RVA Mag

Richmond, VA Culture & Politics Since 2005

Menu

VA Shows You Must See This Week: December 26 – December 31

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, December 28, 10 PM
The Return of Sp***** Ed and the Sh****** @ Cary Street Cafe – $10
This week’s show column is entirely focused on that weird end-of-year week between Christmas and New Year’s Day — that week we all are so sure will be a total loss that plenty of businesses shut down entirely until the new year rolls around. We’re still here, though, and while this whole week might feel like a goofy, lackadaisical lead-up to the big New Year’s Eve throwdown, make no mistake, there are some interesting things afoot around town.

One of the most interesting is this reunion show taking place at Cary Street Cafe on Saturday night. And it’s a great example of the way that, every once in a while, something from the recent past will spring to mind in a manner that reminds you how long ago the past actually was. This reunion of a local bluegrass band that was a Richmond music staple less than a decade ago is just such a reminder, in that they were both a really fun band that drew a following with a very original approach to what can be an extremely conservative music form… and a band whose efforts to be goofy led them to an extremely insensitive and inappropriate name.

In fact, the band once known as Special Ed And The Shortbus not only changed their name in 2012 to The Hot Seats, they are using stars to disguise that name in all promotion for this show that will reunite one of the band’s earliest and goofiest lineups to recreate their early-00s days as Cary Street Cafe’s Wednesday night house band. Their name has certainly not aged well, but their music and antics are still as entertaining and fun as they always were, so if you miss the days of their onstage hijinks even as you recognize that their name is culturally unacceptable in these modern times, you should definitely head down to Cary Street Cafe this Saturday night and catch the one-time return of Sp***** Ed and the Sh******… minus 11 letters.

Thursday, December 26, 7:30 PM
The Hip Hop Nutcracker, feat. Kurtis Blow @ Altria Theater – $37 – 67 (order tickets HERE)
People sing that old song without understanding its meaning all the time, but Christmas is technically a 12 day celebration that doesn’t end until nearly a week into January. Therefore, the fact that the Hip Hop Nutcracker won’t reach the Altria Theatre until tonight isn’t inappropriate at all. Tonight, there’s no reason for you not to shake off the food coma from yesterday’s dinner and celebrate the second day of Christmas with two turtle doves and a whole lot of great hip hop dancing set to Tchaikovsky’s classic Nutcracker Suite.

For the real old-school heads, there’s a bigtime bonus to this show as well — Kurtis Blow will be in the house. Blow is so old school, he released one of the first rap records ever; what’s more, it was a Christmas single, so Blow’s connection to this holiday has lasted his entire career. Before the official Nutcracker kicks off, Blow will begin the evening with a short solo set, and if, like me, you’re old enough to remember the days when “Basketball” and “The Breaks” were jams that always got the party started right, you’ll definitely want to be here and see Kurtis Blow strut his stuff.

Friday, December 27, 8 PM
Seraph, Spiral Fracture, Alcindor @ Wonderland – $10
It’s been five years since Richmond deathcore warriors Seraph released their mini-album, Embrace Your Demise, and they’ve been through a hell of a lot since then. At one point, a member’s overseas military deployment led to a lengthy hiatus; at another point, a member passed away unexpectedly. Most recently, one of their founding members has battled cancer; this Wonderland performance marks the first time he’s been healthy enough to play a show in nearly a year.

However, you have to admire any band with the tenacity to endure through all the tough times that have come Seraph’s way and keep going strong. Not only are they returning to action in the live arena once again, they’ve been working on new music that will eventually take the form of a long-awaited followup to Embrace Your Demise. If you love punishing, brutal death/metal/core, it’s hard not to be stoked about that. Celebrate Seraph’s return to action this Friday night at Wonderland, and enjoy two other Virginia heavy hitters — Spiral Fracture and Alcindor — in the bargain. Nothing about this will not rule.

Saturday, December 28, 9 PM
The Trongone Band, The Vegabonds, Lord Nelson @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
As we have previously discussed, the holidays are prime time for jam bands. Their music has a spiritual kinship with those laid-back evenings we all associate with holiday times, when there’s no specific agenday, punctuality isn’t a factor, and the main things people are interested in are relaxing, having fun, and seeing where the night takes them. What musical ensemble could be more apropos to take us on that sort of journey than a jam band?

