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VA Shows You Must See This Week: December 5 – December 11

Marilyn Drew Necci | December 5, 2018

Topics: 1NF1N1T8, 37th and Zen, Accident Prone, Asylum, Bat, Big Dev, black liquid, Blind Justice, Boxford, Butt, cakes, Cannabis Corpse, Cha$e Royale, Chance Fischer, Charlie's American Cafe, Chris Haskins, Christi, Claudio Simonetti, Cloak/Dagger, Cloud Nothings, Cole Hicks, Combust, COUGH, Cult Leader, deviant, DJ Bandolero, DJ Banga, Dogfuck, Dr. Millionaire, Dry Spell, Eric & Aviana, Flatline, Frankenstein Reyes, Fuggin Doe, Generation Axe, Goad Gatsby, Goblin, God Goldin, God Mother, Grayscale, Haircut, Hip Hop Henry, I Fight Vampires, Invaluable, Iron Reagan, Lovesick, Mensroom, Michael Millions, Moon, Mutant Academy, Nickelus F, Nosebleed, Nuno Bettencourt, Octavion X, Paper Trail, Piranha Rama, Primitive Weapons, PT Burnem, Rack Squaresoft, Red Vision, Reppa Ton, Roy Batty, Russ Waterhouse, Scotty And the Steiners, Semtex, shark eyes, shows you must see, Sinister Purpose, Skinnyy Hendrixx, Skuzii, Sleep, Steve Vai, strange matter, Suspiria, The Ar-Kaics, The Byrd Theatre, The Courtneys, The National, Tosin Abasi, Van Silke, Watchdogs, Weather Warlock, Weird Tears, Windhand, Yngwie Malmsteen, YOUNG FLEXICO, Zakk Wylde

FEATURED SHOW
Friday, December 7, 9:30 PM
Claudio Simonetti’s Goblin performs Suspiria @ The Byrd Theatre – $35 (order tickets HERE)
This is pretty much a once-in-a-lifetime event, and you pretty much need to be there if you have any interest at all in horror movies, spooky European prog rock of the 70s, or both. Here’s the deal: the Italian prog group Goblin did quite a few soundtracks for horror movies back in the 70s and 80s, including several for legendary Italian horror director Dario Argento. In 1977, they did what is probably their most famous work in the score for Argento’s most famous film, Suspiria. Now, in a weird tie-in to the 2018 remake of the film, Claudio Simonetti’s Goblin are on tour performing the Suspiria score live along with the film. This Friday night, they’ll be doing so at The Byrd Theatre. How cool is that?

Goblin has been made up of many people over the years, and at this point in history, there are several active or dormant projects that have used variations on the name in the past decade or so. Claudio Simonetti, the group’s longtime keyboardist, is currently leading a trio featuring the members of his late-90s/early-00s metal band, Daemonia, and that’s the version of Goblin that will be coming to the Byrd. Anyone who’s seen Suspiria or soundtracked an awesome Halloween party with the soundtrack album will recognize the essential role Simonetti’s keyboards play in the film’s music; basically, if there were to be one original member of Goblin involved in this performance, you’d want it to be Claudio Simonetti.

Basically, this is the closest any of us will get to seeing the original Goblin play this music. And better yet, the group will follow its performance along with the film by another set of music drawing from the highlights of Simonetti’s lengthy career, which has included film scores for dozens of classic horror flicks (Deep Red, Dawn Of the Dead, Demons, Nightmare Beach, The House of Witchcraft… so many more). And if that tantalizes you, here’s the best part of all: you’ll get to see Argento’s original Suspiria on the big screen. Who can pass that up? Not you, if you’re smart.

Wednesday, December 5, 7:30 PM
Generation Axe Tour, feat. Steve Vai, Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt, Tosin Abasi @ The National – $39.50 in advance/$43 at the door (order tickets HERE)
The 90s have been the nostalgia decade of choice for a while now, and somehow we got there as a culture without ever dealing with that late 80s era of leather pants, hairspray, and wild shreddy guitars that everyone remembers now as “hair metal.” There was a lot to that era, y’all, and a lot of it was great. From 80s power metal that got wrongly lumped in (Iron Maiden, anyone?) to the true classics of the glam generation (Shout At The Devil is one of the best metal albums of that decade — yeah, I said it), we’ve chosen to leave a lot of great things out of the cultural narrative. I guess this is what people mean when they say “guilty pleasures,” huh?

