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VA Shows You Must See This Week: May 15 – May 21

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FEATURED SHOW
Monday, May 20, 7 PM
Cursive, Mewithoutyou, The Appleseed Cast @ The Broadberry – $22 in advance/$25 day of show (order tickets HERE)
This show is an absolute bonanza for people who were crazy about emo fifteen years ago. I shouldn’t even have to tell you that I’m one of those people. Back in 2004, Cursive, a band closely associated with the Omaha scene that also produced Bright Eyes, The Faint, and Saddle Creek Records, had just topped off a string of killer emotionally-driven alt-rock albums with the instant classic The Ugly Organ. MewithoutYou had just released their stunning sophomore LP, Catch Us For The Foxes, which introduced a wider audience to frontman Aaron Weiss’s strangely moving story-songs. And The Appleseed Cast had both blown everyone away and helped to push the genre forward with a trio of amazing albums: Mare Vitalis, the two-volume Low Level Owl series, and the moving, unforgettable Two Conversations.

But look — this Monday night triple-header at The Broadberry is far from a pure nostalgia act. Oh, I’m sure the groups on this bill will play some old tunes you know and love, but all of them remain active, powerful creative forces to this day. Last year, Cursive reunited with original drummer Clint Schnase after a decade, released their first album in six years, and brought in cellist Megan Seibe to recapture the sound they’d had on previous high-water marks Burst And Bloom and The Ugly Organ. Vitriola turns out to be every bit as great as those emo classics, and should be more than capable of capturing the full attention of fans who currently plan to hit the bar during the new songs. (Yo, don’t be that guy. For real.)

MewithoutYou remains a powerful creative force fifteen years later as well. On 2018’s dual releases, an LP and an EP (both untitled), Aaron Weiss engaged in matter-of-fact examination of his own struggles with mental illness and the way it mirrors the mental illness in his ancestry and that of disparate historical figures, including European royalty from centuries past. And amazingly enough, the music behind this emotional travelogue is some of the best of the band’s career thus far. Meanwhile, it’s been six years since the last full LP of Appleseed Cast material, 2013’s Illumination Ritual, but Christopher Crisci and company released a new single, “Asking The Fire For Medicine,” in January, and it apparently heralds a new LP that seems sure to follow their recent pattern of atmospheric, melodic, progressive post-hardcore. Will they bust out some other new ones at The Broadberry? The prospect alone makes this one worth the trip.

Wednesday, May 15, 8 PM
Charming Disaster, Left-Handed Smoke Shifters @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
A simple way to describe Charming Disaster, who come to Richmond from their hometown of Brooklyn this very night, is as a gothic-folk duo. However, if such a descriptor conjures up thoughts of Comus, Current 93, or Simon Finn for you, then it’s been a bit misleading. There’s much more of the carnival folk traditions of old Europe in Charming Disaster’s music, and even as they bring a decided noir sensibility to their memorable ballads, there’s a clear sense of humor running throughout, letting you know that this, um, charming duo have a lot to offer besides pain and sadness.

Their brand new album, Spells & Rituals, doesn’t get an official release until June 7, so chances are you will not have an opportunity to pick up a copy for yourself at the show. But you will get a delightful preview of the excellent sounds on offer — just enough to whet your appetite for your very own pre-order. Opening sounds will be provided by Left-Handed Smoke Shifters, a band named after an old campfire joke and bringing together the talents of local bellydancing sensation Madame Onca and singer/vaudeville host extraordinaire Mark Slomski. It’s always nice to see what these two are up to, so don’t miss this one!

Thursday, May 16, 9 PM
BAT, Witchtrial, Under Attack @ Bandito’s – Free!
If you love metal, hardcore, and/or general headbanging madness, Bandito’s is the place you should be this Thursday night. This free show will serve as a record release party for not one, not two, but ALL THREE bands on this bill! BAT are your headliners, and it’s a fitting spot on the bill for a trio featuring current or former members of Municipal Waste, Cannabis Corpse, and DRI. This old-school thrash band has been inducing serious fist-pumping headbanging good times around Richmond and beyond for years now, and on this night, they’re releasing their second LP, Axestacy.

Axestacy takes things to the next level for BAT; it’s full of the kind of incredible riffs and ridiculous lyrics that fans of early Exodus or Dark Angel are sure to appreciate. They’ll probably also appreciate the new LP from Witchtrial; this DC band is releasing their first full-length on VA’s own Beach Impediment Records, and have a lot of links to the world of hardcore — but the music on their self-titled LP is pure thrash. With a roaring attack sure to remind you of prime German thrash, fans of Sodom and Kreator are definitely going to want to pay attention to this one. Not to be left out, Richmond’s own Under Attack are releasing a new tape full of speedy, no-frills hardcore on the Vinyl Conflict label, and if you dig pedal-to-the-metal ‘core action, you’re gonna want a copy of this. Since this show is free, you’ll be in prime financial position to pick up releases from all three of these ragers. But wait til after the set; you don’t want your brand new records getting messed up in the pit!

Friday, May 17, 8 PM
Perturbator, GOST, True Body @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
For those of you who were stoked to see Fallout on the list this week, only to be let down that it wasn’t an industrial show I’m sending you to there — take heart! For the industrial sound can be found in all sorts of places around town, if you know where to look. Take Perturbator’s arrival at The Broadberry this Friday night. People talk a lot with respect to Perturbator about spooky synth soundtracks to 70s and 80s Italian horror movies, and listen, there is a fair bit of that in Perturbator’s sound. But the group’s most recent LP, 2017’s New Model, is going to be even more familiar to fans of Skinny Puppy or Front 242 than it will be to fans of Goblin or Tangerine Dream.

Seriously, regardless of whatever you’ve heard thrown around about “retrosynth,” all you coldwave, postpunk, and industrial fans owe it to yourselves to listen to Perturbator. Because even if the hipsters don’t know how to contextualize this stuff, the goth kids are sure to understand. This is prime stomping-around-a-foggy-dancefloor-in-black-Docs music — black fingernails are definitely a plus. Just to further drive the point home, GOST is on this bill as well, bringing you the exact sort of industrial electro-pound that you know and crave. True Body will start the evening with some moody postpunk from right here in VA. Get the leather pants out, y’all.

Saturday, May 18, 5 PM
Spooky Cool, Outer Spaces, Opin, Julie Karr @ Hardywood – Free!
When you can give your band a name that actually describes your band, you’re really onto something good. Take Spooky Cool, for example; this Richmond band’s name may not tell you what genre they play or how many people are in the band, but it does offer you two specific bits of info: they’re spooky, and they’re cool. That’s enough to make a lot of people curious. And then when you actually hear this band’s hybrid math-prog alt-indie sound, you realize that the name hasn’t steered you wrong. There’s a definite spooky vibe to what this group is up to on their first EP, Every Thing Ever. And it’s definitely cool as hell.