Where the loose arrangement of prog, folk, and Southern rock that makes up the jam-band universe is concerned, Richmond’s own Trongone Band and their compatriots for this evening, Tennessee’s Vegabonds, are concerned, they’re significantly closer to the Southern-rock axis. And there’s nothing wrong with that — the Trongone Band’s soulful, Muscle Shoals-influenced take on prime Allman/My Morning Jacket sounds is a whole lot of fun, and the Vegabonds’ slightly tougher Drive-By Truckers-ish approach is certainly welcome anytime. If you need a fun way to spend your post-Christmas/pre-New Years weekend, these two bands have just what you’re looking for.

Sunday, December 29, 9 PM
Plaque Marks, Prayer Group, Copperhead @ Wonderland – $10
The holidays don’t usually see a lot of touring bands coming through, but that just makes the few who buck the trend and hit the road all the more welcome. Philadelphia’s Plaque Marks is battling the post-Christmas traffic full of tired families on the way back from Grandma’s house this weekend to bring Richmond a heaping helping of noise for dinner, and it’s sure to be a treat.

So far, this quartet featuring members of Fight Amp, Creepoid, and others has only brought us one EP, 2017’s Anxiety Driven Nervous Worship. That EP’s sludgy, abrasive mix of anti-social punk and Jesus Lizard-style noise-rock is, however, enough reason on its own to head to Wonderland and catch these freaks. And by now, there’s no way they don’t have a few new songs with which to spice things up as well. Local metallic faves Prayer Group and newcomers Faucet, who feature members of Fat Spirit, Gumming, Among The Rocks And Roots, and more, will give us a full evening worthy of the beautiful punishment Plaque Marks dishes out.

Monday, December 30, 7 PM
Tauk, Jouwala Collective @ The Broadberry – $15 in advance/$18 at the door (order tickets HERE)
New Year’s Eve is the very next night, but that’s no excuse to spend your Monday evening holed up at home, bored out of your skull. And that’s doubly true in light of the fact that Tauk is coming to town. This New York-based instrumental combo has some excellent sounds to deliver to this city, sounds that are sure to expand our minds and get us thinking way outside the box — regardless of whether that box has a bow on top.

On last year’s Shapeshifter II: Outbreak, Tauk mingled guitars with synths and danceable beats to create a genre hybrid with appeal for post-rock nerds, jazz cats, and funk heads alike. The album was spawned by the group’s thoughts on the rise of artificial intelligence, but rest assured, no computer could come up with the riffs Tauk lays down. Get a glimpse for yourself, up close and personal at the Broadberry, and prepare for your New Year’s Eve with a thought-provoking night spent somewhere other than your couch.

Tuesday, December 31, 7:30 PM
NYE 1979, feat. Tinnarose as Blondie, High Voltage as AC/DC, Sleepwalkers as The Rolling Stones, Loud Night as Motorhead, Deli Kings as The Ramones, Prabir as Elvis Costello @ Fuzzy Cactus – $30 in advance/$40 day of show (order tickets HERE)
As we’ve discussed many times, punk rockers and metalheads often see holidays as an excuse to bust out some tribute bands. This celebration at Fuzzy Cactus is the first time I’ve seen this Halloween tradition extended to New Year’s Eve, though, so congrats to Fuzzy Cactus for breaking new ground in the punk-holiday-tribute game.

What’s even better about this show is that it has a unifying concept for its evening of tributes, bringing us an evening full of the sounds of 1979. It’s not just first-wave punk bands, either; with indie-folk crew Tinnarose bringing the sounds of Blondie to life, rock n’ rollers Sleepwalkers invoking the Rolling Stones, indie mainstay Prabir bringing the sounds of Elvis Costello, and more, this is an evening that will cover a lot of musical ground, even as it reminds us all that things were actually pretty great 40 years ago.

Elsewhere Around The State:

Friday, December 27, 7 PM
Demons, Song of Praise, Invaluable, Nervous System @ Taphouse Grill (Norfolk) – Price TBA
Punks and jam bands don’t have a monopoly on the holidays. Noise-rock bands can certainly bring the heat at Christmastime just as easily, and that’s exactly what Norfolk’s Demons are choosing to do with their post-holiday throwdown at Norfolk’s own Taphouse Grill. If you haven’t caught on with what Demons, the post-Mae project of singer-guitarist Zach Gehring, are up to just yet, you really should fix that.

In recent years, this quartet has followed up their abrasive 2017 debut LP, Embrace Wolf, with a pair of hard-hitting EPs showing their political side. Made In The USA and the “Uglier Americans” single show that it’s not just musical influence that they take from intelligent post-hardcore bands like Fugazi and Quicksand. The resulting sound is raw and furious, with an undeniable undercurrent of melody that keeps things catchy and memorable. This is one party you’re going to want to show up for — especially since Demons have invited a few other equally talented Tidewater bands to join in.

