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VA Shows You Must See This Week: March 27 – April 2

Marilyn Drew Necci | March 27, 2019

Topics: Aenimus, Ashland Theatre, Bennett Wales & The Relief, Bob Miller, Camp Howard, Capital Ale House Music Hall, Colin Phils, Curtana, Danet Jackson, DBUK, EU, Ex Hex, Fleshgod Apocalypse, gallery 5, Go-go, Gutted Christ, Hunter Rhodes, Hypocrisy, Jawbreaker, JC Kuhl, Junkyard Band, Kenneka Cook, Landon Elliott, LAVA, Mas Y Mas, Milk, missangelbird, Moaning, Modern Color, No Sun, Norman Westberg, Old Gun Road, Pohgoh, Positive No, Ramblin' Ron Talman, Recluse Raccoon, Seraph, Shormey, shows you must see, shy low, Standards, Starcoast, The Brecker Brothers, The Camel, The Canal Club, The Dark Room, The National, The NorVa, Tmobyle, Toast, Trouble Funk, Two Cars, W I S H, War On Women

FEATURED SHOW
Friday, March 29, 6:30 PM
A Tribute To The Brecker Brothers, feat. JC Kuhl & Bob Miller @ Ashland Theatre – $12-25 (order tickets HERE)

The Ashland Theatre’s only been doing shows for about a month now, and already they’ve become a venue to watch. No doubt this has something to do with the Broadberry Entertainment Group, whose bookings around the city are consistently some of the most interesting and cool live shows on any given week. And for this show, at least, it also has to do with Richmond’s jazz scene, which is always doing something new and creative in the live performance arena.

This time around, Ashland Theatre and Broadberry Entertainment Group will be presenting an evening in tribute to the Brecker Brothers. Now, that name may not jump right out at you, but I can guarantee you’ve heard their work. The brothers — Randy, who played trumpet, and Michael, who played saxophone — contributed their talents to all sorts of classic 70s albums, from George Clinton to Todd Rundgren to Frank Zappa to Eric Clapton. They also had a duo of their own, which was a primary exponent of that jazz/funk fusion sound that the 70s so generously gave to us, before pushing things farther with their landmark 1978 album, Heavy Metal Be-Bop, on which they ran their horns through guitar amps and distortion effects.

You’ll never see the Brecker Brothers themselves; Michael passed away a decade ago. But this weekend, you can see the next best thing — a full-band tribute to the Brecker Brothers, featuring JC Kuhl (of Agents of Good Roots and local jazz scene fame) playing the role of Michael, while Bob Miller (of Richmond’s salsa legends, Bio Ritmo) in the role of Randy. Backing them up will be a stacked lineup of Virginia talent, including members of Butcher Brown, the Spacebomb house band, and more! Get ready for some skunk funk, because these musicians are going to keep the music going all night at a venue that’s rapidly becoming an essential Central VA spot for live music.

Wednesday, March 27, 8 PM
Modern Color, No Sun, W I S H, Two Cars @ The Dark Room – $5

It’s a shoegaze paradise at The Hof’s Dark Room tonight. The Underexposed series, of which this show is a part, is designed to bring us sounds from bands we might not have heard much about, and while that might lead you to expect Richmond-based bands, tonight the big surprises are going to come from out-of-towners. Modern Color is at the top of the bill; they hail from SoCal and bring us a melodic yet driving take on a loud-guitar alt-rock sound that’s honestly way too clear to be shoegaze — but someone will call them that anyway, so it may as well be me, right?

One thing is for sure where Modern Color is concerned: they use their loud guitars to the fullest, evoking their beachfront hometown environs while still bringing plentiful energy. No Sun, who ironically come from the sunbaked state of Utah, generate the sort of fuzzy clang you’d be more likely to expect from a shoegaze band, and they embrace it fully, calling to mind 90s UK legends like Swervedriver or My Bloody Valentine. Getting this touring duo from a $5 local midweek show is one of the subtle treats this city loves to grace us with. And rest assured, the sets from local openers W I S H and Two Cars will be another. This one is well worth your cash, so pony up and get down to the Hof tonight.

Thursday, March 28, 8 PM
Shy Low, Standards, Colin Phils, Curtana @ The Camel – $5 in advance/$7 day of show (order tickets HERE)

Math-rock, post-rock, indie — whatever you want to call it, one thing is certain: there’s a lot of this kind of thing happening around Richmond lately. And it’s definitely a good thing, especially since it seems to have resulted in a recent rejuvenation of Shy Low, the long-running four-piece who’ve long evoked Mogwai and Mono with their epic, intense instrumentals. It has still been a few years since their last release, but… perhaps that will change soon? We can hope. In the meantime, there have been several opportunities to see them live lately — this is just the latest.

And as if availing yourself of that opportunity isn’t enough of a reason to hit the Camel this Thursday night, Shy Low will be accompanied on this bill by Standards, an outstanding LA duo who are on tour behind their freshly-released EP, Friends. For fans of instrumental guitar pyrotechnics, this record will be an embarrassment of riches, as Marcos Mena’s fingertap gymnastics impress on a whole other level. You’re sure to find yourself staring at his fretboard at some point during Standards’ set, wondering how the man can possibly do all that with only ten fingers. He does, though, and you’re going to want to see it happen live and in the flesh. Opening sets by the always-reliable Colin Phils and dazzling local prog-rockers Curtana only sweeten the pot.

