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Up All Night With Birds Again

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Inspired by their own pent-up creativity during the pandemic, two Richmond musicians have joined forces to form an eclectic, energetic record label.

Musicians typically spend evenings in crowded spaces, either playing shows or watching friends play shows. Or they’re traveling the country, bringing their sounds to eager new audiences. However, due to the ongoing global pandemic, none of these things have been possible for the better half of 2020. 

So what do you do when you and your friends are unemployed, stuck at home, and full of creative energy? If you’re anything like local musicians Kevin McCormick and Will Fennessey, you launch a record label. 

McCormick — who has played in a wide variety of local bands, including the straightforward hardcore outfit Black Button; Comfort, a shoegaze band that explored rich sound textures; and Alice Blue, a delicate slowcore project — recalled the novel experiences that stemmed from the isolation and boredom brought about by the COVID-19 pandemic. He said he’d often find himself awake at dawn, having been up all night.

“I would be on my porch and text the group chat ‘birds again’ every morning when the birds came back out,” McCormick said.

McCormick and Fennessey, pre-pandemic. Photo courtesy Birds Again.

“Birds again” became an inside joke among those in McCormick’s group chat, which included Fennessey, a member several local bands including the synth-punk quintet Teenage Cenobite; Slump, purveyors of a distinctively psychedelic brand of punk; and Keep, which has been delivering loud, reverb-drenched shoegaze for the better part of a decade now. 

The phrase is now being used as the name of a record label McCormick and Fennessey are launching, with the goal of disseminating the music and art of friends they’ve made during their time as participants in Richmond’s flourishing music scene. Birds Again will be putting out their first release, an eponymous tape from local krautrock group DMO, on Dec. 18.

“[Birds Again] gives us a center to pour all of our stuff into,” Fennessey said. “I know that having a label — no matter how big they are — push you in some way is always just a good feeling as an artist. Hopefully we can be that for our friends and for ourselves, motivate everyone and make a snowball effect of musicians and artists that we’ve collected in our friendships.” 

Given that McCormick and Fennessey play such a wide range of sounds in the bands they belong to, it probably won’t surprise anyone when they say Birds Again will feature an eclectic array of releases. The duo said that they’re big fans of other local labels like 11 PM Records, Vinyl Conflict Records, and Feel It Records, but they’re eager to create an entity that is not limited by genre, a space that just about any form of music or art can call home.

“I like all the labels that are locally based, but a lot of them are focused on one particular sound or particular style,” McCormick said. “The idea was just to kind of make a place where music that’s outside of what is traditionally propagated in Richmond can have a home.” 

Fennessey said he became inspired to create a label free from the bounds of genre when Citrus City Records, a small tape label started in Richmond but now based in Brooklyn, New York, released music from his band Keep. 

“Citrus City, at that point, put out music from Crumb, Vundabar, and Camp Howard, cool indie bands that are really unique in their own way, but still nothing like rock,” Fennessey said. “Something Citrus City champions is a lot of weird bands, you never know what you’re going to get with Citrus City. I think that’s cool and we kind of want to pull from that.” 

This notion is particularly evident in Birds Again’s first release, DMO’s self-titled album. The band was born when shoegaze band Comfort underwent a lineup change, and with it, a change in sound. With players drawing from a range of influences from ambient to feedback-ridden psychedelia, DMO presents a decidedly krautrock sound. But it’s the penchant for repetition and a determination to push the limits of what’s possible with a guitar that gives DMO their unique sound.

“The guitar is pretty played out at this point,” said McCormick, who plays guitar in the band. “But we’re trying to find new ways to use a guitar; we’re trying to see if there’s anything else.” 

Repetition adds an aspect of temporality to the album. Listening to DMO brings more than just what you hear, it’s also about experiencing change throughout the duration of the music and developing a relationship with dynamic textures and harmonies. 

“One time after a show, somebody said that we played the same riff for so long that it started to sound mythical,” McCormick said.

“Or it sounds like a new riff,” Fennessey added. “It’s like an optical illusion, an auditory illusion.” 

DMO will be released by Birds Again on Dec. 18, accompanied by a video Fennessey produced (above). Unlike more traditional labels, Birds Again will place heavy emphasis on the art that’s being released with music.

“All of our friends have something outside of music that they do,” McCormick said. “Long term, I want to start incorporating those other things … if you have a project, we can just put it out there, whether it’s poetry, photography, any type of art.” 

Powered by a seemingly endless supply of creative energy, Birds Again plans on pooling together the music and art of friends they’ve made in the music scene throughout the years, giving a platform to work that might not otherwise find a home. 

Top Photo: DMO, via Bandcamp

VA Shows You Must See This Week: February 5 – February 11

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FEATURED SHOW
Thursday, February 6, 8 PM
Cary Street Cafe’s 25th Anniversary & Big Ol’ Whoopty Doo feat. Whistler’s Mother, Craigslist Jerry @ Cary Street Cafe – Free!
This column is ostensibly about music, but if you want to get technical about it, it’s really about shows. And sometimes the best, most important show of the week is about way more than just the music. Such is the case with the 25th anniversary “Big Ol’ Whoopty Doo” being thrown by Cary Street Cafe this Friday. Oh, there’ll be music — more on that in a minute — but the most important aspect of this event is just the occasion of celebrating a constant source for live music in Richmond over the past quarter century, and the work of founder Robyn McManis to bring it to us, especially in light of the fact that McManis is in the process of selling the place.

If you’ve been a longtime Cary Street Cafe regular, the music on offer this Thursday night should please you; the two groups that will be performing two sets each represent both the early and recent eras of this venue’s standard fare. Whistler’s Mother were one of the first bands to play the place, and had a Friday night residency in the cafe’s early days that lasted years. Having since evolved into projects like the Harrison Deane Band and the Tin Can Fish Band, they’ll be coming back together to rock Cary Street Cafe once again. Craigslist Jerry, who currently perform during happy hour every Friday at Cary Street Cafe, will offer two sets focusing on the Grateful Dead and Dead-inspired material that has been the place’s stock in trade since day one.

Make no mistake, the music on offer on this night should be a real treat, especially if you’re tastes are inclined to bring you to Cary Street Cafe on a regular basis anyway. But what this evening is really about is giving thanks for a venue that, in a constantly-changing landscape of short-lived venues for live music, has remained a consistent source of live performances since the early 90s — a time before a good many of our readers were even alive! Spend your Thursday night showing your appreciation with a night of celebratory jams.

Wednesday, February 5, 7 PM
Emily Wolfe, Tom West, Righter @ The Camel – $10 in advance/$12 at the door (order tickets HERE)
Let’s rock! Austin-based singer-songwriter Emily Wolfe is coming to town, and while you may be used to hearing that term as a coded signifier for “dignified Americana-folk sounds played on acoustic instruments,” Wolfe is quite a different prospect, using her loud n’ proud electric guitar and her wailing voice to create quite the storm of distorted blues-rock riffology. Her self-titled debut LP, released about a year ago, finds her at the head of a storming power trio that has much more in common with Jack White’s solo work than that of Carole King. Follow-up single “Ghost Limb Gambler,” released last week, has much the same fighting spirit, and thank god for that.

But Wolfe sometimes performs solo as well, letting her guitar, some effects, and her magnificent voice dominate the stage. Which version of her live performances we’ll get when she hits the Camel tonight isn’t something I can predict, but the fact that it’ll be great fun to watch is a sure thing. Wolfe will be joined on this gig by Australian singer-songwriter Tom West, who does hew a bit more closely to that whole folk thing, though “Americana” would surely be a misnomer for a troubadour from the land down under. Local indie-folk project Righter will get this whole evening kicked off, and it certainly should be a blast.

Thursday, February 6, 8 PM
Humungus, Mega Colossus, Children Of The Reptile, Mortal Man @ Wonderland – $10
While they’ve been around for pretty much a decade now, Richmond thrash-metal throwbacks Humungus have never been all that prolific a band — which just makes it that much more exciting when they do release new material. They did so back around Christmastime, bringing their second full-length, Balls, into the world via Killer Metal Records. The fact that most people have already picked their faves of the year by the time December rolls around might have led to this album flying under some people’s radar, but as always with Humungus, missing out on it would be a very big mistake.

This quintet does thrash in a manner not often heard in the modern era, keeping alive not only the incredible leads and galloping riffs of the genre’s prime 80s era, but also the high-pitched vocals and occasional goofy subject matter in a manner that shows how good these metalheads are at deadpan humor. No matter how tongue-in-cheek Humungus are being at any moment, though, their thrashing ability is always serious as a heart attack, and their live performance at Wonderland this Thursday night is sure to get you headbanging with abandon — even if the fans they’re known to bring with them onstage (to get the hair blowing around just so) are still pretty silly. A trio of Raleigh shredders — Mega Colossus, Children Of the Reptile, and Mortal Man — will pack this bill with a ton more metal mastery, but any true Richmond metalhead knows that Humungus is what it’s all about.

Friday, February 7, 8 PM
Leach, Black Dirty, Night Idea @ Poor Boys – $5
It’s always fun to head over to Poor Boys and spend an evening in the Voodoo Room, rocking out in a site that established a noble tradition of great music during previous days under the auspices of Bogart’s, Balliceaux, and Flora. Prsmcat Presents has been bringing some great locally-focused sounds into the place since Poor Boys took it over, and this Friday night is no exception. This evening will be headlined by Leach, who are celebrating the release of their latest EP, A Machine, It Seems, at this event.

If you haven’t checked out what this band, featuring former members of Imaginary Sons, are bringing to the table, the fact that their bandcamp URL labels them “Leach rock band” should be some guide. These guys have a decidedly 90s-style take on rocking, one that reminds me of driving around in my Chevette during my college days blasting Urge Overkill and Dig tapes. They’ll be joined on this bill by Philadelphia’s Black Dirty, who despite the name actually have a pretty clean and delightful math-damaged alt-pop sound. They’re certainly musically simpatico with Night Idea, the Richmond mainstay who rounds out this bill. With the aid of these three excellent bands, you’re sure to have a delightful Friday night.

Saturday, February 8, 7 PM
The Reign Of Kindo, Manatree, Colpa Mia @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one kinda came out of nowhere for me, y’all. A band of at least half a dozen musicians who are big enough to tour on the performance of an early release in its entirety, whom I have also somehow never heard of? Well, in truth, that seems to be The Reign Of Kindo’s whole thing. While they’ve been around for nearly 15 years, this New York band has never had a high profile in the mainstream, instead releasing all of their albums independently and focusing on the internet and social media as their path to success. What’s really wild is that it has worked out so well — for the past few years, they’ve been releasing new songs monthly on Patreon, and have racked up nearly 1000 supporters who contribute over $3000 to them each time they release a new song. Not bad, right?

And so, therefore, The Reign Of Kindo (or just Kindo, depending on where you see their name) are definitely worth looking into if, like me, you’ve never encountered them before. Their music could certainly be described as alternative rock, but between the incredible talent of their entire ensemble and the fact that they bring such a wide variety of influences to bear on their creative process, it seems a woefully inadequate description. Genres like jazz, soul, and prog also have to be part of the conversation, and of course you can’t ignore the way frontman Joseph Secchiaroli’s voice takes the whole thing to another level entirely. Even if you’ve never heard of them — heck, especially if you’ve never heard of them — The Reign Of Kindo is a group you should really dig into. You can start this Saturday night at Capital Ale House.

Saturday, February 8, 8 PM
Daughter Of Swords, The Dead Tongues, Andy Jenkins @ The Camel – $15 (order tickets HERE)
Where live music in Virginia is concerned, y’all, it’s all about Richmond. That fact is driven home to me at times like this week, when I hunt high and low for non-Richmond VA shows to tell you about and can’t even come up with two — and meanwhile, I’m having a hell of a time narrowing the Richmond picks down to eight. This week I threw up my hands and decided to work with what I’ve got, which is why you’re getting this ninth Richmond show instead of a second elsewhere-VA show. I work with what I’ve got, folks, and in the end, you the live music fan are the one who benefits.

For example, there is this Saturday night show at the Camel featuring Daughter of Swords. I almost didn’t manage to get this one in here, which is remarkable in light of how good the latest project from North Carolina folk singer Alexandra Sauser-Moning really is. Last year’s Dawnbreaker demonstrated Sauser-Moning’s flawless ability to come up with a series of heartfelt, memorable tunes and deliver them in the most minimal of settings. But this tour, on which she’s backed by members of Megafaun, Dirty Projectors, and Hiss Golden Messenger, will present her with a more fleshed-out but just as brilliant musical canvas. They’ll come to town in the company of the Dead Tongues, a folk project from the mind of sometime Hiss Golden Messenger sideman Ryan Gustafson. The fact that the two picked Richmond as the place to start their current American tour just proves the point I was making a paragraph ago — where live music in VA is concerned, Richmond is what it’s all about.

Sunday, February 9, 9 PM
Faucet, Zima, Zara @ Bandito’s – Free!
Round out your weekend with this triple bill of noise-punk awesomeness at Bandito’s, featuring a couple of new groups consisting of members whose talents have already been well established. To begin with, there’s Faucet, who land firmly on the noise end of the spectrum, with an out-of-control raging approach that evokes classic 80s reprobates like Flipper and No Trend. Featuring members of Ceremonial Scissors, Gumming, Fat Spirit, and Among The Rocks And Roots, this band’s pedigree alone makes them worth looking into — but rest assured, their sounds are intense enough in their own right to warrant your continued attention.

Then there’s Zima, a band whom I’m guessing are named after a clear malt beverage that was quite the trend when I was coming of age in the 90s and is probably totally forgotten by the younger readers among you. What actually inspired their name isn’t something I can tell you, but I can tell you that this project, which features 4/5 of Richmond punk ragers Haircut on different instruments but going off just as hard, is absolutely worth your time. If you enjoy being devastated by raw, aggressive punk fucking rock, that is — and who doesn’t? The bill is rounded out by Zara, an ambient electronic project with the most history of any of these three — certainly a great way to start a musically delicious evening.

Monday, February 10, 7 PM
Horse Jumper Of Love, Keep, Lobby Boy, HotSpit @ The Camel – $8 in advance/$10 Day of show (order tickets HERE)
Is it me, or are there a lot of horse-themed bands running around these days? Just last week I wrote about Brooklyn’s A Deer A Horse and locals Horse Culture. And now, this week, I find myself discussing Bostonians Horse Jumper Of Love. As any journalist will tell you, three of anything is a trend. But it’s not a strictly musical one, by any means — all three of the mentioned bands have very different sounds.

The one we’re discussing at the moment, Horse Jumper Of Love, have revived the slowcore genre that was all the rage in the 90s, when bands like Red House Painters, Low, and Duster were big on the scene. On Horse Jumper Of Love’s 2019 sophomore album, So Divine, they show themselves as capable inheritors of the tradition, knowing when to keep it quiet and when to flip the dynamic switch to loud and crushing… but throughout, always keeping things slow and moody in a manner making their music a perfect soundtrack for listening late at night with the lights off. You can do exactly that at The Camel this Monday night, and we humbly suggest you do so… no matter how you feel about horses.

Tuesday, February 11, 6:30 PM
Have Mercy, Fredo Disco, Selfish Things, Young Culture @ The Canal Club – $17 (Order tickets HERE)
I must say, I really dug the third Have Mercy album, Make The Best Of It, back when it was released in 2017. That album came just after singer-guitarist Brian Swindle had replaced his entire backing band with a new lineup, and I remember thinking at the time “I wonder if that guy’s hard to work with.” Now, after one more equally excellent album, 2019’s The Love Life, Swindle and co. are calling it quits entirely, which only reinforces my previous wonderings. The music was totally great, though, so regardless of what sort of lingering tension may be present onstage for this Have Mercy farewell tour, it’s still well worth showing up at The Canal Club and seeing them one last time.

Baltimore-based Have Mercy existed in an adjacent space to the emo revival, but their sound was always entirely their own, drawing equally from 90s alt-rock and pastoral indie sounds and creating wonderful, enduring tunes with strong, heartfelt lyrics about real, important aspects of interpersonal relationships. They’re the kind of band that it’s easy to let into your heart, and therefore, it’ll be tough to let them go. Hopefully Brian Swindle keeps making music in some capacity after this, but even if he does, this will be our last opportunity to see Have Mercy play their many classic tunes. I suggest you make the best of it.

Elsewhere Around The State:

Friday, February 7, 9 PM
Pain In The Yeahs, Community Witch, Billy Varela, Black Mass Gathering @ Taphouse Grill (Norfolk) – $?
The Tidewater area of Virginia has always been a good source for dark gothic industrial dance sounds, and with Pain In The Yeahs operating in that area, this will certainly remain true for the foreseeable future. Brand new single “Animal Within An Animal” shows that bandleader James K. Ultra still has a deft touch with the postpunk spookiness he’s established through his and the group’s last several years’ worth of work.

There is a strong undercurrent of the goth sound of the mid-80s UK, with Cure and Sisters Of Mercy vibes undeniable in their music, but the new single shows that Ultra and co. bring a pop sensibility to what they’re doing as well; surprisingly catchy choruses and occasional synth-pop hooks add a darkly gleaming shine to the mood Pain In The Yeahs creates. Fear not, it’ll still lend itself perfectly to storming the dance floor in a velvet cape, black lipstick, and shiny polished Doc Martens, in classic Norfolk tradition. Get gloomy, y’all.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: April 3 – April 9

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FEATURED SHOW
Thursday, April 4, 5 PM
Sports Bar (photo by Samuel Dixon Photography), Tommy And The Commies, Les Lullies, Nightcreature @ Hardywood – Free!
I’ve teased Sports Bar within this column in the past for being slackers. If you’ve been reading for a while, you surely know about it; I’ve even gotten emails from the band themselves about it (no worries, they thought it was funny). But I think I just might have to take it all back, because Sports Bar have been quite productive over the last six months or so. First they released their debut full-length LP, Stranger In My Head, last October. Now, only half a year later, they’re holding a release party for the follow-up EP, Something Good. Have Sports Bar outgrown their slack persona?

Well, let’s not be hasty — only time will really tell on that score. But considering that Stranger In My Head only further proved what savvy Richmonders have known for years — that this band’s mix of catchy melodies and garage-punk irreverence makes them a flawless creator of perfect power-pop gems — chances are they could take this whole thing a lot farther if they stay this active. More importantly for the purposes of this column, Richmonders will get more chances to see them play live! Here’s your first one — and it’s free, so you definitely don’t want to miss it.

They’ll be joined on this bill by two hot power-pop groups from outside the US, both of which are just as unmissable as Sports Bar themselves. Tommy And The Commies hail from Ontario, and not only have a pretty awesome name but also prove on 2018’s Here Come… that they know how to bring back the toe-tapping rage of late-70s British punk with maximum aplomb and panache. Meanwhile, Slovenly Recordings labelmates Les Lullies, who hail from France, have a grungier, snottier take on late-70s dawn-of-punk riffage, expertly evoking the Real Kids and Radio Birdman on last year’s self-titled LP. Both of these bands are going to tear it up at Hardywood tomorrow night, and with Nightcreature kicking things off, you’ll be hearing excellent sounds from moment one. Don’t miss this, y’all — you never know when Sports Bar will take another year off.

Wednesday, April 3, 7 PM
And The Kids, Bat House, Cardinal @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
And The Kids aren’t exactly punks, but they’ve definitely got some of that rebellious spirit within them. It isn’t just identified by them beginning their band name with a preposition, either. You can hear the spunk and spirit they bring to their melodic, energetic indie rock on their latest album, When This Life Is Over, which came out back in February. Recording for the group is always a bit of a complicated proposition, with one member having been deported to Canada in 2014 while the duo who formed the group make their home in Massachusetts. But by mixing together everything from bedroom demos to complicated multi-track layers, they pulled together a really great record.

How will they recreate such a thing live — and how will the fact that one of the band’s members was deported to Canada affect all that? I imagine the US doesn’t just let you back in with no complaints when it’s time to tour, so for all I know, we’ll be getting a slightly rearranged lineup of And The Kids at The Camel tonight. But the tunes will still be in one piece, and founders Hannah Mohan and Rebecca Lasaponaro’s excellent vocal harmonies are sure to shine brightly. So no matter who else is backing them up, you should really be there to see what magic they create. They’ll arrive in the company of talented Boston math-rockers Bat House, and get a guaranteed-splendid opening set from up-and-coming local indie geniuses Cardinal. All this, all for you. Isn’t it wonderful?

Thursday, April 4, 9 PM
Ulthar, Left Cross, Disintegration @ Wonderland – $10
Ulthar are coming through, and you better batten the hatches — especially if you see any cats around. This California trio brings together former members of harsh metal ragers like Mutilation Rites and Vastum to kick out some dirty blackened thrash in tribute to pioneering horror author HP Lovecraft — something they do an expert job of on their debut album, Cosmovore.

