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The 40 Most Essential RVA Albums Of 2018 (Part 1)

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Richmond’s always been a great city for music, and that didn’t change one iota in 2018. If anything, it became a bit overwhelming — indeed, even the most comprehensively-minded local music nerd was likely to overlook a few things. While putting this list together, I found a few that I overlooked myself — and I’m sure you will as well.

This list features our best shot at the most essential and noteworthy albums that our city birthed this year, from any and all genres. Since so many different genres and scenes are thriving in this town, we had to include 40 just to feel like we weren’t leaving anything crucial out. And let’s be real — we probably still didn’t catch everything. The best advice we could possibly give you about following this town’s vibrant musical community is this: always dig deeper. Your new favorite record might be right around the corner.

These 40 albums are a good place to start. Today, we’re presenting the first 20 — in alphabetical order by artist name, so it doesn’t seem like we’re playing favorites. We’ll have the other 20 for you tomorrow. Happy listening!

Ant The Symbol – The Motions (Gritty City)
Over the past decade or so, Ant The Symbol has consistently remained one of the most talented producers in Richmond hip hop. His layered beats are jazzy, funky, and have a lot of emotion built into them, and it’s always interesting to see what rappers do with them. The Motions is full of classic grooves that both present a smorgasbord of Richmond MCs in the best possible light and make clear that, as always, Ant’s beats are the star of the show.

The Ar-Kaics – In This Time (Daptone)
This retro-garage heads return to the spotlight after a year or two of woodshedding with a new LP that is a must for the Nehru-jacketed 60s nerds who sleep with the Nuggets box sets under their pillow. That can’t be comfortable, so maybe this 21st century slab of meat-and-potatoes rock n’ roll can help y’all sleep better. Then again, these songs are so full of fun, snotty energy, there’s no way you’re gonna sleep at all with this record on the turntable. Just get up and dance.

Bad Magic – What’s Wrong With My Eyes (badmagic.bandcamp.com)
This union of three talented RVA music veterans (Julie Karr, Tim Falen, Jimmy Held) produces music that seems to split the difference between their various musical backgrounds (in everything from folk to grunge to post-hardcore) and bring us the best possible distillation of heartfelt, driving, melodic rock music. Vaguely psychedelic and obviously descended from punk rock in at least a spiritual fashion, this album gives us a glimpse at what ruled the university-station airwaves before Nirvana came along.

Saw Black – Water Tower (Crystal Pistol)
This supremely laid-back album comes to us from one of RVA’s foremost purveyors of country-Americana slackness, and has some downright beautiful moments that’ll shine bright for fans of artists like Sturgill Simpson or the Drive-By Truckers. You could probably also play it for your uncle who thinks music has sucked since Garth Brooks, or to expand the horizons of your little cousin who only knows about bro-country. But really, you should probably play it while you’re relaxing on the front porch on a Saturday afternoon with a cold beverage in your hand. That’s when it sounds best.

Scott Clark – ToNow (Clean Feed)
Drummer Scott Clark is a leader in the mostly-overlooked world of RVA jazz, and with his recent work, he’s made quite an impression beyond our city’s borders as well. Clark’s been tapping into his Native American heritage for his recent full-length works, and that continues with ToNow. This album is a contribution to the ongoing protest movement in Standing Rock, in the form of a musical clarion call, an ambient yet intense musical exploration featuring some of the leading lights in Richmond’s jazz scene. Immerse yourself.

Kenneka Cook – Moonchild (American Paradox)
2018 was Kenneka Cook’s year. This singer with the powerful, hypnotic voice put the entirety of Richmond under her spell, and Moonchild was the way she did it. The songs on this album move back and forth between soulful, jazzy R&B ensemble pieces featuring a bevy of talented local backing musicians and intriguing solo pieces constructed from electronic beats, synth hums, and massive stacks of multi-layered vocal loops, all constructed by Cook herself with electronic sequencing tools. It’s hard to say which of these two aspects of her music are more pleasing — in the end, it’s probably the combination of the two that gets best results.

Cruelsifix – Dark Snake (cruelsifix.bandcamp.com)
RVA metal is alive, well, and raging as ever. Cruelsifix finds some leading lights from the local scene coming together to fill their downtime with yet another rip-roaring contribution to the local metal landscape. They made their mark this year with a six-song debut EP that shows off their thrashing blackened death metal sound, and, with song titles like “Rabid Christ” and “Satan Earth Fuck,” makes clear that they aren’t just kidding around with the whole evil-as-hell-name move. Bang your head.

Lucy Dacus – Historian (Matador)
Certainly the RVA album of 2018 that got the most attention outside RVA, singer-songwriter Lucy Dacus has gone from house show sensation to international bright young thing in the space of two years, and has given us all yet another reason to be proud of our hometown. Dacus’s gorgeous, heartfelt tunes — which pair her smooth, beautiful voice with powerful melodies driven by a surprisingly tough rhythm section — took a leap beyond her already-assured debut album on Historian. Kudos to her.

McKinley Dixon – The Importance Of Self Belief (Citrus City)
In a city with a variety of different hip hop movements taking place, McKinley Dixon exists in a class by himself. He simultaneously brings a multitude of talented friends of various musical backgrounds together to take his music to a higher plane, and remains committed to first principles: those being strong rhymes, powerful beats, and most importantly something real to say. Even as he’s telling hard truths about oppression and struggles, he’s also uplifting your spirit with positive messages — look no further than the title track.

Fly Anakin & Ohbliv – Backyard Boogie (Mutant Academy)
Fly Anakin has been on fire lately, working hard to get himself and his crew, Mutant Academy, established in RVA and beyond. You can hear how much energy he’s bringing to the struggle in the hyperkinetic rhymes he spits on this album, which zap your ears with their sharpness even as they leave Anakin himself gasping for breath. Celebrated production legend Ohbliv contributes all of the production here, bringing a unified feel and a deep mood to Backyard Boogie, and providing a much-needed contrast with Fly Anakin’s manic intensity.

Gumming – Human Values (gumming.bandcamp.com)
The name of this group always makes me think of nursing home residents mashing down soft foods without benefit of dentures, but if you turn your back, rest assured, Gumming will show you just how much bite they’ve got. Human Values is a wall of angry noise that splits the difference between experimental psychedelic weirdness and pure punk rage, like the Butthole Surfers if they were fronted by X-Ray Spex’s Poly Styrene. Oh values, up yours.

Cole Hicks – May Day (colehicksva.bandcamp.com)
No one really wants to talk about this, but the fact is that hip hop tends to be a very masculine genre. It’s rare to hear a female MC spitting rhymes at all, let alone one that can stand toe-to-toe with the best in the game. On May Day, Richmond’s Cole Hicks adds her name to that list, contributing one of the best albums to come out of the genre in RVA this year and landing a top spot in what was already a banner year for Richmond hip hop albums. The beats hit hard, her rhymes hit harder, and her lyrical flow is unmatched, so quit tripping and start bumping May Day now.

Andy Jenkins – Sweet Bunch (Spacebomb)
Kinda country, kinda indie, and very Southern — that’s local singer-songwriter Andy Jenkins in a nutshell. The latest overnight sensation from the world of Spacebomb Records, Jenkins’s debut full-length, Sweet Bunch, has a laid-back, smoothly rolling feel that’ll put you in the frame of mind to rock contentedly in a porch swing as the lazy river rolls by. Some moments hit upon a sort of pastoral Van Morrison-ish feel, while others bust out the sunbaked twang of the Bakersfield sound. All of it is easy to enjoy.

Large Margin – Large Margin (largemargin.bandcamp.com)
Anyone who caught Brief Lives when they were around is bound to have thought the same thing I did — “that guitarist really goes off!” Brief Lives is gone, but the guitarist in question, Chris Compton, has moved on to becoming the frontman for Large Margin, joining up with a variety of local post-hardcore luminaries to exhume the spirit of Fugazi’s classic early 90s work and infuse it with a massive amount of frantic energy and 21st century political fury. One listen to this LP and you’ll want to rock out as hard as Compton does onstage.

Lipid – Freak Beat (Vinyl Conflict)
The growth of out-and-proud LGBTQ hardcore punk in this town has been one of the best things about 2018, not just for “representation” but also because it’s brought us a lot of great music from voices we weren’t necessarily hearing before. Lipid is probably the closest to old-school punk of this new crop of RVA queer-power bands, with a sound that mixes the sarcastic punk snarls of the Dead Kennedys with the sort of burly stuff that was coming out of NYC a while back — think Crazy Spirit, or The Men before they became a dad-rock bar band.