Friday, March 29, 6 PM
Hypocrisy, Fleshgod Apocalypse, Aenimus, Seraph, Gutted Christ @ The Canal Club – $20 in advance/$22 day of show (order tickets HERE)

Oh wow. The fact that this tour is named after the legendary long-running compilation series, Death… Is Just The Beginning, definitely brings back memories for a true 90s metalhead like me. Nuclear Blast Records have been putting these comps out every few years for three decades now, and headliners Hypocrisy have been around for about as long. This killer Swedish death metal band hasn’t released an album in six years, but between their rock-solid track record and the fact that 2013’s End Of Disclosure was a sure-fire winner from beginning to end, headbangers can certainly take heart — this set is guaranteed to rule.

Even cooler is the fact that Hypocrisy’s co-headlining this tour with another Euro death metal sensation — Fleshgod Apocalypse. These Italians have always had a symphonic edge to their sound, even integrating operatic vocals on occasion for peak melodrama. However, they’ve always known how to keep it heavy and give us the killer riffs in abundance, and even after a significant lineup shakeup a couple years ago, the first single from upcoming fifth album Veleno shows they’ve still got the juice. So head out to the Canal Club this Friday night, and wear your best studded gauntlets, because this one is going to be tough as nails.

Saturday, March 30, 7 PM
Kings & Queens Of Go-Go Tour, feat. EU, Trouble Funk, Junkyard Band @ The National – $25 in advance/$35 at the door (order tickets HERE)

Do you like to get down? Do you like to get funky? Do you like to DROP THE BOMB? If so, you’re in luck, because this Saturday night sees three of the brightest stars of DC’s legendary go-go scene visiting Richmond to tear the roof off the National — and you’re gonna want to be there. Go-go is a highly regional scene centered around Washington, DC — for most of its history, it was only truly popular in the DMV area. However, it had a big moment in the 80s; while go-go has its roots in funk, it’s a particularly rhythmic, percussion-heavy strain, and that appealed strongly to early hip hop fans.

EU (short for Experience Unlimited) had one of the most popular go-go hits ever with “Da Butt,” a sexually charged party-starter from the soundtrack to Spike Lee’s School Daze. It was so popular, I once saw a guy in a Scooby-Doo costume dance to it in a make-your-own-video booth at King’s Dominion (#onlytrue80skidswillunderstand). Meanwhile, Trouble Funk’s 1982 single, “Pump Me Up,” was a huge club hit — especially in DC, where at the height of their fame, they co-headlined shows with hardcore pioneers Minor Threat. Meanwhile, onetime Def Jam recording artists The Junkyard Band can be seen performing their signature song, “Sardines,” in the Run-DMC movie, Tougher Than Leather. And we get all three of these groups on the same stage, for $25? This is the deal of the decade, folks — don’t miss out. And wear your dancing shoes, because your feet will be moving.

Sunday, March 31, 7 PM
Milk, Missangelbird, Danet Jackson @ Gallery 5 – $5 in advance/$6 day of show (order tickets HERE)

It’s not often that a piece of music manages to take me by surprise, so when it happens, it’s certainly worth noting. Milk’s 2017 LP, Horsetown Threshold, does exactly that, not only over the course of the album but even in a single song. The first track, a beautiful acoustic ballad called “Too High To Drive,” is occasionally interrupted by squalls of distorted heavy noise — but in a manner that is not only intentional but meshes well with the song as a whole. This is what Milk do throughout the album, really; present us with gorgeous melodies that draw from indie-folk sources, then shift into heavy moments that pulverize the listener with some prime Blue Cheer/Crazy Horse riffage.

Seeing this whole thing take place live might be a bit of a mind-bender… but who wouldn’t want that, especially on a Sunday night? Sometimes life has to throw us a few curveballs just to keep us from sleepwalking through it, and it’s much better to have those curveballs come in the form of a truly unpredictable band than in that of a car crash, right? So put down the cellphone and drive carefully to Gallery 5 this Sunday night, where Milk will proceed to blow your mind. Local openers Missangelbird and Danet Jackson will provide you with some sweet melodies of their own to prepare the way for the Boston headliners. Get there.

Monday, April 1, 7 PM
DBUK, Norman Westberg, Old Gun Road @ Capital Ale House Music Hall – $12 (order tickets HERE)

Denver’s DBUK were originally called Denver Broncos UK, a joke that I can appreciate as both a fan of American football and UK indie bands. Apparently the Denver Broncos football team didn’t appreciate it, though, since they’re known only by their initials now. But regardless of the name they’re going by, DBUK is definitely worth going to see. The group arises from a Denver scene known for producing dark, apocalyptic varieties of folk-Americana. DBUK features Slim Cessna’s Auto Club mastermind Slim Cessna, as well as Jay Munly, who has led various solo projects as well as taking part in Slim Cessna’s Auto Club and Scott Kelly & the Road Home.

DBUK just released their second album, Songs Nine Through Sixteen, and while it’s got less overt country and Americana influences than previous projects the members have been involved with, it maintains the deep dark mood that has always been the most compelling aspect of that whole Denver scene (which also produced Wovenhand and 16 Horsepower, among others). It’s therefore fitting that they come to Richmond in the company of Norman Westberg, who has played guitar in Swans for nearly 40 years and will be doing a solo set that, if it’s anything like the solo albums he’s released in recent years, should lean heavily on ambience and atmosphere. Local openers Old Gun Road consist of a bunch of hardcore and metal musicians playing the type of country music they loved as kids. Like everything else on this bill, that’s sure to be a treat.

