Aspire Presents – April 19. 2018
Boston Manor
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Free Throw
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Homesafe
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Hot Mulligan
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save face
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Strange Matter – 929 W Grace St
6PM Doors // 7PM Show // $15 adv
This is an ALL AGES show!
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Tickets: https://www.ticketfly.com/
*on-sale Friday 2/2*
More Aspire Shows:
http://aspirepresents.com/
FEATURED SHOW
Friday, April 20, 8 PM
420 at G5, feat. Battlemaster, Night Idea, Unmaker, Haircut @ Gallery 5 – $8
It’s always weird to live through a holiday you don’t celebrate, and hipster holidays like 420 are no different. That said, just as you don’t have to be a Christian to enjoy getting presents on December 25, you don’t have to be a dyed-in-the-wool marijuana connoisseur to scarf munchies and enjoy some loud music on April 20th. Rest assured, Gallery 5 will not be checking your bloodstream for THC at the door of this 420 celebration, which will bring you some rad local bands for a very economical price point, and offer you a “munchies table” in the bargain. Sounds like a great Friday night to me.
Battlemaster are your headliners on this bill, and these raging metal masters have been dishing out the triumphant, hyperspeed riffage for well over a decade now. Granted, they aren’t the most active band in the scene — it’s been three years since the release of their last LP, Battlehungry and Swordsworn — but then, what could be more fitting for a band headlining a 420 gig? There’s no rush, man, let’s just rage for now and then grab some eats. I gotta admit, y’all, there’s a lot about this 420 mindset that appeals to me.
Night Idea are a bit more active, dishing out their melodic, psychedelic take on math rock on four separate albums in the past seven years; the most recent being last fall’s Riverless. That said, regardless of their scientific approach to song structure, these guys at the end of the day are just some laid back dudes that want to hang. And you’ll be able to do just that as they serenade you with killer tunes that just might leave you scratching your head if you pay close attention. Local heavy-postpunk group Unmaker and raging hardcore punks Haircut round out a bill that’s a perfect celebration of the most stonerific day of the year. So get there on time; after all, the Cool Ranch Doritos aren’t gonna last.
Wednesday, April 18, 7 PM
The Aces, The Barons, Blush Face @ The Camel – $12 in advance/$15 at the door (order tickets HERE)
People talk a lot about the 90s being back these days, but I think we all need to admit that the 80s revival is a formidable aspect of our current musical culture as well. And not the sort of 80s revival we had a decade and a half ago; that was about fashion. This is about music, and where The Aces are concerned, it’s about good music. This four-woman group featuring two sisters might just remind you of fellow sister act Haim, but The Aces are no copycat; their debut album, When My Heart Felt Volcanic, has a grip of excellent melodies and catchy choruses to deliver to all of us, mixing chunky guitars with the same sort of synth swells that lended secret power to classic singles by 80s rockers like Rick Springfield and Corey Hart. I know, younger readers, you have no idea who those people are. Trust me.
Not that you even need to, because hearing the voices of The Aces will be enough to convince you that this band has a sound you need in your life. Their vocal harmonizing gives the already-incredible choruses of songs like “Stuck” and “Bad Love” an atomic-level power that’ll caress your eardrums and shatter your heart. It’s enough to make me long for days of the Saturday morning American Top 40 Countdown. Casey Kasem has passed on, Madonna is, um, not that good anymore, but The Aces are keeping the dream alive. They’re joined on this trip through RVA by Charlottesville’s own 80s-pop killers, The Barons, who mix musclecar references into their own version of guitar-driven, synth-inflected pop. Irrepressible local popsters Blush Face, who always bring a good time, will take the opening slot, and if that’s not a reason to arrive on time, I don’t know what is.
Thursday, April 19, 6 PM
Boston Manor, Free Throw, Homesafe, Hot Mulligan, Save Face @ Strange Matter – $15 (order tickets HERE)
As anyone who’s been paying attention to this column for the past few years will surely be aware, I’m a huge fan of emotionally-driven pop-punk. What’s more, I make no apologies for it, and I don’t think anyone else should either. Which is why I’m encouraging all of you who have even a shred of my love for the genre to hold your head high with pride and head out to Strange Matter Thursday night for this visit from Boston Manor. Despite what the name might lead you to think, this quintet hails from Blackpool, England, and if you listen closely to their 2016 full-length debut on Pure Noise Records, Be Nothing, you’ll hear tinges of that cross-the-pond lineage shining through.