From the guttural vocals, blasting drums, and speedy riffage (all of which Lovecraft himself, an avowed despiser of music, would surely detest) to the lyrics referencing a variety of concepts from the old man of Providence’s classic works, Ulthar carry on a glorious tradition of Lovecraft-influenced metal, and we are all the beneficiaries as they prepare to cast a dank miasma over Shockoe Bottom with their eldritch terror. They’ll be joined by Richmond’s raw thrashers Left Cross and local grinders Disintegration for a blasphemous night full of maximum brutality.

Friday, April 5, 10 PM
The Marcus Tenney Trio @ The Savory Grain – Free!
It seems other people around town are finally starting to notice just how much top-quality free jazz (in the it-doesn’t-cost-anything sense rather than the Ornette Coleman sense) is available around Richmond, and I for one am glad — excellent jazz sounds have been bubbling just under the surface of the Richmond music scene for years now, and it’s high time it got wider recognition. But just because other people are catching on doesn’t mean we’ll stop talking about it over here, and so I’m here to tell you that the jazz show most worth talking about this week is happening Friday night at The Savory Grain.

Specifically, The Marcus Tenney Trio will be playing for your musical enjoyment. Tenney should need no introduction by now — from his work in Butcher Brown, No BS! Brass Band, and multiple other combos around town to his many excursions as bandleader and even his hip hop career under the name Tennishu, Tenney keeps busy with cranking out the excellent music for RVA fans’ enjoyment… and you know this, so I don’t know why I’m repeating it now. But this night finds him backed by a couple of local jazz stars who may not be as well known around town. Drummer Corey Fonville has anchored Butcher Brown’s rhythm section for years now, as well as doing a ton of session work and generally being amazing, while Matthew Hall spent several years as an expat, bringing his bass skills to the jazz scene in Istanbul, Turkey for quite a while. He’s returned to Richmond and will give locals a chance to catch up or get familiar as an integral part of Marcus Tenney’s trio this Friday night. Drop in and dig the sound.

Saturday, April 6, 7 PM
YOB, Voivod, Amenra @ The Broadberry – $25 (order tickets HERE)
OK, I can’t be the only metalhead in town who saw this lineup and immediately whispered, “Oh my god…” to themselves, right? I mean, this is a double dose of the heaviest, hardest-hitting music out there. There’s just no other way to put it. YOB have been going for over two decades now, and this slow, sludgy, and heavy-as-fuck trio go so far beyond the typical doom metal template that they’re in a class by themselves. To give you an idea, their latest album, last year’s Our Raw Heart, was written by frontman Mike Scheidt while he was in the hospital recovering from a health scare. It is both sludgy as fuck and ominously psychedelic in the manner of the best Neurosis albums. Getting it thrown at you at top volume when these guys take the stage at The Broadberry is sure to be a treat, assuming you enjoy being buffeted by waves of pure sonic gloom.

And also assuming you aren’t completely spent after a set from YOB’s equally powerful tourmates, Voivod. Doing YOB one better, Voivod have been around for over three decades now, and just released their 18th album, The Wake, last year. Over their 35 years of existence, Voivod have done everything from speedy thrash to strange, mathematical prog-metal, and The Wake finds the group exploring all facets of their wide-ranging sound, and then some, in order to talk further focus on their long-running themes: the dehumanizing nature of technology, the chaos of our modern world, and our murderous culture of war and violence. Look, maybe this won’t be the most uplifting show that’s ever happened in Richmond, but do you come to metal seeking your daily affirmation? Or are you, like most of us, just looking for some great riffs to headbang to? YOB and Voivod have you covered on that one. You know what to do.

Sunday, April 7, 7 :30 PM
The Telescopes (Photo by Solange Magnin), Cult Of Lip, Keep @ Capital Ale House Music Hall – $13 in advance/$15 day of show (order tickets HERE)
Here’s a pretty incredible thing: psychedelic shoegaze pioneers The Telescopes are making their way to Richmond this Sunday night. The English group got their start in the late 80s, grabbing attention as a member of the formidable Creation Records stable in the early 90s and bringing a hazy, ethereal sensibility to their tunes full of loud guitars and beautiful vocal harmonies. After disappearing for a decade or so, the group returned in the mid-00s, and numerous lineup changes have taken place since, but always with founder and chief songwriter Stephen Lawrie in the frontman position.

Their simultaneous connections to the early days of shoegaze and the psychedelic, spaced-out UK guitar groups like Loop and Spacemen 3 shows through in the beautiful music they make, most recently on the brand-new Exploding Head Syndrome, the group’s 11th album. They’ll roll into town with plenty of fuzz and some powerful amps in tow, all set to blow you away and wipe your mind clean — so be prepared. They’ll have Minneapolis’s Cult Of Lip in tow, all set to bowl you over with a set of early-JAMC guitar clatter, and the whole night will be kicked off by local shoegaze torchbearers Keep. Get ready for some serious pedal-hopping, y’all.

Monday, April 8, 8 PM
Allegra, FINE., Hot Spit, Warrington @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Citrus City really manages to keep their finger on the pulse. Not only do they scoop up a ton of gorgeous emo pop bands around Richmond, they range far afield to sign the best bands playing this style around the country and world. Witness their latest collaboration with Philadelphia’s Allegra, who are coming to town this Monday night having just released their latest EP, Yet Not Enough, through Citrus City Records. Full of excellent tunes, this understated release from Allegra shows off the band’s “queer twinkly emo” sensibilities without overwhelming the listener with million-note lead guitar runs or brain-scrambling time-signature tricks.

Instead, we find singer-guitarist Allegra Eidinger’s softly beautiful melodies and ringing guitar strums anchoring a collection that’s sure to win your heart. And we’ll undoubtedly see the same thing onstage when the quartet pulls into town to liven up your Monday night — which is always appreciated. They’re accompanied by Providence duo FINE. (yes, written just like that), whose buzzing riffs and strangely Stevie Nicks-ish vocals have a harsher take on some subtly strong melodies. With local brilliance from Warrington and Hot Spit kicking this one off, we’re guaranteed to have a good time with this one.

Tuesday, April 9, 8 PM
Sinmara, Suffering Hour, Voarm @ Wonderland – $10
Is Wonderland the new Strange Matter? I ask because, for a long time, Strange Matter was the go-to for early-weeknight sets from touring bands that were either just starting to make their names or long-running legends you’d never expect to see in Richmond. For a while, no one was filling that gap, and our Mondays and Tuesdays were worse for it. But just in the past couple of weeks, I’ve started noticing shows like that popping up more and more often at Wonderland. And let me just say, if they’re going to become the new early-weeknight go-to for excellent live bands we otherwise might not see in town, I for one am stoked about it.

This show is particularly fascinating, being the sort of metal show that would have happened in Strange Matter but is now taking place in Shockoe Bottom. One wonders if it could even gather both the downtown metalheads with the Bottom-dwelling headbangers and bring true unity to Richmond’s metal scene once more. That’s a heavy responsibility for killer Icelandic black-metal trio Sinmara to undertake, but as long as they lay us flat with more of the windswept metal brutality they dish out on their latest killer full-length slab, Hvisl Stjarnanna, which just dropped last month… well, I don’t think anyone is going to complain. Prepare for a musical onslaught of epic proportions… and keep your eye on Wonderland. They might have more like this in the near future. Wouldn’t that be great?

Bonus Hampton Roads Picks:

Friday, April 5, 8 PM
Inferior Brain Power, Tornado Bait, Brian Mann @ Taphouse Grill – $5
Hah, OK. Well, I can’t say I know that much about Inferior Brain Power — in fact, the first time I heard of this duo, which hails from somewhere in the DC/NoVA area, was when I found the event invite for this show on Facebook. But I couldn’t help looking into any band who is holding an 8-track release show, and now here we are. You young whippersnappers might wonder what an 8-track even is, but let me tell you, unlike a lot of other dead formats that have experienced minor revivals in recent years, this one is not worth looking into. If Inferior Brain Power is sincerely attempting to kickstart an 8-track revival with their new EP (and I have my doubts), it’s doomed to fail.

That said, I admire their chutzpah, and a listen to the album they’ll be releasing on 8-track, We Read Books, leads me to do so even more. Originally released last fall on standard cassettes, I’m glad to know this album is available in a more conventionally playable format, especially since it’s such a hard thing to describe. Pere Ubu jamming with They Might Be Giants? A Dead Milkmen album produced by Tim And Eric? It’s not your typical indie record, and that makes sense, because Inferior Brain Power aren’t your typical indie band, by any means. If you are one of the fourteen or so hoarders left on the planet with a working 8-track player, you should definitely go to this show and pick up a copy of We Read Books. The rest of you should just go enjoy the show. It’s certainly not going to be anything like anything else you’ve seen in this column lately, and if you ask me, that’s reason enough.

Monday, April 8, 7 PM
Eyehategod (Photo by Albert Licano), The Obsessed, Antiseen, Slaghead, Night Hag @ RiffHouse Pub – $20 in advance/$25 at the door (order tickets HERE)
Wow, this one is big. A triple-headliner bill featuring three of the most legendary collections of repropbates to ever play loud, heavy, anti-social music in America, all on one stage. People are gonna come out of the woodwork for this one, so if you want to be part of it, you better score your tickets now. You’re gonna want ’em, and not just because Eyehategod is at the top of this bill. The pioneers of NOLA sludge-blues swamp metal, these guys have been laying down pulverizing grooves full of sketchy spookiness for 30-plus years now, and neither drug busts nor liver transplants nor even death has put a stop to them.

But the Eyehategod train is not the only one that miraculously keeps rolling after many decades — The Obsessed can make a similar claim, even if their history isn’t quite as checkered as fellow DC doom-metal pioneers Pentagram. Forming at the dawn of the 80s, they’ve repeatedly broken up and reunited, currently on their third overall incarnation. Don’t let that intimidate you, though — doom-metal living legend Scott “Wino” Weinrich is still fronting the trio, and their 2017 album, Sacred, shows that they can still bring that Black Sabbath/Blue Cheer sludge groove like no one else. Last but certainly not least, we’ve got Antiseen, a punk rock group unlike any other, who hail from North Carolina and have at times made even Poison Idea look like upright citizens. Their latest release, Dying Breed, features a ton of covers including one of White Cross’s “Jump Up,” for you old-school VA hardcore heads. But it’s Antiseen’s classic originals, which somehow bring a Southern-rock feel to raging 80s punk sounds, that you’ll really be down for, assuming you enjoy some seriously antisocial sounds. And honestly, if you don’t, you might want to skip this one. Because I can promise one thing — it’s gonna get crazy. You’ve been warned.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Young Scum, Shady Bug, Twin Drugs, Keep at Strange Matter

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The Nightschool Agency Presents:

YOUNG SCUM (RVA; Citrus City)
www.youngscum.bandcamp.com

SHADY BUG (St. Louis, MO)
www.shadybug.bandcamp.com

TWIN DRUGS (RVA)
www.twindrugs.bandcamp.com

KEEP (RVA)
www.keepva.bandcamp.com

Tuesday, June 19th, 2018
8PM Doors // 9PM Sounds
$8 ADV // $10 DOS
18+
Buy Tickets–> https://www.ticketfly.com/purchase/event/1697603
______________________________________________________

YOUNG SCUM:

Getting old is inevitable. And in the latter half of your 20s, it begins to finally set in. Things that you once enjoyed now seem like a waste of time, a reminder of how little time you have. Young Scum’s forthcoming self-titled debut LP, set for release this summer, delves into that melancholy feeling of losing time and how to hold on to the people and memories that make everything worth it.

Sharing the same power poppy jangle of their previous EP ‘Zona’, this 8 track album further showcases Young Scum’s ability to craft pop songs that have you dancing along and then maybe shedding a tear afterward. Songs about losing friends, having shitty jobs, freaking out about your future, and of course wasting time.

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SHADY BUG:

Hailing from St. Louis Shady Bug blends together elements of punk, twee, and experimental folk with a warm embrace nearly impossible to escape. There’s a tag on their Bandcamp that says “warm rippers” and it’s a fitting description for the quartet – Tom Krenniing (guitar), Todd Anderson (bass), Aaron O’Neill (drums), and Rainey – and their lulling but twisted pop convulsions. Their music is infinitely repeatable, relatable, and might be one of the year’s best kept secrets.

RVA Shows You Must See This Week: June 13- June 19

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FEATURED SHOW
Saturday, June 16, 6:30 PM
Saw Black, David Shultz, Graham Stone @ Hardywood – Free!
Summer’s here; it’s time for long evenings out on the porch, watching the sun seemingly take hours to set as we all relax with some tasty beverages. I know, I know, summer actually doesn’t start for another week, but here in Richmond, it might as well last half the year, so celebrating its arrival now hardly seems like jumping the gun. And what better way do we have to usher in the summer than by welcoming Saw Black’s latest album, Water Tower, into the world with a celebration of its release on a Saturday evening at Hardywood?

If you’ve got one, I suppose you’re welcome to suggest it, but as perfect as this free Saturday show is going to be, I highly doubt you’re going to convince me. Mr. Black’s really established himself over the past few years as Richmond’s resident troubadour of our Southern city’s subtly rich emotional life, and Water Tower takes things to the next level, as Black and his backing band bring to mind everything from Harvest-era Neil Young to early My Morning Jacket and the Drive-By Truckers at their more heartfelt moments. They’ll be recreating the album’s warm, enveloping sound from the Hardywood stage this weekend, as Black brings the ensemble that performed the album with him for this special musical celebration.

You should be able to grab one of the limited edition vinyl copies of Water Tower from Crystal Pistol at the show, though honestly, word has it that they’re selling fast, so you might wanna hit the merch table even before you go to the bar. But save a few bucks for the plentiful offerings Hardywood has on tap, and make sure you arrive on time. Opening acts will include local singer-songwriter David Shultz, who has a long history of heartfelt country sounds to draw from for this performance, as well as up-and-comer Graham Stone, who’s been generating a buzz lately with his frequent local performances. This won’t be the most intense show this week, but with hot weather on its way, some more laid-back evenings are going to be the thing you’re looking for. Find one at Hardywood this weekend; you’ll be glad you did.

