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VA Shows You Must See This Week: December 18 – December 24

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FEATURED SHOW
Thursday, December 19, 7 PM
Gritty City For The Kids 5, feat. Gritty City Records (Photo by Jake Cunningham), Segga Spiccoli, Radio B, 3WaySlim, Reppa Ton, Scuba, Bandolero, Illa Styles, Versace Chachi, Shawn Mike, Starr Nyce, A.Day, Gritty City Sound Machine @ The Camel – $10 (order tickets HERE)
Y’all, when you’re the editor of a magazine that focuses on the entirety of the music scene in a mid-sized American city, let me tell you, a lot of pressure gets put on you. Specifically, the pressure to say that every single thing from that city is equally great. And that’s an easy job most of the time, because Richmond really does have a tremendous musical scene. But sometimes, especially in this column, I like to drop the facade a little bit and let y’all know how I really feel. This is how I really feel: in Richmond, if you want hip hop, the best place to go is Gritty City Records.

If you ask me, there isn’t even a convincing argument against it. Without even mentioning their formidable, nearly decade-deep back catalog, just look at the wide cross-section of Richmond talent that released projects on Gritty City this year alone! We’re talking Ant The Symbol, Noah-O, Fan Ran, Johnny Ciggs, Rah Scrilla, and more. And look at the wide cross-section of talent appearing on Gritty City’s annual holiday extravaganza this year. From label stalwarts to all-star guests, this one is truly stacked with talents that bring a wide variety of Richmond hip hop flavors to the table.

For example, there’s Illa Styles, whose latest album, A Quarter Til A Mil, released just a month ago, is the kind of hip hop masterwork we’re lucky to get in any year. There’s Radio B, whose work with AGM always dominates the city and remains highly underrated in the world at large. Plus Segga Spiccoli, Versace Chachi, Reppa Ton, Bandolero… the list goes on for quite a while, and it’s all top-quality. Plus, this show is affiliated with Punks For Presents, so cash and toys donated will help add to the annual bonanza that group delivers to the Children’s Hospital. There are a million reasons to be in attendance for this, so you really should just go ahead and do it.

Wednesday, December 18, 9 PM
Mister Goblin, Pet Fox, Baby Grill, BigDumbBaby @ Wonderland – $10
Two Inch Astronaut had a lengthy career full of high points in melodic, emotional postpunk, and it was a real bummer to hear that this Maryland band was ending last year. Thankfully, frontman Sam Woodring didn’t slow down at all, and only a year later, we’ve already got the debut album from his post-Two Inch Astronaut project, Mister Goblin. Is Path Warm?, which sounds like a badly translated subtitle in a foreign film, was released just a few weeks ago by Exploding In Sound Records, and now Woodring and co. are coming to Richmond to bring us some excellent sounds, live and in person.

Mister Goblin might sound like a hip hop or electronic project, but the band isn’t much different than Two Inch Astronaut, really — maybe a little moodier, with a slightly more wistful vibe, but really, if you were into the last Two Inch Astronaut LP, 2017’s Can You Please Not Help (now THAT’s a great album title), you’re not going to find anything not to love in what Mister Goblin’s bringing to you now. They’ll be coming to town accompanied by Bostonians Pet Fox, in which Ovlov drummer Theo Hartlett is stepping out from behind the kit to front a trio with strong melodic inclinations and maybe just a bit less crunch than his other band. If you dig Ovlov, though, you’ll want to catch Pet Fox on their way through town. So spend your midweek evening at Wonderland tonight — you’ll be glad you did.

Thursday, December 19, 7 PM
Post Sixty Five (Photo by Joey Wharton), Nah., Colin Phils, Fullscreen @ Poor Boys – $5
Prsmcat, the new show-booking crew from members of Majjin Boo, have been running things in a downright familial manner over at Poor Boys, and it’s been really nice so far. They picked up the banner of locals-only shows that fell to the ground with the sad departure of Strange Matter, and have been doing shows featuring known and up-and-coming groups regularly over at Poor Boys. This latest, the last before the holidays, is a birthday celebration for Hicham Benhallam, who is not only the soundman at Poor Boys but the frontman for Post Sixty Five. And, not coincidentally, Post Sixty Five will be headlining this show.

The ambient indie group with its roots throughout Virginia haven’t been all that active in recent years — their last EP was released in early 2017 — but if anything, that makes it more exciting to get a set from the quintet to cap off a celebratory evening. What’s more, we’ll also hear from Nah., a DC-based group who stretches the definition of “local” but has a welcome synth-spiced indie-postpunk sound that will go perfectly with that of Post Sixty Five. With local faves Colin Phils and newcomers Fullscreen filling out the bill, this one’s gonna be a wonderful time all around.

Friday, December 20, 8 PM
Ty Sorrell, Bon Ki, Billy Capricorn @ Gallery 5 – $8
One of the greatest things about Richmond label Citrus City is their eclectic palate. From electro-pop to indie-psych to erudite hip hop, they release music from any genre that strikes their fancy, and rapper Ty Sorrell’s brand-new Citrus City cassette, At God’s House, makes that all the more clear. The release, a co-production with Boston’s Disposable America, is what we’ll be celebrating at this show, and it’s certainly worth a party, considering how well Sorrell displays an engaging combo of erudite rhymes and multi-layered beats on this project.

Sorrell brings in all sorts of guests on At God’s House to sweeten the pot and enliven the proceedings, and we should see a similar sort of thing going on at this Gallery 5 throwdown, especially since psychedelic indie space rangers Bon Ki, who appear on the album, will also be playing a set this evening. Will we see folks like Alfred and Rob Gibsun joining Sorrell onstage as well? There’s only one way to find out.

Saturday, December 21, 8 PM
Elizabeth Owens, Spartan Jet-Plex, Melul, Persephone @ Garden Grove Brewing – Donations for VAVP appreciated
Singer-songwriter Elizabeth Owens has been making a name for themselves around Richmond for a couple of years ago. Backed by The Live Bats, they created a moving indie-folk song cycle entitled Coming Of Age in 2018. That album explored the difficulties of finding oneself amid an alienating, oppressive world, through a story of a young princess finally escaping a mystical imprisonment after years of isolation. Now, in 2019, Owens is bringing us another take on that tale with an acoustic EP entitled Still Coming Of Age, which reimagines some of the standout tracks from the original album in a bare-bones solo context.

It’s that EP that this performance at Garden Grove celebrates, and for this release party, Owens will join with other performers to create an intimate, personal evening of solo musical endeavors. Hard-working local collective Grimalkin Records has been Owens’ label of choice for a while now, and fellow Grimalkin artist Spartan Jet-Plex will be one of the performers on this bill, bringing their haunted balladry to the Garden Grove stage. The evening will be rounded out by the dark ambient atmospheres of Melul and a solo turn from Aesthetic Barrier’s Persephone. Plus, Owens will have holiday gifts for friends who attend, so this show is sure to bring a little of the positive holiday spirit into your heart.

Sunday, December 22, 5 PM
R4ND4ZZO BIGB4ND (Photo via VPM/Facebook) @ Fuzzy Cactus – Free!
Last time we were in this space, we talked about Richmond’s own jazz bassist extraordinaire, Andrew Randazzo, and his efforts heading a variety of ensembles here in town. At that time, I told you that there was at least one more opportunity awaiting you to see Randazzo’s foremost orchestra, the R4ND4ZZO BIGB4ND, engaging in their excellent yearly interpretations of Vince Guaraldi’s immortal soundtrack for best Christmas special ever A Charlie Brown Christmas. Well, if you didn’t mark your calendars then, you definitely should now, because that time has come.

