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Young Scum, Shady Bug, Twin Drugs, Keep at Strange Matter

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The Nightschool Agency Presents:

YOUNG SCUM (RVA; Citrus City)
www.youngscum.bandcamp.com

SHADY BUG (St. Louis, MO)
www.shadybug.bandcamp.com

TWIN DRUGS (RVA)
www.twindrugs.bandcamp.com

KEEP (RVA)
www.keepva.bandcamp.com

Tuesday, June 19th, 2018
8PM Doors // 9PM Sounds
$8 ADV // $10 DOS
18+
Buy Tickets–> https://www.ticketfly.com/purchase/event/1697603
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YOUNG SCUM:

Getting old is inevitable. And in the latter half of your 20s, it begins to finally set in. Things that you once enjoyed now seem like a waste of time, a reminder of how little time you have. Young Scum’s forthcoming self-titled debut LP, set for release this summer, delves into that melancholy feeling of losing time and how to hold on to the people and memories that make everything worth it.

Sharing the same power poppy jangle of their previous EP ‘Zona’, this 8 track album further showcases Young Scum’s ability to craft pop songs that have you dancing along and then maybe shedding a tear afterward. Songs about losing friends, having shitty jobs, freaking out about your future, and of course wasting time.

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SHADY BUG:

Hailing from St. Louis Shady Bug blends together elements of punk, twee, and experimental folk with a warm embrace nearly impossible to escape. There’s a tag on their Bandcamp that says “warm rippers” and it’s a fitting description for the quartet – Tom Krenniing (guitar), Todd Anderson (bass), Aaron O’Neill (drums), and Rainey – and their lulling but twisted pop convulsions. Their music is infinitely repeatable, relatable, and might be one of the year’s best kept secrets.

RVA Shows You Must See This Week: June 13- June 19

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FEATURED SHOW
Saturday, June 16, 6:30 PM
Saw Black, David Shultz, Graham Stone @ Hardywood – Free!
Summer’s here; it’s time for long evenings out on the porch, watching the sun seemingly take hours to set as we all relax with some tasty beverages. I know, I know, summer actually doesn’t start for another week, but here in Richmond, it might as well last half the year, so celebrating its arrival now hardly seems like jumping the gun. And what better way do we have to usher in the summer than by welcoming Saw Black’s latest album, Water Tower, into the world with a celebration of its release on a Saturday evening at Hardywood?

If you’ve got one, I suppose you’re welcome to suggest it, but as perfect as this free Saturday show is going to be, I highly doubt you’re going to convince me. Mr. Black’s really established himself over the past few years as Richmond’s resident troubadour of our Southern city’s subtly rich emotional life, and Water Tower takes things to the next level, as Black and his backing band bring to mind everything from Harvest-era Neil Young to early My Morning Jacket and the Drive-By Truckers at their more heartfelt moments. They’ll be recreating the album’s warm, enveloping sound from the Hardywood stage this weekend, as Black brings the ensemble that performed the album with him for this special musical celebration.

You should be able to grab one of the limited edition vinyl copies of Water Tower from Crystal Pistol at the show, though honestly, word has it that they’re selling fast, so you might wanna hit the merch table even before you go to the bar. But save a few bucks for the plentiful offerings Hardywood has on tap, and make sure you arrive on time. Opening acts will include local singer-songwriter David Shultz, who has a long history of heartfelt country sounds to draw from for this performance, as well as up-and-comer Graham Stone, who’s been generating a buzz lately with his frequent local performances. This won’t be the most intense show this week, but with hot weather on its way, some more laid-back evenings are going to be the thing you’re looking for. Find one at Hardywood this weekend; you’ll be glad you did.

Wednesday, June 13, 9 PM
False Figure, Cruz De Navajas, Serqet, Sensual World @ Wonderland – $5
An interesting strain on the rise in the punk rock world recently has been strong goth vibes. And I’m not talking about dudes with deep voices intoning portentously over drum-machine beats, either. No, I’m talking about a revival of the dark, reverbed-out sound that grew hand-in-hand with the early 80s UK postpunk scene, the one that centered around a club called the Batcave and drew in bands from The Cure to The Birthday Party. You can hear a big dose of that whole sound in Oakland’s False Figure, who are coming to Wonderland tonight with an undeniable blast of punk energy that nonetheless maintains an ominous undercurrent, one providing an atmosphere of gothic intrigue that’s reminiscent of Antisect or Amebix, and is sure to send a chill down your spine.

Mexico City’s Cruz De Navajas accompany False Figure on this trip, and they take things still further into the world of gothic 80s postpunk, using drum machine beats to undergird their energetic rhythms and cutting, Cure/Echo-ish guitar sound. Their excellent singer’s undeniable vocal resemblance to Siouxsie Sioux only takes things to a higher level, and new album Dominación presents a preview of some truly excellent sounds that await you tonight at Wonderland. Local gothic peace-punk exponents Serqet will provide excellent support, and opening up will be a new local ensemble called Sensual World (word to Kate Bush), featuring members of Kommunion and Bad Magic. It’s gonna be a real ripper, so whether you’re punk as fuck or more from the goth side of things, wear your darkest clothes and your dancing shoes down to Shockoe Bottom tonight.

Thursday, June 14, 8 PM
RIP, Plaque Marks, Prayer Group, Swathe @ Strange Matter – $10 (order tickets HERE)
Oh wow, I’m not sure how I missed out on RIP but I’m glad they’re coming to Richmond so that I could learn of their existence and bring some more reasons to headbang into my life. I’ve been known to complain about doom metal getting played out, becoming repetitive, etc. but a band like this bypasses all those criticisms by setting themselves apart from the standard doom tropes with the style they’ve christened “street-doom.” Really, it sounds like those early Kyuss records from the dawn of the 90s, when no one had really even started calling it doom and it was just dirty, Sabbath-influenced metal that sounded perfect blasting out of a lowered American muscle car with a metal flake paint job.

RIP bring that era back to life with their Street Reaper album from last fall, which even features the band’s members sitting in a pristine convertible lowrider on the cover. Color me stoked. The fact that they’re coming to town in the company of Philly’s Plaque Marks is even more reason for excitement; this band brings together members of Creepoid and Fight Amp, among others, to dish out the exact sort of psychotic, psychedelic, metallic rage you’d expect from a band with such a strong pedigree. Last year’s Anxiety Driven Nervous Worship has a pummeling drive guaranteed to run you over; I expect no less from their live show. Local noise-punkers Prayer Group and Swathe will kick things off with some serious chaos to get you warmed up for the main course, so show up on time and prepared to bang your head.