Generation Axe comes to The National to let us all know that it’s time to stop feeling guilty about all the shred-heavy guitarists with feathered hair and lightning-speed arpeggios whose tablatures we all studied obsessively in the back pages of Guitar World while we were supposed to be finishing our algebra homework. The king of the shred, Steve Vai, who is known not only for his epic instrumental solo albums (and “solo” is indeed the word) but his time in Whitesnake, David Lee Roth’s solo band, and many more, got this whole project together, recruiting fellow instrumental shred king Yngwie Malmsteen (it’s pronounced “ING-vay,” and in the time it took you to read this parenthetical aside he’s played at least 800 notes), Ozzy/Black Label Society legend Zakk Wylde, former Extreme guitarist Nuno Bettencourt, and Animals As Leaders, um, leader Tosin Abasi to form a five-guitar monster of razor-sharp licks and tour the world. At the National, you’ll see everything from spotlight sets by each of these five guitarists to duets and collaborations between three or even all five string-benders to wow you with hours and hours of shred-thrash fireworks. It’s going to be so goddamn amazing you’ll surely want to dig through mom’s attic over Christmas until you dig out your dusty old Ibanez and books of guitar tabs. Get fired up.

Thursday, December 6, 7 PM
The Ar-Kaics, Christi, Piranha Rama, Weird Tears @ Strange Matter – $10 (order tickets HERE)
Strange Matter’s long goodbye continues this week, and we’ll be sending you there quite a bit before we wrap up this column. This is because, even in their final throes, this best of all Richmond venues continues to pack the place each night with brilliance. This particular garage-psych focused bill is centered around 60s revivalists The Ar-Kaics, who’ve spent the last several years wowing us with the charm of their many 45 RPM singles, recapturing the fuzzed-out glory of the Nuggets era. After a couple years away from the spotlight, they’ve returned in a big way with In This Time, their second full-length. On it, they mix the primitive charm of their garage-rock roots with some increased melodic elements that make these tunes catchier than ever.

Rejoicing at the return of the Ar-Kaics is a big reason to come to this show; however, it’s not the only one, as local power-pop legends Christi are returning to live performance after a year and a half away from the stage. I would say this makes sense, since longtime Ar-Kaics drummer Patty Conway was also in Christi, but by the time Christi broke up she wasn’t in that band anymore — and at this point, it seems like she might have left the Ar-Kaics as well. So this could all be a big coincidence. Either way, the double-dose of old-school rock n’ roll with some killer vocal harmonies overtop is coming for you, and it’s going to rule, so you really should just be at this show no matter what. Local up-and-coming garage-pop group Piranha Rama and the ever-mysterious Weird Tears will get this show rolling in fine fashion.

Friday, December 7, 8 PM
Sleep, Weather Warlock @ The National – $21.50 in advance/$25 at the door (order tickets HERE)
Where doom metal, or “stoner metal,” or whatever you want to call it, is concerned, Sleep are pretty much the north star. Having evolved out of apocalyptic crust band Asbestos Death at the dawn of the 90s, Sleep went on to define the stoner-doom genre with their 1992 classic, Sleep’s Holy Mountain, before either attaining doom godhead or flying too close to the sun (depending on your point of view) with the long-delayed legend of an album, Dopesmoker (which consisted of one 74-minute song. I know, right?). However, while record companies were less than stoked at the idea of marketing a one-song double LP, leading the group to disband, their legend grew in their absence — fueled by the biker-metal heroics of guitarist Matt Pike’s post-Sleep project, High On Fire, and the epic drone of bassist/vocalist Al Cisneros’s Om, which has incorporated elements from Tibetan Buddhist chants into their moody darkness.

After receiving rapturous responses to a series of reunion tours, Sleep became a fully functioning band again about five years ago, recruiting Neurosis’s Jason Roeder to replace retired original drummer Chris Hakius. This year, they followed up two excellent post-reunion singles with their first full-length album in over 20 years, The Sciences. What is obvious from the first listen is that this group hasn’t lost a single step over the intervening years, mixing the biker-doom headbanging of High On Fire into Om’s droning low-end hum to create newborn classics like the Egyptian pyramid-Black Sabbath pun reference in “Giza Butler,” or the 21st century stoner anthem “Marijuananaut’s Theme.” They’ll bring all of this to us at mind-shearing volume and with soul-pulverizing power when they take the stage at The National, and all of you stoner warriors of the astral plane are going to want to touch down and experience it firsthand.

