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RVA Shows You Must See This Week: March 2 – March 8

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FEATURED SHOW
Saturday, March 5, 7 PM
Banding Together: A Benefit Concert For RPS Elementary School Music Programs, feat. No BS! Brass, Fear Of Music, Prabir Trio, Erin Lunsford, Landon Elliott, Buenas @ The Broadberry – $20-$100 (order tickets HERE)
It’s been a rough ol’ decade so far, folks, and 2022 is clearly trying to make sure no one thinks it’s calming down this year. Not only is there a terrible war in Ukraine courtesy of that despicable dictator Vladimir Putin, and not only is Texas literally attempting to put parents in jail for being supportive of their transgender children, but things are pretty dang rough right here in RVA, the most obvious example of that being the fire that gutted Fox Elementary School recently. Considering how much trouble Richmond Public Schools always has coming up with the funding necessary to give our local children a good public education, this is definitely not the sort of thing we as a city needed.

Luckily, a whole bunch of Richmond musicians feel exactly the same way, and they’re doing more than ranting about it on the internet somewhere; they’ve actually gotten together with local music education-focused nonprofit JAMinc to organize not one but two benefit concerts for Richmond Public Schools’ musical education programs, both of which take place at The Broadberry this Saturday. The more kid-friendly one takes place at 2 PM and features children’s hip hop group The Diggity Dudes, Jonathan The Juggler, and more. If you’ve got little ones in the house, you probably should take them out to this one, especially since kids 12 and under get in free. But RVA Mag is for the adults, so we’re officially recommending the grownup-oriented show at 7 PM, as it features an incredibly stacked lineup of local musical talent.

Topping the bill is No BS! Brass, a band who shouldn’t even need any introduction to Richmond music fans after all these years. However, on the off chance you pulled into town last week, I will tell you that this collection of horn players, percussionists, rappers, singers, and all around fun-loving troubadours incorporate everything from soul, funk, and classic jazz to hip hop, metal, and hardcore punk into their hype-as-hell tunes and incredibly energetic performances. They’re reason enough for you to be at this thing all by themselves, but the fact that talented local Talking Heads tribute act Fear Of Music, veteran power-popsters the Prabir Trio, excellent singer-songwriters Erin Lunsford and Landon Elliott, plus even more great acts will all be on this bill makes it easily worth the $20 price of admission. This is especially true when you contemplate the fact that every dime you pay will go toward Richmond Public Schools’ elementary music programs. And don’t worry — if you want to donate more, tickets with face values up to $100 are available in order to make your donation as easy as possible. Because as we all know, life’s hard enough right now.

Wednesday, March 2, 7 PM
Spirit Of The Beehive, Body Meat @ Richmond Music Hall at Capital Ale House – $14 in advance, $16 day of show (order tickets HERE)
Psychedelic ensemble Spirit Of The Beehive have been around for a while now, and you might think you’ve got them all figured out. But honestly, if you haven’t checked them out in the past year or so, you might get a big surprise when you show up at Capital Ale House’s Richmond Music Hall tonight. For one thing, the band’s lineup has shifted considerably since the pandemic shut down live music for 18 or so months. Their most recent keyboardist switched to drums, and everyone else other than co-founders and lead vocalists Zack Schwartz and Rivka Ravede left. Last year’s Entertainment, Death LP was their first as a trio, and it foregrounds the experimental, electronic, and sonic-collage aspects of the group in new and fascinating ways that led Pitchfork to give Entertainment, Death a much-sought-after Best New Music designation.

One listen is enough to see why; the hypnotic, psychedelic space pop that’s always been a part of their sound has gotten even more unmoored from conventional reality, even as it has absorbed everything from vaporwave vibes to thrift-store “world music” cassette compilations, shoving it all in alongside their tendency toward abrupt sonic shifts and jarring blasts of noise that depart as quickly as they arrive. What’s left is the kind of head-swimmy dance groove that always makes for the best parties; you’re tapping your feet even though you don’t know the song, but you have no idea what the DJ will reach for next or even if they’ll let it play to the end. After a while, though, it starts to make perfect sense. So come down to Capital Ale House tonight and get on Spirit of the Beehive’s level, because rest assured, no matter how weird it seems from the outside, it’s got a lot to offer.

Thursday, March 3, 8 PM
Well Wisher, Strawberry Moon, Closet Space @ The Camel – $12 (order tickets HERE)
I’m always a sucker for some catchy guitar-driven indie tunes with an undeniable undercurrent of melodic punk, and therefore I can’t in any way resist this performance by New Jersey’s Well Wisher, coming to the Camel on Thursday night to get you spiritually prepared for what the weather people are saying will be an at least semi-warm late-winter weekend. Most recently, Well Wisher graced our cooped-up pandemic time with a series of acoustic singles that did what they could to brighten up the precarious summer of 2020. However, to get a sense of what this quartet is capable of when they’re at full strength, we’ve got to go back to their 2019 LP, This Is Fine, which was chock full of great tunes played on pretty dang loud guitars — the sort of sound that would please any lover of PS Eliot or Speedy Ortiz.

