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VA Shows You Must See This Week: April 10 – April 16

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FEATURED SHOW
Friday, April 12, 9 PM
Horsewhip, Infant Island, Eliza Battle @ Wonderland – $5
The loss of Strange Matter at the end of 2018 was, as everyone reading this knows firsthand, a devastating blow to the Richmond music scene. We were really feeling its departure in January of this year, when it became a real struggle some nights to find a place where good bands were playing. Thankfully, though, the Richmond scene has shown its longtime resilience in the face of setbacks; these days, we’re starting to see a new normal establish itself. Indie bands that would previously have played Strange Matter have a number of potential alternative destinations — The Camel and Capital Ale House’s Richmond Music Hall among them. As for the heavy bands, they’ve got Wonderland.

Wonderland’s always been a good spot to see a punk or metal show on a Saturday night, but it seems of late that their stage is seeing a good bit more use, and by more high-profile bands, than ever before. That’s certainly a positive development, especially when it gives bands like Horsewhip an opportunity to play in town. These Florida-based hardcore veterans released an absolutely pulverizing self-titled mini-LP last year, and they’re set to bring the noise to Shockoe Bottom this Friday night.

The group’s lineup is packed full of multi-decade DIY hardcore vets, featuring members of Early Grace, Reversal Of Man, Order of Importance, and the Sutek Conspiracy — and if you weren’t around in 1999 to hear the sounds they were cranking out at the time, rest assured they’ve lost not an ounce of power as they’ve aged. Their self-titled debut brings all the hectic chaos of prime 90s chaotic hardcore bands like, well, the ones they used to be in, as well as packing a heavy-as-fuck wallop that draws strength from bands like His Hero Is Gone and From Ashes Rise. Joined by a couple of Virginia bands representing the new generation of a similarly heavy, chaotic, and noisy hardcore sound — Infant Island and Eliza Battle, to be specific — Horsewhip is set to terrorize Shockoe Bottom this Friday night with some essential high-volume rage. Bring your earplugs.

Wednesday, April 10, 7 PM
Life In Vacuum, Ostraca, Manzara @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
One night of chaos deserves another, so let’s move forward in the show column as we move backwards in time from Friday night to tonight, when Canadian trio Life In Vacuum rolls into town and sets up shop at The Camel. This group might not have Horsewhip’s sheer heaviness to draw on, but their chaotic energy more than makes up for it; last year’s All You Can Quit finds the group drawing on frenetic influences from multiple decades. I hear everything from Angel Hair to Single Mothers in this band’s sound, and all of it sounds great when they do it.

So yeah, get ready for some manic chaos with a quirky, mathematical feel when Life In Vacuum take the stage, and stay stoked for the local openers. Though, having said that, I should admit that at least in my heart, Ostraca are headliners in their own right. And considering the sheer power of their dark, heavy take on chaotic hardcore, as displayed most recently on their third LP, 2018’s Enemy, they should be headliners in your heart too. They will pair well with Life In Vacuum’s less heavy but just as chaotic approach, and the opening set by local psychedelic postpunk gloom merchants Manzara will get things started off on the perfect note. This one’s gonna rule.

Thursday, April 11, 7:30 PM
The Bones Of JR Jones, Angelica Garcia, Erin Lunsford @ Capital Ale House Music Hall – $10 (order tickets HERE)
This one’s gonna be fun, because The Bones Of JR Jones is an honest-to-god one-man band, and I always enjoy those. JR Linaberry sits behind a highly abbreviated drum kit he plays with foot pedals, singing and playing rootsy countrified rock n’ roll on a hollow-body guitar. The results sometimes appeal in a similar way to gutbucket roots-rockers like Hasil Adkins and Scott H. Biram, but there’s an undeniable tinge of heartfelt emotion and sincerity that comes through in the group’s more melodic moments.

The overall feel is somewhere between high-lonesome country and noisy garage rock, and that’s definitely a good place to be. 2018’s Ones To Keep Close LP showed Linaberry’s talented songwriting capability, but you won’t get the full feel of what The Bones Of JR Jones are about unless you go see them live, in all their foot-stomping one-man glory. Local songwriting excellence will come to us in the form of talented openers Angelica Garcia and Erin Lunsford. This one will be glorious.

Friday, April 12, 9 PM
Suppression, Hewolf, Destruct @ Bandito’s – Free!
It’s always great to see local veterans at the top of their game show off their prowess in an intimate venue, and we’ll get multiple chances to see that exact thing go down at Bandito’s this Friday night. Suppression’s coming close to three decades of existence, and their sound has mutated multiple times over the course of that lengthy history; their recent revival as a hyperspeed powerhouse of lo-fi grind, as captured on last year’s Placebo Reality LP, has been a real blast to watch and enjoy. When they start tearing it up at Bandito’s this Friday night, there’s no telling what chaos will result from the wave of sonic destruction they unleash. The prospect is thrilling.

But what’s really fun about this night is that it offers us a bonus chance to see what some multi-decade scene stalwarts are up to these days. In this case I am talking about Hewolf, a new trio with a grunge kick and some killer riffage to dispense. Out-of-towners might not completely know what’s up, but longtime local showgoers will know exactly what I mean when I say this band brings together members of Alabama Thunderpussy, Darkest Hour, and the almighty Crackhead to dish out some Slianglaos-style heavyosity. It’s gonna be fun as hell, in a Headbangers Ball-flashback sense, so get ready to throw some devil horns. Destruct starts the evening off with some blown-out Negative Approach-meets-Discharge old-school hardcore punk to get your juices flowing. Grab some tacos and settle in for a long night of awesomeness.

Saturday, April 13, 7 PM
The Machinist, Filth, Alukah, Black Matter Device @ McCormack’s – $12
It’s a heavy week in Richmond, y’all. And Saturday night might just be the heaviest of them all, as New York deathcore crew The Machinist rolls through town on a tour celebrating the release of their debut album, Confidimus In Morte (which apparently translates to “In Death We Trust” — love it). Opening single “No Peace” shows not just how heavy this band can make their breakdowns, but also their extensive rage, as huge chugging riff monsters meet with more melodic, progressive interludes, all topped with vocalist Amanda Gjelaj’s incredibly powerful roars.

The Machinist certainly aren’t just here to sound spooky, either, as their lyrics tackle weighty political topics and don’t hesitate for a second to confront the powers that be who keep us all in chains. Their music is a defiant roar in the face of trying times, and that’s always a huge plus. The Machinist are joined on this tour by Filth — not the Northern California crust-punk group a lot of us may be thinking of right now, but the North Carolina death metal group whose guttural vocals and sludgy tempos add up to a more straight-up take on deathcore than that of The Machinist. One thing’s for sure though — both of these bands are extremely heavy. Like, atomic-weight-of-plutonium heavy. Wear your radiation suits for this one.

Sunday, April 14, 7:30 PM
Papadosio, Cycles @ The National – $15 in advance/$20 at the door (order tickets HERE)
I will go ahead and admit I don’t typically pay much attention to the scene from which Papadosio hails, a scene the proponents of which twist themselves into rhetorical pretzels to avoid calling “jam-tronica.” It’s not exactly a term that invites curiosity from wary outsiders, of which I’ve certainly been one at many points. However, once I checked out the latest LP from Papadosio, 2018’s Content Coma, I found myself surprisingly intrigued. It seems that perhaps I have sold this band short.

What I found when I listened to their music, the sound they will present onstage at the National this Sunday night, was a band with almost none of the post-Phish “jam” tendencies I feared. Instead, they tend towards a proggy vibe with a lot of spaced-out ambient melodies. At its more digital moments, Content Coma has an atmospheric feel; when things kick in, they get downright epic. I hear moments reminiscent of everything from Yes and Soft Machine to Tangerine Dream and Tame Impala. And thankfully, it never makes me think of Disco Biscuits. So yeah, if you’re bored Sunday night, you should head over to the National and groove with Papadosio. It’ll do you no harm.

Monday, April 15, 9 PM
Allison Shearer (photo by Drew Bordeaux), Weekend Plans, Calvin Presents @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
It seems not a week goes by lately without me writing about live jazz in the show column, and I for one am stoked about that! Let’s keep the ball rolling this week, shall we? Alison Shearer is coming to the Camel this Monday night with her quintet in tow. This New York saxophonist has both jazz and hip hop cred due to her founding membership in PitchBlak Brass Band, who worked with everyone from Pharoahe Monch to Snarky Puppy during her tenure with the group.

These days, she’s heading up her own quintet, which mixes together the rockin’ jazz sound of fusion and the groovy bounce of hip hop. Their instrumental tunes are sure to get you moving and shaking on the Camel’s dance floor. What’s more, they’ll be in good company! Local brass-heavy ensemble Weekend Plans have a good bit of hip hop sound in their jazzy mix as well, having done Slick Rick covers during past Camel sets. Maybe we’ll get more of that this time around? We’ll certainly get some soulful keyboard-driven jazz tunes from Calvin Presents to start off the evening, and that’s sure to be wonderful. Give the grey start of the work week a delightful splash of color with this one.

Tuesday, April 16, 7 PM
Plini, Mestis, Dave Mackay @ The Canal Club – $18 in advance/$20 at the door (order tickets HERE)
Remember the Generation Axe tour that came through town back in December? It packed practically all the legendary shredders of the 80s and 90s — Malmsteen, Bettencourt, Vai, etc — onto one single stage for a night of metallic fingertap gymnastics. I bring this up now because the arrival of Plini in Richmond could easily be heralded as the new generation of axe.

