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VA Shows You Must See This Week: June 5 – June 11

Marilyn Drew Necci | June 5, 2019

Topics: Angel Dust, Asylum 213, Bandito's, Berries, Big Gorgeous, Broken Beaches, Brown's Island, Cardinal, Cary Street Cafe, Charlie's American Cafe, Colder Planets, Colin Phils, Comrades, Cuzco, Dave Watkins, Deli Kings, Doll Baby, Dumb Waiter, Eaves, evolv, F.R.E.E., feat. MAP Quintet, Firehouse Theatre, Founding Fathers, friday cheers, gallery 5, Gel, Ghost Piss, Glitterer, Gouge Away, Gull, Gumming, Honor Code, ING, Invalids, Kore Rozzik, Ladada, Larrabee/Millner Duo, Mingus Awareness Project, Nervous System, New Turks, Nita Strauss, Piranha Rama, POST RVA Fest, Post Sixty Five, Raging Nathans, Raise Hell Over The Summer, Retrosphere, ROC KANDI, Saint Mingus, shows you must see, shy low, Smoke Break, Spooky Cool, Street Weapon, Talk Me Off, THE BBC, The Broadberry, The Camel, The Canal Club, The Teskey Brothers, The War And Treaty, Toast, Truth Cult, Unity Fight, way shape or form

FEATURED SHOW
Saturday, June 8, 7 PM
New Turks (Photo by Sarmistha Talukdar), Gumming, Deli Kings, Ghost Piss, F.R.E.E., ing @ Gallery 5 – $5 in advance/$10 day of show (order tickets HERE)
The arrival of Raw Mom Presents on the Richmond live music scene has made me really happy, mainly because it allows my old pal Rivanna Youngpool to put her personal stamp on some of the shows she puts on at Gallery 5. Years ago, when we were roommates, Rivanna worked hard to make the shows she booked in our living room safe, welcoming, and fun, and to keep the emphasis on community and friendship. Now that she’s booking at a real venue, it’s nice to see her keeping the vibe alive with an awesome all-local show to celebrate her birthday.

As befitting any birthday party, this one is full of friends, and the headliners in particular are two long-lost friends you’ll all want to see. Heavy bass-drum duo New Turks rocked the hell out of Richmond during their four years of existence, but Ethan and Lou stopped making music together back in 2015, and other than one reunion gig a year later, they haven’t done a thing since. But just for old times’ sake, they will be returning for one night only this Saturday night to headline this show, and that’s a birthday gift not just for Rivanna but for the whole city. You won’t want to miss this one, because who knows if — not when, IF — they’ll ever do it again.

The fun doesn’t stop there, as this gig features a highly varied lineup sure to keep your attention throughout the night. Deli Kings have got that Southern-style garage rock on lock, and Ing keep things eclectic and melodic with some charming lo-fi pop. Former Richmonder and eternal friend River Allen will be back in town for the evening with her haunting electro-ambient project, Ghost Piss, and I can’t seem to figure anything out about F.R.E.E. except that they are neither a reformed version of Have Heart nor that British band who sang “All Right Now.” But with the rest of the bill looking so great, this one is worth taking a chance on. Plus, advance tickets are literally 50% cheaper than the price at the door, so mark your calendar, make your plans, and hit that ticket link now!

Wednesday, June 5, 9 PM
Founding Fathers, Big Gorgeous, Asylum 213 @ Cary Street Cafe – $10
I’ve heard a lot of synth-based bands over the years, and one thing I can say for sure is that the studio recordings by the majority of them give you no idea what the band could possibly sound like live. That’s why it’s always refreshing to run across a band that is both synth-heavy and manages to sound on its records like an actual band playing their songs as a unit. Ohio band Founding Fathers, who place the emphasis on synthesizers and programmed beats but also incorporate guitars and live drums into their sound, totally pull this off on their 2018 LP, Mating Rites, and that’s a big part of why I think you should go see them tonight at Cary Street Cafe.

The music reminds me somewhat of Future Islands, another synth-based band that works particularly well as a live act, and there are also hints of upbeat early-00s bands like Bloc Party and Franz Ferdinand in there. It all adds up to a rocking band that’ll keep you dancing throughout the evening — and the world could definitely use more of those, so come out tonight and get familiar with the Founding Fathers. While you’re at it, check out the ridiculously fun synth-metal antics of California’s Big Gorgeous, who’ll give you even more reason to dance around with a big grin on your face. This one’s gonna rule.

Thursday, June 6, 9 PM
Raging Nathans, Smoke Break, Talk Me Off @ Bandito’s – Free!
Raging Nathans are a band out of time. This band from Dayton Ohio, who are probably tired of hearing about Guided By Voices, have a sound that is in its own way just as anachronistic as that of GBV themselves — only instead of harking back to some alternate-universe lo-fi garage-psych past, Raging Nathans will make any of you old-timers who were there the first time around think of pop-punk’s mid-90s heyday. Post-y2k pop-punk tends to follow in the gruffer footsteps of bands like Hot Water Music and Dillinger Four, but on last year’s Cheap Fame LP, Raging Nathans bypass all that for some good old Lookout!/Fat Wreck sounds that, while I wasn’t looking, seemingly became part of a bygone era.

This Bandito’s show is the perfect opportunity for all of us to bring that era back, at least in our own hearts. The fact that the Raging Nathans have released splits with both The Parasites and Jon Cougar Concentration Camp in the past year should let you know that they’re on board. And they’ll have you pogoing up a storm when they hit the stage on Thursday night. They’ll be joined by one of Richmond’s great slacker melodic-punk bands, Smoke Break, who may not play another show for six months, so you better get there. And of course, Talk Me Off opens up with a snottier brand of punk, mostly without the pop, to remind us all of our angry teenage days. It’s gonna be a whole lot of fun.

Friday, June 7, 6 PM
The War And Treaty, The Teskey Brothers @ Friday Cheers at Brown’s Island – $10 (order tickets HERE)
Usually you can expect the bands who play Friday Cheers to be pretty familiar, so I was surprised to see a name I didn’t know on the schedule this week: The War And Treaty. I’m glad I dug in, though, because this musical group is one of the most interesting that’s come to my attention recently. Specifically, The War And Treaty is a husband-and-wife duo, Michael and Tanya Trotter, who sing together while Michael plays piano and a variety of other musicians add color and depth to their exuberant, soulful songs.

The result, born from Michael’s difficult experiences growing up impoverished and joining the military just in time for the Iraq war, is a sound that taps into blues, R&B, folk, gospel, country, and a ton of other American sounds. On their debut album, Healing Tide, Michael and Tanya sing together to chase away the darkness and create a musical force more powerful than any trauma. They pull it off flawlessly, and they’re sure to uplift all of Brown’s Island this Friday night when they take that Friday Cheers stage and make this whole city their own. Be there ready to sing along — this kind of healing is exactly what we all need.

Saturday, June 8, 3 PM
POST RVA Fest, feat. Comrades, Invalids, Gull, Shy Low, Colin Phils, Dumb Waiter, evolv, Spooky Cool, Cuzco, Post Sixty Five, Eaves, Cardinal, Way Shape Or Form, Dave Watkins, Colder Planets @ The Broadberry – $12 – $18 (order tickets HERE)
Here’s an impressive effort that’s starting out the right way. Spearheaded by Richmond-via-Korea band Colin Phils, the first ever POST RVA Fest will take over the Broadberry for a full nine hours of music this Saturday. Rather than going too big and biting off more than they can chew (something I know all about), the organizers of POST RVA Fest have mostly stuck with local groups in pulling together this 15-band showcase sure to appeal to anyone who digs epic instrumental post-rock, jazzy technical math-rock, melodic progressive metal, complex guitar-driven indie, and everything in-between — which covers a good deal more ground than you might expect.

Just look at this bill, which is topped by peripatetic former locals Comrades, a heavy trio who combine metalcore, post-rock, emo, indie, and a whole bunch of other genres into their unique, driving sound. New Jersey’s Invalids, by contrast, dish out hyperspeed math-rock with emphasis on guitar and drum pyrotechnics that’ll have the gear nerds in the audience watching very closely. There are a ton of other amazing bands, mostly from the Richmond area, on the bill, from Gull’s indescribable one-man sonic creations and Cardinal’s gorgeously complex indie-math-rock to Dumb Waiter’s freaky instrumental jazz-metal and Shy Low’s Mogwai-style moving instrumental epics. There’s so much here, for such a cheap ticket price, and if it all comes together perfectly, it may just be able to draw a loose, disparate group of musically similar local musicians into an actual scene. What could be a greater goal for a show than that? Get your ticket and be a part of it. You won’t be sorry.

Sunday, June 9, 7:30 PM
Mingus Awareness Project, feat. MAP Quintet, Larrabee/Millner Duo, Saint Mingus @ Firehouse Theatre – $15 in advance/$20 day of show/$10 for students (order tickets HERE)
This Sunday, if you want to both support a great cause and hear some amazing music you won’t hear anywhere else, then the only place you need to go is Firehouse Theatre. There, you’ll find local jazz-rock drum legend Brian Jones putting on the 12th edition of his yearly Mingus Awareness Project concerts, which exist to bring attention and support to the cause of curing ALS, the deadly incurable disease that took the life of bass legend Charles Mingus back in 1979. And as part of this charitable goal, Jones will be joining together with a variety of confederates from around the Richmond jazz scene to pay unique tribute to the phenomenal masterpieces of the one and only Mingus.

This time around, those tributes will take three forms, beginning with the MAP Quintet, which matches Jones up with his longtime collaborator, saxophonist JC Kuhl, as well as Virginia jazz powerhouses John D’earth on trumpet, Mike Hawkins on bass, and Calvin Brown (aka Calvin Presents) on piano. Then we’ll get a performance from the electric-guitar duo of Adam Larrabee and Jamal Millner, as well as a quintet known as Saint Mingus, which will match Jones with Richmond jazz ambassador Reggie Pace as well as Suzi Fischer (The Big Payback), Giustino Riccio (Bio Ritmo), and Stefan Demetriadis (No BS! Brass). Such an incredibly talented conglomeration of musicians is sure to do justice to Charles Mingus’s incredible compositions, and you’re going to want to be there to see them do it. Donating to a good cause is just the icing on the cake.

Monday, June 10, 7 PM
Angel Dust, Gouge Away, Glitterer, Truth Cult @ The Camel – $15 (order tickets HERE)
One thing I’ve learned from my years in the hardcore scene is that, as long as you put a few years into playing hardcore music, the kids will follow you to whatever new thing you do, regardless of how it sounds. Angel Dust is a perfect case in point: while this band features members of Trapped Under Ice, Turnstile, and Mindset, you’d be totally incorrect to expect anything hard or heavy from their brand-new album, Pretty Buff. Instead, this album finds the quintet of tough boys showing their sensitive side and, indeed, getting downright upbeat. And that’s not to mention the predominantly-acoustic guitar sound.

All told, Angel Dust’s upbeat sound has led to comparisons with groups like the Lemonheads or early Green Day. But despite all that, it’s done nothing to chase the hardcore faithful away — and one listen to Pretty Buff is enough to see why. These guys are every bit as good at lovelorn melodies as they are at hard n’ heavy mosh-pit anthems. So why not celebrate all of it equally? Join all the HC kids Monday night in doing exactly that at The Camel. And while you’re at it, enjoy what’s sure to be an incredible set from raging hardcore-punk quartet Gouge Away, who will deliver every bit of vitriol you might have expected from Angel Dust and then some. The bill will also feature Title Fight frontman Ned Russin’s electronic side project, Glitterer, and the killer up-and-coming sounds of Baltimore’s Truth Cult, a decidedly Swiz-ish group featuring members of Give, Red Death, and more. Every second of this is sure to be outstanding.

Tuesday, June 11, 6 PM
Nita Strauss, Kore Rozzik, THE BBC, Roc Kandi, Retrosphere @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
Maybe it’s only because I came up in the late 80s era of hair metal’s world domination (OK, yeah, that’s probably it), but I just love some really ridiculous over the top metal shredding. And as much as I enjoy this kind of thing from veteran masters of the field — Yngwie Malmsteen, Steve Vai, you know the ones — it makes me way happier to see someone younger carrying on the tradition. And a woman, at that! Nita Strauss first grabbed attention with her string-bending star turn in all-female Iron Maiden tribute act The Iron Maidens, but she’s since graduated to all sorts of original work, from joining Alice Cooper’s touring band to scoring video games like Metal Gear Rising: Revengeance.

Now she’s gone out on her own, releasing her debut solo album, Controlled Chaos, last year and hitting the road on a headlining tour to support it. Keeping with the tradition of shredders past such as Steve Vai and Joe Satriani, Strauss forgoes vocals for this album’s anthems, instead using her multilayered melodic leads as color and giving the album’s many headbanging riffs more than sufficient texture to keep you smiling and thrashing along. You can do that exact thing at the Canal Club Tuesday night when Strauss’s headlining set caps off a night full of shred-tastic adventures. Notorious NYC metal maniacs Kore Rozzik will provide plenty of those, along with several killer locals. Get ready for some serious thrash, y’all — because it’s happening.

Elsewhere around the state:

Friday, June 7, 7 PM
Gel, Honor Code, Nervous System, Street Weapon, Unity Fight @ Charlie’s American Cafe – $5
For all you diehards who might be feeling a little deprived by Angel Dust’s relentlessly upbeat post-hardcore melodies, rest assured we’ve still got plenty of straight-ahead no-frills hardcore for ya, and — unsurprisingly enough — it’s happening this Friday night in Norfolk. Gel, a recently formed New Jersey band who have only a demo to their name, are coming to town to tear it up. The demo’s five songs blow by incredibly fast, and are full of sloppy, out-of-control hardcore riffage with a decidedly maniacal edge. This band seems like a prime candidate for an absolutely explosive live performance, and you’re gonna want to be there to see it go down.

Down in the Hampton Roads area, Honor Code are sure to draw just as much attention as the New Jersey headliners — after all, this is their first show in nearly two years. Does that mean this 82-style old school VBHC combo has returned to full time action? Maybe, maybe not, but it does mean you’ll have one more chance to circle pit to their legendarily primitive hardcore tuneage — and that’s sure to be a blast. The show will also feature local NFKHC up-and-comers Nervous System, as well as brand-new VB bands Street Weapon and Unity Fight, both of whom have names that sound suspiciously randomly generated. However, we can guarantee that both are entirely made up of real flesh-and-blood humans. Pure organic hardcore, coming right up.

Saturday, June 8, 5 PM
LAVA Presents GRILLED OUT, feat. Ladada, Berries, Piranha Rama, Broken Beaches, Doll Baby, Raise Hell Over The Summer @ Toast – $10 in advance/$14 day of show (order tickets HERE)
Memorial Day has come and gone, and at least in Virginia, that means summer has arrived, y’all. And what better way to spend a sunny summer evening than grillin’ out and chillin’ out with some great tunes? This weekend, LAVA Presents has you covered on both of those scores, as their Saturday evening GRILLED OUT fest will find the Tidewater-area promotional crew hanging out in the Toast parking lot, joined by Handsome Biscuit burgers, Smartmouth Beer, and a whole conglomeration of excellent Virginia musicians.

Ladada are at the top of the bill, and this Norfolk indie group has just the tunes you need for a summer afternoon cookout — they even put a guy floating down a river with a red solo cup in hand on the cover of their recent LP, Heaven On The Rocks, so you know they’ve got the right idea. The day will also feature delicious indie-pop sounds from VB group Berries, excellently named New York indie-rockers Raise Hell Over The Summer, and some rad RVA sounds from local faves Piranha Rama and Doll Baby. You Richmonders might want to get a crew and roll down with a carful — especially since the tickets are cheaper if you buy them at the group rate! Grab some burgers, rock out to some tunes, and enjoy the summer — it’ll be gone before you know it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 22 – May 28

Marilyn Drew Necci | May 22, 2019

Topics: 6131 Record Store, Alright, Bandito's, Capital Ale House Music Hall, Cary Street Cafe, Charlie's American Cafe, Clary Sage, Crystal Spiders, Deterioration, Dogwood Tales, Enforced, gallery 5, Gnawing, Gull, Hardywood, Helgamite, Johnathan Rice, Jonny Z, josh small, Kenneka Cook, Krode, Mirador, Model Zero, MSD, Natural Velvet, Night Kid, Nightcreature, No Rome, Occultist, Oozing Meat, Pale Waves, Positive No, shows you must see, Slump, The 1975, The Accused AD, The Felice Brothers, The Golden Pony, Van Hagar, Virginia Credit Union Live, Washers, Wonderland, Young Scum

FEATURED SHOW
Sunday, May 26, 12 noon
Jonny Z Fest 2019, feat. Kenneka Cook, Washers, Gull, Josh Small, Night Kid @ Hardywood – Free!
It’s hard to believe that it’s been 12 years since we lost Jonathan Zanin, known to all and sundry as Jonny Z. To get personal right out the gate, he was a longtime friend, and I still can’t think too much about his death without getting upset. For those of you who didn’t have the fortune of knowing him, all I can tell you now is that he was a really positive dude who poured a ton of energy into music, art, and activism, and absolutely made Richmond a better place for the entire time we were lucky enough to have him here.

It still makes me sad to think of Jonny being gone, but I am nonetheless very glad that Bizarre Market — an organization Jonny was heavily involved with — have kept his memory alive with their yearly Jonny Z fests. The latest one is happening this Sunday afternoon at Hardywood, and you should absolutely come out and celebrate the life of a great guy gone too soon by enjoying all that Bizarre Market has to offer. There will be dozens of vendors on hand, as well as interactive art, play areas for the kids, raffles, and of course Hardywood’s selections of fine craft brews, which I hear good things about from those who dabble in that sort of thing.

And of course, this is a music column, so we can’t forget the music! Some major Richmond mainstays, many of whom were also friends of Jonny Z, are on this bill. The always-talented electro-soul goddess, Kenneka Cook. The incredible, indescribable one-man band hijinks of Gull. The catchy punk goodness of Washers, a relatively new trio featuring members of Sports Bar, Worn In Red, and more. The emotionally-driven acoustic folk sounds of Josh Small. And then there’s the obscure but talented solo singer-songwriter sounds of Night, Kid. All of these artists will offer enjoyable sounds by which to dance, smile, and remember. And that’s a beautiful thing.

Wednesday, May 22, 6 PM
The 1975, Pale Waves, No Rome @ Virginia Credit Union Live – $39.50 – $59.50 (order tickets HERE)
When I first discovered the 1975 six or so years ago, they only had a couple of EPs out. I thought of them as kind of a poppy emo band, and longtime readers of this column won’t be surprised to hear that I therefore loved them immediately. They’ve released three albums since then, all of which have hit number one in their native United Kingdom. And clearly they’re pretty popular here in the US too, since they’re playing the 6,000-capacity Virginia Credit Union Live! venue, out at RIR. And it hasn’t sold out yet, so you should certainly grab a ticket make sure you’re there.

Because the 1975 aren’t just another emo-pop group with a few crossover hits. On their more recent material, they’ve tapped a very deep vein of multi-layered melodies that draw from both 80s R&B and New Wave, as well as a bunch of other classic genres. And on their latest LP, 2018’s A Brief Inquiry Into Online Relationships, they’ve become fearless social commentators; popular single “Love It If We Made It” makes harsh and condemnatory references to modern social ills from Eric Garner’s death at the hands of police to Kanye West’s inexplicable and depressing embrace of Donald Trump. In some ways, they remind me of the best bands from the 80s New Pop movement — Scritti Politti, ABC, The Human League — all of which brought an incisive intelligence derived from punk rock straight to the top of the charts. In other ways, they remind me of Radiohead circa OK Computer and Kid A, when they were simultaneously enormously popular and relentlessly challenging. In all ways, I think they are great. AND! They’ve got UK goth-poppers Pale Waves, who made one of my favorite LPs of 2018, opening for them! What more do you need?

Thursday, May 23, 10 PM
Positive No, Young Scum @ Bandito’s – Free!
Positive No may not be one of the most active bands in Richmond, but if you ask me, they have been one of the best and most worthwhile bands this town has to offer for at least five years now. Their excellent music, which mixes post-hardcore energy with shoegaze melody and a delicate, ethereal presentation that sometimes explodes into fury, is always worth showing up for. Their two LPs and many EPs and singles have given us a wealth of excellent music, which may not be aired all that frequently in the live arena, but becomes a rare treat when they play the occasional gig.

This is one of those occasional gigs, and it’s free, so you really need to be there. Positive No will be releasing a new two-song single at the event, and for you vinyl nerds, it’s a lathe-cut EP, which means instead of being pressed at a plant, each copy is individually carved one groove at a time. Understandably, there are only limited copies available, but even if you aren’t able to snag one, Positive No’s performance will be more than worth staying out late with work in the morning. Better yet, Young Scum will also be on hand to delight the masses with their charming, witty indie pop. It’s gonna be a night full of awesomeness, whether you’re a vinyl collector nerd or not. Don’t blow this one.

Friday, May 24, 8 PM
The Felice Brothers, Johnathan Rice, Dogwood Tales @ Capital Ale House Music Hall – $15 in advance/$17 day of show (order tickets HERE)
The Felice Brothers have been making fine folk-rock sounds for over a decade now, and older releases of theirs like Yonder Is The Clock and Celebration, Florida have earned praise from earlier generations of RVA Mag reviewers. In more recent years, though, they’ve largely kept a low profile, with frontman Ian Felice making a solo album in 2017 while his brother James played in Conor Oberst’s backing band.

But earlier this month, the group released Undress, their first album in three years. And it has made abundantly clear that The Felice Brothers have still got it. Ian and James have been joined on this record by a new rhythm section, and the resulting stripped-down four-piece has a driving energy that returns The Felice Brothers to first principles and shows that they still know how to make energetic, memorable tunes that’ll get you dancing and singing along. The group’s heartfelt sound is at its peak on Undress, and seeing this lineup live is sure to be a treat. Indulge.

Saturday, May 25, 9 PM
The Accused AD, Occultist, Enforced @ Wonderland – $10
Here’s some hardcore drama for you — there are two different versions of classic crossover-thrash skate-and-destroy ragers The Accused currently in existence. One still uses the band’s original name, due to the fact that original guitarist Tommy Niemeyer is still in the band, even though the other current Accused members are johnny-come-latelies Niemeyer recruited within the past decade. The other, The Accused AD, features vocalist Blaine Cook, who sang for the band for 20 years and six albums, along with guitarist Alex Sibbald, who played bass with The Accused for 18 years and five albums.

I’ll leave it to you to decide which has a more valid claim on the name at this point in history, but one thing I will mention in the Accused AD’s favor is that they’ve actually made a new album within the past decade — Ghoul In The Mirror, released a few months ago. If you loved the Accused’s classic 80s LPs, chances are a good part of that was due to Cook’s wild, unhinged vocal attack, and to the metallic hyperspeed riffs that came roaring at you nonstop. Rest assured, The Accused AD has both of those in spades, and their new LP proves it. Now all that’s left for you to do is head down to Wonderland Saturday night and let them prove it to you live and in your face. It’s sure to be a thrashing good time.

Sunday, May 26, 2 PM
Alright, Gnawing @ 6131 Records Storefront – Free!
There’s a new record store in town! It’s not open that often — only Fridays and Saturdays — but it will allow you an opportunity to shop in-person at the home of Richmond’s own 6131 Records. Not only do they put out a ton of good releases for bands both local and outside the state, they’ve got a pretty bodacious distro, full of vinyl, CDs, stickers, t-shirts, and tons of other stuff, all of which you can get in-person access to by visiting them.

6131’s storefront won’t normally be open on Sundays, but they’re making an exception and opening up the store for this unique afternoon of acoustic performances. Singer-guitarist Sarah of North Carolina band Alright will be treating us all to stripped-down versions of that band’s excellent melodic punk tunes. Meanwhile, John, who not only plays drums for Alright but also plays guitar and sings in Richmond’s own Gnawing, will deliver a set featuring bare-bones versions of Gnawing songs for us all. It’ll be a quick way to both hear some great tunes for zero dollars and get acquainted with a brand new brick-and-mortar spot to buy records in Richmond, and if that isn’t a good way to follow up Sunday brunch, I don’t know what is.

Monday, May 27, 9 PM
Deterioration, Van Hagar, MSD, Oozing Meat @ Cary Street Cafe – $10
To quote the Damned, “Noise noise noise.” That’s what you can expect when Cary Street Cafe’s usual Deadhead-sanctuary vibe is disrupted Monday night by an invasion of grindcore bands. Deterioration are at the head of the parade, and this Minnesota trio pride themselves on their supersonic attack and irreverent approach. Expect gratuitous samples and ridiculous song titles, but mostly you can expect insanely fast blast beats and lots of furious screaming. Sounds like fun to me.

A trio of locals will round out this bill with some grind insanity of their own. My former roommates Van Hagar can always be relied upon to bring the noise, and that’s exactly what they’re doing here — no cabo wabos about it. Expect some tunes from their forthcoming LP, which one can certainly hope will make it to us sometime this year. And then there’s newcomers MSD, whose dirty, crusty approach to grind is sure to bring a smile to the faces of those who can never get enough high-speed low-end rage. Finally, there’s Oozing Meat, whose recently expanded lineup features members of Suppression and Fake Object, and whose sound straddles the line between grindcore at its most extreme and outright experimental noise. This one will rattle the walls for sure.

Tuesday, May 28, 7 PM
Model Zero, Slump, Nightcreature @ Gallery 5 – $6 in advance/$8 day of show (order tickets HERE)
If you’re a fan of that dark arena in which the lines between garage rock and gloomy postpunk get too blurry to fully make out, Model Zero is the band for you. Formed by former members of Ex-Cult and Jack Oblivian’s backing band, The Sheiks, these guys have deep roots in the Memphis scene that’s spawned everyone from Jay Reatard to 68 Comeback. Model Zero definitely capture a bit of the analog-synth/primitive-beatbox feel that Reatard’s synth-punk project, Lost Sounds, displayed, but there’s also a whole lot of dirty gutbucket rock n’ roll mixed in here, and you wouldn’t be wrong to detect a strong hint of The Cramps there as well.

Model Zero’s self-titled debut LP will be officially released on Slovenly Recordings a few days after they perform in Richmond. You may or may not get a chance to grab early copies of the vinyl, but what we can guarantee for sure is that you’ll get to hear this band’s loud, dark, and energetic sound up close, personal, and at top volume, and it’s sure to rock you. Don’t miss that, and definitely don’t miss the two RVA-based openers either. Slump’s psychedelic take on hardcore punk is always a treat, and Nightcreature’s unique approach to their own garage-punk flavor is sure to get the show rolling on a high note.

Elsewhere Around The State:

Friday, May 24, 8 PM
Helgamite, Crystal Spiders, Krode @ The Golden Pony – $7
“Stoner doom” is a term that gets thrown around a lot in the metal scene, but what it means isn’t always clear. While it can lead you to bands cranking out played-out third-rate versions of Saint Vitus riffs — and I certainly don’t blame you if that makes you somewhat gunshy — sometimes it’ll send you straight towards some of the most creative, weird, and original sounds being made in metal today. Fortunately for us all, Helgamite are firmly in the latter category.

Helgamite hail from the tiny town of Rileyville, which lies somewhere between Front Royal and Luray in the mountainous western part of the state. All that isolation can be surprisingly good for creativity, and on their 2016 LP, Hypnagogia, this four-piece showed just how creative they can be, fusing epic sludge-metal riffs with psychedelic atmospheres and otherworldly jazz vibes provided by saxophonist Casey Firkin. If the idea of Hawkwind and Neurosis collaborating to create a Pentagram LP gets your synapses firing, you definitely want to make your way to Harrisonburg Friday night to see these freaks come down from the mountains and blow your mind.

Saturday, May 25, 8 PM
Natural Velvet, Clary Sage, Mirador @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
Baltimore’s Natural Velvet aren’t easily described. Their use of “postpunk” as a genre tag is certainly accurate, but if you’ve followed the evolution of that term over the past four decades, you certainly know that it covers a wide range of sounds. Natural Velvet explore many different facets of that genre, as well as quite a few others. On 2017’s Mirror To Make You, vocalist/bassist Corynne Ostermann channels both Alice Bag and Siouxsie Sioux in her powerful, gripping vocal approach, as the band’s pounding, off-kilter attack pulls off some decided Birthday Party-style rages before pulling it together to rock you in the most straightforward of fashions. Just for a second, though.

This is all sure to add up to something unpredictable and unmissable when it’s presented on a live stage. And therefore, I can’t help but recommend that you NOT miss it, especially if you’re already in the Hampton Roads area on this pre-Memorial Day Saturday night. You’ll also get an intense and unpredictable set of synth-noise-punk awesomeness from Norfolk’s own Clary Sage, as well as some moody shoegaze bliss from up-and-coming Norfolk locals Mirador. This one’s going to be wild — make sure you’re there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 23 – January 29

Marilyn Drew Necci | January 23, 2019

Topics: Aaron Shadrow, Amen Dunes, Arcane Haven, Arthur, Bo Scurvy And the Hounds, Daniel Romano, Deli Kings, Detachment, Enforced, Esprit, Essex Muro. Bandito's, gallery 5, Gamelan Raga Kusuma, George Clanton, Grails, Gull, Helen Money, Lobo Marino, Mirador, Modlin Center for the Arts, Murder Method, Murdersome, Occultist, Pourhouse of Norfolk, Richmond Symphony Orchestra, Riffhouse Pub, Satin Sheets, Serqet, shows you must see, Single Use Plastic, Slump, Spitty, Street Muse Kenya, Surfing, T. Hardy Morris, The Broadberry, The Camel, The Earth Laid Bare, Vain/Void, Vomit Stain, Wait For The Day, Wonderland

FEATURED SHOW
Sunday, January 27, 6:30 PM
Street Muse Kenya Screening, feat. Gull (Photo by Joey Wharton), Lobo Marino, Mighty Joshua @ Gallery 5 – Free!
Being the only person in your band means never having to worry about breaking up. This is probably a big part of why Nathaniel Rappole, who started Gull over a decade ago, has kept on going strong over a career full of metamorphoses and setbacks that could have destroyed a band that had the ability to go their separate ways. But Gull has persevered. The group has grown from its origins as a one-man noise unit playing chaotic, speedy punk rock by playing guitar with one hand, drums with the other (and both feet), and screaming into a miked-up mask, into its current incarnation, in which Rappole is liable to depart from his guitar, or his drum kit, or his mask, or all three at any given time, in order to generate a sound that has matured into borderline-uncategorizability.

Over the years in which this evolution occurred, Rappole — who’d done his fair share of busking on the street in Richmond neighborhoods like Carytown — got bit by the travel bug in a major way. This culminated in his 2012 trip to Kenya with a camera crew. The result of this crowdfunded trip was a documentary film, Street Muse Kenya, which was completed two years ago and will be shown in full at Gallery 5 on Sunday night.

In 2017, Gull used time in which Rappole was laid up with a broken leg to create an album, Lurcher, that was constructed mainly on analog synthesizers and sequencers — a far cry from his hardcore-punk origins. Now that he’s up and around once again, he’s itching to get back onto the road, so at this event, Rappole and his crew will elaborate on the next step in the Street Muse project: a trip to Southeast Asia, for which they are raising funds right now. Then, once they’ve given you all the pitch, Gull will perform a full set, to let you know where his head’s at these days. The musical portion of the evening will also feature a set from equally peripatetic and uncategorizable duo Lobo Marino, and will be MC’d by local reggae musician Mighty Joshua. There’s a lot going on at this one, and some of it is sure to catch you by surprise. But one thing we do know for sure — you won’t see a show like this anywhere else in town this week. You know what to do.

Wednesday, January 23, 7:30 PM
Gamelan Raga Kusuma, Richmond Symphony Orchestra @ Modlin Center for the Arts – $36 (order tickets HERE)
It wouldn’t surprise me if you weren’t familiar with gamelan. This Indonesian music, which originates on the islands of Bali and Java in Southeast Asia, is traditionally played by orchestras consisting mainly of percussive instruments, which sometimes perform accompanied by dancers, or shadow puppet performances. These orchestras work together in complicated arrangements with rapidly changing tempos, and create ringing melodies with an entrancing beauty that is unique in the many musical forms of the world. Here in Richmond, Gamelan Raga Kusuma is a local ensemble that works under the auspices of the University of Richmond, dedicated to bringing the sound of Balinese gamelan to the central Virginia community in a variety of unique ways.

At the Modlin Center tonight, they’ll be doing so in collaboration with the Richmond Symphony, bringing to life a reconstruction, assembled by Javanese gamelan musician and scholar Sumarsam, of the gamelan music heard by influential French composer Claude Debussy at the Paris Universal Exposition in 1889. Gamelan had a profound influence on Debussy, who in turn influenced the vast majority of the 20th century’s best-known classical composers. For that reason, it’s of interest to both Gamelan Raga Kusuma and the Richmond Symphony Orchestra to follow that thread back to the very source. That’s what they’ll be doing at the Modlin Center tonight, and the trip promises to be fascinating for all you musical omnivores out there. The event will feature a variety of other performances, including a performance by a Balinese shadow puppet master of a new play, set to music by Debussy. It’ll all come full circle tonight, and if you love music, there’s nowhere else you should be.

Thursday, January 24, 7 PM
Grails, Helen Money, Serqet @ Gallery 5 – $15 (order tickets HERE)
It’s easy to say that Grails is a fascinating band, but describing exactly what sort of music they’re making is much more difficult. The term “post-rock” seems tailor-made for a band like this one, which is formed around the sort of core instrumental lineup (two guitars, bass, drums, keyboards) that often shows up in the world of rock music, but is here being used to decidedly different purposes. However, I wouldn’t want any use of that term to make you think Grails sound like Explosions In The Sky or Mogwai — what they do is more complex, less likely to rely on the quiet-loud transitions and gestures toward epic grandeur that bands like the ones most people think of when you say “post-rock.”

So if that term doesn’t work to describe Grails, what does? Well, let’s ditch any attempt at genre classification right here, and instead say that their instrumental music moves all over the place, doing all sorts of things in all kinds of unpredictable ways. It’s certainly heavy, at least at times, and it’s certainly mysterious — at times — and at moments it gets downright beautiful. But the main thing we can say about Grails is that their music, besides being intriguing and challenging, is always an enjoyable experience. You’re sure to get a lot out of their performance at Gallery 5 tomorrow night, and the fact that Chicago-based avant-metal cellist Helen Money and local goth-crust anarcho-punks Serqet are on the bill only makes this whole evening that much better. Don’t miss it.

Friday, January 25, 9 PM
Occultist, Enforced, Slump, Essex Muro @ Bandito’s – Free!
It has been extremely refreshing to see Occultist return to action in recent months after such a long period in which this incredible Richmond-based blackened-thrash quintet kept a very low profile. They’ve been promising a new record coming sometime in 2019, which will mark their first new release featuring original material in over five years, and if you’re not hyped, I suggest you check your pulse. This show is your first chance to see Occultist in 2019, and it sweetens the deal considerably, not only by being free and at Bandito’s (whose nachos are always an essential treat), but also by featuring several other great heavy-as-heck bands from around the region. What a deal!

This show is being held in solidarity with Black Flags Over Brooklyn, a two-day fest happening in New York on the same weekend, which exists to put out a strong anti-fascist, anti-racist message in the metal community — something any cool person should back, and sadly something we need now more than ever, in this age of Trump and the alt-right. To make this show as awesome as possible, Occultist have joined up with local ragers Enforced, who straddle the line between rough n’ tough hardcore and outright metallic thrash, and have landed on quite the musical sweet spot in the process. Whether you like to headbang or mosh it up, you’ll find yourself loving Enforced. The bill is rounded out by RVA’s fave psychedelic hardcore weirdos, Slump, and Raleigh noise-punk chaos ensemble Essex Muro. You can’t go wrong with this one.

Saturday, January 26, 9 PM
Vomit Stain, Murder Method, Murdersome @ Wonderland – $5
Unless you’ve been around this town for quite a while, even the diehard metalheads among you might not know the extent of Richmond’s history with brutal death metal. However, one of the leading lights of our current twisted brutal metal underground, Vomit Stain, seem to have a surprising amount of awareness, if their choice of record label is any indication. This raging quartet just released their latest album, Piles Of Human Debris, on Sevared Records, the long-running death metal label owned by onetime Richmond resident Barrett Amiss II.

Back at the turn of the millennium, you could find Barrett manning the drum kit for local death-crust outfit Rasp, and around that time, Sevared released the lone full-length by Richmond’s Disinterment, who gained little notice at the time but contained future members of Darkest Hour, Deathcrown, Iron Reagan, and many more. Amiss returned to his native New York some time ago, but clearly Sevared’s relationship with Richmond metal isn’t a thing of the past. At Wonderland this Saturday night, Vomit Stain will make clear exactly why they’re perfectly suited to carry on the underground tradition of Richmond death metal, dishing out the growling gore, thrash-tastic riffs, and headcrushing double-bass pummeling we all love so much. They’ll be joined by up-and-coming Richmond ragers Murdersome, who feature some talented local metal vets themselves, and will also be celebrating the release of their newest EP. Pennsylvania quintet Murder Method will round out the bill with some old-school Florida-style death for all you headbanging maniacs. Hit the pit.

Sunday, January 27, 7 PM
Daniel Romano, T. Hardy Morris, Deli Kings @ The Camel – $15 (order tickets HERE)
It’s easy for Americans to trick ourselves into believing that Canada is just like America. After all, our neighbors to the north speak English with mostly the same accent we do (er, well, if you’re west of Quebec they do), and their culture looks pretty similar to ours from the outside (except that they have Tim Horton’s and Pizza Pizza where we have Dunkin Donuts and Little Caesar’s). But if you start checking into Canadian music, that whole understanding falls apart. Daniel Romano’s a great example of what I’m talking about; like the Tragically Hip and Sloan, among many others, he’s a Canadian artist acclaimed enough to receive multiple nominations for Canadian music awards like the Polaris and the Juno. Meanwhile, here in America, he’s a relatively obscure folkish alt-country singer-songwriter who is probably best known for having been part of melodic punk group Attack In Black a decade or so ago.

Hopefully that will change at least within the borders of our fair city, though, as Romano has been proving for close to a decade now that his work deserves to be just as well-regarded in the good ol’ USA as it is in his home country up north. Last year (almost wrote “this year” — January always takes some adjustment), he simultaneously released two albums, Human Touch and Nerveless (the fact that he didn’t name the latter Lucky Town seems like a huge missed opportunity, but maybe he’s not as much of a Springsteen fan as I am). Between the two, they show off the full breadth of his enormous talent, ranging between skeletal folk tunes with the feel of old-time murder ballads, and incredibly catchy power-pop that simultaneously evokes modern indie and lush 70s AM radio pop tunes. All of it makes clear why Daniel Romano has won the hearts of so many of his countrymen. Catch on to the best parts of what our neighbors to the north have to offer at The Camel this weekend; it’s likely that before too long, that decision will give you major bragging rights.

Monday, January 28, 7 PM
Amen Dunes, Arthur @ The Broadberry – $15 in advance/$17 day of show (order tickets HERE)
What’s going on with Amen Dunes? The answer depends upon the year. Band mastermind Damon McMahon doesn’t really focus on any particular sound or style in his music, instead following his creativity wherever it may take him — which, from album to album, can lead to very different results. He got his best results yet on Freedom, the project’s fifth album, released last year to widespread acclaim. The spiritually-driven mission of Amen Dunes is brought into the sharpest focus on Freedom, resulting in an album that takes a number of different sonic detours but always features a uniting vision grounded in urban-folk melodies and psychedelic haze.

Expect Amen Dunes to create a palpable mood when they take the stage at the Broadberry, one that will only be enhanced by the opening set from tourmate Arthur. Arthur, which is also a de-facto solo project, also dabbles in psychedelia — but it’s a very different sort than that trafficked by Amen Dunes. On Woof Woof, the latest full-length the project has released, Arthur explores bizarre corners of the psychedelic pop world, using heavy vocal effects and unexpected switches between acoustic and electronic sounds to brew up a melange of sounds that could remind you of everyone from The Beatles to Ariel Pink to the Flaming Lips and a whole lot more. This show will be a full-on headtrip from beginning to end, so be prepared to take a trip. One thing’s for sure — it’ll brighten up your Monday night.

Tuesday, January 29, 8 PM
George Clanton, Surfing, Satin Sheets + Esprit, Aaron Shadrow @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Strangely hypnotic electronic-based music has really come into vogue over the past few years, especially around Richmond. If you’ve been paying attention to its bizarre rise here in the river city for several years now, you’re bound to know the name George Clanton — or at least, to remember his early work under the name Mirror Kisses. His synth-based sounds were much darker at that time than they are today, as Clanton takes a trip down from his current home of Brooklyn to blast us all with waves of digital bliss.

His latest LP, Slide, is full of danceable pop gems that both retain a hefty dose of the strange atmospheres his music has always created and hooks right into the deepest impulses of your lizard brain to perfectly satisfy your craving for unforgettable melodies and singalong choruses. The result should appeal to fans of Duran Duran’s mid-80s prime just as well as it connects with fans of modern trailblazers like Elite Gymnastics. And what’s even greater for all you weirdo-electronica fans is the fact that Clanton will hit town with a coterie of fellow electronic travelers who record for his 100% electronica label, including a collaborative set between Clanton’s own alter ego, Esprit, and New Zealand’s Satin Sheets. Australians Surfing and frequent Clanton collaborator Aaron Shadrow will also be on the bill, so this show is sure to be a treat for all you fans of bizarre synth delectability. And I know in Richmond, there are a lot of you.

Bonus Hampton Roads Picks:

Friday, January 25, 7 PM
Arcane Haven, The Earth Laid Bare, Wait For The Day, Vain/Void, Bo Scurvy And the Hounds, Detachment @ RiffHouse Pub – $10
I love metal in all its forms, and if you’re even close to being on that same page, you’ll definitely be interested in this stacked six-band bill coming to RiffHouse Pub in Norfolk on Friday. RiffHouse — the very name says “this is a metal club,” and as far as this show goes, they certainly aren’t belying that name by having Arcane Haven headlining. This Pennsylvania band released their self-titled debut full-length last summer, and it finds them dealing in everything from absolute brutal mosh madness to emotionally-powerful melodies with a heavy undercurrent. This quintet definitely has a sensitive side, and they’ll show it to you, but don’t get too comfortable, because before you know it, they’ll be charging full-tilt back into headbang territory.

They’re joined on this tour by Kentucky’s The Earth Laid Bare and Ohio’s Wait For The Day, who have a significant share of metal rage to offer in their own right. The Earth Laid Bare’s latest album, Flow, shows the group dabbling in the same sort of industrial-influenced low-end that has marked recent releases from Sworn In and Harm’s Way, even as their death-metal roots show through in the best possible way. Meanwhile, Wait For The Day traffics in more complex, almost proggy flourishes, but at heart focuses on the same sort of emo-metalcore hybrid sound fans of Underoath and Poison The Well have come to love. All three of these bands have a lot to offer, and the three excellent local openers only make this show an even better deal. Do you like to headbang as much as I do? You do? Good. Go to this show.

Saturday, January 26, 8 PM
Mirador, Spitty, Single-Use Plastic @ Pourhouse of Norfolk – Free!
I’ve been covering the music scene in the Tidewater/Hampton Roads area for a while now, and I’m starting to learn that it has quite a bit more breadth than I initially thought. And in my quest to look beyond the hardcore, metal, and dance music, Mirador is one of the more impressive lesser-known examples I’ve located. This quartet dabbles in indie melody, math-rock guitar sounds, and alt-rock vibes on their Become The River EP. The result is incredibly catchy and fun, and it was released when all the members were still in high school, so that’s even more impressive.

Do we have the Norfolk version of Manatree on our hands here? Time will tell, but one thing that’s already certain as of right this minute — these guys are definitely worth heading over to the Pourhouse on Saturday night in order to see. The fact that this show is free makes it even more worthwhile, and best of all, two other local groups — alt-rockers Spitty (great name) and skate-punkers Single Use Plastic (pretty rad name as well) — will be tearing it up before Mirador’s set. So you get great tunes, you get to keep all your money, and you get to engage in a firsthand exploration of the musical variety Norfolk has to offer. Sounds like a win-win all around!

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 17 – October 23

Marilyn Drew Necci | October 17, 2018

Topics: Adult Mom, Ancient Torture Techniques, BB and the Blips, Benderheads, Bonjinski, Buck Gooter, Capital Ale House Music Hall, Chamomile and Whiskey, Charley Crockett, Charlie's American Cafe, CloZee, Cupid McCoy, Deathbirds Surf Club, Derek Ted, Escape-ism, Flora, Frameworks, Full Of Hell, Gull, Haybaby, JFA, Left Cross, My Noodle & Bar, Nervous Dater, Night Business, Outer Heaven, Riffhouse Pub, Ruin By Design, shows you must see, Sinister Purpose, strange matter, The Broadberry, The Camel, The Canal Club, Thee Oh Sees, Ugly Muscle, Vulcanite, Warrington, Weakened Friends, Yamantaka//Sonic Titan

FEATURED SHOW
Sunday, October 21, 7 PM
OH SEES, Escape-ism @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
Oh goodness. Where to begin with OH SEES? They’ve been Thee Oh Sees. They’ve been OCS. They’ve been Orange County Sound and Orinoka Crash Suite. For their past two albums, they’ve been OH SEES (in all caps). But whatever anyone is calling them these days, this fearless band of psychedelic musical explorers has been rocking out for over two decades now, during which they’ve produced 21 different albums featuring a wide range of sounds and styles.

Right now, they’re coming to Richmond on tour to support their latest album, Smote Reverser, released a couple months ago. On it, band founder, mainstay, and only constant member John Dwyer is backed by the dual-drumming quartet that’s been his musical ensemble for the group’s last five albums (all of which came out in the past 26 months). While his three backing musicians focus on rhythm, Dwyer’s all over the map, contributing not only his usual acid-drenched vocalizations but guitar, keyboards, Mellotron, Wurlitzer, and various effects that all amp up the lysergia and take your head on a one-way trip to the Crab Nebula.

It’s weird, it’s awesome, it’s unforgettable, and in the live environment, it’s something else to see. Dwyer and co. don’t make it to town very often — this is their first trip through Richmond in half a dozen years — and when they do, they make it count. Unfortunately, so do local music fans; this show sold out as we were putting this column together. You’re welcome to hit up the facebook event page and see if anyone’s got an extra they want to sell you (though we have to warn you, you’re not the first in line). But if nothing else, take this as a lesson to ya — when there’s a possibility of seeing OH SEES, you better not wait until I’m telling you about it. Set up a google alert, because believe me, you’re gonna want to get your tickets ASAP.

Wednesday, October 17, 9 PM
Night Business, Bonjinski, Vulcanite @ Flora – Donations requested
You may not make it into the OH SEES show this week, but you’ll certainly be able to check out some brand new local rock n’ roll tonight at Flora, and that’s a pretty good consolation prize, right? All three of these bands are Richmond-based, all of them have just started to make a name for themselves, and all of them are solid rockers with some great tuneage to bless your ears. Night Business may be the first name on the flyer, but they’re also the newest of these groups, with only one track on their Bandcamp account.

However, a quick look at the names of the band members should catch your interest if you’ve been a longtime follower of RVA music. Members of Eliza Battle, Extant Deth, and Five Flew Over (remember them?) are rocking out in this project, and it sounds like just what you’d expect from those bands — uptempo punk with equal tinges of hardcore rage and power-pop melody. It’s great, is what I’m trying to say. And so is Bonjinski, which brings us some of those killer 90s-are-back riffs a la Dinosaur Jr, or for a more modern example, Ovlov. Vulcanite round this out with some Entombed-style biker-core rockouts, with an undeniable 90s influence of their own that shows up in the occasional Nirvana cover. These may not be household names just yet, but this is an unbeatable trio, and you can’t beat the price for this night of music at Flora either. Scoop the change out of your car’s cupholder, drop it in the bucket, and get ready to rock.

Thursday, October 18, 9 PM
CloZee, Frameworks @ The Canal Club – $17 (order tickets HERE)
OK, listen — I know most of you don’t usually get down with EDM. And I hear you — I don’t usually either. But writing off the entirety of any genre of music is always a bad look, so when I get a hot tip from a friend about an EDM artist coming to town that’s not just the usual twirling glowsticks and bass drops, I look into it. And sometimes, I hit paydirt. This is definitely true of French artist CloZee, who comes to the Canal Club Thursday night in support of her debut full-length, Evasion. CloZee isn’t just another electronic artist who gets onstage, punches a button, and bounces around behind a bank of computers while a pre-programmed file plays through the speakers. She’s not just a producer but a talented guitarist, and often plays guitar as part of her performances.

She also pulls from a wide variety of musical influences to create her sound, which integrates musical styles she’s encountered in her travels around the world with a fundamental grounding in melodic electro-dance rhythms. This isn’t music that gets you shaking your booty to eardrum-imploding bass drops — CloZee takes you on a spiritual journey, using her multi-layered soundscapes to evoke far-flung landscapes and inspire your imagination. You can dance to it, but you’ll get just as much out of the show if you just listen to what she’s playing and let your mind go where it will. Don’t worry, hardcore EDM fans, there’ll still be a complex, enthralling light show and plenty of pounding beats — but if that’s all you get out of the evening, you’re missing the best of what CloZee has to offer. Don’t do that.

Friday, October 19, 8 PM
JFA (Photo by James Sakert), Ruin By Design, Sinister Purpose, Deathbirds Surf Club @ Strange Matter – $15 (order tickets HERE)
Sometimes you’ve just got to take it back to the old school, and who better to do that with than JFA? An acronym for Jodie Foster’s Army (which was originally a reference to John Hinckley Jr’s attempt to assassinate Ronald Reagan, allegedly because he wanted to impress Jodie Foster), this Arizona punk band began when a bunch of teenage skate rats wanted to play fast and get under people’s skin. They’ve been doing so for nearly 40 years now, starting with the classic 1981 EP Blatant Localism and their 1983 debut full-length, Valley Of The Yakes. JFA’s connections to the early skateboard culture of Southern California fueled their snotty teenage iconoclasm and love for out-of-control speed, but the group always had unique elements to their sound, drawing from the same surf-guitar style that influenced fellow early West Coast punkers Agent Orange, as well as a low-key weirdness that was all their own.

Their most recent album, Speed Of Sound, has a slightly tougher approach than they showed in the early days, but the nihilistic speed and circle-pit anthems are just as present as ever. No matter what era of their catalog they dip into for their performance at Strange Matter, they’re sure to keep you slamming. As a bonus, they’re joined on this bill by Ruin By Design, the latest driving melodic punk project from former Avail and Lickity Split vocalist Brien Stewart. Their new album, From Ashes To Empowerment, is fast, energetic, and catchy as hell — you’re really gonna wanna see these guys bust it out live. A pair of RVA bands — rockin’ hardcore wildmen Sinister Purpose and retro-surf sweethearts Deathbird Surf Club — will kick things off right and proper.

Saturday, October 20, 9:30 PM
BB and the Blips, Benderheads, Ugly Muscle @ My Noodle & Bar – $8
Here’s some exciting news — the return of UK punk phenom Bryony Beynon to our lovely river city is only days away. You might remember Beynon from her time in the incredible London band Good Throb, a vitriolic burst of musical frustration that took aim squarely at the many frustrations that plague a young woman without much money in our modern misogynistic, class-obsessed society. Their 2014 LP Fuck Off was one of the best albums of the past decade, but the band fell apart soon after its release, and Beynon departed the UK for Australia.

Now she’s back with her new Australian band, BB and the Blips (she’s the BB, if you didn’t guess), and they just released their debut LP, Shame Job, on Thrilling Living Records. Beynon’s energetic vocals are both confrontational and slightly melodic as she delivers odes to feminist heroes (“Materialist Girl”) and sarcastic takes on empty self-help slogans (“The Ballad Of Personal Growth”). Behind her, the Blips bash out some catchy punk tunes that hark back to the catchy rage of foundational punk bands like X-Ray Spex and The Avengers. Like Good Throb, it’s a frenetic dose of witty, angry snark; what’s not to love? Richmond punks Benderheads and Ugly Muscle get this basement-bar show rolling with aplomb, but BB and the Blips are the reason for the season. Don’t miss this one.

Sunday, October 21, 7 PM
Weakened Friends, Nervous Dater, Haybaby @ Capital Ale House Music Hall – $10 (order tickets HERE)
I’m not even gonna front — I’m a sucker for stuff like this. Weakened Friends, who hail from Maine of all places, are a kickass trio pulling from the excellent alt-rock sound of classic 90s bands like Veruca Salt and Nada Surf, as well as more modern excellence like Speedy Ortiz and Swearin’, to create some incredibly catchy distorted-guitar anthems. Debut LP Common Blah will hit the world only two days before Weakened Friends hits Richmond, and you’re gonna want to bring whatever cash you can scrounge up to get yourself a copy.

Frontwoman Sonia Sturino puts a ton of energy and emotion into her music, and it bleeds through her frantic vocal performances on advance singles “Peel” and “Blue Again.” I honestly have no idea how she’ll survive a full set of all-out rocking like this, let alone a full tour, but it’s certainly going to make Weakened Friends’ live show worth watching closely. Tourmates Nervous Dater, who hail from the more conventional hometown of NYC, have a bit more melody and less emotional rage in their sound, but the two bands are definitely simpatico, and are sure to pair exquisitely. Local mainstays Haybaby will get things started, and if you haven’t caught on to them yet, you’re going to want to show up on time. If you have caught on to them, you already know that shit.

Monday, October 22, 7 PM
Charley Crockett, Chamomile and Whiskey @ Capital Ale House Music Hall – $10 in advance/$12 day of show (order tickets HERE)
If you look at Charley Crockett’s name and find yourself singing the theme song to that old Davy Crockett TV show… well, for one thing, you’re at least as old as I am. But for another, you’re onto something — this Texas singer-songwriter really does trace his lineage back to the legendary frontiersman who lost his life at the Alamo. But Charley Crockett is a thoroughly modern young man; growing up on hip hop, he eventually found his way to the streets of New Orleans, where he got into music by busking on the streets. He’s gone through a lot of struggles to get to where he is now — from criminal charges to spending long stretches with no fixed address — but it’s all worked out in the end.

Crockett released his new album — the first of all original material — Lonesome As A Shadow earlier this year, via Nashville conglomerate Thirty Tigers, and it’s got a whole lot of Southern styles wrapped up into it, from old-school country and blues to the Cajun and Tejano sounds he grew up around. Crockett’s music is the real thing, 180 degrees from the million faceless singers with brand-new cowboy hats and overdone fake accents you’ll find on country radio these days. And if you know what true country is all about, you’re sure to appreciate hearing it. Crockett is joined on this bill by Charlottesville’s own youthful progenitors of bluegrass, Chamomile and Whiskey. This show will be the perfect way to chase away a bad case of the Mondays.

Tuesday, October 23, 8 PM
Adult Mom, Derek Ted, Cupid McCoy, Warrington @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Adult Mom’s really come a long way since this project was just Stephanie Knope singing by themselves with a guitar, and I for one am really glad to see it. The group’s 2017 album, Soft Spots, didn’t just bring another top-notch collection of emotionally-driven melodic indie-pop tunes into the world via excellent label Tiny Engines; it also gave a voice to the lovelorn, angst-ridden longings of a new generation of young people with tons of feels who just don’t see themselves represented in the inescapably binary and heteronormative world of mainstream pop music.

Adult Mom makes music for boys, girls, and especially those who don’t fit into either category, who struggle to find their place in the world, to find someone who will see them and love them for who they are and not just whatever restrictive category they can be awkwardly shoved into. On songs like “Full Screen” and “Drive Me Home,” Adult Mom encapsulate all of the beautiful difficulties of our complicated identites, and it’s glorious. No matter what sort of expression feels most natural to you, you’re sure to feel like you fit in at The Camel this Tuesday night. And you’ll hear some excellent music while you’re there — always a good thing.

Bonus Hampton Roads Picks:

Friday, October 19, 9 PM
Yamantaka//Sonic Titan, Gull, Buck Gooter @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
Seeing Yamantaka//Sonic Titan is an awe-inspiring experience. They last made it to Virginia several years ago, touring for their album UZU, and anyone who caught their set at Gallery 5 on that tour knows how outstandingly overwhelming they are as a live act. A lot has happened with the group since that time, though, and this year saw the long-awaited release of their third album, Dirt, which brought it all home with a musical statement that takes Yamantaka//Sonic Titan to a new level of intensity.

On Dirt, the group showcases their incredible range, moving from delicate, atmospheric melodies to pounding metallic explosions of heaviness in back-to-back moments. There’s a triumphant air to some of the album’s most epic moments, and if you find yourself recalling Queen’s heaviest moments, or Iron Maiden’s most dramatic, it’s not without reason. But fans of Bjork and Diamanda Galas might find quite a bit that strikes a chord here too. Yamantaka//Sonic Titan contains multitudes. And their dramatic performances, striking song construction, and incredible musical crescendos are worth the trip down to Norfolk — and then some.

Sunday, October 21, 8 PM
Full Of Hell, Left Cross, Outer Heaven, Ancient Torture Techniques @ Riffhouse Pub – $10 in advance/$12 at the door
Maryland grind maniacs Full Of Hell have never been content with the traditional understanding of what it means to play grindcore. Establishing their bona fides with a couple of excellent super-heavy, hyperfast albums back at the beginning of the decade, they began to move in a more experimental direction, collaborating with legendary Japanese extreme noise pioneer Merzbow and Southern sludge-metal explorers The Body. 2017 saw the release of their latest solo album, Trumpeting Ecstasy, and it showed that Full Of Hell’s brutal, uncompromising vision remained fully intact, with all the throat-destroying screams, metallic riffage, and blast beats you could ever want.

Full Of Hell will carry that legacy forward into some serious eardrum destruction when they take the stage at Riffhouse this Sunday night. But you’d be ill-served to consider this nothing more than a Full Of Hell show. Richmond’s own Left Cross, who find a way to merge the darkest, filthiest edges of the hardcore scene with the primitive origins of US death metal, will also be on hand to rip your face off with a rusty crowbar (we mean that in the best way possible). You’ll also get a set from Pennsylvania death metallers Outer Heaven, whose just-released Realms Of Eternal Decay casts a gloomy, foreboding atmosphere over some outstandingly guttural vocals and shred-tastic metal riffage. Reincarnated Tidewater power-violence nutcases Ancient Torture Technique will start this one off, but if you think they’re just another opening act, they’ll be quick to disabuse you of that notion. Show up on time and ready to headbang — it’s your duty as a true metal warrior.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 4/11-4/17

Marilyn Drew Necci | April 11, 2018

Topics: Alfred, Amara, Black Mountain Massacre, Champion RVA, Coroner's Report, Danger Boy, Divine Eve, DJ Jafar Flowers, DJ Synthia Slimez, Dr. No, Dreaming Dead, Drugs Of Faith, Gravehill, Gull, Hardywood, Hate Storm Annihilation, Hepatagua, Impiety, Infinite Third, Lobo Marino, McCormack's, Misery Index, Morbid Angel, Movement, Nocere, Ostraca, Owlrare, Pik Nik, PLRLS, Rosetta, Seraph, Serqet, shows you must see, strange matter, The Broadberry, The Camel, The Human Race Is Filth, Truman, Twin Drugs, Voarm, Womajich Dialysiez

FEATURED SHOW
Saturday, April 14, 7 PM
SCAN Benefit, feat. Gull, Alfred., Womajich Dialysiez, DJ Jafar Flowers, DJ Synthia Slimez @ Champion RVA – $6-10 donation
Music is at its best when it is used to help make the world a better place. And musicians tend to understand that, which is why you see so many benefit shows taking place over the course of any given month. This particular month, April, is Child Abuse Awareness Month, and in the spirit of that cause, a few Richmond artists in the broader field of experimental electronic music have come together to throw a benefit for Greater Richmond SCAN (Stop Child Abuse Now). This group runs programs doing everything from providing preschool for children who’ve experienced trauma to ensuring children have advocates for their interests in abuse/neglect cases. They’re doing important work, and community support is essential.

That’s what you’ll be providing by paying admission to this show at Champion Brewing Company, but don’t worry, you’ll be getting something out of the deal as well. For starters, Gull is performing at the top of the bill, and this one-man musical dynamo has been continually impressive for its near-decade of existence. Beginning as a fast, slightly quirky hardcore band, Gull has evolved into a hard-to-define project that takes its main elements — percussion and vocals, both fed through a variety of effects — and does all sorts of things with them. 2017 album Lurcher demonstrates the latest form the Gull identity has taken, bringing together ambient electronic swells with hypnotic repeating percussion patterns and Gull’s distinctive vocals — always sung through a microphone-equipped mask.

Gull won’t be the only artist immersing you in an all-encompassing world of sound at this show. Local rapper Alfred. has undermined a lot of expectations that come along with the hip hop genre by approaching it from an introspective, emotionally open, and musically adventurous mindset. His 2017 mixtape, So Sensitive, makes clear how gloriously unusual this “queer rap scallion” really is, and his unique approach will bloom into full life in the live performance environment. Meanwhile, Womajich Dialysiez is an experimental musical collective that focuses on improvisation from a femme perspective. Its shifting lineup brings a variety of local femme and gender non-conforming musicians together to create spontaneously generated music full of life and energy. Expect a whirlwind of percussion, electronics, and all sorts of other elements; there’s no telling where the music will go, but it’ll definitely take you on a journey. DJ sets from Jafar Flowers of Ice Cream Support Group and Synthia Slimez of Aesthetic Barrier will get this party rolling. Be there, and expand your mind for a good cause.

Wednesday, April 11, 8 PM
Infinite Third, Lobo Marino, Owlrare @ Pik Nik – Free!
I’ve been hearing a lot of people talk about this Pik Nik place lately, though thus far no one has elaborated on the role of baskets in this restaurant’s operation. Like, seriously, if they don’t bring your food to the table in a basket I don’t know what this restaurant is up to. However, we’re not here to talk about the food. We’re here to celebrate the fact that yet another local venue is dipping their toe into the world of live music. And since everyone likes seeing new places get into the show-booking game, it’s pretty essential to support those places when they start getting into the game, so they’ll want to continue.

Not that that’s a difficult thing to do when a venue offers an excellent midweek lineup like this one. Florida artist Infinite Third is at the top of the bill, returning to Richmond quite soon after his last performance as part of Silent Music Revival a few months ago. This artist brings us ambient guitar melodies that build into palaces of sound held up by the bones of programmed beats and sampled field recordings; his most recent LP, 2017’s Channel(s), is the sort of sound world one can get lost in for an extended period of time. The thought of this world taking over a restaurant on a Wednesday evening is fascinating, and certainly not an experience to be missed. Infinite Third will be joined on this outing by peripatetic experimentalists Lobo Marino, who bring together a variety of sounds from around the world in their unique, atmospheric style. The whole evening starts off with a set from intriguing local singer-songwriter OwlRare, and will be delightful from beginning to end — even if it doesn’t come in a basket.

Thursday, April 12, 8 PM
Rosetta, Ostraca, Truman, Twin Drugs @ Strange Matter – $10 (order tickets HERE)
This show is exciting for a variety of reasons. First and foremost is the obvious — Rosetta has returned to RVA once again. This Philadelphia band, who started out working with labels but eventually decided to go it alone and has been self-releasing their material ever since, has been producing high quality material for quite a long time, and they’re showing no signs of stopping. 2017’s Utopioid was their sixth album, and it’s every bit as brilliant as previous career highs such as the excellent 2013 album The Anaesthete. With Utopioid, Rosetta continue evolving, expanding, and exploring their sound, now mixing the sludge, noise, and metallic hardcore elements that have been there from the start with increasing doses of shoegaze melody and post-rock atmosphere. They send all of this through a filter of passionate emotion that gives everything they do a heightened level of power and intensity.

Therefore, one can imagine that their performance at Strange Matter Thursday night will be one for the books, with an impact you won’t soon forget. And of course, the same can be said of any performance from local heavy hitters Ostraca, who’ve been unleashing their own intense, passionate take on metallic hardcore for over a decade now. 2017 brought us three new releases from Ostraca, all of which dramatically demonstrate how much better this band continues to get. There’s no better place to experience Ostraca than in live performance, and if you don’t know that firsthand, it’s time for you to find out. The bill offers an added bonus in the form of a performance by Truman, who’ve been playing less often in recent months but are no less awesome. Their epic take on emotionally-driven hardcore will have you riveted, so don’t miss it. Twin Drugs will kick the night off with what promises to be an excellent set of heavy shoegaze sounds, so show up on time and be prepared to immerse yourself in a night of outstanding sound.

Friday, April 13, 6 PM
Movement Presents PLRLS, Danger Boy, Serqet, Nocere, DJ Cortes @ Hardywood – Free!
Movement is an intriguing new group on the Richmond music scene. This vinyl-only DJ collective has two main goals: promoting the post-punk sound, and offering safer spaces for music fans of all types to dance together in harmony (a refreshing and positive goal). They don’t just do these two things in the context of dance nights either; they’re working to bring in killer postpunk bands from around the country and beyond to perform for us right here in RVA — which is how they came to produce Friday night’s show at Hardywood.

The event, which will feature Movement’s DJ Cortes spinning vinyl before and between bands throughout the night, is focused around the arrival of PLRLS, who hail from Baltimore and have a quirky take on postpunk that sees them integrating the goofy catchiness of Devo with the rumbling menace of Gang Of Four and the post-garage drive of The Rezillos. They’ll be joined by South Carolina’s Danger Boy, who bring us a fuzzy, punked-out take on the foreboding melodic sounds of early 80s UK stars like The Chameleons and The Cure. Two local groups will open up for these touring ensembles. Serqet is a local crew featuring former members of Hot Dolphin and Lost Tribe and bringing us a moody mix of early goth-punk Siouxsie and the Banshees, and rumbling peace-punk vibes a la Zounds. Finally, we’ll have the return of Nocere, which brings Shadow Age’s Aaron Tyree together with vocalist Emily Symington to create some prime drum machine-fueled coldwave sounds. This one really is essential.

Saturday, April 14, 8 PM
The Human Race Is Filth, Drugs Of Faith, Coroner’s Report, Amara, Hepatagua @ McCormack’s – $10
It’s a loud, heavy week here in RVA, y’all. We’ve already covered some loud sounds and it’s just gonna get louder from here, so if you can’t handle it, batten the hatches. The rest of us will be out here joyously banging our heads, beginning with Saturday night’s show at McCormack’s in Shockoe Bottom. This show is a Between 2 Beers production, and as usual, they’re out here making sure that we all get the proper amount of metal in our diets. This week’s installment sees excellence arriving in Richmond from several different fronts. Most importantly, this show will bring us the excellently named The Human Race Is Filth, a grinding crust band that can also slow down enough to drop incredible downtuned grooves on us all… at least, once in a while. Mostly though, this is shred-heavy speed freak music about how the world is doomed. I can’t argue with any of that.

Drugs Of Faith are also on this bill, and while they aren’t at the top, they’re at least as big an attraction as our headliners. This is the current project of Richard Johnson, the man known as the “grindfather,” who spent the 90s running pioneering American grindcore group Enemy Soil before forming Drugs Of Faith back in the early 2000s. Drugs Of Faith expand on the Enemy Soil legacy of blistering grindcore by integrating riffy midtempo grooves and more complex songwriting into their sound. And while they don’t release records as often as Enemy Soil did, by any means (their last release, a split EP with Cloud Rat, was three years ago), they keep the quality high and the rage unrelenting. This show will also feature a special appearance by Bostonian duo Hepatagua, who have some driving midtempo sludge-core to lay on us all, and will feature local blackened shredders Amara and brand-new local death metal duo Coroner’s Report laying some ugly sounds on us all. It’s a jam-packed night of unparalleled heavyosity. Just what we all need.

Sunday, April 15, 8 PM
Impiety, Divine Eve, Gravehill, Voarm @ Strange Matter – $15 (order tickets HERE)
Continuing with our theme, Strange Matter will bring us metal sounds spanning all corners of the globe this Sunday night, most notably Singapore death-rippers Impiety. And what better band could there be to grace the lord’s day than this blatantly sacreligious group of metal veterans, responsible for such classics as 1992’s Ceremonial Neochrist Redesecration EP, and 2009’s Terroreign (Apocalyptic Armageddon Command)? These metal vets have been coming out of the Far East to assault our ears with apocalyptic riffs, insanely precise lightspeed drums, and brutal death metal growls since back when I was in high school (and believe me when I tell you, that was a LONG time ago).

If you haven’t had the pleasure of experiencing Impiety’s pulverizing metallic destruction in person, you better make sure you’re at Strange Matter this Sunday night, because it’s a long way back to Singapore, and chances are they won’t make the trip again soon. Sweetening the pot will be another veteran band, this one from right here in the USA, Texas’s Divine Eve, who grabbed some underground recognition in the early 90s with their crushing death-doom sound, but spent many of the intervening years out of action and are only now returning to the world with a full tour. This band constitutes another rare opportunity, so you’ve got twice as many reason to make sure you don’t miss this show! And of course, we can’t forget California maniacs Gravehill, who’ve made quite a name for themselves with their dark, filthy take on thrash metal. Once you add local black metallers Voarm at the start of the evening, you’ve got a completely unmissable bill full of legends. You know what to do.

Monday, April 16, 9 PM
Seraph, Dr. No, Black Mountain Massacre @ The Camel – $5 (order tickets HERE)
Here’s a name I haven’t heard in a while! Seraph were a pretty strong presence in the local metal scene back in the first part of the decade, bringing us a powerful deathcore sound full of skull-fracturing low end intensity. Since not long after the release of 2014 EP Embrace Your Demise, though, Seraph have been on hiatus, biding their time until all members of the band could live in the same place again. Fortunately, that came to pass last fall, and they’ve been woodshedding and playing the occasional live gig around town since then.

This show is the latest step in their return to action, and promises to bring local fans some long-awaited new material as well as the highlights from their previous releases. If crushing ultra-slow breakdowns are your idea of fun, you’ll definitely want to catch this one. Seraph are joined on this bill by Dr. No, a new local group with some heavy metal tendencies, as well as a bit of good ol’ rock n’ roll thrown into the mix. The bill is rounded out by the memorably named Black Mountain Massacre, who get down with the Fu Manchu-style midtempo rockin’ metal grooves to get you raising your fist in the air. It’s gonna get heavy, folks.

Tuesday, April 17, 6 PM
Morbid Angel, Misery Index, Dreaming Dead, Hate Storm Annihilation @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
Let’s wrap up the week with the most classic and essential metal firestorm of the many hitting RVA this week. At the top of this bill sits Morbid Angel, one of the most important death metal bands to come out of the genre. From groundbreaking 1989 classic debut Altars Of Madness to last winter’s Kingdom Disdained (yes, all their album titles are in alphabetical order), this band has never lost its ability to dish out fast and heavy riffage that is both incredibly brutal and surprisingly catchy. A lot of metal might fade into a rumbling blur, but Morbid Angel’s riffs are always memorable, most likely due to the guitar mastery of sole original member Trey Azagthoth, who has pulled together a variety of killer lineups over the years to keep Morbid Angel shredding at the highest levels.

These days, the band is rounded out by bassist/vocalist Steve Tucker, returning to the position he capably held down in the late 90s and early 00s after yet another departure by founding bassist/vocalist Dave Vincent. With Annihilated’s Scott Fuller skillfully laying down the killer beats, this lineup promises to tear all our heads off with aplomb, just as we always expect from these metal legends. Of course, Morbid Angel are reason enough to go to this show all by themselves; however, it certainly doesn’t hurt that they’ve brought along such a powerful supporting lineup to devastate you throughout the night. The grinding death metal attack of Maryland’s Misery Index is the most notable addition, and while it’s been four years since their last album, brand new single “I Disavow” shows that they’re still as intense as ever, so be prepared. This killer lineup is rounded out by melodic death metallers Dreaming Dead and the excellently monikered tech-death of Hate Storm Annihilation. Get ready to thrash.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee, based on a photo by Joey Wharton

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 12/6-12/12

Marilyn Drew Necci | December 6, 2017

Topics: Ant The Symbol, Armistead of Love Tractor, Been Official, black liquid, Capital Ale House Music Hall, Chance Fischer, Colin Phils, David Barbe & Inward Dream Ebb, Elephant Stone, gallery 5, Gritty City, Gritty City Records, Gull, Halfcast, Houdan The Mystic, Josie McQueen, Michael Millions, Netherfriends, New Madrid, Noah-O, Punks For Presents, R-Dent, Reppa Ton, Segga Spiccoli, shows you must see, shy low, Sleave, strange matter, Swerve 36, Tef Wesley, The Dream Syndicate, The Palmer Squares, Vantablac Sol, Yung Dxrk

FEATURED SHOW
Thursday, December 7, 8 PM
Gritty City Is For The Kids 3, feat. Gritty City, Noah-O, Black Liquid, Michael Millions, Tef Wesley, Chance Fischer, Segga Spiccoli, Reppa Ton, Ant The Symbol, hosted by Been Official, music by Swerve 36 @ Strange Matter – $5 (or toy donations)
It’s Christmastime again, and like all good people everywhere, the Richmond music scene tends to get into the giving spirit. Not only has No BS! Brass Band’s canned food drive returned for another year, and Punks For Presents come back for a record five shows (more on that one later), Gritty City Records has put together their third annual Gritty City Is For The Kids hip hop summit. This show, rapidly becoming a local institution, will benefit Toys For Tots by bringing together perhaps the best lineup of local hip hop RVA’s seen since last Christmas.

