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VA’s Can’t-See Shows This Week: March 25 – March 31

Marilyn Drew Necci | March 25, 2020

Topics: avail, Black Flag, Chisel, Dave MAtthews Band, Fugazi, grateful dead, gwar, Hard Times, PB Kellys, richmond coliseum, Richmond VA - Hooray!, Shafer Court, shows you must see, Ted Leo, The Flood Zone, The Metro, Twisters

Well, here we are again, stuck at home with no shows to go to, trying to find a way to survive without live music for… who knows how long? I don’t have any good news for you on that front, but I can offer you another collection of great live footage with which to fill your days and nights over the next week and try to ease the pain of social distancing.

This week’s playlist is entitled “Let’s go to shows in Richmond in the 20th century.” It’s all footage recorded here in the river city before Y2K, and while the younger amongst you might not recognize a lot of the venues we stop into this week, they’re sure to bring back some memories for the old heads.

Quick warning: recording technology wasn’t then what it is today. A lot of this stuff might not sound as amazing as you’d like it to. But really, we’re just lucky to have any of it at this point. So if all else fails, turn it up. Let’s rock.

Fugazi at Shafer Court, VCU, April 14, 1996

This 10-song playlist features a significant portion of a live outdoor performance by the most fervently DIY band the hardcore scene of the 90s ever produced. Early on, Fugazi insisted on door prices for their shows being $5 or less. Once they were doing well, they started trying to play for free whenever possible. This performance, held outside on a beautiful spring day in the middle of VCU’s campus, was free to all comers — and a lot of people showed up, as you will see from the various crowd shots interspersed within this video. Current VCU students might not recognize the spot on campus where this was filmed; that’s because this outdoor stage was demolished in the early 00s to make way for what is now the Shafer dining hall.

Fugazi have released high-quality audio of many of their concerts over the years as part of their Fugazi Live Series, and while they only have high-quality audio of part of this performance, footage from the last four songs in this set has been synced with that audio to create an incredible audiovisual document. If the middling-quality video camera audio in the first part of the set doesn’t do it for you, skip ahead to “Instrument” — it all sounds awesome after that.

GWAR at PB Kelly’s, October 11, 1985

This is, as far as anyone knows, GWAR’s first full live performance. Started by the members of Richmond hardcore band Death Piggy as a goofy joke band that could open their sets, the band originally known as Gwarrrrggghhh! eventually became the focus of their efforts. This video captures the very beginning of their path to world domination, and presents a GWAR lineup that even longtime fans might not know about. In the early days, Dave Brockie, aka Oderus Urungus, was GWAR’s guitar player, and while he still did most of the talking between songs, it was Joe Annaruma that handled the lead vocals. That lasted until 1986, when Brockie took over the vocal position, and Oderus Urungus was born.

This video captures a very primitive version of what GWAR would eventually become, but does show that even 35 years ago, a lot of the pieces were already in place. As for PB Kelly’s, where it was filmed, this Shockoe Bottom club was wiped permanently off the map only a month after this performance by the 30-foot-high flood waters of Hurricane Juan — so if you’ve never heard of it, that’s understandable.

Black Flag at Hard Times, April 9, 1984

There are two schools of thought about Black Flag, the legendary LA hardcore band who were integral to the growth and spread of American hardcore in the early 80s. The first is that they went to hell once Henry Rollins joined, and everything after 1981’s Damaged is garbage. The second is that if anything, they got more interesting in their later years, as they delved into anguished metallic sludge with occasional mathy prog tangents. Where you land on that spectrum will definitely influence your appreciation for this 1984 live set by Black Flag, captured a month after the release of their divisive second album, My War.

Over the course of this hour-long set, the band plays everything from early hardcore-punk bangers like “Nervous Breakdown” and “Jealous Again” to slowed-down torture-fests like “Three Nights” and “Nothing Left Inside,” with a couple of their signature bizarre instrumentals thrown in for good measure. And if you ask me, it all rules. This video was filmed from the back of Hard Times, which gives us all a good look at the inside of this brick building at the corner of West Cary and Harrison streets long before it became a Thai restaurant.