Tuesday, December 31, 9 PM
Organ Trail, No/Mas, Cybernetic Warkrab, Bloat @ RiffHouse Pub (Chesapeake) – $5
OK, so picture this: It’s New Year’s Eve. There are more parties happening than you can shake a stick at (that’s a phrase my mother says, I have no idea what it means). All of them are full of champagne toasts, photobooths, and assorted other gimcracks and geegaws. You, on the other hand, don’t feel like dealing with a bunch of ballyhoo — you really just want to rock. Well, I know where you need to go.

Your destination is deep in the land of Tidewater, in the municipality known as Chesapeake, where RiffHouse Pub is bringing us the sort of no-frills affair that is so refreshing on the most overhyped party night of the year. Pennsylvania’s Organ Trail and DC’s No/Mas will be on hand to blast you with some gore-soaked death metal (the former) and hyperspeed grind (the latter), along with some local ragers from Cybernetic Warkrab and Bloat. There will be a toast at midnight, but it’ll be with PBR, because you don’t need all that frou-frou bullshit and neither do any of these bands. Leave the novelty glasses at home; bring your steel-toed boots for this one.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 12 – June 18

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, June 14, 7 PM
Earth (Photo by Sam Gehrke), Helms Alee @ Gallery 5 – $16 (order tickets HERE)
It’s hard to believe that Earth have been cranking out their pulverizing minimalist drone epics for nearly 30 years now. But it’s true, and despite the band’s incredibly slow pace, bandleader and only constant member Dylan Carlson has never fallen behind when it comes to glacial heaviness. Earth’s early works were a crucial influence on doom-drone cult heroes Sunn 0))); beginning with their fourth album, 2005’s Hex, they became a prime mover in the push to find a bridge between the most apocalyptic end of metal and the sweeping melancholy of American folk and country music.

It’s now been five years since Primitive And Deadly, the group’s eighth album and first in over 20 years to feature vocals. Now they’ve returned with Full Upon Her Burning Lips, released only two weeks ago by a stripped-down lineup that finds only Carlson and drummer Adrienne Davies remaining from the four-to-five-member lineups that made their last five albums. The sound has been stripped down, too; while still retaining some of the folk and country flavors that differentiated their more recent albums from their early drone-uber-alles efforts, Full Upon Her Burning Lips finds Earth focusing once again on the almighty riff. Songs are long, slow, and repetitive, but rather than being boring, they are transcendent, placing you in the kind of hypnagogic headspace so awesomely attained by the legendary Earth 2.

Expect all of that and more when Earth hits the Gallery 5 stage, amps cranked to the maximum. No matter what stage of Earth’s evolution pleases you the most, their current incarnation will have plenty to offer you. And with Seattle psychedelic rangers Helms Alee on the bill, you’ll get a special bonus headtrip that’s worth the price of admission in itself. The group’s epic post-metal sound attains new heights on their latest LP, Noctiluca, and their set will act as the perfect appetizer for Earth’s full serving of epic riff triumph.

Wednesday, June 12, 9 PM
Space Cubs (Photo by Jonathan Sherman), Zooanzoo, Gardener, Donnie Dale @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Things are sure to get interesting tonight at The Camel, as the city will be graced by a visit from Space Cubs. Actually hailing from right here on Earth, this group comes to us from Buffalo and features a strange mix of strong riffage, programmed electronics, and outright weirdness, all driven by the unforgettable vocal presence of frontwoman Suzanne Bonifacio. Sometimes the songs are dancefloor calls to action, sometimes they’re ambient mind-expanders, sometimes they’re completely indescribable. But they’re always awesome.

Space Cubs are accompanied on this trip to the ol’ RVA by Zooanzoo, a Harrisonburg-based project with a similarly indescribable gender-hopping sound. Last year’s Neck Out is a beat-heavy mixtape from outer space, moving from jazz to ambient techno to bedroom-pop and boom-bap beats all in the space of a single song. What form this will take onstage is certainly open to question, but it’s sure to be captivating. Gardener, the solo project of experimental musician Dash Lewis, and Donnie Dale, a moody electronic project with a great deal of soul, will open things up. Get there.

Thursday, June 13, 9 PM
Florida Man, Prayer Group, Copperhead @ Wonderland – $10
We all know about Florida Man — the descriptor generally attached to a person in the news who has done something totally insane and often hilarious. From throwing an alligator through a drive-thru window to wearing a “Fuck The Police” shirt to court, Florida Man is always up to something. It’s that zany anti-social spirit that the band Florida Man — who actually come from South Carolina — conjure up on their latest LP, Tropical Depression.