Then there’s Outer Spaces, a band I’ve been excited about for quite a while now. This latest project of incredibly talented Baltimore singer-songwriter Cara Beth Satalino hasn’t released an LP since 2016’s A Shedding Snake, but is returning in a big way over the next month or so — first with a brand-new two-song EP on Saddle Creek, then with a new LP, Glazing Globe, scheduled for release next month. As a longtime fan, I couldn’t be more stoked, and the songs that have been released thus far from these two projects sound excellent, despite their genesis in anxiety, self-doubt, and the end of a long-term relationship. Hey, we’ve all been there, right? Sometimes making art is the best way out. Outer Spaces has made some great music in the past, and there’s no reason to think that’ll change now. Do yourself a favor and go see both of these groups. After all, the price is right.

Sunday, May 19, 7 PM
HIRS, Coherence, NØ MAN, .gif From God @ Gallery 5 – $10 in advance/$12 at the door (order tickets HERE)
The most confrontational queer grindcore band ever finally comes to Richmond and I for one couldn’t be more stoked. HIRS grabbed some relatively mainstream attention in 2018 with the release of Friends, Lovers, Favorites, their first full-length of new material — relatively speaking, that is; its 20 songs still blow by in under 15 minutes. They’ve hardly rested on their laurels since then, cranking out several EPs in the past year or so, as well as a split LP of Nirvana covers with celebrated New Orleans sludge masters Thou.

When HIRS arrive in Richmond, you can expect the confrontational spirit embodied in past EP titles like Trans Girl Takeover, You Can’t Kill Us, and How To Stop Street Harassment, as well as the harsh, raging grind sound of their breakthrough LP, to hit you like a ton of bricks. It won’t just be lightspeed velocity, either — this group knows how to bring the most headcrushingly powerful of breakdowns as well. Basically, this is the heaviest band you’ll see in Richmond anytime this year, and you’re going to thoroughly enjoy having your head knocked off by them. Trust me.

Monday, May 20, 7 PM
Dehd, Blunt, Plastic Nancy @ Capital Ale House Music Hall – $10 (order tickets HERE)
A few years ago, that whole droney jangly post-Velvet Underground sound was in the ascent in the indie world, and I was digging it. More recently, it seems like everyone’s on that synthesized bedroom-pop tip, which I guess is also cool, but I’m glad to see Dehd out here proving that the jangle-drone sound is not, um, dead. This Chicago band’s new LP, Water, shows that there are many possibilities for musical greatness embedded within the basic no-frills rock n’ roll package. By channeling VU and The Cramps through a more modern sound that reminds me of Parquet Courts, Beach Fossils, and the like, Dehd has created some serious gold soundz. Yes, with a Z.

Dehd will be joined on this bill by a couple of RVA newcomers with a lot to offer. Blunt takes a sludgy approach to dark garage punk sounds, while Plastic Nancy cranks out some psychedelic punk rock fun. This whole show is gonna rock like crazy, and in 2019, that can’t always be guaranteed. Treasure it when you find it.

Tuesday, May 21, 7 PM
Blessed, Unmaker, Serqet @ The Camel – $10 (order tickets HERE)
Some serious goth vibes going on around Richmond this week, although this Tuesday night show at The Camel only bears a passing resemblance to the other two shows this week that have led me to use that term. Specifically, Blessed play a gloomy, metallic form of postpunk that veers from morose to anxious on their debut LP, Salt, released earlier this spring. The results this Vancouver band are able to generate are transfixing in the extreme, and their reputation for live greatness only makes this show at The Camel feel that much more of an essential part of your midweek.

The fact that Richmond’s own Unmaker are on the bill as well only makes this an even more essential evening of sounds. This group shows off their more intense version of goth-metal awesomeness on debut full-length Firmament, an album that’s turned a lot of heads locally and nationally since its release six months ago. Mixing this powerful blend of Killing Joke-style rage with Blessed’s more deliberate approach will make for a heady musical brew, and adding the gothic peace-punk vibes of Serqet to the mixture is only going to take things to an even higher level. Get on board with this one.

Elsewhere Around The State:

Thursday, May 16, 7:30 PM
The Struts @ The NorVA – $22.50 in advance/$25.50 at the door (order tickets HERE)
The Struts are one of the more fascinating discoveries the mainstream rock world has yielded in recent years. This British band has a fashion sense that seems equally derived from Guns N’ Roses, Aerosmith, and the Sex Pistols, but musically, they land somewhere in the area of a 21st-century update on Queen. This group clearly comes from a modern time in which the backlash against the 80s hair-metal era has faded from youthful memory; rather than playing their glammed-out, swaggering rock n’ roll for over-the-top laughs the way The Darkness did, The Struts are 100 percent serious about their desire for world domination.

Which might be totally obnoxious if they didn’t have the songs to pull it off. Singles like “Could’ve Been Me,” “Kiss This,” and their collaboration with Kesha, “Body Talks,” are proven arena-rock anthems, and they’re sure to get the NorVA popping on Thursday night. Once you’ve seen The Struts blow the roof off the joint, all your doubts will be cleared away, leaving only the desire to rock! The Struts will definitely help you with that, though after the night that awaits you, you may feel the need to call in to work Friday morning. But hey, why not? That’s the rock n’ roll thing to do.

Sunday, May 19, 6 PM
Enforced, Copperhead, Flatline, Semtex, Bato @ West Beach Tavern – $10
I love the way a lot of tough-guy hardcore is metal as fuck these days. I mean, granted, I still don’t like to get up front at the shows (who enjoys having to keep your back to the band just so you can dodge flying fists and feet?), but the music sure is a lot better when I go to them, and that makes us middle-aged ladies standing in the back of the room real happy. Enforced have shown their crossover-thrash chops off both on tape and in the live environment for a while now, and with their At The Walls LP soon to drop, they’re about to take it to the next level. Get on board now.

Both Richmond’s own Enforced and fellow RVA thrash-masters Copperhead will be heading down to VB for this end-of-weekend rager at West Beach Tavern, and both will bring the sort of aggressive hardcore attack that, if you close your eyes (or even if you keep them open, considering how many longhairs there are in hardcore bands these days) you’ll likely mistake for straight-up metal. Which rules. They’ll be joined on this bill by three Hampton Roads-based ensembles; Flatline and Semtex bring a more straightforward Agnostic Front/Negative Approach-style HC attack, while Bato verge on fastcore with their speedy beats and energetic sound. The pit should be going hard from beginning to end at this one; I’ll be sure to stand back.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: March 20 – March 26

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Wednesday, March 20, 8 PM
Noisem (Photo by Andrew Hartl), No/Mas, Murdersome, MSD @ McCormack’s – $10
It’s apparently the month for mid-week metal — this is two weeks in a row that the most unmissable show of the week is happening only a few short hours after this column gets posted. Hey, I’m not complaining, especially if Wednesday will keep bringing us the absolute (head)bangers we’ve seen for the past couple of weeks. This time around, it’s the return of youthful Baltimore headbangers Noisem, who are rolling into Shockoe Bottom to devastate Richmond’s most flood-prone streets.