It’s likely that this full-strength melodic indie-punk-pop sound will be what Well Wisher bring to The Camel tomorrow night; however, I’ve got to say, even if things focus on the acoustic moods, it’ll still be great. These songs are more than capable of standing on their own. The same can be said of Strawberry Moon, who’ve been bringing the powerful voice and catchy tunes of Katie Bowles and co. to the RVA music world for several years now. All we’ve gotten since pre-pandemic days from them have been a few minimalist demos, but their Bandcamp page heralds a new LP coming this summer, and that’s sure to be a highlight of 2022 for the entire local music scene. In the meantime, see what sorts of new and old tunes they’re bringing out for this Thursday night shindig, and make sure you show up on time to hear what indie-rock newcomers Closet Space have to offer as well. You’ll be glad you did.

Friday, March 4, 8 PM
Phantom Handshakes, Night Idea, Hotspit, Young Scum @ The Dark Room – $10 (order tickets HERE)
Here’s a night of cool moods for a dark room in a historic old building in a hip local neighborhood. Yes, I am of course talking about the Hofheimer’s Dark Room, where a night of excellent local bands will be headlined by visitors from New York. Specifically, I’m talking about Phantom Handshakes, a duo that brings their gorgeous dream-pop tunes south of the Mason-Dixon line to grace all our ear canals. The mix of ambient synth beds, chiming guitars, bouncy programmed beats, and adorable vocals on their 2021 full-length, No More Summer Songs, is truly wondrous, and will surely shine even brighter when it comes to us all from inside a very dark room. Make sure you’re there to see this one glow.

But look, you’ve got a lot of other reasons to be there too, and all of them speak to the always-deep pool of musical talent that has been RVA’s excellent legacy for decades now. Night Idea, a name I haven’t heard in a long minute now, is bringing their melodic math-rockin’ sound back to a Richmond stage at The Dark Room on this fine evening, and what’s more, we’ll also get the first live appearance I’ve heard about in quite a while from incredible local power-pop quartet Young Scum. This is a real dynamic duo of Richmond music right here, and if you’ve been paying attention at all, you know you’ve got to be there when these bands share a stage (and if you don’t know, this is your urgent notice that you need to get familiar ASAP). Rounding out the bill is local buzz band Hotspit, whose lovely indie-shoegaze sounds are getting a warm reception both within and outside of RVA lately. Make sure you don’t miss a moment of this one, folks. It’ll be a night to remember.

Saturday, March 5, 7 PM
Coheed And Cambria, Sheer Mag @ The National – $40 (order tickets HERE)
I’m not as good at being an emo girl as I used to be, and I know this because every time I turn around lately, Coheed and Cambria have yet another new album out, and I’m finding myself once again playing catch-up. I still haven’t really gotten my head around 2015’s The Color Before The Sun, and that’s a seven-year-old album now! Meanwhile, the band has launched into yet another of their multi-album prog epics, in the form of Vaxis. Act I: The Unheavenly Creatures came into the world back in 2018, and Act II: A Window Of the Waking Mind is due out this May, with two advance singles having made it into the world thus far. Oh my goodness! I’ve got a lot of listening to do.

Luckily, at first blush, Coheed’s long-established reputation for metallic, progressive, and eminently melodic emo quality remains sterling — brand new single “Shoulders” shows that they’re still at the top of their game, literally 20 entire years after I saw them for the first time (oh my god, I’m so old). So yeah, all the new jams they’re breaking out for the first time on this tour are sure to knock everyone on their ass, and no doubt they’ll be busting out legendary fan faves like “A Favor House Atlantic” and “Here We Are Juggernaut” to get all us old heads singing along as well. Plus, get this: the opening act on this tour is none other than power-pop-garage-punk titans Sheer Mag, who might not quite be worth the full price of admission just to see them if you don’t dig Coheed (and… why, pray tell, would you not dig Coheed?), but they’re certainly going to provide an excellent bonus for all those in the know who show up on time. So hey, make sure you do that, OK?

Sunday, March 6, 7:30 PM
Summer Salt, Renata Zeiguer, Kate Stephenson @ Richmond Music Hall at Capital Ale House – $19.99 in advance, $23 day of show (order tickets HERE)
Winter’s been rough around here this year, speaking strictly in terms of temperature: like, I can’t remember the last time we got a heating bill as high as the one we were slapped with last month. For that reason alone, it’s good to hear that Texas pop duo Summer Salt are coming through town to wrap up all of our weekends with a lovely performance at Richmond Music Hall Sunday night. You see, where Summer Salt are concerned, the warm sunny sea breezes aren’t just implied by their name; they come through in their glowing, gorgeous pop tunes, to the point where you can almost feel that warm wind on your face when you listen to them. It’s a pleasant prospect, especially with the kind of winter we’ve had.

Summer Salt’s current tour is even more likely to bring the beach vibes; the band is touring in support of their upcoming album, The Juniper Songbook, which will be released mere days after their performance at Richmond Music Hall. It’s a collection of Summer Salt favorites re-interpreted in a more stripped-down, acoustic fashion. And in order to get everyone in the mood, their current tour features the same feel. So not only will we be getting a laid-back acoustic take on Summer Salt’s tunes at this show, we’ll also be getting similarly stripped-down performances from singer-songwriters Renata Zeiguer and Kate Stephenson, each of which has plenty to offer in their own right. Clearly you know what you must do: come down to Capital Ale House’s downtown location and enjoy the vibes this Sunday night.

