Lil Ugly Mane

The Scheme Team: The Next Generation of Richmond Rappers

Oliver Mendoza | August 22, 2019

Topics: 3wayslim, Big Kahuna OG, Divine Council, Fly Anakin, graymatter, hillboy, hip hop, holly block, Lil Ugly Mane, local hip hop, local music, local rap, monday night, music, Nickelus F, obhliv, producers, rap, rather vindictive, richmond rap, scheme team, strainman chronicles, The Cheats Movement, wardboyz

This Saturday, a showcase of several up-and-coming Richmond rappers comes to The Dark Room at the Hof, presented by The Cheats Movement.

The Richmond rap scene is alive and buzzing, and the next generation of RVA rappers is here to stake their claim.

Many who follow the illustrious Richmond rap scene are familiar with longtime local stars like Nickelus F, Ohbliv, and Lil Ugly Mane, who have been around and stamped their footprint across the country. 3WaySlim, Big Kahuna OG, Monday Night, and Graymatter are some newer faces in the scene, and with a familial bond and their arsenal of beats and bars, they’re going to remind everyone why the Richmond rap scene isn’t to be slept on.

The space at Holly Block, the studio where 3WaySlim, Big Kahuna OG, and Graymatter all record, is the epicenter of collaboration for the local rappers. Hanging out with the guys, we were graced with appearances from Monday Night, Fly Anakin, and Draco the Dog (who was featured on Big Kahuna OG & Graymatter’s 2017 album, Scooby Snax). Several dutches and Backwoods later, the hazy smoke gave life and inspiration to this new generation of Richmond heavy-hitters.

All of these rappers and producers are part of the Scheme Team, a heavily self-perpetuated group inspired by each other’s achievements, hard work ethic, and of course, style. Each rapper came into their own at different points, through different avenues of life; now they all collaborate together to release group mixtapes as well as solo projects.

“I started in high school… the older cats would throw me in different ciphers and shit, and you had to have your talent tested,” 3WaySlim said. “Once I grew a name for myself, the older cats from around the city started to invest in me, as far as putting me in the studio.”

While 3WaySlim started off jumping into ciphers (a freestyle or improvisation in which rappers jump in one after another), Monday Night credits the rest of the Scheme Team for pulling him into the game.

“My inspiration is them. They’re working hard, I’m trying to take their work ethic and mimic it,” Monday Night said. “When people know you’re nice, people wanna work with you.”

Being “nice” isn’t just generally being a nice person — it refers to the skill, the finesse, and the charisma one has when they rap.

Big Kahuna OG has been releasing music since around 2013, and now works a lot with producer Graymatter, who has also produced for Monday Night, 3WaySlim, and Fly Anakin on several different projects.

“Since I was in high school, I was recording shit with my brother and my close friends; that’s all we would do after school,” Big Kahuna OG said. “I really jumped into it when I moved back from Buffalo in 2015. I met Fly Anakin, and shit was way more poppin’ than when I left.”

If there is one thing all the guys can agree on, it’s the culture and rap scene in Richmond. Diversity between style, sound, and even geography is enough to create different sects of the scene in Richmond. Richmond is a small city though, and while some artists and sounds don’t always mesh, there does tend to be overlap.

“There’s a lot of hidden talent in Richmond… it’s kind of like a melting pot,” Big Kahuna OG said. “We’ve been doing it for a minute. I feel like I’ve worked with tons of people in Richmond.”

According to Monday Night, while there are differences in the culture, sometimes they overlap. Their differences are mostly based on peers and stylistic choices, as well as collaboration with each other (or lack thereof).

“There is a whole other side to the rap scene in Richmond… there is a trap scene, and we don’t really coexist too much,” Monday Night said. But, he adds, “Everybody respects work ethic. That’s the biggest thing in Richmond.”

The trap scene in Richmond features rappers like the group Divine Council, who had a viral hit with their 2016 single “P. Sherman,” as well as Hillboy, Wardboyz, and others. Those rappers are doing their own thing and have their own following — but that doesn’t mean there is any ill will. There aren’t any notable feuds or “beefs” within the community.

“The climate here is like, if you’re nice, you all pretty much know each other,” 3WaySlim said.

While Richmond is a relatively up-and-coming rap scene compared to other staples like New York, Atlanta, or Chicago, the crew at Holly Block are a constant inspiration to each other. Working hard, proving themselves, and collaborating to create a style of music that meshes together perfectly is their focus.

According to Graymatter, his biggest inspirations are local legends who have put Richmond on the map, and continue to push the envelope for style and creativity in the local rap scene.

“Personally, once I was already making beats, Nickelus F and Ohbliv were huge inspirations for me,” Graymatter said. “They made it seem like it was possible to make some crazy shit people really fuck with and respect, and still be in Richmond.”

“Other than the two [Nickelus F and Ohbliv], I’d say we inspire ourselves… and of course, we had industry artists,” 3WaySlim said. “But I remember running into Anakin a couple years ago. I thought I had the best bars, then I heard him spit some shit and I just took note of it.”

According to Monday Night, he had a harder go at his introduction into the game. As 3WaySlim and Monday Night made it very clear, being “nice” builds bridges within the community and opens avenues. Monday Night attributes his work ethic to being the reason he’s in on the hype train.

“When I first started, cuz [Fly Anakin] wouldn’t even get on a song with me because he didn’t think I took it seriously,” Monday Night said.

“I had to see it physically before I made a move on it,” Fly Anakin confirmed.

Everyone involved in the Scheme Team has been hard at work lately.

Monday Night’s album Rather Vindictive dropped earlier this summer, in July, on his Bandcamp page. Big Kahuna OG and Graymatter just dropped Strainman Chronicles this past week on the Scheme Team Bandcamp page. The album features Monday Night, 3WaySlim, Fly Anakin and other local Richmond rappers like Nickelus F and Henny L.O.

3WaySlim has his album Golden Child set to drop later on in the summer, with various producers involved, including Graymatter.

The Scheme Team will also be performing live in The Dark Room at The Hof on August 24 at 8pm, hosted by Nitty Blanco. The show, which is presented by The Cheats Movement, will feature 3WaySlim, Big Kahuna OG, Fly Anakin, Graymatter, Monday Night, and some special guests. The Hof holds just over 150 people, which is exactly what the Scheme Team is looking for.

“We’re trying to have that shit sold out, like at least 120-150 tickets,” Big Kahuna OG said.

The members of the Scheme Team each have different fan bases, so this show is going to be a great way for all the crowds to come together.

“We’re trying to have an intimate show so we can connect with our supporters, because they’re more than fans — the people that actually listen to the music and come out to the shows,” 3WaySlim said. “We’re all artists from different walks of life. We’re bringing different crowds together.”

The Scheme Team is on the up and up in Richmond, rising and grinding every day to produce quality rap music with a retro, lo-fi, gritty Richmond style. Each and every one of them is dedicated to their passion. The bars, the hooks, the beats, and everything that comes with it defines Scheme Team and their rise in the rap game.

Top Photo: Scheme Team All Stars, via Bandcamp

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Rage and Rhythm: Richmond’s Hardcore Scene Meets Hip-Hop

Michael Millions | November 2, 2018

Topics: Bobby Egger, hardcore, Lil Ugly Mane, Michael Millions, namebrand, Nickelus F, southside, Vinyl Conflict

As a hip-hop artist growing up on Richmond’s Southside listening to hip-hop, R&B, reggae, and jazz, I was not a fan of hardcore music. I would get exposed to alternative rock, punk, and hardcore mostly from my white friends and MTV. I couldn’t understand the ear-splitting instrumentation and random screaming for three to four minutes per song.

Which is ironic, since that’s the same thing my grandmother would say about rap music. I didn’t understand the headbanging and fisty mosh pits — or the black eyes, cuts and bruises, broken bones, the sweat and bloody t-shirts. What I did understand was that there were millions of people who loved this music, and it meant a whole lot to them, just as hip-hop meant for us.

Earlier this year, I mentioned to a friend that I wanted to learn more about hardcore music. So I started listening to a few bands like Show Me The Body, The Acacia Strain, and Division of Mind, and attending shows at Strange Matter. I needed to get a feel for what I was missing out on in Richmond’s legendary hardcore scene.

Months later after finishing my brother Nickelus F’s album Stuck, I was invited with Nick and NameBrand to meet Bobby Egger at Vinyl Conflict, a record store well-known in the hardcore community.

To our surprise, Egger and a few of his friends felt the same way about hip-hop and wanted to explore the idea of working together. When this eventually happened, we found ourselves touring alongside hardcore and noise acts. Headed to Baltimore on the first leg of the tour with Nickelus F and Lil Ugly Mane, we didn’t know what to expect or how things with a mixed crowd would go in a city we’ve never played.

Sitting in the green room before the show started, energy filled the room. And when the moshing started and the crowd got pumped, I got nervous. How would they react when Nick and I hit the stage? Would they give us the same energy? Does this crowd love hip-hop?

When we took the stage, the crowd went stupid, and it was obvious that they loved the rap sets just as much as the hardcore sets. Hitting me all at once, I realized the crowd wasn’t there for one genre over the other, they were there because they were feeding both sides of their souls; the intersection of rage and rhythm. Seeing this from the stage put me at the edge of this new world, which we were literally jumping into.

Unwinding from the performance, I realized that mixing hardcore and hip-hop was absolutely perfect. I started to see this at shows in Philly, VA Beach, and Raleigh — all sold-out shows. But as I watched opening bands from Richmond, like Division of Mind and other legends like Tarpit, Dry Spell, and Victim, I paid more attention to the lyrics; their content was parked on the same lane as hip-hop’s. They spoke about similar environments, social issues, government, peace, equality, and of course a little death. What’s a hardcore show or hip-hop show without that?

As both genres represent versions of the same thing, the next question then became: Why hasn’t this fusion already happened in Richmond? Historically we’ve seen this before with RUN DMC, Beastie Boys, Jay-Z, Linkin Park, and even Aerosmith. Even now, we can all run a few Rage Against The Machine albums back.

With everything going on in Richmond — monuments, evictions, and gentrification splitting the fabric of our city — this thread of hip-hop and hardcore is one thing actually bringing us closer together. Vinyl Conflict’s annual show in August proved this. The union of hip-hop and hardcore was on full display with acts like Nickelus F, Nosebleed, Slump, Deviant, and Sinister Purpose playing for a fully engaged crowd. “Holy shit,” I thought to myself, never imagining that this would actually work in a city divided like Richmond. There was a time when hip-hop artists fought to find any stage in the city to perform.

Thankfully, those days are over as we multiply these experiences with more shows, tours, and cross-promotionals. Yet we still have our divides.

Anyone who grew up in this city knows things are slow to change. Even now as “Richmond” tries to rebrand itself “RVA,” we still have to fight to continue the conversation over things like removing racist monuments from our field of dreams. We still have to fight eviction rates that are at a national high, displacing and dividing families. We still have to fight for police reform, so a black man like Marcus Peters can receive help for his mental illness instead of a few fatal bullets. With all of these challenges and divisions in the city, at least Richmond’s hip-hop and hardcore scenes are intersecting and bringing people and cultures together in new and powerful ways.

*Cover photo by Landon Shroder

RVA Shows You Must See This Week: May 9 – May 15

Marilyn Drew Necci | May 9, 2018

Topics: Bad Religion, Bandito's, Bewitcher, Black Iris, Bon Secours Training Center, Brian Jones, Capital Ale House Music Hall, Charles Latham, Division Of Mind, Florist, Frankie Cosmos, Grass Panther, Green Hearts, JC Kuhl, Lala Lala, Lil Ugly Mane, Loud Night, Mdou Moctar, Narwhalz of Sound, Nickelus F, NOFX, Punk In Drublic Fest, Savage Master, Scott Clark, shows you must see, strange matter, Strawberry Moon, Tav Falco's Panther Burns, The Broadberry, The Camel, The Interruptors, The Last Gang, The Mad Caddies, The Messthetics, Time Is Fire