It’s been a while since Noisem had a massive amount of hype as teen thrash sensations, and you might have thought (as I had) that they broke up a few years ago. As it turns out, the truth is a bit more complicated. After 2015’s Blossoming Decay, an internal schism fractured the band’s lineup, and three of the five members left. Guitarist Sebastian Phillips and his drumming brother Harley were undaunted, quickly recruiting new singer-bassist Ben Anft and carrying on as a trio. But their label was decidedly daunted, and quickly dropped them.

Four years later, Noisem have returned with a new label and a brand new album, Cease To Exist. Ben Anft’s vocals replace the hardcore bark of original vocalist Tyler Carnes with a harsh, Carcass-style roar (which I honestly might like better), but otherwise, this is the same headbang-inspiring death-thrash awesomeness you’ve always gotten from Noisem, and it is a welcome return indeed from a band whose members are all now old enough to order a beer before the set at McCormack’s tonight. Expect serious brutality, just like you got from them in years past, as well as some ripping thrash rage from DC’s own No/Mas and local stalwarts Murdersome and MSD. This one is gonna rule.

Wednesday, March 20, 6 PM
The Goddamn Gallows, Scott H. Biram, Urban Pioneers, Channel 43 @ The Camel – $20 (order tickets HERE)
The borders between genres are always intriguing, and one that seems to have excited a lot of people’s imaginations over the past couple of decades is the thin line between punk rock and old-time bluegrass. That might not seem such an easily permeated dividing line, but considering that both genres have a tradition of working-class musicians building their sound from outsider traditions and roots within isolated, tight-knit communities, I suppose it makes sense that there’s quite a bit of crossover.

The Goddamn Gallows are one of the bands exploring that musical borderland; they’ve been doing so for over a decade now, and on their latest LP, The Trial, they manage to move between old-time waltzes that foreground folk instruments like banjo and accordion, and darker moments that use distortion and harsh vocals to accentuate the heaviness. And crazily enough, it all works incredibly well — something you can get an up-close-and-personal view of tonight at The Camel, when The Goddamn Gallows pull into town at the head of a touring caravan that also features one-man outlaw-country band Scott H. Biram and energetic Western swing combo Urban Pioneers. Multi-decade Richmond melodic punk vets Channel 43 kick things off to let us know they’re still going strong.

Thursday, March 21, 8 PM
The Listening Sessions, feat. Space Koi, Sanji The Hedgehog, Awkward Shaman, Dogfuck, Distant Dee, MC Correct @ Addis Ethiopian Lounge – $7
As I’ve said in this column many times, Richmond hip hop is a many-splendored thing, and it can be all but impossible to keep up with it all. Therefore I’m not all that surprised that I wasn’t aware until recently of everything Secret Bonus Level has been up to. This crew of local rappers and producers makes it their mission to include the LGBTQ community in everything they do, with the hopes of eventually helping to normalize the idea of queer and trans participants in the world of hip hop. As a rap-loving trans woman, I can definitely get behind that.

Their show this Thursday finds the Secret Bonus Level crew sharing the stage with Space Koi, a Richmond group whose reggae-rooted sound incorporates surf, punk, and psychedelic sounds. The result is several cuts above the typical reggae-rock hybrids we all hear way too much of on modern rock radio — and thank god for that, am I right? They’ll join the Secret Bonus Level crew in its entirety: the trippy rhymes of Sanji The Hedgehog, the wavy melodies of Awkward Shaman, the stoned mumblings of memorably named rapper Dogfuck, and more. The sounds at this show might very well be weird, but the environment is always welcoming, so come down to Addis Ethiopian and check it out — you might just find your new favorite Richmond MC.

Friday, March 22, 9 PM
Appalling, Mo’ynoq, Hoboknife @ Wonderland – $5
Richmond’s extreme metal scene is as alive and well as ever, and more than ever, Shockoe Bottom is the place to learn all about it. Especially with Strange Matter gone, it seems these days the serious thrashers are gonna have to ride their bikes down a really long hill to get the raging riffs they crave. Take heart, carless metalheads — this Friday night, Wonderland has the kind of heaping helping of headbanging that makes the long ride back up the hills of East Main Street totally worth it. Local black metal crew Appalling will be releasing their second full-length at Wonderland on the Friday night in question, and the celebration is sure to be off the chain. They’ve recently been out on the road with Richmond death metal vets Deathcrown, and now Inverted Realm is here to take us all to the next level of epic destruction.

If you love the claustrophobic terror sound of classic Scandinavian black metal masters — think Emperor or Marduk — and you still haven’t checked Appalling out, you need to fix that with the quickness and get to Wonderland on Friday night. They’re sure to tickle your fancy, right before they punch it in the throat. Appalling are joined on this powerhouse bill by fellow black metallers Mo’ynoq. If you saw the name and thought of a certain comedian for a second, well, you’re not alone, but rest assured these guys bring the heavy in a decidedly Immortal-ish fashion. Perennially reliable local stalwarts Hoboknife kick this one off with some dark fury. Get there — even if you’ve gotta walk home.

Saturday, March 23, 9 PM
Microwaves, Multicult, Bermuda Triangles @ Wonderland – $10
Those who are paying attention are sure to know that there’s already a Mikrowaves from Richmond — but as you can see, they spell their name with a K. The Microwaves (with a C) coming to Wonderland Saturday night are a decidedly different proposition. This trio from Pittsburgh, who just released their sixth album, Via Weightlessness, on San Diego noise-core label Three One G, are every bit as hectic as their label affiliation might lead you to expect.

Where their distorted guitar sound and usage of effects that might even make you think there’s a keyboard involved (there isn’t) is likely to remind you of way-out freaks like Orthrelm and Lightning Bolt, there’s a decidedly more song-based structure to Microwaves’ music, which results in the sort of sound that should appeal to fans of decidedly rockin’ noise like that of Arab On Radar or the Melvins, even as its speed and chaos should certainly connect with those who love the early works of the legendary Hella. Microwaves are hitting town with Baltimore noise-rockers Multicult, who conjure some obvious Jesus Lizard comparisons on 2016 LP Position Remote — a slab of pure freakout fun, if you ask me. Local percussion-obsessed weirdos Bermuda Triangles will kick this night off in proper fashion, so roll on down to Wonderland Saturday night prepared to flip out. Rest assured, it’s gonna happen.