Saturday, December 8, 12 noon
Dry Spell, Mensroom, Cloak/Dagger, Nosebleed, Haircut, Sinister Purpose, Butt, Deviant @ Strange Matter – $12 (order tickets HERE)
These days, it seems, hardcore bands never really die — they just go dormant for longer and longer periods, only returning to play a show on occasions momentous enough to resurrect them from their suspended animation. Strange Matter’s closing is definitely a momentous occasion, and one way you can tell is that this noontime Saturday show is headed up by not one, not two, but THREE mostly-dormant hardcore bands that have returned to action for the first time in at least a year (OK yes, Cloak/Dagger played a few shows nine months ago. Point stands).

Dry Spell’s big period of activity is about a decade in the rearview now, and their midtempo rockin’-hardcore rage sounds fresher than ever when you revisit it in 2018, so this set bringing together members from up and down the East Coast to perform together once again should be a real blast. Mensroom disappeared from the Richmond musical landscape about three years ago now, so the new jacks may not remember them, but any young punks who love the psychedelic-sludge take on hardcore that Slump has been dishing out for the past couple years are definitely gonna want to catch their set (being billed as a “reunion/last show”), as these guys were doing that sort of thing before Slump ever got going. As for Cloak/Dagger, these rip-roaring maniacs have made some killer sounds by finding the line between garage-punk and hardcore and staking out a position just to the “hardcore” side of that line. Get ready for some raw rock n’ roll power when these guys take the stage. And be sure to set your alarm, because if you’re not there right at noon, you’re sure to miss some of the many excellent openers — and that would be a very bad move.

Sunday, December 9, 7 PM
Cloud Nothings, The Courtneys, Russ Waterhouse @ Strange Matter – $15 in advance/$18 day of show (order tickets HERE)
Cloud Nothings may not be coming to Richmond specifically to celebrate the life and legacy of Strange Matter, but that’s no reason to skip this show — it’s gonna be every bit as good as everything else that has become a part of the Strange Matter Closing Series. Cloud Nothings are an incredible band from Cleveland, who have built themselves quite a reputation by simply putting their heads down and continuing to crank out excellent no-frills tuneage that both rocks hard as hell and has the ability to stick firmly into your head all day.

Where a lot of other rock bands have fallen into the pattern of taking three years or more between records, Cloud Nothings have stayed prolific, releasing five full-length albums and one collaborative album with Wavves since 2011. Their two most recent albums, Life Without Sound and Last Burning Building, both came out within the last year and a half, and both bring us excellently written songs with fire and passion, landing somewhere between prime mid-period Replacements and the best work of legendary UK punk rockers Leatherface. If anything, Cloud Nothings just seem to get better as they go on, and that’s reason enough to catch them whenever they come through town. Rest assured, they’ll blow you away. Excellent support from Canada’s The Courtneys, who bring us their shambling indie-pop brilliance under the auspices of legendary New Zealand record label Flying Nun, only sweetens the pot — as does a solo set from Blues Control’s Russ Waterhouse to kick it all off. Get with this one.

Monday, December 10, 6 PM
Cult Leader, Primitive Weapons, God Mother, Asylum, Shark Eyes @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I read a novel from 30 years ago this past week, and at one point, a character referenced “heavy metal.” The term, once ubiquitous in my own musical vocabulary, struck me as archaic to an almost amusing extent. When I pondered why it felt that way these days, I realized that it’s mostly because, while we still use both words separately to talk about certain types of music, we pretty much never use them together. There’s metal music, there’s heavy music, but instead of combining to become “heavy metal,” they really seem like two completely separate genres today.