No, seriously–I’ve talked before about how there are many layers to the RVA hip hop scene, and how every show seems to spotlight a different crew, each of which has a packed stable of amazing rhymers and killer producers waiting in the wings. But in a traditionally competitive genre, Gritty City stands out by crossing all lines between crews and uniting the entire scene for a night that brings together top-level artists from all facets of the scene. This isn’t surprising for a label that’s released local artists from The Lone Crow (aka Murk One) and The Honorable Sleaze (RIP) to Rah Scrilla and John Canada, but it’s certainly refreshing for fans of all facets of RVA hip hop–for once, you can see all the best locals on the same stage on the same night.

Who are we talking about here, exactly? Well of course you know the Gritty City fam (Johnny Ciggs, Fan Ran, Ben FM, etc) will be out in force. But they’ll also be joined by Charged Up majordomo Noah-O, who is a decade into his career and only getting better. Then there’s Michael Millions, an underrated emcee from the AGM posse who just might be the best rhymer on the local scene right now. Chance Fischer, one of the only rhymers with a prayer of challenging Millions for that title, will be there too. And of course, we can’t forget the hardest working man in Richmond hip hop, Black Liquid, who just dropped what must be at least his 20th album and shows no sign of slowing down. Strong up-and-comer Segga Spiccoli, production mastermind Ant The Symbol, rock-solid spitter Reppa Ton, and living legend Swerve 36 on the wheels of steel round out a lineup that no local hip hop fan has any excuse to miss. The charity stuff is important, but where this show is concerned, the reason for the season is the music.

Wednesday, December 6, 8 PM
The Palmer Squares, Vantablac Sol, Netherfriends, Yung Dxrk @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
From local hip hop to some touring rappers from Chicago, it’s a rhyme-heavy week. Here we have a three-artist tour package headed up by The Palmer Squares, who’ve got a huge social media presence and the lyrical skills to back up their high view numbers on YouTube. Their latest EP, NaPalm follows up their first two full-lengths with another half a dozen songs full of tongue-twisting turns of phrase from rappers Terminal Knowledge and Acumental, as well as thick, multi-layered beats from producer Nate Kiz, who isn’t technically in the group but has established a strong, unified sound for The Palmer Squares over the course of multiple projects.

Nate Kiz may not be along on this tour, but Vantablac Sol is, and I’m assuming this Chicago rapper quit using original nom de rhyme Bruce Bayne after DC Comics got wind of it. Regardless, his more laid-back flow fits with Palmer Squares’ more manic tendencies due to equally thick, pulverizing beats that tie his latest VBS Tape together. A fun third piece of this trio is Netherfriends, the Chicago-based project that came through Richmond a bunch back in the 50 Songs 50 States days. Shawn Rosenblatt’s solo project had more of a bedroom-indie vibe back then, but he was already starting to get into hip hop production last time I caught up with him a few years ago, so this tour makes a lot of sense in conjunction with recent beat-heavy releases like Piano Dude. Whether you’re in the house to catch up with Netherfriends or to catch some sick rhymes from Palmer Squares, this show’s gonna deliver some killer sounds to your earholes.

Thursday, December 7, 8 PM
Battalion Of Saints, The Cryptics, Talk Me Off @ Bandito’s – Free!
It’s never a bad guess to assume that an early 80s American hardcore band was full of dead end kids with no future, but even in a scene full of bands that could barely survive their own nihilistic lifestyle, Battalion of Saints deserve special recognition. After all, singer George Anthony has been the only surviving original member of the band since sometime in the late 80s. He’s kept the band rolling with a rotating collection of SoCal miscreants ever since, and most recently, they released a 3-song EP on Southern Lord that showed their skills at loud, fast, out-of-control punk noise having decayed not at all after 35 years of destructive rage.

So it’s pretty cool to see these maniacs rolling through Richmond once again, 20 years after they tore Strange Matter (then known as Twisters) apart on the Death-R-Us tour. This time they’ll be hitting Bandito’s, so all the punks who are scraping quarters together to buy 40s at 7-11 can stop by the show on the way to the store without worrying about their beer money having to go to the door charge. If you’re living a bit more of a sensible lifestyle these days, your money can easily go towards tasty tacos and high-quality brew from the Bandito’s staff. Either way, you’ll get a hefty dose of punk rock awesomeness from the Battalion as well as spooky, melodic punk tourmates The Cryptics and local hardcore-punk newcomers Talk Me Off. Don’t miss out.

Friday, December 8, 8 PM
Punks For Presents 2017, Night 1, feat. London Caroling, Good Cretins, Sex Tinsels @ Gallery 5 – $10
Over the next couple of weeks leading up to Christmas, Punks For Presents will present five amazing holiday-themed covers shows, all of which will benefit Childrens Hospital of Richmond, and all of which are well worth your time even if they don’t end up making it to this column. How could I skip out on this first one, though? It’d be pretty amazing to see an actual bill featuring the holy trinity of the 77 punk rock explosion, and since that will never happen, this is the next best thing!

Not only will this show feature the songs of the Ramones, The Clash, and the Sex Pistols, most likely performed by members of some of your favorite local bands (though at the moment that’s a closely guarded secret–you’ll have to show up Friday night to find out exactly who is involved), it will most likely also feature slightly-rewritten lyrics turning much loved classics into Christmas songs! “Santa Is A Punk”? “Yule Logs Burning”? “Holidays In The Snow”? All are possibilities, but what really makes this whole thing fun is finding out for yourself. Come rock out this Friday night and get in the giving spirit once again!

Saturday, December 9, 8 PM
Houdan The Mystic, Colin Phils, Gull, Shy Low @ Strange Matter – $6 in advance/$8 day of show (order tickets HERE)
Our favorite melodic prog mathematicians in Houdan The Mystic are back with yet another split LP. After keeping a low profile for a few years, since previously joining with Fight Cloud for 2014’s killer Where’s My Shakespeare?, they’ve decided to team up this time with South Korean transplants Colin Phils for a slab aptly titled Star Charts. This collection will enter the world this Saturday night at a shindig being thrown by Jet Trails Media over at Strange Matter. Like Where’s My Shakespeare?, Star Charts will enter the world on cassette and CD as well as over the digital waves. And really, even if you’re just planning on picking up the mp3s, record releases aren’t as fun without a big musical celebration, so you should still come out!

After all, Colin Phils are just as big a part of this whole picture as Houdan The Mystic, and unlike Houdan, they may still be quite unfamiliar to those of you who’ve been reading this column for a while. As previously mentioned, they originally formed in South Korea, and only arrived in Richmond recently. However, they’ve made a lot of local connections in their scant time here, and have impressed a lot of people who know what they’re talking about. Including me, I must say–the preview tracks from Star Charts available online show a mastery of everything from post-rock ambience to prog-emo grandeur and math-rock intensity. These guys are sure to bring the heat live, and if you, like me, still haven’t had the pleasure, this is the perfect opportunity. With Gull and Shy Low also on the bill, this is going to be a night full of challenging, amazing musicality. Get on board.

Sunday, December 10, 7 PM
The Dream Syndicate, Elephant Stone, Armistead of Love Tractor @ Capital Ale House Music Hall – $20 (order tickets HERE)
Social media is a weird thing. For example, this morning as I was checking facebook on my way to work where I knew I’d eventually write about this show, I discovered that it was two years ago today when I returned home from seeing The Dream Syndicate at Strange Matter and bashed out a quick recap for my tumblr before I went to bed. I’d written about that show for my show column, and it had totally lived up to the pre-show hype I myself wrote. Now, with the Syndicate’s return to the city this Sunday night, I find myself writing about them again. And I don’t regret it one bit.

That 2015 show was an incredible showcase of Steve Wynn and co.’s amazing run of 5 releases between 1981 and 1989, and I’m sure there’ll be some Dream Syndicate classics unleashed to mindblowing effect this Sunday night as well. But the main reason you should go to Capital Ale House and see this band is because the reunited incarnation of the band released their first new album in nearly 30 years earlier this year, and How Did I Find Myself Here? stands alongside any of their previous work in awesomeness. Wynn’s killer tunes are still at the forefront here, but the atonal noise solos, the layered psychedelic guitar freakiness, the hypnotic buzzing hum, and the punk rock-fueled intensity from classic albums like Medicine Show and The Days Of Wine And Roses is still on display. So yeah, it’s safe to say these guys will kick ass once again. Kick down the 20 bucks for a ticket–it’s worth it.

Monday, December 11, 8 PM
R-Dent, Josie McQueen, Sleave, Halfcast @ Strange Matter – $5 in advance/$7 day of show (order tickets HERE)
If you play alt-rock loud and fast enough, it kinda crosses the line into punk, and Jacksonville’s R-Dent push their guitar-driven midtempo riffage across that line as often as they can. One could probably quibble about whether or not this band would be more at home on Sub Pop in 1993 or No Idea in 1997, but either way, those who like loud guitars, driving rhythms, intense vocals, and an undeniable melodic sense hiding underneath everything will find a lot to like in this band, who’ll show up to Strange Matter Monday night with some loud amps in the back of their van.

They’ll be joined by a trio of loud-rockin’ locals, led by Josie McQueen, who don’t really ever push their alt-rock sound into the red enough to count as punk. That’s not a dis, though–these guys are more like Cheap Trick jamming with Marvelous Three or something, and that kind of tight, rockin’ power-pop is too thin on the ground these days. It’s good to have someone bringing that style to us right here in RVA, and it’s also nice to have the gruff melodic punk of Sleave, who clearly would find their place on post-Y2K No Idea, in the house for this one as well. Halfcast opens up with some thick riffage to keep the rock going from start to finish.

Tuesday, December 12, 8 PM
New Madrid, David Barbe & Inward Dream Ebb @ Strange Matter – $10 (order tickets HERE)
REM may not be around anymore, but if you think that means Athens, GA is no longer musically relevant, you need to pay better attention. You can start right here with this show, during which Athens crew New Madrid will come to town to hypnotize everyone with their riveting psychedelic grooves. Latest album magnetkingmagnetqueen has the sort of laid-back, spacey sound that should appeal to fans of locals like Avers and Minor Poet, making it an amazing headtrip of a listen.

With them, New Madrid will bring David Barbe, a well-known Athens denizen who has produced New Madrid along with legends like the Drive-By Truckers and Deerhunter. Barbe’s quite a musician in his own right, which he initially proved as the bass player for early 90s alt-rock stars Sugar and continued to make clear on solo efforts like 2001’s Comet Of The Season. He’s recently stepped back from production to devote himself to music-making once again, and brand new album 10th Of Seas sees Barbe playing all instruments on an album of psych-infused alt-rock that reminds everyone who loved his old stuff exactly what made it all so great. Barbe will perform backed by Inward Dream Ebb, the alter-ego of New Madrid as they pay tribute to a mentor by backing him up before returning to the stage with a killer solo set to close out the night. It’s gonna be an awesome night–make sure you’re part of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]