Monday, March 7, 7 PM
Computer, ApathyFire, K!LL SCREEN @ Fallout – $7 in advance, $10 day of show (order tickets HERE)
This show at Fallout had me ready for some serious goth vibes, as I usually expect from any musical performance taking place at Richmond’s premier fetish bar. However, they threw me for a bit of a curve with this performance by Computer, a mysterious, prolific New York-based project whose work veers between ominous electronic sounds and outright harsh noise in a manner that’s likely to please fans of everything from Pharmakon to Author & Punisher.

Computer’s music seems less likely to inspire dancefloor action than Fallout’s usual fare, but their atonal sonic approach definitely seems at least somewhat appropriate for the moody atmosphere this place always has in abundance. Opener ApathyFire has plenty of additional noise with which to bewitch all comers, while the pounding techno of K!LL SCREEN should be able to at least start the evening with some dance beats before diving fully into the chaos. Jump in and ride the wave, folks.

Tuesday, March 8, 7 PM
Rick Maguire (of Pile), Allie Smith (of Blush Face), Brent McCormick (of The Wimps) @ Gallery 5 – $12 in advance, $15 day of show (order tickets HERE)
I’m guessing it’s the pandemic that did it, but lately we’ve been seeing a move toward more stripped-down, acoustic takes on bands’ and songwriters’ previous material. Indeed, it’s a phenomenon that already appears elsewhere in this very column. However, it takes on a whole different feel when it’s explored by someone like Pile’s Rick Maguire, who normally plays a loud, distorted guitar and hollers animatedly overtop of Pile’s pounding noise-rock anthems. He’s completely subverted that formula with his 2021 solo album, Songs Known Together, Alone. This album sees Maguire stripping Pile’s blasting tunes down to their core elements and converting them into songs full of ambient sound, singular emotion, and lyrics that take on a whole new meaning with the harsh pounding of his backing band stripped away.

It’s an interesting choice from a musician whose songs normally sound like they wouldn’t work at all without all the distortion and screaming noise. What Maguire proves on his new solo album is that you can just as easily love a quiet, bare-bones recreation of a Pile tune just as much as you loved the chaotic, raging original. His set at Gallery 5 on Tuesday is sure to bring that fact home in even more dramatic fashion — and what’s more, it’ll give Richmond heads a chance to see local talents Allie Smith of Blush Face and Brent McCormick of The Wimps do similar things with their own bands’ rockin’ tunes. The results are sure to be illuminating — so come down to Gallery 5 on Tuesday, and let the light shine upon your face.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

RVA Shows You Must See This Week: December 22 – December 28

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FEATURED SHOW
Sunday, December 26, 6:30 PM
Fighting Gravity @ The National – $20 in advance, $22.50 day of show (order tickets HERE)
Beyond holiday-themed extravaganza’s like J. Roddy Walston’s “Christmas to the Bone” show last week, the holiday season is good for two things in the world of live music. The first of the two is reunion shows (we’ll get to the second one in a bit). Just as people have been known to show back up at old haunts when they come back to town to see their families, running into old friends and long-lost faces, bands are prone to the same sort of thing. This year, the day after Christmas sees the men of Fighting Gravity get back together once again for a Sunday night show at The National.

Young whippersnappers may not remember that name, but the name Fighting Gravity — or maybe their original name, Boy O Boy — is sure to strike a chord of recognition for many of us who’ve been around the music scene of this city for a long time. A mainstay of Richmond music in the 90s, Fighting Gravity were on Mercury Records at one point, but never quite broke through into the mainstream. Throughout their original active era, though, massive crowds piled into sweaty basements, frat houses, and eventually buildings the size of The National (the Flood Zone played that role in the Richmond of the 90s — now it’s been turned into condos) to dance and rock out to the horn-driven ska sound, which grew less straight-up ska and more alternative rock as they matured.

That whole thing came to an end as the 90s rolled into the 00s, but a few years ago, many of the core members got back together to do a few reunion shows, which brought them to The National in 2017. Clearly, they had a lot of fun, because now, as the holiday season brings us back to our roots and reminds us of the places and things we once loved, they’re coming together one more time for a big all-out reunion show at The National. So call up all your old friends, get your baggy shorts and striped shirts out of the closet, turn your baseball cap backwards, and head down there the day after Christmas to skank your butt off like you used to when you were 18. But be sure to limber up first — none of us are as young as we once were.