In addition to the obvious emotional pop-punk touchstones, there are hints of underrated (at least here in the USA) UK groups like Funeral For A Friend and Idlewild on tracks like “Lead Feet” and “Broken Glass” — and I for one am certainly not complaining. In addition to this excellent UK headliner, this show also brings us a variety of other emo-pop bands from various locations west of the Atlantic and east of the Mississippi. Nashville’s Free Throw are a bit mellow and jangly, while Illinois group Homesafe has a lot of energy and crunch, bordering on melodic hardcore. Michigan’s Hot Mulligan have that way with witty song titles I’ve always loved (“All You Wanted by Michelle Branch,” “Pluto Was Never Really A Planet Either Even”), while New Jersey’s Save Face get all rock n’ rolly, bringing an almost-grunge influence to their melodic punk riffs. All of it’s rad, though. All of it is worth seeing. Don’t hide from it.
Friday, April 20, 8 PM
Bully, Shellshag, The Smirks @ Strange Matter – $12 (order tickets HERE)
Here’s some great news for anyone with good taste: Bully are hitting town once again. This Tennessee quartet have been lighting it up for close to five years now, with their highly energetic mix of melodic punk and post-grunge power-pop. Their first LP, Feels Like, grabbed a ton of attention for its striking songwriting chops and predilection for overdriven guitars and angst-ridden screams. Last year’s follow-up, Losing (perhaps the continuation of a sentence begun in the first album’s title?), hits even harder, cranking the angst up to 11 and giving frontwoman Alicia Bognanno plenty of opportunities to scream her head off.
Bully’s performance at Strange Matter Friday night will offer yet another opportunity, and it’d be a wise idea for all of us to station ourselves at ground zero of this impending explosion of rock n’ roll fury. If you’ve ever thought that Nirvana would have been an even better band if they were run by a woman, this is the band for you. Plus, they’ll be joined by minimalist garage-punk heroes Shellshag, who’ve been gracing Richmond with their presence regularly for years and have won over a lot of people in the process. If you don’t know, now you know. Local punk rock killers The Smirks open up with what is apparently their album release show. And look, I know I tell you quite often that you need to get to shows on time. But seriously, if you miss The Smirks’ LP release, you win the blue ribbon for blowing it.
Saturday, April 21, 8 PM
HeadlessMantis, Houdan The Mystic, Lucid Traveler, Mad Habit @ Gallery 5 – $5
This all-local Saturday night special is being brought to you by The Jamwich, a magazine covering regional music of what I’m guessing is the “jam” variety; and Progress Festival, a three-day fest taking place out in Dublin, a VA town somewhere outside of Radford. All of this will give you a definite idea of what this festival-preview night at Gallery 5 will have to offer, but you’d be foolish to write it off accordingly. Because honestly, while I’m no fan of “jam bands” as they are popularly conceived, all of the bands on this bill have quite a bit more to offer than warmed-over retreads of Phish or Disco Biscuits. And thank god for that.
HeadlessMantis is at the top of the bill, and this band has at least as much garage rock running through its swamp-monster veins as prog-psych. They’ll inspire a good deal more headbanging than goofy LSD twirl-dancing. Meanwhile, Houdan The Mystic has some pretty excellent math-rock chops, which they integrate into prog-rock melodies that might please the jam heads but are more likely to keep fans of mid-period King Crimson smiling. Lucid Traveler keep things funky with their instrumental tunes, and while they are probably closest of all these groups to being an actual jam band, they’ll keep the groove moving enough that you won’t want to hold it against them. And openers Mad Habit bring enough pop melodies to keep their psych sound engaging and fun. For a supposed show full of jam bands, this one is gonna be pretty darn unmissable.
Sunday, April 22, 9 PM
Desert Altar, Indighost, Lair @ Bandito’s – Free!