FEATURED SHOW
Sunday, May 15, 7 PM
Lil Ugly Mane, Nickelus F, Narwhalz of Sound, Division of Mind @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Travis Miller has developed quite the intriguing career over the past decade or so. While most who know his music know him primarily as Lil Ugly Mane, he’s released music under a variety of other pseudonyms, making beats for Nickelus F and others under the name Shawn Kemp. His most recent album, Flick Your Tongue Against Your Teeth And Describe The Present, was released in 2017 under the name Bedwetter, and was accompanied by an in-depth statement about his struggles with mental illness and frustrations with the health care system he encountered during that process. A year later, Lil Ugly Mane is celebrating his birthday by playing a show in his hometown of RVA for the first time ever; one has to hope that this means he’s doing all right these days.

Unless you’re a really careful follower of Lil Ugly Mane’s internet presence, you might never know he’s from Richmond, but if you’re a fan of underground hip hop at all, you probably know his music. On classic albums like 2012’s Mista Thug Isolation and 2015’s Oblivion Access, he filters a rough, brilliant flow sometimes reminiscent of El-P through a lyrical prism of drugs, depression, and self-destructive behavior, accompanied by bizarre bursts of braggodocio. His multi-layered beats, which veer from the ominous atmosphere of dark 90s-NYC classics from Wu-Tang and Mobb Deep to worldly explorations of disparate genres that float by serenely, are always creative and never predictable. It’s no wonder he’s super-popular in internet circles.

It’s excellent to have him step into the IRL world here in his hometown, though, no matter how long it took. Fittingly, he’s accompanied on this date by Nickelus F, whose 2015 cassette release Trick Dice was produced entirely by Miller under his Shawn Kemp moniker. For anyone who might think Lil Ugly Mane’s internet-based career makes him somehow less “real,” the Nickelus F cosign should erase all doubts. And Nick’s performance at this show is sure to knock everyone in attendance on their ass. Narwhalz of Sound, one of Miller’s long-ago collaborators in the bizarro experimental project known as The Church Of Crystal Light, has come back from NYC at long last to lay some circuit-bent Gameboy jams on us all once again. And local hardcore crew Division Of Mind, who feature someone with the last name Miller in their lineup (perhaps a relative?), will open the whole thing up with their hard-as-hell mix of Tragedy vocals and Turnstile riffs. Get stoked — and get your tickets ASAP, because this show will sell out.

Wednesday, May 9, 7:30 PM
Scott Clark, Brian Jones & JC Kuhl @ Black Iris – $6-10
Drummer Scott Clark has been tearing it up lately. You might know him from his work as a sideman for Natalie Prass or Matthew E. White, but his work over the past couple of years as a bandleader has been as fascinating and important, if not more so. A few years ago, Clark began using his music to explore his Native American familial heritage, and in turn letting that heritage inform his music. The result was a powerful 2015 album by his group, the Scott Clark 4tet, called Bury My Heart. That album saw him bringing to bear influences from his jazz background and his experience with Native American powwows in order to create a statement, inspired by Dee Brown’s Bury My Heart At Wounded Knee, about the genocidal treatment Native Americans suffered at the hands of the US government.

Now he’s prepared a follow-up, ToNow, the release of which he’ll celebrate with this show at Black Iris tonight. For ToNow, he’s expanded his group to a sextet, adding two guitars to the usual sax-trumpet-bass-drums lineup in order to further develop the possibilities of their musical explorations. ToNow focuses on the protests against environmentally damaging oil pipelines that threaten the Standing Rock Reservation in North Dakota, and Clark will work with his sextet to bring the emotional qualities of the situation to life at Black Iris tonight. Opening the show will be saxophonist JC Kuhl and drummer Brian Jones, who previously worked together in local ensembles like Agents Of Good Roots and MAP Trio. You might not know it, but there’s a lot going on in local jazz — start your explorations here.

Thursday, May 10, 9 PM
Tav Falco’s Panther Burns, Green Hearts, Grass Panther @ Bandito’s – Free!
They may not have quite as high a profile as The Cramps, but like Lux and Ivy, Tav Falco and his Panther Burns have been around since the dawn of punk rock, using the style’s back-to-basics urgency as an avenue to explore the raw beginnings of blues, soul, country, and rock n’ roll. The whole thing got started when wild blues archivist Tav Falco met power-pop weirdo Alex Chilton in late 70s Memphis, and decided to form a band. Since those days, Falco has played with a variety of noteworthy musicians from all sorts of different backgrounds, including members of Sonic Youth, The Gun Club, The Posies, Reigning Sound, and way too many more to list.

Throughout the past four decades, Falco has continued going strong at the front of the stage, slowly evolving from a rough-and-ready primitivist into a polished bluesman and rock n’ roller who today mingles rockabilly flavor, Tex-Mex vibes, and a deep Memphis soul influence into a powerful live show that’s always guaranteed to charm and impress. He’s bringing that show to Bandito’s this Thursday night, and everyone within reach of these words would do well to head down there early, scarf some tacos, order some drinks (Diet Coke for me), and get ready to get rocked out of your socks. Local power-poppers Green Hearts will be on the bill for those of you who miss Alex Chilton (RIP), and Grass Panther will open things up with some unique rockin’ sounds to kick off the night right and proper.

Friday, May 11, 7 PM
Frankie Cosmos, Florist, Lala Lala @ Capital Ale House Music Hall – $15 (order tickets HERE)
NYC indie royalty comes to Capital Ale House this Friday night, and all the indie kids are gonna want to be there. Frankie Cosmos is the performing and songwriting alter ego of Greta Kline, and by now I’m sure I don’t even need to tell you of her high-powered parentage (if you don’t know, google it, you’ll know within five seconds). More important to the current discussion of Frankie Cosmos is the fact that she and her backing band have just released their third LP, Vessel, their first for legendary indie label Sub Pop. This record is full of Kline’s reliably-charming indie-pop hooks, delivered in a winsome tone that calls to mind the positive genre connotations of the term “twee.”

Indeed, anyone who remembers 90s groups like The Pastels or Heavenly is sure to find some intriguing resonances in the jangly guitars and heavenly harmonies of Frankie Cosmos’ music. At the same time, there’s something inescapably modern about what Kline & co. are up to, something that vibrates in sympathy with the post-bedroom-pop ambience of groups often erroneously called “shoegaze” these days (none of which sound a thing like Ride or My Bloody Valentine). This is hazy downer indie-pop, the sort of sound to comfort a listener like a warm blanket on a cold night full of introspective self-doubt. Don’t stay home all alone this Friday night; come out to Capital Ale House and let Frankie Cosmos console you with beautiful pop music to remind you that you’re not alone.

Saturday, May 12, 1 PM
Punk In Drublic Fest, feat. NOFX, Bad Religion, The Interrupters, Mad Caddies, The Last Gang @ Bon Secours Training Center – $49.50 (order tickets HERE)
I’ve read all the aggrieved social media posts, so believe me, I know — you’re all horrified to realize that the bands of your rebellious teenage years have grown middle-aged and are now most stoked about drinking some high-quality beer and having a relaxing afternoon on a lawn digging some cool sounds that remind you of the good old days. But come on now — what ever happened to aging gracefully? After all, it’s not the 90s anymore. You’re not having to borrow dad’s car to drive you and three friends to the Warped Tour anymore; you’ve probably got kids of your own now, and god knows whether those old t-shirts even still fit. This is probably your idea of a good time these days, right? So why fight it?

After all, this event is going to have an incredible lineup. NOFX, the band who gave us the classic album that gave this fest its name, are still going strong, dishing out the goofy, genre-hopping skate punk that’s always been their specialty. Don’t even pretend you can’t still sing along with “Bob” and “Sticking In My Eye,” because I’m not buying it (I gotta admit though, I hope they don’t play “Don’t Call Me White.” That one did NOT age well). Even more awesome is the presence of Bad Religion on this lineup; this politically-informed melodic punk powerhouse has continued to crank out killer LPs at a steady rate for over 30 years — and their set is bound to bring you plenty of gems from their late 80s-early 90s prime (“American Jesus,” anyone?). There are only three more bands on the bill, and while the $50 tickets are almost as much as Warped Tour would cost, think about this — you actually care about all these bands. There are 80 bands on a typical Warped Tour bill, and if you’re anything like me, you’d almost pay NOT to have to watch 75 of them. So hey, step away from facebook, quit grousing that your favorite bands got old, call a sitter, and go have some fun in the sun this Saturday. You deserve it.

Sunday, May 13, 5 PM
Charles Latham, Strawberry Moon @ The Camel – Free!
Suddenly, after decades, I’ve been hearing the term “anti-folk” again. What’s anti-folk mean in 2018? Well, it’s not quite folk-punk, which uses folk instrumentation to play punk songs; but it’s not just straight-up folk music either. Artists like Charles Latham, who hails from Durham, NC and comes to us in support of his 2017 LP Little Me Time, do their most effective transgressions of the folk idiom through their lyrics. On Little Me Time opener “American Traditional,” Latham takes aim at the hypocrisy and contradictions at the heart of the American dream — it’s a fitting folk song for the Trump era.

Latham has songwriting chops aplenty, though, no matter what genre you want to tag him with. The sharp side of his tongue might make you think of Loudon Wainwright III (you know, Rufus and Martha’s dad), but his charming voice and pleasant acoustic tunes are more likely to remind you of fellow North Carolinians The Mountain Goats. This free matinee show at The Camel pairs him with up-and-coming local sweethearts Strawberry Moon, to excellent effect. This spring weekend, a folk show is the perfect cool breeze for a Sunday afternoon, but rest assured, Charles Latham will make sure you stay woke.

Monday, May 14, 7 PM
Mdou Moctar, The Messthetics, Time Is Fire @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The music of the West African Tuareg people has existed for many decades in its native land, but in recent years, it’s drawn quite a bit of attention outside of Africa as it’s been fused with electric guitars to create an exciting hybrid of traditional festival rhythms and modern psychedelic noise. Mdou Moctar hails from Niger and is one of the first Tuareg guitarists to integrate electronic sounds into his music. Originally spread through traded cellphone memory cards, his music has spread far and wide with the assistance of releases on international label Sahel Sounds, as well as his starring role in the first Tuareg-language film ever, a remake of Prince’s Purple Rain called Rain The Color Blue With A Little Red In It.

Now Moctar comes to America, and we’re fortunate to have him bring his futuristic, hallucinogenic sound to Strange Matter. He’ll be accompanied by DC band The Messthetics, who are named after a classic early Scritti Politti song and feature Fugazi’s Brendan Canty and Joe Lally, pairing up with jazz guitarist Anthony Pirog to bring us contemplative instrumental tunes with a wide-ranging flair and a multi-genre appeal. The group’s self-titled debut was released in March on Dischord Records, and brings with it the promise of a really killer live sound that we’re all going to want to catch. DC experimental ensemble Time Is Fire will kick the gig off, mixing Sufi poetics, Bauhaus-ish grooves, and funky dance beats into a sound entirely their own. This one is not to be missed.

Tuesday, May 15, 8 PM
Savage Master, Bewitcher, Loud Night @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
A week in RVA without at least one killer metal blowout just wouldn’t feel right, and thankfully, Savage Master will come to town this Tuesday night to make sure this week meets its recommended allowance of metal. This Louisville band may hail from less than a day’s journey away, but they sound like they just flew in from London in 1980, effortlessly evoking New Wave Of British Heavy Metal titans like Angelwitch even as they also capture the gloomy flair of proto-doom ensembles like Witchfinder General. And of course, Stacey Savage’s wicked vocal tones take the whole thing to the next level.

Savage Master are joined on this dark and stormy Tuesday night by Portland rippers Bewitcher, who take things in a faster, darker direction as they evoke prime early sounds from Overkill and Exodus. With tunes like “Wild Blasphemy” and “Harlots Of Hell” (both of which originate from the band’s self-titled 2016 debut), you know you’re in for a treat. Local newcomers Loud Night will open this shindig up, and their raging metal terror fits their unimpeachable pedigree to a tee. This will be a night of serious headbanging, so come prepared.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee

Music Sponsored By Graduate Richmond