Wednesday, June 13, 9 PM
False Figure, Cruz De Navajas, Serqet, Sensual World @ Wonderland – $5
An interesting strain on the rise in the punk rock world recently has been strong goth vibes. And I’m not talking about dudes with deep voices intoning portentously over drum-machine beats, either. No, I’m talking about a revival of the dark, reverbed-out sound that grew hand-in-hand with the early 80s UK postpunk scene, the one that centered around a club called the Batcave and drew in bands from The Cure to The Birthday Party. You can hear a big dose of that whole sound in Oakland’s False Figure, who are coming to Wonderland tonight with an undeniable blast of punk energy that nonetheless maintains an ominous undercurrent, one providing an atmosphere of gothic intrigue that’s reminiscent of Antisect or Amebix, and is sure to send a chill down your spine.

Mexico City’s Cruz De Navajas accompany False Figure on this trip, and they take things still further into the world of gothic 80s postpunk, using drum machine beats to undergird their energetic rhythms and cutting, Cure/Echo-ish guitar sound. Their excellent singer’s undeniable vocal resemblance to Siouxsie Sioux only takes things to a higher level, and new album Dominación presents a preview of some truly excellent sounds that await you tonight at Wonderland. Local gothic peace-punk exponents Serqet will provide excellent support, and opening up will be a new local ensemble called Sensual World (word to Kate Bush), featuring members of Kommunion and Bad Magic. It’s gonna be a real ripper, so whether you’re punk as fuck or more from the goth side of things, wear your darkest clothes and your dancing shoes down to Shockoe Bottom tonight.

Thursday, June 14, 8 PM
RIP, Plaque Marks, Prayer Group, Swathe @ Strange Matter – $10 (order tickets HERE)
Oh wow, I’m not sure how I missed out on RIP but I’m glad they’re coming to Richmond so that I could learn of their existence and bring some more reasons to headbang into my life. I’ve been known to complain about doom metal getting played out, becoming repetitive, etc. but a band like this bypasses all those criticisms by setting themselves apart from the standard doom tropes with the style they’ve christened “street-doom.” Really, it sounds like those early Kyuss records from the dawn of the 90s, when no one had really even started calling it doom and it was just dirty, Sabbath-influenced metal that sounded perfect blasting out of a lowered American muscle car with a metal flake paint job.

RIP bring that era back to life with their Street Reaper album from last fall, which even features the band’s members sitting in a pristine convertible lowrider on the cover. Color me stoked. The fact that they’re coming to town in the company of Philly’s Plaque Marks is even more reason for excitement; this band brings together members of Creepoid and Fight Amp, among others, to dish out the exact sort of psychotic, psychedelic, metallic rage you’d expect from a band with such a strong pedigree. Last year’s Anxiety Driven Nervous Worship has a pummeling drive guaranteed to run you over; I expect no less from their live show. Local noise-punkers Prayer Group and Swathe will kick things off with some serious chaos to get you warmed up for the main course, so show up on time and prepared to bang your head.

Friday, June 15, 8 PM
All Our Exes Live In Texas, The Hot Seats @ Capital Ale House Music Hall – $10 (order tickets HERE)
Here’s something completely different — and completely charming. How can you not love a band who gives themselves a name like All Our Exes Live In Texas? I suppose you could be young enough not to remember the George Strait hit they’re referencing here, but talking about that makes me feel old, so I’m gonna pretend you all get the reference and move on to telling you about the plentiful charms embedded in the music of this Australian country-folk quartet. All Our Exes Live In Texas are old-school — members play mandolin, accordion, guitar, and ukulele, and sing incredible close harmonies that are sure to remind you of old Carter Family records.

Their 2017 EP, Watch Me Fall, shows that even ladies from the other side of the world can grasp the strong folk traditions that run through Appalachia. Of course, it makes sense when you consider the fact that Australia was settled by the same British Isles working-class folks who settled in the Blue Ridge and Shenandoah mountains hundreds of years ago. Perhaps we aren’t so different, after all. Certainly the music can bring us together. Opening sounds from long-running local string band The Hot Seats will add a touch of bluegrass to the evening, and we can all use some more of that, right?

Saturday, June 16, 9 PM
EdHochuli, The Reptilian, Window Liquor, USA Big Dogs @ Mojo’s – Donations requested for touring bands
It’s always awesome to see long-running DIY bands stick with it year after year, and the arrival of Pittsburgh’s EdHochuli back in Richmond at least a decade after the first time I saw them play here is gratifying to see. This band hasn’t lost inspiration over their decade-plus of activity, either — 2015’s Dream Warriors LP showed them still in top form, mixing epic post-hardcore sounds with crushing metal heavyosity and a much-needed dose of melody and emotion. It’s been a few years since they brought us any significant new material — which is understandable, they’re not teenagers anymore and god knows life can get in the way. But whether they have brand new material with which to grace our ears or not, it’s going to rule seeing them rip it up once again over at Mojo’s.

This show’s got more to offer than just EdHochuli, though. For one thing, it’s got Window Liquor, who I’m assuming are the same Philly band from a few years ago who did a split with Richmond punks Bitchmouth. These guys have a pretty gnarly sound, mixing a sloppy sludge-punk aesthetic with some seriously heavy rock n’ roll energy. Third in the trio of killer out-of-town bands on this bill is Michigan’s The Reptilian, who channel passionate emotional delivery through melodic math-rock complexity for an intricate and unpredictable result that’s sure to keep your attention. Local off-the-chain rockers USA Big Dogs (that’s seriously their name, I kind of love it) will get things rolling in proper fashion with a set full of killer riffs. Plus you’ll be at Mojo’s, so you can get some great food before the show kicks off. What more could you ask for?

Sunday, June 17, 8 PM
Young Widows, Null, Manzara @ Strange Matter – $12 (order tickets HERE)
There’s not much out there that will make me feel old faster than watching bands go on anniversary tours for albums that came out when I was well into adulthood. In this case, it’s Young Widows, who are celebrating the tenth anniversary of their breakthrough second album, Old Wounds, which came out in 2008… when I was 32. Ugh, I am a dinosaur. Anyway, enough of my angst, let’s all take refuge in the beautiful pounding this album delivered both when it was brand new and when you put it back on today.

Old Wounds saw Evan Patterson and co. moving beyond the hardcore sound that had dominated previous projects — Breather Resist, Black Cross — and finding a new, more intense sound in the noise-rock rage of bands like the Jesus Lizard and Unsane. It kicked things up a notch from their first LP and set the tone for future releases. Now, four years after Young Widows’ fourth album, Easy Pain, they’re heading back on tour to memorialize what many fans consider their high-water mark as a band. And it’s going to rule, so get ready to relive the many past occasions where Young Widows knocked your head off from the Strange Matter stage — complete with their floodlit amps — and reminisce about one of the best albums to be released when I was in my early 30s. Yeesh.

Monday, June 18, 6 PM
Smile Empty Soul, Flaw, Kaleido, Talia, Alluvion, No One Hero @ The Camel – $15 in advance/$20 at the door (order tickets HERE)
Wow, OK, so we’ve talked a lot recently about how the 90s are back in a big way, but now we have to ask a bigger question: is the world ready for an early 2000s revival? If so, the stage is set to get it rolling this Monday night at The Camel, with the arrival of two early-to-mid-00s trendsetters. Smile Empty Soul might be a name you haven’t thought of in a while — but I’ll bet if you cast your mind back, you’ll remember their first and biggest single, “Bottom Of The Bottle,” which lit up rock radio in 2003 with its (generally censored) “I do it for the drugs!” refrain. They haven’t really hit it big since that first self-titled debut, but fifteen years later, this band is still going strong, and currently on tour behind their brand new seventh album, Oblivion. Don’t front — you know you’re curious.

With the addition of co-headliner Flaw, we move from post-grunge alt-rock to straight-up nu metal, and a band I’d completely forgotten about until I looked up the video for their biggest single, “Payback.” Oh yeah, these guys. They’ve kinda got a Mudvayne vibe, mixing chunky mosh-metal riffs with moody goth vocals and some pretty crucial 2001-era hairdos. 17 years later, these guys may not still have quite as much hair to throw around, but they’re sure to get you jumping around with the same midtempo fury they were bringing to the table at the dawn of the new millennium. This jam packed bill is full of openers from various locales, from Detroit’s Kaleido to Fredericksburg’s own Alluvion. But really, this one is all about the early 00s. Dig your Jncos and stocking cap out of the bottom of the closet before you head for the Camel this Monday night.

Tuesday, June 19, 8 PM
Young Scum, Shady Bug, Twin Drugs, Keep @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
One of the best indie-pop bands this town has seen in a long time is bringing us some new material, and you can count me among the many Richmonders very excited at the prospect. Young Scum’s self-titled debut full-length is coming in July from Citrus City, but there’s no reason not to start the party a month in advance at Strange Matter, especially since they’ve already shared an absolutely incredible slice of glittering jangle brilliance with us in the form of advance single “Wasting Time.” The writeup that accompanies the album, which talks about the inevitability of getting old (boy do I know that feel), makes me wonder if they shouldn’t have called the new album Not-So-Young Scum, but pop music this excellent never ages or goes out of style, and if Young Scum are becoming more emotionally evocative as they continue into their musical career, I for one am good with it.

Young Scum are joined on this rad Tuesday night by Shady Bug, a St. Louis band with a very similar approach to indie-pop, though their 2017 LP, tbh idk (that album name gets an A+), demonstrates a significant tendency toward speed, energy, and joyful distortion-pedal stomp that always adds welcome spice to an indie-pop sound. Think Black Tambourine or Boyracer if you need a reference here; yes, they’re that good. The bill will be rounded out by some excellent local sounds from Twin Drugs and Keep, two bands that should need no introduction to the clued-in RVA crowd that is no doubt already salivating at the prospect of new Young Scum material. You know what you’re in for with this show, and you know you want every bit of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 2/7-2/13

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FEATURED SHOW
Friday, February 9, 7 PM
Rumput, Gamelan Raga Kusuma @ Sound Of Music Studios – $7
In this town, it can be easy to get focused on the local mainstays — indie rock, metal, punk, etc — and miss the weirder and more intriguing side avenues the incredibly fertile Richmond music scene has to offer. But it’s always worth keeping an eye out. In fact, sometimes it’s the people from the scenes most often in the limelight that will lead you down the most fascinating musical side streets. Such is the case with Rumput, an acoustic ensemble that features Hannah Marie Standiford (Cardinal Compass) and Natalie Quick (Paint Store) working with local folk musicians to combine American folk traditions with the music of the Indonesian region.

Rumput are serious about their musical project, too — in fact Standiford, Quick, and Edward Breitner of Rumput are all currently living in Java, on yearlong scholarships to study Indonesian folk music and art. It is these traditions Rumput infuses into their music and performances, mixing Indonesian shadow puppetry and American scrolling artwork for their visual presentations even as they integrate Indonesian string band music, known as keroncong, with American string band traditions drawn from old-time folk music. The result is pretty amazing, and you can get a taste of this by checking out their self-titled debut, released last summer before three of the band members departed for Java.

Things are definitely stepping up to a higher level in the new year, though, as Rumput is currently working with Indonesian master musician Danis Sugiyanto, who is currently a visiting artist/scholar at University of Richmond. Sugiyanto will be acting as artistic director for Rumput throughout 2018, leading the group on their upcoming tour of Indonesia in July. Their current project, Akar, focuses on trickster tales, a common tradition in both Indonesian and American folklore, and the Rumput performance at Sound Of Music this Friday night will act as a sneak preview, giving RVA residents a chance to see what will be presented to Indonesian audiences this summer. It’s going to be essential listening and viewing, so I encourage all of you, even the most dyed-in-the-wool metalheads currently reading, to broaden your horizons and see what Rumput has to offer you. You’ll thank me later.

Wednesday, February 7, 8 PM
World Inferno Friendship Society, Everymen, Toxic Moxie, Hot Reader @ The Camel – $15 (order tickets HERE)
One could be forgiven for thinking the World Inferno Friendship Society is a fringe group of diabolical carny circus people here to set the entire world on fire based on their goofy name and colorful presence online and in real life. The fact that they are actually just an extremely creative band, with origins in punk rock and influences pulled from a variety of musical traditions coming from all over the world, might calm you down a little bit. But really, both descriptions are true; the musical performances are just this group’s way of challenging expectations, inspiring a beaten-down populace, and waking up the world.

Right now, the band is working on a new album entitled All Borders Are Porous To Cats, based around an extensive tale starring “a cat in the hat who wants to come to your house and hide out,” according to frontman/only-constant-member Jack Terricloth. Points about immigration and trying to understand rather than condemn those who aren’t like you may be delivered more subtly, but as always with WIFS, they’re very much there. As is the musical conglomeration that shifts from bizarre Eastern European folk-swing to bouncy punk and back again at the drop of a hat, never giving you time to get bored or reason to stop dancing. Stick with this band, they’re going places. And they’ll certainly get you moving — and thinking — with their show at The Camel tonight. Show up; they’ll do the rest.

Thursday, February 8, 8 PM
The Zeta, Amor Fizz, Gumming, This Land Is Now Dead @ Soft Web – $5
It’s only Thursday night, but over at Soft Web it’s already jumping, as this evening sees some incredible international bands combining with excellent local talent to bring one of the coolest shows of the week to life on a weeknight! The Zeta (which basically means “the Z”) is a Venezuelan band who bring an atmospheric approach to a post-hardcore style in ways that remind me of bands like Envy, but with a melodic yet passionate feel that I could trace to more emotional bands like Moving Mountains. They are joined by Argentinians Amor Fizz on this outing, who have a more intense and frenetic approach than their tourmates, and definitely flirt with the whole “screamo” thing on their self-titled 2016 LP (though I’d be more likely to call it chaotic hardcore, to be honest).

The two local bands on this bill are bringing plenty of awesomeness on their own, and I’m just as excited about them as I am about the touring bands. Gumming are relatively new, seeing members of Whorecough and Pucker Up combining to bring the same sort of sloppy, noisy hardcore attack we’ve all enjoyed from their previous groups. And of course, This Land Is Now Dead have returned from long hibernation to destroy us all once again with a hard-hitting, complex, and emotionally-driven wallop of post-hardcore metallic angst. I don’t mind telling you that this band was my favorite local band a couple of years ago, and I’m delighted to see them performing once again for the first time in over a year. Don’t miss it.

Friday, February 9, 8 PM
Strawberry Moon, Cupid McCoy, Addy, Mangoux @ Gallery 5 – $5
I really dig the weird, delicate take on jangly indie rock that has become the stock in trade of a certain segment of the Richmond underground scene. It’s nice to hear people taking new approaches to sounds that could easily be getting stale by now. The latest example of that happening is Strawberry Moon, a local duo that mingles moody acoustic songs with glittering electric guitar leads that add texture and atmosphere without overpowering the music’s quiet heart. They’re just about to release a record on local label Crystal Pistol, one of the labels that’s done the most to bring this sort of music to a wider audience, and this gig will see the release of the first single from that release. If the group’s fascinatingly foreboding first EP is any indication, the new release is going to make a lot of waves locally and beyond. Being there this Friday night is a great way to find out for yourself.

Strawberry Moon is joined on this bill by Cupid McCoy, a band they’ve been linked with from the start that takes a colorful and fun approach to electronic-infused pop music with a sweet, sugary core. Their sound may be significantly different from that of Strawberry Moon, but their equally delicate and open approach shows why the two groups work together so much. They’re two sides of the same delightful coin. Addy, a local project that came out of nowhere not long ago to capture a great deal of local attention, will also be on the bill, as will Mangoux. Both of these projects bring a dream-pop sweetness that is the perfect garnish to this night of quiet yet intense musical beauty. You might just be able to leave your earplugs at home for this one, but that doesn’t mean it won’t still hit hard.

Saturday, February 10, 6 PM
Butch Parnell, Big Brutus, Piranha Rama @ Hardywood – Free!
Here’s a double bill that should be catnip for all you fans of acoustic folk music that can make you think without making your ears ring. Butch Parnell and Big Brutus are songwriters of Southern origin with thoughtful outlooks and strong melodic chops. Parnell was once the frontman for long-running alt-country group Runaway Dorothy, but has been out on his own for a few years now, and currently has several releases under his belt. Most recent EP The Fall retains the twangy feel of his previous music, but definitely shows a broad-ranging outlook with a heartfelt and sincere cover of the Beyonce hit “XO.” Parnell makes this R&B ballad his own; it blends seamlessly with his original compositions on the EP and puts forth emotion just as skillfully as the songs he wrote himself. He’ll charm you with this one, and really with all of his tunes, if you’ll only give him a chance.

Big Brutus is a project helmed by Atlanta songwriter Sean Bryant, and most recent LP America Circa finds Bryant commenting wryly on the inhuman aspects of modern capitalism over catchy tunes that fit perfectly with the lyrics’ substantive critique of post-Trump American society. It’s neither loud nor abrasive, but this album shows Bryant turning his strong voice outward to make a bold statement regardless of volume. Big Brutus are sure to make a big impression at Hardywood this Saturday. Openers Piranha Rama kick things off with what just might be the loudest set of the night — and that’s never a bad thing.

Sunday, February 11, 7 PM
War On Women, You’re Jovian, Droopies, Keep @ Gallery 5 – $6
Wow, here’s something I never would have predicted — an acoustic set from War On Women, the metallic punk band from Baltimore who have made feminist critique of our oppressive, patriarchal society their raison d’etre. Intense anti-rape anthem “Say It” and pro-choice screed “Pro-Life?” were highlights of their incredible 2015 self-titled debut, carrying on the rage and the message of classic feminist hardcore bands of eras past such as Bikini Kill and Spitboy with a sound updated for the 21st century and ready to take on all comers. How, one must wonder, will that translate acoustically? I’m sure I’m not the only one excited to find out. Gallery 5 this Sunday night is our chance! Let’s hit it.

And of course, we’re all gonna want to show up on time, as there are some more killer sounds on offer at this show than just War On Women’s acoustic set. You’re Jovian, a killer shoegaze band from the Hampton Roads area, has been playing out for quite a while, but just finally laid a full LP, They Were Selected And Divided, on us last year. It was long overdue, but the point now is that it’s finally here and we’ll all be able to enjoy its excellent tuneage when these guys pull into town Sunday night. Droopies and Keep are two excellent local bands in a similar vein who will add a great deal of value to this already overstuffed bill — nothing to complain about there!

Monday, February 12, 8 PM
Adult Mom, Chris Farren, Sammi Lanzetta, Big Baby @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
It’s always nice to watch musical projects develop over the years. Last time I caught Adult Mom, they were playing house shows as a mostly-solo act; these days, they’re touring as a full band behind their second LP, Soft Spots, released last year. Their sound, a melancholy melodic pop vibe that demonstrates its punk influence mostly in its down-to-earth minimalism, is hard to resist. Adult Mom comes at you with catchy hooks aplenty and lyrics that are both vulnerable and cutting in their emotional honesty, and you’re sure to be won over.

They’re joined on this show and this tour by Chris Farren, a singer-songwriter better known as the frontman for popular groups like Fake Problems and Antartigo Vespucci. With his solo material, he’s taken his sound in a softer, more acoustically-based direction, as is often predictable when frontpeople go solo. That doesn’t mean it’s any less excellent, heartfelt, or memorable, though, as his debut solo full-length, Can’t Die, showed. Farren’s solo sound might be a touch more folk-punk than Fake Problems were, but that doesn’t mean fans of his previous work won’t find a lot to love here. Local rockers Sammi Lanzetta and Big Baby offer talented local support that’ll keep you dancing all night, so don’t miss a moment of this one.

Tuesday, February 13, 8 PM
Singles Nite #4, feat. MC Chicken, Graham Stone, Imaginary Boys, Khadonna @ The Camel – $5 in advance/$7 day of show/$15 for couples (order tickets HERE)
We all know how much of a bummer Valentine’s Day can be when you’re single and lonely. That’s no fun at all, and local promoters Slimehole know all about it. This show will be their fourth Singles Nite presented over the past five or so years, and as always, it’s a way to spend Valentine’s Day that for once makes it easier on those who aren’t coupled up. This event features the unique practice of charging couples an extra dollar for arriving together. And you can probably find a way to beat that by arriving separately and not hanging out until after you’re safely in the door… but you should probably just cough up the extra dollar, y’all. It’s only fair.

This year’s edition of Singles Nite sees jazz weirdo, viral video phenomenon, and overall goofball MC Chicken heading up the proceedings with a set of special sounds for the lovers and the lonely among us. Will it include “Richmond River Rat”? I can’t rule it out… Graham Stone will also be on hand to give his countrified rock n’ roll sounds a Valentine’s twist. There’ll also be some tribute sets from long-running Cure cover band Imaginary Boys, and from Khadonna, a new project from local electro-punk group Kuni that will see frontman Jonny Khalili living out his Madonna fantasies onstage at The Camel. It’s sure to touch all of our hearts.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Top photo from Rumput’s Facebook page