Guaraldi’s original soundtrack was performed by a simple trio, with Guaraldi’s piano backed solely by bass and drums. The R4ND4ZZO BIGB4ND treatment is something else entirely, though, as it augments a crack rhythm section featuring Randazzo and some of his Butcher Brown compatriots with a dozen or so horn and reed players, plus even some occasional guest vocals, for a massive big-band treatment of quite a few absolute classic Christmas season tunes. Are you struggling to find the spirit this year? Look no further — R4ND4ZZO BIGB4ND will put you in the proper mood.

Monday, December 23, 7 PM
Sons Of The Beasts @ Chiocca’s – Free!
Relaxing holiday times are much the same throughout the year — the closer they get, the more relaxed things are around the music scene. And when things are relaxed, musicians inclined towards jamming truly come into their own. That’s when we see mainstays of the scene take stages to get loose and explore what can happen outside the confines of a standard set list, and it’s where all kinds of one-offs and improptu supergroups find time to shine.

You’ll see exactly that kind of thing taking place at Chiocca’s, that little sandwich shop in a Museum District basement, when Sons Of The Beasts get together again for the first time in quite a while, in order to unleash some rockin’ acoustic fun times. If you’re not familiar with the name, you still know the musicians — members of The Southern Belles, The Congress, Jackass Flats, and more are represented in this quartet, and they’ll be dishing out a variety of tunes from their other projects along with some fun covers and unexpected delights. We all know no one gets anything of substance done the week of Christmas, so start the week off with some fun and rock out with Sons Of The Beasts at Chiocca’s.

Elsewhere Around The State:

Wednesday, December 18, 8 PM
Turnover, Men I Trust, Renata Zeiguer @ The NorVA (Norfolk) – $23 in advance/$26 at the door (order tickets HERE)
Turnover’s gone through a lot of changes over the years, from their roots as a melodic, emotional post-hardcore group to their middle period as a shoegazing dream-pop combo. Now, with their brand-new fourth album, Altogether, they’ve integrated an 80s New Wave synth sound that finds them progressing yet again — to a land somewhere between Vampire Weekend, ABC, and 60s tropicalia. That’s a long way to go in six years.

However, it’s a trip that’s worth taking with these Tidewater boys, who keep finding fantastic new ways to express their ever-renewing pop sensibility. So join the Turnover crew as they return home for the holidays with a big party at The NorVA. They’ll be accompanied by Men I Trust, a hypnotic bedroom-synth group from north of the border, as well as up-and-coming torchy Brooklyn songwriter Renata Zeiguer. It won’t be a stage-dive fest of old, but if you appreciate good music, Turnover’s latest transformation will please you every bit as much as their previous incarnations.

Thursday, December 19, 6:30 PM
Leukemia & Lymphoma Society benefit, feat. Super Doppler, No BS! Brass Band @ Naro Cinema (Norfolk) – $15 (order tickets HERE)
The holidays bring out the giving spirit in everyone, and our favorite local bands are no exception. Punks For Presents is far from the only example, and live music collective LAVA Presents proves that on Thursday by joining with two of the best bands in Virginia right now — rockers Super Doppler and funk-jazz party-bringers No BS! Brass Band — to throw a hellacious wingding at Norfolk’s Naro Cinema to benefit the Leukemia & Lymphoma Society.

As charity events go, you’ll have more time writing this one off on your taxes than you will pretty much anywhere else, and rest assured that between our two musical hosts, we’re sure to get plentiful opportunities for smiles, singalongs, and dance parties. What better way could there be to kick off the last weekend before Christmas? (Goodness knows, if any weekend starts on Thursday, it’s this one.)

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Illa Styles: The Hero Richmond Hip Hop Didn’t Know It Needed

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The latest album by Richmond’s Illa Styles is a tale of love, personal growth, and navigating the ever-changing dynamics of life in America in 2019.

A Quarter Til A Mil by Richmond-based rapper Illa Styles is the latest in the River City scene. Pressing play on the album, listeners are greeted by the voice of the late Nipsey Hussle, and it becomes clear that this isn’t your average rap record.

With a gritty sound and life instruction manual-style lyrics, A Quarter Til A Mil finds Illa Styles rapping over high-energy jazz and carefully-crafted production from Michael Millions, with skits and features as versatile and well-made as the album itself.

Styles isn’t new to the game. Much like a carpenter goes to trade school to learn their craft, he graduated from the school of hard knocks in order to create this new record. It’s a refreshing guide to navigating street life while maintaining personal growth, and even when it comes to the dirty details, Styles doesn’t shy away. If anything, it is through his transparency that he finds his power.

“I am not glorifying this,” Styles said. “I am just documenting things that went down during the course of my time here.”

Styles has lived in Richmond for many years, yet it’s obvious he refers to more than just this area on the album. 

“I’ve lived through many dark fringes of society. I used to manage strippers… and some other things I’d rather not talk about. I was still a slime ball, bouncing from house to house every season depending on who I was dating at the time,” Styles said. “I wasn’t paying bills. Once I had my daughter, I fell back for a year.” 

Under pressure to provide for his newborn and her mother, Styles strove to live for her rather than continuing the life he had known before.

“She put the humanity in my music. She listens to it. I have to be a little more cautious about certain things I put in there, while still giving authentic highlights and certain pitfalls in life to avoid.”

In its sound, A Quarter Til A Mil is well-suited for the present. However, it’s clear that Styles found inspiration for his lyrical “fashion tips” from many different places and experiences unique to no decade.

“Everything in life inspires me,” Styles said. “I can ride down the street and see the clouds cascading over the sun in a certain way, and that inspires me. I try to take inspiration from everything in life. Never let it be wasted — what you consume is what should drive your inspiration.” 

Styles refuses to be limited. He notes that artists should continue to be versatile in all walks of life, acknowledging that there are many different ways to express yourself in the music industry. 

“Why limit it?” he said. “Why pigeon-hole yourself, put yourself in a box… Good music is just good music. It’s not even about a genre anymore. As long as it feels good to you, then it’s music.” 

Photo by Branden Wilson

Pulling from many different genres, Styles has found inspiration from artists over the years with various styles and sounds. He cites Snoop Dogg as the first rapper he found a real connection with. Doggystyle, released in 1993, was the first album Styles ever bought. Although he was always a fan of hip-hop, he was reluctant to dive straight into the culture.

“I didn’t always feel like I could do it, because there wasn’t a whole lot of new life being breathed into the music,” Styles said. “It just wasn’t my kind of vibe. When Snoop came in, even though he’s from California, it was something familiar — the stories he was telling, the music.” 

Across the continent in Philadelphia, Styles found a sense of familiarity in Snoop’s music. Growing up on opposite ends of the nation, the two artists lived different lives with similar battles while Styles navigated his days in West Philly. 

“Philly is a rough place,” Styles said. “I’ve seen a man get killed with a bat right in front of my house when I was just seven years old. That’s one of the reasons I got the tattoo ‘Life Is Priceless.’ You never know; you’ve got to treat your life with the utmost sincerity and respect… You’ve really got to put the time in to make sure you’re living life to the fullest.” 

Styles left Philadelphia to move to Richmond in his junior year of high school. It’s no surprise to hear that classic artists like Anita Baker, Luther Vandross, Donnie Hathaway, and Marvin Gaye were the songs playing in the background of his household growing up.

Today, Styles listens to a broad array of music, from hip hop and blues to Linkin Park and Creed. Noting John Mayer as a major inspiration of his artistic life, he is far more complicated than his laid-back exterior comes across. His blunt but confident inflection shows that Styles only raps about what he knows; and he’s waited years to finally load all of his experience and prowess into one album.