Love Roses/The Donalds – split (Tired & Pissed)
These two local punk bands are mainstays of the Shockoe Bottom punk scene that orbits around Wonderland, McCormack’s, and other venues the downtown hipsters aren’t necessarily clued into. They’ve both got a ton of anger to work through, mostly at the pathetic state of the USA today, and they do so with rage, melody, and humor. The Donalds are more midtempo, Love Roses more melodic, but both bands are a ton of fun.

Manatree – Engines (manatree.bandcamp.com)
This band of teenagers has really matured on their latest album, which reflects the stripped-down sound Manatree’s increasingly taken on as the lineup shrinks. Frontman Jack Mayock’s considerable talent on guitar and keyboards gets a lot of room to show itself on Engines, as does the sort of growth he’s done as a vocalist since his high school days. Manatree’s math-rock roots are still clear on this album, but as a band, they’re getting weirder, more cerebral, and more fascinating. I guess this is growing up.

Michael Millions – Hard To Be King (Purple Republic)
Dropping back on January 2, this LP acted as the starting gunshot for an amazing year of RVA music. Michael Millions brought the realness from the opening moments of this one, working with some of the most talented hip hop producers in town to create the perfect instrumental tracks for his powerful lyrics and rock-solid flow. And Millions clearly had a lot to say, filling all of these tracks with powerful declarations of what it’s like to be a working class African-American man in the neighborhoods of Richmond that the Scott’s Addition hipsters don’t even know exist. You can’t afford not to listen to this one.

Nickelus F – Stuck (AGM)
From one AGM heavyweight to another. This year saw incredible statements of purpose and power from all of that formidable crew’s leading lights, and Nickelus F’s Stuck was the hardest-hitting of them all. It’s only fair, considering how long he’s been working to advance his sound; that said, we’re all reaping the benefits, because Stuck proves that after a decade and a half of steady grinding, Sweet Petey is better than ever. If you didn’t catch him on tour with Lil Ugly Mane, you need to at least grab this. It’ll twist your head around.

Ostraca – Enemy (Skeletal Lightning)
People are starting to notice Richmond’s thriving screamo scene; Noisey even wrote about it this summer. If you’re not hip, Ostraca is the first name you need to get familiar with. This scorching trio has been honing their sound for over a decade, arriving on their third album at the strongest and most assured collection of material they’ve brought into the world yet. From harsh screams over furious lightning-speed metallic rage to long, slowly-building post-rock epics, Enemy displays the full range of Ostraca’s considerable talents. Dig in, and remember — there’s plenty more where that came from.

That’s the first half of the list — tune in tomorrow for the rest!

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 28 – December 4

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FEATURED SHOW
Tuesday, December 4, 6 PM
Negative Approach, Battlemaster, Shadow Age, True Body, Slump, Unmaker, Serqet, Gumming, Loud Night @ Strange Matter – $15 (order tickets HERE)
The holiday season is here, but for the Richmond music scene, it’s a sad time, as perhaps our most reliable mainstay for live music over the past decade is going away. However, while it’s hard to think of how we’ll get by without Strange Matter in 2019, the venue’s imminent closing seems to have created an absolute bonanza for people who love seeing awesome bands. Between now and their final closing on December 15, they’ve booked a whole passel of action-packed, star-studded farewell shows to close out their time on a high note.

Indeed, there are so many that I couldn’t possibly fit all of the worthy bills happening at Strange Matter this week into this show column without ignoring some really great shows happening around town elsewhere. But rest assured, if any of the following picks isn’t in your lane, there’s probably something amazing happening at Strange Matter that night — check out the full schedule from now til their last night over here.

All that being said, I couldn’t possibly avoid mentioning this show. It was already stacking up to feature an abundance of excellent local bands from a variety of genres… and then Negative Approach came calling. This legendary first-wave US hardcore band came roaring out of Detroit in the early 80s with an amazing treasure trove of hardcore bangers that made their debut EP and Tied Down LP classics of the era. These days, vocalist and human whirlwind of rage John Brannon keeps the band alive in the company of the band’s original drummer, plus former members of fellow hardcore legends The Necros and Easy Action on bass and guitar.

And believe me, when they hit the Strange Matter stage, they’re going to rip your fucking head off. And yes, I intend that as a very high compliment. If you haven’t seen the reunited Negative Approach on any of their previous trips through Richmond, this is the time to make it happen. After all, you’ll not only be getting to see John Brannon go wild up close and in person, you’ll be celebrating the past decade of greatness Strange Matter brought to us, and in the company of some of this town’s best local bands. Its brought Shadow Age back from their recent retirement to play their first-ever set as a quintet, the dynamic psychedelic-postpunk duo of True Body and Slump are both on the bill, Unmaker’s fresh off the release of their new album and ready to lay you flat with Killing Joke-style heaviness… and there’s a whole lot more. I’ve already taken up too much space saying even this much. Just go.

Wednesday, November 28, 6 PM
Broadside, With Confidence, Sleep On It, Small Talks @ The Canal Club – $15 in advance/$18 at the door (order tickets HERE)
Broadside have been at it for a long time here in Richmond, and they’ve been through a lot during their decade or so of existence as a band. In fact, no one we talked to for our first interview with Broadside back in 2011 is even still in the band — so that should give you an idea. However, since singer Ollie Baxxter joined the band in 2013, they’ve had a standout sound that sets them apart from the pop-punk pack and helped get them signed to Victory. Second LP Paradise showed them branching out in their sound, increasing the emphasis on melody as Ollie grew as a vocalist and showed off some teen-idol vocal chops.

But rest assured, this band still packs the sort of punch you’ll need to get you jumping and dancing even as you sing along to all those heartbreaking lyrics we’ve all memorized alone in our rooms late at night. And they’re coming to town with Australians With Confidence, who have a similarly sure-footed approach to melodic, emotional punk sounds, though these guys are more on the emo tip than Broadside’s whole post-easycore approach. New album Love And Loathing is an excellent listen, and the band will bring all those tunes to life in glorious Technicolor when they hit the Canal Club stage. Wear your basketball shoes for this one, because the club is gonna be jumping.

Thursday, November 29, 8 PM
Manatree, Stray Fossa, Bottled Up, missangelbird @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
If you’d like a one-night crash course in what’s going on in the indie scene around VA, you can’t do much better than this show at the Camel. Your star attraction, as it’s been so many times, is Manatree, a group that started out as bouncy teenagers but have grown up, matured, and been through some lineup shifts in order to evolve into their current form. They’ve developed a new approach that moves away from the alt-rock and emo tinges they had on earlier material in favor of delicate, mathematically complex precision, which they showed off on Engines, the full-length they released this past summer. If you haven’t caught them live since 2016 or so, rest assured, a lot has changed — and in good ways.

To our west up 64, Stray Fossa has been putting together some excellence of their own of late, releasing debut EP Sleeper Strip earlier this fall to give us all a taste of their pensive UK-style tuneage. It borders on shoegaze, but the way frontman Nick Evans’ voice sits above the multi-layered guitars is so strong and assured that the end result is closer to pre-shoegaze UK guitar slingers like House Of Love and The Chameleons. DC’s Bottled Up let loose with a bit more distortion than the two previous bands we’ve discussed, but there’s a great deal of space in their sound nonetheless, and delicate, bouncy pop is ultimately the best way to describe their music. Recent EP BU2 is a lot of fun, and their performance at this show seems certain to be as well. Finally, Harrisonburg’s missangelbird, which grew from a series of quiet solo demos into a softly powerful indie-folk trio over the past few months, opens up, easing you into a night of lovely sounds from around the state. Don’t miss a moment.

Friday, November 30, 7 PM
Drug Church, Gouge Away, Seattle’s New Gods, Twin Drugs @ Strange Matter – $12 (order tickets HERE)
Just to show you a little bit about how the sausage is made: this double-headline bill was a major candidate for Featured Show this week. I couldn’t deny the outstanding nature of the Negative Approach show, but it in no way reduces the greatness this truly stacked lineup has to offer. Drug Church and Gouge Away have both released new albums this year, and both of them show some major growth. Drug Church’s third LP, Cheer, just came out and finds this crunching (post?) hardcore band dishing out their usual top-quality distorted midtempo riffs, only now with a slight undertone of minor-key melody that increases the emotional quotient even as lead vocalist Patrick Kindlon (also of Self Defense Family and the Axe To Grind podcast — yeah, you know this dude) is still blasting you with his usual acerbic wit and cutting insights into the darker sides of human character.