Wednesday, December 22, 7 PM
Vexine, Santamaria Bros @ Main Line Brewery – Free!
Here’s another holiday reunion for ya! In light of the fact that live music as a whole ground to a halt in Richmond back at the beginning of 2020, you might not have noticed that long-running local rock n’ roll quartet Vexine came to a stop back around then too. But they are playing again tonight, at Main Line Brewery, for the first time in a good while, and that’s a reason to bust out your dancing shoes if you ever needed one. Singer Sarah Gleason’s sassy, energetic vocal performances are only matched by her incredible outfits, and the powerful tunes the three men backing her up bring to the table — as most recently showcased on 2017 LP Little Sin — have all the rhythmic muscle and guitar crunch you could ever want from a hard-rockin’ band. My best comparison would be Elvira, Mistress of the Dark, fronting some sort of unholy union of AC/DC and The Cramps. You want to get down with that, right? You know you do.

Opening the evening will be another less official reunion of sorts — the first performance in quite a while by the Santamaria Bros. This project consists of Vexine drummer Jorge Santamaria’s three sons; Andres on guitar, Josh on drums, and Gabe on bass. You might know Gabe from around town as the leader of the Flavor Project, one of the hosts of the Hustle Season Podcast, and an semi-regular contributor to RVA Magazine. But this performance will see he and his brothers getting back to their roots, rocking together as a family band, the way they did when they were still kids. It should be a lot of fun, and that old-home-week spirit will be perfect for the holidays. So come check the whole thing out at Main Line Brewery tonight — you won’t be sorry. (PS — Bring your vax card, because a negative test won’t be enough to get you into this fully-vaxed-only event.)

Thursday, December 23, 8 PM
Fear Of Music Christmas Eve Eve Party, with Tiny Lights @ The Broadberry – $12 in advance, $15 day of show (order tickets HERE)
Here’s the other big thing in the world of live music that the holidays are always good for: tribute band shows! After all, what could be a better soundtrack for a meetup with all your old friends who are back in town for the holidays than a set of songs you know very well, performed by a band whose main goal is just to have some fun doing songs they also love? You don’t have to feel too bad if you and one of your friends get into a serious conversation back by the bar and miss a few songs. On the other hand, you know going down front and singing along is sure to be a great time. You really can’t lose!

Fear Of Music are a big-time player in the tribute game around Richmond; they’ve been doing this for a while, and they’ve got their technique down. Talking Heads aren’t the easiest band to pay tribute to, but these guys prove that if you work hard and keep practiced, you can get down to the business of getting funky and quirky with the best of them. I personally don’t think of Talking Heads as that big of a holiday band, so I am intrigued to see what Fear Of Music come up with to make this “Christmas Eve Eve” show stand out, but I’m sure it will offer a great evening of music and fun. With recently formed Richmond rock n’ roll trio Tiny Lights on the bill, the evening will be rocking throughout, so show up on time and get ready for some fun.

Sunday, December 26, 8 PM
Citrus City Presents Intergalactic Congregation, a Tribe 95 Service, with DuctTape Jesus, Dogfuq @ The Camel – $8 in advance, $10 day of show (order tickets HERE)
As they’re Christmas Eve and Christmas Day, Friday and Saturday of this week are totally off the table in terms of live music. That might seem like a bummer if you think about the fact that those two nights are always the most active ones in terms of shows. You may ask yourself, “Why couldn’t they have put this holiday on a Monday or a Tuesday?” But rest assured, all is for the best in this best of all possible worlds, and if you really want a killer show to act as the highlight of your weekend, Citrus City has one right here for you, in the form of Tribe 95’s Intergalactic Congregation at The Camel.

Now, as we learned a few weeks ago, Tribe 95 is a collective made up of several leading lights of the Richmond hip hop scene. We have no idea which ones are planning to perform at this particular event, but with a roster that includes Clwdwlker, Ty Sorrell, Billy Capricorn, Luther, and Tron Javolta, you pretty much can’t go wrong no matter who shows up. What’s even better is that they’ve got two other up-and-coming rappers showing off their talent on this show. DuctTape Jesus sets his sure-footed flows overtop of beats that sound like cassettes that have spent time underwater and sometimes all but overwhelm his vocals to create an immersive mood that might just make you feel a little high. Dogfuq (yeah, it’s pronounced how you think it’s pronounced) takes a quirkier approach that sometimes makes me think of Aesop Rock, though mostly it’s just too unique to tag with any sort of comparison. And that right there is reason enough to see them perform, if you ask me. Do it up, y’all — make your Christmas weekend one to remember.

Monday, December 27, 7 PM
Barstool Rodeo, The Freightliner Acoustic Duo @ The Camel – $10 (order tickets HERE)
Here’s another tribute band taking the opportunity provided by the holiday season to throw a big party full of jams from a band everyone involved loves. Barstool Rodeo are a tribute to Widespread Panic — strictly the Michael Houser era, before one of the band’s co-founders passed away from cancer back in 2002. I actually saw Widespread Panic back then; they played the college I was a semester away from dropping out of. I admit I didn’t get it; their whole Southern twist on the jam bands of the 90s harked back to prime Allman Bros while pointing forward towards the Drive-By Truckers, and I was too much of an 18 year old punk kid to vibe with it. These days, though, I definitely see the appeal. Albums like Ain’t Life Grand and Bombs And Butterflies seem to have a lot to offer that I just couldn’t pick up on as a younger person.

Sadly, I don’t have the chance now to go back and appreciate the show I saw by the Michael Houser-era Widespread Panic. But I can go see Barstool Rodeo recreate that era and those tunes this Monday night, and since it’s the closest we can get, I think it’s definitely worth doing. An opening set from The Freightliner Acoustic Duo, which I’m guessing will see Freightliners leader Paulo Franco pair up with one of his bandmates for a stripped-down set of Freightliners faves, will also do quite a bit to make this a great way to spend your Monday night. So head on down to The Camel and jam with the jam heads. It’ll do you right every time.

Tuesday, December 28, 8 PM
PPL Mag, Koro, E 33rd @ The Camel – $12 in advance, $15 day of show (order tickets HERE)
I wanted to write about Ppl Mag a while back, and just as I was getting the column ready that week, the show got cancelled. So consider this a long-overdue recommendation to see a band that brings together many talents from a variety of different corners of the Richmond music scene. Ppl Mag has a smooth sound that brings in touches of jazz and classic soul while remaining thoroughly modern. Putting local vocal powerhouse Brittany O’Neil up front is a particularly great idea for this group, and she’s backed by members of bands like Toxic Moxie, Silo Effect, and Dumb Waiter, among others — so you know the talent level is top-notch.

So yeah, you definitely want to come out to The Camel this Tuesday night just to get familiar with what Ppl Mag are up to. As for Koro, well, it took some looking — first I had to make sure that the blistering early 80s Tennessee hardcore band hadn’t gotten back together and gone on a low-profile reunion tour. That would have been headline news — but no, this Koro is a Richmond band, also known as Korodelic, which brings together three equally significant local talents: Jackson Shurlds (McKinley Dixon), Nekoro Williams (People’s Blues of Richmond), and Neal Perrine (composer/solo artist). What they’re coming up with together isn’t available online yet, so you’ll have to go to this show and find out more — but with those guys in the band, doing so is certainly a worthwhile endeavor. Local soul-jazz quartet E 33rd gets things rolling on this fine night. Come groove with it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Shack Up With The Shack Band At The Broadberry

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The Shack Band’s annual music festival is back at The Broadberry this weekend with a lineup specifically chosen to excite the Richmond local scene.

This weekend, The Shack Up is hitting The Broadberry for the fifth time in as many years. On Friday, September 27 and Saturday, September 28, your hosts The Shack Band will close out the month and the summer with a handpicked lineup of musicians from around the region.

Formed in 2008, The Shack Band relocated from their native Blacksburg to Richmond several years ago. After they arrived, bassist Mason Owen and The Broadberry co-owner Lucas Fritz began throwing around the idea of hosting an in-town festival in Richmond.

“There’s all these cool festivals, and tons of them are in Virginia,” Owen said. “But there weren’t so many in town where you can come for the day, come and go as you please, take a break, get a bite to eat, and sleep in your own bed at the end of the night.”

Photo: The Northerners, by Zachary Norris. Courtesy Broadberry Entertainment Group

Finally, after The Broadberry opened in 2014, they had a venue option. It was a prime location with a parking lot large enough to hold a stage, and also provided indoor amenities like air conditioning, a full bar, places to sit, food options, and indoor restrooms. The Broadberry is also adjacent to The Fan and Scott’s Addition neighborhoods, with easy walking access to those that live in the area. All of this made it an ideal spot to host the first Shack Up in 2015 — and The Broadberry’s been hosting it ever since.

This year, eleven bands will play on two stages — one indoors and one outdoors — over the course of the weekend on Friday night and all day Saturday. Jouwala Collective, Mo Lowda & The Humble and The Northerners will play Friday, while Saturday will feature a myriad of local and regional artists headlined by The Shack Band and People’s Blues of Richmond.

The organizers explicitly sought out acts that weren’t necessarily in the mainstream, or well-known by the general public. Instead, they booked bands that they believed brought out the best Richmond and its regional music scene has to offer.

This made it easier to seek out bands that they already knew personally, but they also sought out bands they didn’t know as well, but had seen before, and that thought they fit in with what they were looking for. Occasionally, they even chose bands they had never heard of before, but who sounded great when they came across the organizers’ desks.

Photo: People’s Blues Of Richmond, courtesy Broadberry Entertainment Group

“The lineup is pretty diverse,” Owen said. “We always wanted to be diverse. It has never been our goal to book a giant headliner and a bunch of support acts. We want more quality than just one name that might draw people that don’t go to shows very often. We want this to be a party for the Richmond music scene and its fans.”

One of the regional acts that event organizers secured for The Shack Up is Bennett Wales. Wales is from Virginia Beach and has played with his band since 2016, performing a mix of roots, rock n’ roll, and progressive rock.

Wales has performed before in Richmond at locations like The Camel, and most recently The National. There, he opened for The Wallflowers along with Landon Elliott — another artist performing at The Shack Up.

“Richmond folks are more perceptive to original music than Virginia Beach audiences,” Wales said. “That’s one of many reasons why we jumped at the opportunity to perform at The Shack Up. Everyone is super friendly, and I’m looking forward to sharing our music with those who haven’t heard of us before, and having a good time with friends.”

