to be one original member of Goblin involved in this performance, you’d want it to be Claudio Simonetti.

Basically, this is the closest any of us will get to seeing the original Goblin play this music. And better yet, the group will follow its performance along with the film by another set of music drawing from the highlights of Simonetti’s lengthy career, which has included film scores for dozens of classic horror flicks (Deep Red, Dawn Of the Dead, Demons, Nightmare Beach, The House of Witchcraft… so many more). And if that tantalizes you, here’s the best part of all: you’ll get to see Argento’s original Suspiria on the big screen. Who can pass that up? Not you, if you’re smart.

Wednesday, December 5, 7:30 PM
Generation Axe Tour, feat. Steve Vai, Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt, Tosin Abasi @ The National – $39.50 in advance/$43 at the door (order tickets HERE)
The 90s have been the nostalgia decade of choice for a while now, and somehow we got there as a culture without ever dealing with that late 80s era of leather pants, hairspray, and wild shreddy guitars that everyone remembers now as “hair metal.” There was a lot to that era, y’all, and a lot of it was great. From 80s power metal that got wrongly lumped in (Iron Maiden, anyone?) to the true classics of the glam generation (Shout At The Devil is one of the best metal albums of that decade — yeah, I said it), we’ve chosen to leave a lot of great things out of the cultural narrative. I guess this is what people mean when they say “guilty pleasures,” huh?

Generation Axe comes to The National to let us all know that it’s time to stop feeling guilty about all the shred-heavy guitarists with feathered hair and lightning-speed arpeggios whose tablatures we all studied obsessively in the back pages of Guitar World while we were supposed to be finishing our algebra homework. The king of the shred, Steve Vai, who is known not only for his epic instrumental solo albums (and “solo” is indeed the word) but his time in Whitesnake, David Lee Roth’s solo band, and many more, got this whole project together, recruiting fellow instrumental shred king Yngwie Malmsteen (it’s pronounced “ING-vay,” and in the time it took you to read this parenthetical aside he’s played at least 800 notes), Ozzy/Black Label Society legend Zakk Wylde, former Extreme guitarist Nuno Bettencourt, and Animals As Leaders, um, leader Tosin Abasi to form a five-guitar monster of razor-sharp licks and tour the world. At the National, you’ll see everything from spotlight sets by each of these five guitarists to duets and collaborations between three or even all five string-benders to wow you with hours and hours of shred-thrash fireworks. It’s going to be so goddamn amazing you’ll surely want to dig through mom’s attic over Christmas until you dig out your dusty old Ibanez and books of guitar tabs. Get fired up.

Thursday, December 6, 7 PM
The Ar-Kaics, Christi, Piranha Rama, Weird Tears @ Strange Matter – $10 (order tickets HERE)
Strange Matter’s long goodbye continues this week, and we’ll be sending you there quite a bit before we wrap up this column. This is because, even in their final throes, this best of all Richmond venues continues to pack the place each night with brilliance. This particular garage-psych focused bill is centered around 60s revivalists The Ar-Kaics, who’ve spent the last several years wowing us with the charm of their many 45 RPM singles, recapturing the fuzzed-out glory of the Nuggets era. After a couple years away from the spotlight, they’ve returned in a big way with In This Time, their second full-length. On it, they mix the primitive charm of their garage-rock roots with some increased melodic elements that make these tunes catchier than ever.

Rejoicing at the return of the Ar-Kaics is a big reason to come to this show; however, it’s not the only one, as local power-pop legends Christi are returning to live performance after a year and a half away from the stage. I would say this makes sense, since longtime Ar-Kaics drummer Patty Conway was also in Christi, but by the time Christi broke up she wasn’t in that band anymore — and at this point, it seems like she might have left the Ar-Kaics as well. So this could all be a big coincidence. Either way, the double-dose of old-school rock n’ roll with some killer vocal harmonies overtop is coming for you, and it’s going to rule, so you really should just be at this show no matter what. Local up-and-coming garage-pop group Piranha Rama and the ever-mysterious Weird Tears will get this show rolling in fine fashion.

Friday, December 7, 8 PM
Sleep, Weather Warlock @ The National – $21.50 in advance/$25 at the door (order tickets HERE)
Where doom metal, or “stoner metal,” or whatever you want to call it, is concerned, Sleep are pretty much the north star. Having evolved out of apocalyptic crust band Asbestos Death at the dawn of the 90s, Sleep went on to define the stoner-doom genre with their 1992 classic, Sleep’s Holy Mountain, before either attaining doom godhead or flying too close to the sun (depending on your point of view) with the long-delayed legend of an album, Dopesmoker (which consisted of one 74-minute song. I know, right?). However, while record companies were less than stoked at the idea of marketing a one-song double LP, leading the group to disband, their legend grew in their absence — fueled by the biker-metal heroics of guitarist Matt Pike’s post-Sleep project, High On Fire, and the epic drone of bassist/vocalist Al Cisneros’s Om, which has incorporated elements from Tibetan Buddhist chants into their moody darkness.

After receiving rapturous responses to a series of reunion tours, Sleep became a fully functioning band again about five years ago, recruiting Neurosis’s Jason Roeder to replace retired original drummer Chris Hakius. This year, they followed up two excellent post-reunion singles with their first full-length album in over 20 years, The Sciences. What is obvious from the first listen is that this group hasn’t lost a single step over the intervening years, mixing the biker-doom headbanging of High On Fire into Om’s droning low-end hum to create newborn classics like the Egyptian pyramid-Black Sabbath pun reference in “Giza Butler,” or the 21st century stoner anthem “Marijuananaut’s Theme.” They’ll bring all of this to us at mind-shearing volume and with soul-pulverizing power when they take the stage at The National, and all of you stoner warriors of the astral plane are going to want to touch down and experience it firsthand.

Saturday, December 8, 12 noon
Dry Spell, Mensroom, Cloak/Dagger, Nosebleed, Haircut, Sinister Purpose, Butt, Deviant @ Strange Matter – $12 (order tickets HERE)
These days, it seems, hardcore bands never really die — they just go dormant for longer and longer periods, only returning to play a show on occasions momentous enough to resurrect them from their suspended animation. Strange Matter’s closing is definitely a momentous occasion, and one way you can tell is that this noontime Saturday show is headed up by not one, not two, but THREE mostly-dormant hardcore bands that have returned to action for the first time in at least a year (OK yes, Cloak/Dagger played a few shows nine months ago. Point stands).

Dry Spell’s big period of activity is about a decade in the rearview now, and their midtempo rockin’-hardcore rage sounds fresher than ever when you revisit it in 2018, so this set bringing together members from up and down the East Coast to perform together once again should be a real blast. Mensroom disappeared from the Richmond musical landscape about three years ago now, so the new jacks may not remember them, but any young punks who love the psychedelic-sludge take on hardcore that Slump has been dishing out for the past couple years are definitely gonna want to catch their set (being billed as a “reunion/last show”), as these guys were doing that sort of thing before Slump ever got going. As for Cloak/Dagger, these rip-roaring maniacs have made some killer sounds by finding the line between garage-punk and hardcore and staking out a position just to the “hardcore” side of that line. Get ready for some raw rock n’ roll power when these guys take the stage. And be sure to set your alarm, because if you’re not there right at noon, you’re sure to miss some of the many excellent openers — and that would be a very bad move.

Sunday, December 9, 7 PM
Cloud Nothings, The Courtneys, Russ Waterhouse @ Strange Matter – $15 in advance/$18 day of show (order tickets HERE)
Cloud Nothings may not be coming to Richmond specifically to celebrate the life and legacy of Strange Matter, but that’s no reason to skip this show — it’s gonna be every bit as good as everything else that has become a part of the Strange Matter Closing Series. Cloud Nothings are an incredible band from Cleveland, who have built themselves quite a reputation by simply putting their heads down and continuing to crank out excellent no-frills tuneage that both rocks hard as hell and has the ability to stick firmly into your head all day.

Where a lot of other rock bands have fallen into the pattern of taking three years or more between records, Cloud Nothings have stayed prolific, releasing five full-length albums and one collaborative album with Wavves since 2011. Their two most recent albums, Life Without Sound and Last Burning Building, both came out within the last year and a half, and both bring us excellently written songs with fire and passion, landing somewhere between prime mid-period Replacements and the best work of legendary UK punk rockers Leatherface. If anything, Cloud Nothings just seem to get better as they go on, and that’s reason enough to catch them whenever they come through town. Rest assured, they’ll blow you away. Excellent support from Canada’s The Courtneys, who bring us their shambling indie-pop brilliance under the auspices of legendary New Zealand record label Flying Nun, only sweetens the pot — as does a solo set from Blues Control’s Russ Waterhouse to kick it all off. Get with this one.

Monday, December 10, 6 PM
Cult Leader, Primitive Weapons, God Mother, Asylum, Shark Eyes @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I read a novel from 30 years ago this past week, and at one point, a character referenced “heavy metal.” The term, once ubiquitous in my own musical vocabulary, struck me as archaic to an almost amusing extent. When I pondered why it felt that way these days, I realized that it’s mostly because, while we still use both words separately to talk about certain types of music, we pretty much never use them together. There’s metal music, there’s heavy music, but instead of combining to become “heavy metal,” they really seem like two completely separate genres today.

I bring all this up to point out that Cult Leader, who released their second album, A Patient Man, less than a month ago, are definitely on the “heavy” side of that divide. A Patient Man is a crushing listen, full of volcanic riffs that feel less like discrete breakdowns than a continual overpowering onslaught of low-end rumble and harsh, roaring noise. The fact that this quartet hails from Salt Lake City, Utah, makes their sheer brutality a bit more understandable — it’s got to be hard to grow up in such a repressive social environment. All that repressed tension’s gotta come out somewhere. The way it comes out might not be metal, exactly, but it’s certainly heavy. The same is definitely true of tourmates Primitive Weapons, who hail from Brooklyn, and God Mother, who come to us from Sweden. Apparently heaviness can emanate from anywhere. Let’s all go soak it up.

Tuesday, December 11, 6 PM
Strange Matter’s Final Hip Hop Show, feat. Black Liquid, Nickelus F, Mutant Academy, Moon, Michael Millions, Chance Fischer, Dr. Millionaire, Cole Hicks, Octavion X, PT Burnem, Young Flexico, Grayscale, Cakes, Reppa Ton, Fuggin Doe, Cha$e Royale, Goad Gatsby, Big Dev, Van Silke, 1NF1N1T8, Lovesick, Dogfuck, God Goldin, Frankenstein Reyes, Skinnyy Hendrixx, Skuzii, Chris Haskins, Rack Squaresoft; music by DJ Bandolero, DJ Banga, Hip Hop Henry @ Strange Matter – $10 (order tickets HERE)
All these Strange Matter closing shows have been jampacked with local talent, which means that when you’re going to a hardcore or metal show, you might see 10 or 12 bands instead of the usual four or five. But what happens when a hip hop show goes mega? After all, a regular hip hop show can easily feature 10 rappers, and Black Liquid’s long-running monthly Face Melt Friday nights at Strange Matter rarely featured less than 20. So what does a really epic hip hop show look like? Well, if this bill is any indication, it looks like at least 30 rappers and several different DJs holding down an entire evening full of awesomeness. And I think we’d all have to say that’s outstanding.

RVA’s hip hop world often looks like at least half a dozen parallel worlds, many of which don’t intersect frequently by any means. However, if there’s one thing Black Liquid has always tried to do with his Face Melt Fridays, it’s to bring the entire scene together under one roof, so everyone can appreciate each other’s talent. The same thing is true of this show, which pulls together everyone from local legend Nickelus F and hot up-and-coming talents Mutant Academy to local veterans like Dr. Millionaire and Chance Fischer and Face Melt Friday mainstays like Goad Gatsby. Plus, there’s a lot of lesser-known talent lurking around the lower reaches of this bill — bizarre names like Dogfuck and 1NF1N1T8 come with solid track records. And of course, with Black Liquid presiding over it all, the vibe is gonna be like the Face Melt Friday to end all Face Melt Fridays… regardless of the fact that it’s actually happening on a Tuesday. So hey, don’t sleep on this one. There won’t be another.

Bonus Hampton Roads Picks:

Friday, December 7, 7 PM
Boxford, Invaluable, Accident Prone, Scotty And the Steiners, Eric & Aviana, I Fight Vampires @ Charlie’s American Cafe – $5
I love pop-punk. I’ve never hidden that, never tried to play it down… I don’t feel the least bit guilty about it. It makes me smile and it rules and more people should try to understand its charms. But I’ll tell the truth — I’m very aware of how navel-gazing the whole genre can be, and how male-dominated… to the point where some otherwise-great bands are self-centered enough to take a downright douchey approach to some otherwise incredible hooks. It’s a bummer.

Thank god for bands like Virginia Beach’s Boxford, who actually seem to care about the world outside their own rooms. This show is a release party for their latest EP, Facade, a three-song collection that focuses on the sort of mental health struggles that too many pop-punk fans can relate to (yes, including me. No shame). And for their record release show, they’re doing more than just singing about it, turning the entire show into a collaborative fundraiser with the American Foundation for Suicide Prevention, who will be on hand to talk to attendees between bands about ways we can all lend a hand to the struggle within our communities for greater mental health. This is important stuff, and I don’t want to trivialize it by saying that it comes with a legitimately great soundtrack. But it must be mentioned that Boxford’s Facade is an excellent record, and openers like Invaluable and Accident Prone have quite a bit to offer as well. This will be a fun show with a very serious purpose. And that’s just about perfect.

Saturday, December 8, 6 PM
Blind Justice, Paper Trail, Red Vision, Watchdogs, Combust, Flatline, Semtex @ 37th And Zen – $12
An alert for Central Virginia’s hardcore kids: if you can find a fast enough ride, you can fill your entire Saturday this week with incredible hardcore sounds. Not only do we have an excellent slate of hardcore bands here in RVA with a noon kickoff time, the excellent Jersey-shore hardcore band Blind Justice will be headlining a killer bill featuring multiple Richmond bands at Norfolk’s 37th and Zen that night. Travel time between the two is just 90 minutes if you’ve got a lead foot… and if the tunnel doesn’t screw you over. It’s worth a shot, right?

This is especially true in light of Blind Justice’s latest LP, No Matter The Cost, which dropped this summer and knocked everyone out. The energetic approach this band takes to their music, and particularly vocalist Mike Botti’s ridiculously intense vocals, are a recipe for bowling you over in a live environment. These guys are sure to get the pit moving with a vengeance when they hit the stage at 37th and Zen. Richmond bands Red Vision and Watchdogs are also on the bill, and both bands are celebrating their brand new releases. Red Vision brings us their hard-as-hell new full-length, Stake Your Claim, while Watchdogs give us a dark, metallic new EP called Sanguinary. They both rule, and I’m sure these sets will be ones to watch. A whole bunch of other bands, including Virginia Beach mainstays Paper Trail, are on hand to sweeten the pot on this killer. Gas up your tank before the Strange Matter show, because you’re gonna want to catch this one too, and you’ll have no time to waste.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 31 – November 6

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FEATURED SHOW
Friday, November 2, 8 PM
Brian Wilson presents Pet Sounds: The Final Performances @ The Carpenter Theatre – $67-107 (order tickets HERE)
Richmond, we are in for a treat this Friday night — one that is both rare and unlikely to come again. I suppose there’s an outside chance you won’t recognize Brian Wilson’s name by itself like this, but you’re sure to know a great deal of his work as the bassist, vocalist, and chief creative mind behind the Beach Boys in their 60s heyday. Wilson wasn’t just an advocate for surf, sand, and killer falsetto harmonies, either; while songs like “I Get Around” and “Help Me Rhonda” are indisputable pop classics, it’s the material he created when he started growing up and getting more ambitious that has really made Brian Wilson a crucial figure in the last half-century of pop music.

The pinnacle of Wilson’s creative genius was Pet Sounds, a 1966 Beach Boys album that saw him skipping tours to stay home in the studio with legendary LA studio band The Wrecking Crew and create a towering masterpiece of symphonic pop. Wilson was known to refer to these elaborate creations as “teenage symphonies to God,” and that admittedly grandiose statement is fully borne out by the brilliant results he achieved. Pet Sounds featured several classic tunes that have been staples of the musical landscape ever since — “Wouldn’t It Be Nice,” “Sloop John B,” “God Only Knows,” and more — and went on to influence everyone from The Beatles to Animal Collective. Now, over 50 years after that classic album was released, Wilson is doing one last tour to commemorate Pet Sounds, after which he intends to retire the album from live performances.

Now, Brian Wilson is no spring chicken; he’s 76 years old, and actually had to reschedule this date from earlier this year due to health issues. Fortunately for us, after years of struggling with mental illness and being taken advantage of by unscrupulous managers, he’s been in top form for over a decade now, finally completing SMiLE, his long-abandoned follow-up to Pet Sounds, 15 years ago. He’s released two solo albums since then and, while not perfect, they are both far more enjoyable than what his cousin Mike Love did with the Beach Boys after Wilson left the group (“Kokomo,” anyone? Bleh). He’s accompanied on this tour by fellow original Beach Boy Al Jardine and early 70s Beach Boys bassist Blondie Chaplin, as well as a large complement of talented musicians who’ll reprise the fabulous work of The Wrecking Crew, all those years ago. God only knows, tickets are not cheap, but if you can wait a couple weeks to pay the power bill, you’ll get all the light you need to get you through the cold winter months ahead from this show. Highest possible recommendation.

Wednesday, October 31, 7 PM
Gallery 5’s Halloween Party, feat. Haircut, Unmaker, Alfred, Spooky Cool @ Gallery 5 – $5 in advance/$10 at the door (order tickets HERE)
We went through a solid week of Halloween-related shows last week, but the holiday still hasn’t finished yet, so let’s give it one more round before November begins with this wild night of underground sounds at Gallery 5. You’ll definitely find yourself in the perfect place to enjoy the spirit of the holiday, with spooky decorations everywhere, tons of glitter, and the always-enjoyable costume contest! So get dolled up, hit the Gallery, and get ready for the main attraction — which is, of course, the music. Gallery 5 has brought together several excellent musical acts from the local area with which to celebrate All Hallows Eve, spanning a wide variety of genres. And it’s gonna rule.

Haircut will bowl you over with a blast of angry, speedy punk, complete with bilingual lyrics and some relatable themes under all the vitriol. Unmaker have a goth-postpunk vibe that will appeal strongly to those who are bummed about Shadow Age going on hiatus, but will also connect with those who like the more metallic end of that whole thing (think Killing Joke). This show will constitute a release party for their new LP, Firmament, and where better for a goth band to have a release celebration than a Halloween party? The lineup’s rounded out by Alfred, a young rapper with a fresh approach to the weirder electronic end of that particular musical spectrum; and Spooky Cool, who recently made good on the promise of their years of local buzz with debut EP Every Thing Ever. No matter what flavor of the local scene you enjoy, you’re sure to get a taste of it here — and have an outstanding Halloween as well! Who can complain about that?

Thursday, November 1, 8 PM
The True Commonwealth, feat. Nickelus F, Michael Millions, Radio B, Cole Hicks, Sunny & Gabe @ Gallery 5 – $10
Nickelus F’s been one of the better rappers in this city — hell, this country — for over a decade now. Quite a few years over the past ten to fifteen have seemed like they were going to be his year, but somehow, it never seems to come to pass. 2018, though, seems like it might finally be the one. First he paired up with local punk rock label Vinyl Conflict for a vinyl release of his latest album, Stuck, which by the way is also a high-water mark in a career full of excellent releases. Then he got together with Richmond rap weirdo Lil Ugly Mane for a tour that took him across the country, playing to everyone from true-blue hip hop heads to moshpit-loving metalheads and punk maniacs. It feels like that whole punk rock-hip hop fusion that we all expected to happen after Rage Against The Machine and the Judgment Night soundtrack (instead we got Limp Bizkit. Ugh) is finally coming to pass.