Drug Church have always had a lot to offer, and seeing them on this tour is sure to make that clear. But don’t get too excited about them and miss out on their touring partner — Gouge Away’s new LP, Burnt Sugar, is clearly the best thing this already shit-hot band has done. It finds them cleaning up their sound but continuing to lean into their driving, furious punk rock sound, with the end result landing somewhere between the excellent emotional hardcore of Xerxes circa Collision Blonde and White Lung at their career peak (that being the “Blow It South” single). Both of these bands are guaranteed to offer powerful live performances that you won’t soon forget, and openers Seattle’s New Gods and Twin Drugs only make this show even cooler and more interesting. Get there.

Saturday, December 1, 6 PM
Inter Arma, Black Tusk, Earthling, Humungus, Hoboknife, Buzzard Dust, Prayer Group, The Astral Void @ Strange Matter – $15
OK I can’t talk about ALL of the Strange Matter farewell shows, but some of them definitely need specific mention, and this is one of them. This one is for all the kids who wear old faded metal t-shirts with the sleeves cut off all summer, and denim vests covered in patches all winter. It’s the perfect evening for people who like the idea of doom metal, but prefer bands to be too creative to fall squarely within that genre’s rather narrow borders. That description perfectly fits headliners and local metal legends Inter Arma, who have shown us over their decade-plus career that they are equally skilled at all genres of metal, and are willing to fit pieces from the majority of them, as well as some completely uncategorizable elements, into any given song of theirs. And it always rules.

But there are a ton of other bands on this bill, and all of them deserve your attention, especially Black Tusk. This Savannah, GA band has persevered despite tragedy, returning this year with TCBT, their first album since the death of founding bassist Jonathan Athon. The album’s unrelenting heavyosity makes clear that these guys still have an immense amount of metal power running through their veins, and their set at Strange Matter should make it even clearer. Of course we’ll get a ton of other great metal from around the state on this bill, from Earthling’s blackened crust rage to Humungus’s power-metal triumph and the psychedelic noise of The Prayer Group. Plus more! Get that vest out and let’s rage.

Sunday, December 2, 3 PM
Doll Baby, American Television, Alex Jonestown Massacre @ Hardywood – Free!
It’s always fun to visit Hardywood on a Sunday afternoon when Handmade Holiday is in full swing. Tons of crafters, artists, and other local vendors will be on hand to offer you an artisanal alternative to the Christmas gifts the big-box stores are all pushing this year. And what makes this Sunday afternoon’s Handmade Holiday presentation even cooler is the presence of three excellent bands to liven up your afternoon and give you sounds to tap your foot to as you browse through the tents and get some holiday shopping done.

American Television are the out-of-towners, but they’re from just up the road in DC, and they’ve got a great sound that will find a home in RVA’s heart for sure. The “Death Defier” single they released this summer, which was sold in conjunction with a signature dark roast coffee if you can believe that, has the kind of caffeinated rush you’d expect from a melodic punk band with an addiction to the dark nectar of the bean. The signature roast is sold out, but they’ve still got plenty of killer tunes to deliver to you this Sunday afternoon, as do local favorites Doll Baby and up-and-coming young band Alex Jonestown Massacre. It’s free, it starts at 3 PM, there are food trucks where you can score a late brunch, and you can get all your gift-shopping done in one place. What more could you ask for?

Monday, December 3, 7 PM
WHY?, Lala Lala @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Remember when people used to talk about “backpacker hip hop”? It doesn’t get brought up as much now, but all that stuff released during the 00s on Anticon, Definitive Jux, and similar labels had a real effect on the culture and stretched the sounds and ideas of hip hop into new realms. Why?, a group formed by former cLOUDDEAD rapper and Anticon all-star Yoni Wolf in the mid-2000s, was a big part of that expansion. The project started as a de facto solo thing for Wolf, but soon evolved into a four-piece band that incorporated guitars, keyboards, and drums into a sound that was almost closer to indie than anything anyone would expect from a project associated with the hip hop genre.

But Wolf was still rapping over it all, and it created an intriguing fusion, one that Why? were largely responsible for creating, most prominently on their landmark 2008 album, Alopecia. You might hear about the fusion of rap and rock and think cringingly of Limp Bizkit, but Why?’s sound was about as far as you could get from that, accentuating Wolf’s thoughtful lyrical pensiveness with a quiet, contemplative indie sound that fit in well with groups like the Silver Jews — who Why? actually toured with back then. And they made their mark on a whole generation of music lovers, from hip hop heads to indie kids and everything in between. On this 10th anniversary tour for Alopecia, they’ll be bringing all those fans into the same room once again, and it’s sure to blow your mind whether you were there for the first go-round or you’re just discovering Yoni Wolf and his excellent band today. It’s something you need to see.

Tuesday, December 4, 8 PM
Ghost @ Dominion Energy Center – $39.50 – $79.50 in advance (order tickets HERE)
Nearly a decade after their formation, Sweden’s Ghost remain a very interesting band. Their theatrical Satanism, always exemplified by elaborate characters and onstage costumery, took a bit of a hit after legal action by former members of the group revealed the identity of mastermind Tobias Forge. Forge has actually been the band’s frontman throughout the many transferrences of the vocal position between different characters over the years, and he’s portraying yet another new character on the current Ghost tour — Cardinal Copia, a break from the Papa Emeritus lineage.

However, neither official character changes nor demystification has slowed Ghost down one bit. While their image might lead you to expect King Diamond/Cradle Of Filth-style theatrical thrash, their music has always hewed to a more classic proto-metal sound in line with late 60s-early 70s pioneers like Covenant, Bloodrock, or Blue Oyster Cult. That remains true on Prequelle, their latest offering, which carries their spooky, organ-fueled sound forward into a haunting, multi-layered extravaganza. It’s a bit late in the holiday season for Ghost’s current tour to arrive in Richmond — Halloween would have been much more appropriate — but with two full sets of excellent music and an incredible stage show, we’d be total grinches to complain.

Bonus Hampton Roads Picks:

Wednesday, November 28, 7 PM
Kaonashi, Cryptodira, Vatican, Accident Prone, Nhibitions, Split Wrist @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
It’s been nice to see a new generation of metallic hardcore kids who aren’t afraid to embrace the influence of nu-metal on their music. Because the fact is, the best of those bands had a lot to offer. When PA metalcore maniacs Kaonashi hit us with unabashed Slipknot and Mudvayne influences on their latest EP, Why Did You Do It?, it demonstrates clearly what sort of value can still be gained from those angst-ridden late-90s thrashers who loved tuning down and sporting eyeliner. Kaonashi songs like “My 5 Year Plan” and “You’ll Understand When You’re Older” mix the out-of-control moments of emotional meltdown that marked the best nu-metal into a recipe cobbled together from the best elements of deathcore’s downtuned thud and the gothic emo-prog of groups like Chiodos and Coheed And Cambria.

Kaonashi aren’t alone in following this thread to wherever it leads them — Sworn In has done quite a bit with it over the past few years, and Vein are certainly dipping a bit more than just a toe into the nu-metal pool on their new album. But Kaonashi’s new EP shows that they’re on the forefront of this musical territory, and they are sure to take it to another level entirely in the live arena — making attendance at this Charlie’s American Cafe show tonight all but mandatory (assuming you can make the drive). New Jersey’s Cryptodira are also on this bill, bringing an erudite take on progressive death-metalcore to the table, as showcased on 2017’s excellent The Devil’s Despair. Straight edge metalcore thrashers Vatican, who hail from Georgia, will also hit the stage with metalcore fury that harkens back to the genre’s 90s roots (so you know I’m stoked). All that plus three heavy-as-fuck local openers… gas up the Mustang, y’all. We’re going.

Thursday, November 29, 8 PM
Raven, Songe, Doomsday Lullaby @ Riffhouse Pub – $10
In a world where it seems musicians spend just as much time reinventing the wheel as they do building on the traditions of those that came before, it’s no surprise that some younger metal fans today don’t even remember the legends of the early 80s “New Wave of British Heavy Metal” scene. But that doesn’t make it any less vital, essential, and important to everything that followed. You might not know the name Raven as well as you do other legendary NWOBHM acts like Iron Maiden and Motorhead, but they’re every bit as good, and if you value the history of the music you love, you need to be paying attention.