Sunday, March 24, 10 PM
Grouser, Grass Panther @ Bandito’s – Free!
Sometimes I put shows into my show column because I’m already intimately familiar with the bands playing. But other times, I am more curious than anything else. This is one of those latter times, and I must say, my curiosity feels likely enough to be rewarded that I think all of you should join me in my quest for satisfaction. Hey, it’s a free show at Bandito’s — if nothing else, you’ll be able to say you got some delicious nachos while you were there. But so anyway — about Grouser. I don’t know this trio’s true identities, but I find it fascinating that they apparently contain members not only of long-running local stoner-metal heavyweights RPG but also of “only true fortysomething Richmonders will know” 90s alt-rockers Jettison Charlie.

I find it even more fascinating that, out of nowhere, they have an outstanding 2018 LP, Harmonic Freight Train, up on Bandcamp. The 13 songs contained on this record have the same sort of noisy post-hardcore energy and subtle melodic grasp that distinguished 90s Richmond legends Kepone, as well as classic 90s Dischord alums like Bluetip. I’m a sucker for records like this; I’m only sorry I didn’t discover it last summer when it came out. Based on these tunes, no matter who is actually in this band, the live show is bound to be essential. The fact that they’re joined on this bill by Manzara affiliates Grass Panther only makes this even more unmissable. And it’s free? What more do you want?

Monday, March 25, 7 PM
Calling All Captains, Diet Blood, Dead Format @ Capital Ale House Music Hall – $10 (Order tickets HERE)
Damn, speaking of sounds I’m a sucker for… Calling All Captains roll into Richmond this Monday night, and I for one can’t wait. These Canadians just joined up with Equal Vision Records, which released their EP Nothing Grows Here last month, and now they’re on tour bringing their sound to the world. Rest assured, if you, like me, are way into recent melodic, emotional pop-punk superstars like State Champs, Knuckle Puck, and The Story So Far, you’ll find a lot to enjoy in Calling All Captains.

Don’t get me wrong, though, they aren’t just a retread of other bands you’ve liked in the past — Canada’s a big country, and this quintet is from Edmonton, Alberta, a city located solidly in Canada’s midwest. Therefore it’s no surprise to find a decided heartland tinge to Calling All Captains’ melodic punk sound, as if they’ve spent a fair amount of time with the Braid and Get Up Kids discographies. That’s certainly never a bad thing. They’ll be joined on this bill by a Richmond band who also feature a melodic punk sound as well as a decidedly unusual name: Diet Blood. What is that about? Is this a band of vampires? Bring some garlic with you to Capital Ale House for this one. Local pop-punk newcomers Dead Format will get this one started off in fine fashion. Get stoked, y’all.

Tuesday, March 26, 10 PM
New Lions, Serqet, Continuation @ Don’t Look Back/Triple – Free!
Not every show has to be a huge event, you know? Sometimes it’s just nice to hang with some friends and enjoy some great tunes. You’ll definitely have the opportunity to do that at Don’t Look Back on Tuesday night, for a free show at the mythical former location of The Triple (where those of us who’ve been around a while saw some pretty cool shows back in the day).

This night will not only give us a chance to rejoice once again at the return of Don’t Look Back and its amazing tacos (show up early and get your fill before the rock starts). It’ll also bring us another opportunity to enjoy the reincarnated and rejuvenated New Lions before their new EP comes out later this year. Plus we’ll get a set from cerebral goth-punks Serqet to enliven all of our minds. Newborn duo Continuation, which features members of Dommengang and The Catalyst, will grace us all with some delightful psychedelic sounds to start the evening off. Let’s all partake and enjoy, shall we?

Bonus Hampton Roads Picks:

Thursday, March 21, 6 PM
Sick Of It All, Iron Reagan, Flatline @ Peabody’s – $20 in advance/$22 at the door (Order tickets HERE)
There’s punk. There’s hardcore. And then there’s New York hardcore. NYHC, as the kids say. Even as it is clearly a big part of hardcore as a whole, NYHC is kind of its own thing, a heavier, tougher form of hardcore that takes obvious influence from the street-level struggles of its early progenitors, who had to fight to survive on the mean streets of New York City in the 80s — long before Manhattan became a glass-skyscraper landscape that mostly acts as a playground for the rich. And Sick Of It All is one of a very few NYHC bands who both helped craft the sound at the very start and is still going strong today.

They just released their 12th album, Wake The Sleeping Dragon!, last year, and if you heard it, you know Sick Of It All are every bit as angry, tough, and talented as they always have been. This show is sure to bring us the best of their new shit along with a heaping helping of classics that we all know and love — “It’s Clobbering Time,” “Step Down,” “Injustice System,” you know the ones. The fact that SOIA are sharing this bill –one that sees them returning to VA Beach’s Peabody’s for the first time in nearly two decades — with Richmond crossover maniacs Iron Reagan only further emphasizes the fact that this is gonna be a show for the ages. Get the Doc Martens shined up and get ready to break out the GI Joe Headstomp for this one.

Monday, March 25, 8 PM
Failure, Swervedriver, Criminal Hygiene @ Elevation27 – $25 in advance/$30 day of show (Order tickets HERE)
This show would be big news even if only one of the two headliners were coming through. The fact that both of them are here to blow our minds just makes this a tour beyond all wildest dreams. California space-rockers Failure fell apart in the late 90s, but they left behind multiple classic albums, which garnered them an ever-growing cult following that rejoiced when the trio returned to action in 2015. Since then, they’ve made two more albums, releasing the excellently titled In The Future Your Body Will Be The Furthest Thing From Your Mind late last fall.

UK quartet Swervedriver had a similar career path to that of Failure, and though soundwise they are less Nirvana-meets-Pink Floyd and more Neil Young-meets-My Bloody Valentine, the two groups have a lot in common musically as well as historically. Swervedriver, who broke up in 1999, reformed in 2008, and have themselves released two albums since reuniting. The most recent, Future Ruins, was released earlier this year; like the latest Failure album, it shows that this group is still as much at the top of their game as they ever have been. Getting to see both of these bands on the same night will be a true treat. Make sure you’re there to experience it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 5 – December 11

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FEATURED SHOW
Friday, December 7, 9:30 PM
Claudio Simonetti’s Goblin performs Suspiria @ The Byrd Theatre – $35 (order tickets HERE)
This is pretty much a once-in-a-lifetime event, and you pretty much need to be there if you have any interest at all in horror movies, spooky European prog rock of the 70s, or both. Here’s the deal: the Italian prog group Goblin did quite a few soundtracks for horror movies back in the 70s and 80s, including several for legendary Italian horror director Dario Argento. In 1977, they did what is probably their most famous work in the score for Argento’s most famous film, Suspiria. Now, in a weird tie-in to the 2018 remake of the film, Claudio Simonetti’s Goblin are on tour performing the Suspiria score live along with the film. This Friday night, they’ll be doing so at The Byrd Theatre. How cool is that?