Photo: Jouwala Collective, courtesy Broadberry Entertainment Group

The Shack Up has been planned since the beginning of 2019, starting with deciding the date and getting a general sense of what bands they wanted to perform at the festival. They also hired a production company for the staging, and secured all the permits needed to perform in the parking lot between The Broadberry and the Exxon gas station next door.

“The first two years, The Shack Up was in the parking lot behind The Broadberry’s patio, and not in view of Broad Street,” Fritz said. “In 2017, we went much bigger and moved it into the adjacent lot to the Exxon, sourced a much larger and more legitimate stage, and took it from there.”

This included bringing in outside vendors and food trucks, such as New Belgium’s Fat Tire beer, PBR (the beer, not the band), and this year’s nonprofit sponsor, Keep Virginia Cozy. Along with selling food and alcohol, vendors will also be providing stations with different activities and giveaways to give The Shack Up a more festival feel, according to Erin Brennan, The Broadberry’s marketing director.

Photo: Holy Roller, courtesy Broadberry Entertainment Group

“We do work with nonprofits and other brands to make The Shack Up super engaging and fun, because all day Saturday is a long time, and having incentives will help make people want to stick around,” Brennan said. “We will have stuff for everyone to walk away with at least a koozie, and people like free stuff.”

Doors open Friday at 7 p.m. and the show starts at 8 p.m. with The Northerners. On Saturday, doors open at 2 p.m. and the first set begins at 3 p.m. with Weekend Plans and ends at 1 a.m. inside The Broadberry with Fear of Music. For full lineup, tickets, and other info, click here.

Top Photo: The Shack Band, via Facebook

Music Sponsored By Graduate Richmond

Fear Of Music plays Fear Of Music @ The Camel

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It’s that time again–Halloween, when all the good little rock n’ rollers get together to put on costumes by playing the music of other bands. The Halloween parties that have become Richmond traditions are still happening, and will doubtless be as awesome as ever, but this year I find myself drawn to a new thing that I’d enjoy seeing become a tradition of its own.

Fear Of Music, who’ve been plying their Talking Heads tribute band trade around town for years now, have decided to take things one step further this Halloween. Instead of their usual set pulling from the wide variety of awesome songs Talking Heads created over the course of their career, they’ll be drilling down and focusing on one Talking Heads album–specifically, the one that gave them their name. 1979’s Fear Of Music is best known today for its landmark single “Life During Wartime,” which features memorable lyrics involving a New York scenester attempting to survive the apocalypse. But of course this album also sees Talking Heads’ musical explorations into funk, disco, and sounds from around the world kicking into high gear, most notably with Dadaist disco opener “I Zimbra.”

Will RVA’s Fear Of Music have the chops to properly recreate Talking Heads’ Fear Of Music? In light of the group’s impressive pedigree, I think it’s a safe bet. And not only will they do that, they’ll add a second set featuring the jam-packed retrospective of the Heads’ best work that more closely resembles their usual work. Special guests will apparently be in the house to help out, though specifics on their identities are as yet unknown. Whoever they are, they’ll probably be wearing costumes–and you should be too. It is, after all, Halloween.

RVA Shows You Must See This Week: 10/25-10/31

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FEATURED SHOW
Tuesday, October 31, 9 PM
Fear Of Music plays Fear Of Music @ The Camel – $10 (order tickets HERE)
It’s that time again–Halloween, when all the good little rock n’ rollers get together to put on costumes by playing the music of other bands. The Halloween parties that have become Richmond traditions are still happening, and will doubtless be as awesome as ever, but this year I find myself drawn to a new thing that I’d enjoy seeing become a tradition of its own.

Fear Of Music, who’ve been plying their Talking Heads tribute band trade around town for years now, have decided to take things one step further this Halloween. Instead of their usual set pulling from the wide variety of awesome songs Talking Heads created over the course of their career, they’ll be drilling down and focusing on one Talking Heads album–specifically, the one that gave them their name. 1979’s Fear Of Music is best known today for its landmark single “Life During Wartime,” which features memorable lyrics involving a New York scenester attempting to survive the apocalypse. But of course this album also sees Talking Heads’ musical explorations into funk, disco, and sounds from around the world kicking into high gear, most notably with Dadaist disco opener “I Zimbra.”

Will RVA’s Fear Of Music have the chops to properly recreate Talking Heads’ Fear Of Music? In light of the group’s impressive pedigree, I think it’s a safe bet. And not only will they do that, they’ll add a second set featuring the jam-packed retrospective of the Heads’ best work that more closely resembles their usual work. Special guests will apparently be in the house to help out, though specifics on their identities are as yet unknown. Whoever they are, they’ll probably be wearing costumes–and you should be too. It is, after all, Halloween.

Wednesday, October 25, 5 PM
Radiator Hospital, Outer Spaces, Big Baby @ Strange Matter – $10 (order tickets HERE)
The return of Philadelphia jangle-punk sensation Radiator Hospital is a big event for a certain segment of the RVA music scene, and considering how great this band is, the rest of you should probably get on board with the quickness as well. Led by singer/songwriter Sam Cook-Parrott, the group just released their fifth (and, by many accounts, best) album so far, Radiator Hospital Play The Songs You Like. Featuring songs with titles like “Long Distance Dedication,” “Pastoral Radio Hit, ” “Dance Number,” and “Old Refrain,” it seems the group is using this album to focus on the way music interacts with the world. Of course, that will become clearer once we’ve all had some time to give it a few listens. Get a jump on that at this show.