Raven’s probably best known today for their mid-80s albums — 1983’s All For One featured a song called “Athletic Rock,” in which Raven named their own musical genre years before the “active rock” format was even a twinkle in a Clear Channel exec’s eye, while 1985’s Stay Hard produced their biggest hit, “On And On.” Three decades later, though, Raven’s founding Gallagher brothers, bassist John and guitarist Mark, are still going strong, and 2015’s ExtermiNation showed that they’ve still got the furious metal power they wielded at the height of their fame. So get a history lesson at Riffhouse Pub tomorrow night, and let Raven show you that metal was heavy as hell even before you were born.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: July 11 – July 17

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FEATURED SHOW
Saturday, July 14, 7 PM
Vinyl Conflict 10th Anniversary Celebration, feat. Night Birds, Dark Thoughts, Gumming, Scarecrow, Talk Me Off @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
I had no idea Vinyl Conflict had been around an entire decade now. Why, it seems only yesterday that the store’s original owner, Brandon Ferrell (RIP), opened this little shop in the middle of a residential block in Oregon Hill. But of course, the older you get, the faster time seems to pass, and I’m pretty goddamn old at this point, so I suppose I shouldn’t be surprised by the store’s sudden longevity. Since Vinyl Conflict was taken over by current owner Bobby Egger, it has if anything become even more an essential part of the local music scene, not only bringing us an unparalleled selection of new and used punk/metal-related sounds but also releasing a variety of EPs and tapes by up-and-coming locals on their Vinyl Conflict Records label.

And now it’s time to celebrate their decade of essential service to the world of RVA hardcore punk, and kick off the next decade of awesomeness in the finest fashion possible. They’ll be throwing a huge party at Gallery 5 this Saturday night, and you’ll know it’s guaranteed to be a hell of a rager when you see that Night Birds are your headliners. This New Jersey band mixes a melodic sense derived from the best of the early-80s US punk wave (The Misfits, The Adolescents) with a breakneck fury that is half 82-style USHC and half early-00s East Coast fastcore (think Tear It Up). They haven’t released anything in a couple of years, but the hints they’ve been dropping on social media recently sure indicate that new material is coming — maybe this show will give you a preview? Don’t quote me on that though.

Night Birds will be bringing Philadelphians Dark Thoughts down with them, and this bouncy melodic punk group has just released an album called At Work that has a lot of energy and a bit of darkness in the mix as well; as with Night Birds, if you dig stuff like the Misfits and the Adolescents, you’re going to find something to enjoy in the music of Dark Thoughts. The bill will also feature a Raleigh, NC band called Scarecrow who have very little info available online — although I can tell you that they’re not the same as Raleigh jazz/fusion band Scarecrow’s Brain. I know that much. I also know the two RVA bands on the bill, Gumming and Talk Me Off, will kick this party off with a lot of energetic fury all their own. So get to Gallery 5 this Saturday night and give props to Vinyl Conflict — if the past decade hasn’t already proven to you how great an asset to Richmond this store is, this show is sure to win you over.

Wednesday, July 11, 7:30 PM
Divided Heaven, Eaves, Two Cars, Having Keepsake @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
Grown-up punks, take note; Jeff Berman’s Divided Heaven project is rolling through town and stopping off at The Camel tonight. While this group may seem like a late development in Berman’s career, following on his early days in NJ hardcore/punk groups like The Boils, Protagonist, and The Rites, he’s actually been fronting this project for most of a decade now, and they’re about to drop their third LP, Cold War, on WireTap Records. The advance singles, most notably “1983,” showcase both a wistfully mature outlook on life beyond one’s youthful days, and an incredible melodic sense that shows just how much talent Berman has to offer. Honestly, it would have been a huge waste if he’d spent the rest of his days playing angry punk.

We’re still a little more than a week away from the release of Cold War, so right now you can only hear two of the album’s songs online. But you’ll undoubtedly hear more tonight, as well as some classic tunes from Divided Heaven’s earlier, more acoustically-oriented LPs. Plus, you’ll get some excellent emotional post-hardcore sounds from up-and-coming local group Eaves, who turned in an impressive debut LP late last year with As Deeply As You Do, and are only headed upwards from there. Local newcomers Two Cars and Having Keepsake both bring their own emotional melodies to the table, making this an evening of moods and hooks that’s sure to please you.

Thursday, July 12, 8 PM
The Body, Lingua Ignota, Womajich Dialysiez @ Gallery 5 – $12 (order tickets HERE)
The Body’s been around for nearly two decades now, and they’ve come a long way from the sludgy noise they started out creating. Always more of an experimental band than anything, they’ve really foregrounded their exploratory efforts in recent years, somehow going both noisier and poppier than ever before with 2016’s No One Deserves Happiness. This year’s follow-up, I Have Fought Against It But I Can’t Any Longer, brings us a new approach, in which the group cuts up previous recordings, sampling them over programmed beats and electronics to create a unique work of art you’d be foolish to dismiss as a mere “remix album.” It’s difficult, it’s noisy, it’s dark as fuck, and somehow, amidst all that, it is bizarrely danceable.

But will people be dancing to The Body’s set at Gallery 5 tomorrow night? Or will they do as they’ve done in previous RVA performances over the years and use powerful walls of noise to wipe the floor with all of us? It wouldn’t surprise me if the answer turned out to be “both,” and it’s well worth the price of admission to learn for yourself. They come to Richmond this time around accompanied by Lingua Ignota, an intense solo project from Rhode Island’s Kristin Hayter that lands somewhere between the confrontational avant-garde work of Diamanda Galas and the soul-baring noise terror of Pharmakon. Their most recent EP is entitled All Bitches Die, and features a song entitled “Holy Is The Name (Of My Ruthless Axe)” …just to let you know what you’re in for. The experience you’ll have at Gallery 5 Thursday night isn’t that predictable, but if one thing is certain, it’s that you’ll be affected by it.

Friday, July 13, 6 PM
June Parker, Opin, Blush Face, Goldfeather @ Hardywood – Free!
My wife and I took a trip deep into the heart of Virginia’s Northern Neck region this past weekend. Not for any real reason, just to get out and explore parts of the state we’d never been to before. While we were passing through Tappahanock, we noticed several businesses named after a woman we’d never heard of before. Now, less than a week later, I find myself writing about a show by a band that is also named after her. I have no idea who June Parker was or is, but I know one thing — somebody in this band has made that same drive out to Tappahanock at least a time or two.

June Parker used to be known as California Death, but their 2017 full-length, We’re Exactly Where We Are, showed that this local shoegaze band has upped their game since changing their name. The first track from the new EP they’ll bring into the world at this show, “I Can’t Relate Anymore,” adds a jangly indie sensibility to their hazy guitar fuzz, upping the melodic quotient and bringing them to their highest level yet. With this preview in mind, it seems a safe bet that the new EP will be their best work yet. Find out for yourself at Hardywood Friday night, and get a set from enjoyable New York indie-folk combo Goldfeather, plus some excellent sounds from always-reliable locals Opin and Blush Face, in the bargain. It’d be a deal at any price — and since this show is free, it rises to the level of unmissable.

Saturday, July 14, 7 PM
Bangladeafy, Teen Death, Foresterr, Swathe @ Garden Grove Brewing – Free!
Bangladeafy may seem like a weird name to give a band, but when you learn that this group is a duo made up of a Bangladeshi drummer and a bassist who is… well, not quite deaf, but certainly has a hearing disability (sensorineural hearing loss, to be specific), it all starts to make sense. The wry sense of humor displayed by this choice of name also shows through in the band’s unpredictable musical hijinks, especially on songs like “Act Like An Adult” and “Say It With Your Chest,” from their most recent LP, 2016’s Narcopaloma.

This LP is an excellent showcase of Bangladeafy’s bizarre instrumental attack, which integrates jazz, prog, and metallic elements into a speedy, unique sound that might just remind you of Miles Davis’ Bitches Brew-era rhythm section doing Lightning Bolt covers… or maybe that’s just me. Grungy local punk n’ rollers Teen Death will offer quite a contrast with their opening set, but if you dig loud, energetic bands, you’re sure to enjoy both. Also on the bill are New Yorkers Foresterr, who do the sort of noisy, off-kilter post-hardcore grooves that bands like Barkmarket and Sliang Laos excelled at two decades ago. These guys are worthy successors to the outstanding track record of those bands. Locals Swathe offer some pummeling sounds in the vein of the Melvins and Unsane to get you in the mood for what awaits. This show is gonna rule.