Styles worked through 60 original songs in the process of creating A Quarter Til A Mil‘s current track list of 16 hip-hop gems. Each track displays a different mood in hip-hop, but can all be tied together by jazz. Having lived in Richmond for most of his life, he felt it would be wrong not to pay homage to the city’s rich history of jazz talent.

“Richmond is all about live instrumentation,” Styles said. “A lot of stuff here has that soul, that grit… When you think of Richmond, it’s live jazz.”

But more than just jazz went into informing the live-instrument sound of A Quarter Til A Mil — and a lot of the inspiration for the album has a local basis.

“The rock scene is crazy here,” Styles said. “D’angelo — those sounds are akin to Richmond. They are married to Richmond. A lot of people try to chase that digital synth sound, but that’s not a Richmond sound.”

His reason behind wanting to use real instruments for the album was a practical one: he wants you to listen.

“For most people, just hearing [analog instruments] brings about an experience much larger than any sound waves moving around the air aimlessly,” Styles said. “Those sounds are emotional triggers that plant themselves in your head, like seeds tossed into reality; when they sprout, they combine the past and present, making what you’re listening to become attached to a specific feeling, smell, or idea.”

Photo by Branden Wilson

Although he possesses a very classic aura about him, Styles’ views of the world are modern. The more you hear his music, the more he shares his world and his perspective. One can’t help but resonate with him.

Styles is the new “classic man.” The man we need now — especially during this time of social change and battle for a mass enlightenment within America. As time goes on, the role of manhood encompasses more than its traditional roles, and brings in a new, nurturing scope of the world.

“I feel like the universe is a feminine energy,” Styles said. “The energy of creation, of motherhood. They hammer into our heads ‘The Father, The Son, and The Holy Ghost,’ but where’s the woman that’s present in that situation? Anything that comes to you after you start leading with love, that’s the universe bringing it to you.”

In his song “Long As The Villain Win,” Styles raps lyrics like “love leads and the universe follows.” His words are heroic coming from a man who claims to be the villain of his story, but perhaps Styles is onto something — perhaps the world is changing so much that our definition of a “hero” needs to accompany the new face of justice; one that is more representative of the people as a whole.

Styles is challenging old world perspectives with A Quarter Til A Mil, displaying the courageous message of a new generation of American men. His latest album is a jazzy self-reflection as much as it is a guide to self-actualization in the modern world. Underground voices often speak truth in a society of oppression, and Styles uses his words to express his thoughts during this era of American life. 

Top Photo by Branden Wilson

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 20 – November 26

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FEATURED SHOW
Friday, November 22 & Saturday November 23
Raw Mom Weekend, Night 1: Alfred, Trapcry, Archangel, F.R.E.E.
Night 2: Gumming, True Body, VV, Lance Bangs, Sofia Lakis
@ Gallery 5 – single night: $8 in advance/$10 at the door. Weekend pass: $15 in advance (order tickets HERE)
Hope everyone’s getting their wallets limbered up, their psyches strengthened, and their cars fit for traveling, because it’s that time again! Yes indeed, folks, the holidays are coming sooner than you think — Thanksgiving is a mere eight days away, and Christmas, Hannukah, and Kwanzaa are only a month past that. It’s coming time to see the fam, with all the happiness and terror that entails. But before the holiday season officially kicks in, let’s celebrate our river city fam with the first ever Raw Mom Weekend at Gallery 5.

My old pal Rivanna Youngpool has really outdone herself with this one, bringing two nights of incredible local talent together on the Gallery 5 stage to celebrate the ever-renewing wellspring of talent that is the Richmond music scene. Night one is the night on which we will all dance, featuring hip hop, ambient electro, and psychedelic dance grooves from several different politically-informed artists of color. Rapper Alfred will headline and bring his lysergic beats and tongue-twisting rhymes to keep your ears burning and your feet moving. Trapcry, meanwhile, brings powerful electric funk with a strong social conscience, as Archangel explores spaced-out anime-inspired breakbeats.

That’s Friday night, and on Saturday, night two brings us a whole different approach that’s sure to be equally invigorating. The noisy, quirky, brilliant, powerful punk rock of Gumming tops the bill and promises to trip you out and rip your head off all at the same time. Things will get more gothic at points with sets from True Body and VV, while Lance Bangs will bring you an always-pleasing dose of slack indie rockin’. Sofia Lakis will kick things off with some beats to ensure that there’s plenty of dancing on this night as well. What better way do we have to celebrate the last weekend before the holidays spread their ambivalent malaise across the next six weeks? I can’t think of one.

Wednesday, November 20, 9 PM
Ant The Symbol, GIANT, Johnny Ciggs, Reppa Ton, Rah Scrilla, Jarv, C Shreve @ The Richmonder – Free!
Over here at RVA Mag, we’ve been following the work of Ant The Symbol for a solid decade now, since back when he was still Just Plain Ant of the Just Plain Sounds crew. He’s been growing and maturing as a producer and musician ever since, and over the past few years, his massive collaborative albums have become event listening for the entire RVA hip hop scene whenever he releases one. THE WHAT?! is the latest in a string of Ant The Symbol releases on his post-JPS home of Gritty City Records, and it shows that as time goes on, the man just gets better at making incredible music for the city’s best to spit rhymes over.

That doesn’t mean he’s getting predictable — even his latest crew of collaborators can acknowledge that. The first thing Kels says on his THE WHAT?! track, “My Way,” is, “I love you, Ant, but this beat’s weird.” Speaking personally, that’s why I look forward to each new Ant The Symbol project — where others get predictable, he gets creative. He’s put out so many records I’ve honestly lost count, and he still hasn’t come anywhere near repeating himself. That’s why you should make a point to show up tonight at Gritty City’s longtime live home, which is called The Richmonder instead of Emilio’s now but is still the same dope spot. Ant The Symbol’s gonna join with his Gritty City crew and a whole bunch of other talented rappers from Richmond and beyond to bring you the freshest new sounds this city has to offer, in the form of his new album. Don’t be left asking, “the what?” Show up tonight so you know the answer.

Thursday, November 21, 7 PM
Wild Pink, Addy, Recluse Raccoon, Beeline @ Poor Boys – $5
If you’ve been seeing the phrase “Prsmcat Presents” on a bunch of good shows lately, you’re not the only one — this new booking project from members of Majjin Boo has brought a cornucopia of excellent live music to the city over the past couple months, and established themselves as a name to look out for. This visit from Brooklyn’s own Wild Pink is just the latest positive result of Prsmcat’s efforts around town, many of which have involved the return of rad live sounds to the backroom stage at Poor Boys, the venue formerly known as Flora and, before that, Balliceaux. I can’t imagine anyone having any complaints about that.

Wild Pink are definitely worth spending a Thursday night in the aforementioned back room. On last year’s Yolk In The Fur, it’s clear why this trio dedicated their latest album to the memory of Tom Petty — that recently-departed heartland rocker is an obvious influence for Wild Pink, one they feed through a 21st century sensibility that evokes the best work by The War On Drugs. It’s smooth, comfortable, and ever-so-slightly melancholy, in a manner sure to evoke a sad smile of recognition. Wild Pink will be joined on this weekend-preview night at Poor Boys by some excellent local indie groups as well, foremost among them Recluse Raccoon. The results are sure to charm you.

Friday, November 22, 7:30 PM
Bonsai Trees, Dropping Ugly, Linden Row @ Garden Grove Brewing – Free!
Damn, y’all, I love it when this happens — when I’m poking through a list of bands, all of which I’m unfamiliar with, trying to find the makings of a killer show. I always find something good — this is Richmond, after all; we do live music RIGHT. But it’s rare that I am totally blown away by a band whose name I’ve never even heard before. However, Connecticut’s Bonsai Trees are that rare band.

This talented quartet’s recently-released Learn To Grow LP came out of nowhere to blindside me with its incredible collection of melodic, emotional alt-rock tunes. The more I listen to it, the more stoked I get. At this rate, I’ll be bouncing all over the room by the time they even take the Garden Grove stage Friday night. And whether you’ve heard them before or not, I pretty much guarantee that once they start playing, you’ll be just as over the moon as I am. The fact that their show is free and also features talented RVA combos Dropping Ugly and Linden Row merely sweetens the already-delicious pot. Is that how that particular cliche works? Oh, who cares. All I care about is you going to see Bonsai Trees Friday night. Seriously, do it.

Saturday, November 23, 8 PM
David Shultz, Nick Woods, Jonathan Vassar, Trey Burnart Hall @ Capital Ale House Music Hall – $8 (order tickets HERE)
By now, you’re probably used to seeing “singer-songwriter night” tagged onto certain performances that take place around this city, and you’ve come to expect certain things — talented solo performers who are for the most part just getting started with their musical careers, playing a selection of tunes you probably won’t have heard before but you just might love. This Saturday night show at Capital Ale House’s Richmond Music Hall could accurately be termed a singer-songwriter night as well, but if it were, it’d be a particularly stacked one, featuring as it does multiple Richmond musicians who’ve built decade-plus careers here in the river city.

Take David Shultz, for example. From his days fronting alt-country combo The Skyline to more recent solo acoustic outings and now some brand new tunes created with the assistance of multiple Spacebomb-affiliated creators (perhaps a harbinger of positive things to come?), Shultz has quite the track record going for him — and he’s clearly far from done as a creative musical force. His old pal Nick Woods is similar — once the Richmond-based frontman of indie-folk group Orioles, these days he’s making country-style acoustic music down in Nashville. And of course, Jonathan Vassar’s heartfelt folk-Americana sounds have been a constant here in Richmond for over 15 years now. Trey Burnart Hall is a relative newcomer by comparison, but he’s an incredibly talented one. If it’s a showcase for some of the most talented singer-songwriters this city’s ever produced that you crave, you’re in for a major treat at Capital Ale House this Saturday night.

Sunday, November 24, 6 PM
RVA Rap Elite Season Finale, feat. Team Radio (Radio B, Michael Millions, Cole Hicks, Cane, Intalek) vs Team Petey (Nickelus F, Big Sty, Easalio, Illa Styles, Fan Ran), Bravo vs. Chance Fischer, Big Sty, BlackLiq @ The Dark Room – $10
Battle rap is a strong tradition that dates back to the very dawn of hip hop, but it’s had its ups and downs over the decades. Freestyle battles between talented rappers are definitely on the upswing here in Richmond, though, and have been for the past few years, from the work of the Southpaw Battle Coalition to the star-studded presentations by RVA Rap Elite. This particular event constitutes the 2019 Season Finale for these events, which have relocated with the closing of Champion RVA to The Hofheimer Building’s Dark Room.

RVA Rap Elite majordomo Radio B is really pulling out all the stops for this last event of 2019, too — he and his AGM partner Nickelus F have each formed five-MC teams that will battle it out in a cypher sure to have faces melting and heads exploding all over the Hof. Between Radio B’s enlistment of heavy hitters Michael Millions, Cole Hicks, and more; and Nickelus F’s recruitment of Illa Styles, Fan Ran, and other world-class talents, it’s hard to predict who could prevail in this clash of the hip hop titans. Meanwhile, Bravo and Chance Fischer will strut their own stuff in a battle that’s guaranteed to showcase some devastating rhymes from these two top-level rhyme spitters. And of course, BlackLiq and Big Sty will each bring the fire with sets of their own. If you care at all about hip hop in RVA, you have got to make it out to this one — it really doesn’t get better.

Monday, November 25, 7 PM
Jimbo Mathus @ The Canal Club – $15 (order tickets HERE)
It’s entirely possible that right now, you’re thinking what I was thinking when I first saw this listing: “Jimbo Mathus… do I know who he is?” You almost certainly do, but chances are you know him better as the co-founder and leader of the Squirrel Nut Zippers than you do as a solo performer. Everyone remembers the Zippers from their late 90s hit, “Hell,” but that quick taste of success did them a disservice, as their old-time Dixieland jazz approach got them swept into the “swing revival” dustbin with the Cherry Poppin’ Daddies and old VHS copies of Swingers when the turn of the millennium rolled around.

Meanwhile, Jimbo Mathus was and remains a world-class talent with a wide-ranging creative sensibility that finds him dipping into the worlds of folk, blues, and Southern soul, as he’s proven with his 2019 solo album Incinerator — his fourth under his own name. The album sees him collaborate with former Zippers bandmate Andrew Bird, as well as Lily Hiatt and members of the Drive-By Truckers. The result isn’t that much like your memories of the Squirrel Nut Zippers, but it’s sure to be a hit with anyone who loves heartfelt American music created by truly unique characters that haven’t been homogenized by our country’s creeping suburban wasteland. That’s what you’ll get from Jimbo Mathus, and you’re going to love it.

Tuesday, November 26, 8 PM
La Dispute, Touche Amore, Empath @ The Broadberry – $25 (order tickets HERE)
One of the first articles I wrote for RVA Mag, nearly a decade ago, was about Touche Amore and Pianos Become The Teeth coming to town to perform. While La Dispute wasn’t part of that gig, they were, along with those other two bands, part of the loosely-aligned group known as The Wave. This was a cadre of half a dozen or so bands who formed an affiliation based on their mutual status as groups attempting to thread the needle between emo and hardcore at the dawn of the 2010s. Those groups have gone in a variety of musical directions since then — Pianos Become The Teeth have dropped the screaming and found a deep well of melodic emotion to draw from, Touche Amore have remained closely musically aligned to hardcore even as their exploration of deeply fraught lyrical content has cut ever closer to the bone.

As for La Dispute, 2019 has seen them sign to Epitaph Records and release their first LP in five years, Panorama. On it, vocalist Jordan Dreyer — always the most literarily inclined of The Wave’s songwriters — has gone deeper than ever into his novelistic inclinations, exploring his own emotional responses to trauma and tragedy in the lives of those he cares about over the course of the album’s 10 songs, even as the rest of the band generates dynamic compositions that move from quiet introspection to overwhelming crescendos in a matter of minutes. The result is an incredible musical journey that will have a powerful impact on all who witness it — especially in the live environment La Dispute will create at The Broadberry this Tuesday night. Let it impact you. Be there.

Elsewhere Around The State:

Friday, November 22, 6 PM
Femme Funk, feat. Shagwuf, Ships In The Night, Harli & The House of Jupiter, Dropping Julia, Marti @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
This Friday night in Charlottesville, The Southern Cafe will bring us the third annual celebration of C-ville’s showcase of femme musicians, Femme Funk. This year’s event is set to benefit Planned Parenthood of Charlottesville, and with the kind of peril reproductive rights and women’s health care face in Trump’s America, you’d be hard pressed to find a better cause than this one. Plus, you’ll get to hear a highly diverse set of sounds from Central Virginia performers of a feminine persuasion, and that’s always a joy.

It’s especially a joy when the evening is headlined by the unrestrained rock n’ roll passion of Shagwuf, whose blues-inflected alt-rock has been blowing minds around VA and beyond for quite a few years now. The evening will also feature as wide a variety of sounds as is possible to find in one room on one evening, from Harli & the House Of Jupiter’s powerful soul-punk fusion to Ships In The Night’s dark, ambient electronic sounds to the rootsy pop of Dropping Julia and the indie rocking of Marti. See how much femme artists have to offer the world of Virginia music and take a drive up 64 this Friday night for Femme Funk — you won’t be sorry.

Tuesday, November 26, 7:30 PM
Immortal Technique, GOOGZ @ Elevation27 (Virginia Beach) – $20-$25 (order tickets HERE)
If you’ve just been following the lists of new releases over the past eight years or so, you could be forgiven for thinking that Immortal Technique had retired from the hip hop game. We haven’t gotten any new music out of the most radical rapper in the game since his 2011 collection, The Martyr, and while he swears he’s still working on long-promised fifth album The Middle Passage, there’s no release date as yet. That’s all the more reason to head to Virginia Beach this Tuesday and see Immortal Technique murder the mic, live and in person.

While these days he’s probably better known for his radical left-wing politics due to multiple appearances on the shows of Joe Rogan and (uh) Alex Jones, Technique’s hip hop mixes those politics with some incredibly harsh lyrical content, leaving him somewhere between political rap and outright horrorcore — a dichotomy clearly visible in songs like “Point Of No Return” and “Dance With The Devil.” Regardless of whether you agree with everything Immortal Technique raps about (personally, I’ve never been a fan of his casual use of homophobic slurs), he’s an incredibly talented and provocative MC of the sort who doesn’t come around very often at all. So go see him, because there’s no telling when you’ll get the chance again.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Gumming, by Joey Wharton, via Twitter

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 6 – November 12

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FEATURED SHOW
Saturday, November 9, 5 PM
Thrashgiving IV, feat. Vulcanite, Genosha, The New Mutiny, LAIR, Murdersome (Photo by Dennis Williford), Alluvion, Site Of Suffering, Cut The Architect’s Hand, Sentius @ Strangeways Brewing – $10 cash, or $5 with canned/non-perishable foods
OK, y’all, Halloween is over, which means we’re officially into the holiday season, for better or for worse. Right now it’s for better, at least for me, because in spite of all it’s terrible cultural baggage, Thanksgiving as it exists in 2019 is my favorite holiday. Sleep late, eat a big meal, watch football… what’s not to love? We hit the “for worse” part along about 8 PM when Mom starts getting antsy and wanting to hit the Black Friday sales (these days a good many of them start as soon as the sun goes down on Thanksgiving, and whoever’s idea that was needs to be put on trial for their crimes against humanity).

Anyway, Thanksgiving itself is still a few weeks away, but over at Strangeways Brewing, they’re getting into the giving spirit a little early, as this Saturday brings about the fourth annual Thrashgiving celebration, put together by Metal Teresa Productions as a benefit to help feed the hungry and house injured military veterans and their families. These good causes are well worth your support, and if you bring some canned or non-perishable food items to donate, you’ll get half off admission, so that rules as well!

In return for your five bucks and your cans of beans, you’ll get a veritable showcase of the best Virginia’s metal scene has to offer. From grunge-metal ragers Vulcanite to mournful doom sludgers Lair — who have a brand new self-titled album out as of last week — and from bloodthirsty thrashers Murdersome to brutal hardcore mosh maniacs Genosha, this show has a ton of headbanging awesomeness to offer. In addition to those four, there are half a dozen more excellent groups on the bill, and considering how cheap the price of admission is, it’s really quite the bargain if your tastes run toward headbanging. This one gets our highest possible recommendation.

Wednesday, November 6, 8 PM
Future Teens, Oceanator, Colpa Mia, Pump Fake @ The Camel – $10 (order tickets HERE)
Despite the name at the top of the bill, as far as I know, none of the bands playing at The Camel tonight have any members under 13 years old. However, Boston’s Future Teens do have a new album called Breakup Season, which is full of melancholy, heartfelt indie rock tunes of the sort the band aptly labels “bummer pop.” These days it seems like that whole twentysomething malaise that descends when you get out of college and don’t know where you’re going to go next can last well into your 30s and beyond, and it can be comforting to hear a band sing poignantly and relatably about it over some amazing pop melodies.

That’s what Future Teens has to offer, and I think we could all use a night of that — maybe a bit more than we want to admit. Along with it, we’ll also get a set from New Yorkers Oceanator, who have a similar sort of emotional vibe but add a good deal more bottom-end crunch to their harder-hitting alt-rock tunes — which is always nice. Richmond’s own Colpa Mia will add their own indie sound to the mix, and brand new local emo duo Pump Fake will get things started at The Camel tonight. Get down there and soothe your troubled soul with music.

Thursday, November 7, 7:30 PM
Chameleons Vox, Theatre Of Hate, Jay Aston, Unmaker @ Capital Ale House Music Hall – $20 (order tickets HERE)
The Chameleons were incredibly important to the development of UK postpunk in the 80s. While other guitar-based bands like Echo And The Bunnymen, The Cure, and The Jesus And Mary Chain are a bit more well-known today, any listen to 21st century exponents of music like this shows an indelible influence from the sound The Chameleons expertly crafted during their initial 80s run. The mix of Mark Burgess’s insightful, poetic lyrics, thundering basslines, and dramatic baritone vocals combined perfectly with the glittering twin guitar lines of Reg Smithies and Dave Fielding to create a legacy that still endures after four decades.

The Chameleons did briefly reform and release three more albums in the early 00s, but these days, Mark Burgess soldiers on as the sole original member, performing classic Chameleons tunes under the name Chameleons Vox. While his backing band has featured a variety of different musicians over the past decade, Burgess has always recruited excellent guitar players to recreate Smithies and Fielding’s gorgeous spiraling melodies, and his own vocal and bass talents ensure that the songs retain their proper gravity. Basically, if you love the Chameleons — and if you’ve enjoyed bands like Interpol, Shadow Age, or Soft Kill in recent years, you definitely do — you’re sure to have a wonderful night seeing Chameleons Vox bring legendary songs like “Swamp Thing” and “Thursday’s Child” to full, glorious life.

Friday, November 8, 8 PM
Ellen Siberian Tiger, HotSpit, She, CAPTCHA @ Bingo Beer Co – Free!
Don’t panic, folks — I’ve done some research and learned that despite their band name, Ellen Siberian Tiger is just as human as you and me. This trio from Philadelphia dishes out some pretty excellent grungy alt-rock in the vein of Hop Along or Speedy Ortiz, and I for one am digging it. I also can’t help but love the powerful, confrontational feminism espoused on tracks like “Kitchen Knife” and “When Men Explain Things To Me.” We need more of these sorts of lyrics in the world.

Ellen Siberian Tiger will be rocking the halls of Bingo Beer this Friday night in a manner my punk rock friends always wanted to back in the 90s, so I can’t help but be excited, and I’m just as excited for the trio of excellent Richmond groups that are sharing this bill with them. The outstanding HotSpit are at the top of that list, and while they’ve still only released a few demos online, their live performances around town over the past year or so have shown that this band has a ton of talent on offer, from their excellent vocal harmonizing to the gorgeously downbeat melodies they seem never to run out of. She, who’ve excellently evolved from a solo project into a trance-inducing atmospheric indie combo, will also bring some lovely sounds to your ears on this evening, and CAPTCHA are certainly far more pleasant than any gridded image demanding you click on the portions of the screen that feature crosswalks. Get down with this one.

Saturday, November 9, 9 PM
Queen Elephantine & Tavishi, Hex Machine, Manzara @ Wonderland – $10
In a world that tends to be overfilled with doom metal bands these days, it’s rare to find one that’s approaching the genre in a manner previously unheard. But with Queen Elephantine, who were originally formed in Hong Kong and now make their home in Philadelphia, just such a band may have come along. Granted, new LP Gorgon is heavy and gloomy as fuck, but it’s hard to say that this is really “metal” in the conventionally understood sense. Instead, it seems to combine astral-travelling psychedelia, apocalyptic drone, spooky occult atmosphere, and noise experimentation, all with a massive dose of sludgy heaviness.

The result, at least on Gorgon‘s 13-minute opener, “Mars,” is like some sort of strange crossbreed between Acid Mothers Temple, Corrupted, and Sunn O))). It certainly should come to mind-expanding full-volume life at Wonderland this Saturday night, and if we’re reading this correctly, local experimental noise musician Tavishi will be lending additional texture to Queen Elephantine’s set for what’s sure to be a fascinating and unmissable experiment in dark, crushing noise. Local noise-rock powerhouse Hex Machine will open up, along with quietly devastating Richmond postpunk group Manzara, making this an evening sure to blow your mind. Be there.

Sunday, November 10, 8 PM
Rice God & Friends Fall Festival, feat. Noah-O, Fan Ran, Illa Styles, BBX, Amala, Yung Apollo, Alpha Romeo, Papi Majae, Dre King, Bejxy, Kidd Khy, Slim Kartel, Chauncey De Giant, Don Chase, Van Silke, SAE, O-Z, Lil Grits, PT Veil, Distant Dee, Tone Redd, Cadillac Cat @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
It’s been about a month now since Noah-O and Fan Ran got together once again to unleash a new installment of Dirty Rice on the world. Dirty Rice: Deux, which dropped just over a month ago, is yet another piece of evidence in the argument that Noah-O’s at his best when he works with one really talented producer for the entire length of a project. See also The Rain with DJ Mentos (a project that led directly to the formation of Analog Suspects), or Face/Off with Cadillac Cat, or All Souled Out with the late Kleph Dollaz… and that’s not even all the examples I could mention.

This Sunday night at The Camel, Noah-O and Fan Ran will be teaming up to lay some dirty rice on y’all in the live environment, and they’ll be doing it up right by turning the whole thing into a Fall Festival that will feature over a dozen other hip hop talents from both RVA and the surrounding region. In addition to top-level local powerhouses like Illa Styles, Slim Kartel, Distant Dee, and the aforementioned Cadillac Cat, there’s also a whole crew coming through from the Kentucky/Ohio area, including Yung Apollo and Alpha Romeo, plus a whole bunch more from all over! If you love hip hop, this is going to be hours of the dopest rhymes and sickest beats imaginable, with Noah-O and Fan Ran at the center of it all. So hey, you know what to do.

Monday, November 11, 7 PM
Lisa Prank, Magic Wand, Jimmy And The Delay @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
I love the band name Lisa Prank — and it’s not because I’m old enough to have actually had a Lisa Frank Trapper Keeper. Well, OK, it’s not JUST because of that. Anyway, Seattle singer-songwriter Robin Edwards struck gold when she named her indie-pop project, to the point that I’m amazed no one else has done it first. And on brand new LP Perfect Love Song, she also struck gold by getting production help from Rose Melberg, whose work in Tiger Trap, The Softies, Go Sailor, and others has been instrumental in creating and developing the exact sort of indie-pop milieu that Lisa Prank is working within today.

If you’re a fan of any of those bands, or if you’re too young to remember them but do enjoy bands like Speedy Ortiz and The Worriers, Lisa Prank is sure to be right up your alley. If they were 5 percent heavier or noisier, I’d call them pop-punk, but as it is, this is just simple, catchy pop music — and it’s great at being exactly that. It’ll put a big smile on your face, as will opening sets from local newcomers Magic Wand and Jimmy And The Delay. This will be a great way to end a really tough back-to-work Monday, so be there and let this show ease you into a better rest of your week.

Tuesday, November 12, 7 PM
This Will Destroy You, Christopher Tignor, Colin Phils @ The Camel – $15 (order tickets HERE)
In the wake of Explosions In The Sky’s Friday Night Lights-fueled early-00s success, a rising musical tide lifted all instrumental post-rock boats, and that of This Will Destroy You was definitely one. However, almost fifteen years after the release of their rapturously received debut, Young Mountain, This Will Destroy You have proven themselves to be more than just another post-rock combo writing epic instrumental after epic instrumental, all of which start to sound the same after a while.

Last year saw This Will Destroy You release two new albums in the space of a month, New Others Part One and New Others Part Two. Both show this quartet to be focused on different goals than one might expect; their songs are focused less on the sort of emotional escalation that, after a while, tends to feel like a gimmick repeated once too often. Instead, they build a musical mood and then live within it for several minutes, allowing the textures of their music to become the focus. It’s proggy, yes, and it’s also a bit nerdy, but there’s not a damn thing wrong with intelligent music, especially when it is able to be moving without being cliche. This Will Destroy You accomplish all that with aplomb on their albums, and seeing them pull it off live is sure to be quite the treat.

Elsewhere Around The State:

Friday, November 8, 6 PM
Sharptooth, Limbs, Wristmeetrazor, Nhibitions, Genosha @ RiffHouse Pub (Chesapeake) – $10 in advance/$12 day of show (order tickets HERE)
As metallic hardcore shows go, this one is sure to be top-notch. Maryland’s Sharptooth are an absolutely ferocious quintet full of anger and fury of an incredibly political nature. 2017 LP Clever Girl features a song called “Fuck You Donald Trump,” but if anything, the title track’s condemnation of men who act as insincere allies, or “No Sanctuary”‘s vitriolic condemnation of anti-LGBTQ bigotry, ring even more bold and true and real to me. Singer Lauren Kashan has used her platform to be a strong advocate for issues relating to abuse and oppression, and as awesome as her band is, the kind of heart she puts into her lyrics and onstage presence makes Sharptooth that much better.

So if you’re the kind of metal/hardcore fan who wishes more bands would take a stand for issues that matter, this is the show for you. And it features a bunch of other great bands as well — Florida’s Limbs refer to themselves as “post-hardcore” but on 2018’s Father’s Son, they lay out a brutal, metallic sound that still feels HC as fuck to me, even if it’s not Negative Approach. Wristmeetrazor, who are sorta-kinda from Virginia, arise from the screamo scene but have a strong metalcore attack on their latest LP, Misery Never Forgets. And of course, Genosha and Nhibitions hold it down for the heavy hardcore scene in Tidewater and Central Virginia with skill and panache. This one’s gonna rule.

Saturday, November 9, 7 PM
Leftover Crack, Days N Daze, Cop/Out @ The Bunker Brewpub (Virginia Beach) – $16 (order tickets HERE)
I admit it — for the longest time, I never gave Leftover Crack a chance. As a straight edge kid, their name wasn’t exactly appealing to me, and their reputation as simultaneously the crustiest of squatter punk bands (their Wikipedia page features a section entitled “Venue bans, criminal records, and visa restriction”) and a straight-up ska band seemed totally incoherent. But recently I went ahead and listened to some of their music, and it turns out that they’re actually pretty goddamn talented. Instead of having goofy horns all over the place, they play catchy, hard-charging punk tunes. And while they do often use those catchy off-beat bounce riffs that we all identify as ska, they also incorporate touches of metal and hardcore. In the end, they are clearly first and foremost a punk band, in the same way Operation Ivy always was.

So hey, maybe going to see Leftover Crack on their latest tour isn’t such a bad idea if you like some good punk rock fun. One thing’s for sure, there won’t be a dull moment from a band that’s known for writing unapologetic, provocative songs about shooting cops and doing drugs — and for having an audience full of even bigger reprobates than the members themselves. You might want to steer clear of the pit if the stories we’ve heard about mid-set barf are true, but the tunes will make up for any suspect stenches that might invade the room over the course of the set.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 26 – January 1

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FEATURED SHOW
Friday, December 28, 7 PM
The Grand Finale, feat. Illa Styles, Kyle The Ghost, Big B, Yung Sums, June Elizabeth, Tyrone Leake Jr, Coffee Black @ Gallery 5 – $7 in advance/$10 at the door (order tickets HERE)
If you’re anything like me, your first thought upon seeing that they’ve titled this Gallery 5 hip hop show “The Grand Finale” is, “Oh god, please tell me they’re not going away too.” Thankfully, as far as I can tell, there’s no cause for alarm — if this show is the grand finale to anything, it’s 2018, not Gallery 5. And at the end of a year that saw AGM’s ruling triumvirate (Nickelus F, Radio B, Michael Millions) dominate the hip hop game here in Richmond, this excellent showcase is here to let all of us know that RVA’s hip hop scene has a lot more than that going on.

There’s a wide variety of sounds from all around the city and state on this lineup, but you can’t be blamed if Illa Styles’ name is the one that jumps out at you. He’s not necessarily at the top of the bill, but his 2018 EP theBalance makes clear exactly why all of us should be listening to him. It’s a masterful slice of life from a veteran MC who gives us gritty, focused lyrical flow overtop of incredible multilayered beats that make the rhymes hit that much harder. It’s the most assured statement yet from a man who’s recording career goes back most of a decade and is already full of strong and powerful statements.

Another strong artist on this bill is Kyle The Ghost, who comes heading up the freeway from Newport News to team up with Richmond rapper Big B (and no, that’s not the reggae-rap guy from the West Coast). The two of them recently laid down an excellent collaborative track over a Haze Banks beat called “Passion,” which showcases both of their lyrical talents and can’t-miss flow. Between Big B’s 81 Dreaming and Kyle The Ghost’s Rebirth, both of them have also released solo projects this year that show they are more than capable of standing on their own. And then there’s also Yung Sums, who’s been making a name for himself around town as a battle rapper but also showed himself to have studio skills aplenty on his recently-released album Black Friday. There are quite a few more artists on this bill too, and if you want to have an amazing last weekend of 2018, seeing all of them send the year out on a high note is an unbeatable way to do it.

Wednesday, December 26, 8 PM
Mitchell Evan, Tyler Meacham, Pistol Sister, Rebekah Rafferty and The Wakes @ The Camel – $7 (order tickets HERE)
The Christmas holiday is officially over (sorta… though really, this is only day two of the “12 days of Christmas” you’ve been hearing about all your life), but we all know that the whole week between Christmas and New Years is kind of a rabbit hole everybody falls down. We won’t really be out of it until the New Year celebrations are over and the kids are back in school, so for now, just enjoy the ride and relax. Mitchell Evan is at the Camel tonight to help you do so, bringing you the debut of his latest solo album, Nostalgia. And this laid-back songwriter has the perfect sort of music to keep you in the right mood for this lost holiday week.

Nostalgia isn’t out yet, so none of us will hear it in all its glory until tonight at the Camel, but Mitchell Evan has released two singles from it thus far, and both give reason aplenty to expect this to be an excellent album. “Las Cruces,” which brings us the title lyric of sorts — “It’s a hell of a drug, nostalgia” (and ain’t that the truth) — has a melancholy alt-country sound that gets under your skin in the best possible way, while “Timpani Hits” has a more orchestral feel that might just have you thinking of Damien Rice. Both of these tunes are beautiful, and there’s plenty more where that came from, so come down to the Camel tonight and get the first taste of Nostalgia. Opening sets from local pop starlet Tyler Meacham and the MacKenzie Roark-led group Pistol Sister, plus an “after-party set” by Rebekah Rafferty and the Wakes, sweeten this pot considerably. Dip into it.

Thursday, December 27, 8 PM
The Vegabonds, Kendall Street Company, The Dirty Grass Players @ The Broadberry – $12 in advance/$15 day of show (order tickets HERE)
“Southern rock” probably evokes a certain mental image in all of our minds, one derived from childhoods hearing Lynyrd Skynyrd and Molly Hatchet songs on the car radio while driving around in the tiny backseats of our dads’ pickup trucks. OK, so maybe that’s only some of us, but it’s OK, because Southern rock has grown and changed since those days, and in this post-millennial post-Drive By Truckers era, things are quite a bit different. The Vegabonds are a prime example, with their mixture of guitar crunch, church-y organ hums, driving tempos, and high-lonesome vocal hooks adding up to something that’s sure to appeal to fans from all over the good ol’ US of A and beyond.

Right now we’re talking about Richmond, though, and this town is pretty close to Nashville in a geographical sense, so chances are there are quite a few of us more than ready to embrace the down-home heaviness of The Vegabonds, who are about to release their fifth album, simply entitled V, once the year turns. Get a sneak preview of that record tomorrow night at the Broadberry, and catch a set from VA’s own Kendall Street Company in the bargain. This group mingles Americana sounds with the sort of granola jams all y’all who mark the LOCKN Festival dates on your calendar the second they’re announced each year are gonna flip for. With Baltimore bluegrass pickers The Dirty Grass Players opening up, this is gonna be a night to remember.

Friday, December 28, 8 PM
Plastic Nancy, Big Fundamental @ Garden Grove Brewing – Free?
This Friday night, get some psychedelic grooves into your soul over at Garden Grove Brewing. This free show will apparently feature two sets each from Richmond groups Plastic Nancy and Big Fundamental, and considering that the show gives all the appearance of being free, this sounds like quite a bargain, if you ask me. Plastic Nancy have a pretty noisy, almost punk take on the whole hazy psych sound as displayed on a recently released single that apparently heralds a whole LP of this fuzzy, buzzy stuff. Sounds like a party.

Big Fundamental are more laid-back and rollicking on their Basement Demos, released earlier this year, but things definitely stay loud and distorted throughout. It’s clear that both of these groups will twist your head right around, and you’ll love every minute of it — especially in the pleasant surroundings Garden Grove always provides. Where pre-New Years’ weekend treats are concerned, this one is a home run.

Saturday, December 29, 8 PM
Thorp Jenson, JR Wolf @ The Camel – $7 (order tickets HERE)
If it’s gonna be that kind of week, we may as well lean into it, right? That’s what local Americana singer-songwriter Thorp Jenson and the duo of scene mainstays Angelica Garcia and Russell Lacy, collectively known as JR Wolf, will be doing at the Camel this Saturday night, and you can’t go wrong by joining them. What will specifically be going on is Thorp and his band pulling together a tribute to the Grateful Dead at the dawn of the 70s, that era which produced classic studio albums Workingman’s Dead and American Beauty as well as classic live albums Europe 72 and the Skull And Roses record (which, yes, is officially self-titled).

For a band that made a half-century’s worth of reputation on their head-expanding psychedelic epics, this was a time at which they were focusing pretty strongly on folk and country influences, bringing their more free-flowing tendencies to bear on classic American tunes complete with polished vocal harmonies — and that’s probably the perfect material for Thorp Jenson to focus on with this tribute set, as it largely mirrors his own focus as a songwriter. Whether you’re a Thorp-head or a Deadhead, this one is sure to please you. And while we can’t tell you much about what it sounds like when Angelica Garcia and Russell Lacy combine powers like the Wonder Twins to form JR Wolf, we’re sure based on their mutually powerful track records that you’re going to find the results intriguing and delightful. Come chill.

Sunday, December 30, 10 PM
Hallelujah, Deathbirds Surf Club, Delicate Whip @ Bandito’s – Free!
It seemed unlikely that we could get through this whole week without some ugly punk noise, and now it’s become a certainty that we can’t. Oh, but who would want to? Especially when we have the opportunity to spend a Sunday night in the company of these killer Richmond outfits for the low, low price of zero dollars! Hallelujah, who made quite an impression on the RVA noise-rock scene in the early years of the 21st century with their harsh interjections of sound, have been back in action as a trio for a while now, and showed on last year’s self-titled full-length that they’ve still got the goods. Get ready to have your hair blown back — if you’ve got any left.

Deathbirds Surf Club have been an intriguing proposition from the word go, bringing a straightforward 60s-retro surf sound to the modern RVA punk scene in the same way that the Fresh-O-Matics did 20 years ago. However, instead of evoking the hard-charging guitar heroics of Dick Dale, the Deathbirds go for lovelorn sincerity with a strummy pop sound that’s on the fresh-faced Beach Boys end of things — with some Wavves-type modern indie damage thrown in to spice things up. It’s a unique proposition, for sure, and one that’s always worth catching. The moody sludge of local newcomers Delicate Whip kicks the whole thing off in fine fashion, and if you’ve invested wisely, you’ll have a big plate of tacos in front of you before they start.

Monday, December 31, 8 PM
Piranha Rama, Chance Fischer, Dr. Millionaire, Ghost Piss, Dazeases @ Gallery 5 – $10 in advance/$15 at the door (order tickets HERE)
It’s probably not too early to ask… what are you doing New Years Eve? Some would say you’re best off ordering a pizza, staying in, and going to bed early. We certainly don’t recommend spending your afternoon driving up to NYC to stand in the freezing cold in Times Square, but despite the cynics, there are still good times to be had on New Years Eve here in RVA. And if some great local music in a variety of sounds and styles is your thing, Gallery 5 is definitely the place to be. Not only will there be champagne toasts and a photobooth (as well as “glitter” and “tears,” if the facebook event page is to be believed — and chances are it’s correct), there will be an amazing variety of excellent musical performers, all of whom at least originate here in our own river city.

You know what’s up with Piranha Rama by now, right? This conglomeration of Richmond musical all-stars has been plying their trade around town for the past year in fine fashion, bringing us a unique and lushly instrumented take on lounge-inflected retro-surf indie pop. Or something like that. Their self-titled LP is a real treat, and if you haven’t tasted it yet, this will be a great opportunity for you to make 2019 a better year than 2018 by getting familiar. That’s not even to mention the outstanding double-dose of RVA hip hop we’ll get on this bill from a couple of Richmond’s champion rhymers, Chance Fischer and Dr. Millionaire. Both of them are set to slay, so be prepared. And then there’s the double-dose of ambient electronic unease from moody divas Ghost Piss and Dazeases. Really, what more can you ask for? I mean, yes, you can ask for a really outstanding 2019, but that’s kinda beyond the capacity of a live music preview column, so this excellent show will have to do.

Bonus Hampton Roads Picks:

Thursday, December 27, 7 PM
Ancient Torture Techniques, Amara, MSD, Nervous System, Berkowitz @ Charlie’s American Cafe – $5
One totally lovely element of the Hampton Roads musical scene’s 2018 has been the return to full-time action of Ancient Torture Techniques, a power-violence ensemble best known on these RVA streets for their decade-ago split with bygone locals Street Pizza. They’re back, and while they still don’t have a Bandcamp page, they do have a quiver full of Spazz-meets-Slayer blastbeat-fueled mayhem to deal out on us all. You can show your gratitude with headbangs.

They’re joined on this bill by a smorgasbord of heavy grinders representing the current crop of this sort of high-speed devastation in the commonwealth. Newport News shredders Amara have a wall of harsh fuzz noise for you, pushing all the needles into the red with their grinding metallic riffage. Richmond’s MSD (no clue what it stands for, put your best guesses in the comments) go for a more straight-up death metal approach, while Norfolk’s Nervous System find the line where grindcore meets hardcore and hit it for all it’s worth. And of course, Berkowitz represents with some lo-end death-grind to kick it all off. Be prepared to thrash.

Monday, December 31, 7 PM
GWAR, Against The Grain, Stonecutters @ The NorVA – $20.50 in advance/$23 at the door (order tickets HERE)
New Years Eve in the Norfolk area is looking quite a bit like a lot of Richmond metalheads’ dream of a brutal year-ending party here at home. That’s because GWAR is taking over the NorVA for New Years Eve, and if you don’t love the idea of ending 2018 soaked in (fake) blood, I don’t know what to even tell you. It’s a bummer this isn’t happening closer to home, we agree — but hey, GWAR were just here at The National in November. So rather than pointing fingers at the NorVA for poaching our favorite alien overlords, let’s all just order our tickets now, gas up the Jeep, and leave early to beat the tunnel traffic, shall we?

GWAR’s turn toward a more KISS/Nugent-style vibe on most recent LP The Blood Of Gods will make their furor even more apropos for a night of celebration, and also means they’ll be able to match up perfectly with Detroit’s Against the Grain, whose triumphant throwback-thrash approach is your ticket to nonstop headbangs. Kentuckians Stonecutters kick things off with some more powerful 80s thrash stomp, as exemplified on their brand new LP, Carved In Time. Overall, this is a night of absolutely stupendous metal in the offing, so take this opportunity to send 2018 out with a (head)bang! But seriously — pick a DD ahead of time, we don’t want y’all wrecking into the bay on your way back to town.

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Top Photo by Alyk Visions

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): d[email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

There was Thunder, There was Lightning, There was Cole Hicks

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Last night there was rain, thunder, lightning, and then there was Cole Hicks. Sometimes a great night will have a sense of destiny, some purpose that shakes us from the mediocrity of our everyday lives – last night’s musical showcase at The Camel felt like that. With Richmond squads like the Association of Great Minds ripping up the East Coast, Hicks, who headlined the show to premiere her debut album, “May Day,” has landed at just the right time as Richmond’s rap and hip-hop scene continues along a path of national prestige.

But that’s not where the night started.

The night opened with local jazz and soul singer Kenneka Cook who’s ingenuity on stage is as compelling as it is dreamlike, creating musical atmospheres that become a livable presence for everyone in the room. While a force in her own right, Cook brought the crowd together; her beats and lyrics taking us on a perceptive journey into a soundscape that envelops the watcher.

Kenneka Cook

In between sets, Richmond great Illa Styles took the stage with singer Franciose Hamilton. Shrouded in a purple haze, they brought an energy to the building and primed the crowd for Cole Hicks.

Illa Styles and Franciose Hamilton

Hicks’ lyrics hit the heart and formed a groove right into the soul. At one point, Hicks told the audience “be true to yourselves.” While an old maxim, nothing can be more apparent in 2018 and hearing it from the stage sounded like poetry. Hicks brought a feeling of genuine authenticity from the crowd, putting her entire self into the work. Her music creating a vibe that is inclusionary, prescient, her beats dropping like the thunder outside. There was an energy from the stage, it was electric. When she was joined by Joey Gallo that same energy only increased, becoming a kinetic force of rhyme and reason. Towards the end of the set, Kai’la, joined Hicks on stage to close out the night by claiming verses that were raw and relevant, a testament to where this movement is going. 

Afterward, RVA Mag spoke with Illa Styles who said, “The Richmond rap and hip-hop scene has spent years and years maturing, coming into its own. It offers an experience real, genuine, and true. That is what makes this present time, here in Richmond, special.”

 He is not wrong. Richmond is what’s happening. 

Some of the best photos of the night can be found below:

Etherial Kenneka Cook

The Mighty Cole Hicks

Joey Gallo

Cole Hicks and Kai’la

Drip. Drip. Drip.

Kai’la, Closing out the Night with Cole Hicks

Bringing the Fire to Richmond. Levels.

*Jack Clark and Landon Shroder contributed to this report. All photos by Landon Shroder

 

Music Sponsored By Graduate Richmond