Dave Matthews Band at The Flood Zone, June 17, 1992

Richmond in the late 20th century was definitely a town focused on hardcore, punk, and metal. But that’s not to say that nothing else was happening here back then, and there’s plentiful proof of that on this video from The Flood Zone, a Shockoe Bottom club that became Have A Nice Day Cafe in the late 90s and more recently has been converted into condos. Ugh. Before all that happened, it was the biggest performance venue this side of the coliseum that Richmond had to offer, and in the early 90s, the Dave Matthews Band dominated it with their standing gigs every Wednesday night.

To put it into perspective, this footage was filmed two years before this Charlottesville quintet’s breakout major label debut, Under The Table And Dreaming. And yet they clearly had already completed some of the key material that later made them famous; this set features future hit singles like “What Would You Say” and “So Much To Say.” Several years before they hit heavy rotation on MTV, they were getting regular airplay onstage in Richmond. And back then, Dave still had a full head of hair!

Chisel at Twisters, 1995

Ted Leo went on to make quite a name for himself in the post-Y2k era as an indie-punk singer-songwriter hero, fronting his band The Pharmacists. But before all that, he was leading a hot power-pop trio called Chisel, who swung through Richmond on a summer night in 1995 and played to a mid-sized crowd at Twisters (the club best remembered today as Strange Matter). It’s likely that a lot more people would claim today to have been at this show than were actually there at the time, but no one back then knew who this skinny guy with the Telecaster would go on to become.

This footage doesn’t sound the greatest, and is too dark to give you a good sense of what the room was like (spoiler: it was dim and kinda grotty, just like it was when it was Strange Matter), but it should at least hint at the greatness buried on those old Chisel albums that even a lot of Ted Leo fans don’t know about. Dig em up if you haven’t, you won’t be sorry.

Avail at The Metro, May 1, 1992

We got a set from Avail in 2019 last week, and here’s at least one song from nearly 30 years before. Believe it or not, this performance was billed at the time as Avail’s “last show” — their breakup didn’t last very long, though, and we’re all much better for it. What this footage proves is that Avail shows 28 years ago (can you believe it’s been that long?) were just as crazy as the reunion shows were last year.

As for the Metro, where this was filmed, it was little more than a big empty room with a stage at one end. It was located above what is now Asado and for a long time before that was known as Empire, and was definitely a venue from another time; I know for sure you couldn’t buy food there, which you’d never see at a Virginia venue today. The Metro was shuttered after the fire marshall showed up at an over-capacity Avail gig in 1995, and it has never reopened. Rumor has it that it’s still up there above Asado, exactly as it was 25 years ago, lying in wait for a new generation of Richmonders to discover it.

The Grateful Dead at The Richmond Coliseum, November 2, 1985

It’s hard to explain to a younger music fan who wasn’t around when The Grateful Dead were still kicking just what a phenomenon this band was. The death of Jerry Garcia in summer 1995 ended a 30-year legacy that has only been sporadically captured by various offshoots and semi-reunions over the quarter-century since then. And if you don’t understand it, this fuzzy footage (with thankfully excellent sound) of the group’s second set at the Richmond Coliseum in 1985 is not going to get it across to you.

However, Richmond’s true Deadheads are sure to be stoked to see this trip into our city’s Deadhead past, from way before Cary Street Cafe was a thing. It also reminds us of a time when the city was putting the Coliseum to good use, something it should probably still be doing instead of letting it sit there empty. But I digress.

Richmond VA – Hooray! Live video compilation, 1998

Let’s cap this thing off with an embarrassment of riches from 22 long years ago. This compilation, assembled by Jeff Grant (Flashbulb Memory, Pink Razors, Stop It!) and originally released on VHS, captures performances by 30 different bands active in Richmond in 1998. It features everything from familiar Richmond names, some of which are still active today (Avail, Fun Size, Ann Beretta), to forerunners of modern legends: James River Scratch is Tony Foresta’s pre-Municipal Waste band; The Ultimate Dragons moved to Texas and evolved into The Sword; Disinterment featured multiple future members of Darkest Hour.

There are also some forgotten curiosities buried within this playlist that are sure to bring back fond memories for the lucky few who were around to see them the first time. If you know where to look, you’ll even see me, when I was half my current age, ranting and screaming in a basement. But the hidden gem of this playlist, which makes it worth it even when the audio isn’t the greatest, is the documentation of what Richmond looked like in 1998, as preserved in the introductory videos filmed by Jeff and his then-bandmate Duncan Adams in various spots around the city. It’s hard to believe how much it’s changed since then.