I bring all this up to point out that Cult Leader, who released their second album, A Patient Man, less than a month ago, are definitely on the “heavy” side of that divide. A Patient Man is a crushing listen, full of volcanic riffs that feel less like discrete breakdowns than a continual overpowering onslaught of low-end rumble and harsh, roaring noise. The fact that this quartet hails from Salt Lake City, Utah, makes their sheer brutality a bit more understandable — it’s got to be hard to grow up in such a repressive social environment. All that repressed tension’s gotta come out somewhere. The way it comes out might not be metal, exactly, but it’s certainly heavy. The same is definitely true of tourmates Primitive Weapons, who hail from Brooklyn, and God Mother, who come to us from Sweden. Apparently heaviness can emanate from anywhere. Let’s all go soak it up.

Tuesday, December 11, 6 PM
Strange Matter’s Final Hip Hop Show, feat. Black Liquid, Nickelus F, Mutant Academy, Moon, Michael Millions, Chance Fischer, Dr. Millionaire, Cole Hicks, Octavion X, PT Burnem, Young Flexico, Grayscale, Cakes, Reppa Ton, Fuggin Doe, Cha$e Royale, Goad Gatsby, Big Dev, Van Silke, 1NF1N1T8, Lovesick, Dogfuck, God Goldin, Frankenstein Reyes, Skinnyy Hendrixx, Skuzii, Chris Haskins, Rack Squaresoft; music by DJ Bandolero, DJ Banga, Hip Hop Henry @ Strange Matter – $10 (order tickets HERE)
All these Strange Matter closing shows have been jampacked with local talent, which means that when you’re going to a hardcore or metal show, you might see 10 or 12 bands instead of the usual four or five. But what happens when a hip hop show goes mega? After all, a regular hip hop show can easily feature 10 rappers, and Black Liquid’s long-running monthly Face Melt Friday nights at Strange Matter rarely featured less than 20. So what does a really epic hip hop show look like? Well, if this bill is any indication, it looks like at least 30 rappers and several different DJs holding down an entire evening full of awesomeness. And I think we’d all have to say that’s outstanding.

RVA’s hip hop world often looks like at least half a dozen parallel worlds, many of which don’t intersect frequently by any means. However, if there’s one thing Black Liquid has always tried to do with his Face Melt Fridays, it’s to bring the entire scene together under one roof, so everyone can appreciate each other’s talent. The same thing is true of this show, which pulls together everyone from local legend Nickelus F and hot up-and-coming talents Mutant Academy to local veterans like Dr. Millionaire and Chance Fischer and Face Melt Friday mainstays like Goad Gatsby. Plus, there’s a lot of lesser-known talent lurking around the lower reaches of this bill — bizarre names like Dogfuck and 1NF1N1T8 come with solid track records. And of course, with Black Liquid presiding over it all, the vibe is gonna be like the Face Melt Friday to end all Face Melt Fridays… regardless of the fact that it’s actually happening on a Tuesday. So hey, don’t sleep on this one. There won’t be another.

Bonus Hampton Roads Picks:

Friday, December 7, 7 PM
Boxford, Invaluable, Accident Prone, Scotty And the Steiners, Eric & Aviana, I Fight Vampires @ Charlie’s American Cafe – $5
I love pop-punk. I’ve never hidden that, never tried to play it down… I don’t feel the least bit guilty about it. It makes me smile and it rules and more people should try to understand its charms. But I’ll tell the truth — I’m very aware of how navel-gazing the whole genre can be, and how male-dominated… to the point where some otherwise-great bands are self-centered enough to take a downright douchey approach to some otherwise incredible hooks. It’s a bummer.

Thank god for bands like Virginia Beach’s Boxford, who actually seem to care about the world outside their own rooms. This show is a release party for their latest EP, Facade, a three-song collection that focuses on the sort of mental health struggles that too many pop-punk fans can relate to (yes, including me. No shame). And for their record release show, they’re doing more than just singing about it, turning the entire show into a collaborative fundraiser with the American Foundation for Suicide Prevention, who will be on hand to talk to attendees between bands about ways we can all lend a hand to the struggle within our communities for greater mental health. This is important stuff, and I don’t want to trivialize it by saying that it comes with a legitimately great soundtrack. But it must be mentioned that Boxford’s Facade is an excellent record, and openers like Invaluable and Accident Prone have quite a bit to offer as well. This will be a fun show with a very serious purpose. And that’s just about perfect.

Saturday, December 8, 6 PM
Blind Justice, Paper Trail, Red Vision, Watchdogs, Combust, Flatline, Semtex @ 37th And Zen – $12
An alert for Central Virginia’s hardcore kids: if you can find a fast enough ride, you can fill your entire Saturday this week with incredible hardcore sounds. Not only do we have an excellent slate of hardcore bands here in RVA with a noon kickoff time, the excellent Jersey-shore hardcore band Blind Justice will be headlining a killer bill featuring multiple Richmond bands at Norfolk’s 37th and Zen that night. Travel time between the two is just 90 minutes if you’ve got a lead foot… and if the tunnel doesn’t screw you over. It’s worth a shot, right?

This is especially true in light of Blind Justice’s latest LP, No Matter The Cost, which dropped this summer and knocked everyone out. The energetic approach this band takes to their music, and particularly vocalist Mike Botti’s ridiculously intense vocals, are a recipe for bowling you over in a live environment. These guys are sure to get the pit moving with a vengeance when they hit the stage at 37th and Zen. Richmond bands Red Vision and Watchdogs are also on the bill, and both bands are celebrating their brand new releases. Red Vision brings us their hard-as-hell new full-length, Stake Your Claim, while Watchdogs give us a dark, metallic new EP called Sanguinary. They both rule, and I’m sure these sets will be ones to watch. A whole bunch of other bands, including Virginia Beach mainstays Paper Trail, are on hand to sweeten the pot on this killer. Gas up your tank before the Strange Matter show, because you’re gonna want to catch this one too, and you’ll have no time to waste.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 12/20-12/26

Marilyn Drew Necci | December 20, 2017

Topics: Andrew Leahey & The Homestead, Capital Ale House, Carousel Kings, Coke Bust, Continental Clouds, Dry Spell, Exebelle, Fighting Gravity, Hardywood, Jackmove, Karen Jonas, Memory Loss, Mistaker, Murphy's Kids, Mylo Shift, Naked Pictures, Nosebleed, Pedals On Our Pirate Ships, Santa Kilmagik, shows you must see, Skalidays, Sports Bar, strange matter, The Camel, The Great Heights Band, The National, The Pietasters, The Pink Spiders

FEATURED SHOW
Friday, December 22, 8 PM
Skalidays 2017, feat. Murphy’s Kids, The Pietasters, Jackmove, Mylo Shift, Santa Kilmagik @ The Camel – $10 in advance/$15 day of show (order tickets HERE)
It is the end of an era, y’all. The 2017 Skalidays will mark the final live appearance of Murphy’s Kids. This long-running ska band traces its origins back to the thick of the late 90s punk-ska revival, which brought us bands like Reel Big Fish, Goldfinger, and Save Ferris. On the local level, a bunch of high school kids from the Southside started playing their own version of that sound back in 1999, and over the next 18 years, Murphy’s Kids honed and expanded their sound, outlasting the movement that birthed them and almost every other band that had been part of it to become godfathers of the pop-punk, ska, and reggae scenes in Central Virginia.

Earlier this year, they released their seventh album, a progressive concept album called Time Dilation that expanded into psychedelic territory through the use of ambient soundscapes and heady lyrical themes. It was still just as much of a danceable burst of fun as any of their previous work, though, so it would have been tough for anyone to predict that it would also become their swan song. However, only six months later, the band will leave the stage for the last time as part of the long-running holiday charity benefit they created over a decade ago. One thing’s for sure–they’re going out on top.

Chances are good that Skalidays will live on; after all, it’s bigger than just one band, and it’s been that way for a long time. As if to prove that Skalidays is more than just Murphy’s Kids, their last gig will share headlining with DC ska legends The Pietasters, who’ve been on the scene even longer than Murphy’s Kids and have even more classic albums under their belt with which to establish a lasting legacy. VA Beach reggae-punkers Jackmove and local goof-punk maniac Mylo Shift will round out the lineup, along with some between-set sounds provided by DJ Santa Kilmagik. As always, the proceeds of Skalidays will be given to charity; in this case, it’s Food Not Bombs RVA, a group with a deep political-punk legacy of its own. It’s a fitting end for a band that’s given so much to this city and this scene. Don’t miss your last chance to dance along.

Wednesday, December 20, 8 PM
Pedals On Our Pirate Ships, Sports Bar, Naked Pictures, Mistaker @ Strange Matter – $5
Wow, this is certainly noteworthy–the return of Pedals On Our Pirate Ships, the band that defined RVA folk-punk for years. Originally starting out as Matt Seymour’s acoustic solo project, the band grew to include peppy synths and a tiny, ad hoc percussion kit before finally becoming a full-on four-piece electric band on 2012 LP A Place To Stay. After that album’s release, as members grew older and gained more commitments, Pedals became less and less of a full-time concern. These days, it’s been over five years since their last release, and shows have been hard to come by for quite a while now.

But fear not, fans–Pedals On Our Pirate Ships is set to return tonight at the top of an incredible edition of Strange Matter’s ongoing Locals Only series. The band’s been reconstituted almost completely, with Matt Seymour now being backed by an almost completely new lineup that lacks keyboards but features members of Sundials, among others. There’s no new music to check out as yet, but the band apparently has plenty stored up to unleash upon its fans tonight–so you definitely don’t want to miss it. The addition of a super-solid lineup of heavy hitters including Sports Bar, Naked Pictures, and Mistaker definitely sweetens the pot, but make no mistake, this show is Pedals On Our Pirate Ships’ coming out party, and you’re gonna want to be there to see what their latest incarnation has in store for you.

Thursday, December 21, 7 PM
The Pink Spiders, Carousel Kings, The Great Heights Band @ Capital Ale House – $12 in advance/$15 day of show (order tickets HERE)
It’s been really neat seeing Capital Ale House expand their live offerings over the past several months. Here’s yet another show that I never would have predicted would end up onstage there but is sure to be excellent no matter where it takes place. The killer garage-pop of The Pink Spiders has been excellent for over a decade now, from their super-rad debut, Teenage Graffiti, right up to current singles “Black Dagger” and “Easier Than Ever,” both of which feature slightly glammier sounds but the same killer hooks that always made this band one to watch. A new album’s coming next year, but if you show up to this show, chances are you’ll hear a lot of it early. That’s definitely worth checking out.

Carousel Kings are a pretty strong attraction in and of themselves, so don’t sleep on them. This PA melodic hardcore band first got onto my radar with 2014 LP Unity, which featured some truly devastating emo-punk anthems. Their most recent album, Charm City, is their first for Victory Records, so they’ve hit the big time–and the band definitely rose to the occasion. Anthemic emotional tunes full of melody and power still dominate the album, though there’s a definite tinge from 80s pop-metal geniuses like Poison and Warrant hiding in the mix there somewhere (that’s not a dis, those bands rule. Yeah, I said it). Their hardcore lineage contrasts with the garage-rock background of the Pink Spiders, but these two bands are definitely on the same page where writing killer hooks are concerned. You’d be a fool to miss either one on their own, but together, this bill is unstoppable.

Friday, December 22, 6 PM
Exebelle, Andrew Leahey & The Homestead, Continental Clouds @ Hardywood – Free!
Here’s some excellent news for all the alt-country heads haunting the RVA live music scene. For the first time in six years, Exebelle has a new album for us all. What’s more, it’s a double CD that’s full of all the excellent songs they’ve spent the past half-dozen years putting together. That amount of time has put paid to the band’s former “Rusted Cavalcade” sobriquet, but if anything, the stripped-down name just makes way for some really amazing new tunes. The 19-song double album is still under wraps until this Friday’s release party, but advance singles “The Long Pour” and “Share It With You” both have an outstanding rock n’ roll swagger beneath their country twang, calling to mind The Rolling Stones in their early-70s prime even as they also connect the dots between early Wilco and Southern Rock Opera-era Drive-By Truckers.

The result is potent indeed, and should do more than enough to justify a 19-song double-disc release. It’ll definitely make for a great record release show–Exebelle is promising 75 minutes of music spanning their decade-long career (the majority of which, it must be noted, would be represented by songs from the new record), and of course, they’ll have the new album for sale as well. Exebelle will be joined on the bill by fellow twangy rock n’ rollers Andrew Leahey and the Homestead, who hail from Nashville and are touring behind last year’s excellent Skyline In Central Time LP, a great pairing with the latest offering from Exebelle. Locals Continental Clouds, formerly known as Eric Hunter and the Distractions, will open up with some rad power-pop sounds. Don’t miss a moment of this one.

Saturday, December 23, 8 PM
Coke Bust, Dry Spell, Memory Loss, Nosebleed @ Strange Matter – $10 (order tickets HERE)
It’s the weekend before Christmas, and it’s time to bring it all back home with a raging hardcore banger to get all the kids back from school for the holiday out of their parents’ house and into the pit! Coke Bust have been around for over a decade now, dishing out their lightning-speed straight edge fastcore with a fury that just does not let up. It’s been four years since their last release, the Confined LP (which was pressed to 12 inch vinyl even though it’s less than 10 minutes long), destroyed turntables across the world with its furious velocity, and Coke Bust have become a bit of a part-time concern in the years since (seemingly the way of all things where the hardcore scene is concerned), but they’re back with a vengeance to let it rip onstage at Strange Matter once again this Saturday night.

Also back in action is Dry Spell, a Richmond hardcore band who brings the fury in a more rockin’, less speedy fashion than Coke Bust, and demonstrated their technique on their self-titled 2010 LP for local label Vinyl Conflict. These guys are even less active than Coke Bust these days, but you can rely on them returning to terrorize unsuspecting audiences on at least an occasional basis. Looks like Christmas is the perfect time to make that happen, and combined with killer opening sets from currently active RVA hardcore killers Memory Loss and Nosebleed, this will make for a devastating night of sweat and lunacy. You’ve gotta get all spiffed up for grandma’s house the next day anyway, right? What better time to rage?

Tuesday, December 26, 8 PM
Fighting Gravity, Karen Jonas @ The National – $20 in advance/$23 day of show (order tickets HERE)
It’s a late Christmas gift from the patron saint of ska, who apparently decreed that the final Murphy’s Kids show just wasn’t enough unmissable amazingness for one week. That’s right–you have the opportunity to celebrate the Feast of Stephen this year with the reunited Fighting Gravity. How could you possibly turn down a chance like this? Well, it’s certainly possible you don’t remember this band from their first time around–I recognize that I’m no spring chicken, and a lot of you probably weren’t even born when No Stopping No Standing came out in 1994. But see, here’s the thing–you can’t even tag Fighting Gravity as being part of that late 90s ska-punk revival. They predated all of that.

Originally known as Boy O Boy (they got sued out of that one), these guys put together a muscular brand of ska with some distinct heavy rock influences, then proceeded to take over RVA with an incredible live show that got huge crowds sweating and skanking with big smiles on their faces. Their mid-90s heyday was marked by excellent albums like Forever = 1 Day and the aforementioned No Stopping No Standing. They grabbed at the brass ring of major label success–which still seemed possible in those heady post-Nirvana days–but never quite made it to the level of Reel Big Fish and all those other bands we talked about before. But Richmond heads know–this band was easily as good as any of them. And 20 years later, their live show is sure to be just as powerful and energetic as it ever was. So end your extended holiday weekend with a reunion that will truly remind Richmond how great we once had it, and give us all the opportunity to relive those days once again.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

RVA Shows You Must See This Week: 7/2-7/8

Marilyn Drew Necci | July 2, 2014

Topics: Andy Vaughan & The Driveline, Backtrack, BSTFRND, BWLR, Cancers, Captives, Cave Of Swimmers, Cayetana, Cross Eyed, Donovan Wolfington, Downpresser, Dry Spell, Endless Mike & The Beagle Boys, Expire, Flite, Freedom, Fucked Up, gallery 5, Hardywood, Harm's Way, Iron Mind, Jake Mayday, Lemuria, Locust Honey, Pope, Pup, Ramshackle Glory, REC Room, Santa Kilmagik, shows you must see, Slugz, strange matter, Suburban Scum, sundials, Teen Death, The Camel, The Menzingers, Turnstile, Venomspitter, weed

FEATURE SHOW
Friday, July 4, 6 PM
Fucked Up, Weed, Dry Spell, Slugz @ Strange Matter – $12 (order tickets here: https://fuckedup.eventbrite.com/)

July 4 is always a day of celebration around here, but this year the fireworks will be happening onstage at Strange Matter.
[Read more…] about RVA Shows You Must See This Week: 7/2-7/8

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