Goblin has been made up of many people over the years, and at this point in history, there are several active or dormant projects that have used variations on the name in the past decade or so. Claudio Simonetti, the group’s longtime keyboardist, is currently leading a trio featuring the members of his late-90s/early-00s metal band, Daemonia, and that’s the version of Goblin that will be coming to the Byrd. Anyone who’s seen Suspiria or soundtracked an awesome Halloween party with the soundtrack album will recognize the essential role Simonetti’s keyboards play in the film’s music; basically, if there were to be one original member of Goblin involved in this performance, you’d want it to be Claudio Simonetti.

Basically, this is the closest any of us will get to seeing the original Goblin play this music. And better yet, the group will follow its performance along with the film by another set of music drawing from the highlights of Simonetti’s lengthy career, which has included film scores for dozens of classic horror flicks (Deep Red, Dawn Of the Dead, Demons, Nightmare Beach, The House of Witchcraft… so many more). And if that tantalizes you, here’s the best part of all: you’ll get to see Argento’s original Suspiria on the big screen. Who can pass that up? Not you, if you’re smart.

Wednesday, December 5, 7:30 PM
Generation Axe Tour, feat. Steve Vai, Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt, Tosin Abasi @ The National – $39.50 in advance/$43 at the door (order tickets HERE)
The 90s have been the nostalgia decade of choice for a while now, and somehow we got there as a culture without ever dealing with that late 80s era of leather pants, hairspray, and wild shreddy guitars that everyone remembers now as “hair metal.” There was a lot to that era, y’all, and a lot of it was great. From 80s power metal that got wrongly lumped in (Iron Maiden, anyone?) to the true classics of the glam generation (Shout At The Devil is one of the best metal albums of that decade — yeah, I said it), we’ve chosen to leave a lot of great things out of the cultural narrative. I guess this is what people mean when they say “guilty pleasures,” huh?

Generation Axe comes to The National to let us all know that it’s time to stop feeling guilty about all the shred-heavy guitarists with feathered hair and lightning-speed arpeggios whose tablatures we all studied obsessively in the back pages of Guitar World while we were supposed to be finishing our algebra homework. The king of the shred, Steve Vai, who is known not only for his epic instrumental solo albums (and “solo” is indeed the word) but his time in Whitesnake, David Lee Roth’s solo band, and many more, got this whole project together, recruiting fellow instrumental shred king Yngwie Malmsteen (it’s pronounced “ING-vay,” and in the time it took you to read this parenthetical aside he’s played at least 800 notes), Ozzy/Black Label Society legend Zakk Wylde, former Extreme guitarist Nuno Bettencourt, and Animals As Leaders, um, leader Tosin Abasi to form a five-guitar monster of razor-sharp licks and tour the world. At the National, you’ll see everything from spotlight sets by each of these five guitarists to duets and collaborations between three or even all five string-benders to wow you with hours and hours of shred-thrash fireworks. It’s going to be so goddamn amazing you’ll surely want to dig through mom’s attic over Christmas until you dig out your dusty old Ibanez and books of guitar tabs. Get fired up.

Thursday, December 6, 7 PM
The Ar-Kaics, Christi, Piranha Rama, Weird Tears @ Strange Matter – $10 (order tickets HERE)
Strange Matter’s long goodbye continues this week, and we’ll be sending you there quite a bit before we wrap up this column. This is because, even in their final throes, this best of all Richmond venues continues to pack the place each night with brilliance. This particular garage-psych focused bill is centered around 60s revivalists The Ar-Kaics, who’ve spent the last several years wowing us with the charm of their many 45 RPM singles, recapturing the fuzzed-out glory of the Nuggets era. After a couple years away from the spotlight, they’ve returned in a big way with In This Time, their second full-length. On it, they mix the primitive charm of their garage-rock roots with some increased melodic elements that make these tunes catchier than ever.

Rejoicing at the return of the Ar-Kaics is a big reason to come to this show; however, it’s not the only one, as local power-pop legends Christi are returning to live performance after a year and a half away from the stage. I would say this makes sense, since longtime Ar-Kaics drummer Patty Conway was also in Christi, but by the time Christi broke up she wasn’t in that band anymore — and at this point, it seems like she might have left the Ar-Kaics as well. So this could all be a big coincidence. Either way, the double-dose of old-school rock n’ roll with some killer vocal harmonies overtop is coming for you, and it’s going to rule, so you really should just be at this show no matter what. Local up-and-coming garage-pop group Piranha Rama and the ever-mysterious Weird Tears will get this show rolling in fine fashion.

Friday, December 7, 8 PM
Sleep, Weather Warlock @ The National – $21.50 in advance/$25 at the door (order tickets HERE)
Where doom metal, or “stoner metal,” or whatever you want to call it, is concerned, Sleep are pretty much the north star. Having evolved out of apocalyptic crust band Asbestos Death at the dawn of the 90s, Sleep went on to define the stoner-doom genre with their 1992 classic, Sleep’s Holy Mountain, before either attaining doom godhead or flying too close to the sun (depending on your point of view) with the long-delayed legend of an album, Dopesmoker (which consisted of one 74-minute song. I know, right?). However, while record companies were less than stoked at the idea of marketing a one-song double LP, leading the group to disband, their legend grew in their absence — fueled by the biker-metal heroics of guitarist Matt Pike’s post-Sleep project, High On Fire, and the epic drone of bassist/vocalist Al Cisneros’s Om, which has incorporated elements from Tibetan Buddhist chants into their moody darkness.

After receiving rapturous responses to a series of reunion tours, Sleep became a fully functioning band again about five years ago, recruiting Neurosis’s Jason Roeder to replace retired original drummer Chris Hakius. This year, they followed up two excellent post-reunion singles with their first full-length album in over 20 years, The Sciences. What is obvious from the first listen is that this group hasn’t lost a single step over the intervening years, mixing the biker-doom headbanging of High On Fire into Om’s droning low-end hum to create newborn classics like the Egyptian pyramid-Black Sabbath pun reference in “Giza Butler,” or the 21st century stoner anthem “Marijuananaut’s Theme.” They’ll bring all of this to us at mind-shearing volume and with soul-pulverizing power when they take the stage at The National, and all of you stoner warriors of the astral plane are going to want to touch down and experience it firsthand.

Saturday, December 8, 12 noon
Dry Spell, Mensroom, Cloak/Dagger, Nosebleed, Haircut, Sinister Purpose, Butt, Deviant @ Strange Matter – $12 (order tickets HERE)
These days, it seems, hardcore bands never really die — they just go dormant for longer and longer periods, only returning to play a show on occasions momentous enough to resurrect them from their suspended animation. Strange Matter’s closing is definitely a momentous occasion, and one way you can tell is that this noontime Saturday show is headed up by not one, not two, but THREE mostly-dormant hardcore bands that have returned to action for the first time in at least a year (OK yes, Cloak/Dagger played a few shows nine months ago. Point stands).