Tuesday, April 2, 7 PM
Ex Hex, Moaning, Positive No @ Capital Ale House Music Hall
– $20 (order tickets HERE)
Ex Hex were all the rage a few years back. This tough-rockin’ trio from DC made a whole lot of fans around the country with their 2014 debut album, Rips, and its Shangri-Las-meets-Runaways take on catchy garage punk. However, the group’s been quiet a while, and you couldn’t be blamed for thinking they’d dissolved after one LP, just as singer-guitarist Mary Timony’s previous project, Wild Flag, did.

Fortunately, we learned as 2019 kicked off that this was not the case after all, and Ex Hex came roaring back just last week with the release of its sophomore full-length, It’s Real. They’ve definitely grown as a band, but the elements everyone loved about their first batch of tunes are all intact here, even as they stretch out with some heavier riffs, contrasting those at other points with some introspective moments. The end result is sure to delight all previous Ex Hex fans, and might just make some new ones (assuming everyone doesn’t love this band already). They’re accompanied on their return to Richmond by Los Angeles new-romantics Moaning, as well as perennial Richmond indie-pop faves Positive No. This one is a guaranteed delight.

Bonus Hampton Roads Picks:

Friday, March 29, 6 PM
Jawbreaker, War On Women, Pohgoh @ The NorVA – $37 in advance/$42 at the door (order tickets HERE)

All the 90s emo and pop-punk kids are sure to be freaking out over this one. Blake Schwarzenbach has done several memorable bands over the years, including Jets To Brazil and Forgetters, but none have ever captured the hearts of music fans the way his late-80s/early-90s band Jawbreaker did. For many years, even as fans clamored for Schwarzenbach to reunite with his former Jawbreaker bandmates, he swore he’d never do it. But then, in 2017, the band returned to headline Riot Fest and, improbably, kept working together, playing shows around the US and even starting work on their first album in 23 years.

They’re currently in the middle of a run down the East Coast, and this show brings them to Virginia for the first time in over two decades. They’ve even been playing some new-ish tunes (although they are really just unreleased songs from various Schwarzenbach projects over the years), and we can all look forward to the possibility of a new album on the horizon. For now, though, it’ll be enough to bop around the NorVA singing along with classics like “Save Your Generation,” “Boxcar,” “Chesterfield King,” and many more. Plus, opening sets from War On Women and Pohgoh are sure to make an amazing night even more special. Don’t miss this one.

Saturday, March 30, 5 PM
LAVA Mini-Fest, feat. Bennett Wales & The Relief, Camp Howard, Starcoast, Shormey, Mas Y Mas, Landon Elliott, Kenneka Cook, Recluse Raccoon, Ramblin’ Ron Talman, Hunter Rhodes MAGIC, Tmobyle @ Toast – $12 in advance/$15 day of show (order tickets HERE)

Here’s a fun way to spend your Saturday evening — by gassing up the ride, heading east down 64, and enjoying an evening mini-fest brought to you by Norfolk’s own LAVA Presents. These Norfolk promoters work with a variety of genres down in the Hampton Roads area, and they’re demonstrating that by bringing a variety of sounds from around Virginia together at Toast to get you stoked.

There are a ton of different genres on this bill, from the Southern-tinged rock n’ roll of Bennett Wales & The Relief to the cleancut indie jangle of Richmond’s own Camp Howard, from the electro-pop of Shormey to the heartland rock of Landon Elliott, plus a whole lot more. There are definitely some names that will perk up the ears of Richmond music fans (Kenneka Cook, anyone?), as well as some very interesting sidetrips, including a magic show, a pop-up record shop, and a craft market! Sounds to me like a great way to spend a Saturday night — you know what to do.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 15 – August 21

Marilyn Drew Necci | August 15, 2018

Topics: Ampallang Infection, Antiphons, Backwoods Payback, Band of horses, Big Freedia, Bonny Doon, Bronzed Chorus, Captive, Curtana, Disintegration, DJ Skrt Skrt, Dr. No, Dumb Waiter, en su boca, Enemy Soil, Ensepulcher, Hardywood, Ice Cream Support Group, Impalers, Iron Reagan, Jafar Flowers, Jupiter Styles, Kryptcest, Lazer/Wulf, Lipid, Magnus Lush, missangelbird, Naked Pictures, New Lions, Organ Trail, Pusha T, Redundant Protoplasm, Riffhouse Pub, shows you must see, Sofia Lakis, Sports Bar, strange matter, Suppression, The Broadberry, The Camel, the concussion theory, The National, The NorVa, Treadles, Valee

FEATURED SHOW
Thursday, August 16, 8 PM
Big Freedia, Jafar Flowers, Sofia Lakis, DJ Skrt Skrt @ The Broadberry – $20 in advance/$22 day of show (order tickets HERE)
The Queen Of Bounce is back! Big Freedia is one of the foremost practitioners of the New Orleans-based style of music known as bounce, and she’s brought the sound worldwide with an LGBTQ-centered presentation and a collection of nuclear-powered dance floor bangers. She had a big moment here in RVA several years ago, getting huge crowds of people dancing everywhere in town, from The Hat Factory to Hadad’s Lake. It’s been a couple of years since Freedia has hit town, but she’s here to get booties shaking once again tomorrow night at The Broadberry. And if you’re not ready for the dance explosion that will take place once she hits the stage, you better start limbering up now.

It’s been four years since Freedia’s 2014 LP, Just Be Free, entered the world, and she’s been busy with a variety of projects, from a book and a Christmas album to working with Beyonce on “Formation,” but she’s back with 3rd Ward Bounce, a brand new EP that is her first major-label release. Her sound is still the sort of nonstop parade of banging beats that it’s always been, but new singles like “Rent” introduce a bit more dynamics into the mix — it no longer has quite the same sensory-overload quality of groundbreaking early singles like “Y’all Get Back Now.” But if you think Freedia’s music is going to be a less powerful inducement to getting on the floor and shaking that azz, you’ve got another think coming.

So get out your dancing shoes and get ready to lose control at the Broadberry tomorrow night. And get there on time, because the festivities will start well before Big Freedia takes the stage. The DJs of Ice Cream Support Group will be on hand to open things up; back-to-back sets from DJ Skrt Skrt, Sofia Lakis, and Jafar Flowers will get the party turned up to the maximum velocity, and do a great job of representing Richmond’s POC and LGBTQ communities in the bargain. This one’s gonna be epic; whether you’ve caught Big Freedia in the past or this is your first time encountering the reigning diva of bounce, you need to be at The Broadberry for this one.

Wednesday, August 15, 8 PM
Band Of Horses, Bonny Doon @ The National – $27.50 in advance/$33 at the door (order tickets HERE)
I admit it — I’ve always had a soft spot for Band Of Horses. Their melodic indie sound, which mingles dashes of alt-country twang and folk atmosphere into a mix of incredibly tuneful choruses and subtly infectious guitar melodies, has always had the ability to connect on that same gorgeously emotional level that the best work of Wilco and My Morning Jacket hits. They’ve had a variety of lineup shifts since their excellent 2006 debut LP, Everything All The Time, but leader Ben Bridwell has kept things together smoothly throughout that time, and continued to explore intriguing new facets of the group’s sound on each new release.

Their latest LP, Why Are You OK, saw the band (of horses) get together with Grandaddy leader Jason Lytle to add a few more electronic ingredients to their sound, with fabulous results. But really, it’s just more of what we’ve come to expect; from recent singles like “Casual Party” to the old-school favorites like “Funeral,” Band Of Horses have plenty of excellent songs at their disposal. And now they come to The National to present fans who’ve stuck with them over the past decade with a collection of gorgeous tunes that are sure to put a smile on anyone’s face — even if you’re just discovering them now. Don’t miss the boat.

Thursday, August 16, 8 PM
Enemy Soil, Suppression, Ampallang Infection, Disintegration @ Strange Matter – $15 (order tickets HERE)
Here’s a huge treat for grindcore lovers past, present, and future. Enemy Soil, one of the most brutal and prolific bands of the 90s grind/power-violence heyday, have returned to action once again. Founder and only constant member Richard Johnson, affectionately known as “the grindfather,” is taking some time away from his current project, Drugs Of Faith, to resurrect the band that originally brought him fame. And while Enemy Soil spent a considerable portion of their career existing as a drum-machine backed mostly-solo project, this reunion brings back several original members of the group to restore the full-band lineup that (in my humble opinion, at least) was responsible for their best stuff.

And see, this is where you should really get stoked. Because this lineup features some real heavyweights, including longtime Enemy Soil bassist Russ Mason, also of Reeking Cross; drummer Adam Perry, who longtime Richmonders will remember from his tenure with chaos masters PCP Roadblock; and vocalist JR Hayes of Pig Destroyer. From lightspeed grind slaughteramas to brutally heavy breakdowns, this group has it all, and this lineup is the perfect one to bring their outstanding sound to light once again. 90s grind survivors and certified hometown weirdos Suppression will join Enemy Soil on this gig to make it a double dose of legendary VA blastbeat insanity. Plus, we’ll get sets from DC drum-machine grind maniacs Ampallang Infection (um, ouch) and RVA thrash-grinders Disintegration, just to sweeten the pot. Outstanding.

Friday, August 17, 6 PM
Sports Bar, New Lions, Magnus Lush, Naked Pictures @ Hardywood – Free!
Ah, Sports Bar. You’ve gotta love these guys, no matter how slack they are. And make no mistake, Sports Bar are slackers. They’ve released three songs in the past four years. They’re still using a 2010 quote from this magazine in their promo material, even though we’ve written about them several times since then. They don’t even play shows very often anymore — this Friday’s Hardywood appearance is their first Richmond show since early spring. But all of that is 100 percent OK, because when they do get material out, it’s invariably outstanding. From “Get Da Body” to “I Was Going To Shave My Beard, But I Took A Nap Instead” to “Big Mac Yeah” to “Roll High, Lie Well (Kuriki),” their catalog is full of catchy classics that’ll stick in your head for weeks after you hear them.

And they’ve got a whole lot more of them for you in the coming months. Eight years after getting together, Sports Bar is finally about to release their debut LP, and while it doesn’t officially come out until October, the word is they have copies. Will you be able to score one for yourself at this show? I have no idea — but I do think it’s pretty highly likely you’ll at least hear a few tunes from it during Sports Bar’s set. And that’s worth coming out for right there — especially since this show, part of Hardywood’s ongoing “Fresh Can Friday” series, is absolutely free! You’ll get sets from excellent RVA bands New Lions, Magnus Lush, and Naked Pictures as well, so you really don’t have any reason not to go. Show up ready to sing along — you’ll have plenty of opportunities.

Saturday, August 18, 8 PM
Lazer/Wulf, Backwoods Payback, Dumb Waiter, The Bronzed Chorus @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
This show promises to be a festival of the senses for those of you who appreciate serious musical craftmanship, but also like it heavy and energetic as hell. Lazer/Wulf, an Atlanta band that reincarnates the classic spirit of RVA’s own (mostly) instrumental math gods, Breadwinner, and mingles that complex crunch with the shred-tastic power of Coalesce or the Dillinger Escape Plan, are coming to town to bowl us all over — and simultaneously inspire us to marvel at the complexity of their instrumentation and arrangements. Indeed, their 2014 LP, The Beast Of Left And Right, was “written as a musical palindrome,” with songs at the beginning of the album constructed as musical mirror images of songs at the end.

Now, I know what you’re thinking: How the hell does that work? Honestly, you don’t have to worry about it. Regardless of the multi-layered elements of their song structures, it’s simplicity itself to just let yourself be rocked like crazy by the pulverizingly heavy riffs this band dispenses. And they’ll be joined on this bill by the equally heavy (though far less instrumental) PA sludge-rock group Backwoods Payback, who recently drafted Erik Larson (Alabama Thunderpussy/Avail/Parasytic) to hold down the drum kit, as well as releasing an excellent new LP, Future Slum, earlier this month. If you don’t know this band, you’ll need to check it out. The bill is rounded out by instrumental tech-math wildmen The Bronzed Chorus and local jazz-thrash freaks Dumb Waiter, and you can expect to get a massive kick out of all involved. It may have nothing to do with lawnmowers, but this one’s gonna be fun regardless.

Sunday, August 19, 9 PM
Captive, The Concussion Theory, Curtana, Dr. No @ The Camel – $7 (order tickets HERE)
The emo scene in this town is kind of a well-kept secret, and if you ask me, that’s a real shame. We can all help shed more light on some of the excellent bands plumbing the depths of this genre Sunday by heading out to The Camel, though. Captive might not strictly count as emo, at least by their own definition, and their ability to bust out some nearly prog-metal breakdowns — as demonstrated on 2016 concept album A Lost Dream; The Dreamer Lost — shows that if nothing else, they’re stretching the limits of the genre. But the way they always return to emotionally-resonant melodic choruses with a subtle underlying crunch, a la Moving Mountains or Hopesfall, shows where their roots lie.

Therefore, it makes a ton of sense to see them sharing a bill with The Concussion Theory, who’ve been making melodic yet passionate music here in Richmond for about half a decade now. Recently released EP Lament shows that they’ve only improved over the course of that time, as songs like “Simile Of Light” create the perfect mixture of driving rock riffs and emotionally-driven melodic choruses. They’re in completely different scenes, but these guys would probably appeal strongly to fans of fellow Richmonders Sea Of Storms (have these two bands really never played together?), and if you’re one of those, you should definitely make your way to the show this Sunday night. This all-local bill is rounded out by progressive instrumental guitar-slingers Curtana and Deftones-style metallic post-hardcore rockers Dr. No. Get familiar with it.

Monday, August 20, 7 PM
Antiphons, Treadles, Jupiter Styles, missangelbird @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Keeping up with the indie scene in this town is a full-time job, but it’s a really FUN full-time job, and you’re sure to have a blast at the Camel this Monday night when Antiphons headlines a group of indie bands from both within and outside of RVA. Antiphons themselves are taking solo form on this show; recent facebook posts indicate that the full-band version is still getting up to speed after some lineup changes, which means leader Brian Dove will be going this one alone. Tunes like “Benadryl” and “Human Bruise” are sure to reveal entirely new dimensions in the solo format, and maybe we’ll even get a stripped-down preview of some new material. We can hope.

New Orleans’ Treadles add a powerful inducement for attendance to this show on their own behalf. This quartet’s latest EP, Bees Are Thieves Too, shows that they’ve grown ably from their origins as a solo project into an excellent example of a complicatedly melodic indie rock band with a ton of tricks up their sleeves. They’re joined on this tour by Chicago’s Jupiter Styles, who have a bit more of an alt-garage slacker rock sound, full of wry irony and melodic sincerity. Both bands have an infectious spirit that’s sure to have you bopping along. Local opener missangelbird will kick things off with another solo set full of jangly-rockin’ indie tunes. The whole thing’s gonna be a blast.

Tuesday, August 21, 11 PM
The Impalers, Iron Reagan, Lipid @ En Su Boca – $8
Oh my goodness, all you hardcore punks and punked-out hardcore kids better get out your boots for this one, because the Impalers are gonna inspire a powerful urge within you to put down the tacos and start the pit. That’s my way of saying… get the munchies out of the way early at this one. It shouldn’t be hard, since this rager of a gig doesn’t even get going til 11 PM, but I want to make sure to emphasize the point, because The Impalers’ 2017 LP, Cellar Dweller, is such a nonstop blast of outta-control USHC/punk n’ roll riffs that once it gets going, you’ll have to either jump on the ride or get the hell out of the way. We humbly suggest the former.

You’ll have to be careful to have some energy left for the Impalers set, too, because with Iron Reagan going on right before them, the velocity’s sure to be high. Their last LP, Crossover Ministry, demonstrated that this project of Municipal Waste, Cannabis Corpse, and Suppression members has retained its masterful ability to bust out the exact sort of incredible mid-80s thrash-core that made the original wave of DRI and Suicidal Tendencies fans want to flip their hat-brims up and scribble slogans onto the underside. “IRON REAGAN” will fit under their with ease; grab your sharpie. This show will open up with a set from relative newcomers Lipid, who just released an EP full of snarky hardcore punk rage on Vinyl Conflict and are ready to drag the classic Dead Kennedys sound into the 21st century and kick off this show in proper fashion. Make sure you’re ready; this one’s gonna get nuts in a hurry.