Sunday, July 15, 7 PM
JD McPherson, Chamomile and Whiskey @ Capital Ale House Music Hall – $20 (order tickets HERE)
I don’t know how aware young punk types are of what’s going on in the world of rootsy rock n’ roll, but I’ll go ahead and admit that I never would have known about JD McPherson if it weren’t for the fact that he gets played over the PA regularly at one of my favorite hangout spots, Sheetz. Seriously, not only does that place have the best three-cheese sub in the Richmond metropolitan area, their muzak station is the best radio station in this town. But I’m not here to advocate for Sheetz (I do that enough on twitter); I’m here to tell you that you need to go see JD McPherson at Capital Ale House Sunday night.

McPherson’s third album, Undivided Heart And Soul, came out last year on New West Records, and it beefed up the rollicking rockabilly sound of his first two albums with a sort of retro-soul vibe that also shows up in artists like White Denim and even The Black Keys. But make no mistake, the man’s still about some straight-up rockin’, and songs like “Let’s Get Out Of Here While We’re Young” and “Style (Is a Losing Game)” make this abundantly clear. When McPherson hits the stage at Capital Ale House, he’s sure to get the whole place on their feet and shaking their tailfeathers. It’ll be an outstanding way to end the weekend, and give you an emotional high to carry you through a soul-draining Monday back at the office. Don’t miss out.

Monday, July 16, 9 PM
Church Of Disgust, Cemetery Filth, Future Terror, Night Hag @ Wonderland – $5
I have pretty much not talked at all about metal this week, but we’re gonna fix that situation right now with a thorough discussion of this Monday night show at Wonderland featuring the almighty Church Of Disgust. This  band hails from Texas and Florida, and the swampy Southern heat bleeds through their music, as does the clear influence of classic Floridian death metal past. Sometimes they’re thrashy, sometimes they’re moshy, but on 2016’s excellent Veneration of Filth LP, they most often strike the tone of classic riffage from early Morbid Angel, Deicide, or even Death. You headbangers out there better be paying attention, because this is a band you are guaranteed to love.

Johnson City, TN’s own Cemetery Filth will accompany Church Of Disgust on their trip to Shockoe Bottom, and their work on recent split EPs show this band to have a similarly ripping, brutal death-thrash attack sure to appeal to fans of prime Obituary and early Carcass. The thrash fiends will be pleased to hear these guys as well, and one can at least hope that all in attendance will receive Future Terror positively too. This Richmond band is treading in the footsteps of extremely blown-out crustcore bands like long-gone DC/RVA legends Aghast to churn out some incredibly noisy D-beat fury, and it’s awesome. Sludgy local newcomers Night Hag open up this show with some darkness of their own. Get ready to bang your head, y’all.

Tuesday, July 17, 6 PM
Backyard Boogie Tour, feat. Fly Anakin, Ohbliv, Al Divino, Billie Essco, Ankhlejohn @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
RVA hip hop is always fertile ground, and it seems 2018 is going to bear particularly excellent fruit where the genre is concerned. Not only do we get an excellent new Nickelus F release, Mutant Academy’s Fly Anakin has come together with production titan Ohbliv to create an album that represents a high-water mark for both. Backyard Boogie shows off Ohbliv’s predilection for murky soul vibes throughout, and gives just as much shine to Fly Anakin’s excellent flow and cutting lyrical wit. It hit the streets in April, and Fly Anakin and Ohbliv clearly recognize how excellent a statement it is for both of them, as they’re spending next week touring up the East Coast. They’ll start the week off right, with a hometown show at Gallery 5 that brings the album’s fire to life onstage.

However, there are more reasons to come to this show than just the local superstars showing off their stuff. Indeed, this event finds Fly Anakin & Ohbliv meeting up with a powerful package of touring MCs from up north. First on the list is Massachusetts’ own Al Divino, a hard-rhyming lyricist who has had Fly Anakin drop features on his tracks before — so you know he’s legit. Then there’s NYC rapper Billie Essco, aka Uptown Chase, whose recent LP Cafe mixes lyrical skills with a somewhat introspective vibe that’s sure to draw you in. DC’s Ankhlejohn rounds out the touring trio with some cinematic styles showcased perfectly on recent EP Knowledge. This show is jam-packed with hip hop talent from all over the East Coast — miss it at your own peril.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Good Day RVA presents A Good Day in RVA 5

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SATURDAY, JUNE 2nd
A GOOD DAY IN RVA 5 MUSIC & ARTS FESTIVAL
[a block party to benefit Gallery5 & Good Day RVA]

TWO STAGES! [IN GALLERY5 & ON BROOK ROAD]
@ 200 W Marshall St, Richmond, VA 23220
14 LOCAL BANDS!
3 TOURING BANDS!
ALL DAY & ALL OF THE NIGHT!
2:00pm-MIDNIGHT!
$5-$20 SUGGESTED DONATION!
IF YOU HAVE NO $, YOU’RE STILL INVITED!

FEATURING 14 LOCAL BANDS/MUSICIANS:
Ohbliv (Silent / Music Revival set)
Piranha Rama
BIG NO
Lance Bangs
Kenneka Cook
Ruth Good
Sammi Lanzetta
Minor Poet
Bad Magic
Doubtfire
GUMMING
HEADLESSMANTIS
Elizabeth Owens & Live Bats
Righter

+ THREE TOURING BANDS/MUSICIANS:
Rick from Pile
Yazan
The Womps

+ MANY ARTS VENDORS TO BE ANNOUNCED!
+ A BEER TRUCK!
+ ALL OF YOUR FRIENDS!

THANK YOU TO OUR SPONSORS!
Triple Crossing Beer
Stone Brewing Richmond
Plan 9 Music
Rumors
Sammich
The World Art Group
The Great Big Everything
Justin Laughter at Threshold Counsel
Saison
Deep Groove
CaryTown Teas
Vitality Float Spa

+ FOOD CARTS!
Sammich
Slideways Mobile Bistro
Arroz RVA

CURATED BY THE 501(C)(3) NONPROFIT FILM COLLECTIVE GOOD DAY RVA.
www.GoodDayRVA.com

TO DONATE, PLEASE VISIT:
www.enrichmond.org/partners/good-day-rva/

5555555
♥ ♥ ♥

RVA Shows You Must See This Week: May 30 – June 5

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FEATURED SHOW
Saturday, June 2, 2 PM
A Good Day In RVA 5, feat. Ohbliv, Piranha Rama, Big No, Lance Bangs, Pile (solo set), Kenneka Cook, Ruth Good, Yazan, Sammi Lanzetta, Minor Poet, Bad Magic, Doubtfire, Gumming, The Womps, HeadlessMantis, Elizabeth Owens & the Live Bats, Righter @ Gallery 5 – $5-20 suggested donation
Y’all, it is ALWAYS a good day in RVA when Good Day RVA throws their annual all-day outdoor festival. It’s been going on for long enough now, in fact, that it’s started to feel kind of like the kickoff for the rock n’ roll summer here in Richmond every year. And really, what more could we ask for from such an occasion? The filmmaking, scene-documenting collective that is Good Day RVA are the best at what they do, and an inevitable corollary to their expertise is that they can program the best showcase of local talent you can find anywhere in town. Plus, this year they’ve added a few out-of-town friends to the lineup, as well as the traditional stacked lineup of vendors, food carts, and a beer truck!

And yes, they had to do the beer-truck thing this year, because for the first time, A Good Day In RVA won’t be taking place at Hardywood Park Craft Brewery. That’s OK, though, because it’ll be at an even stronger traditional Richmond musical institution — Gallery 5, which will also be the beneficiary of the event’s proceeds (along with GDRVA themselves, who are a 501(c)(3) registered non-profit). There’ve been some lean times for Gallery 5 in recent years, and god knows none of us want to see them go away, so we definitely recommend you dig deep and donate as much as possible at this show. Of course, GDRVA will let you in even if you’re broke, because they’re really nice people, but do what you can, OK?

What actual music is on tap for you at this event? Oh my god, I’ve left myself so little space to tell you! Let me begin by saying that Pile’s Rick Maguire will be playing a solo set as part of the event — and if you’ve been paying attention to indie rock over the past decade or so, you know that’s gonna be worth the donation right there. Further out-of-town guests include Yazan and The Womps, but RVA stalwarts will probably be even more excited for the chance to catch local stars from Kenneka Cook to Doubtfire and from Gumming to Ohbliv (who is doing a Silent/Music Revival set!) all in one spot. Music will be spread across two stages, the one inside and a temporary one outside on Brook Road, and things will get started at 2 PM and carry on until the wee hours, so you really seriously cannot ask for more from a live musical event this weekend. I shouldn’t even have to tell you to be there at this point… but I’m telling you. BE THERE.

Wednesday, May 30, 10 PM
Gabbie Rotts, Decide By Friday, Madison Turner @ Little Saint – Free!
The middle of the week is a great time for some low-stakes free tuneage, and you’ll get exactly that at Little Saint tonight. Little Saint is an intimate food spot up there near the Devil’s Triangle, about a block from Bandito’s, and it makes me feel old to remember that when I moved to Richmond 23 years ago, it was a Papa John’s. They certainly wouldn’t have hosted a show, though, let alone the semi-regular music events Little Saint have started putting on in recent months, so we’re calling this a big improvement (even if I can swing a pizza a lot more easily than a full meal from Little Saint… just sayin).

This time around, we’ve got an appearance by Atlantans Gabbie Rotts, a folky, power-poppy trio led by a lady named Gabbie Watts who once had a countrified riot-grrrl band called Cuntry (and if you don’t think that rules, I have no idea what to tell you). There’s no real country vibe to Gabbie Rotts, but the snarky riot-grrrl thing mingles very well with their jangle-punk tuneage, so I’m down with it — and you should be too. Local support will come from chunky, funky rockers Decide By Friday, who’ve been under the radar locally for a while but deserve some more attention for their heavy, introspective sound, as showcased on recent EP Sankofa. I get some definite early 90s post-hardcore vibes from this record, and I am way into that. And with Madison Turner giving you one of her classic solo folk-punk sets as the opener, you’re sure to be won over from the beginning by her anxiously witty charm. All this and the show is free? You really can’t go wrong here — even if this place doesn’t sell breadsticks anymore.

Thursday, May 31, 8 PM
Ruse De Guerre, Don Fredrick, The Shandies, The Firnats @ Strange Matter – $7
Well well, what have we here? A full bill of bands from around the Virginia area playing melodic rock music, none of which I’ve ever heard before? I know for you, the reader, that might seem like a turn-off, but you must understand, when one spends as much time keeping up on local music as I do, the appearance of a show like this is always intriguing. It’s like — how is this possible? How’d I miss all four of these bands? I need to do something about this! Let’s start with the out of town bands — Ruse De Guerre (I googled it, it’s a French term for military deception) hail from DC and have a speedy, rockin’ delivery of some hard-edged indie sounds that combine with catchy, almost brassy choruses to cement themselves deeply into your brain. Then there’s The Shandies, from across the Potomac in Alexandria. These guys have a bit more of a shambling, lo-fi slacker aesthetic going on, and therefore if nothing else I can imagine them hangin’ with the Lance Bangs/Camp Howard crew centered around Citrus City. The fact that they have a song called “I Just Want To Be Cool” only further cements my opinion on this one, and if you’re the sort who digs the sleepy emo punk sounds of bands like Wavves, you’ll need to get on this band’s wavelength.

I have definitely mentioned local bands Don Fredrick and The Firnats in passing at least once here in the ol’ Shows You Must See column, so the fact that I didn’t really have an impression of them before now might just be inexcusable. However, I must beg your forgiveness, especially since Don Fredrick in particular have a sound I’ve almost never heard from a local band — funky, jazzy, smooth, fun, and almost reggae-ish at points, it’s nonetheless a cool laid-back rock sound that I can’t help but groove on. If you can appreciate the early days of the Red Hot Chili Peppers (and yes, I can, so what?), you’ll find something to enjoy here. The Firnats hail from RVA and Reston, and almost remind me of Interpol when they aren’t sliding into Southern soul vibes. Yeah, seriously! Overall this show’s gonna be unusual and fascinating, and isn’t that always better than the same ol’ thing?

Friday, June 1, 8 PM
A Benefit for Van Hagar, feat. Van Hagar, .gif From God, R-Complex, Charmer @ Strange Matter – $5-20 suggested donation
It’s hard to be in a tiny little band, especially when you play heavy, crazy music that’s got no real potential for Top 40 success. My former roommates in Van Hagar know this struggle well, and this little grindcore trio have found themselves falling upon hard times lately. Between chronic health problems and income instability, they’ve had to struggle for the past year or two, and now they’ve experienced a series of vehicular mishaps that have left them struggling just to drive to their jobs every day. Well, nobody likes to see that happen, and here in the underground music community we take care of our friends as best as we can, so the Great Dismal crew has now banded together to give Van Hagar a helping hand through this benefit show.

And honestly, even if you don’t care about the underground music community and helping the people who are part of it keep afloat (a viewpoint I would frankly find incomprehensible), you’ve still got some really good reasons to come out to this show and throw down a few bones to help out Van Hagar. For one thing, they’re gonna hit you with one of their frantic, nonstop sets of low-end grindcore fury — and rest assured, no matter how tired they are, they’re gonna lay you flat with their raging energy. Then .gif From God will hit the stage to knock everybody out with their sensory-overload take on spastic, thrashing grind, complete with brutal breakdowns. Charmer will steamroll all in attendance with nonstop power-violence onslaughts that will have you on your knees, and R-Complex will offset the sheer insanity of the rest of the bands with a more introspective take on noise. All this, plus you get to help out some great people — who are personal friends of mine, in case I haven’t previously mentioned it? Well, I don’t know how you could say no to this one.

Saturday, June 2, 6 PM
RVA BBB Showcase, feat. Bracewar, Division Of Mind, Ecostrike, Nosebleed, Magnitude @ The Canal Club – $12 (order tickets HERE)
This one’s for the tough kids, the ones who just can’t stand still when they hear the sounds they love, the ones for whom stage-diving and breakdowns are still what gives them life. As a middle-aged lady, I must admit that my glory days for this kind of music are behind me. That said, I still have blood running through my veins, and it’s hard to resist the siren’s call of a serious mosh-core throwdown at least every once in a while. This bill brings us a Richmond-based showcase for Triple B Records, and at the top of the bill, in almost obligatory fashion, are Bracewar, who continue to play a couple shows a year under exactly these sorts of circumstances, reminding us all just how gracefully their brand of pissed-off hardcore violence ages.

But it’s the bands at the peak of their powers that most interest me here, and for that discussion we have to start with Division Of Mind. These guys started out pretty standard mosh-core style, but the more attention I’ve paid, the more depth and darkness I’ve found in their sound. Their most recent promo tape was full of spooky noise and lo-fi grit, and there’s a decided Tragedy-style doom-core influence lurking beneath the surface that just sounds better every time I hear it. The fact that they’re sharing this bill with Ecostrike, a Florida band whose two most recent EPs have impressed me both with their politically-fueled energy and their influences from moody early-90s hardcore trailblazers like Mean Season (an unjustifiably underrated band for at least two decades now), makes this show a perfect opportunity for those of us who don’t really do this whole mosh-core thing anymore to come out of the woodwork for once. With local rippers Nosebleed and Charlotte ragers Magnified rounding out the lineup, this one’s gonna be jam-packed. Jam into the Canal Club and get ready to floorpunch. Or whatever it is the kids do these days — I really don’t know.

Sunday, June 3, 7:30 PM
Dance Gavin Dance, I See Stars, ERRA, Sianvar @ The National – $20.50 in advance/$23 day of show (order tickets HERE)
To be straight-up with y’all, I have zero time for the latter-day exploits of Jonny Craig — probably still the most famous member of Dance Gavin Dance despite his not having been associated with the band for most of a decade. He can do whatever drugs, scams, and sketchily-named bands he wants to, but I’m not here for it. However, as the years have gone on and Craig’s faded further into DGD’s rearview, I’ve found that this goofily named melodic metalcore band has retained an enjoyability that I never would have predicted for them in their early days. Indeed, “Midnight Crusade,” the first single from their forthcoming eighth album, won me over instantly when it dropped a couple months ago. Say what you will about this band’s issues with shifting lineups — at this point, it seems the Pearson/Mess/Swan incarnation of DGD has proven itself as a reliable generator of quality.