While it’s easy to come up with adjectives to describe this band’s music — loud, fast, intense — it’s much harder to slot it into a pre-existing genre. Maybe it’s punk, maybe it’s metal, maybe it’s noise-rock or grunge… the truth is, it’s probably a little bit of all those, along with quite a few more. But it’s sure to get you moving and rock you hard when Florida Man rolls into Shockoe Bottom’s punkest club, Wonderland, and that’s what really counts, isn’t it? (Yes.) Florida Man will be joined by Richmond noise-metallers Prayer Group and Copperhead to make this a truly powerful bill that you won’t want to miss out on.

Friday, June 14, 9 PM
Ohbliv, DJ Harrison, Nat Digga, Floppy Sisk @ The Dark Room – $10
Forget what you’ve heard about love and money — beats make the world go round. How would you get out of bed in the morning, or walk down the street to your job, without a good beat? When the world is difficult, beats keep your head up and help you to move ahead. And that’s why, after a long hard week, you just might need a good healthy serving of beats. Never fear, because that’s what you’re going to get at The Dark Room Friday night. Four talented producers at the top of their class both in this city and in the world as a whole will drop a series of deep, hard, head-nodding beats upon you, and you will enjoy every second of it.

The big name here is, of course, Ohbliv, who followed up his immortalization in a Nils Westergard mural with two full-length albums of stone-cold classics so far this year — Soulphonic in January, and Give Thanks last month. An artist this prolific is sure to have some surprises up his sleeve — don’t miss out. He’s joined by the equally formidable DJ Harrison, who in addition to his plentiful work with a variety of jazz ensembles around town, is always giving us beats to move to, most recently with last winter’s IndieGiver. Nat Digga (I see what you did there), formerly known around town as Sound Genesius, remains a mysterious and powerful beatmaker who is decidedly underrated by the city at large. Floppy Sisk, the production alter ego of local jazz musician Griffin Sisk, starts the whole thing up. Come to the Dark Room and let the vibes overtake you.

Saturday, June 15, 6 PM
The Dangerous Summer, Have Mercy, Modern Chemistry, Black Liver @ The Canal Club – $15 (order tickets HERE)
Summer can indeed be dangerous — last summer, Maryland emo band The Dangerous Summer ended a tour by having all of their equipment stolen from their van. But they didn’t let it slow them down; they just made a video about it and carried on. Then they headed home, put together their next album, and got ready to tour again. The group’s fifth album, Mother Nature, comes out this Friday — coincidentally, the day before they come to Richmond and rock the Canal Club. And if you’re as big a fan of moving, powerful, melodic rock music (think Manchester Orchestra) as I am, then you’re definitely going to want to be there.

Fellow Marylanders Have Mercy have a new album coming this summer too — it’s called The Love Life and will be out in August. For now, only one song has been released, but “Clair” shows that the emotionally powerful lyrics and sure-footed melodies of their 2017 comeback, Make The Best Of It, have held true, and that the reconstituted group (only frontman Brian Swindle remains from the lineup that made their first two albums) is moving forward stronger than ever. Either one of these bands on their own would certainly reach must-see levels, but this double-shot of emo power? Absolutely unmissable. Plan accordingly.

Sunday, June 16, 9 PM
Omen Stones, Crystal Spiders, CB/BJ @ Bandito’s – Free!
These days we talk about a ton of different genres that make the Richmond music scene as powerful and outstanding as it is, from jazz and hip hop to indie and Americana. But the genre that first put Richmond on the map is definitely metal, and in 2019, the city’s metal scene remains as rich (no pun intended) as ever. Case in point: Omen Stones, a new trio of Richmond heavy hitters who’ve come together to crank out some powerful grooves in predictably mindblowing fashion.

Omen Stones brings together Tommy Hamilton (Druglord), Erik Larson (Avail/Alabama Thunderpussy), and Ed Fierro (Desert Altar/Tel) into a unit that’s even greater than the sum of its parts. On their recent self-titled EP, this group crafts its formidable stoner-metal lineage into a collection of memorable anthems that forgo doom-metal’s sludgy tempos in favor of some serious Camaro-rattling riffage. Fans of Red Fang, Kyuss, and yes, any of these talented musicians’ former groups certainly need to be on the lookout. And what better place to do it than Bandito’s, where the admission is always free, the sound is always great, and the nachos are always delicious? I sure can’t think of any. Enjoy sets from NC fuzz-jammers Crystal Spiders and local riff titans CB/BJ in the bargain — you won’t regret a second of it.