So now, with this True Commonwealth show, Nickelus F stands at the top of a stacked bill featuring several of Richmond’s top hip hop talents. His compatriots in the AGM crew, Michael Millions and Radio B, have both demonstrated their styles and talents this year with new albums of their own — Hard To Be King and Jesus Never Wore A Suit, respectively. Taken in tandem with Stuck and Cole Hicks’s incredible coming-out party, May Day — also released in 2018, natch — the True Commonwealth showcase at Gallery 5 encompasses the top level of rap talent at work in RVA today. And that’s definitely something you’ll want to be part of, especially since the show will also feature a special guest performance from hot VA Beach duo Sunny and Gabe. They’ve got a 2018 album of their own, Peace Of Cake, and it shows off their wide-ranging sound just as they will do to get this party started tomorrow night. Don’t miss a moment.

Friday, November 2, 8 PM
Mothers, Mega Bog, Addy @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The indie kids should find a lot to enjoy at this show — but they aren’t the only ones. Mothers, who started in Athens, GA but moved to Philly last year, have a sound that definitely hints at the tension between beauty and darkness that marks the best music coming out of the indie scene these days. But they’ve got a good bit more going on, as they display on their sophomore album, Render Another Ugly Method, which just came out from Anti- Records. Its moments of languid torpor (“Beauty Routine”) hint at an uneasiness just under the surface, while the more energetic sounds found on the album (“Blame Kit”) function in lockstep, in a manner that almost sounds more like strained aural nervousness than painstakingly well-practiced tightness.

That is by no means a criticism, though — it’s this tone that suffuses throughout Mothers’ music that really makes them evocative, that brings the ideas the band is expressing through their somewhat abstract lyrics to solid, concrete life. Mothers will take you on an emotional journey, and if you’re not entirely comfortable with all the places you’ll go, you will at least be enjoying some excellent music on the trip. Mega Bog has a similar clearly-delineated wire-tight melodic indie-postpunk sound, but the emotional effect is very different, both brighter and deeper. Connect with both of these bands, and up-and-coming local opener Addy, and see where the night takes you. It’s sure to be an interesting trip.

Saturday, November 3, 8 PM
Abacus, Drones For Queens, Voarm, Hoboknife @ Strange Matter – $7 (order tickets HERE)
We’re heading rapidly toward the winter months, and now is the perfect time to get an increased dose of metal into your life. And rest assured, Strange Matter has the cure for what ails you, in the form of this tour package bringing together examples of brutal metal power from both sides of the Mason-Dixon Line. Abacus hail from the South — South Carolina, to be specific — and have a thick, dark sound full of harsh guitars and roaring vocals that pummel you just as hard as the punishment their rhythm section deals out.

Drones For Queens, who come from the northward locale of Philadelphia (always a hotbed for music and meanness), are just as ready to inflict some serious metal punishment as Abacus. They’ve got a slightly faster and cleaner approach, which just means it’ll take you longer to realize that their harsh vocals and thrashing guitars have slit your throat. Protect your neck — you’ll need it for headbanging. These two bands are on tour in support of their just released split EP, so make sure you attack the merch table with vigor in order to secure yourself a copy — this is one slab of rage you’ll want by your side throughout the winter months. Local mainstays Voarm and Hoboknife will open this show with a flagrant display of intense heavyosity. Get ready.

Sunday, November 4, 7 PM
Omni, Majjin Boo, Black Plastic @ Gallery 5– $8 in advance/$10 day of show (order tickets HERE)
Atlanta’s Omni are back at Gallery 5 once again, thanks as always to their pals at Citrus City Records, and all you indie kids who love to dance are going to want to make sure you’re there for it. Omni’s definitely got a little of that tuneful guitar jangle that we’ve all come to know and love from Citrus City’s many releases, but they bring in a solid dose of Southern-style postpunk as well, drawing inspiration from Georgia underground legends Pylon as well as Wire and The Feelies. I know I’m losing my younger readers with these comparisons, but an obvious modern reference would be Parquet Courts, mixed with the nervous dancefloor shuffle of the Talking Heads and that one Franz Ferdinand song everyone knows (and a lot of their other songs too).

Majjin Boo is a well-paired local to act as support on this bill; they’ve definitely got that same sort of wire-tight guitar bit that permeates Omni’s music, though Majjin Boo seems to derive it far more from the lighter, twinklier take on math-rock that several local bands have done an excellent job with in the past. Are they the next Fight Cloud? We can only hope. Finally, we need to mention the fact that openers Black Plastic suffered a pretty devastating setback recently, in the form of a house fire that destroyed most of their equipment and left members in need of a lot of financial support to get back on their feet. Whether or not you can make it to this show, they’d certainly appreciate whatever you’re able to throw their way via GoFundMe. But they’re gonna appreciate y’all showing up on time and giving them a warm reception just as much — and believe me, their brand of catchy, twangy power-pop certainly merits exactly that. So please, show up on time and give them some love.

Monday, November 5, 7 PM
Yashira, Gillian Carter, Infant Island, In Wolves Clothing @ Strange Matter – $10 (order tickets HERE)
Oh hell yeah. Yashira coming to town is a very good thing, regardless of whether it’s happening on a Monday night. Look, I know you’ll be tired from the weekend, and you’re still coming down from your Halloween hangover or whatever, but I don’t care. You need to go see this band. Yashira are an incredibly heavy band who are incorporating the epic heaviness of bands like Neurosis and early Mastodon with the kind of epic grind-crust madness of Tragedy and His Hero Is Gone. Their latest LP, Shrine, is an excellent example of this sort of thing that gets through its six songs just quickly enough to leave you wanting more.

Of course, now they’ve followed it up with a split EP with none other than metalcore legends Zao, and they’ll be laying waste to Strange Matter this Monday night. What more could you want? It would be so cliched for me to say “you could want the other three excellent bands on this bill,” but when the bands are indeed this amazing, how can I avoid it? Florida’s Gillian Carter are a band with a lengthy history of excellence in the field of metallic screamo, or something like that (even to this day, I can’t type the term “screamo” without cringing). Their new LP, …This Earth Shaped Tomb, is full of the simultaneously heavy and passionately emotional riffage that has become this group’s stock in trade, and proves that regardless of how silly they act on stage, there is real, powerful music at the heart of their existence. VA openers Infant Island and In Wolves Clothing exemplify the next wave of Virginia screamo (ack) and do so in outstanding fashion, so be sure you catch every second of this one.

Tuesday, November 6, 7:30 PM
Scott Bradlee‘s Postmodern Jukebox @ The National – $25.50 in advance/$28 day of show (order tickets HERE)
OK, let’s get this out there from the start — Scott Bradlee’s Postmodern Jukebox is hipster bait of the highest order. Covers of already-proven hits, redone to sound like different genres? Suburban goofballs have been gaga for this ever since the first time they heard the phrase “dynamite hack.” That said, I really can’t deny the talent at work here — nor the fact that jazz, unlike a lot of modern popular-music styles, was throughout its history far less about original composition than it was about putting your own stamp on tunes that might be your own… but might be well-loved standards that everyone knows. After all, it was this tradition that brought us John Coltrane’s take on “My Favorite Things,” and I certainly can’t hate on that.

So should you go see Scott Bradlee’s Postmodern Jukebox on Tuesday night at the National? Well, probably not if you hate jazz and swing — but if you see merit in these classic American music forms, and would like to see one very talented pianist and quite a few of his equally talented friends update those styles for the 21st century by applying them to songs from Michael Jackson’s “Thriller” and Toto’s “Africa” to Katy Perry’s “Roar” and Miley Cyrus’s “We Can’t Stop,” well, this is the place for you. Feel free to wear your best three-piece suit or cocktail dress and dance it up on the floor. But on the other hand, if it’s a little too soon after Halloween for all that, you’re welcome to just come as you are. Even if you hate hipsters, you’re sure to enjoy yourself.

Bonus Hampton Roads Picks:

Thursday, November 1, 7 PM
Mortuary, Battlemaster, Vorator, Rotten, Hiss @ RiffHouse Pub – $10 in advance/$15 at the door (order tickets HERE)
You guys — Mortuary is coming! The true headbangers among you are already stoked, but for the rest of you who need an explanation, let’s discuss the power and brutality dished out by Mexico’s pioneering group, who made their name by bringing death metal to the masses from their support slots on some huge Slayer tours in the late 80s. Their 1990 album Blackened Images is a cult classic today, its primitive and overpowering sound serving to light a fire under all the incredible riffs that come flooding out of every song, backed by incredible drumming and some seriously unhinged vocal roars and screams.

Mortuary were doing their thing before the deep growl became de rigeur in death metal, and the raging howls of their vocalist add a lot to their already blazing sound, connecting the group with its thrash influences and pointing the way forward into the more extreme genres that rule the metal scene today. Some excellent VA-area bands will be demonstrating those sounds from their support slots on this bill, from local legends like Battlemaster and Vorator to up-and-comers like Rotten and Hiss. All of it’s gonna be outstanding, and if you can afford to show up late with a headache to work on Friday morning, the drive down to Chesapeake’s RiffHouse Pub is more than worth it for this opportunity. Make it happen, metalheads.

Friday, November 2, 9 PM
Bantustans, A Deer A Horse, From Overseas @ Taphouse Grill – $5
If you like your underground rock bands both heavy and progressive, you need to be paying attention to what’s going on at the Taphouse Grill in Norfolk this Friday night. Bantustans, a Norfolk-based dual-drummer quartet who don’t have time to mess with vocals, are all set to lay down some heavy instrumental grooves that’ll keep your head nodding and your brain engaged regardless of the lack of lyrics. The complex rhythm patterns laid down by the group’s two drummers are both consistently in step with each other and allow for far more variation and creativity than is typically the province of the percussion. Not to be outdone, guitarist Aaron Evans’s tangled melodies and intricate song construction use a single guitar to add multiple layers of intrigue to this group’s unusual, hypnotic sound palette. They’ll be bringing some new material to this one, too, so it’s sure to delight even the most ardent of fans.

Bantustans are joined on this bill by New York heavy rockers A Deer A Horse, who certainly present just as enticing a musical buffet for the interested showgoer as the hometown headliners do. Having been around for close to a decade now, A Deer A Horse still haven’t given us a full-length yet, but they’re hard at work on one, and if the advance single they released only a couple of weeks ago is any indication, this record is sure to fulfill the promise of this group’s many EPs, showering us with the kind of darkly powerful rock n’ roll that has been the province of NYC since the days of Unsane, Surgery, and Live Skull. Singer/bassist Angela Philips’s name totally deserves to be mentioned in the same breath as Thalia Zedek’s, and if you’re tuned in, you know that’s high praise indeed. Norfolk openers From Overseas explore some ambient drone guitar experimentation, beginning this show with some strong atmospherics. It’ll only get more intense from there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

The Mesmeric Lyricism of Rapper Cole Hicks

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Where Richmond rappers are concerned, Cole Hicks is in a league of her own. She established herself as an artist before she even set foot in high school, and she’s been proving her worth ever since.

Hicks’ first introduction to rapping started when she would listen to her cousins dropping cyphers (a form of freestyle rapping) at her grandmother’s house. After listening to her relatives, Hicks would go home to rewrite her cousins’ lines with her own lyrics. No one knew she had an interest in rapping, but Hicks’ hidden talent would soon be revealed when her mom caught her rapping one day in her room while she was grounded.

Bedroom raps molded into radio, when Hicks called into local hip hop/R&B station 106.5 The Beat to show off her skills. People could call in to The Beat and participate in on-air cypher battles — and Hicks was ready to take someone on. When she called in, host Zxulu was taken aback.

Cole Hicks, In the Studio

“He said I sounded like a little kid, and I was like, ‘Well, I am a kid, but I can rap.’ Then he was like, ‘This ain’t no kids thing,’ and he hung up,” Hicks said. “I called back, and as soon as he answered I started rapping. He was like, ‘Hold up, who is this?’”

Hicks cites Jay-Z as her source of inspiration, and used the NYC rapper’s lyrics as study material.

The first time Hicks performed in front of an audience was at Richmond’s former club, Mansion 534, which was originally called The Boss. Not even old enough to be allowed in the club legally, she opened for Lil Wayne, one of the biggest rappers in the 2000s, who was dropping songs like “Lollipop” and “A Milli.”

Barely 15 years old, Hicks developed connections with affiliates of Roc-A-Fella Records at the time, like Philly rapper Freeway and late Wu-Tang Clan member Ol’ Dirty Bastard. Even though she never signed with Roc-A-Fella, the opportunity to rap alongside prolific artists at such a young age put Hicks several leagues ahead of many rappers above her age.

From there, it was only a matter of time before people caught on to Hicks and her impeccable talent. Now 30 years old, Hicks released her debut album, entitled May Day, this year on May first — her birthday. It’s been a long time coming. 

“May Day” Album Cover

“I always had this thing where I would start projects but never complete them,” Hicks said. “I wanted this to be a thing where… it’s another year around the sun and I’m actually doing something that I said I was gonna do and completing it.”

Having taken a short hiatus from rapping, Hicks jumped back in the studio with some of Richmond’s finest, including Michael Millions and Joey Gallo.

May Day was originally just a mixtape. “[The album] became even more special because it wasn’t even intended to become a full album. The way I had created it, it was just going to be a mixtape to gift myself and gift people… to remind people that I still got bars,” Hicks joked. “Being able to collaborate with all these different artists and create a project out of the love for rap, it’s just an amazing thing.”

The 12-track album invites us into Hicks’ world as she delivers dope metaphors song after song, rapping about her life experiences. Being from Southside in Richmond plays an important part in Hicks’ music.

“It was just like this haven,” Hicks said of the neighborhood. “It was full of hate, but full of love — we all stuck together, it was just like a big family.”

As I sat down with Hicks in her home music studio, I asked her what sets her apart from other rappers in Richmond.

“I don’t know if that’s a question I can answer, that might be a question for the audience,” Hicks said. “But I can tell you that, the type of rapper that I am, I’m a true lyricist. I don’t like to make words rhyme just to make them rhyme. I take my time on different songs, different themes and different rhyme schemes. I challenge myself to become a better lyricist, as opposed to just making a song for the club.” 

Hicks’ mesmeric lyricism captures your attention the moment she grabs a mic, letting you know all eyes should be on her. 

But despite how far successful women like Hicks can go, there’s always a guy out there to remind them “you’re good, for a girl” — as if women can’t stand alone in their endeavors without being validated by men. Hicks proves herself as the best, regardless of gender, every time she hits the stage. 

“If I’m kicking ass on these instrumentals like your favorite rappers are, then naw, I’m the best rapper! I have to carry myself like I’m the best rapper — I don’t like to brag or boast about my lyricism, I just like to show it off,” Hicks laughed. “I challenge myself every time I put a pen to a piece of paper… I put it in my mind that people are already going to say that. We have to aim to be better than who they think the better man is.” 

The Mighty Cole Hicks

Hicks has some music projects in the works, and has also been collaborating with other RVA rappers on a podcast called The Late Bloomer Podcast, which you can listen to on SoundCloud. It may be some time before we get another album, but when it comes, people should be prepared for another album full of intoxicating songs to fall in love with. 

Folks, keep your eyes on Richmond’s rap scene, because it isn’t slowing down anytime soon. 

“We’re at a beautiful space right now, and I can’t wait to see how much more we’ll grow within a short period of time. We need to stick together with this music stuff. More collaborations and less allegations,” Hicks says, throwing in a bar to show that, even when she’s offstage and out of the studio, her flow never stops. 

You can stream May Day on Soundcloud or Spotify. Follow Hicks on Instagram @iam_nicolehicks to keep up with her latest ventures. 

 

Music Sponsored By Graduate Richmond

There was Thunder, There was Lightning, There was Cole Hicks

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Last night there was rain, thunder, lightning, and then there was Cole Hicks. Sometimes a great night will have a sense of destiny, some purpose that shakes us from the mediocrity of our everyday lives – last night’s musical showcase at The Camel felt like that. With Richmond squads like the Association of Great Minds ripping up the East Coast, Hicks, who headlined the show to premiere her debut album, “May Day,” has landed at just the right time as Richmond’s rap and hip-hop scene continues along a path of national prestige.

But that’s not where the night started.

The night opened with local jazz and soul singer Kenneka Cook who’s ingenuity on stage is as compelling as it is dreamlike, creating musical atmospheres that become a livable presence for everyone in the room. While a force in her own right, Cook brought the crowd together; her beats and lyrics taking us on a perceptive journey into a soundscape that envelops the watcher.

Kenneka Cook

In between sets, Richmond great Illa Styles took the stage with singer Franciose Hamilton. Shrouded in a purple haze, they brought an energy to the building and primed the crowd for Cole Hicks.

Illa Styles and Franciose Hamilton

Hicks’ lyrics hit the heart and formed a groove right into the soul. At one point, Hicks told the audience “be true to yourselves.” While an old maxim, nothing can be more apparent in 2018 and hearing it from the stage sounded like poetry. Hicks brought a feeling of genuine authenticity from the crowd, putting her entire self into the work. Her music creating a vibe that is inclusionary, prescient, her beats dropping like the thunder outside. There was an energy from the stage, it was electric. When she was joined by Joey Gallo that same energy only increased, becoming a kinetic force of rhyme and reason. Towards the end of the set, Kai’la, joined Hicks on stage to close out the night by claiming verses that were raw and relevant, a testament to where this movement is going. 

Afterward, RVA Mag spoke with Illa Styles who said, “The Richmond rap and hip-hop scene has spent years and years maturing, coming into its own. It offers an experience real, genuine, and true. That is what makes this present time, here in Richmond, special.”

 He is not wrong. Richmond is what’s happening. 

Some of the best photos of the night can be found below:

Etherial Kenneka Cook
The Mighty Cole Hicks
Joey Gallo
Cole Hicks and Kai’la
Drip. Drip. Drip.
Kai’la, Closing out the Night with Cole Hicks
Bringing the Fire to Richmond. Levels.

*Jack Clark and Landon Shroder contributed to this report. All photos by Landon Shroder

 

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 29 – September 4

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FEATURED SHOW
Friday, August 31, 8 PM
Inter Arma, Valkyrie, Genocide Pact, Paint Store @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
The summer is drawing to a close. The fall semester is starting, Labor Day is upon us, and the constant stream of awesome shows that makes summertime one of the most fertile periods of live music all year is starting to wind down. Never fear, though — Strange Matter always has you covered, and this Friday night they’re joining up with beloved Richmond metal veterans Inter Arma to bring you a night of outstandingly heavy sounds that’ll keep your weekend feeling as filled with rock as any weekend you’ve had this summer.

It’s been a couple of years since Inter Arma laid their last full-length slab of epic, ultra-powerful metal rage on us in the form of 2016’s Paradise Gallows. However, the word is that they’ve got another one in the can, so you can expect some fresh new jams from this creative quintet to level your mind once more. And considering their tendency to write veritable symphonies of metal riffing, even one new song will probably have enough going on to bring you at least a dozen killer new parts to get stuck in your head all weekend.

The rest of this bill is made up of friends and labelmates that Inter Arma is particularly delighted to bring to their fans. Foremost among those is Valkyrie, who may be better known for guitarist Pete Adams’ decade-long tenure in Baroness, but have distinguished themselves as a brilliant provider of heavy stoner-doom grooves for over 15 years now, most recently with their 2015 LP Shadows. Now that Pete is no longer performing with Baroness, it seems likely that this revitalized crew will be bringing us some previously-unheard awesomeness of their own, so get stoked! DC’s Genocide Pact are also on the scene with some dark and grimy biker-thrash sounds, as documented on their recent LP, Order Of Torment. And of course, RVA instrumental math-rockin’ trio Paint Store will kick it all off with some unpredictable but excellent tunes. Take heart, Richmond — your weekend’s still gonna start off right!

Wednesday, August 29, 7 PM
Slaughter Beach Dog, Thin Lips, Sammi Lanzetta @ Strange Matter – $13 in advance/$15 day of show (order tickets HERE)
It’s been a while since Modern Baseball went by the way side, and since the release of the second album by former Modern Baseball singer-guitarist Jake Ewald’s new band, Slaughter Beach, Dog, it’s started to seem like Ewald’s found a voice of his own, separate from the emotional pop-punk of his previous band. That’s not to say that Slaughter Beach, Dog isn’t emotional — even with a goofy name like that, there’s a very sincere feeling behind the songs on 2017’s Birdie that make clear that this band is no joke. What started as an outlet for a bit of a different approach than that of Ewald’s old band has become a fully independent project — and an excellent one at that.

Slaughter Beach, Dog’s most recent album finds the group exploring a variety of sounds, from softly-spoken acoustic folk to melodic, emotional indie sounds, even veering occasionally into country territory. Fans of everything from The Weakerthans to Hop Along to Sun Kil Moon will find something to enjoy from Slaughter Beach, Dog’s live incarnation, which is quite sure-footed considering the solitary origins of the group. Fellow Philadelphians Thin Lips will accompany the Slaughter Beachers down to RVA and bring us some pretty amazing pop sounds of their own, though Thin Lips certainly have a more overt wit, as well as a harsher edge to their catchy riffs. They show this off in noteworthy fashion on new LP Chosen Family, and the highlights from that album are sure to pick up some new RVA fans when they’re aired out onstage at Strange Matter tonight. Local phenomenon Sammi Lanzetta kicks off the show with some unmissable tunes that RVA music lovers should already be quite familar with — and if you’re not, what are you waiting for?

Thursday, August 30, 8 PM
Cole Hicks, Joey Gallo, Kenneka Cook @ The Camel – $10 (order tickets HERE)
RVA hip hop is only getting deeper and stronger as the years go on, and I don’t know who could possibly have a problem with it. For those of us who recognize how wonderful a development this is, the place to be this Thursday night is The Camel, where this city’s newest star of the hip hop community is having a party to celebrate the excellence of her brand new album, May Day. That’s right, I’m talking about Cole Hicks, a tenacious wordsmith with sharp, incisive lyrics and an unrelenting flow. The majority of her new album is produced by NameBrand of Nickelus F and Radio B’s crew, AGM, and it’s full of smooth soul samples that add a moody, elegaic undertone to Hicks’ powerful rhymes.

She’ll take this entire sound to the next level once she hits the stage at The Camel tomorrow night, where she’ll present her May Day album to the world with a full live performance. It’s been out for a few months now, so you’ve had plenty of time to get on her wavelength, but if you still haven’t caught on, your attendance tomorrow night is required. Joey Gallo will also be on the scene, presenting his own excellent multilayered sound and outstanding lyrics — as heard on his powerful 2016 release, The Gallory. And of course, a set from Kenneka Cook will change up the sound and bring a dose of soulful experimentation and incredible vocalizing to the evening. There’s a lot to look forward to from this one — you really don’t want to miss it.

Friday, August 31, 6 PM
Holly Golightly & The Brokeoffs, Big NO, The Shangri-Lords @ Hardywood – Free!
Holly Golightly — for truly, she is none other — comes to RVA this Friday night, and anyone who loves garage rock, rootsy country, and old-school punk rock should certainly be stoked. Now, I know what some of you are thinking: “Holly Golightly, wasn’t that the name of Audrey Hepburn’s character in Breakfast At Tiffany’s?” Well, yes, you’re correct, but it’s also the name of a singer (whose mom was apparently a Hepburn fan) who has been making excellent music in a variety of guises since the late 80s. She first came to fame as the frontwoman of UK garage-punkers Thee Headcoatees, an all-female spinoff from wildman Billy Childish’s Thee Headcoats. But she’s done a lot since Thee Headcoats disbanded, too.

In addition to over a dozen solo albums, she’s appeared everywhere from the soundtrack to Jim Jarmusch’s Broken Flowers to a memorable guest spot on the excellent White Stripes album Elephant (that’s her giving Jack’s horse a carrot so it’ll break his foot). For the past decade or so, she and her partner, Lawyer Dave, have had a project called Holly Golightly and the Brokeoffs, and it’s this project that’s coming to Hardywood Friday night. They’re sure to bring us some tunes from their brand new album, Clippety Clop, which features a collection of cover tunes about horses, originally performed by everyone from Jimmie Rodgers and Johnny Cash to Red Red Meat. And considering Golightly’s excellent voice and talent with a variety of musical genres, whatever else they want to bring to the stage is just as certain to be a delight. With local excellence in the form of Big No and the Shangri-Lords kicking this one off, and a truly delightful pricetag, you have no excuse to miss this one.

Saturday, September 1, 8 PM
North By North, Caterpillar Trap, Solace Sovay, Mister Moody @ Gallery 5 – $6
This one’s gonna be fun. Thumping, rollicking rock n’ roll trio North By North are coming to town, bringing their inexhaustible propensity for touring the world to Richmond, VA. This Chicago group eschews bass in favor of organ, in a manner that gives them a heavy, almost surf-like undertone and an energy that’s sure to get you dancing. 2016’s Last Days Of Magic also shows off a variety of unconventional instruments that give the group an additional layer in the studio, but the songs themselves are sure to stand on their own in the live environment, and ensure that you can’t stand still on the dance floor.

North By North will be joined by a variety of local RVA bands when they hit town, Caterpillar Trap being the foremost among these. Their funk-infused prog-rock sounds are sure to delight those of you who like their rock n’ roll to be a fun blast of high energy. Indie trio Solace Sovay have a bit of a different feel going on, venturing into the sort of post-shoegaze territory of Silversun Pickups, early Smashing Pumpkins, and even Band Of Horses on their underrated new album, It Doesn’t Matter What It Is, Just What It Seems. These guys are the best reason for you to show up early to this one. But of course, you’ll also want to catch Mister Moody, a new crew of rockers who haven’t revealed much about their sound as yet — but are certainly intriguing.