There was a time a few years ago when it seemed you couldn’t get through a week of live music here in Richmond without seeing at least two or three doom metal bands. Even if you were going to indie shows, it was pretty much everywhere. However, lately, it seems like the doom trend is starting to die. This may be bad news to any hipsters who were trying to get famous by wearing denim jackets and copping Fu Manchu riffs from 2001, but it’s good news for those who just want to enjoy good music without all the extra baggage. You’ll have a great opportunity to do so with some bands that might have missed the doom metal trend, but are still really excellent, this Sunday night at Bandito’s.
Indighost is the touring crew on this bill, and this Johnson City, TN crew seems to draw quite a bit of influence from their Appalachian background, as they mix spooky backwoods gloom with their doom-laden psychedelic melodies. Their 2017 album, Sphinx Rider, is the soundtrack for the best Hills Have Eyes-style rural-nowhere horror movie never actually made. At least we have the music, right? Local up-and-comers Desert Altar bring some witchy psych-doom sounds of their own to the bill, as brand new RVA heads Lair crush our heads with some mournfully beautiful sludge. Grab some nachos and settle in for some excellent bleakness.
Monday, April 23, 8 PM
Charmer, Ostraca, Au Revoir, Shy Low @ Strange Matter – $7
OK, before we go any farther can I just give a shoutout to this flyer? Is this really how those “flat-earthers” see the world? Holy hell, my brain is broken. But that’s OK, all will be well once again when this quartet of killer bands takes the stage at Strange Matter Monday night. Of course I’ve never made it a secret that I totally love Ostraca; one of the best bands to come out of Richmond anytime this decade, if you ask me. They only further proved it with the three killer releases they brought into the world last year, highlighted by their second LP, Last. If the idea of passionate, emotionally-driven metallic hardcore that draws equally from black metal, experimental noise, and raging thrash doesn’t appeal to you, then I think you need to come see Ostraca this Monday night and get your head right.
The great thing about this bill is that it not only features one of the best bands making music in this town right now but will also bring us three other groups with their own take on excellent heavyosity. New Jersey’s Au Revoir, the out-of-towners on this bill, bring some epic heavy instrumental jams along the lines of Pelican, or Earthless. Shy Low have been plying their own instrumental post-rock trade locally for a fair bit of time now, but 2017’s Burning Day EP showed us all that the group still have quite a few tricks up their sleeve. And of course, there’s Charmer, whose seemingly sweet name belies this group’s non-stop power-violence attack. On last year’s split EP with Amara, they dished out five songs in around four minutes, and they’ll be cranking ’em out at a similar rate of speed at Strange Matter. Don’t blink.
Tuesday, April 24, 7 PM
Hovvdy, Kenneka Cook, Addy @ Gallery 5 – $8 (order tickets HERE)
I’m still not sure I entirely approve of the whole “two v’s in place of a w” thing that’s been going around for a few years now. That said, I’ve heard a bunch of bands who went with this particular move, and I’ve liked them all. So for now, I’m willing to go with it in the case of Hovvdy. This duo was started by Austin drummers Will Taylor and Charlie Martin to explore their own interest in quiet, hypnotic sounds. Contrary to all the old jokes about drummers not having any musical ability, these two have created a gorgeous world of sound on their brand new album, Cranberry — which ironically features a significant amount of programmed beats. Give the drummer some!
Hovvdy will be joined on this show by Kenneka Cook, who should need no introduction for those who’ve been reading this column and this magazine lately. That said, I’ll offer a brief one: Cook is an amazing soul-funk-pop vocalist who creates incredible music in a variety of formats — sometimes on her own, with programmed loops backing up her vocals; sometimes with bands consisting of the best musicians Richmond has to offer. Which version of Cook’s live performance you’ll get at this show isn’t something I can tell you in advance, but I can tell you that either one is sure to blow you away and leave you begging for more. Addy will open things up with some bedroom-pop solo sounds that will transfer to the stage in unique and interesting ways. This whole bill is worth catching — don’t sleep on it.
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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]
And on April 23 at 7 PM, make sure to join VA music promoters Lucas Fritz (The Broadberry/The Camel), Mark Osborne (Strange Matter/Slimehole), and Jessica Gordon (RVA Shows/Trigger System), for a FACEBOOK LIVE interactive chat. The promoters will discuss the Richmond music scene, talk about their experiences booking bands, and ask you, the fan, what bands you want to see come to town. They’ll be asking some trivia questions to win tickets to upcoming shows and you can leave any questions you want them to answer in the comments section. Make sure to get in on the conversation this Monday!