Bonus Hampton Roads Picks:

Thursday, August 16, 8 PM
Ensepulcher, Organ Trail, Redundant Protoplasm, Kryptcest @ Riffhouse Pub – $5
As if there isn’t enough happening in Richmond on Thursday night, there’s also this incredible show happening just down the highway at Chesapeake’s Riffhouse Pub. It’s an appropriate name for a venue that will host Fresno, CA death metal trio Ensepulcher, a crew of no-frills headbangers who keep the classic sound alive in fine fashion on their debut EP, No Sanctity In Death. Subsonic guttural vocals join rumbling drums and downtuned axes cranking out classic Florida-style riffs that is eminently appropriate from members of Fiend and Acephalix. If the sounds of Autopsy, Dismember, and Left Hand Path-era Entombed are music to your ears, you’ll need to gas up the hatchback for this one.

PA’s Organ Trail are also on this bill, and anyone who caught them at the Tired & Pissed showcase last week will know that they’re the kind of band who’ll fit perfectly on this bill. Not quite as full of low-end as Ensepulcher, this band’s sound is nonetheless deep, dark and brutal; what’s more, it’s got the sort of gore-drenched over-the-top lyrical madness going on that makes Exhumed such a fun listen. This one’s appointment listening, for sure. The bill also features Redundant Protoplasm, whose name reminds me of Ren chastising Stimpy and whose song titles remind me of early Carcass’s medical-textbook examinations. Sonically, these guys are pure lo-fi death-grind, while fellow VA Beach group Kryptcest are pure low-end brutality. This one will be loud.

Monday, August 20, 8 PM
Pusha T, Valee @ The NorVA – $37.50 in advance/$43 at the door (order tickets HERE)
It’s not like I need to tell you who Pusha T is. Even if you’re not aware of hip hop at all, his beef with Drake this year has been at the forefront of pop culture news, and you’re sure to have heard. But if you actually pay attention to hip hop, you know that this beef is way, way down the list of reasons why you should hit The NorVA on Monday to see Tidewater native Pusha T headlining a show in his old stomping grounds. For one thing, there’s the legacy of amazing material left behind by the Clipse, the groundbreaking duo that originally brought Pusha and his brother, No Malice, to fame.

Since the Clipse dissolved, though, Pusha’s continued to make incredible music, most recently on Daytona, which was produced by Kanye West as part of his five-part “Wyoming Sessions” earlier this year. From LP tracks like the excellent “If You Know, You Know” and spooky-sounding single “What Would Meek Do” to the fiery Drake-diss single “The Story Of Adidon,” Push’s lyrical style can’t be touched right now, and the top-quality production provided by Kanye and others results in some of the best hip hop being made right now. And it’s out of Virginia — so what better place to see it brought to life onstage? This show’s gonna be off the hook. Make sure you’re part of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Marbin, Curtana, and JJ Speaks at The Camel

Joe Vanderhoff | March 29, 2018

Topics: Curtana, jazz fusion, JJ Speaks, Marbin, must see shows, rva must see shows, shred, The Camel

Tickets $10 in advance, $12 at the door.
Doors: 7pm
Show: 8pm
8pm JJ Speaks
9pm Curtana
10pm Marbin

MARBIN is a progressive jazz-rock band based in Chicago, IL, with a unique story that stands out in today’s music world. With a do-it-yourself approach, Marbin started touring extensively in 2011, bringing their original instrumental music to every part of the United States. Through word of mouth, Marbin has gained the attention of thousands of devoted fans all over the world, and has sold tens of thousands of albums. Marbin has released six albums: Marbin (2009), Breaking the Cycle (2011), Last Chapter of Dreaming (2013), The Third Set (2014), Aggressive Hippies (2015), and Goatman and the House of the Dead (2016). Marbin regularly plays in clubs all over the US and in jam and jazz festivals around the world.

To see Marbin playing live please visit:

Facebook: https://www.facebook.com/marbinmusic/videos
YouTube: https://www.youtube.com/playlist?list=PLriEoR1sz7_ltEWAVF7oRnLiyNVVqg7oH

To see Marbin’s full schedule please visit:

https://www.bandsintown.com/marbin

Curtana
https://www.facebook.com/curtanarva/

JJ Speaks
https://www.facebook.com/jjspeaksband/

RVA Shows You Must See This Week: 3/28-4/3

Marilyn Drew Necci | March 28, 2018

Topics: And Out Come The Wools, Benjamin Shepherd, Black Iris, Calvin, Christmas Jerks, Curtana, Dave Watkins, Deau Eyes, emilio's, Good Cretins, JJ Speaks, Loamlands, Love Roses, Marbin, Mojo's, Nana Grizol, Pop Up Duo, Punks For Presents, shows you must see, strange matter, That 1 Guy, The Camel, The Donalds, The HofGarden, The Mostly Dead, Wonderland

FEATURED SHOW
Sunday, April 1, 2 PM
Brunch For Presents, feat. Good Cretins, And Out Come The Wools, Christmas Jerks @ Mojo’s – $5
Happy Holy Week, everyone! If you’re an observant Christian this week, you’ll probably be in church wearing your fanciest outfit at least once in the next few days. However, music has always been the closest thing to religion I’ve got, and if you’re anything like me, chances are you’d rather spend Easter Sunday rocking out. Don’t worry, it’s for a good cause — Punks For Presents, that Christmas-themed charity that donates toys to local children’s hospitals every holiday season, has been steadily expanding their reach across multiple holiday seasons.

Now, to their domination of December and their summertime “Christmas In July” shows, they’ve added a special celebration of the Easter holiday taking place Sunday afternoon at Mojo’s (which is becoming a pretty consistent venue for live music lately, and that’s always nice to see!). And if you, like me, are the type to worship at the church of music, this is definitely the Easter celebration for you.

“Brunch For Presents” brings us a triple-shot of killer Christmas-themed punk tribute bands. Good Cretins have become veterans of the Punks For Presents lineups and of the tribute band game in general — after all, how many tribute bands do you know of that go far enough to record? The fact that Good Cretins have an EP worth of Ramones covers available for streaming on Bandcamp should prove that they’re serious about bringing you the best-quality Ramones tribute in the business. They’ll be joined on this bill by Rancid-lovers And Out Come The Wools (whose name, I’m assuming, is a Christmas-related joke I just don’t quite get), and by Christmas Jerks, who’ll bring the music of the Circle Jerks to life in this tiny bar. And it’ll all happen while you eat brunch — assuming you don’t make it to brunch until at least 2 PM. Which sounds about accurate for Richmond, so we should all be fine.

Wednesday, March 28, 7:30 PM
Marc Ribot’s Ceramic Dog, Rumput, Maria Chavez @ Black Iris – $15 in advance/$20 at the door
Fans of avant-garde jazz, postpunk weirdness, and general atonal insanity should be stoked tonight; Marc Ribot is coming to town! This legendary guitarist has been on the scene since the 80s, first making a name for himself with his contributions to classic Tom Waits albums like Rain Dogs and Mule Variations. He went on to play with a variety of artists with a variety of approaches, from Elvis Costello to John Zorn. He’s also been making solo records since the dawn of the 90s, on which he has teamed up with a variety of talented musicians to create a whole ton of genre-hopping musical madness.

Ribot’s current crew is Ceramic Dog, a trio in which he’s backed by two members of the Mr. Bungle side project Secret Chiefs 3. They’re just about to release their third album and first since 2013, YRU Still Here? Ribot’s work with Ceramic Dog takes a variety of forms, from Grinderman-style angry-old-man noise-rock to instrumental noise-jazz and even the occasional quiet moments. The new album mostly finds Ribot in angry-old-man mode, but for righteous reasons, as is shown in song titles like “Muslim Jewish Resistance” and “Fuck La Migra.” Tonight at Black Iris, he’ll be screaming with his voice and with his guitar, while Ceramic Dog tears your face off with their uncompromising instrumental attack. You’re not going to want to miss this — nor will you want to miss the opening performance by genre-melding folk musicians Rumput, and the post-Ribot DJ set from avant-garde sound artist Maria Chavez. This will be a night to remember, folks. Be there.

Thursday, March 29, 6 PM
Nana Grizol, Loamlands, Benjamin Shepherd @ Strange Matter – $12 (order tickets HERE)
Early all-ages shows were kind of the lifeblood of the scene back when I was growing up in the 90s. These days, they’re a vanishingly rare breed, at least around here, and the fact that I’m fully twice as old as I need to be to get into bar shows doesn’t make this any less of a bummer to me. So I’m glad to see a rare occurrence of an actual all-ages show happening this week over at Strange Matter. Of course, it’s headlined by Nana Grizol, who’ve been around for 15 years and feature members with resumes dating back to the 90s. But you’ve gotta start somewhere, right?

Really though, no matter what age you are, chances are Nana Grizol has something to offer you. Featuring former members of Defiance Ohio and Neutral Milk Hotel, they’ve got impeccable credentials in the worlds of both folk-punk and indie-pop, and the winsome, jangly pop sound of their latest album, 2017’s Ursa Minor, is guaranteed to appeal to fans from both of those musical worlds, and quite a few others. Only intermittently active, this group is probably not coming around again anytime soon, so head over after school and catch their set. You’ll still be home in time to beat curfew! And if you show up on time (always a good idea), you’ll also catch sets from Loamlands, a Durham-based alt-country group with tinges of Fleetwood Mac in their sound; and local singer-songwriter Benjamin Shepherd, who’s bringing a full band with him this time out. Make it happen.

Friday, March 30, 8 PM
Deau Eyes, The Pop Up Duo, Calvin @ The HofGarden – $10 in advance, $15 at the door (order tickets HERE)
Scott’s Addition is popping off like crazy these days, and though I won’t pretend not to miss the sleepy little abandoned factory town, complete with a random patch of woods over towards the train tracks, that I moved into in 2006, I certainly recognize that Richmond has embraced this area as the new hangout spot of choice. After all, there’s a lot to do over there these days, and the HofGarden is making a pretty significant contribution to that fact all by its lonesome. After all, it’s got three whole floors to offer for your entertainment! I’m not too enthused about the one that’s yet another craft beer spot, but the game room and rooftop pizza joint are just what the doctor ordered on some nights.

And this Friday night, the rooftop’s gonna be the place to be as three excellent local acts kick off the HofGarden’s Finally Friday live series with a performance on top of the Hofheimer Building. Deau Eyes has made some noise around Richmond since the start of 2018 with their crowdfunding campaign to produce their debut album, and while you still can’t hear their excellent 90s alt-rock sounds unless you go watch their Kickstarter video, you won’t have to wait for the album to drop if you head over to the HofGarden Friday night and catch their set, now will you? Deau Eyes are joined on this bill by some musicians of a decidedly different style, including the Pop-Up Duo, a standup bassist and a saxophonist who do some pretty fun material, including Tom Petty covers if their Facebook page is any indication. There’ll also be a solo performance from Calvin Brown, aka Calvin, who plays keyboards in Kenneka Cook’s band but also has some sounds of his own to bring to you. All this while you eat pizza on a roof? What more do you need?

Saturday, March 31, 8 PM
The Mostly Dead, The Donalds, Love Roses @ Wonderland – $5
It’s Saturday night — a great night to head down to Shockoe Bottom and party at Wonderland, which is keeping the punk spirit alive down by the river. This week sees the arrival of The Mostly Dead, a rad band from DC with a really solid post-hardcore sound. You could be forgiven for expecting shows at Wonderland to revolve entirely around old-school punk and crossover thrash, but The Mostly Dead are pushing the boundaries of this place’s usual fare with powerful riffing that draws from DC forebears like Swiz while also incorporating melodic touches drawn from Jawbox and Fugazi.

One need look no farther than their 2014 LP, Wilderness, for solid evidence that The Mostly Dead has the goods. Sadly, that seems to be their most recent release. If anything, that may mean you’ll get a grip of as-yet-unreleased tunes from the band’s set Saturday night, though, and that’s always a good reason to show up. And of course there’s also a double-shot of the old-school punk sound you’ve come to rely on from Wonderland, in the form of local bands The Donalds and Love Roses. These bands will give you plenty of fist-pumping tunes to circle-pit and sing along to — just don’t spill your beer on the dance floor, that’d be a bummer.

Sunday, April 1, 9 PM
Ol’ Sport, Futurists, Eaves, Inthewater @ Emilio’s – $5
Emilio’s seems to go back and forth with how active it is in the live music scene. It’s been poppin’ lately, though, and that’s always nice to see. This Sunday night, the little jazz bar on the corner of Broad and Meadow will be visited by two bands from Charlotte, NC, and if you’re willing to deal with the mess the whole new bus line has made of the street down there, you’ll be rewarded with some excellent sounds. Ol’ Sport are doing the emo thing, which I’ve always admitted to being a sucker for. Last summer’s Grass Stains EP has some great songwriting and does a good job of moving back and forth between quietly downcast moments and loud, anthemic celebrations of angst and emotional struggle. This is what I’m looking for, and if it’s not what you’re looking for too, you should maybe reconsider.

Heck, if Ol’ Sport hasn’t convinced you, maybe their Charlotte-based tourmates Futurists can. They’ve got some of that same melodic songwriting talent that shows up in Ol’ Sport’s music, but Futurists are coming from more of that 90s post-Dino Jr distorted-guitar alt-rock space. They’ve got a spacey feel but underneath that they resemble early 90s Sub Pop signees more than anything. And again, that’s just what I’m looking for. Locals Eaves will further sweeten the pot on this bill with some post-rock-influenced post-hardcore tunes, which were showcased in fine fashion on last year’s LP, As Deeply As You Do. These local kids are making things happen, and I for one am glad. New ambient artist Inthewater will kick things off, easing you into it. Works for me.

Monday, April 2, 8:30 PM
Marbin, Curtana, JJ Speaks @ The Camel – $10 in advance/$12 at the door (order tickets HERE)
I’ve tried on many occasions to get y’all into jazz, and here I go trying again. But it’s for a good cause, because jazz music rules. And it especially rules when it’s being played by musicians with talent and originality who are excited about taking it in a new direction. That’s definitely true of Marbin, a quartet that came together almost a decade ago, around the time that guitarist Dani Rabin and saxophonist Danny Markovitch left their native Israel to come to Chicago and play heavy jazz. Marbin’s had a variety of players on the bass and drums since then, but regardless of who Rabin and Markovitch are playing with, they continue to make complex, heavy music that brings an obvious rock n’ roll vibe and influence to bear on their jazz approach.

They’ll be doing that at the Camel Monday night, and you should really be there to take in their own unique brand of “Israeli Jazz.” They’ll be joined on the bill by RVA locals Curtana. No, not Cortana, that’s the silly little “desktop assistant” on your laptop. Curtana are a quartet that play instumental prog-rock with a dual-guitar attack that is sure to keep your attention. They certainly have a jazzy flavor at times, but this is straight up rock music with some metal tinges, which makes them both an apt pairing and a delightful contrast for Marbin. JJ Speaks open up with their own instrumental prog sound, bringing a lighter touch to the genre and emphasizing melodies over metallic crunch. On the whole, it’s going to be a delightful evening, during which vocals won’t be necessary. Nor will they be missed.

Tuesday, April 3, 9 PM
That 1 Guy, Dave Watkins @ The Camel – $15
Oh joy, That 1 Guy is back in town! If you’ve been keeping up on the wonderful underground world of the musicians known as “one-man bands” (my wife’s really into this stuff), you’re probably aware of That 1 Guy, a classically trained double bass player and rockabilly musician who has built a few instruments of his own and creates and performs his music entirely by himself on these instruments. Most famously, there’s The Magic Pipe, an aluminum frame with a couple of upright bass strings on it and a whole bunch of sample triggers, all of which That 1 Guy plays, sometimes with a drumstick. Yeah, seriously. It’s wild.

The result of all these musical hijinks is a fun blast of energetic, funky rock n’ roll with elements of Tom Waits (whom That 1 Guy once played with) and Primus, plus the occasional moment of straight-up jazz. His music is not just any one thing, it’s a variety of things all rolled up into one — and that’s always fascinating. The same is true of RVA-based opener Dave Watkins, who veers from acoustic folk played on old-time instruments to avant-garde ambient noise loops played with amps and pedals. Sometimes he does both at the same time, and like That 1 Guy, he’s even made his own instrument — an electric “dulcitar” (part dulcimer, part guitar) — on which to perform his compositions. If you like adventurous, unusual musical explorations, both Watkins and That 1 Guy are musicians you need to see. Luckily for you, you can see both for the price of one this Tuesday night at The Camel! I think you know what to do.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected]yrva.com [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

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