Dry Spell’s big period of activity is about a decade in the rearview now, and their midtempo rockin’-hardcore rage sounds fresher than ever when you revisit it in 2018, so this set bringing together members from up and down the East Coast to perform together once again should be a real blast. Mensroom disappeared from the Richmond musical landscape about three years ago now, so the new jacks may not remember them, but any young punks who love the psychedelic-sludge take on hardcore that Slump has been dishing out for the past couple years are definitely gonna want to catch their set (being billed as a “reunion/last show”), as these guys were doing that sort of thing before Slump ever got going. As for Cloak/Dagger, these rip-roaring maniacs have made some killer sounds by finding the line between garage-punk and hardcore and staking out a position just to the “hardcore” side of that line. Get ready for some raw rock n’ roll power when these guys take the stage. And be sure to set your alarm, because if you’re not there right at noon, you’re sure to miss some of the many excellent openers — and that would be a very bad move.

Sunday, December 9, 7 PM
Cloud Nothings, The Courtneys, Russ Waterhouse @ Strange Matter – $15 in advance/$18 day of show (order tickets HERE)
Cloud Nothings may not be coming to Richmond specifically to celebrate the life and legacy of Strange Matter, but that’s no reason to skip this show — it’s gonna be every bit as good as everything else that has become a part of the Strange Matter Closing Series. Cloud Nothings are an incredible band from Cleveland, who have built themselves quite a reputation by simply putting their heads down and continuing to crank out excellent no-frills tuneage that both rocks hard as hell and has the ability to stick firmly into your head all day.

Where a lot of other rock bands have fallen into the pattern of taking three years or more between records, Cloud Nothings have stayed prolific, releasing five full-length albums and one collaborative album with Wavves since 2011. Their two most recent albums, Life Without Sound and Last Burning Building, both came out within the last year and a half, and both bring us excellently written songs with fire and passion, landing somewhere between prime mid-period Replacements and the best work of legendary UK punk rockers Leatherface. If anything, Cloud Nothings just seem to get better as they go on, and that’s reason enough to catch them whenever they come through town. Rest assured, they’ll blow you away. Excellent support from Canada’s The Courtneys, who bring us their shambling indie-pop brilliance under the auspices of legendary New Zealand record label Flying Nun, only sweetens the pot — as does a solo set from Blues Control’s Russ Waterhouse to kick it all off. Get with this one.

Monday, December 10, 6 PM
Cult Leader, Primitive Weapons, God Mother, Asylum, Shark Eyes @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I read a novel from 30 years ago this past week, and at one point, a character referenced “heavy metal.” The term, once ubiquitous in my own musical vocabulary, struck me as archaic to an almost amusing extent. When I pondered why it felt that way these days, I realized that it’s mostly because, while we still use both words separately to talk about certain types of music, we pretty much never use them together. There’s metal music, there’s heavy music, but instead of combining to become “heavy metal,” they really seem like two completely separate genres today.

I bring all this up to point out that Cult Leader, who released their second album, A Patient Man, less than a month ago, are definitely on the “heavy” side of that divide. A Patient Man is a crushing listen, full of volcanic riffs that feel less like discrete breakdowns than a continual overpowering onslaught of low-end rumble and harsh, roaring noise. The fact that this quartet hails from Salt Lake City, Utah, makes their sheer brutality a bit more understandable — it’s got to be hard to grow up in such a repressive social environment. All that repressed tension’s gotta come out somewhere. The way it comes out might not be metal, exactly, but it’s certainly heavy. The same is definitely true of tourmates Primitive Weapons, who hail from Brooklyn, and God Mother, who come to us from Sweden. Apparently heaviness can emanate from anywhere. Let’s all go soak it up.

Tuesday, December 11, 6 PM
Strange Matter’s Final Hip Hop Show, feat. Black Liquid, Nickelus F, Mutant Academy, Moon, Michael Millions, Chance Fischer, Dr. Millionaire, Cole Hicks, Octavion X, PT Burnem, Young Flexico, Grayscale, Cakes, Reppa Ton, Fuggin Doe, Cha$e Royale, Goad Gatsby, Big Dev, Van Silke, 1NF1N1T8, Lovesick, Dogfuck, God Goldin, Frankenstein Reyes, Skinnyy Hendrixx, Skuzii, Chris Haskins, Rack Squaresoft; music by DJ Bandolero, DJ Banga, Hip Hop Henry @ Strange Matter – $10 (order tickets HERE)
All these Strange Matter closing shows have been jampacked with local talent, which means that when you’re going to a hardcore or metal show, you might see 10 or 12 bands instead of the usual four or five. But what happens when a hip hop show goes mega? After all, a regular hip hop show can easily feature 10 rappers, and Black Liquid’s long-running monthly Face Melt Friday nights at Strange Matter rarely featured less than 20. So what does a really epic hip hop show look like? Well, if this bill is any indication, it looks like at least 30 rappers and several different DJs holding down an entire evening full of awesomeness. And I think we’d all have to say that’s outstanding.

RVA’s hip hop world often looks like at least half a dozen parallel worlds, many of which don’t intersect frequently by any means. However, if there’s one thing Black Liquid has always tried to do with his Face Melt Fridays, it’s to bring the entire scene together under one roof, so everyone can appreciate each other’s talent. The same thing is true of this show, which pulls together everyone from local legend Nickelus F and hot up-and-coming talents Mutant Academy to local veterans like Dr. Millionaire and Chance Fischer and Face Melt Friday mainstays like Goad Gatsby. Plus, there’s a lot of lesser-known talent lurking around the lower reaches of this bill — bizarre names like Dogfuck and 1NF1N1T8 come with solid track records. And of course, with Black Liquid presiding over it all, the vibe is gonna be like the Face Melt Friday to end all Face Melt Fridays… regardless of the fact that it’s actually happening on a Tuesday. So hey, don’t sleep on this one. There won’t be another.

Bonus Hampton Roads Picks:

Friday, December 7, 7 PM
Boxford, Invaluable, Accident Prone, Scotty And the Steiners, Eric & Aviana, I Fight Vampires @ Charlie’s American Cafe – $5
I love pop-punk. I’ve never hidden that, never tried to play it down… I don’t feel the least bit guilty about it. It makes me smile and it rules and more people should try to understand its charms. But I’ll tell the truth — I’m very aware of how navel-gazing the whole genre can be, and how male-dominated… to the point where some otherwise-great bands are self-centered enough to take a downright douchey approach to some otherwise incredible hooks. It’s a bummer.

Thank god for bands like Virginia Beach’s Boxford, who actually seem to care about the world outside their own rooms. This show is a release party for their latest EP, Facade, a three-song collection that focuses on the sort of mental health struggles that too many pop-punk fans can relate to (yes, including me. No shame). And for their record release show, they’re doing more than just singing about it, turning the entire show into a collaborative fundraiser with the American Foundation for Suicide Prevention, who will be on hand to talk to attendees between bands about ways we can all lend a hand to the struggle within our communities for greater mental health. This is important stuff, and I don’t want to trivialize it by saying that it comes with a legitimately great soundtrack. But it must be mentioned that Boxford’s Facade is an excellent record, and openers like Invaluable and Accident Prone have quite a bit to offer as well. This will be a fun show with a very serious purpose. And that’s just about perfect.