Music Sponsored By Graduate Richmond
OMG, y’all. This show almost escaped my notice, because I had forgotten to check the Canal Club’s website. Thank god I headed over there randomly this morning as I was getting this column together–I would definitely never want to miss a show by one of my favorite melodic punk bands of the past several years. If I’d missed this show I would have cried–just like I have done more than once while listening to their records. Hey, I’m not too proud to admit it. The brand new Knuckle Puck LP, Shapeshifter, was also news to me, which is if anything embarrassing in light of my long-professed fandom for this group. But if you need any reason to actually take the plunge on this show, one listen to the new album should be enough to give you plenty.
While the band has steadily grown from the rawness of their early EPs, this full-length follows on the heels of their debut LP, Copacetic, in its simultaneous leavening of the band’s harsh teenage momentum with heartfelt melody without doing anything to dull the powerful emotional punch their music packs. If there’s only one pop-punk band you’re still willing to hang with in this post-Fall Out Boy world (and who could blame you, with what that band sounds like now? We all got burned by that one), Knuckle Puck are an excellent choice. And I’m right there making it with you. Get down there early, because all-ages shows don’t observe “rock time,” and make sure you catch the excellent opening bands as well. But yeah, I admit it–this show is all about Knuckle Puck for me. If they play “No Good” I’m gonna freak out.
Photo: Taylor Rambo
FEATURED SHOW
Saturday, November 4, 7 PM
Ladygod, Rikki Shay, Ben Shepherd, Cool Moon @ Flora – $7
They’ve cultivated an air of mystery around themselves throughout their time in the RVA scene, which stretches back at least three years now. Releases have been few and far between, with too few songs on them. It’s always been hard to pin down who is actually in the band. And recently it’s become tough to even determine whether their band name is one or two words. But Saturday night at Flora, Ladygod (Lady God?) will finally reveal themselves with the release of their debut full-length, Rock n Roll Kaliphate.
In fairness, those who’ve seen the band have surely grasped at least a little of what was going on. The group’s hazy, “Exile-era Stones fed through a Brian Jonestown Massacre cloud of psychedelia” sound becomes clear over the course of a full set. And regardless of who is singing, it’s obvious that singer/guitarist Skye Handler is the Anton Newcomb of the group — as various talented, noteworthy members have come and gone, he’s held things together, regardless of how much of a mess he himself seems during any given performance.
These days, Handler’s band features Peace Beast frontwoman Kelly Queener as well as some other capable if slightly lesser-known players. The sound they churn out on their new LP has a stumbling, louche glamour to it, and is sure to slowly entrance you as its tendrils work their way from the Flora stage into your waiting mind. Ladygod will be joined on this bill by Rikki Shay (and the Martin Ruthless, I guess?), whose indie hipster-lounge funk sound was clarified on their own debut full-length of a few months ago, The Mixed Tapes. Opening sets will also be provided by local singer-songwriter Ben Shepherd and Houston’s Cool Moon. You won’t even dance, you’ll drift blissfully across the floor.
Wednesday, November 1, 8 PM
The American Indie, Fontaine, The Firnats, Don Fredrick @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I admit it–I’m a bit flummoxed by a band calling themselves “The American Indie.” It feels sort of like a band from Oslo calling themselves “The Norwegian Black Metal.” But hey, this is the United States, after all, where anytime we seek to give something profundity, we put the word “American” in the title (American Hustle, American Gangster, American Gigolo, American Idol, American Horror Story, American Dad, etc. ad nauseam). So hey, why not?
The American Indie have a pretty good sound, after all, with a surprising smoothness and some killer melodies that bring together power pop guitars with silky 80s synth-pop keys and killer vocal calisthenics. Their When Money Swallows Up Your Time EP is full of killer tunes that’ll have you hitting the dancefloor the way you normally only do at 80s nights. And then there’s Fontaine, the Boston band joining with Nashvillians The American Indie for this tour. In a geographic surprise, they’ve got a bit more of that heartland jangle than their Southern counterparts. But it all evens out in the end, right? Hot new locals The Firnats and Don Fredrick will get it warmed up in fine fashion, so get set for some good ol’ American Fun!