Monday, June 17, 9 PM
Overo, Ostraca, Eliza Battle @ Cary Street Cafe – $10
It’s always fun to see completely unexpected sounds invade the hippie sanctum that is Cary Street Cafe. No offense to the Deadheads amongst you, but if you ask me, variety, not cannabis, is definitely the spice of life. So shake it up this Monday night, and check out Overo, a new emo-core outfit hailing from Houston, TX, and featuring former members of Football, etc and Perfect Future. No American football-themed song titles this time around (more’s the pity), but the group’s two-song debut single show them moving smoothly and nimbly between driving screamo crescendos and gorgeous melodies. This is definitely a band to watch in 2019, and you can start doing so in just a few short days.

They’ll be joined by Richmond’s foremost practicioners of gloomy metallic screamo, Ostraca — who, coincidentally enough, also feature former members of Perfect Future. Having brought us three full-length albums in the past four years, Ostraca is on a prolific pace, but their music has remained top-notch throughout, and chances are they’ll blow you away with at least one or two new songs at this show. Dark hardcore up-and-comers Eliza Battle will kick this one off with some powerful fury to get you in the mood. Every minute of this will rule — even if none of these bands have dancing-bear stickers on their amps.

Tuesday, June 18, 7:30 PM
Todd Rundgren @ The National – $25 – $43 (order tickets HERE)
For at least half a century now, Todd Rundgren has been one of pop music’s most aggressively original talents. And even now, at 70 years of age, he shows no signs of slowing down. His most recent album, 2017’s White Knight, focused on the sort of electro-synth stylings that are much more common to artists half a century younger than he is, and brought in a variety of celebrity guest vocalists, including everyone from Trent Reznor to Steely Dan’s Donald Fagen to Swedish pop legend Robyn.

But there’s far more than Rundgren’s latest album to recommend seeing him live. His back catalog includes everything from his classic 1972 pop breakthrough, Something/Anything?, to his decade fronting prog-rockers Utopia, to his mid-90s “interactive albums,” which still stand as unique and unreplicated experiments in the possibilities inherent in digital music. While Rundgren has rarely been at the top of the pop charts, he’s built up a strong and loyal cult over his 50-plus year career. Come to the National this Tuesday night and find out why. Expect to have your mind blown in the bargain.

Elsewhere Around the State:

Thursday, June 13, 6 PM
New Boss, The Zolephants, Woodsy Pride @ The Bridge Progressive Arts Initiative – $?
Back when I was in high school and lived in the country outside Charlottesville, I knew what was going on with the music scene in that city. But I graduated and left the area over 25 years ago, so my recent attempts to catch up with things in my former sorta-hometown have been quite illuminating. One fascinating discovery has been New Boss, the local headliners atop this particular bill. On their most recent release, 2018 EP No Breeze, I hear a technicolor spectrum of psychedelic pop, one that pulls from sources like XTC, Guided By Voices, and Of Montreal, as well as the members’ own history in the DIY music scene. It’s a fascinating sound, one that is certainly worth delving more deeply into.

We’ll all get that chance this Thursday night, as New Boss share the bill with some upstate friends with a similar delightfully off-kilter musical vision. The Zolephants are tough to pin down, though it’s certainly fair to point to a fair bit of surf guitar in their mostly-instrumental soundscapes. But The Zolephants aren’t just a post-Y2K take on Man or Astro-Man? — their use of analog synths bring quite a few unusual sounds into the mix, and make the whole thing a lot more fun. They’re accompanied on their trip through C-Ville by Woodsy Pride, a rootsy yet experimental folk-rock project that won’t completely make sense until you hear them. So I recommend you head over to The Bridge Progressive Arts Initiative and do just that.

Saturday, June 15, 8 PM
The Muckrakers, Crab Action, Savage Kenny @ The Golden Pony – $7
Here at RVA Magazine, we don’t often get the chance to engage in proper muckraking — there just isn’t too much shadowy intrigue to dig up when you’re on the arts and culture beat. However, in its own way, the arrival of punk rockers The Muckrakers at Harrisonburg’s The Golden Pony this Saturday night is a huge scoop for all of the music fans on our staff — and in our readership.

The Muckrakers originate from New York, and take the original punk rock credo of being yourself and playing the music you want to hear quite seriously. On 2018 EP The Album’s Off, their sound is fast and furious, simultaneously full of pop-punk melody and metallic hardcore intensity. The result sounds like what you’d get if Bad Religion and Iron Reagan made a record together — and if that sounds awesome to you, then you’re on our wavelength for sure. Head out to the Golden Pony this Saturday night and do some headbanging muckraking of your own. You heard it here first!