Saturday, December 8, 6 PM
Blind Justice, Paper Trail, Red Vision, Watchdogs, Combust, Flatline, Semtex @ 37th And Zen – $12
An alert for Central Virginia’s hardcore kids: if you can find a fast enough ride, you can fill your entire Saturday this week with incredible hardcore sounds. Not only do we have an excellent slate of hardcore bands here in RVA with a noon kickoff time, the excellent Jersey-shore hardcore band Blind Justice will be headlining a killer bill featuring multiple Richmond bands at Norfolk’s 37th and Zen that night. Travel time between the two is just 90 minutes if you’ve got a lead foot… and if the tunnel doesn’t screw you over. It’s worth a shot, right?

This is especially true in light of Blind Justice’s latest LP, No Matter The Cost, which dropped this summer and knocked everyone out. The energetic approach this band takes to their music, and particularly vocalist Mike Botti’s ridiculously intense vocals, are a recipe for bowling you over in a live environment. These guys are sure to get the pit moving with a vengeance when they hit the stage at 37th and Zen. Richmond bands Red Vision and Watchdogs are also on the bill, and both bands are celebrating their brand new releases. Red Vision brings us their hard-as-hell new full-length, Stake Your Claim, while Watchdogs give us a dark, metallic new EP called Sanguinary. They both rule, and I’m sure these sets will be ones to watch. A whole bunch of other bands, including Virginia Beach mainstays Paper Trail, are on hand to sweeten the pot on this killer. Gas up your tank before the Strange Matter show, because you’re gonna want to catch this one too, and you’ll have no time to waste.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Abuse of Power, Wise, Red Vision, Flatline + 1 – Matinee! at Strange Matter

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Topics: , , , , , ,

ABUSE OF POWER (Atlanta)
http://abuseofpower.bandcamp.com/
WISE (California)
https://undertonerecs.bandcamp.com/album/demo-17
RED VISION (RVA)
http://edgewoodrecords.bandcamp.com/)
FLATLINE (VB)
http://flatlinevb.bandcamp.com/
OUTSIDER (RVA)
http://flatspotrecords.bandcamp.com/

4PM Doors // 5PM Sounds // Over by 7:30
$10 // All Ages

RVA Shows You Must See This Week: May 23-May 29

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, May 25, 6 PM
RVA Music Night, feat. Butcher Brown, Dharma Bombs, Piranha Rama @ Friday Cheers – $5 (order tickets HERE)
Friday Cheers is a great thing. When the summer weather hits, it offers us all a chance to get out of the dark clubs where the best live music is usually found to go cavort in a beautiful outdoor setting and see a band for the kind of bargain prices we usually only find in the subterranean musical underground. Now, if you ask me, the music on offer doesn’t always entirely live up to the promising circumstances Friday Cheers offers. However, an RVA Music Night featuring three excellent local acts from three entirely different genres, all coming together for one night to present some of the best sounds the Richmond music scene has to offer? That’s a sure thing right there.

Butcher Brown are at the top of the bill, and this soul-jazz-funk instrumental quintet has only increased their prowess over their years as a band, most recently proving it with a killer live LP named after the downtown club where it was recorded — Live At Vagabond. These five musicians have powers undreamed of by many who wield instruments, and their credits with a variety of other projects, from Marcus Tenney’s work with No BS! Brass Band to DJ Harrison’s solo project on Stone’s Throw Records, are more than sufficient to demonstrate that fact. This Friday Cheers show will see them departing the intriguing atmosphere of jazz clubs for a performance under the sky, but their gorgeous, fun music is sure to thrive with the change of environments.

The Dharma Bombs have some jazz influence as well, but this acoustic ensemble mainly draws inspiration from old-time string-band sounds of the Appalachian mountains — which they brought into the 21st century with aplomb on 2017 LP Old Time Romance. If Butcher Brown will get you moving and grooving, these guys are more likely to have you dancing a jig to their bluegrassy tunes. One thing’s for sure — you won’t be able to stand still. The garage rock sounds of relative newcomers Piranha Rama, who just released debut EP Beach Body last month, are a great way to start off the evening. This whole show is basically perfect, so arm up with your citronella bracelets and head down to Brown’s Island for a night of great tunes under the setting summer sun!

Wednesday, May 23, 9 PM
Chico, Silver Twin, Black Plastic, Space Koi @ Flora – $5
It’s the middle of the week, and you need a pick-me-up to make it to Friday night. We all know how this goes — I’m in a similar situation myself, if I’m honest. Here’s one potential solution: head out to Flora tonight and catch Nashville rockers Chico doing their thing. This quartet’s just released their latest album, Ballet For Bastards, on which they display their intriguing musical melange of spaced-out prog guitars, catchy alt-rock melodies, and psychedelic atmosphere. It’s the sort of thing that will really kill when given the space to get loud — and Flora’s back room has a pretty perfect space in which that can happen, so you’re gonna want to come watch the musical fireworks.

There are some pretty great local bands on this bill too, starting with Silver Twin, who’ve been dishing out their catchy, poppy rock n’ roll around town for a while now. Their debut EP, Jaw, came out last fall and is still a really fun listen — chances are that by now, they’ve got some new stuff for us that’s even better. Newcomers Black Plastic are bringing sounds in a similar vein, though with a bit more of a mysterious presentation on the whole. And of course, Space Koi will round out the entire evening with a unique slice of dubwise psychedelia that splits the difference between the Grateful Dead and King Tubby. It’s just what you need to carry you through the remainder of the work week.

Thursday, May 24, 6 PM
Bloodlet, Sinister Purpose, Unmaker @ Champion RVA – Free!
The eternal return of 90s bands continues apace, and I for one am not complaining. After all, while Bloodlet often got lumped into that whole mid-90s mosh-metal thing due to their being signed to Victory Records, they were really doing their own thing entirely, something never truly recognized or given its due at the time. They were definitely a heavy, pounding band with relentless midtempo grooves and terrifyingly harsh vocals. But unlike the mid-tempo straight edge chug-monsters of the era — most prominently Earth Crisis — Bloodlet used subtle musical complexities to create a deeper, darker atmosphere within their music.