The man’s playing is not just skillful in the manner of too many guitar-store showoffs — million-note runs going nowhere in particular over generic backing beats. Instead, on releases like his latest EP, Sunhead, Plini shows that he’s actually got riffs and songs to make his guitar instrumentals not just worth admiring but worth listening to. Best of all, his tunes aren’t just triumphant, in the Iron Maiden-ish power-metal sense, but downright jubilant. If you never thought a performance by an instrumental guitar shredder could lift your mood and make you smile, you should definitely go to the Canal Club Tuesday night and check out what Plini has to offer. Your therapist will definitely thank you for it.

Bonus Hampton Roads Pick:

Saturday, April 13, 7 PM
Pet Name, Jim Shorts, Shake Your Baby, Mas Y Mas @ Toast – $8 in advance/$10 day of show (order tickets HERE)
For indie/alt-rock/power-pop types, the name to watch in the Virginia Beach area is LAVA. They book a lot of other shows too, but it seems like this particular conglomerate gives particular shine to groups playing jangly, melodic sounds with a quirky feel. That’s certainly what you’ll get at this show over at Toast Saturday night. Headed up by Norfolk locals Pet Name, this bill is chock-full of charmingly amateur-sounding indie tuneage.

Pet Name’s self-titled EP from last year lets you know that, while you can’t expect major volume or heaviness from this crew of popsters, you can expect catchy tunes delivered with a winsome charm that’s sure to win you over. Meanwhile, Maryland’s Jim Shorts, who’ll be in town on a solo jaunt by frontman David Haynes (who has recorded a fair amount of the group’s tunes on his own anyway), bring a bit more of a Weezer-ish alt-rock kick to their powerful pop sounds. How that’ll translate when brought to life by just one guy isn’t entirely clear, but we do know that he’s got some incredibly well-written and memorable tunes to work with. Expecting great things is a safe move. Punk rockers Shake Your Baby (not actually a good tip, like, at all) and energetic indie kids Mas Y Mas open this one up. Get ready to smile!

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]gayrva.com

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: February 20 – February 26

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, February 22, 6 PM
New Lions, Large Margin, Basmati, Grandma @ Hardywood – Free!
It snowed this morning. It’s supposed to be 60 degrees tomorrow. Who knows what the weather will be like this weekend. But while Richmond’s topsy-turvy weather spends the rest of winter (and probably longer than that) pulling itself together, we can at least be assured that, in this town full of outstanding music, it’ll always be pleasant inside.

That will definitely be true at Hardywood this Friday night, when this jam-packed lineup of top-tier local musicians hits the stage. Topping the bill is New Lions, and this sextet is what we get when Clair Morgan stops pussyfooting around about whether or not he’s a solo artist and just forms a band already. Not that that’s any big new thing — New Lions is basically the same ensemble Morgan was leading when he made his last record, 2016’s New Lions And The Not-Good Night (ah, see, you’re starting to get what’s happening here), and the group’s pleasing mix of indie melodies and intense, math-y emo remains intact. Plus, they’re almost done with their new EP, so you’ll probably hear at least a song or two from it aired out live.

Large Margin are the other big story of the night, and while this band may have been ultra low-key with their rollout, one listen to last year’s self-titled full-length was enough to blow your hair back for sure. This quartet of local post-hardcore luminaries is kicking up some serious dust with their Fugazi-inspired take on angry, energetic noise-core, and on a personal note, it’s pure catnip for me — I love it. This show marks the physical release of the aforementioned self-titled full-length, and you’d all be fools not to grab it on cassette while the getting’s good. You’d also be fools not to arrive on time and catch powerful sets from long-running indie-math vets Basmati and the looping pop genius of Grandma. This show doesn’t even cost anything to get in, so you officially have no excuse.

Wednesday, February 20, 7 PM
Doc Rotten, Love Roses, The Chuggernauts @ McCormack’s – $7
Punk never sleeps, at least not before the sun’s coming up. And punk doesn’t care what day of the week it is, or what sort of job you have to get to at some point tomorrow. Punk thinks you should probably just quit your job. What has it ever done for you? It’s an especially incisive critique when you consider all the great things punk bands like Doc Rotten have given you over the years: snotty singalong choruses, catchy melodic leads, angry yet upbeat riffs you can raise your fist and yell along to.

These are the really important things in life, right? And you might worry about how you’re going to pay rent if you don’t once again forgo sleep and stagger in to work at 8 AM tomorrow regardless of how late you were out tonight. But none of that matters tonight, when Jersey punk crew Doc Rotten will have you singing along with an upraised fist (possibly clutching a beer). Last summer’s Illusion To Choose LP is full of bouncy bass lines, crunchy guitars, and deathless anthems that speak to the struggles we all go through, and when they crank out those tunes in Shockoe Bottom, you’ll be feeling good for sure. Local ragers Love Roses and The Chuggernauts are along to keep you smiling all night. Don’t miss it — no matter what time your alarm is set for.

Thursday, February 21, 10 PM
Typesetter, Late Bloomer, Washers @ Bandito’s – Free!
The classic midwestern emo sound may have quite a bit of history behind it these days, but it is by no means dead. Two great bands are coming through town this Thursday night to prove it to you, and while both of them are from out of town, they do have Richmond connections in that both of them have released albums on our city’s own 6131 Records. The first is Typesetter, who keep the midwestern tradition alive from their hometown of Chicago. Their latest album, Nothing Blues, finds the group mixing gorgeously wistful vocal harmonies with driving riffage and a solid grasp of the dynamics that make for a perfect full-length listen. Their set at Bandito’s is sure to deliver on the album’s promise.

And then there’s Late Bloomer, who hail from one state south of here and, like Typesetter, released a full-length on 6131 last year. Waiting finds this band rocking a little bit harder than their labelmates, catching a bit of that post-Nirvana 90s alt-rock feel in their net along with a generous helping of pastoral emo resonances. If you dig one of these bands, you’re sure to dig ’em both. Local openers Washers should appeal to you as well. This driving melodic punk band lands somewhere between local luminaries Teen Death and Sports Bar, and considering they share members (and a label) with the latter group, there are a lot of local heads who should already be in their corner. If not, show up at Bandito’s and get familiar already, y’all.

Friday, February 22, 7:30 PM
Chris Corsano/Bill Nace, Crazy Doberman @ Shockoe Denim – $10
Let’s get experimental this Friday night, shall we? This bill of experimental music with equal footing in jazz, punk, and improvisation is the sort of thing we might have expected to show up at Black Iris a year or so ago, but this time it’s happening in a completely random spot — Shockoe Denim, where you’d normally expect to hear nothing stranger than the phrase “selvedge denim.” This Friday night, though, it’s getting downright unusual in the fancy jeans store, as New England noisemakers Chris Corsano and Bill Nace perform a collaborative set.

You may recognize guitarist Bill Nace’s name, at least if you’ve followed what the members of Sonic Youth have been up to since their band dissolved. Nace is part of a duo called Body/Head, in which he collaborates with Kim Gordon. He’s done a ton of other stuff in the experimental music world too, as has Chris Corsano, a drummer of no small repute who has worked with everyone from Jim O’Rourke to Jandek at one time or another. These two have joined together previously under the name Vampire Belt to create glorious volcanoes of wild free-jazz cacophony. How will this performance differ? All we can do is show up and see. One thing’s for sure — it’ll be a wild ride. Especially with Richmond’s own pack of wild improv-experimental noise dogs, Crazy Doberman, opening up. The jeans store just might get a little unruly.

Saturday, February 23, 8 PM
Buzzherd, Musket Hawk, MSD, Cruelsifix @ Champion RVA – Free!
Local punk luminaries Tired and Pissed Records are bringing another devastating showcase to their hometown, this time over at Champion Brewing’s RVA location. And while those who pay attention to this sort of thing might have come to expect straight-up punk with a bit of a metal edge from the T&P crew, this time around finds them veering into the land of outright metal — which fits the environment, a brewer that those of us who don’t partake in the intoxicating stuff have come to associate with music that induces major headbangs.

This event finds two touring bands from north of our city heading into town; Buzzherd hail from Bethlehem, PA, a rust belt city mostly known for completely overdoing the whole Christmas thing. You can imagine what sort of angst this could induce in young metalheads, and you’ll hear all that angst and more when Buzzherd take the stage and wallop you with their chunky, violent take on metallic hardcore… or hardcore-damaged metal, as the case may be. Baltimore’s Musket Hawk take things in a more low-end direction, as they rumble and grind their way toward the perfect fusion of death metal and punk. Again, perfect music for their rather unstable home environs — and perfect music for you to spend your Saturday night headbanging to. Local powerhouses MSD and Cruelsifix only add to the reasons to wear your denim vest and get crazy at this one.

Sunday, February 24, 9:30 PM
Dropping Ugly, W I S H, Collider @ Bandito’s – Free!
We’re back at Bandito’s for the second time this week, for the fourth free show of the column this week, and if you don’t think this is a great time to be alive regardless of the weather, well, I don’t know what to tell you. Maybe to spend the money you’re saving on a huge plate of nachos at one or both of these Bandito’s shows and find out how great life truly can be. Then, feeling stuffed and happy, you can wander into the music room, check out a few great bands for zero dollars, and have a further realization of how truly #blessed you are.

This show features a performance by Dropping Ugly, which is the sort of band name one might understandably associate with thuggish hardcore stomping. One would therefore be surprised to discover that this Richmond duo is much closer to shoegaze/dreampop-influenced indie sounds, with a strong emphasis on beauty and melody. They’re dropping ugly, all right — there’s nothing not-gorgeous about this group’s sound. Sunday night provides you with the perfect opportunity to discover that, and while you’re at it, to take in the heavier shoegaze-oriented approach of W I S H, who will give you serious gaze-heads flashbacks to the days of the Swirlies and the Lilys. It’s glorious. DC’s Collider round out the evening with some killer sounds that make me want to reference bands no one reading this has ever heard, like Monsterland and Drop Nineteens. That’s an endorsement, in case it’s not clear. Want to know more? Go to this show. Like many of the shows in this week’s column, it’s free — so don’t say I never gave you anything.