Friday, June 15, 8 PM
All Our Exes Live In Texas, The Hot Seats @ Capital Ale House Music Hall – $10 (order tickets HERE)
Here’s something completely different — and completely charming. How can you not love a band who gives themselves a name like All Our Exes Live In Texas? I suppose you could be young enough not to remember the George Strait hit they’re referencing here, but talking about that makes me feel old, so I’m gonna pretend you all get the reference and move on to telling you about the plentiful charms embedded in the music of this Australian country-folk quartet. All Our Exes Live In Texas are old-school — members play mandolin, accordion, guitar, and ukulele, and sing incredible close harmonies that are sure to remind you of old Carter Family records.

Their 2017 EP, Watch Me Fall, shows that even ladies from the other side of the world can grasp the strong folk traditions that run through Appalachia. Of course, it makes sense when you consider the fact that Australia was settled by the same British Isles working-class folks who settled in the Blue Ridge and Shenandoah mountains hundreds of years ago. Perhaps we aren’t so different, after all. Certainly the music can bring us together. Opening sounds from long-running local string band The Hot Seats will add a touch of bluegrass to the evening, and we can all use some more of that, right?

Saturday, June 16, 9 PM
EdHochuli, The Reptilian, Window Liquor, USA Big Dogs @ Mojo’s – Donations requested for touring bands
It’s always awesome to see long-running DIY bands stick with it year after year, and the arrival of Pittsburgh’s EdHochuli back in Richmond at least a decade after the first time I saw them play here is gratifying to see. This band hasn’t lost inspiration over their decade-plus of activity, either — 2015’s Dream Warriors LP showed them still in top form, mixing epic post-hardcore sounds with crushing metal heavyosity and a much-needed dose of melody and emotion. It’s been a few years since they brought us any significant new material — which is understandable, they’re not teenagers anymore and god knows life can get in the way. But whether they have brand new material with which to grace our ears or not, it’s going to rule seeing them rip it up once again over at Mojo’s.

This show’s got more to offer than just EdHochuli, though. For one thing, it’s got Window Liquor, who I’m assuming are the same Philly band from a few years ago who did a split with Richmond punks Bitchmouth. These guys have a pretty gnarly sound, mixing a sloppy sludge-punk aesthetic with some seriously heavy rock n’ roll energy. Third in the trio of killer out-of-town bands on this bill is Michigan’s The Reptilian, who channel passionate emotional delivery through melodic math-rock complexity for an intricate and unpredictable result that’s sure to keep your attention. Local off-the-chain rockers USA Big Dogs (that’s seriously their name, I kind of love it) will get things rolling in proper fashion with a set full of killer riffs. Plus you’ll be at Mojo’s, so you can get some great food before the show kicks off. What more could you ask for?

Sunday, June 17, 8 PM
Young Widows, Null, Manzara @ Strange Matter – $12 (order tickets HERE)
There’s not much out there that will make me feel old faster than watching bands go on anniversary tours for albums that came out when I was well into adulthood. In this case, it’s Young Widows, who are celebrating the tenth anniversary of their breakthrough second album, Old Wounds, which came out in 2008… when I was 32. Ugh, I am a dinosaur. Anyway, enough of my angst, let’s all take refuge in the beautiful pounding this album delivered both when it was brand new and when you put it back on today.

Old Wounds saw Evan Patterson and co. moving beyond the hardcore sound that had dominated previous projects — Breather Resist, Black Cross — and finding a new, more intense sound in the noise-rock rage of bands like the Jesus Lizard and Unsane. It kicked things up a notch from their first LP and set the tone for future releases. Now, four years after Young Widows’ fourth album, Easy Pain, they’re heading back on tour to memorialize what many fans consider their high-water mark as a band. And it’s going to rule, so get ready to relive the many past occasions where Young Widows knocked your head off from the Strange Matter stage — complete with their floodlit amps — and reminisce about one of the best albums to be released when I was in my early 30s. Yeesh.

Monday, June 18, 6 PM
Smile Empty Soul, Flaw, Kaleido, Talia, Alluvion, No One Hero @ The Camel – $15 in advance/$20 at the door (order tickets HERE)
Wow, OK, so we’ve talked a lot recently about how the 90s are back in a big way, but now we have to ask a bigger question: is the world ready for an early 2000s revival? If so, the stage is set to get it rolling this Monday night at The Camel, with the arrival of two early-to-mid-00s trendsetters. Smile Empty Soul might be a name you haven’t thought of in a while — but I’ll bet if you cast your mind back, you’ll remember their first and biggest single, “Bottom Of The Bottle,” which lit up rock radio in 2003 with its (generally censored) “I do it for the drugs!” refrain. They haven’t really hit it big since that first self-titled debut, but fifteen years later, this band is still going strong, and currently on tour behind their brand new seventh album, Oblivion. Don’t front — you know you’re curious.

With the addition of co-headliner Flaw, we move from post-grunge alt-rock to straight-up nu metal, and a band I’d completely forgotten about until I looked up the video for their biggest single, “Payback.” Oh yeah, these guys. They’ve kinda got a Mudvayne vibe, mixing chunky mosh-metal riffs with moody goth vocals and some pretty crucial 2001-era hairdos. 17 years later, these guys may not still have quite as much hair to throw around, but they’re sure to get you jumping around with the same midtempo fury they were bringing to the table at the dawn of the new millennium. This jam packed bill is full of openers from various locales, from Detroit’s Kaleido to Fredericksburg’s own Alluvion. But really, this one is all about the early 00s. Dig your Jncos and stocking cap out of the bottom of the closet before you head for the Camel this Monday night.

Tuesday, June 19, 8 PM
Young Scum, Shady Bug, Twin Drugs, Keep @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
One of the best indie-pop bands this town has seen in a long time is bringing us some new material, and you can count me among the many Richmonders very excited at the prospect. Young Scum’s self-titled debut full-length is coming in July from Citrus City, but there’s no reason not to start the party a month in advance at Strange Matter, especially since they’ve already shared an absolutely incredible slice of glittering jangle brilliance with us in the form of advance single “Wasting Time.” The writeup that accompanies the album, which talks about the inevitability of getting old (boy do I know that feel), makes me wonder if they shouldn’t have called the new album Not-So-Young Scum, but pop music this excellent never ages or goes out of style, and if Young Scum are becoming more emotionally evocative as they continue into their musical career, I for one am good with it.

Young Scum are joined on this rad Tuesday night by Shady Bug, a St. Louis band with a very similar approach to indie-pop, though their 2017 LP, tbh idk (that album name gets an A+), demonstrates a significant tendency toward speed, energy, and joyful distortion-pedal stomp that always adds welcome spice to an indie-pop sound. Think Black Tambourine or Boyracer if you need a reference here; yes, they’re that good. The bill will be rounded out by some excellent local sounds from Twin Drugs and Keep, two bands that should need no introduction to the clued-in RVA crowd that is no doubt already salivating at the prospect of new Young Scum material. You know what you’re in for with this show, and you know you want every bit of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 2/7-2/13

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FEATURED SHOW
Friday, February 9, 7 PM
Rumput, Gamelan Raga Kusuma @ Sound Of Music Studios – $7
In this town, it can be easy to get focused on the local mainstays — indie rock, metal, punk, etc — and miss the weirder and more intriguing side avenues the incredibly fertile Richmond music scene has to offer. But it’s always worth keeping an eye out. In fact, sometimes it’s the people from the scenes most often in the limelight that will lead you down the most fascinating musical side streets. Such is the case with Rumput, an acoustic ensemble that features Hannah Marie Standiford (Cardinal Compass) and Natalie Quick (Paint Store) working with local folk musicians to combine American folk traditions with the music of the Indonesian region.

Rumput are serious about their musical project, too — in fact Standiford, Quick, and Edward Breitner of Rumput are all currently living in Java, on yearlong scholarships to study Indonesian folk music and art. It is these traditions Rumput infuses into their music and performances, mixing Indonesian shadow puppetry and American scrolling artwork for their visual presentations even as they integrate Indonesian string band music, known as keroncong, with American string band traditions drawn from old-time folk music. The result is pretty amazing, and you can get a taste of this by checking out their self-titled debut, released last summer before three of the band members departed for Java.

Things are definitely stepping up to a higher level in the new year, though, as Rumput is currently working with Indonesian master musician Danis Sugiyanto, who is currently a visiting artist/scholar at University of Richmond. Sugiyanto will be acting as artistic director for Rumput throughout 2018, leading the group on their upcoming tour of Indonesia in July. Their current project, Akar, focuses on trickster tales, a common tradition in both Indonesian and American folklore, and the Rumput performance at Sound Of Music this Friday night will act as a sneak preview, giving RVA residents a chance to see what will be presented to Indonesian audiences this summer. It’s going to be essential listening and viewing, so I encourage all of you, even the most dyed-in-the-wool metalheads currently reading, to broaden your horizons and see what Rumput has to offer you. You’ll thank me later.

Wednesday, February 7, 8 PM
World Inferno Friendship Society, Everymen, Toxic Moxie, Hot Reader @ The Camel – $15 (order tickets HERE)
One could be forgiven for thinking the World Inferno Friendship Society is a fringe group of diabolical carny circus people here to set the entire world on fire based on their goofy name and colorful presence online and in real life. The fact that they are actually just an extremely creative band, with origins in punk rock and influences pulled from a variety of musical traditions coming from all over the world, might calm you down a little bit. But really, both descriptions are true; the musical performances are just this group’s way of challenging expectations, inspiring a beaten-down populace, and waking up the world.

Right now, the band is working on a new album entitled All Borders Are Porous To Cats, based around an extensive tale starring “a cat in the hat who wants to come to your house and hide out,” according to frontman/only-constant-member Jack Terricloth. Points about immigration and trying to understand rather than condemn those who aren’t like you may be delivered more subtly, but as always with WIFS, they’re very much there. As is the musical conglomeration that shifts from bizarre Eastern European folk-swing to bouncy punk and back again at the drop of a hat, never giving you time to get bored or reason to stop dancing. Stick with this band, they’re going places. And they’ll certainly get you moving — and thinking — with their show at The Camel tonight. Show up; they’ll do the rest.

Thursday, February 8, 8 PM
The Zeta, Amor Fizz, Gumming, This Land Is Now Dead @ Soft Web – $5
It’s only Thursday night, but over at Soft Web it’s already jumping, as this evening sees some incredible international bands combining with excellent local talent to bring one of the coolest shows of the week to life on a weeknight! The Zeta (which basically means “the Z”) is a Venezuelan band who bring an atmospheric approach to a post-hardcore style in ways that remind me of bands like Envy, but with a melodic yet passionate feel that I could trace to more emotional bands like Moving Mountains. They are joined by Argentinians Amor Fizz on this outing, who have a more intense and frenetic approach than their tourmates, and definitely flirt with the whole “screamo” thing on their self-titled 2016 LP (though I’d be more likely to call it chaotic hardcore, to be honest).

The two local bands on this bill are bringing plenty of awesomeness on their own, and I’m just as excited about them as I am about the touring bands. Gumming are relatively new, seeing members of Whorecough and Pucker Up combining to bring the same sort of sloppy, noisy hardcore attack we’ve all enjoyed from their previous groups. And of course, This Land Is Now Dead have returned from long hibernation to destroy us all once again with a hard-hitting, complex, and emotionally-driven wallop of post-hardcore metallic angst. I don’t mind telling you that this band was my favorite local band a couple of years ago, and I’m delighted to see them performing once again for the first time in over a year. Don’t miss it.

Friday, February 9, 8 PM
Strawberry Moon, Cupid McCoy, Addy, Mangoux @ Gallery 5 – $5
I really dig the weird, delicate take on jangly indie rock that has become the stock in trade of a certain segment of the Richmond underground scene. It’s nice to hear people taking new approaches to sounds that could easily be getting stale by now. The latest example of that happening is Strawberry Moon, a local duo that mingles moody acoustic songs with glittering electric guitar leads that add texture and atmosphere without overpowering the music’s quiet heart. They’re just about to release a record on local label Crystal Pistol, one of the labels that’s done the most to bring this sort of music to a wider audience, and this gig will see the release of the first single from that release. If the group’s fascinatingly foreboding first EP is any indication, the new release is going to make a lot of waves locally and beyond. Being there this Friday night is a great way to find out for yourself.

Strawberry Moon is joined on this bill by Cupid McCoy, a band they’ve been linked with from the start that takes a colorful and fun approach to electronic-infused pop music with a sweet, sugary core. Their sound may be significantly different from that of Strawberry Moon, but their equally delicate and open approach shows why the two groups work together so much. They’re two sides of the same delightful coin. Addy, a local project that came out of nowhere not long ago to capture a great deal of local attention, will also be on the bill, as will Mangoux. Both of these projects bring a dream-pop sweetness that is the perfect garnish to this night of quiet yet intense musical beauty. You might just be able to leave your earplugs at home for this one, but that doesn’t mean it won’t still hit hard.

Saturday, February 10, 6 PM
Butch Parnell, Big Brutus, Piranha Rama @ Hardywood – Free!
Here’s a double bill that should be catnip for all you fans of acoustic folk music that can make you think without making your ears ring. Butch Parnell and Big Brutus are songwriters of Southern origin with thoughtful outlooks and strong melodic chops. Parnell was once the frontman for long-running alt-country group Runaway Dorothy, but has been out on his own for a few years now, and currently has several releases under his belt. Most recent EP The Fall retains the twangy feel of his previous music, but definitely shows a broad-ranging outlook with a heartfelt and sincere cover of the Beyonce hit “XO.” Parnell makes this R&B ballad his own; it blends seamlessly with his original compositions on the EP and puts forth emotion just as skillfully as the songs he wrote himself. He’ll charm you with this one, and really with all of his tunes, if you’ll only give him a chance.

Big Brutus is a project helmed by Atlanta songwriter Sean Bryant, and most recent LP America Circa finds Bryant commenting wryly on the inhuman aspects of modern capitalism over catchy tunes that fit perfectly with the lyrics’ substantive critique of post-Trump American society. It’s neither loud nor abrasive, but this album shows Bryant turning his strong voice outward to make a bold statement regardless of volume. Big Brutus are sure to make a big impression at Hardywood this Saturday. Openers Piranha Rama kick things off with what just might be the loudest set of the night — and that’s never a bad thing.

Sunday, February 11, 7 PM
War On Women, You’re Jovian, Droopies, Keep @ Gallery 5 – $6
Wow, here’s something I never would have predicted — an acoustic set from War On Women, the metallic punk band from Baltimore who have made feminist critique of our oppressive, patriarchal society their raison d’etre. Intense anti-rape anthem “Say It” and pro-choice screed “Pro-Life?” were highlights of their incredible 2015 self-titled debut, carrying on the rage and the message of classic feminist hardcore bands of eras past such as Bikini Kill and Spitboy with a sound updated for the 21st century and ready to take on all comers. How, one must wonder, will that translate acoustically? I’m sure I’m not the only one excited to find out. Gallery 5 this Sunday night is our chance! Let’s hit it.

And of course, we’re all gonna want to show up on time, as there are some more killer sounds on offer at this show than just War On Women’s acoustic set. You’re Jovian, a killer shoegaze band from the Hampton Roads area, has been playing out for quite a while, but just finally laid a full LP, They Were Selected And Divided, on us last year. It was long overdue, but the point now is that it’s finally here and we’ll all be able to enjoy its excellent tuneage when these guys pull into town Sunday night. Droopies and Keep are two excellent local bands in a similar vein who will add a great deal of value to this already overstuffed bill — nothing to complain about there!

Monday, February 12, 8 PM
Adult Mom, Chris Farren, Sammi Lanzetta, Big Baby @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
It’s always nice to watch musical projects develop over the years. Last time I caught Adult Mom, they were playing house shows as a mostly-solo act; these days, they’re touring as a full band behind their second LP, Soft Spots, released last year. Their sound, a melancholy melodic pop vibe that demonstrates its punk influence mostly in its down-to-earth minimalism, is hard to resist. Adult Mom comes at you with catchy hooks aplenty and lyrics that are both vulnerable and cutting in their emotional honesty, and you’re sure to be won over.

They’re joined on this show and this tour by Chris Farren, a singer-songwriter better known as the frontman for popular groups like Fake Problems and Antartigo Vespucci. With his solo material, he’s taken his sound in a softer, more acoustically-based direction, as is often predictable when frontpeople go solo. That doesn’t mean it’s any less excellent, heartfelt, or memorable, though, as his debut solo full-length, Can’t Die, showed. Farren’s solo sound might be a touch more folk-punk than Fake Problems were, but that doesn’t mean fans of his previous work won’t find a lot to love here. Local rockers Sammi Lanzetta and Big Baby offer talented local support that’ll keep you dancing all night, so don’t miss a moment of this one.

Tuesday, February 13, 8 PM
Singles Nite #4, feat. MC Chicken, Graham Stone, Imaginary Boys, Khadonna @ The Camel – $5 in advance/$7 day of show/$15 for couples (order tickets HERE)
We all know how much of a bummer Valentine’s Day can be when you’re single and lonely. That’s no fun at all, and local promoters Slimehole know all about it. This show will be their fourth Singles Nite presented over the past five or so years, and as always, it’s a way to spend Valentine’s Day that for once makes it easier on those who aren’t coupled up. This event features the unique practice of charging couples an extra dollar for arriving together. And you can probably find a way to beat that by arriving separately and not hanging out until after you’re safely in the door… but you should probably just cough up the extra dollar, y’all. It’s only fair.

This year’s edition of Singles Nite sees jazz weirdo, viral video phenomenon, and overall goofball MC Chicken heading up the proceedings with a set of special sounds for the lovers and the lonely among us. Will it include “Richmond River Rat”? I can’t rule it out… Graham Stone will also be on hand to give his countrified rock n’ roll sounds a Valentine’s twist. There’ll also be some tribute sets from long-running Cure cover band Imaginary Boys, and from Khadonna, a new project from local electro-punk group Kuni that will see frontman Jonny Khalili living out his Madonna fantasies onstage at The Camel. It’s sure to touch all of our hearts.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Top photo from Rumput’s Facebook page

RVA #31: Record Reviews

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Originally printed in RVA #31 WINTER 2017, you can check out the issue HERE or pick it up around Richmond now. 

Tim Barry
High On 95
(Chunksaah)

Punk rock is the kind of scene that wears a person out. This might sound ridiculous to the kids singing along to “Young Til I Die” covers at the all-ages show, but by the time you’re 29 with two full sleeves of tattoos, sitting at the end of the bar because you don’t have the energy for the pit anymore, you learn the truth. Perhaps it’s not too surprising that Tim Barry, who once led 90s punk heroes Avail, is a decade deep into a solo career as a folk-country artist and shows no signs of looking back. High On 95 is his sixth solo album, and it shows him settling ever more comfortably into the acoustic troubadour role. He only sang in Avail, but his proficiency on acoustic guitar here sees him creating some excellent melodies on songs like “Gumshoe Andy” and “O & DP.” The minimal instrumental backing (slide guitar, violin, the occasional percussion) gives these tunes a rootsy feel and allows you to crank up the volume without bugging the neighbors. The DIY veterans will see the appeal immediately. The kids might not get it yet, but rest assured, their time will come soon enough. (MN)

Ann Beretta
Old Scars, New Blood
(Say-10)

Collections of old songs re-recorded can be a risky move–it may do little more than spotlight the fact that the now-middle-aged members have lost a step. That said, Ann Beretta is lucky enough to retain a vitality that makes the past 20 years seem like the blink of an eye. This one’s worth it even if you have the old records. (MN)

Antiphons
Fine
(Citrus City)


Fine zooms in and out in an incredible way. The EP’s lyrics focus on super-specific circumstances — burning your tongue, going into anaphylactic shock because of a nut allergy — yet the music gradually opens up via savvy guitar work and countermelody, resulting in big, inviting moments. In that way, Fine manages to be personal and universal at the same time. (DJ)

Ashanti Bragg
Journey of a Young Woman Vol. 1
(Datpiff)

With seven tracks giving us a good sample of what’s to come, Virginia Beach native Ashanti Bragg makes her debut almost two years after dropping the video for opener “My Love.” Featuring a variety of songs showing her musical versatility, the confidence that oozes through her music makes for a fun and energetic experience that leaves the listener wanting more. (KMP)

Big No
Get Over Yourself
(bignobigno.bandcamp.com)


Presenting itself as an ambitious and experimental project, Get Over Yourself is vast. One second, the structured sound is airy and poppy, and then the next, it begins to wax into blues. Big No has made it obvious that their strongest musical asset is their instrumentation; Heather Jerabeck owns that piano. (CM)

Black Liquid
ANTi
(self-released)

Two words: Unfiltered. Observation. Black Liquid’s obstinate attitude and sharp public commentary on ANTi challenge local perception and opinion through a conversational approach. His poignant flow found on the title track “ANTi” is relentless, barraging the listener with anecdotes that highlight the MC’s natural inclination for hip-hop as an art form. (CM)

Butcher Brown
Live at Vagabond
(Gearbox Records)

Make room, Donny Hathaway–this is one for the ages. Live at Vagabond captures the energy of the crowd and the virtuosity of individual instrumentalists with remarkable clarity, giving listeners a taste of Devonne Harris’ compositional gifts, adventurous approach to keys, and the ensemble’s knack for seizing the moment. This is the Butcher Brown sound at its most cohesive and dominant. (DJ)

Buzzard Dust
Buzzard Dust
(Forcefield)

What happens when a ragtag group of metal veterans wants to rock? They form a thrash band. Buzzard Dust’s eponymous debut is a 24-minute adrenaline burst of wicked dive bombs, breakneck blast beats, and guttural profanities that recalls the feeling of a dark, sweaty mosh pit. I dare you to not headbang during “Have You Seen Me.” (CM)

Doll Baby
Hell Block EP

Doll Baby blesses listeners with yet another phenomenal demonstration of their artistic prowess. Hell Block is a mere five songs, but holds the sustainability of a traditional full-length album. The four-piece’s jam tracks scratch a deeper itch, bringing everyone to their feet. Singer Julie Storey has the most pleasingly unique punk vocals you’ll ever hear. (CM)

Fly Anakin, Koncept Jack$on & Tuamie
Panama Plus
(Mutant Academy/Smallz World Management & Consulting)

More hardcore, boom-bap hip hop from the Southside’s own Fly Anakin & Koncept Jack$on, this time with fellow Mutant Academy brethren Tuamie handling the production. Hearing the duo spitting over one producer’s sound gives this project a different, more cohesive feel from their last full length, but if you’re expecting a drop off in quality, you won’t find that here. (EH)

God Goldin & Duce
Universal Benefits
(Control Ent)

Bouncing back and forth over each track, Goldin & Duce have a great chemistry, with Duce’s laid-back flow paired on “Lolo” along with Gold’s more hype flow. The songs feel like these two have been a working partnership for years already. If you need a quick musical boost in your workday, give this a spin. (EH)

Gritter
Nobody Cares

Gritter isn’t necessarily reinventing the (steel) wheel on their fourth album, but then again, if it ain’t broke, why fix it? Their brand of harsh, caustic metal has some clear NOLA influences but gives it their own muddy James River flavor. This music will give you strength to face life’s frustrations. Don’t leave home without it. (MN)

Thorp Jenson
Odessa
(South Boulevard)

Fully-formed narrative writing, steady-handed production, and killer performances from top-notch players provide many reasons to disbelieve that Odessa is a debut release. It plays like an expertly crafted survey of styles from the last 60 years, from Stones riffs and heartland rock to country waltzing and soul not unlike Matthew E. White’s. Well-worn and world-class, right out of the gate. (DJ)

Keep
For Your Joy
(Citrus City)

With this monster of a debut full-length, the duo Keep has etched its name among the city’s growing list of musicians on the rise. The group’s sound is diverse and evocative, being deeply rooted in their appreciation of grunge and industrial predecessors. For Your Joy embellishes an introspective atmosphere that lets one track roll right into the next. (CM)

Long Arms
Young Life
(Dead Serious)

Long Arms began as James Menefee’s alt-country project, but with their latest album, they’ve left those touches behind in favor of the punk-influenced heartland rock that feels like Menefee’s natural mode. It suits him; skipping genre tropes in favor of excellent heartfelt tunes with a heavy Replacements influence makes Young Life is a career highlight. (MN)

Mistaker
Goodbye And Other Lies
(Self-released)

An intense, heartfelt slab of pure emotion delivered with power and melody, Goodbye And Other Lies is a worthy contribution to the field of melodic punk rock from a group of veterans who’ve paid plenty of dues. This is music for remembering past struggles and appreciating where you are. With this EP, Mistaker carves out a distinctive niche for themselves. (MN)

My Enemies & I
The Beast Inside
(Fearless)

This VA-based metalcore crew draws a lot of influence from angst-ridden early 00’s nu-metallers like Slipknot and Mudvayne, interjecting melodic choruses and moody breaks into a stew of pounding downtuned riffage and brutal breakdowns. The result is an invigorating, gleefully profane blast that brings me back to my youth. If this is what today’s kids are into, sign me up. (MN)

Positive No
Partners In The Wild
(Trrrash/Little Black Cloud)

This RVA quartet definitely brought the fire this time, cranking up the energy to deliver a louder, more distorted follow-up to debut LP Glossa. The 90s alternative and indie-rock influences that fundamentally inform Positive No’s sound are still dominant, but their punk past is much closer to the surface here–and that’s definitely a good thing. (MN)

River Black
River Black
(Season Of Mist)

This combo sees Municipal Waste drum-pounder Dave Witte reuniting with his Burnt By The Sun bandmates, John Adubato (guitar) and Mike Olender (vocals), to carry on that band’s brutal, politically-driven metal rampage. Doom-infused metallic hardcore riffs meet grinding blast beats and double-bass mayhem to create an unstoppable steamroller of a record. (MN)

Talk Me Off
Talk Me Off

Some fun, speedy punk with a tendency toward retro stylings. The first song has a borderline-hardcore intensity, but the others get more melodic in a manner reminiscent of early 80s SoCal punk–Agent Orange, first-LP Bad Religion, that kind of thing. The furious anti-white-nationalism lyrics on “Inglorious Bastards” are a particularly nice touch. (MN)

Vivian Fantasy
Deep. Honey.
(Hush Hush)

Can music be simultaneously comforting and unsettling? Deep. Honey. makes a pretty strong case in the affirmative. Warm synth sounds and layered guitars lay down pillowy sonic padding, yet Danny Bozella’s singing is manipulated throughout, coming across as uncanny. “I put effects around my voice to hide what I write,” he sings on “Charms,” ringing with a beautifully ironic honesty. (DJ)

Reviews by: Marilyn Drew Necci (MN), Eugene Henry (EH), Davy Jones (DJ), Kiara M.P. (KMP), Christopher Alan McDaniel (CM)

Top Photo Credit: Joey Wharton Photography

RVA Shows You Must See This Week: 10/18-10/24

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FEATURED SHOW
Saturday, October 21, 7 PM
Beach Slang, Ann Beretta, Pet Symmetry, Positive No @ The Broadberry – $17 in advance/$20 at the door (order tickets HERE)
Beach Slang is back, and it’s hard to feel anything but awesome about that. This band burst onto the scene several years ago by electrifying younger and older punks alike with their heart-on-sleeve sincerity and killer tunes. Leader James Alex Snyder started out playing punk rock guitar in Weston back in the 90s when he was still a very young man. Later in his career, he sought to recapture the yearning, do-or-die energy that had made his younger days feel so vital, to reignite his life instead of giving up and fading quietly into middle age. He formed Beach Slang to accomplish this goal, and what do you know, he pulled it off with flying colors! They’ve released several EPs and two full-length albums, simultaneously capturing the hearts of today’s punk kids and galvanizing an older generation who suddenly realized they were fading quietly into middle age themselves, and didn’t like the realization.

Perhaps it’s only a coincidence that Beach Slang’s co-headliner on this gig is Ann Beretta, a Richmond melodic punk band that was most active in the late 90s and early 00s, returning to action a few years ago after a decade off. They’ve got a couple of new albums coming out in the next year or so, one of which is rerecorded old songs (the old “we don’t have the rights to the original albums anymore” move), and one of which is entirely new material! A 7 inch single on Say-10 Records earlier this year gave a preview of both, with a rerecording of their beloved classic “Forever Family,” and a brand new tune called “Kill The Lights,” which has as much punk fire and melodic sweetness as ever. This show will see the release of the album of rerecorded old songs, so whether you missed them the first time around or you just wanna hear a new twist on some beloved tunes of your youth, you’ll definitely wanna grab a copy–and of course, catch the set from Ann Beretta, who still have a lot to offer even lo these many years later.

Opening up the evening will be a double whammy of awesome bands that are just as worth your attention as the headliners. Chicago’s Pet Symmetry brings us Into It. Over It. mastermind Evan Thomas Weiss in the role of pop-punk bandleader, dishing out some killer bouncy melodic choruses that still manage to bring that same emotional flavor that we’ve all come to love from his main project. Meanwhile, RVA’s own Positive No will join Ann Beretta in celebrating a brand new album at this show, as they’ll release their second LP, Partners In The Wild, the day before. Pre-release singles have seen the group continuing to emphasize their indie-shoegaze melodic chops while simultaneously cranking up the energy and taking more overt political stances, which is always refreshing. So basically in other words this is a stacked lineup from top to bottom and you’d be a fool to miss it.

Wednesday, October 18, 7 PM
Aura Noir, Mutilation Rites, Battlemaster, Bewitcher @ Strange Matter – $20 (order tickets HERE)
Aura Noir are a Norwegian trio whose members go by the notable sobriquets of Apollyon, Aggressor, and Blasphemer. At this point I feel like I’m sorta being redundant to tell you that they’re a thrashy old-school black metal band, but it’s never a bad idea to emphasize this sort of information when you’re dealing with a band like this one. Because Aura Noir are one of the thrashiest black metal bands ever. You might expect some modulation in the fury, some sort of atmospheric invocation or melodic break or something, but if so, you’d be disappointed. However, if it’s one-thousand percent nonstop metal fury you’re looking for, you’re in luck, because this band just does not stop. It’s been a few years since their fifth album, Out To Die, was released, but these guys haven’t slowed down one iota.

They’re joined on this gig by Brooklyn’s Mutilation Rites, who may not have the same level of black metal cred–New York isn’t as grim and frostbitten as Norway–but make up for it with a filthier, sharper attack that proves new school bands can be just as furious and unstoppable as the old-school originators. These guys also haven’t had a new LP out in a few years, but chances are they’ve got a whole new batch of ripping metal noise with which to slice your head off. In the best possible way, of course. Veteran RVA rippers Battlemaster will hold down one of the opening slots, so you know you’ll get some top-quality riffage early on. And the evening will kick off with a set from Bewitcher, a Portland band with a thrashy sound perfectly in line with the other bands on this bill. Nonstop headbangs–that’s what you can expect from Strange Matter tonight. Start lining up now.

Thursday, October 19, 8 PM
Natural Velvet, Toxic Moxie, Orange Drink @ Strange Matter – $10 (order tickets HERE)
Looking at the picture of Natural Velvet above, you might think that they’re gonna be one of those 90s-style lounge revival groups, like The Coctails or something (no one under 35 has any idea what I’m talking about right now). However, the truth is far different–and far more appealing, if you ask me, because I could never get into all that silly retro crap (one of my long-ago exes is scandalized). In fact, Natural Velvet being paired with Toxic Moxie makes a ton more sense once you check out their great new album, Mirror To Make You, which came out last June.

There’s less of a dance-funk edge to what Natural Velvet do than there is to Toxic Moxie’s sound, but that spooky, energetic vibe, which draws equally from the Fugazi-influenced post-hardcore of the mid-90s and the UK postpunk scene that birthed Siouxsie And The Banshees and Bauhaus, is all over the place. And it really makes this band cook–their new LP has an intensity to it that is sure to come across in spades live. You don’t want to miss this band any more than you want to miss one of Toxic Moxie’s rare but always-unforgettable performances. And what do you know, you’ll get both on this night, so you’re twice as blessed! Milwaukee-based, RVA-bred solo act Orange Drink will kick the evening off with some unpredictable yet always danceable tuneage. Get stoked!

Friday, October 20, 8 PM
Tower, Desert Altar, Grim Sleeper @ Wonderland – $7
When I see names like these on a bill, I always figure I’m in for some 70s-retro doom metal. Often, that’s exactly the case, and I find myself less than enthused. However, this gig at the always-excellent Shockoe Bottom dive bar Wonderland has plenty to offer to get me excited. First and foremost, there’s headliners Tower, who hail from New York and know how to keep the tempo high and the vocal crescendos higher–though it doesn’t hurt that they have a female vocalist shooting for those Dickinsonian wails. This band is clearly deriving quite a bit of influence from metal hall of famers like Iron Maiden and Judas Priest, and have absorbed from their idols the ability to dish out pedal-to-the-metal riffs perfect for triumphant high-speed burnouts on back country roads and late night highways.

They’re joined on this bill by locals Desert Altar and Grim Sleeper, and while my previous disinterest in retro doom (sorry, y’all, but it’s getting played out) might make you think I’m not down with these bands. Nothing could be further from the truth. It is true to say that Desert Altar are bringing those sorts of 70s proto-metal thud influences to bear, but they have a plentiful dosage of desert legends Kyuss in the mix, and that makes up for a lot. Meanwhile, Grim Sleeper bypass that whole doom thing and head straight for the filthy depths of sludge, drawing far more from that whole post-My War Eyehategod/Noothgrush/Cavity axis than anything that happened in the 70s. If you ask me, this is always the right move. So yes, come out to Wonderland for this show, and stick around for the whole thing. True classic metal is in the house this night.

Saturday, October 21, 8 PM
Grails, Brutal Measures @ Strange Matter – $13 in advance/$15 day of show (order tickets HERE)
You can expect a psychedelic journey through inner space from this night. Grails have been known for quite a while as leading purveyors of instrumental experimentation, tapping into everything from German cosmische sounds to Middle Eastern folk music, recontextualizing and redelivering it all through a unique worldview and a lineup full of incredible musicians with an extensive pedigree (OM, Steve Von Till, M. Ward, etc). The group’s latest album is called Chalice Hymnal and was released by Temporary Residence earlier this year. It synthesizes a variety of sounds Grails have explored in the past and proceeds to move through them all with an energy that is both intense and hypnotic. Like I said, a psychedelic journey.

Things will be much freakier during the performance from Brutal Measures, the name given to a duo combining the talents of Lydia Lunch and Weasel Walter. Lunch has been a caustic singer and poet fronting harsh postpunk bands since her youthful debut in the atonal, terrifying Teenage Jesus And The Jerks. Weasel Walter has done a million things, mostly in the milieu of experimental punk-damaged jazz–see his best-known and longest-running project, the Flying Luttenbachers. Of course, the fact that he’s also been in bands like Lair Of The Minotaur and Behold The Arctopus should tell you that he’s got some strong metal tendencies as well. So what happens when these two come together to take the stage? Simply put, Lunch reads harsh poetry while Walter bashes on a variety of instruments and creates a disturbing sound bed for Lunch’s equally disturbing words. The noise freaks will eat this up like candy–as will anyone who likes it when performers challenge their expectations and deliver something wholly unique.

Sunday, October 22, 8 PM
TV Girl, Brothertiger, Keep @ Strange Matter – $10 (order tickets HERE)
Here’s something you don’t encounter every week. TV Girl is an LA band with some serious LA vibes–their lush retro melodies combine with hip hop-style samples and programmed beats to create an impossibly hip blend of French pop, Spector-esque girl-group sounds, and the drugged-out post-party introspection of The Weeknd. Recent LP Who Really Cares features a caption on Bandcamp reading, “An album about Sex, or lack thereof, and its consequences, or lack thereof.” Songs like “Cigarettes Out The Window” and “(Do The) Act Like You Never Met Me” perfectly capture the sort of ennui-laced mid-20s melodrama that makes growing up so hard to do–especially when you still kinda wanna party all the time.

One good hip-town project deserves another, and therefore it’s apt that Brooklyn’s Brothertiger will also appear on this bill. A hazy synth-pop project with some 80s UK vibes (think Pet Shop Boys or New Order), Brothertiger also manage to do a little bit of chillwave evocation in their music, and channel some straight-up 1986 Top 40 sounds for their unforgettable choruses. They’ll get you swaying and smiling in the club, especially if you’re the sort of person who is still wearing sunglasses on the dance floor at 11 PM. Local up-and-comers Keep split the difference between the more synth-driven melodic sounds of the bands they’re sharing this bill with and the more 80s UK guitar-driven postpunk sound of bands like The Sound and The Chameleons. Either way, they’re awesome, and they fit right in on this bill, putting this evening’s hipness quotient right off the charts. Wear something pastel to blend in.

Monday, October 23, 7 PM
Ted Leo & The Pharmacists, Ian Sweet, DJ Adam Against @ Strange Matter – $15 (order tickets HERE)
Big news, y’all! Ted Leo is back. One of the great punk rock troubadours of the Dubya era, who kept the faith with killer albums like Hearts Of Oak and Shake The Sheets, took a long break after 2010’s The Brutalist Bricks, needing some time to regroup after professional difficulties and personal tragedies assailed him in rapid succession. Since that album, he’s made one album in collaboration with veteran singer-songwriter Aimee Mann under the name The Both, but this summer’s The Hanged Man is the first new music we’ve heard from Ted in seven years. It’s a darker, more introspective album than any of his previous work, and while first single “Can’t Go Back” sees him returning to the sort of uptempo power-pop sounds that he made his name on, a lot of this record is slower, quieter, and moodier than anything we’ve previously heard from Leo.

Does that mean he’ll have a different live show than when you saw him back in 2008 or so? There’s only one way to find out for sure. However, considering he’s back with his longtime backing band, The Pharmacists (who were for the most part not involved with the new album), it’d make sense to have some expectation for revival of our favorite uptempo moments from Leo eras past–though ultimately, who knows? Dude’s been through a lot. He will help lift our spirits regardless of what songs he chooses for his set list, though, just because it’s always nice to see Mr. Leo onstage in Richmond again. Tourmates Ian Sweet are pretty much the leading lights of the modern Brooklyn shoegaze-pop sound, so they’ll certainly satisfy you with their killer set, while legendary Young Pioneers frontman Adam Nathanson will put everyone in the mood with some time behind the turntables as DJ Adam Against. You won’t want to miss a moment.

Tuesday, October 24, 6 PM
Soulfly Does Nailbomb, Cannabis Corpse, Noisem, Lody Kong @ The Broadberry – $25 (order tickets HERE)
Nailbomb, a band who once proclaimed themselves “Proud To Commit Commercial Suicide,” existed for about a year in the mid-90s, during which they recorded one studio album, Point Blank, and played one live show before breaking up. The group’s main creative forces were Sepultura/Soulfly frontman Max Cavalera and Fudge Tunnel guitarist Alex Newport, both of whom played guitar and traded off on lead vocals. Their sound was an exploration into both Newport’s industrial-tinged leanings and Cavalera’s interest in hardcore punk. The band ceased to be a going concern after that one show, and has never come remotely close to reuniting.

However, in this era of 90s nostalgia, one can’t be but so surprised to see Cavalera’s current project dusting off those old Nailbomb songs and taking them out for a spin once again. Sadly, Alex Newport is not involved in this current project, meaning that it won’t quite be the same. Nonetheless, Soulfly is a pretty killer metal band in their own right, and Nailbomb fans who weren’t lucky enough to make it to Dynamo Open Air in 1995 can’t be blamed if they wanna finally get a chance to mosh it up to these (admittedly incredible) metal tunes. The tour features a variety of killer modern openers to sweeten the pot, too, and while Harm’s Way won’t make it to RVA, Soulfly/Nailbomb will be joined here by our own Cannabis Corpse, as well as Baltimoreans Noisem and Arizona sludgers Lody Kong. This last group shares a member with Soulfly in that Max Cavalera’s son Zyon plays drums in both; his other son Igor sings and plays guitar in Lody Kong as well. This is turning out to be quite the family affair. All the more reason to mosh it up.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [the rvamag address isn’t working for some reason, I haven’t had time to look into it! Bear with me]

Richmond’s shoegaze duo Keep on their latest release ahead of Smatter show

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Citrus City Records’ new shoegaze recruit Keep is beginning to make waves in the Richmond music scene. The duo released their first full-length album,  For Your Joy back was released in June and with distortion, dissonant vocals, and industrial sounds, Wes Smithers (guitarist) and Nick Yetka (drummer/vocals) are becoming names to know if you don’t already.

Keep has appeared on national shoegaze radio stations, but Smithers commented that he doesn’t like to put themselves into boxes.

“Honestly, we just like to be called a ‘rock band,’” he said.

The two have been playing music together since they were 14 in Chesapeake and in 2014, they made their way to Richmond to record their first EP, Hypnosis for Sleep.

“We traveled to Richmond to record with our friend Ian, ended up moving to Richmond a month afterwards, and went on our first tour,” Smithers said.

The duo’s second EP, Psychorama, Keep’s second EP followed a year later in November. The record was released by Cleveland, Ohio’s Mayfly Records.

“Bob Farley at Mayfly helped us find a home away from Virginia,” Yetka said. “…No tour followed, so we went straight into writing our album.”

Wishing to take their music to a new level of quality, Keep linked up with Jeff Zeigler at Uniform Recording in Philadelphia known for producing albums for The War on Drugs and Kurt Vile as well as now disbanded Richmond group White Laces. 

“When we were in high school, we were really into this band Nothing, and they recorded at Uniform, “Smithers said. That was basically our avenue to Zeigler.”

For their most recent release, Yetka and Smithers turned to Citrus City Records’ Manny Lemus last year to help with distribution and promotion.

 

“Manny is just a really cool guy helping us get our music out there,” Smithers said. “We released the album through Bandcamp, and Citrus City put out the cassettes.”

The local indie label has been churning out cassettes for some of RVA’s finest lately including Fat Spirit, Young Scum, Camp Howard and Lance Bangs.

When it came to the division of labor, both Smithers and Yetka wrote their own instrumentation, but Yetka wrote the lyrics.

“The album discusses the duo’s personal issues, perspectives on mental health, and how actions and consequences that arise between people affect them,” Yetka said.

Even though writing the album took about a year, the actual recording sessions only took two weeks. At that time, a friend of the duo, Calvin Lauber of Ardent Studios in Memphis, offered to mix and master For Your Joy and the bandmates were glad to have him.

“His mixing made the album credits more impressive, plus he’s the homie,” Smithers said.

Keep has done something remarkable with their latest release, and one can see why the duo has a hard time trying to define their genre. The 10-track album blends elements of shoegaze, doom metal, and electronic into a seamless product. The track “Man Made It” is a perfect example of the blending of all these together.  It swells with tempo, adding and dropping distortion with churning chords, all to end at the lofty chorus: “Feet don’t touch the ground / Ear don’t like the sound.”

For Your Joy comes to life in the second track, “Temporal Drift” with its use of melodic riffs, electronic keyboard tones, and introspective lyrics. However, the track immediately following, “Welcome To,” uses distorted guitar, switching the shoegaze atmosphere to a more grungy, gothic ambiance. Most of the album morphs between these hard sounds, until the very last. “7 Days” is the most unique track from the album as it leaves more room than any in this ballad form for the listener to absorb Yetka’s lyrics. The hollowness here is Keep’s sound personified.

“My favorite song is ‘7 Days,’ and it is the last one we recorded. It is just Nick’s vocals and my guitar. It just means the most to me, personally,” Smithers said.

Be sure to catch Keep at their upcoming show on Sept. 7 at  Strange Matter alongside True Body, Ó (fka Eskimeaux), and Hoops.