Their classic 1995 album, Entheogen, was finally reissued a couple of years ago by A389 Records, and it’s held up incredibly well over the years. Indeed, it’s impossible to avoid the Southern darkness that infects this Florida band’s music in much the same manner as NOLA legends Eyehategod. Forget all the straight edge associations and get ready for some spooky, metallic sludge from these returning heroes. Granted, they haven’t made a new album in over 15 years, but based on some intense footage from their performance at last year’s This Is Hardcore Fest, it seems they haven’t lost a single step. The more straightforward — but still a bit spooky — hardcore of Sinister Purpose, and the metallic goth-punk of Unmaker, will get things started at this show, which is unbelievably free. Do not miss out on this incredibly rare opportunity! Be there.

Friday, May 25, 9 PM
The Prabir Trio, The Flavor Project, Deau Eyes, Kenneka Cook @ The Camel – $5 in advance/$8 day of show (order tickets HERE)
So what’s up with Prabir these days? Having been a local music scene fixture for over a decade, first with Prabir and the Substitutes, and then with Goldrush, these days it seems this singer-songwriter with a taste for science, the Beatles, and killer power-pop has started up yet another project. While it may have started as more of a solo thing (social media sites know the project as merely “Prabir”), recent performances have been billed as The Prabir Trio, with final Goldrush drummer Kelli Strawbridge and bassist/producer extraordinaire Russell Lacy rounding out the lineup.

They’ve been cooking up some new tunes that fit right in with Prabir’s previous work, and this show is apparently the release celebration for The Prabir Trio’s first EP, so fans of the scientific power-pop genius should definitely be stoked for this one. The Flavor Project, an ever-growing soul/funk musical ensemble masterminded by bass whiz Gabriel Santamaria, may actually be headlining over the Prabir Trio at this show — I can’t entirely be certain. Either way, the fact that this gig will also feature sets from Deau Eyes and Kenneka Cook should be enough to get anyone paying attention to what’s awesome in the RVA music scene down to the Camel, ready to get rocked.

Saturday, May 26, 4 PM
Abuse Of Power, Wise, Red Vision, Flatline, Outsider @ Strange Matter – $10
Hardcore matinees are a vanishing breed today — not like 20 years ago when there was at least one every week. However, they do still happen, and while these all-ages shows tend to get going at a time that’ll seem ridiculously early to anyone over 21 and used to staying at the bar til 1:45 AM in order to see the headlining band’s entire set, they’re important avenues guiding the next generation into the music scene — and therefore, still pretty essential even for the old heads to pay attention to.

This one is bringing a couple of killer modern hardcore bands to town. Abuse To Power hail from Atlanta and have that same midtempo groove, complete with subtle melodic elements, that made bands like Outspoken and Mean Season such essential listens a quarter-century ago. With them on this jaunt is Cali crew Wise, who take things in a heavier direction but still have a bit of that 25-years-ago vibe, reminding me of Turning Point at some moments and Sick Of It All at others. These rad hardcore groups will join Negative Approach-style VB ragers Flatline and local up-and-comers Red Vision and Outsider, both of whom come with a tough, aggressive sound that’s sure to get the mosh pit moving. Come out and see what the kids are up to — you can go get Taco Bell afterwards, just like the old days.

Sunday, May 27, 7 PM
Cognizant, The Human Race Is Filth, Burn/Ward, Van Hagar, Swamp Nuts @ Lakeside Tavern – $8
I have to say, I fucking love that Lakeside Tavern has become a somewhat reliable spot at which to catch grindcore shows. I never would have predicted that in a million years, and yet it has come to pass, and I couldn’t be happier. This weekend, it’s Dallas grinders Cognizant who’ll be coming through for a blastbeat-heavy rager at Lakeside Tavern, and they’ll bring a really intriguing sound along with them. On their recently released split with Bad Rites, this group veers between full-on metallic grind destruction a la Assuck and some mathematical complexities that’d be more at home on a prime Cryptopsy record. All of this plus vague hints at a psychedelic atmosphere — which might be more apparent if these songs weren’t blowing by you at a million miles an hour — makes for one of the more interesting and original grind sounds I’ve heard in recent memory.

They’ll be joined on this bill by Pennsylvanians The Human Race Is Filth, who’ve come through in the recent past with their metallic crust sound, and are certainly welcome back anytime! This band has some definite hints of Tragedy in their sound, but a more prominent influence seems to derive from Harmony Corruption-era Napalm Death — and that’s never a bad thing. Three Richmond locals will bring us a well-rounded evening of hyperspeed metal destruction. Burn/Ward, who kind of disappeared for a while, will hit you with enough excellent blackened power-violence rage to make you glad they’ve returned. Van Hagar’s chunky, punky take on grindcore definitely emphasizes the core, to brilliant effect. And rural goregrinders Swamp Nuts will get things started off right with some super-deep vocals and super-heavy breakdowns. Get stoked.

Monday, May 28, 8 PM
Petrification, Funeral Chic, Deathcrown, Shark Eyes @ Strange Matter – $10 (order tickets HERE)
The Maryland Deathfest tour-overspill brings its bounties to Richmond once again, as Strange Matter is fortunate enough to play host to Portland death-metallers Prosthetic and North Carolina’s Funeral Chic as they begin the trek home from the biggest metal show of the year. Petrification has risen to fame and glory on the back of their debut EP, 2017’s Summon Horrendous Destruction, which finds this quintet channeling the brutal, trudging glories of early 90s death metal pioneers like Autopsy and Incantation. Songs like “The Headless One” and “Stagnation of Transmigration” offer plentiful opportunities for headbanging, over which their vocalist delivers guttural tones that can only be called sepulchral in effect. So yeah, basically it rules.

Funeral Chic are more inclined toward raw, thrashing speed than the gloomy sludge of Petrification; they’ll offer a nice contrast to the Pacific Northwest death-doom crew with the sort of blackened metallic hardcore they deliver on 2016 slab Hatred Swarm. As far as local support, we’ll be graced with a performance from Deathcrown, a ripping American death metal quintet with members who’ve done time in a variety of Virginia metal mainstays over the years. Opening up the whole evening will be Shark Eyes, a new project from former KEN Mode bassist Andrew LaCour and members of Revocation that goes hard with the speedy metal riffage, at least from what little I’ve heard (less than a minute, total). I will say, though… I’m intrigued. The total effect should be one of complete pulverization. And who doesn’t love that?

Tuesday, May 29, 9 PM
Deeper, Basmati, Ashes @ Flora – $5
Let’s end the week where we began — over at Flora, catching a killer mid-week bill of indie rock bands with first-rate songwriting chops and the skills needed to deliver them to us in excellent fashion. Our headliner for this show is Chicago group Deeper, who mix math-rock and complex art-pop into a pleasing and memorable witches’ brew on their brand new, self-titled LP.

They’ll be joined on this bill by local alt-rockers Basmati, who’ve been plying their trade locally for damn near a decade now, and only getting better as they go. Expect some slacker vibes and some killer melodies from this talented trio. And of course, we’ll have Ashes to kick things off with some noisy indie tunes that are sure to get your blood pumping and your body moving. What more could you want?

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee

Music Sponsored By Graduate Richmond