Monday, February 25, 10 PM
SMUG, THRE3, 7th Grade Girl Fight @ Cary Street Cafe – Free!
I’ve recently heard the word “smug” used to describe that wave of annoying, pretentious right-wing YouTube jerks we all hear way too much about these days. It’s fitting; it’s a word that makes you think of a smarmy jerk with a superior smile on his face after having said something he thinks is brilliant and you know is ridiculous. Thankfully, the band SMUG doesn’t seem to consist of guys like that. Instead, they’re a trio hailing from Buffalo, NY (home of the Goo Goo Dolls, who rule. Yeah, I said it) and dishing out some powerful melodic punk on their brand-new album, Gorgeous.

So yeah, it’ll be fun to see these guys rock out at Cary Street Cafe, as long as you don’t think too hard about the meaning of their name. They’ll be joined by a duo of Virginia-based melodic rock bands with numbers in their names. THRE3 is a band who must have been frustrated when they realized that both 3 and Three had been taken. They used that frustration to fuel their creativity, and produced some pretty killer punk-adjacent sounds with strong Ted Leo resonances on their 2018 album, Do Or Die. Meanwhile, 7th Grade Girl Fight bring us some fun indie sounds with obvious debts to the world of power-pop and garage rock. The whole evening’s gonna be pretty swell.

Tuesday, February 26, 9 PM
Red Sea, MRC, Shormey, Lobby Boy @ The Camel – $8 (order tickets HERE)
Here’s a show brought to you by Underground Orchard, a recent booking and promotion endeavor spinning off from the Citrus City Records empire here in Richmond. And considering how reliable the Citrus City name has become in terms of delivering quality 21st-century indie music, especially with an electro-pop flair, it’s no surprise to find Underground Orchard carrying on that legacy by bringing us a performance from Atlanta’s Red Sea.

If you tuned in to this band three years ago, you surely heard a different sort of sound — one more guitar-based and indie-math driven. These days, though, they’ve moved into the realm of electronic synth-pop, and recent singles are simultaneously reminiscent of Duran Duran, Vampire Weekend, and early-90s techno-house. It’s not easy to pin down, and it’s certainly not predictable, but it’s a whole lot of fun, as you’ll find out when you’re shaking your booty on the dance floor at The Camel Tuesday night. Be sure to check out the Tidewater-based dance entertainments of True Body side project MRC and Citrus City’s own Shormey, as well as similarly-driven Harrisonbury project Lobby Boy. This one will keep your feet moving.

Bonus Hampton Roads Picks:

Saturday, February 23, 8 PM
Summer Heart, Brothertiger, Karacell @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
There’s a lot of great electronic pop music that comes out of Sweden — and no, I’m not (just) talking about Swedish House Mafia. All sorts of people with strong electro-pop bona fides hail from this Scandinavian country, from Robyn to Avicii to Max Martin. Therefore, can it be any surprise that there’s also a fertile electro-pop underground in the country? It’s that underground that has produced Summer Heart, the solo project of Swedish production genius David Alexander. And it’s Summer Heart who will be bringing the gorgeous sound of sunshine to Norfolk in the wintertime. Bless.

Summer Heart spent 2018 releasing a project called 12 Songs Of Summer, one song at a time. The songs, doled out once a month throughout the past year, are being released as a compilation for this tour, and you’d be wise to pick it up and finally be in a position to let the jams play for a while. They’ll bring a big smile to your face, whether you’re playing them at home or dancing to the tunes in person at Charlie’s American Cafe Saturday night. But to be clear, we definitely recommend the latter course of action. This has been a cold, gross winter, and it’s not over yet. We all need a little bit of summer in our hearts.

Monday, February 25, 8 PM
156/Silence (Photo by Ale Gibson-Photography), No Good Deed, Beyond The Grave, Yung Mutt, Lil Broken Heart @ Riffhouse Pub – $5
Y’all had to know this moment was coming — the moment in every column where I do my level best to convince every single one of you to get stoked about a metalcore band that’s coming to our area. You made it through the whole column, you thought you might get away without it this time — but it was not to be, as I will now fervently implore you to gas up your auto and head to Norfolk’s RiffHouse Pub this Monday night to see Pittsburgh, PA’s 156/Silence.

If I am to be totally forthright with you in my advocacy, I must admit that I have no idea what their seemingly random name means. However, it matters little; their 2018 LP on Innerstrength Records, Undercover Scumbag, contains all I need to understand about this band — a powerful collection of driving metallic sludge. filled with angst and fury, plus plenty of noisy guitar chaos, thundering drums, and intense throat-shredding screams. This band is sure to delight fans of everything from Sworn In to The Chariot to All Else Failed, and as I am all three of those fans, I am fair and squarely stoked. You will be too if you make it to RiffHouse Monday night; when have I ever steered you wrong?

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: February 13 – February 19

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FEATURED SHOW
Saturday, February 16, 8 PM
Sister Radio Fundraiser, feat. Black Plastic, BUTT, Black Naked Wings, Real Daggers @ Gallery 5 – $7 – 10 donation at the door
It’s often said in this day and age — the radio sucks. It’s such a known fact that I recently saw an entire documentary about it. But even if you haven’t read deeply into it, you know why: corporate control. Suppression of diversity. Commercials over everything. And in the face of all those depressing 21st-century realities, our own listener-supported low-power station, WRIR, is a breath of fresh air from an industry that seems to be on its last gasp.

WRIR isn’t just a conduit for the vanishingly-rare phenomenon known as “great radio,” either — it is often the basis for unique and incredible projects put together by the many volunteers that make it such an awesome station. The latest project coming out of the WRIR world is called Sister Radio, a documentary intended to, um, document the ongoing collaboration between WRIR and Radio Sikoro, which is based in one of Richmond’s sister cities, Segou, Mali. The program, also called Sister Radio, is helping to teach Malian women how to produce radio broadcasts, in order to increase female participation in Malian radio. In Mali, radio is still pretty essential to communication of news and culture, and the stations involved feel that helping ensure the presence of women on Malian radio, where they are currently almost completely shut out, would represent an essential step towards decreasing the patriarchal nature of Mali’s society.

This Saturday night at Gallery 5, they’ll be throwing a killer show at Gallery 5 to help raise funds for this project. It’ll also be a party to greet filmmakers Cameron Robinson and Andee Arches as they return from two weeks of filming in Mali, so expect things to get loud! At this point I have almost no space to tell you about the actual bands playing, but with local up-and-comers like Black Plastic and BUTT on the bill, as well as the always-entertaining Black Naked Wings and Toxic Moxie side project Real Daggers, you can expect the kind of outstanding musical entertainment that Richmond’s music scene is always good for. And you can support a very good cause while you’re at it! What could be better?

Wednesday, February 13, 6:30 PM
St. Paul & The Broken Bones, Valley Queen @ The National – $28 in advance/$33 at the door (order tickets HERE)
St. Paul & The Broken Bones are an Alabama band, but in a lot of ways, their music speaks to the Richmonder’s soul. At a time when our state is grappling with some awful issues relating to the legacy and present-day reality of individual and institutionalized racism, it can be jarring to realize how many of us hold liberal values that are sharply in conflict with those who surround us. This same sort of struggle drives the music and lyrics of St. Paul & The Broken Bones, who released their third album, Young Sick Camellia, last fall.

On this album, singer Paul Janeway reckons very directly with his complicated and difficult family history. And musically, the group takes that conflict as a spur towards the best and most interesting music they’ve made thus far. This group may have started out as a raw retro-soul project, owing an obvious debt to the Southern soul sounds that sprang from its home region decades ago, but these days they’ve left some of the rawness behind, instead delving into lusher Philly-soul sounds as well as straight-up modern R&B touches. The result is their most excellent music yet, and considering the always-powerful live sound they built their name on, the combination should be downright explosive when they take the stage at the National tonight. You should be there.

Thursday, February 14, 8 PM
Colin Phils, Cardinal, Midlife Pilot, Rebekah Rafferty and the Wakes @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
There’s been a renaissance in indie-style math-rock around Richmond over the past few years, and I for one have enjoyed the heck out of it. That’s why Colin Phils originally got my attention; they showed up in town a couple of years ago, straight from Korea, and began working with groups I already loved, most notably their split-partners Houdan The Mystic. But these days, Colin Phils (whose name I finally realized, after way too long, is a play on Phil Collins) stand out to me as an excellent band in their own right, regardless of who they pal around with. Catching them live is sure to show you exactly why.

And they’re not the only standout band this event has to offer for your listening enjoyment, either. Cardinal might be a new name for Richmond’s indie music fans, but if I tell you they grew out of Majjin Boo, who had some pretty excellent math-indie demos of their own a couple years back, you’re sure to catch on. I was a huge fan of those Majjin Boo demos, but the sole single the group has released since changing their name and lineup and re-emerging as Cardinal blows me away significantly more than any of their prior material, and makes me really excited for what is to come from this quintet. Get your first taste at the Camel Thursday night, and enjoy rad sounds from local faves Midlife Pilot and Rebekah Rafferty and The Wakes while you’re at it!

Friday, February 15, 6 PM
Anna Connolly @ Steady Sounds – Free!
Steady Sounds doesn’t host live performances that often, but when they do, I pay attention. One of several outstanding record stores in town, Steady Sounds is run by people with impeccable taste; most of the time, when they bring in an artist to perform, it’s someone I already know and love. In this case, they’ll be hosting a performer whose work was previously unfamiliar to me, but as always in those cases, Anna Connolly turns out to be someone not only me but everyone in this town should be following.

For a rock critic like me, it’s easy to get hung up on the fact that Connolly has connections to DC postpunk luminaries like Joe Lally, Devin Ocampo, and Eddie Janney, all of whom played on her debut album, After Thoughts. However, many of the songs on her album find Connolly playing mostly on her own, and it’s her voice, her guitar, her cutting lyrics and sharp songwriting, that make Connolly’s music so breathtaking and memorable. I can’t be sure of what lineup she’ll be performing at Steady Sounds with, but even if it’s just her and an acoustic guitar (and it very well might be), you should still be there, listening and paying attention. There’s a lot to value in Anna Connolly’s music. Don’t miss it.

Saturday, February 16, 9 PM
Enforced, Prisoner, Cane Corso, Old Gods Defied @ Champion RVA – Free!
Since Strange Matter went away, I’ve found myself feeling a bit headbang-deficient. There just aren’t as many heavy-as-fuck shows happening around town lately, it seems. Thankfully, two months into the world after Strange Matter, it seems like things are starting to pick up. And can you blame me if I go a little overboard in celebration? Welcome to headbanging weekend. Y’all knew it was bound to happen.

Saturday night finds a crew of outstandingly hard and heavy locals taking the stage over at Champion RVA to pummel you with extremely hard-hitting low-end. Enforced are at the top of the bill, straddling the line between raw, crusty biker-core and outright mosh with aplomb. Whether you’re wearing a sleeveless denim jacket with a Slayer backpatch or a navy blue Champion hoodie, you’re gonna get stoked when this band hits the stage. Prisoner’s been the crew of choice for dirthead thrashers for quite a while now, and this show will prove that not a damn thing has changed on that score. Cane Corso and Old Gods Defied are local newcomers featuring a whole bunch of proven local talents you’re sure to recognize once you hit the stage. You’ll recognize the power of their riffs, too. Get stoked.

Sunday, February 17, 8 PM
Sect, Just Die!, Hybrid Warfare, Ghouli @ Mojo’s – $10
More heaviness on tap for ya, this time over at Mojo’s — and I can see the hands of some former Strange Matter lynchpins in the way the facebook event page is written, so we’ve got that going for us, which is nice. (Yes I do recognize different promoters around town by the way they write their facebook event page descriptions. I’ve been doing this column for quite a while now.) There are a lot of things I could tell you about headliners Sect to try and communicate exactly why you should be as stoked as I am about this band’s return to RVA. But if you’re a true fan of heavy hardcore, all I should need to say to you is: Chris Colohan sings for them.

That’s right, Chris Colohan, legendary vocalist for essential 90s and 00s metallic hardcore bands like Left For Dead, The Swarm, Cursed, Burning Love, and a whole bunch more. Crazily enough, he’s joined up with members of quite a few other legendary hardcore bands for this (it must be said) supergroup, including Earth Crisis, Undying, Day Of Suffering, and Racetraitor. So can it be any surprise that their most recent LP, No Cure For Death, is absolutely headcrushing in its storming rage? Nope. It can’t. So show up, and go off, for the almighty Sect. But don’t miss the openers either, as the excellent Asheville crew Just Die! have some New Mexican Disaster Squad-style melodic/metallic HC-punk to lay you out with, and local openers Hybrid Warfare and Ghouli are solid as bricks to your face.

Monday, February 18, 8 PM
Azotador, Perpetual Warfare @ McCormack’s – $8
I love Between 2 Beers, because they bring amazing metal bands to this town on a consistent basis, sometimes from far-flung parts of the globe. I must admit, though, when they book a show like this, with two bands from South America and no locals on the bill, I always get nervous. Is anyone gonna come without the security of their cousin’s friend’s thrash band being on the gig? Right now, all I know is that B2B is hoping to add two locals to this one… but it’s less than a week away, so whether that will manage to happen very much remains to be seen.

But look — I don’t care. Even if this show turns out to be a two-band bill featuring only Azotador and Perpetual Warfare, you need to be there. Bolivian thrash crew Azotador have speed and flashy guitar heroics on their side, as ably proven on most recent EP Enganche Al Grinche. They also have an unexpectedly strong melodic sense that often makes their tunes catchy as fuck, even as they remain 1000% headbang-worthy. Then there’s Colombia’s Perpetual Warfare, who have a razor-sharp guitar sound and a full-on thrash/crossover attack that brings wonderful memories of Fabulous Disaster-era Exodus into my mind. Latest LP Earthliens (a portmanteau of “earthlings” and “aliens,” I’m guessing — love it) is an absolute riff monster, and both of these bands are bound to tear the roof off McCormack’s and enliven a dead Monday night. So don’t spend it sitting on your couch watching reruns of Cops, OK?

Tuesday, February 19, 7 PM
Comrades, Dens, Eaves @ Mission Community Church – $5
When, in the course of writing this column, I bust out the word “peripatetic,” it tends to be in reference to musicians like Gull or Lobo Marino, who travel to exotic locales and use what they find there to inform and influence their music. But it could just as easily be applied to Comrades, a Richmond trio who’ve been plying their intriguing take on post-rock-influenced metalcore around the country for over a decade now. They’ve pretty much stayed on tour for most of the past decade, meaning that, for a local band, they play here in RVA quite rarely. Therefore, I’m always on the lookout for a chance to see them rock their hometown.

This week, the chance comes in the form of a Tuesday night show in a church basement — staple venues for suburban hardcore for decades now (since even I was a young whippersnapper). Comrades have long avoided Richmond’s traditional music venues, and while that might make it harder to get word of their rare local performances, I’ve told you about this one now, so you have no excuse. Their combination of wistful melody, epic song structures, and roaring metallic rage is not something you’re going to encounter anywhere else, so do yourself a favor and get to the gig already. You can thank me later.

Bonus Hampton Roads Picks:

Friday, February 15, 7 PM
Old Wounds, Vain//Void, Accident Prone, Autopsy Affair @ Charlie’s American Cafe – $12 in advance/$15 day of show (order tickets HERE)
Old Wounds are back in action, and I for one am stoked. This metalcore group first landed on my radar with landmark debut LP From Where We Came Is Where We’ll Rest. Since those days, everyone from the original trio that made that LP has left the group at one point or another, but singer Kevin Iavaroni returned to the fold last year, just in time to helm the group’s incredible third album, Glow. Based on the evidence the album provides, no matter who is backing him, this group has the goods.

Iavaroni has been a flashpoint for controversy in the more blinkered metal circles; his open gender non-conformity and his band’s defiant pro-LGBTQ stance (Old Wounds has often performed with Pride flags draped over their amps) have pissed off some overly macho types in the heavy music world. Is it any surprise that a queer woman like myself loves them? It’s even less of a surprise when you listen to their music. Glow finds the group dipping further into musical influences from sassy, noisy groups like Glassjaw as well as some Sisters Of Mercy-ish goth tinges, all of which is to the good. However, crushing brutality is still the main ingredient for their excellent music; they’ll bring it straight to you at Charlie’s American Cafe Friday night — and look damn good while doing so, too. Be there.

Monday, February 18, 7 :30 PM
Vince Staples, Buddy, Armani White @ The NorVA – $25 in advance/$30 at the door (order tickets HERE)
You Norfolk hip hop heads are in for a treat — Vince Staples is coming to your town. I wish I could say the same for my own hometown, but as it is, those of us from Richmond are going to have to content ourselves with gassing up the ride and heading east on I-64 on a Monday night. At least we know it’ll be worth it. Staples has been one of the premier talents to come out of the hip hop world this decade; starting with his landmark 2015 debut, Summertime ’06, he’s been making some of the best music in the genre.

The past year saw Staples release his third LP, FM!, and show us once more the talent he’s got on offer. This one’s a short one, based around the concept of Staples taking over LA radio DJ Big Boy’s show to drop some killer tunes. Songs like “FUN!” and “Feels Like Summer” show Staples lyrical talents, versatile flow, and masterful choice of producers, and when stacked alongside classic earlier tracks like “Big Fish” and “Norf Norf,” they prove that this is an artist whose every move should be tracked closely by any true hip hop fan. And that’s why everyone should be at The NorVA this Monday night to see Vince Staples — no matter what part of VA you’ve gotta come from. Don’t blow it, y’all.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 21 – November 27

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FEATURED SHOW
Friday, November 23, 8 PM
The Big Payback, Weekend Plans @ The Camel – $10 in advance/$12 at the door (order tickets HERE)
Hey Richmond, it’s Christmas time! Well, OK, it’s still the day before Thanksgiving as you read this, but we all know what comes the day after Thanksgiving: Black Friday, the longstanding kickoff to the Christmas shopping season. In these days when stores are playing Christmas carols over the muzak the day after Halloween, it might seem like Black Friday actually lands several weeks into the Christmas shopping season, but none of us can deny that the most ridiculous sales (and the biggest customer mobs) all happen when the stores open the day after Thanksgiving. I mean, the evidence is on YouTube to prove it!

That being said, Richmond’s foremost James Brown tribute act, The Big Payback, are giving all of us a reason to leave the house on Black Friday despite all the crazy shopping crowds. Long after that whole pallet of $20 TVs is gone from the Walmart aisle, they’ll be taking the stage at The Camel to chase your Christmas shopping blues away with a set of powerful funk. Frontman Kelli Strawbridge has quite the reputation for talent, energy, and soul due to his many excellent projects around town (KINGS, Mekong Xpress, Mikrowaves, and the list goes on), and seeing The Big Payback makes clear that he was born to invoke the spirit of James Brown live on stage.

