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RVA Shows You Must See This Week: June 1 – June 7

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FEATURED SHOW
Friday, June 3, 10 PM
Queer Fundraiser, feat. Harli & The House Of Jupiter, Cherub Tree, Roughshod, Neurotix @ Ipanema – $7 (order tickets HERE)
Welcome to Pride Month, everyone! There was a time when I felt really good about where things stood, and where things were going, with the LGBTQ community. However, with authoritarian conservatism in ascent, and repressive laws coming into effect that, under some circumstances, could make the very existence of people like me (I’m transgender, ICYMI) a crime, it’s hard to feel anything but vague concern when I think about Pride-related things these days. Not that I’m entirely without hope; my wife has taken to pointing out the many ways in which positive depictions of LGBTQ people are pushing the kind of people who want to oppress and erase us all further and further to the cultural margins, and she has a good point. However, if the repressive forces continue down the path toward minority rule (which the United States Constitution not only allows but tacitly encourages), our cultural victories may not be enough.

To me, that just means we need to try that much harder to stay proud, keep fighting for our rights, and most importantly, taking care of each other, and of our allies in struggle, so that we can get through this long hard time. With that in mind, the work of Peter’s Place, a Richmond-based organization that does addiction recovery work with a focus on support for LGBTQ people, is highly essential. This fundraiser at Black Iris [NOTE: It has been moved to Ipanema -ed] is raising money for Peter’s Place, and considering how many of us struggle to find hope in the face of the terrible sociopolitical landscape we face now, we can use all the help we can get. So this show is, without a doubt, raising money for a great cause.

It’s also shining a light on several up-and-coming local and regional musical talents who absolutely deserve the shine. Harli & the House Of Jupiter are located in Richmond these days, but I first heard about them from my friends in Charlottesville, and the sound they’re bringing to RVA is absolutely worth the praise the C-ville kids gave them. With a sound that mixes heavy proto-metal riffage and a driving rock n’ roll pulse with Harli Saxon’s arresting, soulful vocals, Harli & The House Of Jupiter are worth hearing immediately if not sooner. Washington DC’s Cherub Tree have some intriguing acoustic indie sounds to offer as well, bringing a minimal, atmospheric sound to their recent singles, including the memorably titled “Maybe It’s A Stomach Bug.” Local talents Roughshod and Neurotix round out a lineup that brings great sounds for a great cause to RVA this Friday night. You know what to do.

Wednesday, June 1, 8 PM
Daniel Romano’s Outfit, Carson McHone @ Richmond Music Hall at Capital Ale House – $15 in advance, $18 day of show (order tickets HERE)
Canada is an intriguing nation. We have a decent picture of what it’s like — after all, it’s just right across the border up there, basically like the northern Midwest but colder. However, there’s a lot that goes on up there, especially where culture is concerned, that we never find out about. That might be why I didn’t really know much about Daniel Romano and his Outfit, who will be bringing the power-pop sound of their latest LP, Cobra Poems, to Capital Ale House’s Richmond Music Hall tonight. I liked what I heard when I checked it out, and if you’re a fan of dudes like Ben Kweller or Paul Collins, he of the American Beat, you’ll probably find a lot to like here as well. What surprised me, though, was the extensiveness of Romano’s resume, once I started digging a little deeper. Starting as the frontman for Canadian punk group Attack In Black, he’s gone on to record over a dozen solo albums since 2010, as well as seven albums backed by the Outfit, who’ll be backing him on this trip through Richmond.

One thing Daniel Romano’s Outfit has done, which should give you an idea about where they’re coming from, is a 2020 album called Daniel Romano’s Outfit Do (What Could Have Been) Infidels by Bob Dylan and The Plugz, a full-length reimagining of Bob Dylan’s 1983 album, Infidels, as if Dylan had recorded the album with Los Angeles Chicano punk band The Plugz backing him up (as they did on a single David Letterman performance in 1983). It’s hard for me to see that level of nerdery as anything other than awesome, and considering that album followed up a full-length collaboration with Tool drummer Danny Carey, and that Daniel Romano’s Outfit have released three more albums since that Dylan covers album came out two years ago, I am also impressed by the man’s prolific nature and the impressive stylistic variety of his music. That of course also means that I have no idea what version of Daniel Romano’s Outfit we’ll get at Richmond Music Hall tonight. But whatever he chooses to lay on us, I’m sure it will be awesome.

Thursday, June 2, 8 PM
Posture & The Grizzly, Marshall’s Law @ The Camel – $10 in advance, $12 day of show (order tickets HERE)
Ever go to a show and get so blown away by some opening act you’d previously never heard of that the set by the band you came to see almost feels like an anticlimax? That happened to me back in 2014 when I caught Posture & The Grizzly second on a five-band bill at the Broadberry. The band I’d come to see was The World Is A Beautiful Place And I Am No Longer Afraid To Die, and Posture & The Grizzly’s four-piece lineup that night was mostly made up of moonlighting TWIABP members. However, it was the outstanding emo-punk songs written and memorably performed with a ton of heart by frontman Jordan Chmielowski that blew me away, and it was clear that his talent would shine through no matter who was backing him up. That held true on 2017’s I Am Satan, the followup to Posture & The Grizzly’s 2014 debut, Busch Hymns — an album I played to death, just like I had with Busch Hymns before it.

In the years after I Am Satan, though, the band seemed to go dormant, and I stopped expecting new material from them. Unfortunately for me, that meant they caught me sleeping with their return to action in the form of 2021’s self-titled third album. It came out last December, but I just discovered it last month, and sure enough, I’ve been playing it to death ever since. As a longtime fan, I can tell you that the band’s songs are thicker, more muscular, sounding more rocked-out than ever — even in spite of the fact that the latest incarnation of the group has slimmed down to a trio. Regardless, they’re still outstanding, with new songs like “Red Light,” “Creepshow,” and “Promise” standing right alongside past classics like “Because I Got High” and “Kill Me.” When they bring these tunes to the stage, it’s sure to be every bit as mindblowing as it was for me to see them eight years ago. I have no idea who else is on this bill — I couldn’t find a damn thing anywhere online about mysterious openers “Marshall’s Law” — but it doesn’t matter. Posture & The Grizzly’s all you need to have a full night of great music.

Friday, June 3, 7 PM
Test Pattern 03, feat. Moor Mother, Ohbliv, Vitche-Boul Ra, justmadnice, Elijah Hall @ VCU’s Institute For Contemporary Art – Free! (Register for event HERE)
Shows at bars and clubs are cool and all, but there’s something really essential about live musical performances that take place at venues like this one — a contemporary art-focused space within an august institution of higher learning. The vibe is much more fearlessly avant-garde when live music is completely disconnected from any expectation of catchy music for bar patrons to down beers to. And if it’s avant-garde you want (and it certainly is what I want, at least some of the time), the ongoing Test Pattern series at VCU’s ICA is a great place to find it. Case in point, this third event in the ongoing series, where Moor Mother will be the headlining performer.

It’s tough to even describe Moor Mother. A project of Philadelphia-based musician/poet Camae Ayewa, Moor Mother presents a multi-disciplinary sound that mixes soul, funk, hip hop, poetry, and musical experimentation in a manner both unpredictable and tremendously pleasing. 2021’s Black Encyclopedia Of The Air is Moor Mother’s latest release, and it’s an excellent and completely unique listening experience. You can expect no less from their performance at ICA this Friday night. They’ll be joined by Ohbliv, the prolific and incredibly talented DJ, producer, and sound artist who has been creating albums of instrumental vibes, moods, and beats at a rapid rate for over a decade now. Indeed, his most recent release is a double LP called Ragged Tranquility Vols. 1 and 2, which pairs his 2009 debut cassette with a brand new selection of work on a similar theme. No matter what era Ohbliv pulls from for his set at ICA, the vibes are sure to be thick enough to spread on a bagel and have a delicious musical meal.

Saturday, June 4, 7 PM
Shehehe, Toxic Moxie, Madison Turner @ Cobra Cabana – $5
Sometimes I miss the old days, when everything surrounding the live music scene felt a little less formal, a little less polished. The days when you got handed a paper flyer outside one show that told you about another one. The days when you couldn’t buy an advance ticket online, you just had to show up and see who else made it in the door. Cobra Cabana is one of a few local venues that have been bringing that pre-social media vibe back in the post-pandemic era, and I for one love to see it. What’s more, this is the kind of show I love to see that mentality being applied to; a show featuring two great local acts you love, plus an out-of-town group you haven’t necessarily heard, but can trust to be great based on who is bringing them to you.

Shehehe, who hail from Athens, Georgia, are the out-of-town band in question for this show, and their 2020 LP Pet Songs is a great listen, full of bouncy energy, driving riffs, and an overall sound that’s somewhere right on the border of power-pop and pop-punk… always a great place to be. These guys won’t actually be headlining — if the flyer’s any indication, they’ll be the second band of three on this bill — but that way, even if you don’t listen to Shehehe’s album yourself, you know there’s something worth showing up on time for, and something else worth sticking around to the end for. Assuming you’ve been around Richmond for longer than 10 minutes, you know exactly that about opener Madison Turner, a punk/folk/indie/ska-informed singer-songwriter with a surefire knack for catchy tunes, entertaining wordplay, and expressions of everyday anxieties that are both witty and relatable. Then there’s Toxic Moxie, the long-running disco-punk quartet who’ve been bringing the maniacal glitter-everywhere party vibes for close to a decade now, and show no signs of slowing down. This is going to be an absolute ripper of a show, and you don’t want to miss a second of it.

Sunday, June 5, 7 PM
Grocer, Lobby Boy, Knifing Around, Trapcry @ The Camel – $12 in advance, $14 day of show (order tickets HERE)
Here’s something you don’t see every day: a show in which both of the top-billed bands are named after anonymous working-class occupations that most people never think about. That’s not all Grocer and Lobby Boy have in common, either. Grocer, who come from Philly, play an energetic, neurotic form of post-punk that focuses on extreme tunefulness even as its songs manage some deceptively complicated musical feats. On their brand new album, Numbers Game, Grocer express a universal lament of our modern alienated economic landscape on single “Calling Out,” declaring, “What’s the point? I don’t wanna fucking do this. I’m calling out!” What’s not to love about that?

Lobby Boy’s own brand new album, Pretty Songs/Pursuits Of Personhood, also brings a strong sense of melody as a primary ingredient of their own postpunk musical melange. Where Grocer are a bit more about guitars, amps, and acoustic drums, Lobby Boy are more likely to mix synths, electro effects, and programmed beats into their sound. Despite — or perhaps even because of — the ways these two groups are sonically distinct from one another, they actually fit together perfectly on this Sunday night bill at The Camel. Both of these groups are going to keep you dancing throughout the evening, and you’ll probably find some opportunities to vent against the many day-to-day stresses that fill all our lives, to boot.

Monday, June 6, 7 PM
Fortezza, TVLPA, Magic Wand @ The Camel – $10 (order tickets HERE)
Mondays are tough, always. The end of the weekend, the beginning of another slog through the week… it’s a bummer. Even if you have the day off. So it’s a lovely development that The Camel is bringing us an excellent show this Monday night, so you can shake the blues off and rock the hell out. Asheville’s Fortezza have a ton of energy and a loose, scratchy punk sound that makes them the perfect band to help chase your cares away. On last year’s Windmill, the group bashed through 14 songs in about 40 minutes, never letting the energy level flag or the mood drop. Isn’t that exactly what we need on a Monday? Rest assured, it’s what Fortezza’s gonna bring.

They’ll be joined on this bill by TVLPA, a band named after the stylized spelling of an occult term meaning “physical being created through spiritual or mental powers.” And if that doesn’t tell you where this band is coming from, the fact that their new album, Walk With Me, features songs like “The Dreamer,” “The Lodge,” and “The Woman With No Face” should certainly offer further hints. Musically, they occupy territory covered by everything from black metal to screamo to post-rock to prog-metal, and their new album is a dynamic and riveting listening experience. So yeah, if you’re as new to TVLPA as I am, now seems like a good time to get familiar with what these folks are up to. Show up on time and catch a set of energetic punk rock from Magic Wand as well — it’ll do you no harm.

Tuesday, June 7, 7:30 PM
Beabadoobee, Drook @ The National – $22.50 (order tickets HERE)
Somehow, it seems, I have gotten through the past three years without writing about Beabadoobee on the RVA Mag website. I don’t know how I managed that, considering how much I’ve loved the last few releases, going back to 2019’s Space Cadet EP, which knocked me out with the lead single, “She Plays Bass.” A tribute to the band’s bassist, Eliana Sewell, who really is as talented as the song implies, it was the first Beabadoobee release which featured bandleader Beatrice Laus backed by a full band, rather than just doing the singer-songwriter thing on her own. That EP and the group’s debut LP, Fake It Flowers, found Beabadoobee doing that sort of guitar-driven alt-rock revival sound that has been in vogue for the past few years (a sound I’m just as much a sucker for this time as I was when it first came around back in the 90s).

It’s been a couple of years since then, and the Beabadoobee sound has diversified on more recent releases. A distinct element from The 1975’s baroque emotional pop seeped into the sound of 2021’s Our Extended Play. Meanwhile, recent single “Talk” has a bit of a shoegaze vibe, and brand-new track “Lovesong” is a moody acoustic ballad with an understated yet devastating emotional tone. These last two are previews for Beabadoobee’s upcoming second LP, Beatopia, and this show will offer fans the chance to get to know all the rest of the new songs before they come to a streaming platform near you. I, for one, am excited.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

VA Shows You Must See This Week: February 19 – February 25

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FEATURED SHOW
Thursday, February 20, 7 PM
Bracewar, Division Of Mind, Combust, Mutually Assured Destruction, Guardrails @ The Camel – $15
There’s a lot going on in the Richmond music scene these days, within all sorts of different genres. And that’s wonderful! But if you want to talk about the styles of music that have a fertile, longstanding tradition in this town, you probably can’t do better than bringing up the Richmond hardcore scene. Going back to the dawn of the 80s and extending all the way to today, Richmond has been a town in which hardcore thrives, and this show at The Camel on Thursday night is the proof that this continues to be true in 2020.

At the top of the bill is Bracewar, one of those Richmond hardcore elder-statesman bands who moved into “plays a few shows a year but is otherwise inactive” mode at least seven years ago, but did thrill us all by releasing their first new material in almost a decade in the form of 2018 EP Colossal. They’ve maintained a slightly higher profile since then, but a Richmond Bracewar show is still a relative rarity, and if you delight in their signature brand of powerful breakdowns peppered with moments of high-speed thrashing, you’ll certainly want to catch this one.

Beyond Bracewar, this bill mostly focuses on current all-stars of Richmond’s straightforward hardcore scene, most predominantly Division Of Mind. This group’s recent self-titled LP on Triple B Records demonstrates that, while they are very skilled at the mosh, they have quite a bit more going on, and are worth your time and attention even if you don’t still find diving into an energetic pit to be the best way to spend a band’s set. Combust are actually from New York, but released a 12-inch EP on RVA’s own Edgewood Records last year, and will bring an energetic and welcome NYHC attack to the Camel’s stage. Plus, there’s Mutually Assured Destruction, who are taking heavy hardcore in an adventurous direction that doubtless owes a bit to Life Of Agony and Twitching Tongues, and the first show ever from Guardrails, who will kick this one off with a ton of pissed-off energy. Carry on the tradition, Richmond — be at this show.

Wednesday, February 19, 9 PM
Lifters, Weird Tears, Neat Sweep @ Fuzzy Cactus – $6
Punk rock has been enshrined in pop culture as music with something important to say, and I think that’s great, but one thing punk rock has always had room for, one that gets de-emphasized when we focus on The Clash and forget about the Ramones, is pure no-frills rock n’ roll melody. Durham’s Lifters might not qualify for punk rock if you’re expecting some sort of sophisticated political critique to emerge from their catchy tunes, but if you’re conversant with the genre’s history, the connection is undeniable. And that’s as it should be.

Tonight, if you’re looking for some catchy, fun tunes, played with plenty of energy but not that much polish, and reminding you of great groups like Radioactivity, Teengenerate, or the aforementioned Ramones, you’re going to want to point your feet toward Brookland Park’s own Fuzzy Cactus. There, Lifters and local melodic punk stalwarts Weird Tears and Neat Sweep are going to sweep you off your feet and get you caught up in the toe-tapping joys of punk rock. It all happens tonight; plan your evening accordingly.

Thursday, February 20, 9 PM
Excitable Boys, Daniel Case, The Dolphins @ Fuzzy Cactus – $7
It’s always interesting when you know enough about a band to care what they have to offer, but have no idea what they actually sound like. Such is the case with Excitable Boys, a band seemingly named for Warren Zevon’s most famous album, and made up of three different musicians one usually wouldn’t expect to see grouped together. In this case, those musicians include country-folk singer-songwriter Benjamin Shepherd, former Southside Stranglers guitarist Kevin Guild, and Irish-by-way-of-New-York indie-folk artist Cal Folger Day — who isn’t even a boy, putting a lie to the bandname in a far more entertaining fashion than the millions of all-male “girls” bands.

Anyway, that’s certainly an intriguing trio to bring together in one musical combo… but what exactly do you get when you mix an Irish indie-folk troubadour, a punk rock guitarist, and an Americana singer-songwriter? There’s only one way I know of to find out, and that’s to show up at Fuzzy Cactus this Thursday night and see what happens when the three of them take the stage together. It’s sure to be interesting; perhaps even, dare I say… exciting! (Sorry, y’all, but I couldn’t resist.)

Friday, February 21, 7:30 PM
Yamato Drummers present: Jhonetsu — Passion @ Altria Theater – $35 – $43 (order tickets HERE)
It’s not often that an opportunity for something truly unusual comes across our desk here at RVA Must-See Shows headquarters, so when something like this shows up in the local live music environment, we’ve got to make the most of it. Therefore, I encourage you to suck it up, deal with the higher-than-average ticket prices that accompany any night spent at the Altria, and go see Wadaiko Yamato, aka Yamato Drummers, this Friday night.

This group hails from Nara, Japan, a city once known as Yamato, and plays the sort of ensemble drumming native to Japan that’s known in the West as taiko. Wadaiko Yamato are a group made up of around a dozen different drummers, who explore the possibilities of percussion through polyrhythmic dynamics and highly choreographed theatrical dance performances. If you recognize the deep, transformative power of the beat that lies at the heart of music, you’re sure to be captivated and energized by what Wadaiko Yamato bring to the stage. It’s not the kind of thing you’ll see every weekend, either — that’s for sure. Make seeing this one a priority.

Saturday, February 22, 7 PM
Enforced, Alfred, Louderhead, Brain Tourniquet, Serqet @ Gallery 5 – $10
The war on drugs has been a highly damaging initiative of the US government over the past half-century or so. While it has failed to make a significant dent in the use and trafficking of mind-altering substances, it has allowed for a massive increase in the percentage of the US population that is incarcerated, a phenomenon that’s had a disproportionate effect on African Americans and low-income, marginalized folks across the country. This is why it’s heartening to see the first tentative steps being made here in Virginia to move beyond carceral methods of dealing with drug use and trafficking and toward decriminalization and harm reduction initiatives that grass-roots activist groups have been pushing for years.

This Saturday’s event at Gallery 5 will offer you the opportunity to both support these efforts and become part of them yourself… as well as hearing some great music, of course. The evening will begin with a free naloxone training session, then move on to music from Richmond leading lights like dark metallic hardcore ragers Enforced and psychedelic hip hop lyricist Alfred. There’ll also be a performance from Louderhead, who I am guessing is a Motorhead tribute band (always fun). And of course, DC power-violence freaks Brain Tourniquet and local goth-punk heroes Serqet will be in the house as well. The music will be great, the cause is just as great… get involved in this one.

Sunday, February 23, 9 PM
Catfest 4, feat. Cadillac Cat, Young Apollo, Gemi Jhay, Ley Cash, Pyrex Pedro, Civonnee, Balu, Delow, Cassius Kay, Qash, Skyy With 2 Y’s, Lowlifeball, Rasul, Don Chase, Ceo, Dee16Hunna, Mia Money, Lxrd Sleeza, Kaywan, Rascal Grimez, Tyrone Leake Jr., Moochiee @ The Camel – $10 (order tickets HERE)
It’s hard to keep up with the Richmond hip hop scene, and that’s not just because there’s a ton going on in this city. It’s also because hip hop is one music scene that doesn’t seem to have much use for the non-social-media internet, so information is at a premium, and google searches can only do so much. That said, I have been hearing the name Cadillac Cat for a while, so the fact that this jam-packed Sunday evening at The Camel is his fourth annual Catfest isn’t that much of a surprise.

If you also know the name Cadillac Cat, it’s probably because he’s produced a variety of material for Noah-O, including their 2017 full-length collab, Face/Off. These days, he’s working on a project called God Status, and if the video for first track “Free Shine” is any indication, this is going to be a hard-as-fuck street-level attack full of pounding beats and braggadocious flows. Expect something similar from his headlining set at this event. As for the 20-plus other artists performing, expect a crash course in an entire segment of the mid-Atlantic hip hop scene, one that’s sure to teach you a whole lot of shit you can’t learn from the internet.

Monday, February 24, 8 PM
Halfcast, Linden Row, Afib, Madison Turner @ The Camel – Free!
These free “Industry Night” shows the Camel has been throwing lately are intended to give all the people who work difficult shifts in the world of food service every weekend an opportunity to celebrate the end of their week’s busiest time. However, they also help out the Richmond live music preview industrial complex, an industry that I’m pretty sure consists entirely of me. So I’m really glad these exist, as they are sometimes the only thing remotely worth paying attention to on a Monday night — and that’s definitely true this week.

This week’s event offers a pretty strong local lineup, especially for a show that will cost you zero dollars to attend. That lineup is topped by Halfcast, a local trio who mix a chops-conscious metallic approach with alt-rock sensibilities to create crunchy melodic gold. Then there’s Linden Row, an alt-rock combo with plenty of energy and the same sort of mischievous surf-punk feel that shines through prime Pixies material; their set is sure to be a blast. I haven’t heard Afib, but they feature Truman drummer Dylan Anderson stepping out from behind the kit to pick up a guitar and play some indie/emo tunes, and that’s certainly an intriguing concept to me. And of course, Madison Turner, who’ll be playing her alt-punk-indie-folk tunes accompanied by a full band at this gig, is always worth seeing. So show up on time and catch it all. The price is more than fair.

Tuesday, February 25, 7 PM
GARZA, Jouwala Collective @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
Do you like to dance? If you do and you’ve spent any time at all in the state of Virginia, you’re sure to be familiar with the work of Rob Garza, better known as one half of the legendary DC duo Thievery Corporation. Thievery Corporation has been active for over two decades and show no signs of slowing down; indeed, they recently announced a new LP coming in the spring. However, Garza’s creative mind is always restless, and so he has brought us GARZA, a project initially born from his desire to write music for other people.

In the end, he couldn’t bear to give the music he’d come up with away, and it was released late last year on an EP entitled Where The Moon Hides, which finds Garza collaborating with vocalists Seann Bowe and EMELINE to create some lovely, immersive electronic melodies that increase the pop quotient of Garza’s Thievery Corporation work without losing that pulse that always keeps your feet moving. GARZA will utilize a whole ensemble of singers and live instruments to wonderfully recreate these tunes in a live setting at the Broadberry this Tuesday night. Be sure to wear your dancing shoes for this one.

Elsewhere Around The State:

Thursday, February 20, 7 PM
Summer Salt, Okey Dokey, Breakup Shoes, Berries @ Elevation27 (Virginia Beach) – $17 in advance/$20 day of show (order tickets HERE)
Groundhog or no groundhog, the fact remains that summer is far away at the moment. Therefore, it’s an especially welcome breath of fresh air that brings Summer Salt to Virginia Beach’s Elevation27 this Thursday night. This Austin Texas group mixes the sweet beach pop of Brian Wilson and the Brazilian bossa nova of artists like Gilberto Gil and Joao Gilberto into a base that is fundamentally indie-pop in nature. The result is the sort of lovely sound that’s sure to please fans of both Paul Simon’s Graceland and Animal Collective’s Feels.

In other words, it’s the perfect late-week listen for a Virginia locked in the late-winter doldrums. And it’s sure to bring a smile to your face even if you do have to don your heavy coat to walk from the club back to the car at the end of the night. The evening will also feature performances from catchy psychedelic indie group Okey Dokey, who hail from Nashville, and some electro-pop sounds from Arizona’s Breakup Shoes. Plus, VA Beach’s own Berries will kick off the evening with some charming indie-pop of their own. A splendid time is guaranteed for all.

Sunday, February 23, 7 PM
Tommy Stinson, Dashdown @ Hive Collective (Norfolk) – $25 – $100 (order tickets HERE)
Wrap up your weekend by spending an intimate evening in the company of Tommy Stinson and his acoustic guitar at Norfolk art gallery the Hive Collective. If you’re not familiar with Tommy Stinson by name, his time as bass player in The Replacements, Guns N’ Roses, and Soul Asylum should certainly let you know why he matters. But what really makes it a good idea for you to go see the man perform solo is the strength of his material as singer and songwriter, both under his own name and as the frontman for Bash And Pop.

That quartet, which released one excellent LP called Friday Night Is Killing Me in the wake of The Replacements’ early-90s breakup, then went their separate ways, got back together a few years ago for a long-awaited, much-belated follow-up called Anything Could Happen, which proved that they still had the spark that made their earlier work so wonderful. Stinson’s relatively recent solo LP, 2011’s One Man Mutiny, was just as great and heartfelt, and you can expect to see the sort of sloppy, sincere talent that’s always been the hallmark of his work on display at this intimate performance, so I highly recommend you get there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Gabe Becerra/Twitter

VA Shows You Must See This Week: December 4 – December 10

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FEATURED SHOWS
Friday, December 6, 8 PM
Punks For Presents Night 1, feat. Elvzig, Smashing Presents, High Voltage, Rock You Like A Candy Cane @ Bandito’s — Donations requested
Saturday, December 7, 8 PM
Punks For Presents Night 2 Pt 1, feat. Good Cretins, Black Flake, Sled Boys @ Fuzzy Cactus – $10 requested donation
Saturday, December 7, 8 PM
Punks For Presents Night 2 Pt. 2, feat. Snow Control, Sled Dynamite @ Boogaloos – Donations requested
Last week, we discussed the fact that Thanksgiving is the holiday for jam bands. This week we have to tackle the fact that, as holidays go, Thanksgiving is an exception — the rule for live music around holidays is that there will be punk and metal bands doing tribute sets. It used to be just a Halloween thing, but it’s spread to a variety of other holidays, and through the generous work of Punks For Presents, the punk-and-metal-tribute holiday show has been a fixture of Richmond for around a decade now.

Punks For Presents ensures that our celebrations of this, the most materialistic of holidays, do not overlook the less fortunate. At all of these shows, the group will be collecting donations of toys and cash to be given to the Children’s Hospital of Richmond, so we can be sure that the sick and disadvantaged kids of the area have a good Christmas too. It’s a great cause, and you can be a part of that effort by spending your weekend rocking out at three tribute shows taking place at three different clubs on two nights, which is a pretty good exchange when you think about it.

Start off on Friday over at Bandito’s, where members of Hewolf are presenting a Christmas-themed take on the works of the almighty Danzig, accompanied by equally holiday-themed tributes to Smashing Pumpkins, AC/DC, and the Scorpions, all brought to you by some of the most beloved and talented musicians Richmond has to offer. Then spend your Saturday on Brookland Park Boulevard, where across-the-street neighbors Fuzzy Cactus and Boogaloos will present two shows in one, with bands staggering set times so you can troop across the street to catch the next band as soon as the last one is done! Long-running Ramones tribute act Good Cretins top the bill over at Fuzzy Cactus, with tributes to Black Flag and Dead Boys sharing the stage there as tributes to Bad Religion and Kid Dynamite rock the house across the way at Boogaloos! The block is rocking for a great cause — make sure you’re there to enjoy and support it.

Wednesday, December 4, 6 PM
Woman Crush Wednesdays December showcase, feat. Jenna Kole, Tiara, The Emma Garell Band, Viktoria Ashley @ Lickinghole Creek Shockoe Bottom – Free!
The problem of male dominance at shows, and the need to counteract it by booking shows focusing on female artists, has long been a relevant topic in the worlds of punk and hardcore. However, we’re clearly seeing real progress in the music world as a whole, because the desire to make space for female musicians has spread locally to encompass the indie-folk/singer-songwriter scene as well. That’s what the monthly Woman Crush Wednesday showcases coming to the stage at Lickinghole Creek’s Shockoe Bottom location are all about, and as a woman who loves all genres of music, I couldn’t be happier to see it happening.

This month’s showcase takes place tonight, and the bill is headed up by Jenna Kole, bringing her quietly intriguing folk-rock sounds from the countryside into the heart of the city. She’ll be joined by the female half of local indie-soul duo Tiara & Andrew, presenting a solo set full of smooth, intriguing vibes. The Emma Garell Band will show off their catchy, energetic tuneage and get the room moving, and Viktoria Ashley will open things up with a solo set to get everyone in the mood. It should be a lovely evening of sounds brought to you by women who are too often relegated to the background while men strut their stuff. And if that’s not crushworthy, I don’t know what is.

Thursday, December 5, 6 PM
Death Angel, Exmortus, Hell Fire, Spiral Fracture, SiNN, Deathtrap @ The Canal Club – $18 (order tickets HERE)
It’s been over 35 years since five Filipino-American cousins, all of whom were then teenagers, came together to form one of the earliest and most important bands of the original thrash wave. Death Angel may not be quite as well-known today as the much-vaunted Big Four, but their first three albums made a huge impact on the west coast thrash-metal movement of the 80s, combining galloping speed and guitar pyrotechnics with youthful energy and a wry lyrical approach that shows through in classic tunes like “Bored.”

Three decades later, and Death Angel aren’t as young as they once were (though for a band with a 35-year career, their average age being right about 50 is still noteworthy). But they’re still going strong, dishing out the speed-thrash riffage with intensity and vigor on their ninth album, Humanicide, released earlier this year. Rest assured, Death Angel will rock you right out of your socks at The Canal Club this Thursday night, mixing excellent new jams with time-tested classics in order to create a perfect recipe for maximum headbangs. You’re not going to want to miss it.

Friday, December 6, 7 PM
RVA Krampusnacht “Yuletide Monsters,” feat. Infinite Xmas, Those Weird Neighbors, The Nine 22’s, The Embalmers @ Gallery 5 – Free!
Ah, Krampusnacht. This celebration of Santa Claus’s devilish counterpart, complete with horns and hooves, has become a strong tradition of Richmond’s holiday season, and Christmas just wouldn’t be the same without it. The traditional Carytown Krampus walk will take place this Saturday night, but you’ll be able to get in the mood the night before by spending First Friday at Gallery 5 for their annual “Yuletide Monsters” throwdown.

Music is just part of what you’ll find when you head down to Jackson Ward this Friday night, but there are some noteworthy sounds on offer at Gallery 5 this fine evening, headed up by Infinite Xmas, a project featuring an ambient take on traditional holiday tunes from Lobo Marino’s Laney Sullivan. This will certainly be a new twist on the often-overplayed music of this holiday season. Local performing arts mainstays Mark Slomski and Madame Onca will also bring you a set by their vaudevillian musical duo, Those Weird Neighbors, which should be a true holiday treat, and we’ll hear garage-punk and surf-psych sounds from The Nine 22’s and The Embalmers, respectively. Plus there’s way more artistic and performing action happening, including a wild n’ crazy variety show hosted by Ego Von Hubris, a photo booth run by the Red Vein Army, a dance party featuring ANIMAL’s fearless leader, DJ Dirt Thurston, and of course a fantastic group art exhibition with contributions from over 20 noteworthy local creators. Missing this one may actually endanger your immortal soul. Don’t take that risk.

Saturday, December 7, 6 PM
Thank You Scientist, Bent Knee, The Tea Club @ The Canal Club – $18 (order tickets HERE)
Prog-rock is a much-mocked genre of music, but the main thing people have always mocked about it is its overwhelming solemnity, which tends to come off as humorless pretentiousness. By contrast, prog-rock as a strictly musical genre can be quite enjoyable, especially when a band approaches it with sense of humor at the forefront. That’s the sort of approach Thank You Scientist has always taken — as the above photo of the group in matching bathrobes should make clear. Which is why, regardless of your opinion of bloated prog-rock monstrosities like Yes’s Tales Of Topographic Oceans, you should still make some time for Thank You Scientist in your life.

Their new LP, Terraformer, mixes complex jazz-fusion aspects, driven by the band’s saxophone, trumpet, and electric violin players, with a virtuosic approach to melodic rock riffs that call to mind groups like Circa Survive or Coheed And Cambria. It’s catchy, it’s dynamic, and it’s a whole lot of fun. So whether you want to engage in an in-depth study of complex chord structures or just dance around with a goofy grin on your face, Thank You Scientist will have you covered when they hit the Canal Club stage this Saturday night. Be there.

Sunday, December 8, 7 PM
Kadavar, Ruby The Hatchet, Mister Earthbound, Astral Void @ Capital Ale House Music Hall – $15 in advance/$20 day of show (order tickets HERE)
Thanksgiving’s over, but for Kadavar, the pilgrim hats are a year-round thing. This German band, who’ve been cranking out witchy, psychedelic proto-metal for nigh on a decade now, take an occult-driven approach to groove-laden doom metal. When you think “occult metal,” it’s easy to assume you’re getting Slayer’s Show No Mercy or that first Hellraiser movie, but on their new LP, For The Dead Travel Fast, Kadavar are much closer to Black Widow’s Sacrifice and the original Wickerman. The spookiness of the European countryside is not to be denied, y’all.

Kadavar come to town in the company of Ruby The Hatchet, who hail from a closer proximity (specifically the city of Philadelphia), but still have a strongly witchy doom vibe. These guys strike a really good balance between 70s and 80s pop-culture occult metal on their latest LP, Planetary Space Child, which sounds like an early Blue Oyster Cult record blasting from the tape deck of a Trans Am headed to Camp Crystal Lake, if you know what I mean. With Mister Earthbound and Astral Void rounding out this particular bill, this one will be a real treat for all you denim-vested rock n’ rollers with quartz pendants around your necks. Get with it.

Monday, December 9, 6 PM
A Will Away, Small Talks, Sunsleeper, Black Liver @ The Canal Club – $13 in advance/$15 day of show (order tickets HERE)
You don’t necessarily need something all that challenging to brighten up your Monday night. After all, we’ve all got a long work week ahead of us, and no one’s really got their Christmas shopping done, no matter what they tell you. So here’s an easy way to bring some lovely sounds into your Monday night — head down to the Canal Club and enjoy a set from Connecticut’s A Will Away.

The quartet describe their sound as “80s pop-rock on acid,” and that might be fair, but just as fair would be to say that their latest EP, the just-released Soup, is a fun slice of catchy tuneage that stands directly on that thin line between power-pop and pop-punk. Which side of the line it leans towards depends on the song, but all of them are a blast to listen to, and this group’s sure to provide a charming end to a day that might need a bit more charm by the time it’s over. South Carolinians Small Talks are slightly more emotionally focused, but still have that killer pop sensibility that will bring a smile to your face even when they’re singing about forlorn topics. Between the two, these bands can brighten up the rainiest and coldest of Mondays. And this Monday might be one of them. Plan to spend it at this show.

Tuesday, December 10, 6 PM
Insignificant Other, dad, Madison Turner @ Garden Grove Brewing – Free!
It’s always nice to have a reason to head to Garden Grove — and when you’re a sober girl like me, the brews are never enough. But they’ve subtly carved out a niche for themselves in the local music scene by becoming an extremely reliable source for poppy punky musical fun, and that’s something we can never have too much of around here. This time around, it’s a Close By Air production featuring Florida/Alabama queer pop-punk trio Insignificant Other, and you can certainly expect to get some smiles out of this Tuesday night bill.

I’m So Glad I Feel This Way About You! is the name of Insignificant Other’s newest LP, and it’s a ton of fun, from the both witty and extremely real lyrics about the difficulties of interpersonal relationships to the bouncy, scrappy sound, complete with handclaps, of the super-catchy tunes. Expect a good bit more of that sort of thing when Insignificant Other takes the Garden Grove stage. You can also expect some powerful grunge-punk angst from Richmonders dad, and some speedy acoustic punk tunes full of heart and honesty from Madison Turner. Everything about this one’s gonna be great.

Elsewhere Around The State:

Wednesday, December 4, 7 PM
Downhaul, Nonfiction, Every King & Commoner, Karen Estrella @ Charlie’s American Cafe (Norfolk) – $5
Down in Norfolk, there’s a non-local show featuring a local band on tour that I want to bring to your attention, and I assure you, it’s worth it. Whether you’ve caught up with Downhaul around Richmond, where they’ve spent the past couple years working hard to prove their talent, or you’re still wondering exactly what’s up with this band whose name shows up on a lot of local flyers, anytime is a good time to see what Downhaul is up to. They’ve just released a four-song cassette entitled Tornado Season, and it’s a great demonstration of their Smoking Popes-meets-Hop Along take on melodic, emotional alt-rock. Would calling it “post-pop-punk” make sense to anyone? I have no idea, but it seems appropriate nonetheless.

This current tour for Downhaul pairs them up with Philly’s Nonfiction, a group who are slightly more straightforward in their alt-rock approach, but are sure to appeal to anyone who enjoys sounds in the general emo/indie/pop-punk realm, at least if their latest EP, Same Pain, is any indication. Norfolk locals Every King & Commoner and Karen Estrella round out this bill, making it well worth your time whether you’re a curious Tidewater head seeing what’s up with these regional delights or a Richmonder who knows that a Downhaul set is worth your time even if it involves a 90-minute drive. You’ve got the gas money, right? So use it.

Thursday, December 5, 7 PM
Scott “Wino” Weinrich, Dorthia Cottrell, Buck Gooter, Gull @ The Golden Pony (Harrisonburg) – $12 in advance/$15 day of show (order tickets HERE)
Sometimes doom metal powerhouses are just as intense without all the volume. This double-headlining bill featuring two legendary frontpeople of the doom world — Scott “Wino” Weinrich of The Obsessed, Saint Vitus, Spirit Caravan, and more; and Dorthia Cottrell of the almighty Windhand — is here to act as proof positive of that fact. Both of these performers have had some artistic success with solo ventures in recent years. While it’s been several years since Wino released a new acoustic venture, 2010’s Adrift is a powerful testament to the strength his music can have even without amplification.

Dorthia Cottrell had a solo release of her own a few years ago, and that self-titled LP on Forcefield demonstrated that the memorable vocals that made Windhand a standout are still attention-grabbing and hypnotic even if they’re laid over an ambient acoustic soundscape rather than a succession of towering riffs. So if you’ve ever had any doubt that heaviness can be achieved without an excess of volume, head for Harrisonburg and this Thursday night and learn what you’ve been missing from two masters of the craft.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Drew Sim Photography, via Facebook

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 17 – July 23

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FEATURED SHOW
Saturday, July 20, 11 AM
RVA Bluegrass & Brews Festival, feat. Adam Dawson, Amanda Beason, Charlie and Darlings, The Come Hears, Corey Axt, K.F.C., Matt Monta, Ol’ Riles Band, Tony Farris & Jon Green, Wes & Rebecca @ AlterNatives Boutique – Free!
It’s hot, y’all. In fact, it’s damn hot. And while, in our modern times, the most effective way to beat the heat is to sit inside in the air conditioning all day (a tactic that, to avoid misconceptions, I am a huge fan of), the traditional Southern way to beat the heat is to spend a lot of time outside, in the shade, drinking cold drinks and listening to good music. It’s that classic Southern tradition that Carytown’s AlterNatives Boutique will be honoring this Saturday with their all-day RVA Bluegrass & Brews festival. The event will, according to AlterNatives management, “honor the values of mountain people with homegrown music, brews, and Southern cuisine.” Sounds good to me.

Where the food is concerned, multiple food trucks from the area will be on the scene, and Legend, COTU, Starr Hill, Hardywood, and more will be on hand to provide the brew. And what about the music? Well, that’s the best part, as nearly a dozen bluegrass acts, mostly from the local area, will be keeping us smiling and our toes tapping. The evening will feature the Come Hears, a loose-knit collective of local bluegrass musicians who came together from open jams at Cary Street Cafe and therefore have tunes by everyone from the Grateful Dead to Merle Haggard in their repertoire.

There’ll also be two sets from up-and-coming locals Ol’ Riles Band, who’ll be celebrating the release of their newest album. Ohio’s Matt Monta will make another of his frequent recent appearances in the River City, and Charlie And Darlings will represent the younger generation of local old-time music players. There are a ton more artists on the bill too, but we’re running out of space to discuss them all, and we still need to mention the Highland Support Project, a local non-profit with a multi-decade history who work to help break the cycles of poverty in mountainous communities throughout the Western Hemisphere. This event is free, but will nonetheless be raising money to benefit the Highland Support Project’s important work. The forecast says it’ll be 100 degrees this Saturday, so beat the heat with some great music, food, and brews at AlterNatives.

Wednesday, July 17, 7 PM
Wailin’ Storms, Unmaker, Manzara @ Gallery 5 – $7 (order tickets HERE)
It’s rare that any band in the world manages to name themselves as appropriately as Wailin’ Storms have. This noisy postpunk group has exactly the sort of loud, heavy, dark, and ominous sound that the phrase “Wailin’ Storms” evokes in your mind. For a group to have such a strong grasp of what they’re doing that they manage to perfectly describe their sound with the name they give their band is impressive in its own right. But the sort of massive foreboding punk rock noise they generated on their most recent LP, 2017’s Sick City, is even more impressive.

Therefore you can be sure that, when Wailin’ Storms take the Gallery 5 stage tonight, this North Carolina quartet will call forth the full fury of a class 5 gale. Their sound somehow manages to mix the dark-as-midnight garage fury of Ex-Cult with the fire-and-brimstone revival-preacher punk of Gun Club and the terrifying gothic horror of first-LP Bauhaus. The result is absolutely incredible — and if you’re into it, you’ll find that the metallic postpunk of Unmaker and the dark moodiness of Manzara make them the perfect local openers. The sun may be baking everyone outside, but tonight in Gallery 5, the perfect musical storm will be brewing. Dive into the eye.

Thursday, July 18, 9 PM
Landmines, Talk Me Off, Xed Out @ Bandito’s – Free!
This one hits me on a personal level, and I’m sure I’m not the only one. A little over a decade ago, Landmines were one of the best punk rock bands in Richmond, and I was a huge, huge fan. Their two LPs were full of furious rage, expertly coupled with indelible melodies and powerful lyrics about the important issues, both personal and political, that we all grapple with every day of our lives. A while after their excellent second LP, Commerce And Marx, was released in 2011, Landmines split up, and though there was a brief reformation in 2014, they haven’t taken the stage in something like four years now. The former members are all still making music in excellent bands like Sea Of Storms, Tied To A Bear, and Park Sparrows, but none of their current projects quite scratch that same itch the way Landmines always did.

Therefore I am very stoked to be able to tell you all that Landmines are finally taking the stage once again! It’ll happen at Bandito’s, and the fact that it’s happening there on something other than a Sunday night lets you know how special it is. With members spread all over the country these days, it’ll be great just to see them all in one place again. And of course, every song they ever recorded was outstanding, so this is going to be a set chock-full of hard-hitting melodic punk classics. The fact that snotty RVA punks Talk Me Off are also on the bill, along with Xed Out — a new project from some longtime vets of the Richmond punk scene — only sweetens the pot that much further. Get to Bandito’s, order some nachos, and let’s all get ready to sing along.

Friday, July 19, 9 PM
Un, Wormwitch, Shy Low, Colin Phils @ Wonderland – $10
In this life, you will find many reasons to be sad. For me most recently, it’s been the loss of something like a thousand dollars after an automotive breakdown four hours from home (and no, the car still isn’t fixed). For you, it might be something more tragic, like heartbreak or the loss of a close friend. Some might say that the best way to deal with emotions stemming from life’s bad breaks is to escape from it all with happy, upbeat music. But Seattle’s Un understand that, when things are really dark, nothing other than downbeat, gloomy music will really strike a chord with you.

For the past several years, Un have been creating note-perfect soundtracks for devastation. Their most recent full-length effort, 2018’s Sentiment, finds them combining haunting minor-key melodies with head-crushing slow-motion sludge riffs and unrelentingly bleak low-end vocals. And while that might sound like an incredibly gloomy thing to listen to, it has some healing elements that, despite paradoxical elements, are no less present. Un may rattle foundations when they take the Wonderland stage Friday night, but it’ll be in pursuit of a catharsis that will help you face the morning that always arrives too soon. Journey into the darkness of Shockoe Bottom this Friday night; you’ll find restoration awaiting you.

Saturday, July 20, 8 PM
Tiger Castle, Midlife Pilot, Cleophus James, Vegan Llamas @ Mojo’s – $5
It’s always a fun time down at Mojo’s, and this Saturday night will be no exception. Not only will delicious Philly cheesesteaks be on the menu like always, but Philadelphia’s Tiger Castle will be on the bill, spreading joy and happiness through loud, upbeat rock n’ roll with a definite post-Nirvana 90s feel. Which is to say, these guys capture that same dynamic created by mixing loud, distorted guitars with catchy pop melodies and a sort of loose, slacker approach to the whole thing.

That might sound like faint praise, but as someone who loved both Pavement and Superchunk back in the day, I see it as nothing but a positive thing. One listen to Tiger Castle’s new LP, Pineapple Slasher, and I fully expect you to be converted. Or you could just come on out to Mojo’s this Saturday night and enjoy a killer set from these traveling guitar-slingers, along with musical treats from local mainstays Midlife Pilot and Vegan Llamas, both of whom are just as adept at that whole 90s-style distorted yet melodic rock n’ roll. Newcomers Cleophus James are a bit of a wild card, but considering you’ll get the other three excellent bands on this bill for a mere $5 — already a screaming deal — you can think of their set as a free bonus.

Sunday, July 21, 6 PM
Madison Turner, Decide By Friday, Dead Selves, Spartan Jet-Plex @ Garden Grove Brewing – Free!
It’s always great to spice up your weekend with a free show that brings you a ton of local talent as well as a taste of what’s happening outside the city. Bandito’s has been a pretty consistent venue for exactly these sorts of shows, and in recent months, Garden Grove has become just as much of a clutch player where these kinds of chill-yet-awesome shows take place. This Sunday brings one such show to Garden Grove, and it’s very much worth your time.

Madison Turner has become a local mainstay, with her sound that blends angst-ridden folk-punk with 90s-style alt-rock to glorious effect, most recently on excellent 2018 LP, A Comprehensive Guide To Burning Out. She’ll be taking the stage at this one at the head of a four-piece band, which means things are gonna get rockin’, and you’re not gonna want to miss it. Decide By Friday will bring their brilliantly difficult to categorize sound, as epitomized on excellent 2018 EP Sankofa, to the stage, and the strange yet hypnotic ambient balladry of Spartan Jet-Plex will round out the trio of locals. Atlanta’s Dead Selves join the bill with some catchy yet emotionally resonant melodic punk, sure to soothe your soul as you prepare to start your work week. Enjoy this one — you’ve earned it.

Monday, July 22, 9 PM
Dead To A Dying World, Lair, Horse Culture @ Cary Street Cafe – $10
This burning hot week in Richmond is the perfect time to introduce all of you who are as yet unfamiliar to the majestic power of Dead To A Dying World, an epic, metallic force of nature in the form of a band featuring seven full-time members churning up huge, towering soundscapes of apocalyptic proportions. If you find Neurosis, Sunn 0))), Mogwai, and Mussourgsky’s “Night On Bald Mountain” equally captivating, this is the band for you, and they prove it with flair and finesse on brand-new LP Elegy, which sees them shifting back and forth between ambient moments full of ominous portent, and outright skull-crushing epic brutality.

This won’t just be a performance, it will be an experience, one far more memorable and life-altering than a three-hour superhero movie full of universe-ranging battles between gods and godlike humans. Why? Because that’s all make-believe, but Dead To A Dying World are 100 percent real. Just like the terrifying, captivating, and inescapable force we know as “life.” Of which this show is guaranteed to be a highlight. Don’t miss it.

Tuesday, July 23, 9 PM
Mephiskapheles, AdGRod, Blunt @ Wonderland – $10
Wow — this is a real blast from the past. Back in the late 90s, when ska ruled the roost and it seemed like every punk band had to have at least one song based around upstrokes, Mephiskapheles stood out in a crowded field, separate from the thousands of Save Ferris and Voodoo Glow Skulls clones, due to their frank embrace of the diabolical power of Satan. That’s right, it’s not just a clever name — from their very beginnings in the early 90s on to their eventual drifting apart in the early days of the 21st century. The ska boom-times had begun to wane, and the members slowly moved on.

However, two decades beyond the time of Mephiskapheles’ greatest fame, a new generation has discovered the joys of skanking all night in black-and-white checked pants, and the stage has been set for a ska revival. Mephiskapheles has been back and playing shows for several years now, their playfully devilish streak intact, and even released a self-titled EP a few years ago that found them at the top of their game as ever, especially on metallic reggae tunes like “Satan Stole My Weed” and “Snakes In The Garden.” Look — I know some of you still have porkpie hats and creepers buried in the back of your closets. What better opportunity than this one will you have to break them out once again? Exactly. Make it happen, cap’n.

Elsewhere Around The State:

Friday, July 19, 8 PM
J. Marinelli, Tucker Riggleman & the Cheap Dates @ Pale Fire Tap Room (Harrisonburg) – $5
Here’s a surprising and exciting face from long ago to delight those like me who were heavily involved in the emo scene 25 or so years ago. J. Marinelli once played guitar in Samuel, without a doubt the most unjustly forgotten band of that whole mid-90s Jade Tree Records scene that brought the world The Promise Ring and Texas Is The Reason. The sad denouement of Samuel in no way quieted the punk rock fire in J. Marinelli’s heart, though, and for the past decade or so, he’s been recording and performing as a one-man band, keeping the beat with his feet as he dishes out driving guitar riffs and sings joyous anthems of personal resistance.

Of course, as with any one-man band, Marinelli’s got a definite roots-rock influence mixed into his sound, but on 2017 LP Stray Volts, he pulls just as much from old-time folk, good ol’ punk rock, and even a little bit of mountain holler. It all adds up to a lot of fun, and that’s what you’ll have if you journey out to Harrisonburg’s Pale Fire Tap Room this Friday night. J. Marinelli will be joined on the bill by Tucker Riggleman and his band, the Cheap Dates, who’ll be laying down some of the same twangy, rollicking rock n’ roll they brought to us all earlier this year with their Time Machine EP. It’s going to be a ton of fun — don’t miss it.

Saturday, July 20, 7:30 PM
Sierra Ferrell @ The Golden Pony (Harrisonburg) – $10
I have no idea who Sierra Ferrell is bringing with her to The Golden Pony this Saturday night. Backing group? Opening act? It might happen, or it might not — I really can’t tell you. But even if it’s just her up there onstage all by herself for three hours, you should check it out regardless. This young lady from Nashville, Tennessee is a flawless songwriter who clearly works in an old-time milieu but has no easily-defined genre. Is she a folk singer? A country barroom queen? A swinging pop spitfire? The answer is: yes, and she’s a whole lot more than all that too.

On her new album, Washington By The Sea, Sierra Ferrell works with a five-piece band, but within a minimalist, acoustic framework that keeps her voice and acoustic guitar the undisputable star of the show. Occasional touches from fiddle, dobro, bass, and pedal steel bring layered depth to her sound, but rest assured, Ferrell’s songs stand on their own, with a driving pace and a distinctive lyrical approach that only gains ground when those words are sung in her uniquely captivating voice. Honestly, nothing I can say here will give you the full idea of what you’re in for at The Golden Pony Saturday night — you need to be there and see for yourself. Whether there’s an opening act or not.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo via Highland Support Project

Music Sponsored By Graduate Richmond

The 40 Most Essential RVA Albums Of 2018 (Part 2)

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Richmond’s always been a great city for music, and that didn’t change one iota in 2018. If anything, it became a bit overwhelming — indeed, even the most comprehensively-minded local music nerd was likely to overlook a few things. While putting this list together, I found a few that I overlooked myself — and I’m sure you will as well.

This list features our best shot at the most essential and noteworthy albums that our city birthed this year, from any and all genres. Since so many different genres and scenes are thriving in this town, we had to include 40 just to feel like we weren’t leaving anything crucial out. And let’s be real — we probably still didn’t catch everything. The best advice we could possibly give you about following this town’s vibrant musical community is this: always dig deeper. Your new favorite record might be right around the corner.

These 40 albums are a good place to start. Yesterday, we presented the first 20, and we follow up today with the remaining 20 — in alphabetical order by artist name, so it doesn’t seem like we’re playing favorites. Happy listening!

Elizabeth Owens – Coming Of Age (Grimalkin)
This young singer-songwriter has avoided the strict confines of genre on their first album, instead dancing along the invisible borders between a variety of sounds. Lushly-strummed acoustic guitars and haunting vocals center these compositions, even as a variety of both conventional and unconventional instruments form an intricate, multi-layered background. Psychedelic folk in the original, late 60s sense — think Incredible String Band or Pentangle — is a good touchstone, though a better, more recognizable one is hinted at by the song entitled “Ode to Joni.” Yeah, you know what’s up.

Piranha Rama – Piranha Rama (Trrrash)
Piranha Rama is a band full of Richmond underground rock all-stars that took the local scene by storm in 2018. Featuring members who’ve performed with a wide variety of local ensembles and played a wide variety of musical styles, Piranha Rama’s sound is apropos, capturing as it does both the rollicking rock n’ roll spirit that is this band’s bedrock and the wide variety of influences that takes this album in many different directions from song to song. The results are always catchy and fun, even if the album’s overall feel is more like that of a great mixtape made by a crate-digging friend than you’d expect from a singularly driven band. The more voices, the merrier.

Trey Pollard – Antiphone (Spacebomb)
I admit I never would have expected this in the year 2018, but it has in fact come to pass. Trey Pollard, best known as the in-house arranger for Spacebomb Records, has released an album of classical chamber music. The selections found within are the sorts of things typically referred to as “pieces” rather than songs, and are mostly performed by four to eight-piece string ensembles (sometimes accompanied by a piano). Pollard, who acts as composer and conductor here, has created a stunning collection of memorable moments that feel like a score for a film — one that’s playing in your mind as you listen. Close your eyes and let it overtake you.

Natalie Prass – The Future And The Past (ATO)
Natalie Prass had been the fledgling Spacebomb label’s obvious breakout star thus far — along, of course, with label founder Matthew E. White. For her second LP, Prass signed with ATO and moved beyond the traditional soul-R&B feel of the Spacebomb house band, getting into deeper electronic grooves that seem to arise directly out of the pre-New Jack Swing sound of 80s greats like Cameo or Kool & The Gang. When she croons overtop of these, she’s got a real retro-diva sound, like a young Janet Jackson. Who can resist that?

PT & Fan Ran – Airtight (Ear Tite) (Gritty City)
The Gritty City roster of champion rhyme-spitters is deep, and each passing year seems to make that clearer, as new albums bring us strong statements of purpose from previously unheard names. This year it’s PT, which stands for Perfect Timing, who jumped out in a big way. Airtight is a full-length collaboration with Gritty City production mainstay Fan Ran, and the hard-hitting beats he brings match up perfectly with PT’s strong flow and aggressive approach to the mic. If you miss the days when RZA was producing a different Wu-Tang solo album every couple months and they all ruled, this one’s for you.

Recluse Raccoon – Recluse Raccoon (recluseraccoon.bandcamp.com)
This band features a rotating selection of local musicians, but Timmy Peele is the true raccoon hiding reclusively behind the name. For this debut full-length, it’s Mr. Peele who lays down vast majority of instruments for the dozen compositions he treats us to. There is at times a decided Animal Collective vibe in the thick vocal harmonies and ringing piano notes, though at other moments he comes closer to straddling that invisible line where the mellowest math-rock meets the most far out of the psychedelic jam sounds. Expect the unexpected — it’s more fun that way.

Roy Batty – Roy Batty (roybattyband.bandcamp.com)
This one just dropped a couple weeks ago, but it demands a place on our radar simply by virtue of the many awesome bands the members have been part of in the past. Specifically, this is frontwoman Lindsey Spurrier’s first return to full-time action after the demise of Hot Dolphin, and I think I’m far from the only one who felt that band ended before their time. Roy Batty has a heavier sound that Hot Dolphin, due to the fact that Spurrier is backed here by metal dudes rather than garage-punk types, but the frantic energy and aggressive spirit remain undiminished. And thank god for that.

Serqet – Oleander (Vinyl Conflict)
This two-song EP constitutes the first release from a local band who’ve been getting some attention on the whole DIY punk scene. I hear kids who are nerdy about that style of music call it “peace-punk” but if you ask me, it’s more along the lines of old-school goth. Maybe a bit Siouxsie and The Banshees, plus a bit of Submission Hold, and even some strong melodies on the B-side that get more into pre-shoegaze UK indie sounds. If you’re looking for something that can simultaneously please fans of Flux of Pink Indians, Sisters Of Mercy, and House Of Love, you’ve hit paydirt with this one.

Shadow Age – Shadow Age (Play Alone)
This trio unfortunately took an indefinite hiatus not long after this album was released, but we can at least be thankful that they left behind such an excellent document of their creativity. Bandleader Aaron Tyree has obviously been influenced by the saddest goth boys of the early 80s UK, and he brings the spirits of Robert Smith, Ian McCulloch, and Adrian Borland into the 21st century with flair and panache. Hazy keyboards, glittering guitar leads, quiet melancholy crooning, all set to an essential driving rhythm section. Turn on the fog machine.

South Hill Banks – No Time For A Breakdown (southhillbanks.com)
This RVA bluegrass band has really cemented a place for themselves on the local music scene over the past year, and No Time For A Breakdown is just part of that — you may also have caught onto their year-long residency at The Camel, or the bluegrass festival they threw over at The Broadberry last month. But it’s this album that’ll give you the best taste of what South Hill Banks have to offer, spotlighting their 21st century take on bluegrass with some excellent melodic songcraft. Of course, they still know how to get down with a traditional speedy instrumental, and their choice to feature electric instruments in the band doesn’t get in the way at all.

Spooky Cool – Every Thing Ever (Citrus City)
Spooky Cool spent the first few years of their existence being the RVA scene’s best-kept secret, staying off social media and restricting access to their music to those who actually came to see them live. Their choice to live like a pre-internet band in the post-internet era paid off in a big way when they finally released their debut EP this year, and the whole world had a chance to hear the catchy indie-psych this quintet had spent the last few years cooking up. It was worth the wait — there are some seriously catchy tunes on this one, but those tunes also feature an unpredictable edge that only adds to their charm. Jam this one — we’ve waited long enough.

Sports Bar – Stranger In My Head (Mister Falcon)
Speaking of long-awaited releases, melodic garage-punk quartet Sports Bar have spent nearly a decade building up to this — a killer full-length full of shit-hot tunes that simultaneously bring the manic, distorted punk attack and highlight the flawless sense of melody that has made this group one of Richmond’s most enjoyable hidden discoveries since back in 2010. This one is a ton of fun, bringing us both angst-ridden singalongs like “Fried” and furious punk blasts like “Love Or Hate.” Get into it.

Suppression – Placebo Reality (Chaotic Noise Productions)
2018 was Suppression’s 26th year of existence, an existence that has seen them move from experimental power-violence to electronic noise to postpunk weirdness and now into the world of shit-fi grindcore madness — which really constitutes a return to the roots of bassist/vocalist Jason Hodges’ long-running project. On Placebo Reality, Hodges and drummer Ryan Parrish flail wildly through somewhere north of 70 songs in under half an hour, blowing your hair back with distorted vocals, hyperdrive tempos, and distorted bass rage. A palate-cleanser of the most confrontational sort, this one will erase all your momentary cares in the face of world-ending chaos. Exactly what we all need.

Marcus Tenney Quartet – Moment (American Paradox)
If you pay attention to music in Richmond and beyond, chances are you’ve heard of Marcus Tenney. A full-time member of the legendary No BS! Brass Band as well as soul-jazz quintet Butcher Brown and hip hop duo Tennison, he stays busy. For this album, he took the lead in a quartet featuring several other Richmond jazz luminaries, and created a collection that is grounded in the classic hard-bop sounds of half a century ago, but comes from a thoroughly modern worldview that helps bring jazz into the 21st century. But this album isn’t just an exhibition of instrumental talent — the mellow, melancholy mood evoked on Moment has a deep emotional resonance.

Toward Space – Gently With A Chainsaw (Cult 45)
This raw garage-rock trio has done quite a bit, considering their youth, and Gently With A Chainsaw fulfills the promise they were showing even when they were still playing house shows with foot-pedal drums. These days, their snotty punk rage has been tempered a bit by a power-pop approach to choruses, and the result makes for a number of pleasing singalong earworms on this album. Make no mistake, though, these juvenile delinquents are still ready with a switchblade if anyone messes with ’em — but have no fear. Underneath the snarling facade, they’ve got hearts of gold.

Madison Turner – A Comprehensive Guide To Burning Out (madisonturner.bandcamp.com)
Madison Turner grew up with the classic alternative rock of the 90s, and now that she’s made it out of her 20s she’s headed back to her roots with this, her fourth solo release. Backed by a talented group of musically-inclined friends, she’s created a powerful collection of songs that sound excellent and are catchy as hell. The lyrics, which delve deeply and sincerely into the album’s “burnout” theme, are witty and all-too-relatable, even as the songs keep you singing along all day long. “I don’t know why I’m so sca-aa-ared to reach out to my friends!” So real.

Unmaker – Firmament (Seeing Red)
This quintet shares a few members with local blackened-thrash combo Occultist, but don’t let that fool you — Unmaker have quite a bit to offer in their own right. They distinguish themselves from the metallic pack thanks to Aaron Mitchell’s arresting vocals, which carry an urgency that makes them impossible to ignore. But the rest of the band has a powerful sound of their own, simultaneously exploring the gothic end of the postpunk spectrum while retaining a powerful, heavy rhythm and sticking to an energetic tempo. Fans of Killing Joke will find a lot to like here, but really, everyone should.

Windhand – Eternal Return (Relapse)
Local doom combo Windhand has always been witchy, but they’ve taken it to a new level on their fourth album (and first with only one guitarist), Eternal Return. The psychedelic aspects of their sound are cranked up here, and even as you can hear those low-end rumbles that make these guys a total headcrush live, the album’s production opens up another layer of their sound — one in which vocalist Dorthia Cottrell’s haunting voice is the star of the show, bringing a heaviness of emotion that more than matches the rest of the band’s heaviness of groove. Kill the lights and light a candle.

Womajich Dialyseiz – Live In RVA (Grimalkin)
This improvisational collective brings together a shifting group of “women, femmes, and gender non-conforming people” from around the Richmond scene to create uncategorizable experimental music. The results, documented here on recordings from four different live performances, are ambient and multi-layered, featuring percussion, voices, and a variety of melodies, many of which tend toward the unsettling. Maybe not something you should put on late at night when you are alone, but certainly an important element of the Richmond scene in 2018. Lend an ear.

Young Scum – Young Scum (Citrus City)
I doubt any of the young people in this city’s indie music scene are particularly intending to hark back to the early 90s heyday of Sarah Records and the indie-pop movement that label inspired, but regardless of intent, Young Scum have landed right in that wheelhouse. If you loved Heavenly or The Field Mice, you’re going to find a lot to love here, from Chris Smith’s dulcet vocal tones, which wash over you like a cooling mist, or the glittering layers of undistorted guitar strums laid down by Smith and Ben Medcalf. There are brief moments of tense distortion hovering subtly in the mix, but for the most part this mini-LP is pure indie-pop bliss.

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Wow, we’re done! And of course, as soon as I got this list finished, I realized I’d left out the Candy LP and the Boygenius EP, so go check those out too. What can I say? There was no way I was gonna think of everything.

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 7 – November 13

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FEATURED SHOW
Saturday, November 10, 8 PM
GWAR, Municipal Waste, Miss May I, Toxic Holocaust, HAUNT @ The National – $22 in advance/$25 at the door (order tickets HERE)
Folks, it’s time once again that we check in on Richmond’s reigning masters of bloodthirsty metal from outer space. Everyone’s favorite homicidal aliens, GWAR, will return to the National’s stage once again this Saturday night, and it’s sure to be an absolute gorefest, so you know what that means — wear your white t-shirts and get ready to be hit by the cannons of goo that are certain to be unleashed. You know the ones; the ones that throw so much blood and guts all over the place that the National has to drape their balconies in bedsheets just to protect the fancy woodwork. If you think you can be anywhere in the same room as GWAR and stay safe from the splatter, you’re sadly mistaken, but that’s OK — getting covered in slimy stuff of uncertain origin is part of what makes GWAR shows so much fun!

Last year, GWAR released their first new album since the death of founder Dave Brockie. The Blood Of Gods sees the crossover sound GWAR have cultivated over the past several albums giving way to a more over-the-top rock n’ roll sound that sees new vocalist (and originator of the Beefcake the Mighty character) Michael Bishop howling and yowling, Ted Nugent-style. There’s still plenty of thrashing going on with GWAR these days, don’t get me wrong; but the fact that the album ends with a cover of AC/DC’s “If You Want Blood (You Got It)” should tell you something about what you can expect, musically speaking, from GWAR these days.

That said, we all know that the gore-saturated show is the main attraction when seeing GWAR live. But there’s plenty of ass-kicking no-show all-go metal on this bill as well. The main attraction for all of you hoping to spend a few hours focusing on banging your head is the one and only Municipal Waste, who’d been largely dormant for most of this decade but returned to action last year with a beefed-up lineup featuring former Cannabis Corpse axe-slinger Nikropolis on rhythm guitars and their first LP in five years, Slime And Punishment. If you haven’t caught up with the Waste since all that went down, rest assured that they’re gonna fuck you up just like they always have. They’ll do it with the able assistance of their best thrashcore pals, Toxic Holocaust, as well as metalcore mainstays Miss May I and up-and-coming Maiden-esque power-metallers HAUNT. It’s a headbanging bonanza, and it’ll be topped off with a serious bloodbath. Should make for a wonderful weekend.

Wednesday, November 7, 7 PM
Slothrust, Mannequin Pussy, Doll Baby @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Look out, all you rock n’ rollers — the 90s are still back, perhaps more back than ever, and one great aspect of that is the continued ascendance of powerful songwriters with rough, distorted guitars that hit you hard even as their lyrics and vocal melodies make you feel some strong emotions. Slothrust is one of those groups, and singer-guitarist Leah Wellman is showing the world exactly what she has to offer on their brand new LP, The Pact, released a couple months ago on Dangerbird Records. There’s a darkness to songs like “Planetarium” and “Fever Doggs” that if anything harks back to a pre-90s, pre-Nirvana sensibility. These songs should strike familiar chords for fans of the Meat Puppets, or Green River, and do a great job of demonstrating that Slothrust has more to offer than an unabashed reiteration of what bands like Babes In Toyland and L7 did before (though don’t get me wrong, there’s a good bit of that in there too).

Slothrust are joined on this bill by Mannequin Pussy, a Philadelphia punk band who’ve been making a strong impact in Richmond for years now, and have also been growing beyond their noisy punk roots, into a sound that encompasses a variety of genres and combines rage, passion, and melody in an inspiring manner. Their 2016 album, Romantic, moves from roaring blasts of punk fury into moments of breathtaking melody, complete with shoegaze-style guitar swells. One thing that’s present on all of their songs is a strong emotional foundation that singer-guitarist Marisa Dabice communicates with everything from a breathy croon to a frustrated scream. No matter where each moment lands on the spectrum of her vocal range, though, all of them are honest, real, and gripping in their intensity. This isn’t one you’re going to want to miss. Local support by Doll Baby, who have a great deal in common with both touring bands, completes a powerful trifecta. You know what to do.

Thursday, November 8, 9 PM
Roosevelt Collier, Bennett Wales & The Relief, The Bush League @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
If you love to hear people wail on the electric guitar, this is the show for you. Roosevelt Collier is a pedal steel guitarist with roots in the same “sacred steel” tradition that brought Robert Randolph and his family band into the world, but Collier combines that gospel-soul sound with a Hendrix-ian approach that finds him in high demand with heavyweights like the Tedeschi-Trucks Band and the Allman Brothers. He’s a core member of Snarky Puppy bassist Michael League’s “World Music All-Star Band,” Bokanté, and he’s finally stepped out on his own this year as the frontman for his own group, which he’ll be bringing to the Camel.

Collier and his backing band are on tour in support of his debut solo album, Exit 16, on which he worked again with Snarky Puppy bassist Michael League. The album displays a hell of a range, moving from uptempo workouts to slow, seductive grooves, all with a very heavy bottom end. Collier’s playing is always the star of the show, and the man gets some outstanding noise out of his pedal-steel axe. While instrumental music can sometimes feel a bit bare-bones, you’ll never miss the vocals when Roosevelt Collier is laying waste to his slide guitar. He joins with VA Beach funk-rockers Bennett Wales and the Relief and RVA’s own blues-wailing machine, The Bush League, to tear the roof off the Camel this Thursday, and you should really be there to see — and hear — it all go down.

Friday, November 9, 7 PM
Pale Waves, Miya Folick, The Candescents @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
These days when you hear the sort of reverbed guitars and ambient synth sounds that have been a marker of the goth-postpunk sound in vogue at the moment for several years now, you expect to know what you’re getting. Dark moods, downcast eyes, sad lyrics full of desolate imagery that connect strongly with your personal alienation as you sit alone in your room in the dark. But haven’t we all had our fill of that sort of approach to the mid-80s postpunk sound? After a few years, all those 80s goth kids turned into bouncy New Wavers that would rather dance to New Order than cry to the Cure anyway — isn’t it time we found an antidote for our own post-millennial kohl-eyeliner blues?

That’s what Pale Waves is here to offer. The Manchester band may trace their aesthetic back to Siouxsie and the Banshees, but their sound is building on the uplifting synth melodies of recent UK postpunk successes CHVRCHES and adding some of the same glittering guitars and melodic bass lines that the original goth bands excelled at. Recently released LP My Mind Makes Noises hits all the right notes for the kids who still want to wear all black but are discovering the thrill of new love and the promise of sunny days. God knows everything is depressing enough these days… don’t we need our music to lift the veil at least a little bit? If you’re ready to dance with a smile on your face rather than tears in your eyes, come to The Broadberry this Friday night and bounce to the music of Pale Waves. It can’t rain all the time.

Saturday, November 10, 7 PM
Eat Your HRT Out: A Trans Health Clinic Benefit, feat. Toxic Moxie, Madison Turner, Wargo, Dad, Jafar Flowers @ Strange Matter – $15-20 suggested donation
I know, I know, I just wrote about Toxic Moxie like two weeks ago. But what was the rule we established the last time I wrote about them? I do believe it was “you will go see Toxic Moxie whenever they play a show.” We just had an election, but this one wasn’t on the ballot, so it is still very much in force. You want punk rage and disco euphoria? You want serious political views leavened with some good-time party energy? Toxic Moxie have got it all.

And what’s more, they’re bringing it to you this time in support of a very good cause. Planned Parenthood’s Trans Health Clinic is one of the only steady providers of transgender-specific health services in Richmond, and considering that trans people are much more likely to be unemployed or underemployed than the general population, their patients are more likely to face economic strain in finding ways to pay for their medical care. What your donation at the door of this show — which, in addition to the disco party punk of Toxic Moxie, will also feature an always-rockin’ full band set from Madison Turner, some electronic dance sounds from Jafar Flowers, and a good bit more — will go toward is helping ensure that prices for Planned Parenthood’s much-needed medical support for the trans community remain as affordable as possible. Plus you’ll have a great time in the bargain, and who doesn’t need more of those?

Sunday, November 11, 8 PM
Video Shoppe, BUTT, Fat Spirit @ Flora – $?
It’s always fascinating to see how people find ways to do a band despite lacking some seemingly crucial core members. Providence duo Video Shoppe easily found a way around this particular dilemma. No drummer? No problem — just bring in a primitive electronic beat machine, trigger it with foot pedals, and stack TVs and VCRs around you to when you play to make up for the fact that there’s nobody flailing away behind a kit and giving the audience some sudden moves to latch onto.

But that sort of creative problem-solving only goes so far if you don’t have some really cool songs to bring to the world when you play, and Video Shoppe’s latest EP, Nostalgia Trap(s), finds them filling that need in excellent fashion as well. Their pounding drum machine makes for an interesting contrast with their delicate postpunk guitar sound, just as their singer’s moody baritone offers an emotional feel completely different from that presented by their chiming melodies. The result has both power and ethereality, and will glow brightly in the dark room at the back of Flora this Sunday night. Their pairing with local ramshackle garage-rockers BUTT and the glorious grunge fury of Fat Spirit will round out the evening into a blast of rock n’ roll fun you’ll be willing to pay whatever the heck they’re actually charging at the door to get into.

Monday, November 12, 8 PM
Super Unison, NØ Man, Sensual World, Ugly Muscle @ Strange Matter – $10 (order tickets HERE)
This is one I’ve been looking forward to. Super Unison recently released their second LP, Stella, and it took their already powerful post-hardcore sound to a whole new level. You may know this group from the fact that singer-bassist Meghan O’Neil previously fronted ripping fastcore band Punch, but from their inception, Super Unison have had a great deal more to offer than O’Neil’s previous group, as they both retain the hardcore velocity of Punch and integrate the sort of driving, noisy energy of bands like Drive Like Jehu (who inspired the group’s name) and Rodan.

Stella finds Super Unison expanding beyond the sound of their 2016 debut LP by incorporating more dynamic shifts within single songs; they’ve also increased the melodic quotient of their guitar riffs, even as O’Neil’s vocals have become harsher and more emotionally-driven. Some might say these guys have been listening to some of the screamo stuff coming out of their home state of California — Vril, say, or Loma Prieta — and I think there’s definitely evidence to support that conclusion. Whether you’re a fan of passionate screamo, hardcore fury, or noisy rock chaos, though, you’re sure to get a lot out of Super Unison’s unrelenting attack. Put yourself in the way of it — you’ll never regret it.

Tuesday, November 13, 6:30 PM
Classical Revolution RVA presents Trey Pollard, Matthew E. White @ The HofGarden – $7 in advance/$10 at the door (order tickets HERE)
This is about as far as you can get from post-hardcore rage, but like they say, variety is the spice of life. It’s also how we keep things interesting here in Richmond, which a lot of people (including me) will tell you is one of the best music cities in the entire country. This Tuesday night sees some tremendously interesting things happening at The HofGarden, as Spacebomb Records head honchos Trey Pollard and Matthew E. White join together with local chamber music collective Classical Revolution RVA in order to present the live premiere of compositions from Pollard’s new album, Antiphone, coming later this month from Spacebomb.

Trey Pollard isn’t the sort of musician we’re used to interacting with here in the indie rock world. He’s a true composer, one who has done orchestral compositions and arrangements for everyone from Spacebomb compatriots Matthew E. White and Natalie Prass to Scottish indie-folk group The Waterboys and This American Life-affiliated podcast S-Town. Now he’s releasing the first album of his own compositions, which was recorded by a 16 piece ensemble earlier this year with Pollard conducting. For the performance at The Hof, a string quintet featuring members of Classical Revolution RVA will play compositions from Antiphone live for the first time. They’ll also accompany Matthew E. White for portions of a solo piano-and-vocal set that he’ll treat us all to, before we dive fully into the bold new works Pollard is bringing into the world. This is an evening for people who love all forms of music, and are most excited to see something unlike anything else out there. If you’re a true music fan, you’re not going to want to miss it.

Bonus Hampton Roads Picks:

Thursday, November 8, 7 PM
Fishbone, Jackmove @ Shaka’s – $27 in advance/$32 day of show (order tickets HERE)
Remember how we were talking earlier about the 90s being back? It doesn’t just show through in the return of sounds and styles that were popular back then; it also shows up in all the bands that are getting back together and returning to the road after decades away. Strictly speaking, this doesn’t describe Fishbone — they’ve been together the whole time, with founding vocalist Angelo Moore and bassist John Norwood Fisher sticking around through thick and thin. However, this year has seen the group return to their classic lineup for the first time since the late 90s. Or, well, that’s not entirely true — no one familiar with the whole saga will be surprised to hear that Kendall Jones isn’t back. But other than Jones, the lineup responsible for classic late-80s/early-90s LPs Truth And Soul, The Reality Of My Surroundings, and the unforgettably titled Give A Monkey A Brain and He’ll Swear He’s The Center Of The Universe is back once again and hitting the road to remind us why we loved Fishbone back in the day.

Of course, some of you are going to wonder what the heck I’m talking about. I hear you muttering: “Who is Fishbone, and why does it even matter?” Here’s the deal: back when “funk-punk” was a real, up-and-coming hybrid genre with underground energy and vitality, Fishbone were at the center of it. Never mind Red Hot Chili Peppers (who knew enough to shout Fishbone out constantly on their early albums); tracks like “Party At Ground Zero,” “Bonin’ In The Boneyard,” “Swim,” and “Everyday Sunshine” showed a talented group absorbing everything from ska and soul to hardcore and metal, then spitting it all back out in a wave of talented originality like nothing else out there, then or now. The members of Fishbone are quite a bit older now, but the songs they created in their heyday are still great, and their talent (and singer Angelo Moore’s boundless energy) are undiminished. This show will be both the perfect introduction for the young ‘uns among you and an outstanding opportunity for those of us who know exactly what Fishbone is all about to see the classic lineup in full nutt-megalomaniac form. Hell yeah.

Saturday, November 10, 7 PM
Good Riddance, Bigwig, Ann Beretta, Counterpunch @ Peabody’s – $20 in advance/$22 day of show (order tickets HERE)
And speaking of excellent bands from prior eras returning to demonstrate that they’ve still got it going on… here’s an excellent example of not one but THREE melodic punk bands of the 90s doing exactly that. California’s Good Riddance are at the top of this bill, nicknamed the “Fall Brawl 2018,” and they’ve got the kind of gritty hardcore feel underlying their more melodic moments to back that name up. Of the 90s Fat Wreck bands that cemented the skatepunk genre as the go-to sound for a generation of rebellious high school freshmen, Good Riddance were always the toughest, the dirtiest, the most hardcore. Returning to action a few years ago after almost a decade away, 2015’s Peace In Our Time showed that Good Riddance still had the goods.

New Jersey’s Bigwig haven’t made a new album in over a decade, but they’ve stayed on the road, cranking out their brand of metallically-melodic skatepunk for years now, and they’re still bringing the fire as well. More momentous news for longtime fans of RVA punk has been the return over the past couple of years of Ann Beretta, who were mainstays here in Richmond back in the late 90s but have been out of action since shortly after the dawning of the new millennium. They came back to us this year with Old Scars, New Blood, a new album of old hits rerecorded for the modern era, and the word is that they’re working on another entirely new collection that’ll hit town in the near future. This weekend, though, old-school RVA heads and melodic punk skate rats alike are gonna want to gas up the coupe and head down to Peabody’s, because this show is going to be full of excellent sounds from the past three decades of punk rock awesomeness.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond