Gumming Archives

VA Shows You Must See This Week: November 20 – November 26

Marilyn Drew Necci | November 20, 2019

Topics: Addy, Alfred, Ant The Symbol, Archangel, Beeline, Big Sty, Blackliq, Bonsai Trees, Bravo, C Shreve, Cane, Capital Ale House Music Hall, Chance Fischer, Cole Hicks, David Shultz, Dropping Julia, Dropping Ugly, Easalio, Elevation27, Empath, F.R.E.E., Fan Ran, Femme Funk, gallery 5, Garden Grove Brewing, GIANT, GOOGZ, Gumming, Harli & The House of Jupiter, Illa Styles, Immortal Technique, Intalek, Jarv, Jimbo Mathus, Johnny Ciggs, jonathan vassar, La Dispute, Lance Bangs, Linden Row, Marti, Michael Millions, Nick Woods, Nickelus F, Poor Boys, Radio B, Rah Scrilla, Raw Mom Presents, Recluse Raccoon, Reppa Ton, RVA Rap Elite, Shagwüf, Ships In The Night, shows you must see, Sofia Lakis, The Broadberry, The Canal Club, The Dark Room, The Richmonder, The Southern Cafe, Touche Amore, Trapcry, Trey Burnart Hall, True Body, VV, Wild Pink

FEATURED SHOW
Friday, November 22 & Saturday November 23
Raw Mom Weekend, Night 1: Alfred, Trapcry, Archangel, F.R.E.E.
Night 2: Gumming, True Body, VV, Lance Bangs, Sofia Lakis
@ Gallery 5 – single night: $8 in advance/$10 at the door. Weekend pass: $15 in advance (order tickets HERE)
Hope everyone’s getting their wallets limbered up, their psyches strengthened, and their cars fit for traveling, because it’s that time again! Yes indeed, folks, the holidays are coming sooner than you think — Thanksgiving is a mere eight days away, and Christmas, Hannukah, and Kwanzaa are only a month past that. It’s coming time to see the fam, with all the happiness and terror that entails. But before the holiday season officially kicks in, let’s celebrate our river city fam with the first ever Raw Mom Weekend at Gallery 5.

My old pal Rivanna Youngpool has really outdone herself with this one, bringing two nights of incredible local talent together on the Gallery 5 stage to celebrate the ever-renewing wellspring of talent that is the Richmond music scene. Night one is the night on which we will all dance, featuring hip hop, ambient electro, and psychedelic dance grooves from several different politically-informed artists of color. Rapper Alfred will headline and bring his lysergic beats and tongue-twisting rhymes to keep your ears burning and your feet moving. Trapcry, meanwhile, brings powerful electric funk with a strong social conscience, as Archangel explores spaced-out anime-inspired breakbeats.

That’s Friday night, and on Saturday, night two brings us a whole different approach that’s sure to be equally invigorating. The noisy, quirky, brilliant, powerful punk rock of Gumming tops the bill and promises to trip you out and rip your head off all at the same time. Things will get more gothic at points with sets from True Body and VV, while Lance Bangs will bring you an always-pleasing dose of slack indie rockin’. Sofia Lakis will kick things off with some beats to ensure that there’s plenty of dancing on this night as well. What better way do we have to celebrate the last weekend before the holidays spread their ambivalent malaise across the next six weeks? I can’t think of one.

Wednesday, November 20, 9 PM
Ant The Symbol, GIANT, Johnny Ciggs, Reppa Ton, Rah Scrilla, Jarv, C Shreve @ The Richmonder – Free!
Over here at RVA Mag, we’ve been following the work of Ant The Symbol for a solid decade now, since back when he was still Just Plain Ant of the Just Plain Sounds crew. He’s been growing and maturing as a producer and musician ever since, and over the past few years, his massive collaborative albums have become event listening for the entire RVA hip hop scene whenever he releases one. THE WHAT?! is the latest in a string of Ant The Symbol releases on his post-JPS home of Gritty City Records, and it shows that as time goes on, the man just gets better at making incredible music for the city’s best to spit rhymes over.

That doesn’t mean he’s getting predictable — even his latest crew of collaborators can acknowledge that. The first thing Kels says on his THE WHAT?! track, “My Way,” is, “I love you, Ant, but this beat’s weird.” Speaking personally, that’s why I look forward to each new Ant The Symbol project — where others get predictable, he gets creative. He’s put out so many records I’ve honestly lost count, and he still hasn’t come anywhere near repeating himself. That’s why you should make a point to show up tonight at Gritty City’s longtime live home, which is called The Richmonder instead of Emilio’s now but is still the same dope spot. Ant The Symbol’s gonna join with his Gritty City crew and a whole bunch of other talented rappers from Richmond and beyond to bring you the freshest new sounds this city has to offer, in the form of his new album. Don’t be left asking, “the what?” Show up tonight so you know the answer.

Thursday, November 21, 7 PM
Wild Pink, Addy, Recluse Raccoon, Beeline @ Poor Boys – $5
If you’ve been seeing the phrase “Prsmcat Presents” on a bunch of good shows lately, you’re not the only one — this new booking project from members of Majjin Boo has brought a cornucopia of excellent live music to the city over the past couple months, and established themselves as a name to look out for. This visit from Brooklyn’s own Wild Pink is just the latest positive result of Prsmcat’s efforts around town, many of which have involved the return of rad live sounds to the backroom stage at Poor Boys, the venue formerly known as Flora and, before that, Balliceaux. I can’t imagine anyone having any complaints about that.

Wild Pink are definitely worth spending a Thursday night in the aforementioned back room. On last year’s Yolk In The Fur, it’s clear why this trio dedicated their latest album to the memory of Tom Petty — that recently-departed heartland rocker is an obvious influence for Wild Pink, one they feed through a 21st century sensibility that evokes the best work by The War On Drugs. It’s smooth, comfortable, and ever-so-slightly melancholy, in a manner sure to evoke a sad smile of recognition. Wild Pink will be joined on this weekend-preview night at Poor Boys by some excellent local indie groups as well, foremost among them Recluse Raccoon. The results are sure to charm you.

Friday, November 22, 7:30 PM
Bonsai Trees, Dropping Ugly, Linden Row @ Garden Grove Brewing – Free!
Damn, y’all, I love it when this happens — when I’m poking through a list of bands, all of which I’m unfamiliar with, trying to find the makings of a killer show. I always find something good — this is Richmond, after all; we do live music RIGHT. But it’s rare that I am totally blown away by a band whose name I’ve never even heard before. However, Connecticut’s Bonsai Trees are that rare band.

This talented quartet’s recently-released Learn To Grow LP came out of nowhere to blindside me with its incredible collection of melodic, emotional alt-rock tunes. The more I listen to it, the more stoked I get. At this rate, I’ll be bouncing all over the room by the time they even take the Garden Grove stage Friday night. And whether you’ve heard them before or not, I pretty much guarantee that once they start playing, you’ll be just as over the moon as I am. The fact that their show is free and also features talented RVA combos Dropping Ugly and Linden Row merely sweetens the already-delicious pot. Is that how that particular cliche works? Oh, who cares. All I care about is you going to see Bonsai Trees Friday night. Seriously, do it.

Saturday, November 23, 8 PM
David Shultz, Nick Woods, Jonathan Vassar, Trey Burnart Hall @ Capital Ale House Music Hall – $8 (order tickets HERE)
By now, you’re probably used to seeing “singer-songwriter night” tagged onto certain performances that take place around this city, and you’ve come to expect certain things — talented solo performers who are for the most part just getting started with their musical careers, playing a selection of tunes you probably won’t have heard before but you just might love. This Saturday night show at Capital Ale House’s Richmond Music Hall could accurately be termed a singer-songwriter night as well, but if it were, it’d be a particularly stacked one, featuring as it does multiple Richmond musicians who’ve built decade-plus careers here in the river city.

Take David Shultz, for example. From his days fronting alt-country combo The Skyline to more recent solo acoustic outings and now some brand new tunes created with the assistance of multiple Spacebomb-affiliated creators (perhaps a harbinger of positive things to come?), Shultz has quite the track record going for him — and he’s clearly far from done as a creative musical force. His old pal Nick Woods is similar — once the Richmond-based frontman of indie-folk group Orioles, these days he’s making country-style acoustic music down in Nashville. And of course, Jonathan Vassar’s heartfelt folk-Americana sounds have been a constant here in Richmond for over 15 years now. Trey Burnart Hall is a relative newcomer by comparison, but he’s an incredibly talented one. If it’s a showcase for some of the most talented singer-songwriters this city’s ever produced that you crave, you’re in for a major treat at Capital Ale House this Saturday night.

Sunday, November 24, 6 PM
RVA Rap Elite Season Finale, feat. Team Radio (Radio B, Michael Millions, Cole Hicks, Cane, Intalek) vs Team Petey (Nickelus F, Big Sty, Easalio, Illa Styles, Fan Ran), Bravo vs. Chance Fischer, Big Sty, BlackLiq @ The Dark Room – $10
Battle rap is a strong tradition that dates back to the very dawn of hip hop, but it’s had its ups and downs over the decades. Freestyle battles between talented rappers are definitely on the upswing here in Richmond, though, and have been for the past few years, from the work of the Southpaw Battle Coalition to the star-studded presentations by RVA Rap Elite. This particular event constitutes the 2019 Season Finale for these events, which have relocated with the closing of Champion RVA to The Hofheimer Building’s Dark Room.

RVA Rap Elite majordomo Radio B is really pulling out all the stops for this last event of 2019, too — he and his AGM partner Nickelus F have each formed five-MC teams that will battle it out in a cypher sure to have faces melting and heads exploding all over the Hof. Between Radio B’s enlistment of heavy hitters Michael Millions, Cole Hicks, and more; and Nickelus F’s recruitment of Illa Styles, Fan Ran, and other world-class talents, it’s hard to predict who could prevail in this clash of the hip hop titans. Meanwhile, Bravo and Chance Fischer will strut their own stuff in a battle that’s guaranteed to showcase some devastating rhymes from these two top-level rhyme spitters. And of course, BlackLiq and Big Sty will each bring the fire with sets of their own. If you care at all about hip hop in RVA, you have got to make it out to this one — it really doesn’t get better.

Monday, November 25, 7 PM
Jimbo Mathus @ The Canal Club – $15 (order tickets HERE)
It’s entirely possible that right now, you’re thinking what I was thinking when I first saw this listing: “Jimbo Mathus… do I know who he is?” You almost certainly do, but chances are you know him better as the co-founder and leader of the Squirrel Nut Zippers than you do as a solo performer. Everyone remembers the Zippers from their late 90s hit, “Hell,” but that quick taste of success did them a disservice, as their old-time Dixieland jazz approach got them swept into the “swing revival” dustbin with the Cherry Poppin’ Daddies and old VHS copies of Swingers when the turn of the millennium rolled around.

Meanwhile, Jimbo Mathus was and remains a world-class talent with a wide-ranging creative sensibility that finds him dipping into the worlds of folk, blues, and Southern soul, as he’s proven with his 2019 solo album Incinerator — his fourth under his own name. The album sees him collaborate with former Zippers bandmate Andrew Bird, as well as Lily Hiatt and members of the Drive-By Truckers. The result isn’t that much like your memories of the Squirrel Nut Zippers, but it’s sure to be a hit with anyone who loves heartfelt American music created by truly unique characters that haven’t been homogenized by our country’s creeping suburban wasteland. That’s what you’ll get from Jimbo Mathus, and you’re going to love it.

Tuesday, November 26, 8 PM
La Dispute, Touche Amore, Empath @ The Broadberry – $25 (order tickets HERE)
One of the first articles I wrote for RVA Mag, nearly a decade ago, was about Touche Amore and Pianos Become The Teeth coming to town to perform. While La Dispute wasn’t part of that gig, they were, along with those other two bands, part of the loosely-aligned group known as The Wave. This was a cadre of half a dozen or so bands who formed an affiliation based on their mutual status as groups attempting to thread the needle between emo and hardcore at the dawn of the 2010s. Those groups have gone in a variety of musical directions since then — Pianos Become The Teeth have dropped the screaming and found a deep well of melodic emotion to draw from, Touche Amore have remained closely musically aligned to hardcore even as their exploration of deeply fraught lyrical content has cut ever closer to the bone.

As for La Dispute, 2019 has seen them sign to Epitaph Records and release their first LP in five years, Panorama. On it, vocalist Jordan Dreyer — always the most literarily inclined of The Wave’s songwriters — has gone deeper than ever into his novelistic inclinations, exploring his own emotional responses to trauma and tragedy in the lives of those he cares about over the course of the album’s 10 songs, even as the rest of the band generates dynamic compositions that move from quiet introspection to overwhelming crescendos in a matter of minutes. The result is an incredible musical journey that will have a powerful impact on all who witness it — especially in the live environment La Dispute will create at The Broadberry this Tuesday night. Let it impact you. Be there.

Elsewhere Around The State:

Friday, November 22, 6 PM
Femme Funk, feat. Shagwuf, Ships In The Night, Harli & The House of Jupiter, Dropping Julia, Marti @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
This Friday night in Charlottesville, The Southern Cafe will bring us the third annual celebration of C-ville’s showcase of femme musicians, Femme Funk. This year’s event is set to benefit Planned Parenthood of Charlottesville, and with the kind of peril reproductive rights and women’s health care face in Trump’s America, you’d be hard pressed to find a better cause than this one. Plus, you’ll get to hear a highly diverse set of sounds from Central Virginia performers of a feminine persuasion, and that’s always a joy.

It’s especially a joy when the evening is headlined by the unrestrained rock n’ roll passion of Shagwuf, whose blues-inflected alt-rock has been blowing minds around VA and beyond for quite a few years now. The evening will also feature as wide a variety of sounds as is possible to find in one room on one evening, from Harli & the House Of Jupiter’s powerful soul-punk fusion to Ships In The Night’s dark, ambient electronic sounds to the rootsy pop of Dropping Julia and the indie rocking of Marti. See how much femme artists have to offer the world of Virginia music and take a drive up 64 this Friday night for Femme Funk — you won’t be sorry.

Tuesday, November 26, 7:30 PM
Immortal Technique, GOOGZ @ Elevation27 (Virginia Beach) – $20-$25 (order tickets HERE)
If you’ve just been following the lists of new releases over the past eight years or so, you could be forgiven for thinking that Immortal Technique had retired from the hip hop game. We haven’t gotten any new music out of the most radical rapper in the game since his 2011 collection, The Martyr, and while he swears he’s still working on long-promised fifth album The Middle Passage, there’s no release date as yet. That’s all the more reason to head to Virginia Beach this Tuesday and see Immortal Technique murder the mic, live and in person.

While these days he’s probably better known for his radical left-wing politics due to multiple appearances on the shows of Joe Rogan and (uh) Alex Jones, Technique’s hip hop mixes those politics with some incredibly harsh lyrical content, leaving him somewhere between political rap and outright horrorcore — a dichotomy clearly visible in songs like “Point Of No Return” and “Dance With The Devil.” Regardless of whether you agree with everything Immortal Technique raps about (personally, I’ve never been a fan of his casual use of homophobic slurs), he’s an incredibly talented and provocative MC of the sort who doesn’t come around very often at all. So go see him, because there’s no telling when you’ll get the chance again.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Gumming, by Joey Wharton, via Twitter

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 2 – October 8

Marilyn Drew Necci | October 2, 2019

Topics: Acid King, Alice Clair, Blush Face, Capital Ale House Music Hall, Diavol Strain, Dumb Waiter, Erin McKeown, Ethanol, Exotica, Fallout, FM Skyline, gallery 5, Ghouli, Gull, Gumming, Haircut, Hardywood, Hotline TNT, Houdan The Mystic, Imelda Marcos, Jono Stewart, just friends, Ladada, Malimpliki, Mister Earthbound, Mojo's, Mudhoney, Operator Music Band, Pissed Jeans, SameStory, Save Face, shows you must see, Snake Mountain Revival, Spooky Cool, The Broadberry, The Bunker Brewpub, The Canal Club, The Sonder Bombs, The Southern Cafe, Thin Pigeon, Warish, Wizard Rifle

FEATURED SHOW
Monday, October 7, 7 PM
Mudhoney (Photo by Charles Peterson), Pissed Jeans, Gumming @ The Broadberry – $25 (order tickets HERE)
Our city is lucky this week, for we are being graced by the presence of grunge royalty. But if you listen to the typical 2019 discussion around the Seattle scene of the early 90s, you might not even know it. For some unfathomable reason, Mudhoney are often left out of the conversation — the most egregious recent example I can think of being after Chris Cornell passed away, when people kept saying “Eddie Vedder is the only singer from the grunge era left.” If I had a nickel for every time I had to tell someone “Mark Arm is still alive and well and touring with Mudhoney” during that whole cultural conversation, I could have cleaned up at dollar taco night.

So let’s set the record straight right now: Mudhoney are one of the primary progenitors of the Seattle sound of the early 90s. Frontman Mark Arm and lead guitarist Steve Turner had previously been in Green River, the other half of which went on to form Pearl Jam, and they got Mudhoney rolling in 1988 with the classic garage-grunge single “Touch Me I’m Sick.” When peers like Soundgarden, Nirvana, and Pearl Jam were signing to major labels and going big, Mudhoney were the last ones to stay faithful to Sub Pop Records, the label that kickstarted it all. And when they finally made the leap to Reprise in 1993, they never quite got the high profile that those other bands attained. If anything, it was because Mudhoney’s sound was too high-octane for the mainstream, a potent mix of garage-punk freakout and noise-blues howl.

But what Mudhoney lost in commercial popularity at the peak of grunge, they’ve more than made up over the years with sheer staying power. Having returned to Sub Pop for 2002 LP Since We’ve Become Translucent, they’ve cranked out four more raging slabs of classic Mudhoney gnarl, and just last week released an absolute burner of a seven-song EP entitled Morning In America. Over 30 years after their formation, they’re showing no signs of slowing down, and Richmond is highly privileged to have the Mudhoney train stop through at the Broadberry this Friday night to rock us in their time-honored fashion. The fact that Pennsylvania sludge-monster maniacs Pissed Jeans and local noise-punk heroes Gumming are also on the bill is a nice bonus treat, but really, it’s all about Mudhoney. Come out to the Broadberry Monday night and get muddy.

Wednesday, October 2, 7 PM
Acid King, Wizard Rifle, Warish @ Capital Ale House Music Hall – $18 in advance/$20 day of show (Order tickets HERE)
Back in the heady days of the mid-90s, if you wanted to be at the forefront of the still-building wave that was the stoner/doom metal scene, you had to be aware of Man’s Ruin Records. The label of legendary Bay Area poster artist Frank Kozik, it’s best remembered today for some of the earliest releases by Queens Of The Stone Age. But that most accessible of stoner groove bands is only the tip of the iceberg. People who knew what was up also picked up on classic releases — many in the 10-inch vinyl format — by bands like Electric Wizard, Orange Goblin, Iron Monkey, and Richmond’s own Alabama Thunderpussy (whose debut LP was a Man’s Ruin release).

Acid King were one of those treasures discovered by Man’s Ruin fans back in the 90s, and unlike Man’s Ruin itself, which folded in the early 00s, Acid King are still going strong over 20 years later. Their current tour is in celebration of their second LP, Busse Woods, released two decades ago and full of the witchy psychedelic doom metal that is Acid King’s stock in trade. Pairing frontwoman Lori S.’s ethereal vocals with absolutely punishing sludge riffs, Acid King created a template that was undoubtedly inspirational for bands like Windhand, and are still dishing it out at peak efficiency after all these years. Come to this one prepared for some slow-motion headbangs — Acid King will not let you down.

Thursday, October 3, 7 PM
Operator Music Band, FM Skyline, Houdan The Mystic, Ethanol @ Gallery 5 – $10
If you enjoy doing shuffle-footed dances to bouncy retro electro-pop, this show is certainly one that will please you. Operator Music Band have a strange name and even stranger haircuts, which are sure to make you wonder how seriously you’re supposed to take them (OK, it makes ME wonder that). However, one listen to their brand new LP Duo Duo is enough to demonstrate that this band is no joke.

Mixing some excellent beat-driven space age bachelor pad vibes in with catchy upbeat tunes that feature the slightest edge of postpunk darkness, mostly covered in dayglo, gives Operator Music Band a certain Stereolab resemblance. But Stereolab never got you dancing quite like this band does, and all of the strange and wonderful trappings ultimately act in service to the hypnotic motorik beat. Wear your dancing shoes for this one — they’re gonna get a workout.

Friday, October 4, 9 PM
Diavol Strain, Thin Pigeon, SameStory @ Fallout – $10
October is only just getting started, but things are always spooky down at Fallout, Shockoe Bottom’s legendary members-only goth fetish club, so I suppose the fact that we still have weeks left before Halloween isn’t really a factor in how dark and occult things get down there on any given weekend. Case in point: this show, featuring Chilean postpunk/darkwave duo Diavol Strain. This non-binary/feminist band brings exactly the sort of terror to Fallout that bands like Siouxsie And the Banshees were bringing to the UK in the early 80s, only with a much stronger political consciousness that’s sure to appeal to the feminist punks who favor heavy eyeliner and black nail polish.

Coming to us all the way from South America, this group’s unique take on the moody synth atmospheres, spectral bass guitar melodies, foreboding vocals, and pounding programmed drums of darkwave stands out as particularly skilled on their 2018 LP, Todo el Caos Habita Aqui (“all the chaos lives here”). The fact that they’re taking the gloom-enshrouded stage at Fallout on a rare weekend night open to non-members makes this a particular treat for all the goth babes out there, non-binary and otherwise. Float on down to Shockoe Bottom Friday night and let’s get spooky. Every day is Halloween.