Baltimore-based Outer Spaces join Radiator Hospital on this trip down to good ol’ RVA, and while they don’t quite have the same sort of high profile in the scene as Radiator Hospital enjoy, it’s certainly not because they’re any less good. In fact, this band, the latest project from singer/songwriter Cara Beth Satalino, is a big personal favorite of mine. I’ve followed Satalino’s work since her early solo days over a decade ago, and from those early EPs to her previous band Witches and now through Outer Spaces, she’s maintained a consistently high level of songwriting. Last year’s debut full-length, A Shedding Snake, gives us a bushel of great tunes, enhanced by multi-instrumentalist Chester Gwazda’s frequent interjection of electric piano textures. With local geniuses Big Baby kicking off the whole thing, this is an incredible show from top to bottom.

Thursday, October 26, 6 PM
Shadow Age, True Body, Aerial Ruin @ Champion RVA – Free!
These free shows at Champion just keep on bringing the home runs, combining excellent local talent with rad up-and-comers from around the region to make for an evening of excellent sounds. The local stars on this particular bill are Shadow Age, who recently followed up their 2016 debut EP, Silaluk, with an excellent new EP called The Fall. Lineup changes since the previous EP see a slimmed-down, now synthless version of the band focusing more closely on frontman Aaron Tyree’s powerful guitar playing, which continues to evoke The Chameleons, Pornography-era Cure, and early Echo and the Bunnymen to superb effect. I was a big fan of their debut EP, but I might just like this new one even better. A full set like this is sure to be just what the doctor ordered.

This group is joined by a pair of out-of-town groups with some similarly downcast, memorable tunes. Norfolk’s True Body have a brand new two-song single to wow us with, and its gloomy baritone vocals and glimmering postpunk atmosphere strike many of the same notes as Shadow Age, but with a flavor entirely its own. This show is gonna be a real bonanza for the black-clad goth kids of this town, especially since the lineup is rounded out by Aerial Ruin. This atmospheric, mainly acoustic solo project is helmed by Erik Moggridge, a Pacific northwest musician with previous experience in a variety of heavier bands. Apparently this is his move in a quieter direction; recently released LP Nameless Sun also shows a great deal of hypnotic intensity to this group’s sound. Get some sun on your way to this one, because it’s gonna be all shadows once the music starts.

Friday, October 27, 6 PM
Neverkept, Telltale, We Call This Courage, Nine Line, Epiphany @ The Canal Club – $8 in advance/$10 day of show (order tickets HERE)
We’re back at the Canal Club this Friday night, and as has become the trend with this particular venue over the past year or two, we’re enjoying some catchy emotional pop-punk sounds at an all-ages gig that one wouldn’t be off base to guess will mostly be populated by high school students (OK, and maybe some college kids too). But seriously, if you let that kind of thing run you off, you’ll miss out on a lot of good shit–as has always been true, the kids know what’s up. The word for this show is Neverkept, a brand new name for an established band who originally introduced themselves to the world under the name Count To Four. Shedding the name last year when founding singer/guitarist Mike Hayden was replaced by the duo of Lucas Cote (vocals) and Aaron Mong (guitar), the group still doesn’t have any music available from their current incarnation. However, a new album is in the works, and the group’s sure to have plenty of new music with which to regale fans who’ve come to expect the sort of strong, melodic combination of pop-punk, emo, and hardcore the band has been delivering for years now.

There are plenty of local groups on this bill as well, and the one we should probably mention first is plucky quartet We Call This Courage, who will be bringing a brand new album into the world at this show. Their self-titled six-song EP shows off a dynamite songwriting sense with killer melodies driven by a great deal of youthful energy. It’s what the Canal Club wants, and it’s what the Canal Club will get–never fear. Telltale are a newer local group who’ve just released their debut EP, Good Intentions. These guys are cleancut enough to pass for a boy band, but their lyrics tell a darker story of issues with relationships and substances. So yeah–they’re an emo band. Which is never a bad thing, by any means. Local newbies Nine Line and Epiphany round out this lineup of bands that need to finish up their sets before curfew–expect this one to go quick and feature lots of hyperactive dudes jumping around with guitars. I don’t know about you, but I’m a sucker for that shit.

Saturday, October 28, 6 PM
Spooky Cool, Blush Face, Angelica Garcia, Private Cry @ Hardywood – Free!
Spooky Cool have been one of the more mysterious bands on the local indie scene over the past couple of years–grainy youtube footage was the only way you could learn about them for a long time, unless of course you went to the shows and learned for yourself. But all the buzz they’ve been picking up over that time has finally led to them poking their heads above the waterline, first with a new single, “Strange Rooms,” released last month, and now with a brand new video from the long-running local purveyors of music and filmic excellence, Good Day RVA. The group’s twining male-female vocal harmonies and strangely syncopated alt-rock riffs make a strong impression–though their inacessible air of mystery has no doubt ratcheted up the anticipation, making this overdue release all the more enjoyable.