Thursday, November 2, 6 PM
Pinact, Teen Death, Carry Fisher @ Champion RVA – Free!
Another Thursday, and once again, we’re back at Champion gaining fortification for the last work day of the week with a shot of heavy-duty musical salvation for the low low price of nothing at all. There’s even beer, if that’s your kind of thing. But more importantly, there’s rad music, this week featuring a performance from touring Scottish act Pinact, who just released their second album, The Part That No One Knows. Its killer punk riffs incorporate the sorts of awesome post-Nirvana early-90s alt-rock influences that have been showing up across the indie underground for the past few years to outstanding effect. It also features some excellent choruses that will stick in your head and refuse to go away, keeping your toes tapping all night. Who can complain about that?
Pinact are excellently paired with local rockin’ punk trio Teen Death, who have been back on the radar after a relatively quiet last year or so with a bunch of local shows and a recent trip to The Fest in Gainesville, FL. These guys mix early 90s influences of their own with some crunchy garage sounds that crank up the punk quotient and give you something to snarl about. Recent Woodbridge transplants Carry Fisher kick things off with what promises to be the noisiest, sloppiest set of the night–and if you don’t think those are good qualities, I’ll have to ask you to re-evaluate what you look for in good music. Come to this one ready to rock, because the heavy jolt of energy this show is packing is sure to get you moving.
Friday, November 3, 8 PM
Chino Amobi, McKinley Dixon & Friends, Toxic Moxie, Lotus @ Strange Matter – $8
Chino Amobi has remained steadily fascinating throughout his lengthy tenure as part of the RVA music scene. Beginning in his days performing under the name Diamond Black Hearted Boy and continuing to his current solo work, Amobi’s had a constant sonic thrust paired with an intense political message, all of which added up to rejecting of current political realities through genre-spanning works of experimental gothic noise pop. Or something like that. Deep dives into his recently released album PARADISO, the sonic environments of which often give the lie to the sunny-sounding title, will yield a variety of strange electronic grooves, which sometimes bring a hypnotic funk sensibility sure to charm any listener, and other times disrupt themselves with harsh explosions of found sound. It changes from moment to moment, and while the change can wrong-foot you a bit, it’s always an engrossing experience, reflecting Amobi’s noted antipathy towards passive listening. Your listening experience at Strange Matter this Friday night will be an active one–Amobi guarantees it.
In this performance, he unites with several other Richmond artists to raise funds for Advocates For Richmond Youth, an activist group dedicated to preventing youth homelessness in our area. A worthy cause, one that it’s no surprise to see uniting POC and LGBTQ artists who themselves are members of marginalized groups more likely to encounter the grim reality of homelessness than the average person. It’s not just words on paper to them. And not only is this clear from listening to Amobi’s music, it shines through just as brightly from the music of hot local rapper McKinley Dixon, who’s brought a notable social consciousness to his meteoric rise through the ranks of Richmond musicians. Meanwhile, disco-punk ragers Toxic Moxie have always shown a dedication to moving bodies with tremendous grooves backed by sincere conviction. I’m not as familiar with newcomers Lotus, who open this night of noise for a cause, but their position on this bill alone is enough to speak well for them. Come catch this whole show, and dance your ass off for a good cause!
Saturday, November 4, 7 PM
Blitzen Trapper, Lilly Hiatt @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
I’ll say this for Blitzen Trapper–they haven’t settled into some sort of mid-career rut. No, the band’s recent days have seen them putting together a full-on stage production, debuted in their Portland, OR hometown earlier this year. And you can make cracks about the fact that of course it’s a band from the setting of Portlandia who are the ones to do something like this, or how go figure that a band with major Springsteen influences have finally done what Bruce’s critics always accused him of, i.e. turning rock n’ roll into a Broadway show, but the songs that are part of Wild N’ Reckless are enough to hush up any such wisecracks in a big hurry. The seven-song rock opera joins with five more songs on the band’s new album of the same name, and its title track has a real Desire-era Dylan fed through, yes, 70s Springsteen sound, but I can’t imagine why anyone would complain about that.