Saturday, October 5, 6 PM
Blush Face, Gull, Spooky Cool @ Hardywood – Free!
It’s been a couple of years since power-pop/indie-rock combo Blush Face wowed the river city with their debut full-length, What Do You Want?, but they’ve hardly been lazy in the intervening months. If you need proof of that, look no further than the fact that this free Saturday night show at Hardywood is their 100th! Our sincere congratulations to Blush Face, from whom we look forward to many more.

As we reported in the Studio News column in RVA Mag #37, we can expect some new material from Blush Face soon as well — they’ve recently been in the studio with Mitch Clem (Fight Cloud) and Tim Falen (Piranha Rama), crafting a full-length follow-up to What Do You Want? that singer-guitarist-chief songwriter Allie Smith promises should feature not only a new dose of their catchy songs but even some string-section augmentation! Get a preview of all that, as well as a dose of the songs we all know and love, from Blush Face this Saturday night — for the hundredth time! Still not enough for us, by any means. Gull and Spooky Cool will be along for this excellent musical free ride. Don’t be left at the station.

Sunday, October 6, 8 PM
Exotica, Malimpliki, Haircut, Ghouli @ Mojo’s – $8-10 donation
“Exotica” is a musical term that was thrown around a lot in the mid-20th century, but if you show up to Mojo’s this Sunday night expecting some of Martin Denny’s ersatz tropicalia, you’re going to be in for a big surprise. The Exotica that’s coming to Mojo’s is a raging bilingual punk band from New York, whose three releases thus far have all been volumes in their ongoing series of wild, frenetic assaults known as Musique Exotique.

While they definitely hew closely to the sort of old-school punk assault you’d expect from bands using the sort of severe black and white cover art Exotica favor, the spirit of their name does come through in the undeniably chaotic undertones of their songs, which often feature unusual instruments working seemingly at cross purposes to the roaring noise overtop. It all comes together in fine fashion, though, and hits all the harder because of that. Exotica comes to us in the company of Malimpliki, a more stripped-down hardcore punk band hailing from Japan and singing in Esperanto, if online reports are to be believed — it all just sounds like furious screaming to me. Local ragers Haircut and Ghouli are on board to make this one even more wild and wooly. This show’s gonna bowl you over with fury from beginning to end, and you’re going to enjoy it. That’s an order.

Monday, October 7, 6:30 PM
Just Friends, Save Face, The Sonder Bombs, Hotline TNT @ The Canal Club – $13 (order tickets HERE)
Oh shit, y’all — ska-punk is officially back. If you go by what Cali 10-piece (I like to use the number words, but past “octet” I’m kinda lost. Is a 10-piece a “dectet”? That sounds vaguely dirty) Just Friends will tell you, though, they’re funk punk, but anyone else who survived the early-90s post-Nirvana alt-rock explosion knows that “funk-punk” is what you call the Red Hot Chili Peppers and Fishbone. What I hear when I check out Just Friends singles like “Supersonic” and “Stupid” is straight-up ska-punk, and not even the speedy and politically-informed sounds of Operation Ivy or even the early Mighty Mighty Bosstones. No, to understand Just Friends, you’ll need to think more along the lines of Voodoo Glow Skulls and Save Ferris mixed with goofy pop like Len’s “If You Steal My Sunshine” or even the outright joke-band sound of Bloodhound Gang.

None of which is to say that this stuff doesn’t rule; we all need a chance to turn off our brains and just dance like idiots every now and then, and this Monday night at the Canal Club, Pure Noise recording artists Just Friends will be providing exactly that kind of opportunity. They’ll be joined on this trip through RVA by some more straightforward sounds, primarily those of Beatlesque emo-punks Save Face, whose full-length debut, Merci, was released by the almighty Epitaph Records last year. Ohio jangle-pop quartet the Sonder Bombs, who apparently named themselves after the realization that other people have complicated lives too, will make this bill that much sweeter and more special, as Minneapolis trio Hotline TNT kick things off with some shoegaze-grunge-punk awesomeness. This one’s gonna be outstanding.

Tuesday, October 8, 7 PM
Gull, Imelda Marcos, Dumb Waiter, Jono Stewart @ Gallery 5 – $5
The band Imelda Marcos hails from Chicago, not the Philippines, and one would assume they have a much smaller shoe collection than that of their namesake (the wife of a dictator who was deposed in the mid-80s). However, what they lack in flashy footwear is more than made up for by their extravagant collection of riffs, which they roll out spectacularly on latest full-length Tatlo, released on cassette earlier this year.

Imelda Marcos’s guitar-drum instrumentals are the sort sure to please people who loved early Hella, back when they too were a duo that just blasted out tangled, noisy collections of riffs backed by complex, hard-driving beats. There’s some Crom-Tech and some some Lightning Bolt lurking in this band’s DNA as well, but their slices of fascinating instrumental chaos are, at the end of the day, entirely their own. It makes them a perfect pairing with local Richmond talents Gull, that one-man machine of beautiful indescribable noise, and Dumb Waiter, that four-man orchestra of jazz-metal chaos. This show will bring you more RPM (riffs per minute) than any other show happening this week — maybe this entire year. Get on board.

Elsewhere Around The State:

Friday, October 4, 8 PM
Snake Mountain Revival, Ladada, Mister Earthbound @ The Bunker Brewpub (Virginia Beach) – $5 in advance/$8 day of show (order tickets HERE)
Things are getting psychedelic down in Virginia Beach, as Snake Mountain Revival prepares to release the follow-up to last year’s self-titled debut EP. We haven’t been able to get a listen to the new EP, which is entitled Valley Of Madness, but if it’s anything like the sort of witchy desert acid-trip jangle they unleashed on their debut, it’s sure to be excellent.

Lots of bands over the years have engaged in astral travels using vehicles that are lysergic in nature, but it’s a bit rarer to find a band that plumbs the depths of the mind’s spookiest corners the way Snake Mountain Revival does. If you ever wished the “killer on the road” verse of “Riders On The Storm” by The Doors hit as hard as Gun Club or The Wipers, these guys are sure to delight you. So come celebrate a new dose of not quite metal, not quite punk, but certainly heavy psych sounds from this killer VA Beach trio. It’ll be worth the drive — even if you are still seeing trails on your way back.

Sunday, October 6, 6 PM
Erin McKeown, Alice Clair @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
As musicians go, Erin McKeown is not the easiest to categorize — she mixes folk and country with pop, jazz, and rock n’ roll in a way that makes every new tune a bit of an adventure. But after 20 years in the business, she’s built up quite a solid track record of making unique, entertaining music that’s sure to put a smile on your face. Even when you can’t quite determine what genre each individual song belongs in.

McKeown, who originally hails from Fredericksburg and now makes her home in Massachusetts, most recently released 2017 EP Mirrors Break Back, but has also been busy over the past couple of years with Miss You Like Hell, a musical about family, road trips, and the struggles of undocumented immigrants that she wrote with acclaimed playwright Quiara Alegria Hudes. There’s a certain kind of fun you can expect from a performance by any artist who has written a musical, and Erin McKeown will bring plenty of that kind of fun, plus a bag full of excellent tunes from any and all genres you can think of, to Charlottesville’s Southern Cafe this Sunday night. It’s gonna be a fine way to wrap up your weekend.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 5 – June 11

Marilyn Drew Necci | June 5, 2019

Topics: Angel Dust, Asylum 213, Bandito's, Berries, Big Gorgeous, Broken Beaches, Brown's Island, Cardinal, Cary Street Cafe, Charlie's American Cafe, Colder Planets, Colin Phils, Comrades, Cuzco, Dave Watkins, Deli Kings, Doll Baby, Dumb Waiter, Eaves, evolv, F.R.E.E., feat. MAP Quintet, Firehouse Theatre, Founding Fathers, friday cheers, gallery 5, Gel, Ghost Piss, Glitterer, Gouge Away, Gull, Gumming, Honor Code, ING, Invalids, Kore Rozzik, Ladada, Larrabee/Millner Duo, Mingus Awareness Project, Nervous System, New Turks, Nita Strauss, Piranha Rama, POST RVA Fest, Post Sixty Five, Raging Nathans, Raise Hell Over The Summer, Retrosphere, ROC KANDI, Saint Mingus, shows you must see, shy low, Smoke Break, Spooky Cool, Street Weapon, Talk Me Off, THE BBC, The Broadberry, The Camel, The Canal Club, The Teskey Brothers, The War And Treaty, Toast, Truth Cult, Unity Fight, way shape or form

FEATURED SHOW
Saturday, June 8, 7 PM
New Turks (Photo by Sarmistha Talukdar), Gumming, Deli Kings, Ghost Piss, F.R.E.E., ing @ Gallery 5 – $5 in advance/$10 day of show (order tickets HERE)
The arrival of Raw Mom Presents on the Richmond live music scene has made me really happy, mainly because it allows my old pal Rivanna Youngpool to put her personal stamp on some of the shows she puts on at Gallery 5. Years ago, when we were roommates, Rivanna worked hard to make the shows she booked in our living room safe, welcoming, and fun, and to keep the emphasis on community and friendship. Now that she’s booking at a real venue, it’s nice to see her keeping the vibe alive with an awesome all-local show to celebrate her birthday.

As befitting any birthday party, this one is full of friends, and the headliners in particular are two long-lost friends you’ll all want to see. Heavy bass-drum duo New Turks rocked the hell out of Richmond during their four years of existence, but Ethan and Lou stopped making music together back in 2015, and other than one reunion gig a year later, they haven’t done a thing since. But just for old times’ sake, they will be returning for one night only this Saturday night to headline this show, and that’s a birthday gift not just for Rivanna but for the whole city. You won’t want to miss this one, because who knows if — not when, IF — they’ll ever do it again.

The fun doesn’t stop there, as this gig features a highly varied lineup sure to keep your attention throughout the night. Deli Kings have got that Southern-style garage rock on lock, and Ing keep things eclectic and melodic with some charming lo-fi pop. Former Richmonder and eternal friend River Allen will be back in town for the evening with her haunting electro-ambient project, Ghost Piss, and I can’t seem to figure anything out about F.R.E.E. except that they are neither a reformed version of Have Heart nor that British band who sang “All Right Now.” But with the rest of the bill looking so great, this one is worth taking a chance on. Plus, advance tickets are literally 50% cheaper than the price at the door, so mark your calendar, make your plans, and hit that ticket link now!

Wednesday, June 5, 9 PM
Founding Fathers, Big Gorgeous, Asylum 213 @ Cary Street Cafe – $10
I’ve heard a lot of synth-based bands over the years, and one thing I can say for sure is that the studio recordings by the majority of them give you no idea what the band could possibly sound like live. That’s why it’s always refreshing to run across a band that is both synth-heavy and manages to sound on its records like an actual band playing their songs as a unit. Ohio band Founding Fathers, who place the emphasis on synthesizers and programmed beats but also incorporate guitars and live drums into their sound, totally pull this off on their 2018 LP, Mating Rites, and that’s a big part of why I think you should go see them tonight at Cary Street Cafe.

The music reminds me somewhat of Future Islands, another synth-based band that works particularly well as a live act, and there are also hints of upbeat early-00s bands like Bloc Party and Franz Ferdinand in there. It all adds up to a rocking band that’ll keep you dancing throughout the evening — and the world could definitely use more of those, so come out tonight and get familiar with the Founding Fathers. While you’re at it, check out the ridiculously fun synth-metal antics of California’s Big Gorgeous, who’ll give you even more reason to dance around with a big grin on your face. This one’s gonna rule.

Thursday, June 6, 9 PM
Raging Nathans, Smoke Break, Talk Me Off @ Bandito’s – Free!
Raging Nathans are a band out of time. This band from Dayton Ohio, who are probably tired of hearing about Guided By Voices, have a sound that is in its own way just as anachronistic as that of GBV themselves — only instead of harking back to some alternate-universe lo-fi garage-psych past, Raging Nathans will make any of you old-timers who were there the first time around think of pop-punk’s mid-90s heyday. Post-y2k pop-punk tends to follow in the gruffer footsteps of bands like Hot Water Music and Dillinger Four, but on last year’s Cheap Fame LP, Raging Nathans bypass all that for some good old Lookout!/Fat Wreck sounds that, while I wasn’t looking, seemingly became part of a bygone era.

This Bandito’s show is the perfect opportunity for all of us to bring that era back, at least in our own hearts. The fact that the Raging Nathans have released splits with both The Parasites and Jon Cougar Concentration Camp in the past year should let you know that they’re on board. And they’ll have you pogoing up a storm when they hit the stage on Thursday night. They’ll be joined by one of Richmond’s great slacker melodic-punk bands, Smoke Break, who may not play another show for six months, so you better get there. And of course, Talk Me Off opens up with a snottier brand of punk, mostly without the pop, to remind us all of our angry teenage days. It’s gonna be a whole lot of fun.

Friday, June 7, 6 PM
The War And Treaty, The Teskey Brothers @ Friday Cheers at Brown’s Island – $10 (order tickets HERE)
Usually you can expect the bands who play Friday Cheers to be pretty familiar, so I was surprised to see a name I didn’t know on the schedule this week: The War And Treaty. I’m glad I dug in, though, because this musical group is one of the most interesting that’s come to my attention recently. Specifically, The War And Treaty is a husband-and-wife duo, Michael and Tanya Trotter, who sing together while Michael plays piano and a variety of other musicians add color and depth to their exuberant, soulful songs.

The result, born from Michael’s difficult experiences growing up impoverished and joining the military just in time for the Iraq war, is a sound that taps into blues, R&B, folk, gospel, country, and a ton of other American sounds. On their debut album, Healing Tide, Michael and Tanya sing together to chase away the darkness and create a musical force more powerful than any trauma. They pull it off flawlessly, and they’re sure to uplift all of Brown’s Island this Friday night when they take that Friday Cheers stage and make this whole city their own. Be there ready to sing along — this kind of healing is exactly what we all need.

Saturday, June 8, 3 PM
POST RVA Fest, feat. Comrades, Invalids, Gull, Shy Low, Colin Phils, Dumb Waiter, evolv, Spooky Cool, Cuzco, Post Sixty Five, Eaves, Cardinal, Way Shape Or Form, Dave Watkins, Colder Planets @ The Broadberry – $12 – $18 (order tickets HERE)
Here’s an impressive effort that’s starting out the right way. Spearheaded by Richmond-via-Korea band Colin Phils, the first ever POST RVA Fest will take over the Broadberry for a full nine hours of music this Saturday. Rather than going too big and biting off more than they can chew (something I know all about), the organizers of POST RVA Fest have mostly stuck with local groups in pulling together this 15-band showcase sure to appeal to anyone who digs epic instrumental post-rock, jazzy technical math-rock, melodic progressive metal, complex guitar-driven indie, and everything in-between — which covers a good deal more ground than you might expect.

Just look at this bill, which is topped by peripatetic former locals Comrades, a heavy trio who combine metalcore, post-rock, emo, indie, and a whole bunch of other genres into their unique, driving sound. New Jersey’s Invalids, by contrast, dish out hyperspeed math-rock with emphasis on guitar and drum pyrotechnics that’ll have the gear nerds in the audience watching very closely. There are a ton of other amazing bands, mostly from the Richmond area, on the bill, from Gull’s indescribable one-man sonic creations and Cardinal’s gorgeously complex indie-math-rock to Dumb Waiter’s freaky instrumental jazz-metal and Shy Low’s Mogwai-style moving instrumental epics. There’s so much here, for such a cheap ticket price, and if it all comes together perfectly, it may just be able to draw a loose, disparate group of musically similar local musicians into an actual scene. What could be a greater goal for a show than that? Get your ticket and be a part of it. You won’t be sorry.

Sunday, June 9, 7:30 PM
Mingus Awareness Project, feat. MAP Quintet, Larrabee/Millner Duo, Saint Mingus @ Firehouse Theatre – $15 in advance/$20 day of show/$10 for students (order tickets HERE)
This Sunday, if you want to both support a great cause and hear some amazing music you won’t hear anywhere else, then the only place you need to go is Firehouse Theatre. There, you’ll find local jazz-rock drum legend Brian Jones putting on the 12th edition of his yearly Mingus Awareness Project concerts, which exist to bring attention and support to the cause of curing ALS, the deadly incurable disease that took the life of bass legend Charles Mingus back in 1979. And as part of this charitable goal, Jones will be joining together with a variety of confederates from around the Richmond jazz scene to pay unique tribute to the phenomenal masterpieces of the one and only Mingus.

This time around, those tributes will take three forms, beginning with the MAP Quintet, which matches Jones up with his longtime collaborator, saxophonist JC Kuhl, as well as Virginia jazz powerhouses John D’earth on trumpet, Mike Hawkins on bass, and Calvin Brown (aka Calvin Presents) on piano. Then we’ll get a performance from the electric-guitar duo of Adam Larrabee and Jamal Millner, as well as a quintet known as Saint Mingus, which will match Jones with Richmond jazz ambassador Reggie Pace as well as Suzi Fischer (The Big Payback), Giustino Riccio (Bio Ritmo), and Stefan Demetriadis (No BS! Brass). Such an incredibly talented conglomeration of musicians is sure to do justice to Charles Mingus’s incredible compositions, and you’re going to want to be there to see them do it. Donating to a good cause is just the icing on the cake.

Monday, June 10, 7 PM
Angel Dust, Gouge Away, Glitterer, Truth Cult @ The Camel – $15 (order tickets HERE)
One thing I’ve learned from my years in the hardcore scene is that, as long as you put a few years into playing hardcore music, the kids will follow you to whatever new thing you do, regardless of how it sounds. Angel Dust is a perfect case in point: while this band features members of Trapped Under Ice, Turnstile, and Mindset, you’d be totally incorrect to expect anything hard or heavy from their brand-new album, Pretty Buff. Instead, this album finds the quintet of tough boys showing their sensitive side and, indeed, getting downright upbeat. And that’s not to mention the predominantly-acoustic guitar sound.

All told, Angel Dust’s upbeat sound has led to comparisons with groups like the Lemonheads or early Green Day. But despite all that, it’s done nothing to chase the hardcore faithful away — and one listen to Pretty Buff is enough to see why. These guys are every bit as good at lovelorn melodies as they are at hard n’ heavy mosh-pit anthems. So why not celebrate all of it equally? Join all the HC kids Monday night in doing exactly that at The Camel. And while you’re at it, enjoy what’s sure to be an incredible set from raging hardcore-punk quartet Gouge Away, who will deliver every bit of vitriol you might have expected from Angel Dust and then some. The bill will also feature Title Fight frontman Ned Russin’s electronic side project, Glitterer, and the killer up-and-coming sounds of Baltimore’s Truth Cult, a decidedly Swiz-ish group featuring members of Give, Red Death, and more. Every second of this is sure to be outstanding.

Tuesday, June 11, 6 PM
Nita Strauss, Kore Rozzik, THE BBC, Roc Kandi, Retrosphere @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
Maybe it’s only because I came up in the late 80s era of hair metal’s world domination (OK, yeah, that’s probably it), but I just love some really ridiculous over the top metal shredding. And as much as I enjoy this kind of thing from veteran masters of the field — Yngwie Malmsteen, Steve Vai, you know the ones — it makes me way happier to see someone younger carrying on the tradition. And a woman, at that! Nita Strauss first grabbed attention with her string-bending star turn in all-female Iron Maiden tribute act The Iron Maidens, but she’s since graduated to all sorts of original work, from joining Alice Cooper’s touring band to scoring video games like Metal Gear Rising: Revengeance.

Now she’s gone out on her own, releasing her debut solo album, Controlled Chaos, last year and hitting the road on a headlining tour to support it. Keeping with the tradition of shredders past such as Steve Vai and Joe Satriani, Strauss forgoes vocals for this album’s anthems, instead using her multilayered melodic leads as color and giving the album’s many headbanging riffs more than sufficient texture to keep you smiling and thrashing along. You can do that exact thing at the Canal Club Tuesday night when Strauss’s headlining set caps off a night full of shred-tastic adventures. Notorious NYC metal maniacs Kore Rozzik will provide plenty of those, along with several killer locals. Get ready for some serious thrash, y’all — because it’s happening.

Elsewhere around the state:

Friday, June 7, 7 PM
Gel, Honor Code, Nervous System, Street Weapon, Unity Fight @ Charlie’s American Cafe – $5
For all you diehards who might be feeling a little deprived by Angel Dust’s relentlessly upbeat post-hardcore melodies, rest assured we’ve still got plenty of straight-ahead no-frills hardcore for ya, and — unsurprisingly enough — it’s happening this Friday night in Norfolk. Gel, a recently formed New Jersey band who have only a demo to their name, are coming to town to tear it up. The demo’s five songs blow by incredibly fast, and are full of sloppy, out-of-control hardcore riffage with a decidedly maniacal edge. This band seems like a prime candidate for an absolutely explosive live performance, and you’re gonna want to be there to see it go down.

Down in the Hampton Roads area, Honor Code are sure to draw just as much attention as the New Jersey headliners — after all, this is their first show in nearly two years. Does that mean this 82-style old school VBHC combo has returned to full time action? Maybe, maybe not, but it does mean you’ll have one more chance to circle pit to their legendarily primitive hardcore tuneage — and that’s sure to be a blast. The show will also feature local NFKHC up-and-comers Nervous System, as well as brand-new VB bands Street Weapon and Unity Fight, both of whom have names that sound suspiciously randomly generated. However, we can guarantee that both are entirely made up of real flesh-and-blood humans. Pure organic hardcore, coming right up.

Saturday, June 8, 5 PM
LAVA Presents GRILLED OUT, feat. Ladada, Berries, Piranha Rama, Broken Beaches, Doll Baby, Raise Hell Over The Summer @ Toast – $10 in advance/$14 day of show (order tickets HERE)
Memorial Day has come and gone, and at least in Virginia, that means summer has arrived, y’all. And what better way to spend a sunny summer evening than grillin’ out and chillin’ out with some great tunes? This weekend, LAVA Presents has you covered on both of those scores, as their Saturday evening GRILLED OUT fest will find the Tidewater-area promotional crew hanging out in the Toast parking lot, joined by Handsome Biscuit burgers, Smartmouth Beer, and a whole conglomeration of excellent Virginia musicians.

Ladada are at the top of the bill, and this Norfolk indie group has just the tunes you need for a summer afternoon cookout — they even put a guy floating down a river with a red solo cup in hand on the cover of their recent LP, Heaven On The Rocks, so you know they’ve got the right idea. The day will also feature delicious indie-pop sounds from VB group Berries, excellently named New York indie-rockers Raise Hell Over The Summer, and some rad RVA sounds from local faves Piranha Rama and Doll Baby. You Richmonders might want to get a crew and roll down with a carful — especially since the tickets are cheaper if you buy them at the group rate! Grab some burgers, rock out to some tunes, and enjoy the summer — it’ll be gone before you know it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

The 40 Most Essential RVA Albums Of 2018 (Part 1)

Marilyn Drew Necci | December 31, 2018

Topics: 2018 in Review, Andy Jenkins, Ant The Symbol, Bad Magic, Cole Hicks, Cruelsifix, Essential Albums of 2018, Fly Anakin, Gumming, Kenneka Cook, Large Margin, Lipid, Love Roses, Lucy Dacus, Manatree, McKinley Dixon, Michael Millions, Nickelus F, Ohbliv, Ostraca, Saw Black, Scott Clark, The Ar-Kaics, The Donalds

Richmond’s always been a great city for music, and that didn’t change one iota in 2018. If anything, it became a bit overwhelming — indeed, even the most comprehensively-minded local music nerd was likely to overlook a few things. While putting this list together, I found a few that I overlooked myself — and I’m sure you will as well.

This list features our best shot at the most essential and noteworthy albums that our city birthed this year, from any and all genres. Since so many different genres and scenes are thriving in this town, we had to include 40 just to feel like we weren’t leaving anything crucial out. And let’s be real — we probably still didn’t catch everything. The best advice we could possibly give you about following this town’s vibrant musical community is this: always dig deeper. Your new favorite record might be right around the corner.

These 40 albums are a good place to start. Today, we’re presenting the first 20 — in alphabetical order by artist name, so it doesn’t seem like we’re playing favorites. We’ll have the other 20 for you tomorrow. Happy listening!

<a href="http://grittycityrecords.bandcamp.com/album/the-motions">The Motions by Ant The Symbol</a>

Ant The Symbol – The Motions (Gritty City)
Over the past decade or so, Ant The Symbol has consistently remained one of the most talented producers in Richmond hip hop. His layered beats are jazzy, funky, and have a lot of emotion built into them, and it’s always interesting to see what rappers do with them. The Motions is full of classic grooves that both present a smorgasbord of Richmond MCs in the best possible light and make clear that, as always, Ant’s beats are the star of the show.

<a href="http://thear-kaics.bandcamp.com/album/in-this-time">In This Time by The Ar-Kaics</a>

The Ar-Kaics – In This Time (Daptone)
This retro-garage heads return to the spotlight after a year or two of woodshedding with a new LP that is a must for the Nehru-jacketed 60s nerds who sleep with the Nuggets box sets under their pillow. That can’t be comfortable, so maybe this 21st century slab of meat-and-potatoes rock n’ roll can help y’all sleep better. Then again, these songs are so full of fun, snotty energy, there’s no way you’re gonna sleep at all with this record on the turntable. Just get up and dance.

<a href="http://badmagic.bandcamp.com/album/what-s-wrong-with-my-eyes">what’s wrong with my eyes? by BAD MAGIC</a>

Bad Magic – What’s Wrong With My Eyes (badmagic.bandcamp.com)
This union of three talented RVA music veterans (Julie Karr, Tim Falen, Jimmy Held) produces music that seems to split the difference between their various musical backgrounds (in everything from folk to grunge to post-hardcore) and bring us the best possible distillation of heartfelt, driving, melodic rock music. Vaguely psychedelic and obviously descended from punk rock in at least a spiritual fashion, this album gives us a glimpse at what ruled the university-station airwaves before Nirvana came along.

<a href="http://sawblack.bandcamp.com/album/water-tower">Water Tower by Saw Black</a>

Saw Black – Water Tower (Crystal Pistol)
This supremely laid-back album comes to us from one of RVA’s foremost purveyors of country-Americana slackness, and has some downright beautiful moments that’ll shine bright for fans of artists like Sturgill Simpson or the Drive-By Truckers. You could probably also play it for your uncle who thinks music has sucked since Garth Brooks, or to expand the horizons of your little cousin who only knows about bro-country. But really, you should probably play it while you’re relaxing on the front porch on a Saturday afternoon with a cold beverage in your hand. That’s when it sounds best.

<a href="http://scottwclark.bandcamp.com/album/tonow">ToNow by ScottClark</a>

Scott Clark – ToNow (Clean Feed)
Drummer Scott Clark is a leader in the mostly-overlooked world of RVA jazz, and with his recent work, he’s made quite an impression beyond our city’s borders as well. Clark’s been tapping into his Native American heritage for his recent full-length works, and that continues with ToNow. This album is a contribution to the ongoing protest movement in Standing Rock, in the form of a musical clarion call, an ambient yet intense musical exploration featuring some of the leading lights in Richmond’s jazz scene. Immerse yourself.

<a href="http://kennekacook.bandcamp.com/album/moonchild">Moonchild by Kenneka Cook</a>

Kenneka Cook – Moonchild (American Paradox)
2018 was Kenneka Cook’s year. This singer with the powerful, hypnotic voice put the entirety of Richmond under her spell, and Moonchild was the way she did it. The songs on this album move back and forth between soulful, jazzy R&B ensemble pieces featuring a bevy of talented local backing musicians and intriguing solo pieces constructed from electronic beats, synth hums, and massive stacks of multi-layered vocal loops, all constructed by Cook herself with electronic sequencing tools. It’s hard to say which of these two aspects of her music are more pleasing — in the end, it’s probably the combination of the two that gets best results.

<a href="http://cruelsifix.bandcamp.com/album/dark-snake">Dark Snake by Cruelsifix</a>

Cruelsifix – Dark Snake (cruelsifix.bandcamp.com)
RVA metal is alive, well, and raging as ever. Cruelsifix finds some leading lights from the local scene coming together to fill their downtime with yet another rip-roaring contribution to the local metal landscape. They made their mark this year with a six-song debut EP that shows off their thrashing blackened death metal sound, and, with song titles like “Rabid Christ” and “Satan Earth Fuck,” makes clear that they aren’t just kidding around with the whole evil-as-hell-name move. Bang your head.

Lucy Dacus – Historian (Matador)
Certainly the RVA album of 2018 that got the most attention outside RVA, singer-songwriter Lucy Dacus has gone from house show sensation to international bright young thing in the space of two years, and has given us all yet another reason to be proud of our hometown. Dacus’s gorgeous, heartfelt tunes — which pair her smooth, beautiful voice with powerful melodies driven by a surprisingly tough rhythm section — took a leap beyond her already-assured debut album on Historian. Kudos to her.

<a href="http://citruscityrecords.bandcamp.com/album/the-importance-of-self-belief">The Importance Of Self Belief by McKinley Dixon</a>

McKinley Dixon – The Importance Of Self Belief (Citrus City)
In a city with a variety of different hip hop movements taking place, McKinley Dixon exists in a class by himself. He simultaneously brings a multitude of talented friends of various musical backgrounds together to take his music to a higher plane, and remains committed to first principles: those being strong rhymes, powerful beats, and most importantly something real to say. Even as he’s telling hard truths about oppression and struggles, he’s also uplifting your spirit with positive messages — look no further than the title track.

<a href="http://mutantacademyrva.bandcamp.com/album/backyard-boogie">Backyard Boogie by Fly Anakin & Ohbliv</a>

Fly Anakin & Ohbliv – Backyard Boogie (Mutant Academy)
Fly Anakin has been on fire lately, working hard to get himself and his crew, Mutant Academy, established in RVA and beyond. You can hear how much energy he’s bringing to the struggle in the hyperkinetic rhymes he spits on this album, which zap your ears with their sharpness even as they leave Anakin himself gasping for breath. Celebrated production legend Ohbliv contributes all of the production here, bringing a unified feel and a deep mood to Backyard Boogie, and providing a much-needed contrast with Fly Anakin’s manic intensity.

<a href="http://gumming.bandcamp.com/album/human-values">HUMAN VALUES by Gumming</a>

Gumming – Human Values (gumming.bandcamp.com)
The name of this group always makes me think of nursing home residents mashing down soft foods without benefit of dentures, but if you turn your back, rest assured, Gumming will show you just how much bite they’ve got. Human Values is a wall of angry noise that splits the difference between experimental psychedelic weirdness and pure punk rage, like the Butthole Surfers if they were fronted by X-Ray Spex’s Poly Styrene. Oh values, up yours.

<a href="http://colehicksva.bandcamp.com/album/may-day">MAY DAY by Cole Hicks</a>

Cole Hicks – May Day (colehicksva.bandcamp.com)
No one really wants to talk about this, but the fact is that hip hop tends to be a very masculine genre. It’s rare to hear a female MC spitting rhymes at all, let alone one that can stand toe-to-toe with the best in the game. On May Day, Richmond’s Cole Hicks adds her name to that list, contributing one of the best albums to come out of the genre in RVA this year and landing a top spot in what was already a banner year for Richmond hip hop albums. The beats hit hard, her rhymes hit harder, and her lyrical flow is unmatched, so quit tripping and start bumping May Day now.

<a href="http://andyjenkins.bandcamp.com/album/sweet-bunch">Sweet Bunch by Andy Jenkins</a>

Andy Jenkins – Sweet Bunch (Spacebomb)
Kinda country, kinda indie, and very Southern — that’s local singer-songwriter Andy Jenkins in a nutshell. The latest overnight sensation from the world of Spacebomb Records, Jenkins’s debut full-length, Sweet Bunch, has a laid-back, smoothly rolling feel that’ll put you in the frame of mind to rock contentedly in a porch swing as the lazy river rolls by. Some moments hit upon a sort of pastoral Van Morrison-ish feel, while others bust out the sunbaked twang of the Bakersfield sound. All of it is easy to enjoy.

<a href="http://largemargin.bandcamp.com/album/large-margin">Large Margin by Large Margin</a>

Large Margin – Large Margin (largemargin.bandcamp.com)
Anyone who caught Brief Lives when they were around is bound to have thought the same thing I did — “that guitarist really goes off!” Brief Lives is gone, but the guitarist in question, Chris Compton, has moved on to becoming the frontman for Large Margin, joining up with a variety of local post-hardcore luminaries to exhume the spirit of Fugazi’s classic early 90s work and infuse it with a massive amount of frantic energy and 21st century political fury. One listen to this LP and you’ll want to rock out as hard as Compton does onstage.

<a href="http://vinylconflict.bandcamp.com/album/freak-beat">Freak Beat by Lipid</a>

Lipid – Freak Beat (Vinyl Conflict)
The growth of out-and-proud LGBTQ hardcore punk in this town has been one of the best things about 2018, not just for “representation” but also because it’s brought us a lot of great music from voices we weren’t necessarily hearing before. Lipid is probably the closest to old-school punk of this new crop of RVA queer-power bands, with a sound that mixes the sarcastic punk snarls of the Dead Kennedys with the sort of burly stuff that was coming out of NYC a while back — think Crazy Spirit, or The Men before they became a dad-rock bar band.

<a href="http://thedonalds.bandcamp.com/album/love-roses-split">Love Roses split by The Donalds</a>

Love Roses/The Donalds – split (Tired & Pissed)
These two local punk bands are mainstays of the Shockoe Bottom punk scene that orbits around Wonderland, McCormack’s, and other venues the downtown hipsters aren’t necessarily clued into. They’ve both got a ton of anger to work through, mostly at the pathetic state of the USA today, and they do so with rage, melody, and humor. The Donalds are more midtempo, Love Roses more melodic, but both bands are a ton of fun.

<a href="http://manatree.bandcamp.com/album/engines">Engines by Manatree</a>

Manatree – Engines (manatree.bandcamp.com)
This band of teenagers has really matured on their latest album, which reflects the stripped-down sound Manatree’s increasingly taken on as the lineup shrinks. Frontman Jack Mayock’s considerable talent on guitar and keyboards gets a lot of room to show itself on Engines, as does the sort of growth he’s done as a vocalist since his high school days. Manatree’s math-rock roots are still clear on this album, but as a band, they’re getting weirder, more cerebral, and more fascinating. I guess this is growing up.

<a href="http://michaelmillions.bandcamp.com/album/hard-to-be-king">HARD TO BE KING by Michael Millions</a>

Michael Millions – Hard To Be King (Purple Republic)
Dropping back on January 2, this LP acted as the starting gunshot for an amazing year of RVA music. Michael Millions brought the realness from the opening moments of this one, working with some of the most talented hip hop producers in town to create the perfect instrumental tracks for his powerful lyrics and rock-solid flow. And Millions clearly had a lot to say, filling all of these tracks with powerful declarations of what it’s like to be a working class African-American man in the neighborhoods of Richmond that the Scott’s Addition hipsters don’t even know exist. You can’t afford not to listen to this one.

<a href="http://nickelusf.bandcamp.com/album/stuck">STUCK by Nickelus F</a>

Nickelus F – Stuck (AGM)
From one AGM heavyweight to another. This year saw incredible statements of purpose and power from all of that formidable crew’s leading lights, and Nickelus F’s Stuck was the hardest-hitting of them all. It’s only fair, considering how long he’s been working to advance his sound; that said, we’re all reaping the benefits, because Stuck proves that after a decade and a half of steady grinding, Sweet Petey is better than ever. If you didn’t catch him on tour with Lil Ugly Mane, you need to at least grab this. It’ll twist your head around.

<a href="http://ostraca.bandcamp.com/album/enemy">enemy by ostraca</a>

Ostraca – Enemy (Skeletal Lightning)
People are starting to notice Richmond’s thriving screamo scene; Noisey even wrote about it this summer. If you’re not hip, Ostraca is the first name you need to get familiar with. This scorching trio has been honing their sound for over a decade, arriving on their third album at the strongest and most assured collection of material they’ve brought into the world yet. From harsh screams over furious lightning-speed metallic rage to long, slowly-building post-rock epics, Enemy displays the full range of Ostraca’s considerable talents. Dig in, and remember — there’s plenty more where that came from.

That’s the first half of the list — tune in tomorrow for the rest!

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 28 – December 4

Marilyn Drew Necci | November 28, 2018

Topics: Accident Prone, Alex Jonestown Massacre, American Television, Battlemaster, Black Tusk, Bottled Up, Broadside, Buzzard Dust, Charlie's American Cafe, Cryptodira, Doll Baby, Dominion Energy Center, Doomsday Lullaby, Drug Church, Earthling, Ghost, Gouge Away, Gumming, Hardywood, Hoboknife, Humungus, Inter Arma, Kaonashi, Lala Lala, Loud Night, Manatree, missangelbird, Negative Approach, Nhibitions, Prayer Group, Raven, Riffhouse Pub, Seattle's New Gods, Serqet, Shadow Age, shows you must see, Sleep On It, Slump, Small Talks, Songe, Split Wrist, strange matter, stray fossa, The Astral Void, The Broadberry, The Camel, The Canal Club, True Body, Twin Drugs, Unmaker, Vatican, WHY?, With Confidence

FEATURED SHOW
Tuesday, December 4, 6 PM
Negative Approach, Battlemaster, Shadow Age, True Body, Slump, Unmaker, Serqet, Gumming, Loud Night @ Strange Matter – $15 (order tickets HERE)
The holiday season is here, but for the Richmond music scene, it’s a sad time, as perhaps our most reliable mainstay for live music over the past decade is going away. However, while it’s hard to think of how we’ll get by without Strange Matter in 2019, the venue’s imminent closing seems to have created an absolute bonanza for people who love seeing awesome bands. Between now and their final closing on December 15, they’ve booked a whole passel of action-packed, star-studded farewell shows to close out their time on a high note.

Indeed, there are so many that I couldn’t possibly fit all of the worthy bills happening at Strange Matter this week into this show column without ignoring some really great shows happening around town elsewhere. But rest assured, if any of the following picks isn’t in your lane, there’s probably something amazing happening at Strange Matter that night — check out the full schedule from now til their last night over here.

All that being said, I couldn’t possibly avoid mentioning this show. It was already stacking up to feature an abundance of excellent local bands from a variety of genres… and then Negative Approach came calling. This legendary first-wave US hardcore band came roaring out of Detroit in the early 80s with an amazing treasure trove of hardcore bangers that made their debut EP and Tied Down LP classics of the era. These days, vocalist and human whirlwind of rage John Brannon keeps the band alive in the company of the band’s original drummer, plus former members of fellow hardcore legends The Necros and Easy Action on bass and guitar.

And believe me, when they hit the Strange Matter stage, they’re going to rip your fucking head off. And yes, I intend that as a very high compliment. If you haven’t seen the reunited Negative Approach on any of their previous trips through Richmond, this is the time to make it happen. After all, you’ll not only be getting to see John Brannon go wild up close and in person, you’ll be celebrating the past decade of greatness Strange Matter brought to us, and in the company of some of this town’s best local bands. Its brought Shadow Age back from their recent retirement to play their first-ever set as a quintet, the dynamic psychedelic-postpunk duo of True Body and Slump are both on the bill, Unmaker’s fresh off the release of their new album and ready to lay you flat with Killing Joke-style heaviness… and there’s a whole lot more. I’ve already taken up too much space saying even this much. Just go.

Wednesday, November 28, 6 PM
Broadside, With Confidence, Sleep On It, Small Talks @ The Canal Club – $15 in advance/$18 at the door (order tickets HERE)
Broadside have been at it for a long time here in Richmond, and they’ve been through a lot during their decade or so of existence as a band. In fact, no one we talked to for our first interview with Broadside back in 2011 is even still in the band — so that should give you an idea. However, since singer Ollie Baxxter joined the band in 2013, they’ve had a standout sound that sets them apart from the pop-punk pack and helped get them signed to Victory. Second LP Paradise showed them branching out in their sound, increasing the emphasis on melody as Ollie grew as a vocalist and showed off some teen-idol vocal chops.

But rest assured, this band still packs the sort of punch you’ll need to get you jumping and dancing even as you sing along to all those heartbreaking lyrics we’ve all memorized alone in our rooms late at night. And they’re coming to town with Australians With Confidence, who have a similarly sure-footed approach to melodic, emotional punk sounds, though these guys are more on the emo tip than Broadside’s whole post-easycore approach. New album Love And Loathing is an excellent listen, and the band will bring all those tunes to life in glorious Technicolor when they hit the Canal Club stage. Wear your basketball shoes for this one, because the club is gonna be jumping.

Thursday, November 29, 8 PM
Manatree, Stray Fossa, Bottled Up, missangelbird @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
If you’d like a one-night crash course in what’s going on in the indie scene around VA, you can’t do much better than this show at the Camel. Your star attraction, as it’s been so many times, is Manatree, a group that started out as bouncy teenagers but have grown up, matured, and been through some lineup shifts in order to evolve into their current form. They’ve developed a new approach that moves away from the alt-rock and emo tinges they had on earlier material in favor of delicate, mathematically complex precision, which they showed off on Engines, the full-length they released this past summer. If you haven’t caught them live since 2016 or so, rest assured, a lot has changed — and in good ways.

To our west up 64, Stray Fossa has been putting together some excellence of their own of late, releasing debut EP Sleeper Strip earlier this fall to give us all a taste of their pensive UK-style tuneage. It borders on shoegaze, but the way frontman Nick Evans’ voice sits above the multi-layered guitars is so strong and assured that the end result is closer to pre-shoegaze UK guitar slingers like House Of Love and The Chameleons. DC’s Bottled Up let loose with a bit more distortion than the two previous bands we’ve discussed, but there’s a great deal of space in their sound nonetheless, and delicate, bouncy pop is ultimately the best way to describe their music. Recent EP BU2 is a lot of fun, and their performance at this show seems certain to be as well. Finally, Harrisonburg’s missangelbird, which grew from a series of quiet solo demos into a softly powerful indie-folk trio over the past few months, opens up, easing you into a night of lovely sounds from around the state. Don’t miss a moment.

Friday, November 30, 7 PM
Drug Church, Gouge Away, Seattle’s New Gods, Twin Drugs @ Strange Matter – $12 (order tickets HERE)
Just to show you a little bit about how the sausage is made: this double-headline bill was a major candidate for Featured Show this week. I couldn’t deny the outstanding nature of the Negative Approach show, but it in no way reduces the greatness this truly stacked lineup has to offer. Drug Church and Gouge Away have both released new albums this year, and both of them show some major growth. Drug Church’s third LP, Cheer, just came out and finds this crunching (post?) hardcore band dishing out their usual top-quality distorted midtempo riffs, only now with a slight undertone of minor-key melody that increases the emotional quotient even as lead vocalist Patrick Kindlon (also of Self Defense Family and the Axe To Grind podcast — yeah, you know this dude) is still blasting you with his usual acerbic wit and cutting insights into the darker sides of human character.

Drug Church have always had a lot to offer, and seeing them on this tour is sure to make that clear. But don’t get too excited about them and miss out on their touring partner — Gouge Away’s new LP, Burnt Sugar, is clearly the best thing this already shit-hot band has done. It finds them cleaning up their sound but continuing to lean into their driving, furious punk rock sound, with the end result landing somewhere between the excellent emotional hardcore of Xerxes circa Collision Blonde and White Lung at their career peak (that being the “Blow It South” single). Both of these bands are guaranteed to offer powerful live performances that you won’t soon forget, and openers Seattle’s New Gods and Twin Drugs only make this show even cooler and more interesting. Get there.

Saturday, December 1, 6 PM
Inter Arma, Black Tusk, Earthling, Humungus, Hoboknife, Buzzard Dust, Prayer Group, The Astral Void @ Strange Matter – $15
OK I can’t talk about ALL of the Strange Matter farewell shows, but some of them definitely need specific mention, and this is one of them. This one is for all the kids who wear old faded metal t-shirts with the sleeves cut off all summer, and denim vests covered in patches all winter. It’s the perfect evening for people who like the idea of doom metal, but prefer bands to be too creative to fall squarely within that genre’s rather narrow borders. That description perfectly fits headliners and local metal legends Inter Arma, who have shown us over their decade-plus career that they are equally skilled at all genres of metal, and are willing to fit pieces from the majority of them, as well as some completely uncategorizable elements, into any given song of theirs. And it always rules.

But there are a ton of other bands on this bill, and all of them deserve your attention, especially Black Tusk. This Savannah, GA band has persevered despite tragedy, returning this year with TCBT, their first album since the death of founding bassist Jonathan Athon. The album’s unrelenting heavyosity makes clear that these guys still have an immense amount of metal power running through their veins, and their set at Strange Matter should make it even clearer. Of course we’ll get a ton of other great metal from around the state on this bill, from Earthling’s blackened crust rage to Humungus’s power-metal triumph and the psychedelic noise of The Prayer Group. Plus more! Get that vest out and let’s rage.

Sunday, December 2, 3 PM
Doll Baby, American Television, Alex Jonestown Massacre @ Hardywood – Free!
It’s always fun to visit Hardywood on a Sunday afternoon when Handmade Holiday is in full swing. Tons of crafters, artists, and other local vendors will be on hand to offer you an artisanal alternative to the Christmas gifts the big-box stores are all pushing this year. And what makes this Sunday afternoon’s Handmade Holiday presentation even cooler is the presence of three excellent bands to liven up your afternoon and give you sounds to tap your foot to as you browse through the tents and get some holiday shopping done.

American Television are the out-of-towners, but they’re from just up the road in DC, and they’ve got a great sound that will find a home in RVA’s heart for sure. The “Death Defier” single they released this summer, which was sold in conjunction with a signature dark roast coffee if you can believe that, has the kind of caffeinated rush you’d expect from a melodic punk band with an addiction to the dark nectar of the bean. The signature roast is sold out, but they’ve still got plenty of killer tunes to deliver to you this Sunday afternoon, as do local favorites Doll Baby and up-and-coming young band Alex Jonestown Massacre. It’s free, it starts at 3 PM, there are food trucks where you can score a late brunch, and you can get all your gift-shopping done in one place. What more could you ask for?

Monday, December 3, 7 PM
WHY?, Lala Lala @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Remember when people used to talk about “backpacker hip hop”? It doesn’t get brought up as much now, but all that stuff released during the 00s on Anticon, Definitive Jux, and similar labels had a real effect on the culture and stretched the sounds and ideas of hip hop into new realms. Why?, a group formed by former cLOUDDEAD rapper and Anticon all-star Yoni Wolf in the mid-2000s, was a big part of that expansion. The project started as a de facto solo thing for Wolf, but soon evolved into a four-piece band that incorporated guitars, keyboards, and drums into a sound that was almost closer to indie than anything anyone would expect from a project associated with the hip hop genre.

But Wolf was still rapping over it all, and it created an intriguing fusion, one that Why? were largely responsible for creating, most prominently on their landmark 2008 album, Alopecia. You might hear about the fusion of rap and rock and think cringingly of Limp Bizkit, but Why?’s sound was about as far as you could get from that, accentuating Wolf’s thoughtful lyrical pensiveness with a quiet, contemplative indie sound that fit in well with groups like the Silver Jews — who Why? actually toured with back then. And they made their mark on a whole generation of music lovers, from hip hop heads to indie kids and everything in between. On this 10th anniversary tour for Alopecia, they’ll be bringing all those fans into the same room once again, and it’s sure to blow your mind whether you were there for the first go-round or you’re just discovering Yoni Wolf and his excellent band today. It’s something you need to see.

Tuesday, December 4, 8 PM
Ghost @ Dominion Energy Center – $39.50 – $79.50 in advance (order tickets HERE)
Nearly a decade after their formation, Sweden’s Ghost remain a very interesting band. Their theatrical Satanism, always exemplified by elaborate characters and onstage costumery, took a bit of a hit after legal action by former members of the group revealed the identity of mastermind Tobias Forge. Forge has actually been the band’s frontman throughout the many transferrences of the vocal position between different characters over the years, and he’s portraying yet another new character on the current Ghost tour — Cardinal Copia, a break from the Papa Emeritus lineage.

However, neither official character changes nor demystification has slowed Ghost down one bit. While their image might lead you to expect King Diamond/Cradle Of Filth-style theatrical thrash, their music has always hewed to a more classic proto-metal sound in line with late 60s-early 70s pioneers like Covenant, Bloodrock, or Blue Oyster Cult. That remains true on Prequelle, their latest offering, which carries their spooky, organ-fueled sound forward into a haunting, multi-layered extravaganza. It’s a bit late in the holiday season for Ghost’s current tour to arrive in Richmond — Halloween would have been much more appropriate — but with two full sets of excellent music and an incredible stage show, we’d be total grinches to complain.

Bonus Hampton Roads Picks:

Wednesday, November 28, 7 PM
Kaonashi, Cryptodira, Vatican, Accident Prone, Nhibitions, Split Wrist @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
It’s been nice to see a new generation of metallic hardcore kids who aren’t afraid to embrace the influence of nu-metal on their music. Because the fact is, the best of those bands had a lot to offer. When PA metalcore maniacs Kaonashi hit us with unabashed Slipknot and Mudvayne influences on their latest EP, Why Did You Do It?, it demonstrates clearly what sort of value can still be gained from those angst-ridden late-90s thrashers who loved tuning down and sporting eyeliner. Kaonashi songs like “My 5 Year Plan” and “You’ll Understand When You’re Older” mix the out-of-control moments of emotional meltdown that marked the best nu-metal into a recipe cobbled together from the best elements of deathcore’s downtuned thud and the gothic emo-prog of groups like Chiodos and Coheed And Cambria.

Kaonashi aren’t alone in following this thread to wherever it leads them — Sworn In has done quite a bit with it over the past few years, and Vein are certainly dipping a bit more than just a toe into the nu-metal pool on their new album. But Kaonashi’s new EP shows that they’re on the forefront of this musical territory, and they are sure to take it to another level entirely in the live arena — making attendance at this Charlie’s American Cafe show tonight all but mandatory (assuming you can make the drive). New Jersey’s Cryptodira are also on this bill, bringing an erudite take on progressive death-metalcore to the table, as showcased on 2017’s excellent The Devil’s Despair. Straight edge metalcore thrashers Vatican, who hail from Georgia, will also hit the stage with metalcore fury that harkens back to the genre’s 90s roots (so you know I’m stoked). All that plus three heavy-as-fuck local openers… gas up the Mustang, y’all. We’re going.

Thursday, November 29, 8 PM
Raven, Songe, Doomsday Lullaby @ Riffhouse Pub – $10
In a world where it seems musicians spend just as much time reinventing the wheel as they do building on the traditions of those that came before, it’s no surprise that some younger metal fans today don’t even remember the legends of the early 80s “New Wave of British Heavy Metal” scene. But that doesn’t make it any less vital, essential, and important to everything that followed. You might not know the name Raven as well as you do other legendary NWOBHM acts like Iron Maiden and Motorhead, but they’re every bit as good, and if you value the history of the music you love, you need to be paying attention.

Raven’s probably best known today for their mid-80s albums — 1983’s All For One featured a song called “Athletic Rock,” in which Raven named their own musical genre years before the “active rock” format was even a twinkle in a Clear Channel exec’s eye, while 1985’s Stay Hard produced their biggest hit, “On And On.” Three decades later, though, Raven’s founding Gallagher brothers, bassist John and guitarist Mark, are still going strong, and 2015’s ExtermiNation showed that they’ve still got the furious metal power they wielded at the height of their fame. So get a history lesson at Riffhouse Pub tomorrow night, and let Raven show you that metal was heavy as hell even before you were born.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: July 11 – July 17

Marilyn Drew Necci | July 11, 2018

Topics: Al Divino, Ankhlejohn, Bangladeafy, Billy Essco, Blush Face, Capital Ale House Music Hall, Cemetery Filth, Chamomile and Whiskey, Church Of Disgust, Dark Thoughts, Divided Heaven, Eaves, Fly Anakin, Foresterr, Future Terror, gallery 5, Garden Grove Brewing, Goldfeather, Gumming, Hardywood, Having Keepsake, JD McPherson, June Parker, Lengua Ignota, Night Birds, Night Hag, Ohbliv, Opin, Scarecrow, shows you must see, Swathe, Talk Me Off, Teen Death, The Body, The Camel, Two Cars, Vinyl Conflict, Womajich Dialysiez, Wonderland

FEATURED SHOW
Saturday, July 14, 7 PM
Vinyl Conflict 10th Anniversary Celebration, feat. Night Birds, Dark Thoughts, Gumming, Scarecrow, Talk Me Off @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
I had no idea Vinyl Conflict had been around an entire decade now. Why, it seems only yesterday that the store’s original owner, Brandon Ferrell (RIP), opened this little shop in the middle of a residential block in Oregon Hill. But of course, the older you get, the faster time seems to pass, and I’m pretty goddamn old at this point, so I suppose I shouldn’t be surprised by the store’s sudden longevity. Since Vinyl Conflict was taken over by current owner Bobby Egger, it has if anything become even more an essential part of the local music scene, not only bringing us an unparalleled selection of new and used punk/metal-related sounds but also releasing a variety of EPs and tapes by up-and-coming locals on their Vinyl Conflict Records label.

And now it’s time to celebrate their decade of essential service to the world of RVA hardcore punk, and kick off the next decade of awesomeness in the finest fashion possible. They’ll be throwing a huge party at Gallery 5 this Saturday night, and you’ll know it’s guaranteed to be a hell of a rager when you see that Night Birds are your headliners. This New Jersey band mixes a melodic sense derived from the best of the early-80s US punk wave (The Misfits, The Adolescents) with a breakneck fury that is half 82-style USHC and half early-00s East Coast fastcore (think Tear It Up). They haven’t released anything in a couple of years, but the hints they’ve been dropping on social media recently sure indicate that new material is coming — maybe this show will give you a preview? Don’t quote me on that though.

Night Birds will be bringing Philadelphians Dark Thoughts down with them, and this bouncy melodic punk group has just released an album called At Work that has a lot of energy and a bit of darkness in the mix as well; as with Night Birds, if you dig stuff like the Misfits and the Adolescents, you’re going to find something to enjoy in the music of Dark Thoughts. The bill will also feature a Raleigh, NC band called Scarecrow who have very little info available online — although I can tell you that they’re not the same as Raleigh jazz/fusion band Scarecrow’s Brain. I know that much. I also know the two RVA bands on the bill, Gumming and Talk Me Off, will kick this party off with a lot of energetic fury all their own. So get to Gallery 5 this Saturday night and give props to Vinyl Conflict — if the past decade hasn’t already proven to you how great an asset to Richmond this store is, this show is sure to win you over.

Wednesday, July 11, 7:30 PM
Divided Heaven, Eaves, Two Cars, Having Keepsake @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
Grown-up punks, take note; Jeff Berman’s Divided Heaven project is rolling through town and stopping off at The Camel tonight. While this group may seem like a late development in Berman’s career, following on his early days in NJ hardcore/punk groups like The Boils, Protagonist, and The Rites, he’s actually been fronting this project for most of a decade now, and they’re about to drop their third LP, Cold War, on WireTap Records. The advance singles, most notably “1983,” showcase both a wistfully mature outlook on life beyond one’s youthful days, and an incredible melodic sense that shows just how much talent Berman has to offer. Honestly, it would have been a huge waste if he’d spent the rest of his days playing angry punk.

We’re still a little more than a week away from the release of Cold War, so right now you can only hear two of the album’s songs online. But you’ll undoubtedly hear more tonight, as well as some classic tunes from Divided Heaven’s earlier, more acoustically-oriented LPs. Plus, you’ll get some excellent emotional post-hardcore sounds from up-and-coming local group Eaves, who turned in an impressive debut LP late last year with As Deeply As You Do, and are only headed upwards from there. Local newcomers Two Cars and Having Keepsake both bring their own emotional melodies to the table, making this an evening of moods and hooks that’s sure to please you.

Thursday, July 12, 8 PM
The Body, Lingua Ignota, Womajich Dialysiez @ Gallery 5 – $12 (order tickets HERE)
The Body’s been around for nearly two decades now, and they’ve come a long way from the sludgy noise they started out creating. Always more of an experimental band than anything, they’ve really foregrounded their exploratory efforts in recent years, somehow going both noisier and poppier than ever before with 2016’s No One Deserves Happiness. This year’s follow-up, I Have Fought Against It But I Can’t Any Longer, brings us a new approach, in which the group cuts up previous recordings, sampling them over programmed beats and electronics to create a unique work of art you’d be foolish to dismiss as a mere “remix album.” It’s difficult, it’s noisy, it’s dark as fuck, and somehow, amidst all that, it is bizarrely danceable.

But will people be dancing to The Body’s set at Gallery 5 tomorrow night? Or will they do as they’ve done in previous RVA performances over the years and use powerful walls of noise to wipe the floor with all of us? It wouldn’t surprise me if the answer turned out to be “both,” and it’s well worth the price of admission to learn for yourself. They come to Richmond this time around accompanied by Lingua Ignota, an intense solo project from Rhode Island’s Kristin Hayter that lands somewhere between the confrontational avant-garde work of Diamanda Galas and the soul-baring noise terror of Pharmakon. Their most recent EP is entitled All Bitches Die, and features a song entitled “Holy Is The Name (Of My Ruthless Axe)” …just to let you know what you’re in for. The experience you’ll have at Gallery 5 Thursday night isn’t that predictable, but if one thing is certain, it’s that you’ll be affected by it.

Friday, July 13, 6 PM
June Parker, Opin, Blush Face, Goldfeather @ Hardywood – Free!
My wife and I took a trip deep into the heart of Virginia’s Northern Neck region this past weekend. Not for any real reason, just to get out and explore parts of the state we’d never been to before. While we were passing through Tappahanock, we noticed several businesses named after a woman we’d never heard of before. Now, less than a week later, I find myself writing about a show by a band that is also named after her. I have no idea who June Parker was or is, but I know one thing — somebody in this band has made that same drive out to Tappahanock at least a time or two.

June Parker used to be known as California Death, but their 2017 full-length, We’re Exactly Where We Are, showed that this local shoegaze band has upped their game since changing their name. The first track from the new EP they’ll bring into the world at this show, “I Can’t Relate Anymore,” adds a jangly indie sensibility to their hazy guitar fuzz, upping the melodic quotient and bringing them to their highest level yet. With this preview in mind, it seems a safe bet that the new EP will be their best work yet. Find out for yourself at Hardywood Friday night, and get a set from enjoyable New York indie-folk combo Goldfeather, plus some excellent sounds from always-reliable locals Opin and Blush Face, in the bargain. It’d be a deal at any price — and since this show is free, it rises to the level of unmissable.

Saturday, July 14, 7 PM
Bangladeafy, Teen Death, Foresterr, Swathe @ Garden Grove Brewing – Free!
Bangladeafy may seem like a weird name to give a band, but when you learn that this group is a duo made up of a Bangladeshi drummer and a bassist who is… well, not quite deaf, but certainly has a hearing disability (sensorineural hearing loss, to be specific), it all starts to make sense. The wry sense of humor displayed by this choice of name also shows through in the band’s unpredictable musical hijinks, especially on songs like “Act Like An Adult” and “Say It With Your Chest,” from their most recent LP, 2016’s Narcopaloma.

This LP is an excellent showcase of Bangladeafy’s bizarre instrumental attack, which integrates jazz, prog, and metallic elements into a speedy, unique sound that might just remind you of Miles Davis’ Bitches Brew-era rhythm section doing Lightning Bolt covers… or maybe that’s just me. Grungy local punk n’ rollers Teen Death will offer quite a contrast with their opening set, but if you dig loud, energetic bands, you’re sure to enjoy both. Also on the bill are New Yorkers Foresterr, who do the sort of noisy, off-kilter post-hardcore grooves that bands like Barkmarket and Sliang Laos excelled at two decades ago. These guys are worthy successors to the outstanding track record of those bands. Locals Swathe offer some pummeling sounds in the vein of the Melvins and Unsane to get you in the mood for what awaits. This show is gonna rule.

Sunday, July 15, 7 PM
JD McPherson, Chamomile and Whiskey @ Capital Ale House Music Hall – $20 (order tickets HERE)
I don’t know how aware young punk types are of what’s going on in the world of rootsy rock n’ roll, but I’ll go ahead and admit that I never would have known about JD McPherson if it weren’t for the fact that he gets played over the PA regularly at one of my favorite hangout spots, Sheetz. Seriously, not only does that place have the best three-cheese sub in the Richmond metropolitan area, their muzak station is the best radio station in this town. But I’m not here to advocate for Sheetz (I do that enough on twitter); I’m here to tell you that you need to go see JD McPherson at Capital Ale House Sunday night.

McPherson’s third album, Undivided Heart And Soul, came out last year on New West Records, and it beefed up the rollicking rockabilly sound of his first two albums with a sort of retro-soul vibe that also shows up in artists like White Denim and even The Black Keys. But make no mistake, the man’s still about some straight-up rockin’, and songs like “Let’s Get Out Of Here While We’re Young” and “Style (Is a Losing Game)” make this abundantly clear. When McPherson hits the stage at Capital Ale House, he’s sure to get the whole place on their feet and shaking their tailfeathers. It’ll be an outstanding way to end the weekend, and give you an emotional high to carry you through a soul-draining Monday back at the office. Don’t miss out.

Monday, July 16, 9 PM
Church Of Disgust, Cemetery Filth, Future Terror, Night Hag @ Wonderland – $5
I have pretty much not talked at all about metal this week, but we’re gonna fix that situation right now with a thorough discussion of this Monday night show at Wonderland featuring the almighty Church Of Disgust. This band hails from Texas and Florida, and the swampy Southern heat bleeds through their music, as does the clear influence of classic Floridian death metal past. Sometimes they’re thrashy, sometimes they’re moshy, but on 2016’s excellent Veneration of Filth LP, they most often strike the tone of classic riffage from early Morbid Angel, Deicide, or even Death. You headbangers out there better be paying attention, because this is a band you are guaranteed to love.

Johnson City, TN’s own Cemetery Filth will accompany Church Of Disgust on their trip to Shockoe Bottom, and their work on recent split EPs show this band to have a similarly ripping, brutal death-thrash attack sure to appeal to fans of prime Obituary and early Carcass. The thrash fiends will be pleased to hear these guys as well, and one can at least hope that all in attendance will receive Future Terror positively too. This Richmond band is treading in the footsteps of extremely blown-out crustcore bands like long-gone DC/RVA legends Aghast to churn out some incredibly noisy D-beat fury, and it’s awesome. Sludgy local newcomers Night Hag open up this show with some darkness of their own. Get ready to bang your head, y’all.

Tuesday, July 17, 6 PM
Backyard Boogie Tour, feat. Fly Anakin, Ohbliv, Al Divino, Billie Essco, Ankhlejohn @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
RVA hip hop is always fertile ground, and it seems 2018 is going to bear particularly excellent fruit where the genre is concerned. Not only do we get an excellent new Nickelus F release, Mutant Academy’s Fly Anakin has come together with production titan Ohbliv to create an album that represents a high-water mark for both. Backyard Boogie shows off Ohbliv’s predilection for murky soul vibes throughout, and gives just as much shine to Fly Anakin’s excellent flow and cutting lyrical wit. It hit the streets in April, and Fly Anakin and Ohbliv clearly recognize how excellent a statement it is for both of them, as they’re spending next week touring up the East Coast. They’ll start the week off right, with a hometown show at Gallery 5 that brings the album’s fire to life onstage.

However, there are more reasons to come to this show than just the local superstars showing off their stuff. Indeed, this event finds Fly Anakin & Ohbliv meeting up with a powerful package of touring MCs from up north. First on the list is Massachusetts’ own Al Divino, a hard-rhyming lyricist who has had Fly Anakin drop features on his tracks before — so you know he’s legit. Then there’s NYC rapper Billie Essco, aka Uptown Chase, whose recent LP Cafe mixes lyrical skills with a somewhat introspective vibe that’s sure to draw you in. DC’s Ankhlejohn rounds out the touring trio with some cinematic styles showcased perfectly on recent EP Knowledge. This show is jam-packed with hip hop talent from all over the East Coast — miss it at your own peril.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

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