Sunday, September 2, 8 PM
Toke, Sinister Haze, Book Of Wyrms @ Strange Matter – $10 (order tickets HERE)
OK, y’all, get ready for some SERIOUS doom. Toke hails from NC, and you know any band that names themselves after the act of taking a drag from a joint is gonna have some top-level slow-n-heavy shit for you. Toke completely live up to their name on 2017 EP (Orange), dropping half a dozen bangers of pure thousand-ton groove on ya, complete with some excellent high, harsh vocals. If you always wished Grief were a little less depressed, or that Fu Manchu would quit pussyfooting around and get seriously heavy, you’re gonna get a big kick out of this Carolina trio.

They’re joined on this bill by a double-shot of local doom power to make you even gladder that you came out, too. For one thing, we’ll be graced by a rare appearance of Sinister Haze, who’ve gone through a significant metamorphosis over the years in which they’ve been active, most recently materializing as a spacefaring psychedelic metal quartet — complete with spooky synths from soundman extraordinaire/former Lost Tribe member JK — on their 2017 EP, Emperor Of Dreams. Book Of Wyrms have a psych tinge of their own, as displayed on 2017’s Sci-Fi/Fantasy, but end up splitting the difference between Sinister Haze’s space voyaging and Toke’s earthy rumble with ethereal vocals and Hawkwind-ish space sounds finding a home over some pulverizing proto-metal riffage. You’ll have a headbanging good time at this one, folks, so don’t miss it.

Monday, September 3, 8 PM
Ohmme, Renata Zieguer, Tinnarose @ Strange Matter – $10 (order tickets HERE)
I will freely admit that this Chicago duo’s name through me for a loop, at least until I found out it was originally spelled “Homme,” but was changed either to avoid confusion with a K-pop group or to appease the fans of that Queens Of The Stone Age guy (only their lawyer knows for sure). They’re doing some pretty interesting stuff on their brand new album, Parts, stuff that shows both a facility for pop songcraft and a love for experimentation with all sorts of unusual sounds. Apparently they’re both classically trained pianists, but these days they’ve left keyboards behind for the most part, in order to do weird stuff with guitars and sing in perfect harmony.

Ohmme’s got a lot of fascinating sounds and catchy tunes to bring to the ears of discriminating indie-pop fans, and the same folks are sure to enjoy New York’s Renata Zeiguer, who’ll be joining Ohmme on their trip to Strange Matter. Zeiguer’s debut LP, Old Ghost, encapsulates a variety of genres, moving through new wave, rock n’ roll, pop, country, and influences from older sounds like swing and gospel in a nimble fashion that I can imagine appealing both to fans of Haim and to those who love Natalie Prass. With recent RVA transplants Tinnarose, a folk-psych project with an enchanting aura, opening up, this show is sure to be a treasure trove of musical delights.

Tuesday, September 4, 8 PM
Shadow Age, Serqet, Pain In The Yeahs, Widow Rings @ Strange Matter – $8
New York group Wax Idols were scheduled to headline this show, but instead they cancelled their tour and broke up. That’s a real bummer, but we can’t let it get us down for too long, especially since this evening still has so much excellent music to offer us. Shadow Age, for one, who’ve brought us a couple of excellent EPs over the past few years and will be celebrating the release of their self-titled debut full-length at this show.

From the three songs that have been revealed on the internet thus far, it sounds like it’s going to be a great one, carrying on the group’s synth-infused, guitar-driven gothic postpunk sound with even stronger melodies than they offered before. Fans of the band are sure to be stoked. And with a packed lineup of VA-based excellence, from the gloomy, profound postpunk of RVA’s Serqet to the morose electro-goth sounds of Tidewater group Pain In The Yeahs to lachrymose Fredericksburg darkwave project Widow Rings, there’s plenty more for those able to get on Shadow Age’s wavelength to enjoy… or at least appreciate.

Bonus Hampton Roads Picks:

Friday, August 31, 9 PM
The Muslims, The Cazz, The Breach @ Taphouse Grill – $5
When I saw the band name “The Muslims,” I wasn’t sure what to expect. Was this just another group of suburban white kids attempting to provoke? Thankfully, no — it’s just the opposite. The Muslims are a trio of musicians of color, taking a confrontational approach to calling out all of the racist and discriminatory politics that are running wild in today’s climate of right-wing ascendancy. Their snotty, ramshackle punk sound and wittily confrontational lyrics, displayed on their self-titled full-length debut in songs like “Jihadageddon,” “Muslims At the Mall,” and “One Black Friend,” is exactly the sort of fearless, irreverent musical activism we need in this world right now.

The Muslims have had videos removed by YouTube and status updates censored by Facebook, but IRL, this Durham group can’t be stopped, so head out to Norfolk’s Taphouse Grill this Friday night and get your mind blown by this brilliant musical finger in the face of everything that sucks about 2018. They’ll be joined by Norfolk locals The Cazz, an old-school punk trio with some jangly tendencies and snarky lyrics. Opening up will be The Breach, who hail from Virginia Beach and clearly love early 80s hardcore and playing really fast. This one’s gonna be a lot of fun.

Tuesday, September 4, 7 PM
Dead Boys, Ghost Wolves, The Nerve Scheme, Norfolk Nightmares @ Shaka’s – $15 (order tickets HERE)
It’s been over 40 years since the Dead Boys released their groundbreaking debut album, Young Loud And Snotty, and if you’re thinking, “Wait, aren’t they all, you know… dead?” You’ve got another think coming. It is indeed true that original vocalist Stiv Bators passed away in the early 90s, but original members Cheetah Chrome and Johnny Blitz have, believe it or not, recruited a couple of members of a Dead Boys tribute act called The Undead Boys and hit the road once again in celebration of a brand new, rerecorded version of their legendary debut.

Still Snotty: Young Loud And Snotty At 40 shows singer Jake Haut (the punk rock Ripper Owens) doing a great job of recreating Stiv’s snarky rage on classic tunes like “Sonic Reducer” and “Ain’t Nothin’ to Do.” And he and the other still-living Dead Boys are sure to tear things up at Shaka’s on Tuesday when they bring you all the hits, as speedy, as energetic, and yes, as snotty as ever. Raw, roots rockin’ duo the Ghost Wolves will also be on this bill, laying down some primitive noise sure to bring a smile to the face of anyone who enjoys The Cramps. Tidewater locals The Nerve Scheme and Norfolk Nightmares will kick the night off and ensure that this one is a blast from the word go. Be there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

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