Make no mistake, these songs have a real darkness at their heart. Blitzen Trapper is older and wiser now, finding themselves looking back at their younger days and wondering if they can somehow recapture the energy of those days and feel truly alive again without reliving the mistakes they made back then. It’s kind of an alt-country Beach Slang move, if anything, and fans of groups from The Band to the Drive-By Truckers should find something to enjoy here, both musically and lyrically. And you know, it’s always a great to catch a band at the moment of their big statement, so if you were ever gonna go see Blitzen Trapper, you couldn’t do better than going this Saturday night. You’re sure to feel some feels.
Sunday, November 5, 6 PM
Knuckle Puck, Movements, With Confidence, Homesafe, Everview @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
OMG, y’all. This show almost escaped my notice, because I had forgotten to check the Canal Club’s website. Thank god I headed over there randomly this morning as I was getting this column together–I would definitely never want to miss a show by one of my favorite melodic punk bands of the past several years. If I’d missed this show I would have cried–just like I have done more than once while listening to their records. Hey, I’m not too proud to admit it. The brand new Knuckle Puck LP, Shapeshifter, was also news to me, which is if anything embarrassing in light of my long-professed fandom for this group. But if you need any reason to actually take the plunge on this show, one listen to the new album should be enough to give you plenty.
While the band has steadily grown from the rawness of their early EPs, this full-length follows on the heels of their debut LP, Copacetic, in its simultaneous leavening of the band’s harsh teenage momentum with heartfelt melody without doing anything to dull the powerful emotional punch their music packs. If there’s only one pop-punk band you’re still willing to hang with in this post-Fall Out Boy world (and who could blame you, with what that band sounds like now? We all got burned by that one), Knuckle Puck are an excellent choice. And I’m right there making it with you. Get down there early, because all-ages shows don’t observe “rock time,” and make sure you catch the excellent opening bands as well. But yeah, I admit it–this show is all about Knuckle Puck for me. If they play “No Good” I’m gonna freak out.
Monday, November 6, 8 PM
Earthling, Knight Terror, Left Cross, Lore @ Strange Matter – $8 (order tickets HERE)
It’s a Monday night double whammy, as two local labels present two Virginia bands that just released albums on their respective labels to an always-rabid RVA metal scene. We start off with headliners Earthling, who’ve been around the scene here in the Commonwealth for years and have returned to Forcefield Records for a follow-up to their 2013 Forcefield release, Dark Path. The new record, Spinning In The Void, sees the band carrying on its tradition of epic riffs and intricate songcraft complete with an always jet-black vein of crust, doom, and black metal running through things. And really, could you expect anything less?
You’re in luck, because there’s not less but MORE! Local thrashers Left Cross have their first full-length on deck for you as well, this one coming from fellow local powerhouse label Vinyl Conflict. Chaos Ascension finds these guys continuing to ply their trade in late 80s death metal moves, channeling Scream Bloody Gore and Slowly We Rot with abandon on this brutal full-length. A special bonus appearance by Knight Terror, who hail from Brooklyn, feature members of Mutilation Rites, and are every bit as raw and ripping as these two facts would lead you to expect, is sure to thrill all assembled.
Tuesday, November 7, 8 PM
Demoncy, Crurifragium, Ululatum Tollunt, ASM, American @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
I hope you didn’t think that last show is as brutal as things would get in this column. Sure, Earthling, Left Cross, and Knight Terror are all pretty blackened, but the unutterable horror of Demoncy takes things to another level entirely. Their killer 2012 album Enthroned Is the Night was released on Nuclear War Now (so you know they’re for real) and features a constant low-end pummeling rumble laden with blast beats and topped with a sinister, throaty growl that speaks of Satan and infinity with sinister intent. Halloween was last Tuesday, but this band doesn’t care for your petty holidays–they’re terrifying all the time.
Fellow Seattle-ites Crurifragium (which seems like the sort of name a band picks mainly because of the ways its letters flow together to create a totally brutal logo) bring more high-end guitar buzz than Demoncy on their most recent full-length, Beasts Of the Temple of Satan, but the result is essentially the same–and really, how could you expect anything less from an album with that title? Prepare to throw the horns and bang your head, because this show is going to bring the beast out of you.
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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]