So yeah, whether they’re playing classics like “Lemon Meringue Tie” and “Me And Zoloft Get Along Fine” these days or not, I’m here for it. And I’m also here for a fun evening of openers, which isn’t exactly the norm at bigger-venue shows like this one. However, if you don’t see the addition of tourmates I See Stars to this bill as a big bonus, I don’t know what to tell you. Granted, this band’s electronic textures and tendencies toward crabcore goofiness are a bit of a psychic barrier for entry — as they pretty much always have been. But their mix of chunky breakdowns and almost R&B-level emotional melodies never fails to deliver, if you ask me. Prog-metallers ERRA will provide an early highlight on this bill, and an opening set from Will Swan’s technical, melodic metal supergroup Sianvar certainly sweetens the pot as well. This one’s gonna be worth it, for sure.

Monday, June 4, 8 PM
Post Animal, Paul Cherry, Spooky Cool @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
This Monday night, let’s take a trip into space. Post Animal may be a midwestern band with the sort of agrarian Illinois connections I once associated with midwestern emo — which is to say, their latest LP, When I Think Of You In A Castle, is on Polyvinyl Records, onetime home of Braid — but to listen to their sounds is to feel like you’re getting on board a rocket aimed straight into deep space via the punked-out psychedelic revival sound of California’s own Castle Face Records. Yeah, I’m definitely getting some Thee Oh Sees vibes from these guys, but there are some more contemplative space sounds mingled in here too, as well as even some funky rockin’ tuneage that might appeal to those of you who don’t hate jam bands.

Those of you who do, don’t panic — I’m not saying Post Animal are a jam band. If anything, I think they’re finding a sweet spot between modern, more laid-back ideas of math-rock (shoutout Houdan The Mystic) and the sort of rockin’ psych feels floating through the scene these days, neither of which you can ever have too much of. This band is gonna be an excellent sight for your sore eyes (and sound for your sore ears, of course) after a crappy Monday spent back at work, and I highly recommend that you inundate both ears and eyes with their set at Strange Matter. Tourmate Paul Cherry brings some of those lush, soulful synth-pop sounds that were a hallmark of the late 70s and early 80s with him, and if you find yourself thinking of Pete Curry when you’re checking him out, you’re not alone (not that there’s anything wrong with that). Local powerhouse Spooky Cool will kick things off, and it’ll only get awesomer from there.

Tuesday, June 5, 8 PM
The Bummers, Black Plastic, The Goodbye Forevers, Vegan Llamas, Dreadnot @ Strange Matter – $8
The Bummers. How could you not expect rock n’ roll from a band with a name like that? And guess what — you wouldn’t be disappointed, either. This New Orleans ensemble definitely knows how to crank out some dirty riffs and get your fist pumping. They’ve also got some dynamic grasp, able to integrate quieter melodic moments in order to make the kickass parts kick that much more ass. And make no mistake, kicking ass is what this band are all about.

They’ve found themselves some good company in the crew of local bands that’ll be appearing on this bill. The Goodbye Forevers are getting some local attention lately, at least if the frequency of their name on bills is a good indication, and listening to last year’s Lay Where You Fall LP will tell you exactly why — they’ve got a high-energy, vaguely punk-ish sound that comes across like Dillinger Four jamming with The Knack or something like that. I’m into it; you should be too. Black Plastic, Vegan Llamas, and Dreadnot are all fellow local rockers trying to make their mark on the RVA scene, and all of them deserve your time and attention as well. Come to this show and rock it on out.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 3/21-3/27

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FEATURED SHOW
Friday, March 23, 7 PM
Windhand, Satan’s Satyrs, Prisoner @ The Broadberry – $15 (order tickets HERE)
It’s been a long time, y’all, but the time has finally come for the return of Windhand! This crew of almighty shredders has been quite a while away from the recording studio — their last full-length, Grief’s Infernal Flower, was issued nearly three years ago. However, not only have they returned to action this year with a split LP combining their sludgy brutality with the shredding rippage of NoVA slayers Satan’s Satyrs, they’re returning to the stage here in Richmond for the first time in a year with this epic celebration of the aforementioned split LP’s release!

The Windhand side of this full-length is the first release featuring Windhand’s current single guitar lineup, but it shows no diminution in the power, volume, and density of the band’s sound. The spooky gloom sludge of new tunes “Old Evil” and “Three Sisters” carries on the foreboding mood of the band’s previous work, with Dorthia Cottrell’s witchy vocal melodies and some excellent organ undertones making the perfect contrast to the brutal riffs these songs are veritably overflowing with. You’ll get a good taste of their excellent new material as well as some old favorites at this show, so come prepared for the onslaught.

Satan’s Satyrs will be on hand as well, giving you a heavy dose of the rockin’, rollin’ biker metal grooves from their own side of the brand new split LP. They aren’t quite as crushing as Windhand, but they’ll keep your head banging and your ears ringing just fine on their own behalf. And of course, Prisoner will bring plenty of thunderous fury of their own from their opening slot, reminding us all how great their 2017 LP Beyond The Infinite was, with its mix of denim n’ leather thrash and grit-encrusted D-beat doom. Make sure you’ve got some ibuprofen in the medicine cabinet before this one, because your neck and ears will be in serious need the next morning. And you’ll never regret it for a second.

Wednesday, March 21, 7 PM
Forever Came Calling, In Her Own Words, Hold Close, Telltale, Last Night’s Ghost @ The Canal Club – $12 in advance/$15 day of show (order tickets HERE)
I try to be honest when shows like this come up, so let’s just get it out front right now — I’m a sucker for emotional pop-punk bands with a vague hardcore edge. The Story So Far, State Champs, Four Year Strong… all that stuff just has me dead to rights. Like those other bands, Forever Came Calling was signed to Pure Noise Records earlier this decade when they were putting out killer LPs like 2014′ s What Matters Most and winning me over with outstanding emo-pop gems like “Defenseless” and “Rather Be Dead Than Cool.” They fell off the map for a bit, leaving Pure Noise and doing some lineup restructuring that kept them off the road and in the practice space for a while.

However, Forever Came Calling have come back full-strength this year with a new guitarist and a new self-released EP, Retro Future. The two advance singles from the EP show that they’re still firing on all cylinders, and between these killer new tunes and the passel of singalong classics from their first two LPs they’ll have for us, tonight’s gonna be a hell of a night! Tourmates In Her Own Words — a pretty good emo-pop-punk band in their own right, though their name would make a lot more sense if they actually had a female singer — and Hold Close — another crew of emo-punk bad boys with a bit of a Knuckle Puck vibe (always good in my opinion) — will bring a significant amount of excellent tuneage to this night as well.

Thursday, March 22, 7 PM
Gavin Riley Smoke Machine, Anneliese, Mylo Shift @ Gallery 5 – $5
It’s getting pretty far along in the week, but the weekend’s not quite here yet — so if what you really need this Thursday night is to add some spice to your week, look no further than the Gavin Riley Smoke Machine show at Gallery 5. It’d be easy to just call Riley’s sound electronic hip hop, but there’s so much more to what he and his Smoke Machine have to offer, and a lot of it only fully comes alive in the live environment. You see, performances by the Gavin Riley Smoke Machine are sort of like those Choose Your Own Adventure books we all used to read when we were seven years old. Wait, what? Hold on a second, I’ll explain.

Each song presents us with a plot point in Riley’s “Space Needle Adventure.” At the end of the song, the audience will be given two choices, and how they vote will determine what happens next in the story… and, in turn, what song the Smoke Machine plays next. Eventually, we’ll arrive at an ending, though it may not be one you necessarily expected. The songs themselves are fun and amusing, littered with plot twists reflecting Riley’s dark sense of humor. And therefore, it makes some sense that hilarious local one-man band Mylo Shift is one of the locals on this bill — his own twisted sense of humor and wacky antics are enough to put you in the perfect mood for your headliners. And of course, we can’t forget Anneliese, who you may know from The Folly or Museum District but who has some pretty great pop-soul sounds of her own in store for you. Show up on time, and be prepared for an unusual and unforgettable show! It’ll get you through til the weekend, and then some.

Friday, March 23, 8 PM
Palm, Spirit Of The Beehive, Lance Bangs, Basmati @ Strange Matter – $12 (order tickets HERE)
This Friday night, Palm comes to town to prove to everyone who thinks there’s nothing new under the sun that they’re just not paying close enough attention. The zany, frenetic hybrid sound of Palm’s brand new second album, Rock Island, is the kind of thing that could never have existed before the current moment in the indie continuum, synthesizing as it does disparate influences from mellow math-rockers like Tera Melos, pop experimentalists like Animal Collective, and impossible-to-categorize hyperkinetic weirdos like Deerhoof. If any of these bands appeal to you, you’re sure to enjoy watching Palm dash headlong through sounds that remind you of all of them and a good deal more, in the space of a single song. And somehow, they keep the melodies memorable and the tunes entertaining throughout it all.

Spirit Of The Beehive are another excellent product of the recent indie evolutions, though they have landed in a very different spot. Initially channeling that whole early 90s “shoegaze” sound that many bands attempt these days (with varying rates of success), their second LP, last year’s Pleasure Suck, is an altogether different animal that sees Spirit Of The Beehive retaining their sense of tuneful energy but adding programmed beats, underwater synth sounds, and an air of general weirdness that shifts the whole thing at least 90 degrees off-kilter. The result is something that local Citrus City fans should really dig, which makes it all the more apropos that Citrus City standard-bearers Lance Bangs bring their jangly slacker-pop to one of the opening slots on this bill. Basmati interject their own unique take on math-pop indie sounds as well, making this a night full of bizarrely captivating music that is sure to win you over.

Saturday, March 24, 8 PM
Gumming, Lipid, Butt, Haircut @ Mojo’s – $8-10 donation to RRFP
Punk rock has gotten really psychedelic and weird in recent years and I love it. I’m particularly stoked about Gumming, a relatively new RVA band featuring members of fellow psych-punk oddities Pucker Up and Whorecough. They’ve got a brand new tape, Human Values, out on Not Normal Records, which showcases their rumbling, pounding riffs, messy guitar sound, and frustrated vocal ranting. The sum total of the whole thing reminds me of incredible UK punk band Good Throb with some demented Flipper/Butthole Surfers energy and a dose of early-80s psychos The Crucifucks. Gumming might freak you out at first, but if you stand your ground and give yourself a chance to get on their wavelength, the rewards will be plentiful. Trust me.

This show celebrates the release of Human Values, but it also benefits the Richmond Reproductive Freedom Project, and Gumming will even be giving a portion of the money from their merch sales to RRFP, so that’s all the more reason to score your own copy of Human Values at this show. The other bands on this bill offer plenty of additional reasons to show up. Butt aren’t quite as ranty as Gumming but definitely have that weirdo psych-punk vibe in excess. Haircut drop the psychedelia in favor of full-on angry old-school hardcore, but without going all tough-guy style and ruining it. Lipid follow the trend of one-word names that is apparently sweeping the city based on this bill, but that’s all I can really tell you except that the facebook event page calls them “rap punk” and I have no idea whether to take that seriously or not. Regardless, you already have more than enough reason to make it to Mojo’s this Saturday night, and I haven’t even mentioned their food! Get there.

Sunday, March 25, 8 PM
Love Roses (photos by Eric Maupin), Ruin By Design, LNT, Brainbuster, Hanoi Jane @ Wonderland – $8
I tend to think of package tours as the sort of thing that brings four or five emo or metalcore bands to The Canal Club and turns a show into an all-day festival even before there are openers added, but if the bill hitting Wonderland this Sunday night is any indication, package tours aren’t just for Warped Tour graduates anymore. The final date of the Worldwide Weekend Tour sees five different bands from around VA finish up a jaunt across the state that will bring the same five bands to clubs in DC and Roanoke before finishing up down in Shockoe Bottom. I wonder if they rented a bus for the occasion?

In all honesty, I can’t imagine. After all, these are hardly the sort of well-scrubbed heartthrobs you’d find on a Warped Tour bus. Instead, we’ve got the raging old-school HC/punk hybrid of RVA’s Love Roses at the top of the bill — and anyone paying attention knows these guys are always a blast. DC’s Ruin By Design bring a tough yet somewhat melodic take on fast USHC, while NoVA rippers LNT, aka Like No Tomorrow, bring some Dwarves-style raging punk with a hint of melody. Then there’s Fredericksburg spiky punks Brainbuster, who mix Casualties-style US punk with some old-school Boston HC sounds. And of course, we wrap it up with Roanoke’s Hanoi Jane, who mingle Poison Idea’s rockin’ punk rage with some oddly Op Ivy-ish ska-punk moments. It’s gonna be a lot to take in all at once, but since all of these bands keep the pedal to the floor, you’ll be able to skank on through to the other side with no problem. So throw away your preconceptions about five-band tours and come out ready to circle-pit — it’ll be a blast. And it won’t take all night!

Monday, March 26, 8 PM
Patsy’s Rats, Scott Yoder, Big No, Sick Bags @ Strange Matter – $10 (order tickets HERE)
It kinda keeps to itself, but if you pay attention, you’re sure to notice just how active the local garage-punk scene is here in Virginia. If you haven’t caught on just yet, this show is definitely a good reason to pay attention. After all, Patsy’s Rats, an incredible power-pop ensemble out of Portland that combines the talents of former Scavenger Cunt frontwoman (and Howe Gelb of Giant Sand’s daughter) Patsy Gelb with those of Mean Jeans frontman Christian Blunda, aka Billy Jeans, have turned to the VA garage scene for their current rhythm section: Paul Kirk (Cherry Pits) and Tim Abbondelo (the Ar-Kaics). If you want to see these favorite local sons rocking it with a killer group from the left coast — and you do, I assure you — this Monday night’s your chance.

Patsy’s Rats will arrive in town in the company of their Burger Records labelmate Scott Yoder, who hails from Seattle and has a sweet acoustic sound on his 2016 LP, Looking Back In Blue. Regardless of the decided lack of punk snarl, Yoder’s work has a real kinship with what Patsy’s Rats are doing, being just as firmly grounded in the basics of excellent pop songcraft as the Rats are. This can also be said of Big No, the local band featuring Tim Abbondelo’s long-ago Crestfallen bandmate Nathan Grice and his partner, Heather Jerabeck, delivering some psychedelic sounds that will add a measure of outer space to this evening’s festivities. Sick Bags will open up with all the snotty punk snarl you could ever want in your garage punk, just to keep all the leather-jacket kids happy. This one’s got it all.

Tuesday, March 27, 8 PM
Ceschi, Onry Ozzborn, Moodie Black, ESH, Trauma Lavern @ Strange Matter – $10 (order tickets HERE)
If you’re both stoked on the DIY underground and a true-blue hip hop head, this might just be the best show for you all year. Ceschi Ramos, who records and performs under his first name (which is pronounced chess-key), has been running his own label, Fake Four Inc, for a decade now, and he’s on tour with some labelmates to bring the celebration across the country. Ceschi has an intriguing sound that is more hip hop in approach and mindset than strictly in sound — while the man can rap rings around most emcees working these days, he sometimes forgoes the boom-bap beats in favor of acoustic guitars, choosing to sing instead of spit. His expanded palette always keeps his performances interesting, and everyone from open-minded hip hop fans to singer-songwriter types are sure to find plenty to love in his performance Tuesday night.

But Ceschi’s got a whole crew of Fake Four artists along with him this time around, and those artists are at least as much an attraction as Ceschi himself. Onry Ozzborn, who may be best known for his membership in Seattle rap duo Grayskul, is showing up solo with sounds from his 2017 release, Black Philip, and presumably quite a bit more as well. With less genre-hopping tendencies than Ceschi, Onry is mainly here to spit some killer lyrics over strong beats and electronic vibes. Meanwhile, Moodie Black brings the noise rap sounds from way back, coming out of Arizona with an aggressive sound that originated long before any of us had heard of Death Grips. Boston rapper/producer Esh rounds out the crew of Fake Four tourmates with some sick rhymes and unusual beats, while PT Burnem continues his long local association with Ceschi and Fake Four by bringing his current group, Trauma Lavern, to an opening spot on this bill. Liven up your week with this one.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [for more of my deranged ramblings, check GayRVA each and every day. Sometimes I even write about music over there.]

Top image by Vivienne Lee

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