Dark Star Orchestra @ The National

Justin Mcclung | December 3, 2019

Topics: concerts, december, dso, grateful dead, live music, thenational, Things to do in Richmond, thingstodoinrva

Performing to critical acclaim celebrating over 20 years and over 2700 shows, Dark Star Orchestra continues the Grateful Dead concert experience. Their shows are built off the Dead’s extensive catalog and the talent of these seven fine musicians. On any given night, the band will perform a show based on a set list from the Grateful Dead’s 30 years of extensive touring or use their catalog to program a unique set list for the show. This allows fans both young and old to share in the experience. By recreating set lists from the past, and by developing their own sets of Dead songs, Dark Star Orchestra offers a continually evolving artistic outlet within this musical canon. Honoring both the band and the fans, Dark Star Orchestra’s members seek out the unique style and sound of each era while simultaneously offering their own informed improvisations.

Dark Star Orchestra offers much more than the sound of the Grateful Dead, they truly encapsulate the energy and the experience. It’s about a sense of familiarity. It’s about a feeling that grabs listeners and takes over. It’s about that contagious energy…in short, it’s about the complete experience and consistent quality show that the fan receives when attending a Dark Star Orchestra show.

Dark Star Orchestra has performed throughout the entire United States, plus Europe & the Caribbean touching down in seven different countries. DSO continues to grow its fan base by playing at larger venues for two and even three night stands as well as performing at major music festivals including Bonnaroo, Milwaukee’s SummerFest, The Peach Music Festival, All Good Festival, Gathering of the Vibes, Mountain Jam, and many more.

In addition to appearing at some of the nation’s top festival, Dark Star Orchestra hosts its own annual music festival and campaign gathering, titled the ‘Dark Star Jubilee’, currently in its sixth year where DSO headline all three nights and are joined by a mix of established and up and coming national touring acts. Beyond the shores of the United States, DSO has taken its internationally-acclaimed Grateful Dead tribute to the beaches of Jamaica in the dead of winter for the past five years, with their event appropriately titled ‘Jam in the Sand’. Featuring an ocean-side stage, DSO sets up camp to perform shows for four nights along the tropical sands of an all-inclusive resort, selling out the event each year for hundreds of lucky attendees.

Fans and critics haven’t been the only people caught up in the spirit of a Dark Star show. The band has featured guest performances from six original Grateful Dead members Phil Lesh, Bob Weir, Bill Kreutzmann, Donna Jean Godchaux-MacKay, Vince Welnick, Tom Constanten and even toured with longtime Dead soundman, Dan Healy. Other notable guests have included Mike Gordon and Jon Fishman of Phish, Keller Williams, Warren Haynes, Steve Kimock, Peter Rowan, Ramblin’ Jack Elliot and many more.

“For us it’s a chance to recreate some of the magic that was created for us over the years,” keyboardist and vocalist Rob Barraco explains. “We offer a sort of a historical perspective at what it might have been like to go to a show in 1985, 1978 or whenever. Even for Deadheads who can say they’ve been to a hundred shows in the 90s, we offer something they never got to see live.”

LOCKN’ 2019: A Family Reunion

Nicholas Daily | September 16, 2019

Topics: Appalachia, Blue Ridge Mountains, Bluegrass, events, festivals, grateful dead, indie, interlockn, lockn, Lockn Festival, nicholas daily, travel, Virginia Tourism

The seventh annual LOCKN’ festival proved that this Blue Ridge Mountain weekend has something for everyone, not just Deadheads and hippies.

Growing up in Lynchburg, Virginia has taught me a lot of things. It made me appreciate the Blue Ridge Mountains, bluegrass music, the beautiful scenery, the diverse environment, and the southern hospitality that Virginia has to offer. Granted, there are things I don’t care for, but as I grow older, I find myself appreciating it much more. I suppose it’s bittersweet. 

There’s a certain serenity to the area that I appreciate. There’s nothing like breathing in the mountain air, experiencing the wildlife, walking through the diverse forests, and diving into the winding rivers or local watering hole that quite soothes the soul like it.

The inaugural edition of LOCKN’ — then known as Interlockn’ Music Festival — was announced seven years ago. With great acts such as Furthur featuring Bob Weir and Phil Lesh, The String Cheese Incident, Widespread Panic, Black Crowes, and so many other bands that I loved set to play less than an hour away from my hometown, I couldn’t believe it. It was almost too good to be true.

Before going to LOCKN’, I feared I would be greatly disappointed by the reality not living up to my expectations. If anything, it was the opposite. My experiences through this festival have shaped my life in ways that I can’t even explain. Being around all of my friends, amazing music, and right in my backyard was the recipe for a life-changing experience.

Today, there are not many festivals that make me happier than LOCKN’. Maybe I’m biased because I have lived most of my life in the Blue Ridge Mountains, or because I’m an avid fan of The Grateful Dead and other similar artists, but I have fallen in love with this festival. Plus, getting away from the hustle and bustle of living in Richmond is a nice escape.

But honestly, this festival is not just for Deadheads and hippies. There’s something for everyone. With a vast range of genres and once-in-a-lifetime collaborations, it’s a festival where you can go from rocking out with your elders to having your elders rock out with you. This year’s edition of LOCKN’, held Aug. 22-25, featured acts such as Vulfpeck. This band’s hard-bassline math-rock-esqe witty funky jams sound like what I can best describe as Dick Dale on acid, and they have a playful sarcasm that will get everyone around you dancing and prancing like a unicorn.

Then there was Khruangbin (which in Thai translates to airplane, or literally “engine-fly”), hailing from Texas, who had a go-go-dancing funky Thai rock fusion and were joined by a sit-in collaboration from Phish front-man and guitarist Trey Anastasio. They’ll have you whisked away on an airplane to funky town, and feeling like you’re on the set of a Quentin Tarrentino movie.

There was also St. Paul & The Broken Bones, from Birmingham, Alabama, whose soulful gospel-like brass and retro soul music will transport you into a serendipitous 50’s and 60’s present day. Leader Paul Janeway’s ridiculously awesome stage antics and opera-like vibrato pull you into a performance that rivals an Elton John show.

Pigeons Playing Ping Pong was joined by Cory Wong of Vulfpeck. Mind-melting guitar solos and funk overload had me shaking my booty to their psychedelic jam funk. They were reminiscent of Parliament-Funkadelic with a new flair for stage antics, like stage synchronized swimming with an anecdotal hilarity.

For the nocturnal folks, late night over at the bright dayglo neon Garcia’s Forest hosted acts such as Circles Around The Sun, an instrumental jam band with a wild juxtaposed composure, sounding like Booker T. & The M.G.s and the Grateful Dead’s jams mashed together. On Friday night, Galactic’s funky jazz electronic fusion brings with it a dance party to remember. Saturday had Soullive ft. Infinity Horns, an awesome bluesy soul-jazz and jam fusion.

But that’s just the tip of the iceberg. I could go into all of the amazing performances and collaborations that happened throughout the weekend, but really, for me, the best part of going to LOCKN’ is not just the music — it’s the community. I’ve been going to music festivals for over a decade, and this is the only one where I can both bump into people I grew up with from my hometown that I haven’t seen in over five years, and make new friends that I continue to bump into each year. It brings this familiarity of a family reunion — but one where everyone feels like your family.

Here’s an example of what I’m talking about: I lost my wallet on the Saturday night of the festival, and was really distraught by it. Worrying about having to sit in the dreaded DMV, and waste my life away on countless automated phone lines trying to replace all of my credit cards, almost ruined the night for me. But I pushed it out of my mind, hoping that there are good people out there.

The next day, I went down to their Lost and Found, and sure enough, my wallet was waiting for me. It even had the cash and everything else the way I had left it. Inside, a small note was tucked in, saying “Happy Lockn! – Anonymous.” It gave me a reignited hope for humanity.

There’s a certain sense of community at LOCKN’ that you won’t find anywhere else. People are smiling, dancing with each other, helping each other out, and creating lasting memories that leave you eagerly waiting for LOCKN’ to come back around again.

I can’t wait for next year’s family reunion.

Photos by August J. Heisler IV of August J. Photography

Music Sponsored By Graduate Richmond

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