Get your fill of Spooky Cool this Saturday night at a free show featuring a set from the band along with a premiere of the Good Day RVA video, which will be making its way to YouTube shortly afterwards. You’ll also get a heaping dose of the most excellent sounds from a variety of different subsections of the RVA indie world. Blush Face has grabbed quite a bit of attention on their own behalf with recent debut full-length What Do You Want? The group’s bouncy pop jangle is the kind of thing that worms under your skin and never lets go. The lineup is rounded out by recent local sensation Angelica Garcia, whose bold new sound has grabbed some high-profile attention from the likes of the New York Times recently; and newcomers Private Cry, who bring multi-layered vocals and an intriguing mix of instruments to bear on some vaguely psychedelicized alt-rock sounds in fascinating fashion. And all of this is available to you for the low low price of … absolutely nothing? Why the heck wouldn’t you go?

Sunday, October 29, 2 PM
Washers, Horizontal Hold @ Hardywood – Free!
I have no idea how hard y’all party, but if you’ve followed my previous instructions as to show attendance for the week, you shouldn’t have too much to worry about–after all, if you get too sloppy at Hardywood Saturday night, you can just crash in your car and drag your messy bedhead self back to Hardywood at 2 PM the next afternoon. You should probably go home and get a shower and some breakfast first, though–or at least I would, but far be it from me to tell you how to live, you maniacs.

I will tell you that attendance at this Sunday afternoon show over at Hardywood will bring a great deal of light into your life, if you choose to accept it. The main attraction on this bill is Washers, a new band bringing together the talents of Stuart Holt (Sports Bar), Brad Perry (Worn In Red), and Joel Alford (Pity Party). This band’s fun power-pop sound is exactly what you’d expect from some of these guys, with a heavier edge brought in by the rest of them. It’s tight–go see for yourself. And check out North Carolina’s Horizontal Hold while you’re at it; this group’s herky-jerky postpunk sound harks back to early 80s NYC No Wave without all that early-80s Manhattan grottiness. The whole thing is free, and it’ll be over in time for you to go get some dinner and head back out for yet another show! Or just hit the sack early. I honestly wouldn’t blame you.

Monday, October 30, 8 PM
LA Witch, Guantanamo Baywatch, The Smirks, Sick Bags @ The Camel – $12 (order tickets HERE)
The world of garage rock gets weirder and spookier with every passing year, and I for one think that’s great. After all, there are only so many new versions of “Dirty Robber” and “Psycho” we can all hear without getting bored. LA Witch is certainly not going to bore you. This trio, predictably hailing from Los Angeles, have a lot of venom and vigor to their sound, as well as a great deal of ominous reverb, simultaneously resembling the moody punk garage sounds of prime early Cramps and the psychedelic, um, witchery of bands like Black Rebel Motorcycle Club. The results, as documented on their brand new self-titled LP from Suicide Squeeze, are incredible. Much the same can be expected from their performance Monday night. Get down with it.

And you garage freaks will get a special bonus, as this one night sees them criscrossing the tour paths of Portland-based Suicide Squeeze labelmates Guantanamo Baywatch, who bring a ripping surf-driven sound to town to get all of us dancing. These guys just released their latest LP, Desert Center, back in August, and its deep dive into speedy mutant surf instrumental territory is matched in intensity by its haunting vocal numbers, many of which have a doomed 50s-retro vibe sure to thrill all assembled. Local garage-damaged young punk snots The Smirks will be on the bill to let the elders know how its done, while Sick Bags sees some former members of local punk louts The Ladies bringing a more openly retro style to their still-antisocial vibe. Don’t miss a minute of this one, folks, it’s sure to be a blast.

Tuesday, October 31, 6:30 PM
Citizen, Sorority Noise, Great Grandpa @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
When their first album came out in 2013, Citizen got lumped in with that whole emo-revival thing. At the time of their 2015 followup, they got thrown into the post-hardcore shoegaze crowd. Now, in 2017, their third album, Aim To Please, has been released, and it shows this group to have a sound that’s held true through every attempt to pigeonhole them. The emo aspects are still there. The post-hardcore vibes and ringing shoegaze guitars are still in the mix as well. But at the end of the day, what this band does best is killer melodies with an undeniable infusion of passion and heartache. And they’re still doing it as well as ever, so going to see them live is still a really great idea.

Sorority Noise came together from the ashes of a couple early emo-revival bands, but quickly staked out territory well outside their original expectations. Their most recent album, You’re Not As _____ As You Think (yes, it’s really a blank), continues to explore new sounds that move from slightly-twisted melodic punk to strange ambient gothic vibes, all while digging deeper into the sorts of emotional issues that plague us all. All in all, they’re a great pairing with Citizen, and all the Canal Club kids are sure to eat it up. The evening will kick off with a set from Seattle’s Great Grandpa, who orbit some of the same styles Citizen and Sorority Noise are swirling around, but mix in doses of shoegaze and 90s alt-rock to keep things lively.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]