The Godfather Of Soul recorded three different Christmas albums over the course of his career, and we can only hope that Strawbridge and his crack ensemble of talented musicians are willing to bust out “Soulful Christmas” or “Go Power At Christmas Time” for this performance. Even if they just stick to the tried-and-true classics, though, you’ll still get a night full of perfectly-played funk grooves it’s impossible to sit still for. So get on the floor, get your groove on, and sweat those turkey pounds away. Start your Christmas season on the good foot.

Wednesday, November 21, 8:30 PM
Kofi Shepsu Trio @ Vagabond – Free!
It’s the night before Thanksgiving, and the last place you want to be is the party all your old high school friends are throwing down the street from your parents’ house. So hey, why not stay in town for an extra night and come groove on some smooth jazz sounds down at Vagabond? Drummer and bandleader Kofi Shepsu is quite young; he just graduated high school earlier this year. But don’t let his youth fool you — this man definitely knows his way around a kit.

Even with only a brief professional music career behind him, Shepsu has already managed to work with quite a few Richmond jazz heavyweights, including Charles Owens, Andrew Randazzo (of Butcher Brown), and Kevin Eichenberger (of CGI Jesus), among others. This particular session sees him leading a trio featuring the bass talents of veteran RVA jazz musician Michael Hawkins, as well as the piano stylings of Garen Dorsey, who previously played saxophone in the avant-garde jazz-metal project Groam. The results of this collaboration aren’t exactly predictable, but they’re sure to be enjoyable. Certainly more so than hearing about whatever the annoying guy who sat behind you in English class ten years ago has been up to.

Friday, November 23, 6 PM
RVA Noise Fest: The Finale, feat. Yohimbe, Dyrt, Fake Object, Xenojothsz, Teenage Cynobyte, Kyle Flanagan, Hunting Dog, Kisner, Melul, Ceremonial Scissors, Broadcastatic, Nu Depth, Coteries, Richmond Avantgarde Improv Collective (photo by Joey Wharton), Thieves Of Shiloh, Internecine, Surfacing, and more? @ Strange Matter – $5
Some of the worst news to reach the ears of the Richmond music scene in quite some time broke last week: Strange Matter, which has indubitably been one of the top venues for live music in Richmond over the past decade, would be closing down before the end of 2018. Since the word got out, a variety of different scenes within the local music community have expressed their sorrow over this awful turn of events by putting together one last hurrah for all the local groups within their particular music world. Friday marks the first of these events to hit the calendar — and certainly not the last.

Richmond has long been a hub for experimental noise production, and annual celebrations like RVA Noise Fest were always a great opportunity for the many creative projects within that scene to grab the attention of the community at large — often with damaged beats, harsh noise, and skronking improvisational wildness. Now they’re all coming together to do it one final time. Over a dozen noise acts, from local stalwarts like Coteries and Fake Object to returning former residents like Nu Depth, will all take the stage and blast the loyal Strange Matter denizens with massive walls of sonic chaos. They’ll your mind clean of all thoughts relating to holiday carols and gift shopping, creating an army of shambling noise zombies ready to take over the world. Or at least, we can hope they will.

Saturday, November 24, 4 PM
Nerve, Love Roses, Ain’t No Mountain High Enough, Smoke Signals, Thirst For The Sea, 7th Grade Girl Fight, Satori Daydream, Flood The Asylum @ 3 B’s Bar and Grill – $10 or $7 plus donation
It’s not often that I’d send you 90 minutes to the northwest of the city for a Saturday afternoon show, but these aren’t normal times. It’s a holiday weekend, you’ve got plenty of time on your hands, and this is a sincerely fascinating bill that will offer you a chance to catch up with all the bands you’ve missed from smaller cities and towns around the state (as well as a couple of DC-area projects). Plus, it’s for a good cause — these bands are coming together to feed the hungry and donate toys to underprivileged kids, which is always a good thing to do, right?

So who are the bands you’re going to hear as part of this trip up 64 West? Well, there’s the dark, raging hardcore of Maryland’s Nerve. There’s the driving emotional post-hardcore of Charlottesville’s Smoke Signals. There’s the rockin’ indie-garage of fellow Charlottesvillains 7th Grade Girl Fight. There’s the brutality of Fredericksburg deathcore mosh warriors Flood The Asylum. There’s the goofy, speedy punk of NoVA’s Ain’t No Mountain High Enough. And there’s more, including RVA faves Love Roses. Plus, it all takes place in a scenic central VA town, inside a bar that clearly used to be a Pizza Hut. How fun is that? Fire up the GPS app on your phone and get there!

Sunday, November 25, 6 PM
Hand Out, W I S H, Manson Family Values @ Garden Grove Brewing – Free!
We’re all gonna have to get back to work on Monday, which is never fun after a long weekend, but of course you can soften the blow with some excellent live music. On Sunday evening, Garden Grove will present all comers with a set from Hand Out, a relative newcomer from New Orleans who apparently have some history in that city (members previously played in NOLA bands Modern Language and Variants). Here in RVA, all we have to reckon with is Hand Out’s debut EP, recorded earlier this year before the quartet had filled out its lineup.

Not that you can tell from listening to it — Blood & Water has a full, powerful sound that channels the work of groups like Balance And Composure and You Blew It. If heartfelt, hard-rockin’ emocore is your cup of tea, this band’s gonna make you want to go back for refills. They’re joined on the bill by local newcomers W I S H (they write it with those spaces on purpose), whose recently released two-song EP finds them tapping into the spirit of prime 90s shoegaze from the US. The Swirlies and the Lilys come immediately to mind, not that that’ll mean much to my younger readers. Loud guitars, hazy vocals, and ethereal melodies should appeal to everyone, though. And honestly, if you don’t love the moniker picked by openers Manson Family Values enough to give them a shot based on name alone, I don’t even know what to tell you.

Monday, November 26, 6 PM
Colin Phils (photo by Mags Design), Castle OG, Model Child, Don Babylon, Moniker, Halfcast @ Strange Matter – $10
These farewell-to-Strange-Matter shows are gonna come hot and heavy over the next few weeks, y’all, but don’t get too jaded to ’em, because in only a few short weeks, the club we’ve loved for a decade now will be gone forever. The best advice I could possibly give you is to treat them like Pokemon and catch ’em all. This one in particular will be rewarding for fans of interestingly complex underground rock sounds; the fact that it’s headlined by the one and only Colin Phils only makes that even more clear. This South Korea-via-Richmond group impressed the hometown crowd with their strong split LP with Houdan The Mystic.

Since then, they’ve plentifully proven their mettle (not metal, though, these guys are more math-rock) in quite a few live performances around town. Give them a chance to prove it to you on Monday night at Strange Matter, and you’re sure to come away impressed. Castle OG (the initials stand for “Of Genre,” and I have still never figured out if this is a high-fantasy reference or what) have been making some waves of their own lately. They’ve got a killer indie-pop sound complete with autotuned vocals and some really catchy synth parts, as showcased on their “No Trick” single from last year. And then of course there are a ton of other great local bands who are somewhere on the rock spectrum, from guitar-slinging faves Don Babylon to the unassuming alt-rock of Moniker. There are at least two more bands on this bill, and word is more will be added, so for only ten bucks, you really can’t go wrong. Drink in that Smatter ambiance while you can.

Tuesday, November 27, 8 PM
Blame God (photo by Danny DeRusso Photography), Ancient Torture Techniques, Berkowitz, MSD, Spontaneous Noize Combustion @ McCormack’s – $8
Things may be getting dire where the lower Fan’s music scene is concerned (Flora’s also scheduled for the chopping block), but down on the grimy streets of Shockoe Bottom, the Between 2 Beers crew is still keeping the metal flame burning at McCormack’s. It’s a heartening sign of hope for the future, especially when this particular show is headlined by the excellently named New York group Blame God. Their 2017 EP Strategically Confined is a balls-out slab of hardcore rage and biker-metal power, all rolled up together into five songs of pure hate. These guys are going to blow minds and explode heads when they hit the McCormack’s stage, so come prepared.

And expect the unrelenting onslaught to start the second the first band takes the stage at this show. Hailing from Roanoke, the openers in question are known as Spontaneous Noize Combustion and their flavor of blurry, blown-out D-beat is full of harsh feedback and harsher screams. It only gets more hectic from there: MSD bring the grinding death metal to destroy your eardrums. Berkowitz, a new group formed from the ashes of Throne of Botis and Murder, might not be for sensitive souls, but will definitely satisfy your appetite for brutal death grind madness. And Ancient Torture Techniques, the power-violence trio that once upon a time did a split with long-gone Richmond ragers Street Pizza, appear to be fully back from the dead and ready to rip your face off. Sounds like a great time, huh? After all, a little dismemberment is just what anyone should expect from a top-level metal show.

Bonus Hampton Roads Picks:

Friday, November 23, 7 PM
The Last Bison, Abby Huston @ Toast – $18 (order tickets HERE)
In a time when bands taking inspiration from mega-selling “indie” folk groups like The Lumineers and Of Monsters And Men are pretty thick on the ground, it can be tough to find anyone talented messing around with those kinds of sounds. Fortunately, The Last Bison have been around for a while, and built up quite the track record for themselves. No insincere johnny-come-latelies they; new album Suda is their sixth release since 2012, and shows some intriguing growth since 2015’s Dorado. The Last Bison initially structured their sound around instruments like acoustic guitar, banjo, and mandolin, but on their new album, it appears their “mountain-top chamber music” have evolved into a strange sort of off-kilter synth-pop sound.

And that’s a pretty good thing, on the whole — mainly because this trio is incredibly talented, writing irresistible melodies and catchy choruses that stand alongside the best of them. Granted, tunes like “Gold” — which has an almost Modest Mouse-like bounce — are far from the folky acoustic charm of early hits like “Switzerland,” but you wouldn’t want a band to stagnate, would you? And rest assured, if you loved their melodies before, the new album will by no means run you off. So head to Toast this Friday night, and let The Last Bison show you what they’ve been up to for the last few years. By the end of the night, you’re liable to forget ever having known the Lumineers existed.

Saturday, November 24, 8 PM
Process of Suffocation, Appalling, Voarm, Night Hag @ Riffhouse Pub – $8
Process of Suffocation, Memphis’s mysterious masters of death metal, come to Norfolk this Saturday night, and all of you better get ready to bang your head. This group’s blackened sound lands somewhere between the chaotic rage of early Possessed and the relentless rumble of NYC legends Internal Bleeding. It can be heard in all its fine fury on 2015’s Caos Y Destruccion 666, but the group’s released nothing in the three years since. By now they’re bound to have built up a backlog of new stuff, and anyone heading out to this show can look forward to some fresh cuts from the slaughter.

They can also look forward to a triple thrash threat of VA bands backing them up, including two RVA all-stars. Appalling will thrill the Tidewater area with their talented take on thrash metal, which interjects both significant melodic flavor and a great deal of old-school deathrage. Then there’s the straight-up Scandinavian-style black metal of Voarm, who’ve made quite an impression on the Richmond scene over the past couple of years and are more than prepared to the same to Hampton Roads. Virginia Beach’s own Night Hag, who demonstrated their ability to come up with excellent titles on this year’s Insemination Rites Of The Succubus, split the difference between lumbering death metal and brutal, powerful doom, like some strange Frankenstein’s monster made of parts from Autopsy and Noothgrush. Epic.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 19 – September 25

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, September 21, 8 PM
Pohgoh, Long Arms, Positive No @ The Camel – $7 (order tickets HERE)
The internet has really changed the music world. At one time, any band that wasn’t hugely famous at the time of their breakup disappeared completely and were never heard from again. But today, when albums from any era of recorded music can find new life on streaming services like Spotify, Bandcamp, and even YouTube, can it be any surprise that many once-forgotten bands of prior eras have returned to find a music world that’s significantly more welcoming and appreciative than the one they left? These days, it seems like a lot of bands from the 90s are doing just that, and Pohgoh is the latest — and one of the best — to make a welcome return after two decades away.

Known for their ties to the midwestern emo scene of the late 90s, mainly due to their 1996 split EP with Braid, Pohgoh actually hail from Tampa, Florida, where drummer Keith Ulrey owns an awesome independent record store called Microgroove. After the band broke up in the late 90s, frontwoman Susie Ulrey was diagnosed with multiple sclerosis, and while she gets around with a personal scooter and has to sit down to play music these days, her ability to create great music has by no means been diminished. In fact, Pohgoh’s comeback LP, Secret Club, demonstrates that the group is not only still at the top of their game musically, but willing to tackle serious topics in their lyrics. In multiple songs on the album, Susie Ulrey sings openly about her medical issues and the challenges she and her loved ones have had to face due to her MS. The experiences of disabled people are all too often ignored by our culture, so Ulrey’s voice is an important one that we should all listen to.

Plus, let’s be real — the music’s great. From their unforgettable contribution to Volume One of the Emo Diaries compilation series back in 1997, “Friend X,” to the excellent first single from their new album, “Business Mode,” Pohgoh are an incredible band that brings together that classic emo sound of bands like Braid and Mineral with that of 90s alternative rock heroes like Juliana Hatfield or Belly. It’s safe to say that fans of Speedy Ortiz are going to dig this one. And with outstanding local openers Long Arms and Positive No on board, we can be sure that this show will be a rare and valuable night of outstanding sounds from top to bottom. The ticket link is up top. You know what to do.

Wednesday, September 19, 6 PM
Sailor Poon, The Chuggernauts @ McCormack’s – $5
I admit it, I’m a sucker for bands like Sailor Poon. By which I mean, I love bands of women who address feminist concerns in a goofy, raunchy manner rather than a didactic one. Don’t get me wrong, it can be fun to angrily rip asshole dudes a new one, but there’s something so gratifying about treating all of the issues about being a woman in the United States today with a refusal to take any of its obnoxiousness seriously. Any band who will name themselves Sailor Poon, call an EP Yeast Pigeon and give songs titles like “White Male Meltdown” and “Butt Gush” have done quite a bit to win my heart even before I hear their music.

Sailor Poon’s actual music does nothing to bring down my mood, either. This garage-rock trio mixes sloppy Farfisa-driven rock n’ roll with slashing postpunk angularity and skronking sax; it’s like a Mummies jam session crashed by the Bush Tetras and X-Ray Spex. They’ve even had tracks produced by garage-psych wildman King Khan, and if that’s not a symbol of quality, I don’t know what is. Sailor Poon are joined on this bill by C-ville rock n’ roll maniacs the Chuggernauts, who are sure to provide appropriate support, and they tell me there might be another band on the bill, though if it’s still “to be announced” at this point, I have to wonder if it’ll turn into anything by tonight. Regardless, these two bands are all you need — Sailor Poon in particular are going to do a great deal to rid you of the midweek blahs. Get stoked!

Thursday, September 20, 7 PM
Neck Deep, Trophy Eyes, Stand Atlantic, WSTR @ The National – $23 in advance/$26 at the door (order tickets HERE)
Neck Deep is coming to town, and they’re gonna show us all that you don’t have to be from North America to make awesome super-emotional pop punk. I for one am all about it. This Welsh group’s latest single is a cover of Natalie Imbruglia’s “Torn,” which makes me think of back when all the 90s skate-rock bands were doing covers of 70s light-rock hits. Neck Deep manage to invest some real feeling in this cover, but I’m honestly way more stoked on their originals.

Last year’s The Peace And The Panic has some truly excellent tunes on it, and does the same thing former split EP partners Knuckle Puck did on their most recent album — trades some of the chunkier melodic-hardcore guitars for stronger melodies. Like Knuckle Puck, Neck Deep finds some real gold in poppier singles like “In Bloom,” which should offer the kids in the crowd a chance to bop around and sing along in the midst of all the punky upbeat anthems. I for one am all for it. Neck Deep will be joined on this bill by multiple other emo-pop-punk groups from around the world, including Australians Trophy Eyes and Stand Atlantic, and fellow Great Britain residents WSTR. This one’s gonna be fun.

Friday, September 21, 7 PM
Scott Burton & Ritual Magick @ Byrd Park Roundhouse – Free!
This one comes completely out of the blue in a manner way too fascinating to ignore. Scott Burton is a local jazz guitarist with his fingers in a variety of pies. He’s played with indie-folk group Luray and jazz-funk ensemble Glows In The Dark, as well as helming a variety of other experimental jazz ensembles, from his duo with noted local percussionist Scott Clark, SCUO, to his Kessel Quartet, a group that features members of CGI Jesus and interprets the music of legendary jazz guitarist Barney Kessel. So yes, it’s safe to say that anything Burton’s involved in is worth your attention.

Ritual Magick is a solo project of Burton’s, which he describes as “an ongoing examination of trance inducing music and the ritual practice.” He and his guitar play off a modular synth, generating improvised melodies and progressions that build up a slowly evolving minimalist melody with a hypnotic allure. And apparently Burton’s going to give his first live performance of this material on Friday evening at the Byrd Park Roundhouse, over by the lake with the paddleboats and the geese. And if you’re thinking, “Is this real? Is this an official event?” believe me, I’m asking the same questions. But if you love intriguing experimental music and minimalist guitar soundscapes, you really can’t go wrong heading down to the Byrd Park Roundhouse on Friday and seeing what’s going on. Maybe Scott Burton will show up with a battery-powered amp and blow your mind. But even if he doesn’t, that’s still a really peaceful spot to sit and take in some nature.

Saturday, September 22, 8 PM
Supersuckers, Holy Roller, Sick Bags @ The Camel – $15 (order tickets HERE)
Hey hey, the Supersuckers are hitting Richmond once again! I’ve been a longtime fan of this wild, uptempo rock n’ roll group for decades now, and on multiple previous occasions, I have urged the readers of this column to go see them. I don’t want to repeat myself overly much or anything, but I gotta tell ya, if you’re ever gonna see the Supersuckers live, this is the time to do it. The group is celebrating their 30th anniversary this year, and they’re bringing the “Supersuckers Big Show” to town on Saturday.

This means you won’t just be getting one set from the Supersuckers — ohhh no. They’ve got a brand new album called Suck It, which will be out on Friday, and they’ll be bringing us a selection of tunes from this new LP. But they’ll also be doing their first two LPs, The Smoke Of Hell and La Mano Cornuda, in their entirety. At this point, we’re up to at least a solid hour and a half of fast, loud, balls-out rock n’ roll with a definite punk-garage undertone. But there’s still more coming, as the Supersuckers will also celebrate their occasional detours into outlaw country, most famously on 1997’s Must’ve Been High, with a mini-set of shit-kicking country jams as well. Seriously, everything you could ever possibly want from a Supersuckers show will happen at this show. And whether you’re a brand new fan or someone who’s seen them every time they rolled through town for the past three decades, you’d be a fool to miss it.

Sunday, September 23, 9 PM
Thin Lips, Cheer Up, Talk Me Off @ Bandito’s – Free!
OK listen, this isn’t the first time Thin Lips have come through here recently. In fact, I wrote about a show they played less than a month ago. But I didn’t tell you too much about who Thin Lips are and what they’re about at that time, and they really deserve more attention than I gave them. The Philly group’s latest LP, Chosen Family, was produced by members of Hop Along and brings in a hint of that band’s vaguely twangy approach to post-punk melody. But Thin Lips are very much a pop-punk band, and their lyrical wit and catchy riffing has a hard edge to it that makes their new LP a real rocker that’s guaranteed to stick with you.

Fellow Philadelphians Cheer Up, who are along on this particular jaunt down south, are a bit less overtly punk in their sound, and you couldn’t be blamed if you heard a hint of that whole post-Algernon Cadwallader “twinkle” in their guitar melodies on brand new LP Sleep Debt. However, there’s a contrasting undercurrent of mournful melody mixed in there as well, which is sure to connect with the indie types. Add a local opening set from snotty punk rockers Talk Me Off and the always-wonderful food and beverages provided by Bandito’s, and you’ve got yourself a guaranteed great way to wrap up your weekend. And you certainly can’t argue with the price!

Monday, September 24, 8 PM
Lydia Lunch Retrovirus, VV, Clang Quartet, Hex Machine @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
The queen of noise returns once again. Lydia Lunch has been a pivotal figure in the New York scene for four decades now, starting with her first band, Teenage Jesus and the Jerks, one of the four bands documented on groundbreaking 1978 compilation No New York. Their harsh, atonal guitar scraping and lurching percussive thump was taken to another level entirely by Lunch’s howling vocals and dark lyrical poetry. She carried this same sort of sound forward into the 80s, as a member of 8-Eyed Spy, Harry Crews, Big Sexy Noise, and more, as well as in collaborations with Sonic Youth’s Thurston Moore, the Birthday Party’s Rowland S. Howard, The Mars Volta’s Omar Rodriguez-Lopez, and a ton of others.

Now, her entire 40-year musical history is being brought to life with the help of a supergroup called Lydia Lunch Retrovirus. The group features guitarist Weasel Walter of noise-core legends the Flying Luttenbachers and prog-metal geniuses Behold the Arctopus, drummer Bob Bert of Pussy Galore and Chrome Cranks, and bassist Tim Dahl of Child Abuse. Backed by this trio of incredible talents in their own right, Lunch runs through material covering the span of her career from Teenage Jesus and the Jerks to Big Sexy Noise, as well as her latest album, 2015’s Urge To Kill, on which she was backed in the studio by Retrovirus. If you’re a fan of Lydia Lunch, you realize what a treat this show’s gonna be. And if you don’t know her music yet, you couldn’t ask for a better crash course. Get your tickets now.

Tuesday, September 25, 8 PM
Dear Blanca, Numbtongue, Hillwalkers @ Strange Matter – $8 (order tickets HERE)
They’ve been having a rough time of it down in the Carolinas recently, what with the direct hit the hurricane that fortunately missed us dealt to them down there. Fortunately for Dear Blanca, they hail from the inland capital city of South Carolina, Columbia, which mostly missed out on the devastation. And this means they’re able to bring us their intriguing take on guitar-driven rock n’ roll. The group’s 2016 EP, To Tell A Half-Truth, pairs lyrics adapted from the work of deceased poet Scott Crane (Dear Blanca bassist Cameron Powell’s uncle) with some loping, Crazy Horse-style tunes that inject a post-punk sense of unpredictability into their moody, hard-hitting riffs.

Singer-guitarist Dylan Dickerson’s strong yet quavering voice is the most distinctive element of this group’s sound, and he’s recently been showing it off on some solo tracks, but its natural home is in front of the loud electric backing provided by Dear Blanca, so rest assured, you’re gonna get a great show from this trio when they hit town. They’re joined by Numbtongue, another Columbia project led by Bobby Hatfield of The Sea Wolf Mutiny, which has a strange, unique sound incorporating electronic sounds and strangely funky rock grooves. And of course, RVA’s own Hillwalkers will add their particular brand of mellow, jangly bedroom-indie to the proceedings, just to make you feel right at home.

Bonus Hampton Roads Picks:

Friday, September 21, 9 PM
Shormey, The Slims, Flavoured Water @ Taphouse Grill – $7
We’ve got a fair amount of electronic independent artists making excellent music here in Virginia, and not all of them are based in Richmond. Shormey’s made quite the impression with her minimal yet catchy electro-pop sounds down that way, and everyone up and down the I-64 corridor has reason to be excited about her performance Friday night at Norfolk’s Taphouse Grill. Inspired equally by Babyface and The Beatles, Shormey makes lush pop sounds with a soulful undercurrent that should connect with everyone, regardless of genre.

Shormey is joined on this bill by The Slims, a strange group that hails from Pittsburgh and brings us a sound that’s tough to pin down. They refer to themselves as “a jazzy rock n’ roll hip hop conglomerate,” and I can see the influence of all of these sounds in their music, but I mostly hear a sort of languid, lo-fi beat-driven moody ballad vibe from the tracks they’ve got uploaded to their website. Mac DeMarco jamming with RVA’s own Antiphons? Something like that… I think. Norfolk’s own Flavoured Water will open up with some spacy ambient sounds over electronic beats. If you like to dance to amazingly unusual music, this is the show for you.

Tuesday, September 25, 8 PM
Face To Face, Austin Lucas, Thomas McDonald @ Shaka’s – $25 (order tickets HERE)
Y’all know Face To Face, right? This California pop-punk band started over 25 years ago, killin’ it with fun, catchy tunes to blast while you’re grinding curbs and busting kickflips. The sheer catchiness of their material allowed them to transcend the NOFX-affiliated scene they came from, and they were pretty big for a while there, scoring a soundtrack spot for Tank Girl among other big highlights. They may not be as well known these days, but the group’s flawless technique with pop melodies has not diminished an iota.

They’re proving that right now in dramatic fashion, with a full acoustic tour to accompany the recent release of Hold Fast, an album of Face To Face classics rerecorded acoustically. From classic tracks like “Ordinary” and “Don’t Turn Away” to their signature song, “Disconnected,” the new versions are nothing short of revelatory, and showcase a more heartfelt, sensitive side to a group that always was more focused on beautiful harmonies than most of their contemporaries. Veteran Florida indie-folk troubadour Austin Lucas will accompany the band on this trip through the Hampton Roads area, and local singer-songwriter Thomas McDonald of The Record Collection will open things up. You may not need your earplugs for this one, but you’re sure to get just as much of a thrill.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 4/11-4/17

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FEATURED SHOW
Saturday, April 14, 7 PM
SCAN Benefit, feat. Gull, Alfred., Womajich Dialysiez, DJ Jafar Flowers, DJ Synthia Slimez @ Champion RVA – $6-10 donation
Music is at its best when it is used to help make the world a better place. And musicians tend to understand that, which is why you see so many benefit shows taking place over the course of any given month. This particular month, April, is Child Abuse Awareness Month, and in the spirit of that cause, a few Richmond artists in the broader field of experimental electronic music have come together to throw a benefit for Greater Richmond SCAN (Stop Child Abuse Now). This group runs programs doing everything from providing preschool for children who’ve experienced trauma to ensuring children have advocates for their interests in abuse/neglect cases. They’re doing important work, and community support is essential.

That’s what you’ll be providing by paying admission to this show at Champion Brewing Company, but don’t worry, you’ll be getting something out of the deal as well. For starters, Gull is performing at the top of the bill, and this one-man musical dynamo has been continually impressive for its near-decade of existence. Beginning as a fast, slightly quirky hardcore band, Gull has evolved into a hard-to-define project that takes its main elements — percussion and vocals, both fed through a variety of effects — and does all sorts of things with them. 2017 album Lurcher demonstrates the latest form the Gull identity has taken, bringing together ambient electronic swells with hypnotic repeating percussion patterns and Gull’s distinctive vocals — always sung through a microphone-equipped mask.

Gull won’t be the only artist immersing you in an all-encompassing world of sound at this show. Local rapper Alfred. has undermined a lot of expectations that come along with the hip hop genre by approaching it from an introspective, emotionally open, and musically adventurous mindset. His 2017 mixtape, So Sensitive, makes clear how gloriously unusual this “queer rap scallion” really is, and his unique approach will bloom into full life in the live performance environment. Meanwhile, Womajich Dialysiez is an experimental musical collective that focuses on improvisation from a femme perspective. Its shifting lineup brings a variety of local femme and gender non-conforming musicians together to create spontaneously generated music full of life and energy. Expect a whirlwind of percussion, electronics, and all sorts of other elements; there’s no telling where the music will go, but it’ll definitely take you on a journey. DJ sets from Jafar Flowers of Ice Cream Support Group and Synthia Slimez of Aesthetic Barrier will get this party rolling. Be there, and expand your mind for a good cause.

Wednesday, April 11, 8 PM
Infinite Third, Lobo Marino, Owlrare @ Pik Nik – Free!
I’ve been hearing a lot of people talk about this Pik Nik place lately, though thus far no one has elaborated on the role of baskets in this restaurant’s operation. Like, seriously, if they don’t bring your food to the table in a basket I don’t know what this restaurant is up to. However, we’re not here to talk about the food. We’re here to celebrate the fact that yet another local venue is dipping their toe into the world of live music. And since everyone likes seeing new places get into the show-booking game, it’s pretty essential to support those places when they start getting into the game, so they’ll want to continue.

Not that that’s a difficult thing to do when a venue offers an excellent midweek lineup like this one. Florida artist Infinite Third is at the top of the bill, returning to Richmond quite soon after his last performance as part of Silent Music Revival a few months ago. This artist brings us ambient guitar melodies that build into palaces of sound held up by the bones of programmed beats and sampled field recordings; his most recent LP, 2017’s Channel(s), is the sort of sound world one can get lost in for an extended period of time. The thought of this world taking over a restaurant on a Wednesday evening is fascinating, and certainly not an experience to be missed. Infinite Third will be joined on this outing by peripatetic experimentalists Lobo Marino, who bring together a variety of sounds from around the world in their unique, atmospheric style. The whole evening starts off with a set from intriguing local singer-songwriter OwlRare, and will be delightful from beginning to end — even if it doesn’t come in a basket.

Thursday, April 12, 8 PM
Rosetta, Ostraca, Truman, Twin Drugs @ Strange Matter – $10 (order tickets HERE)
This show is exciting for a variety of reasons. First and foremost is the obvious — Rosetta has returned to RVA once again. This Philadelphia band, who started out working with labels but eventually decided to go it alone and has been self-releasing their material ever since, has been producing high quality material for quite a long time, and they’re showing no signs of stopping. 2017’s Utopioid was their sixth album, and it’s every bit as brilliant as previous career highs such as the excellent 2013 album The Anaesthete. With Utopioid, Rosetta continue evolving, expanding, and exploring their sound, now mixing the sludge, noise, and metallic hardcore elements that have been there from the start with increasing doses of shoegaze melody and post-rock atmosphere. They send all of this through a filter of passionate emotion that gives everything they do a heightened level of power and intensity.

Therefore, one can imagine that their performance at Strange Matter Thursday night will be one for the books, with an impact you won’t soon forget. And of course, the same can be said of any performance from local heavy hitters Ostraca, who’ve been unleashing their own intense, passionate take on metallic hardcore for over a decade now. 2017 brought us three new releases from Ostraca, all of which dramatically demonstrate how much better this band continues to get. There’s no better place to experience Ostraca than in live performance, and if you don’t know that firsthand, it’s time for you to find out. The bill offers an added bonus in the form of a performance by Truman, who’ve been playing less often in recent months but are no less awesome. Their epic take on emotionally-driven hardcore will have you riveted, so don’t miss it. Twin Drugs will kick the night off with what promises to be an excellent set of heavy shoegaze sounds, so show up on time and be prepared to immerse yourself in a night of outstanding sound.

Friday, April 13, 6 PM
Movement Presents PLRLS, Danger Boy, Serqet, Nocere, DJ Cortes @ Hardywood – Free!
Movement is an intriguing new group on the Richmond music scene. This vinyl-only DJ collective has two main goals: promoting the post-punk sound, and offering safer spaces for music fans of all types to dance together in harmony (a refreshing and positive goal). They don’t just do these two things in the context of dance nights either; they’re working to bring in killer postpunk bands from around the country and beyond to perform for us right here in RVA — which is how they came to produce Friday night’s show at Hardywood.

The event, which will feature Movement’s DJ Cortes spinning vinyl before and between bands throughout the night, is focused around the arrival of PLRLS, who hail from Baltimore and have a quirky take on postpunk that sees them integrating the goofy catchiness of Devo with the rumbling menace of Gang Of Four and the post-garage drive of The Rezillos. They’ll be joined by South Carolina’s Danger Boy, who bring us a fuzzy, punked-out take on the foreboding melodic sounds of early 80s UK stars like The Chameleons and The Cure. Two local groups will open up for these touring ensembles. Serqet is a local crew featuring former members of Hot Dolphin and Lost Tribe and bringing us a moody mix of early goth-punk Siouxsie and the Banshees, and rumbling peace-punk vibes a la Zounds. Finally, we’ll have the return of Nocere, which brings Shadow Age’s Aaron Tyree together with vocalist Emily Symington to create some prime drum machine-fueled coldwave sounds. This one really is essential.

Saturday, April 14, 8 PM
The Human Race Is Filth, Drugs Of Faith, Coroner’s Report, Amara, Hepatagua @ McCormack’s – $10
It’s a loud, heavy week here in RVA, y’all. We’ve already covered some loud sounds and it’s just gonna get louder from here, so if you can’t handle it, batten the hatches. The rest of us will be out here joyously banging our heads, beginning with Saturday night’s show at McCormack’s in Shockoe Bottom. This show is a Between 2 Beers production, and as usual, they’re out here making sure that we all get the proper amount of metal in our diets. This week’s installment sees excellence arriving in Richmond from several different fronts. Most importantly, this show will bring us the excellently named The Human Race Is Filth, a grinding crust band that can also slow down enough to drop incredible downtuned grooves on us all… at least, once in a while. Mostly though, this is shred-heavy speed freak music about how the world is doomed. I can’t argue with any of that.

Drugs Of Faith are also on this bill, and while they aren’t at the top, they’re at least as big an attraction as our headliners. This is the current project of Richard Johnson, the man known as the “grindfather,” who spent the 90s running pioneering American grindcore group Enemy Soil before forming Drugs Of Faith back in the early 2000s. Drugs Of Faith expand on the Enemy Soil legacy of blistering grindcore by integrating riffy midtempo grooves and more complex songwriting into their sound. And while they don’t release records as often as Enemy Soil did, by any means (their last release, a split EP with Cloud Rat, was three years ago), they keep the quality high and the rage unrelenting. This show will also feature a special appearance by Bostonian duo Hepatagua, who have some driving midtempo sludge-core to lay on us all, and will feature local blackened shredders Amara and brand-new local death metal duo Coroner’s Report laying some ugly sounds on us all. It’s a jam-packed night of unparalleled heavyosity. Just what we all need.

Sunday, April 15, 8 PM
Impiety, Divine Eve, Gravehill, Voarm @ Strange Matter – $15 (order tickets HERE)
Continuing with our theme, Strange Matter will bring us metal sounds spanning all corners of the globe this Sunday night, most notably Singapore death-rippers Impiety. And what better band could there be to grace the lord’s day than this blatantly sacreligious group of metal veterans, responsible for such classics as 1992’s Ceremonial Neochrist Redesecration EP, and 2009’s Terroreign (Apocalyptic Armageddon Command)? These metal vets have been coming out of the Far East to assault our ears with apocalyptic riffs, insanely precise lightspeed drums, and brutal death metal growls since back when I was in high school (and believe me when I tell you, that was a LONG time ago).

If you haven’t had the pleasure of experiencing Impiety’s pulverizing metallic destruction in person, you better make sure you’re at Strange Matter this Sunday night, because it’s a long way back to Singapore, and chances are they won’t make the trip again soon. Sweetening the pot will be another veteran band, this one from right here in the USA, Texas’s Divine Eve, who grabbed some underground recognition in the early 90s with their crushing death-doom sound, but spent many of the intervening years out of action and are only now returning to the world with a full tour. This band constitutes another rare opportunity, so you’ve got twice as many reason to make sure you don’t miss this show! And of course, we can’t forget California maniacs Gravehill, who’ve made quite a name for themselves with their dark, filthy take on thrash metal. Once you add local black metallers Voarm at the start of the evening, you’ve got a completely unmissable bill full of legends. You know what to do.

Monday, April 16, 9 PM
Seraph, Dr. No, Black Mountain Massacre @ The Camel – $5 (order tickets HERE)
Here’s a name I haven’t heard in a while! Seraph were a pretty strong presence in the local metal scene back in the first part of the decade, bringing us a powerful deathcore sound full of skull-fracturing low end intensity. Since not long after the release of 2014 EP Embrace Your Demise, though, Seraph have been on hiatus, biding their time until all members of the band could live in the same place again. Fortunately, that came to pass last fall, and they’ve been woodshedding and playing the occasional live gig around town since then.

This show is the latest step in their return to action, and promises to bring local fans some long-awaited new material as well as the highlights from their previous releases. If crushing ultra-slow breakdowns are your idea of fun, you’ll definitely want to catch this one. Seraph are joined on this bill by Dr. No, a new local group with some heavy metal tendencies, as well as a bit of good ol’ rock n’ roll thrown into the mix. The bill is rounded out by the memorably named Black Mountain Massacre, who get down with the Fu Manchu-style midtempo rockin’ metal grooves to get you raising your fist in the air. It’s gonna get heavy, folks.

Tuesday, April 17, 6 PM
Morbid Angel, Misery Index, Dreaming Dead, Hate Storm Annihilation @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
Let’s wrap up the week with the most classic and essential metal firestorm of the many hitting RVA this week. At the top of this bill sits Morbid Angel, one of the most important death metal bands to come out of the genre. From groundbreaking 1989 classic debut Altars Of Madness to last winter’s Kingdom Disdained (yes, all their album titles are in alphabetical order), this band has never lost its ability to dish out fast and heavy riffage that is both incredibly brutal and surprisingly catchy. A lot of metal might fade into a rumbling blur, but Morbid Angel’s riffs are always memorable, most likely due to the guitar mastery of sole original member Trey Azagthoth, who has pulled together a variety of killer lineups over the years to keep Morbid Angel shredding at the highest levels.

These days, the band is rounded out by bassist/vocalist Steve Tucker, returning to the position he capably held down in the late 90s and early 00s after yet another departure by founding bassist/vocalist Dave Vincent. With Annihilated’s Scott Fuller skillfully laying down the killer beats, this lineup promises to tear all our heads off with aplomb, just as we always expect from these metal legends. Of course, Morbid Angel are reason enough to go to this show all by themselves; however, it certainly doesn’t hurt that they’ve brought along such a powerful supporting lineup to devastate you throughout the night. The grinding death metal attack of Maryland’s Misery Index is the most notable addition, and while it’s been four years since their last album, brand new single “I Disavow” shows that they’re still as intense as ever, so be prepared. This killer lineup is rounded out by melodic death metallers Dreaming Dead and the excellently monikered tech-death of Hate Storm Annihilation. Get ready to thrash.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee, based on a photo by Joey Wharton

Music Sponsored By Graduate Richmond