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 15 – May 21

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Monday, May 20, 7 PM
Cursive, Mewithoutyou, The Appleseed Cast @ The Broadberry – $22 in advance/$25 day of show (order tickets HERE)
This show is an absolute bonanza for people who were crazy about emo fifteen years ago. I shouldn’t even have to tell you that I’m one of those people. Back in 2004, Cursive, a band closely associated with the Omaha scene that also produced Bright Eyes, The Faint, and Saddle Creek Records, had just topped off a string of killer emotionally-driven alt-rock albums with the instant classic The Ugly Organ. MewithoutYou had just released their stunning sophomore LP, Catch Us For The Foxes, which introduced a wider audience to frontman Aaron Weiss’s strangely moving story-songs. And The Appleseed Cast had both blown everyone away and helped to push the genre forward with a trio of amazing albums: Mare Vitalis, the two-volume Low Level Owl series, and the moving, unforgettable Two Conversations.

But look — this Monday night triple-header at The Broadberry is far from a pure nostalgia act. Oh, I’m sure the groups on this bill will play some old tunes you know and love, but all of them remain active, powerful creative forces to this day. Last year, Cursive reunited with original drummer Clint Schnase after a decade, released their first album in six years, and brought in cellist Megan Seibe to recapture the sound they’d had on previous high-water marks Burst And Bloom and The Ugly Organ. Vitriola turns out to be every bit as great as those emo classics, and should be more than capable of capturing the full attention of fans who currently plan to hit the bar during the new songs. (Yo, don’t be that guy. For real.)

MewithoutYou remains a powerful creative force fifteen years later as well. On 2018’s dual releases, an LP and an EP (both untitled), Aaron Weiss engaged in matter-of-fact examination of his own struggles with mental illness and the way it mirrors the mental illness in his ancestry and that of disparate historical figures, including European royalty from centuries past. And amazingly enough, the music behind this emotional travelogue is some of the best of the band’s career thus far. Meanwhile, it’s been six years since the last full LP of Appleseed Cast material, 2013’s Illumination Ritual, but Christopher Crisci and company released a new single, “Asking The Fire For Medicine,” in January, and it apparently heralds a new LP that seems sure to follow their recent pattern of atmospheric, melodic, progressive post-hardcore. Will they bust out some other new ones at The Broadberry? The prospect alone makes this one worth the trip.

Wednesday, May 15, 8 PM
Charming Disaster, Left-Handed Smoke Shifters @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
A simple way to describe Charming Disaster, who come to Richmond from their hometown of Brooklyn this very night, is as a gothic-folk duo. However, if such a descriptor conjures up thoughts of Comus, Current 93, or Simon Finn for you, then it’s been a bit misleading. There’s much more of the carnival folk traditions of old Europe in Charming Disaster’s music, and even as they bring a decided noir sensibility to their memorable ballads, there’s a clear sense of humor running throughout, letting you know that this, um, charming duo have a lot to offer besides pain and sadness.

Their brand new album, Spells & Rituals, doesn’t get an official release until June 7, so chances are you will not have an opportunity to pick up a copy for yourself at the show. But you will get a delightful preview of the excellent sounds on offer — just enough to whet your appetite for your very own pre-order. Opening sounds will be provided by Left-Handed Smoke Shifters, a band named after an old campfire joke and bringing together the talents of local bellydancing sensation Madame Onca and singer/vaudeville host extraordinaire Mark Slomski. It’s always nice to see what these two are up to, so don’t miss this one!

Thursday, May 16, 9 PM
BAT, Witchtrial, Under Attack @ Bandito’s – Free!
If you love metal, hardcore, and/or general headbanging madness, Bandito’s is the place you should be this Thursday night. This free show will serve as a record release party for not one, not two, but ALL THREE bands on this bill! BAT are your headliners, and it’s a fitting spot on the bill for a trio featuring current or former members of Municipal Waste, Cannabis Corpse, and DRI. This old-school thrash band has been inducing serious fist-pumping headbanging good times around Richmond and beyond for years now, and on this night, they’re releasing their second LP, Axestacy.

Axestacy takes things to the next level for BAT; it’s full of the kind of incredible riffs and ridiculous lyrics that fans of early Exodus or Dark Angel are sure to appreciate. They’ll probably also appreciate the new LP from Witchtrial; this DC band is releasing their first full-length on VA’s own Beach Impediment Records, and have a lot of links to the world of hardcore — but the music on their self-titled LP is pure thrash. With a roaring attack sure to remind you of prime German thrash, fans of Sodom and Kreator are definitely going to want to pay attention to this one. Not to be left out, Richmond’s own Under Attack are releasing a new tape full of speedy, no-frills hardcore on the Vinyl Conflict label, and if you dig pedal-to-the-metal ‘core action, you’re gonna want a copy of this. Since this show is free, you’ll be in prime financial position to pick up releases from all three of these ragers. But wait til after the set; you don’t want your brand new records getting messed up in the pit!

Friday, May 17, 8 PM
Perturbator, GOST, True Body @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
For those of you who were stoked to see Fallout on the list this week, only to be let down that it wasn’t an industrial show I’m sending you to there — take heart! For the industrial sound can be found in all sorts of places around town, if you know where to look. Take Perturbator’s arrival at The Broadberry this Friday night. People talk a lot with respect to Perturbator about spooky synth soundtracks to 70s and 80s Italian horror movies, and listen, there is a fair bit of that in Perturbator’s sound. But the group’s most recent LP, 2017’s New Model, is going to be even more familiar to fans of Skinny Puppy or Front 242 than it will be to fans of Goblin or Tangerine Dream.

Seriously, regardless of whatever you’ve heard thrown around about “retrosynth,” all you coldwave, postpunk, and industrial fans owe it to yourselves to listen to Perturbator. Because even if the hipsters don’t know how to contextualize this stuff, the goth kids are sure to understand. This is prime stomping-around-a-foggy-dancefloor-in-black-Docs music — black fingernails are definitely a plus. Just to further drive the point home, GOST is on this bill as well, bringing you the exact sort of industrial electro-pound that you know and crave. True Body will start the evening with some moody postpunk from right here in VA. Get the leather pants out, y’all.

Saturday, May 18, 5 PM
Spooky Cool, Outer Spaces, Opin, Julie Karr @ Hardywood – Free!
When you can give your band a name that actually describes your band, you’re really onto something good. Take Spooky Cool, for example; this Richmond band’s name may not tell you what genre they play or how many people are in the band, but it does offer you two specific bits of info: they’re spooky, and they’re cool. That’s enough to make a lot of people curious. And then when you actually hear this band’s hybrid math-prog alt-indie sound, you realize that the name hasn’t steered you wrong. There’s a definite spooky vibe to what this group is up to on their first EP, Every Thing Ever. And it’s definitely cool as hell.

Then there’s Outer Spaces, a band I’ve been excited about for quite a while now. This latest project of incredibly talented Baltimore singer-songwriter Cara Beth Satalino hasn’t released an LP since 2016’s A Shedding Snake, but is returning in a big way over the next month or so — first with a brand-new two-song EP on Saddle Creek, then with a new LP, Glazing Globe, scheduled for release next month. As a longtime fan, I couldn’t be more stoked, and the songs that have been released thus far from these two projects sound excellent, despite their genesis in anxiety, self-doubt, and the end of a long-term relationship. Hey, we’ve all been there, right? Sometimes making art is the best way out. Outer Spaces has made some great music in the past, and there’s no reason to think that’ll change now. Do yourself a favor and go see both of these groups. After all, the price is right.

Sunday, May 19, 7 PM
HIRS, Coherence, NØ MAN, .gif From God @ Gallery 5 – $10 in advance/$12 at the door (order tickets HERE)
The most confrontational queer grindcore band ever finally comes to Richmond and I for one couldn’t be more stoked. HIRS grabbed some relatively mainstream attention in 2018 with the release of Friends, Lovers, Favorites, their first full-length of new material — relatively speaking, that is; its 20 songs still blow by in under 15 minutes. They’ve hardly rested on their laurels since then, cranking out several EPs in the past year or so, as well as a split LP of Nirvana covers with celebrated New Orleans sludge masters Thou.

When HIRS arrive in Richmond, you can expect the confrontational spirit embodied in past EP titles like Trans Girl Takeover, You Can’t Kill Us, and How To Stop Street Harassment, as well as the harsh, raging grind sound of their breakthrough LP, to hit you like a ton of bricks. It won’t just be lightspeed velocity, either — this group knows how to bring the most headcrushingly powerful of breakdowns as well. Basically, this is the heaviest band you’ll see in Richmond anytime this year, and you’re going to thoroughly enjoy having your head knocked off by them. Trust me.

Monday, May 20, 7 PM
Dehd, Blunt, Plastic Nancy @ Capital Ale House Music Hall – $10 (order tickets HERE)
A few years ago, that whole droney jangly post-Velvet Underground sound was in the ascent in the indie world, and I was digging it. More recently, it seems like everyone’s on that synthesized bedroom-pop tip, which I guess is also cool, but I’m glad to see Dehd out here proving that the jangle-drone sound is not, um, dead. This Chicago band’s new LP, Water, shows that there are many possibilities for musical greatness embedded within the basic no-frills rock n’ roll package. By channeling VU and The Cramps through a more modern sound that reminds me of Parquet Courts, Beach Fossils, and the like, Dehd has created some serious gold soundz. Yes, with a Z.

Dehd will be joined on this bill by a couple of RVA newcomers with a lot to offer. Blunt takes a sludgy approach to dark garage punk sounds, while Plastic Nancy cranks out some psychedelic punk rock fun. This whole show is gonna rock like crazy, and in 2019, that can’t always be guaranteed. Treasure it when you find it.

Tuesday, May 21, 7 PM
Blessed, Unmaker, Serqet @ The Camel – $10 (order tickets HERE)
Some serious goth vibes going on around Richmond this week, although this Tuesday night show at The Camel only bears a passing resemblance to the other two shows this week that have led me to use that term. Specifically, Blessed play a gloomy, metallic form of postpunk that veers from morose to anxious on their debut LP, Salt, released earlier this spring. The results this Vancouver band are able to generate are transfixing in the extreme, and their reputation for live greatness only makes this show at The Camel feel that much more of an essential part of your midweek.

The fact that Richmond’s own Unmaker are on the bill as well only makes this an even more essential evening of sounds. This group shows off their more intense version of goth-metal awesomeness on debut full-length Firmament, an album that’s turned a lot of heads locally and nationally since its release six months ago. Mixing this powerful blend of Killing Joke-style rage with Blessed’s more deliberate approach will make for a heady musical brew, and adding the gothic peace-punk vibes of Serqet to the mixture is only going to take things to an even higher level. Get on board with this one.

Elsewhere Around The State:

Thursday, May 16, 7:30 PM
The Struts @ The NorVA – $22.50 in advance/$25.50 at the door (order tickets HERE)
The Struts are one of the more fascinating discoveries the mainstream rock world has yielded in recent years. This British band has a fashion sense that seems equally derived from Guns N’ Roses, Aerosmith, and the Sex Pistols, but musically, they land somewhere in the area of a 21st-century update on Queen. This group clearly comes from a modern time in which the backlash against the 80s hair-metal era has faded from youthful memory; rather than playing their glammed-out, swaggering rock n’ roll for over-the-top laughs the way The Darkness did, The Struts are 100 percent serious about their desire for world domination.

Which might be totally obnoxious if they didn’t have the songs to pull it off. Singles like “Could’ve Been Me,” “Kiss This,” and their collaboration with Kesha, “Body Talks,” are proven arena-rock anthems, and they’re sure to get the NorVA popping on Thursday night. Once you’ve seen The Struts blow the roof off the joint, all your doubts will be cleared away, leaving only the desire to rock! The Struts will definitely help you with that, though after the night that awaits you, you may feel the need to call in to work Friday morning. But hey, why not? That’s the rock n’ roll thing to do.

Sunday, May 19, 6 PM
Enforced, Copperhead, Flatline, Semtex, Bato @ West Beach Tavern – $10
I love the way a lot of tough-guy hardcore is metal as fuck these days. I mean, granted, I still don’t like to get up front at the shows (who enjoys having to keep your back to the band just so you can dodge flying fists and feet?), but the music sure is a lot better when I go to them, and that makes us middle-aged ladies standing in the back of the room real happy. Enforced have shown their crossover-thrash chops off both on tape and in the live environment for a while now, and with their At The Walls LP soon to drop, they’re about to take it to the next level. Get on board now.

Both Richmond’s own Enforced and fellow RVA thrash-masters Copperhead will be heading down to VB for this end-of-weekend rager at West Beach Tavern, and both will bring the sort of aggressive hardcore attack that, if you close your eyes (or even if you keep them open, considering how many longhairs there are in hardcore bands these days) you’ll likely mistake for straight-up metal. Which rules. They’ll be joined on this bill by three Hampton Roads-based ensembles; Flatline and Semtex bring a more straightforward Agnostic Front/Negative Approach-style HC attack, while Bato verge on fastcore with their speedy beats and energetic sound. The pit should be going hard from beginning to end at this one; I’ll be sure to stand back.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond