RVA Mag

Richmond, VA Culture & Politics Since 2005

Menu

RVA Shows You Must See This Week: 4/11-4/17

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, April 14, 7 PM
SCAN Benefit, feat. Gull, Alfred., Womajich Dialysiez, DJ Jafar Flowers, DJ Synthia Slimez @ Champion RVA – $6-10 donation
Music is at its best when it is used to help make the world a better place. And musicians tend to understand that, which is why you see so many benefit shows taking place over the course of any given month. This particular month, April, is Child Abuse Awareness Month, and in the spirit of that cause, a few Richmond artists in the broader field of experimental electronic music have come together to throw a benefit for Greater Richmond SCAN (Stop Child Abuse Now). This group runs programs doing everything from providing preschool for children who’ve experienced trauma to ensuring children have advocates for their interests in abuse/neglect cases. They’re doing important work, and community support is essential.

That’s what you’ll be providing by paying admission to this show at Champion Brewing Company, but don’t worry, you’ll be getting something out of the deal as well. For starters, Gull is performing at the top of the bill, and this one-man musical dynamo has been continually impressive for its near-decade of existence. Beginning as a fast, slightly quirky hardcore band, Gull has evolved into a hard-to-define project that takes its main elements — percussion and vocals, both fed through a variety of effects — and does all sorts of things with them. 2017 album Lurcher demonstrates the latest form the Gull identity has taken, bringing together ambient electronic swells with hypnotic repeating percussion patterns and Gull’s distinctive vocals — always sung through a microphone-equipped mask.

Gull won’t be the only artist immersing you in an all-encompassing world of sound at this show. Local rapper Alfred. has undermined a lot of expectations that come along with the hip hop genre by approaching it from an introspective, emotionally open, and musically adventurous mindset. His 2017 mixtape, So Sensitive, makes clear how gloriously unusual this “queer rap scallion” really is, and his unique approach will bloom into full life in the live performance environment. Meanwhile, Womajich Dialysiez is an experimental musical collective that focuses on improvisation from a femme perspective. Its shifting lineup brings a variety of local femme and gender non-conforming musicians together to create spontaneously generated music full of life and energy. Expect a whirlwind of percussion, electronics, and all sorts of other elements; there’s no telling where the music will go, but it’ll definitely take you on a journey. DJ sets from Jafar Flowers of Ice Cream Support Group and Synthia Slimez of Aesthetic Barrier will get this party rolling. Be there, and expand your mind for a good cause.

Wednesday, April 11, 8 PM
Infinite Third, Lobo Marino, Owlrare @ Pik Nik – Free!
I’ve been hearing a lot of people talk about this Pik Nik place lately, though thus far no one has elaborated on the role of baskets in this restaurant’s operation. Like, seriously, if they don’t bring your food to the table in a basket I don’t know what this restaurant is up to. However, we’re not here to talk about the food. We’re here to celebrate the fact that yet another local venue is dipping their toe into the world of live music. And since everyone likes seeing new places get into the show-booking game, it’s pretty essential to support those places when they start getting into the game, so they’ll want to continue.

Not that that’s a difficult thing to do when a venue offers an excellent midweek lineup like this one. Florida artist Infinite Third is at the top of the bill, returning to Richmond quite soon after his last performance as part of Silent Music Revival a few months ago. This artist brings us ambient guitar melodies that build into palaces of sound held up by the bones of programmed beats and sampled field recordings; his most recent LP, 2017’s Channel(s), is the sort of sound world one can get lost in for an extended period of time. The thought of this world taking over a restaurant on a Wednesday evening is fascinating, and certainly not an experience to be missed. Infinite Third will be joined on this outing by peripatetic experimentalists Lobo Marino, who bring together a variety of sounds from around the world in their unique, atmospheric style. The whole evening starts off with a set from intriguing local singer-songwriter OwlRare, and will be delightful from beginning to end — even if it doesn’t come in a basket.

Thursday, April 12, 8 PM
Rosetta, Ostraca, Truman, Twin Drugs @ Strange Matter – $10 (order tickets HERE)
This show is exciting for a variety of reasons. First and foremost is the obvious — Rosetta has returned to RVA once again. This Philadelphia band, who started out working with labels but eventually decided to go it alone and has been self-releasing their material ever since, has been producing high quality material for quite a long time, and they’re showing no signs of stopping. 2017’s Utopioid was their sixth album, and it’s every bit as brilliant as previous career highs such as the excellent 2013 album The Anaesthete. With Utopioid, Rosetta continue evolving, expanding, and exploring their sound, now mixing the sludge, noise, and metallic hardcore elements that have been there from the start with increasing doses of shoegaze melody and post-rock atmosphere. They send all of this through a filter of passionate emotion that gives everything they do a heightened level of power and intensity.

Therefore, one can imagine that their performance at Strange Matter Thursday night will be one for the books, with an impact you won’t soon forget. And of course, the same can be said of any performance from local heavy hitters Ostraca, who’ve been unleashing their own intense, passionate take on metallic hardcore for over a decade now. 2017 brought us three new releases from Ostraca, all of which dramatically demonstrate how much better this band continues to get. There’s no better place to experience Ostraca than in live performance, and if you don’t know that firsthand, it’s time for you to find out. The bill offers an added bonus in the form of a performance by Truman, who’ve been playing less often in recent months but are no less awesome. Their epic take on emotionally-driven hardcore will have you riveted, so don’t miss it. Twin Drugs will kick the night off with what promises to be an excellent set of heavy shoegaze sounds, so show up on time and be prepared to immerse yourself in a night of outstanding sound.

Friday, April 13, 6 PM
Movement Presents PLRLS, Danger Boy, Serqet, Nocere, DJ Cortes @ Hardywood – Free!
Movement is an intriguing new group on the Richmond music scene. This vinyl-only DJ collective has two main goals: promoting the post-punk sound, and offering safer spaces for music fans of all types to dance together in harmony (a refreshing and positive goal). They don’t just do these two things in the context of dance nights either; they’re working to bring in killer postpunk bands from around the country and beyond to perform for us right here in RVA — which is how they came to produce Friday night’s show at Hardywood.

The event, which will feature Movement’s DJ Cortes spinning vinyl before and between bands throughout the night, is focused around the arrival of PLRLS, who hail from Baltimore and have a quirky take on postpunk that sees them integrating the goofy catchiness of Devo with the rumbling menace of Gang Of Four and the post-garage drive of The Rezillos. They’ll be joined by South Carolina’s Danger Boy, who bring us a fuzzy, punked-out take on the foreboding melodic sounds of early 80s UK stars like The Chameleons and The Cure. Two local groups will open up for these touring ensembles. Serqet is a local crew featuring former members of Hot Dolphin and Lost Tribe and bringing us a moody mix of early goth-punk Siouxsie and the Banshees, and rumbling peace-punk vibes a la Zounds. Finally, we’ll have the return of Nocere, which brings Shadow Age’s Aaron Tyree together with vocalist Emily Symington to create some prime drum machine-fueled coldwave sounds. This one really is essential.

Saturday, April 14, 8 PM
The Human Race Is Filth, Drugs Of Faith, Coroner’s Report, Amara, Hepatagua @ McCormack’s – $10
It’s a loud, heavy week here in RVA, y’all. We’ve already covered some loud sounds and it’s just gonna get louder from here, so if you can’t handle it, batten the hatches. The rest of us will be out here joyously banging our heads, beginning with Saturday night’s show at McCormack’s in Shockoe Bottom. This show is a Between 2 Beers production, and as usual, they’re out here making sure that we all get the proper amount of metal in our diets. This week’s installment sees excellence arriving in Richmond from several different fronts. Most importantly, this show will bring us the excellently named The Human Race Is Filth, a grinding crust band that can also slow down enough to drop incredible downtuned grooves on us all… at least, once in a while. Mostly though, this is shred-heavy speed freak music about how the world is doomed. I can’t argue with any of that.

Drugs Of Faith are also on this bill, and while they aren’t at the top, they’re at least as big an attraction as our headliners. This is the current project of Richard Johnson, the man known as the “grindfather,” who spent the 90s running pioneering American grindcore group Enemy Soil before forming Drugs Of Faith back in the early 2000s. Drugs Of Faith expand on the Enemy Soil legacy of blistering grindcore by integrating riffy midtempo grooves and more complex songwriting into their sound. And while they don’t release records as often as Enemy Soil did, by any means (their last release, a split EP with Cloud Rat, was three years ago), they keep the quality high and the rage unrelenting. This show will also feature a special appearance by Bostonian duo Hepatagua, who have some driving midtempo sludge-core to lay on us all, and will feature local blackened shredders Amara and brand-new local death metal duo Coroner’s Report laying some ugly sounds on us all. It’s a jam-packed night of unparalleled heavyosity. Just what we all need.

Sunday, April 15, 8 PM
Impiety, Divine Eve, Gravehill, Voarm @ Strange Matter – $15 (order tickets HERE)
Continuing with our theme, Strange Matter will bring us metal sounds spanning all corners of the globe this Sunday night, most notably Singapore death-rippers Impiety. And what better band could there be to grace the lord’s day than this blatantly sacreligious group of metal veterans, responsible for such classics as 1992’s Ceremonial Neochrist Redesecration EP, and 2009’s Terroreign (Apocalyptic Armageddon Command)? These metal vets have been coming out of the Far East to assault our ears with apocalyptic riffs, insanely precise lightspeed drums, and brutal death metal growls since back when I was in high school (and believe me when I tell you, that was a LONG time ago).

If you haven’t had the pleasure of experiencing Impiety’s pulverizing metallic destruction in person, you better make sure you’re at Strange Matter this Sunday night, because it’s a long way back to Singapore, and chances are they won’t make the trip again soon. Sweetening the pot will be another veteran band, this one from right here in the USA, Texas’s Divine Eve, who grabbed some underground recognition in the early 90s with their crushing death-doom sound, but spent many of the intervening years out of action and are only now returning to the world with a full tour. This band constitutes another rare opportunity, so you’ve got twice as many reason to make sure you don’t miss this show! And of course, we can’t forget California maniacs Gravehill, who’ve made quite a name for themselves with their dark, filthy take on thrash metal. Once you add local black metallers Voarm at the start of the evening, you’ve got a completely unmissable bill full of legends. You know what to do.

Monday, April 16, 9 PM
Seraph, Dr. No, Black Mountain Massacre @ The Camel – $5 (order tickets HERE)
Here’s a name I haven’t heard in a while! Seraph were a pretty strong presence in the local metal scene back in the first part of the decade, bringing us a powerful deathcore sound full of skull-fracturing low end intensity. Since not long after the release of 2014 EP Embrace Your Demise, though, Seraph have been on hiatus, biding their time until all members of the band could live in the same place again. Fortunately, that came to pass last fall, and they’ve been woodshedding and playing the occasional live gig around town since then.

This show is the latest step in their return to action, and promises to bring local fans some long-awaited new material as well as the highlights from their previous releases. If crushing ultra-slow breakdowns are your idea of fun, you’ll definitely want to catch this one. Seraph are joined on this bill by Dr. No, a new local group with some heavy metal tendencies, as well as a bit of good ol’ rock n’ roll thrown into the mix. The bill is rounded out by the memorably named Black Mountain Massacre, who get down with the Fu Manchu-style midtempo rockin’ metal grooves to get you raising your fist in the air. It’s gonna get heavy, folks.

Tuesday, April 17, 6 PM
Morbid Angel, Misery Index, Dreaming Dead, Hate Storm Annihilation @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
Let’s wrap up the week with the most classic and essential metal firestorm of the many hitting RVA this week. At the top of this bill sits Morbid Angel, one of the most important death metal bands to come out of the genre. From groundbreaking 1989 classic debut Altars Of Madness to last winter’s Kingdom Disdained (yes, all their album titles are in alphabetical order), this band has never lost its ability to dish out fast and heavy riffage that is both incredibly brutal and surprisingly catchy. A lot of metal might fade into a rumbling blur, but Morbid Angel’s riffs are always memorable, most likely due to the guitar mastery of sole original member Trey Azagthoth, who has pulled together a variety of killer lineups over the years to keep Morbid Angel shredding at the highest levels.

These days, the band is rounded out by bassist/vocalist Steve Tucker, returning to the position he capably held down in the late 90s and early 00s after yet another departure by founding bassist/vocalist Dave Vincent. With Annihilated’s Scott Fuller skillfully laying down the killer beats, this lineup promises to tear all our heads off with aplomb, just as we always expect from these metal legends. Of course, Morbid Angel are reason enough to go to this show all by themselves; however, it certainly doesn’t hurt that they’ve brought along such a powerful supporting lineup to devastate you throughout the night. The grinding death metal attack of Maryland’s Misery Index is the most notable addition, and while it’s been four years since their last album, brand new single “I Disavow” shows that they’re still as intense as ever, so be prepared. This killer lineup is rounded out by melodic death metallers Dreaming Dead and the excellently monikered tech-death of Hate Storm Annihilation. Get ready to thrash.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee, based on a photo by Joey Wharton

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 3/14-3/20

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOWS
Friday, March 16, 9 PM
Silent Music Revival, feat. OINuBi @ Garden Grove Brewery – Free!
Saturday, March 17, 9 PM
Silent Music Revival, feat. Harry Partch Appreciation Society @ Garden Grove Brewery – Free!
Sunday, March 18, 8 PM
Silent Music Revival, feat. Houdan The Mystic @ Gallery 5 – Free!
Hey y’all, it’s another holiday weekend! No, I’m not talking about someone else’s excuse to get plastered (“I’m a person just like you but I don’t actually drink beer” — Roman Mars); I’m talking about the James River Film Festival, which makes its return for a weekend of serious film nerdery starting this Friday. There are a lot of amazing things going on around town related to the film festival this year. You avant-garde music heads are gonna want to catch Gary Lucas at Grace Street Theatre Friday night, playing along to German silent horror film The Golem; those of you who loved Husker Du are going to want to get to Gallery 5 early on Sunday night and catch Every Everything, a 2013 documentary about the late Grant Hart.

However, what we’re spotlighting is not only the best value for your money anywhere in town this weekend (because, yeah, all these shows are free) but the latest flowering of an ongoing Richmond music scene tradition, that of the Silent Music Revival. Jameson Price of Lobo Marino started this recurring event over a decade ago, pairing local bands with silent films they haven’t seen before in order to create unique soundtracks that reveal new elements of the artists involved while also allowing audiences to experience silent films in a new, engaging way. It’s a cool series, it’s featured a ton of excellent local performers over the years, and this weekend sees a new Silent Music Revival event taking place for every night of the James River Film Festival.

The first two events, both billed as “Avant-Garde Afterparties,” happen at Garden Grove and pair unusual films with unusual local performers. Friday night sees experimental beatmaker OINuBi mixing it up with French director Maurice Tourneur’s 1918 fantasy film The Blue Bird, while Saturday night brings us the 1929 experimental documentary Man With A Movie Camera, a Dziga Vertov film from the early days of the Soviet Union that pioneered many filmmaking techniques we take for granted today. This one will be paired with a performance from the Harry Partch Appreciation Society, a collective of local improvisational musicians paying tribute to the avant-garde microtonal works of the titular composer. Finally, on Sunday night, psychedelic math-rockers Houdan The Mystic will mix it up over at Gallery 5 with the legendary Spanish surrealist director Luis Bunuel’s L’Age d’Or, a cutting satire of church and state that pissed off a lot of repressive people back when it was released. What sort of strange twists will these local performers add to these fascinating films from bygone eras? That’s a question worth answering firsthand — and hey, the price is right.

Wednesday, March 14, 8 PM
Zion I, Iespecial, McKinley Dixon @ The Camel – $12 in advance, $15 day of show (order tickets HERE)
Real underground hip hop is alive and well here in RVA, and in a lot of other cities around the USA as well — for evidence, look no further than the arrival in our city tonight of Zion I, the long-running Oakland-based hip hop project led by Baba Zumbi, which has over 10 albums to their credit as of this year, and is about to drop another one, The Tonite Show, in only a couple of weeks. No singles from the album have made their way into the world yet, but you’re sure to hear a few blasted out from the stage at The Camel tonight.

Zion I has a conscious focus, with lyrics that talk about everyday realities for working class African-American people trying to make it in America today. This is the sort of stuff we need to hear, and it’s set to incredible beats from a variety of producers that hit hard but don’t leave out the melodies and the memorable choruses that get you moving. Zion I is on tour with Iespecial, a Boston group with a hip hop vibe, an electronic sound, and a psychedelic consciousness, all of which integrates together into a unique sound that should appeal to fans of both Zion I’s hip hop and more experimental projects from King Crimson to Disco Biscuits. And of course, with McKinley Dixon opening up the show, you know the local support will make it well worth your time to show up early. This one can’t miss.

Thursday, March 15, 8 PM
Vesterian, Rites To Sedition, Death Shroud, Embra @ McCormack’s – $7
Black metal rules. From the unrelenting riffage and pounding drums to the intense vocals and spooky subject matter, it’s a sound with a guaranteed appeal to weirdos like me who love horror movies and screeching atonal noise. As a genre, it has a desire to freak people out, and while that can sometimes get into downright sketchy territory, thankfully Vesterian just stick with classic occult themes in their evocation of musical terror — and who can’t get down with that? So wear your corpse paint and spiked gauntlets to McCormack’s Thursday night, because this LA crew is bringing you some grim, frozen brutality from the sunny shores of SoCal. The unrelenting assault of their excellent 2013 LP, Anthems For The Coming War Age, is sure to come to life on this chilly winter’s night here in RVA.

Charlotte, NC’s Rites To Sedition will join Vesterian this night with some killer sounds of their own, though they veer more towards progressive thrash metal wizardry than outright black metal darkness. And there’s not a damn thing wrong with that, as proven by their excellent 2017 LP, Ancestral Blood, which shows how black metal influences can be integrated with prog melodies and thrash speed without sacrificing an ounce of intensity on any level. Feel the triumph! Support will be ably provided by Blacksburg black metal maulers Death Shroud, and by up-and-coming RVA shredders Embra. Heads will bang throughout — be prepared.

Friday, March 16, 6 PM
A Blues Brothers Tribute Show, feat. No BS! Brass Band, The Flavor Project, The Blue Tips, KINGS, RVA Tonight’s Studio 804 @ Hardywood – Free!
As a movie, The Blues Brothers has just about got it all. Not only does it give us the original SNL dynamic duo of Aykroyd and Belushi (RIP) spreading their wings across a hilarious feature film, not only is it in the top 5 all-time car chase movies (the other four are Dirty Mary Crazy Larry, the original Gone In 60 Seconds, Vanishing Point, and Bullitt — go see all of them), it features an absolutely incredible soundtrack full of powerful performances from R&B legends including James Brown, Aretha Franklin, Ray Charles, and more. And of course, the Blues Brothers backing band is made up of legendary stars from the classic Stax house bands including Booker T & the MGs and the Bar-Kays. Any group of musicians setting themselves the task of paying tribute to the film have given themselves a lot to live up to.

Fortunately, the musicians involved in this tribute show are more than equal to the task. This evening will pair a live screening of the film with performances from members of No BS! Brass Band, The Flavor Project, KINGS, and more, coming together to form an all-star RVA band that one might even regard as a 21st century equivalent to those Memphis all-stars that made up the original Blues Brothers. This band will take over for the film’s versions of classic songs like “Shake Your Tailfeather” (Ray Charles), “Think” (Aretha Franklin), “The Old Landmark” (a gospel standard performed in the film by James Brown), and quite a few more. If you’re as stoked about the original Blues Brothers film, and the work of the many classic southern soul musicians who were involved in it, as I am, you really need to be there.

Saturday, March 17, 8 PM
Dumb Waiter, Tiny Scissors, Colin Phils @ Gallery 5 – $7
The math-jazz-metal mania that is Dumb Waiter rolls on undiminished year after year, and anyone who has an issue with that is a total grinch. It’s been a while since this instrumental quartet gave us any new music — second LP Cancel Christmas was all the way back in spring 2016 — but if the facebook rumor mill holds true (and it ALWAYS does), they’ve been laying down some new jams in the upstairs rooms at Gallery 5 that sometimes double as Dave Watkins’ studio. Which is outstanding news that will make all the local diehards feel like the holidays have come early this year (OK, I’ll stop with the Christmas jokes).

Dumb Waiter are well matched on this bill, as they find themselves paired with Atlanta duo Tiny Scissors. This instrumental project brings guitar and drums together into wild flights of math-metal fancy that see them treading on territory previously visited by killer ensembles like Don Caballero and Orthrelm. They’ll get your head spinning as often as they get it banging, but one thing’s for sure — you’ll be hanging on their every note. Korea-via-RVA math-rockers Colin Phils will round out the bill with some killer prog riffs and guitar pyrotechnics. This is one for the thinkers; you’ll see way more than three chords on display at Gallery 5 on this night. Show up ready to have your mind blown.

Sunday, March 18, 8 PM
Soft Kill, Choir Boy, True Body @ Strange Matter – $12 in advance/$14 day of show (order tickets HERE)
The postpunk force is strong with this one. Portland’s Soft Kill are on Profound Lore Records, but don’t let that fool you into expecting any sort of doom metal. No, the doom and gloom here are the sort of dark, pounding energies that you would more normally expect from bands like Joy Division and The Chameleons. These touchstones are becoming more and more frequent around the US postpunk scene these days, and I for one am on board. Soft Kill’s new LP, Savior, is scheduled to drop in May, and only one song from it is available online at the moment, but its ominously indelible melodies foreshadow an evening of darkly hypnotic tuneage.

It doesn’t hurt that they’re joined on this bill by Salt Lake City denizens Choir Boy, who have fought the repressive vibe of their home city with an energetic dream-pop sound harking back to the more colorful bands of the mid-80s UK postpunk underground. Cocteau Twins and This Mortal Coil influences are clearly present here, though the more mainstream new wave sounds of Spandau Ballet and Scritti Politti are in evidence as well. It all adds up to a set full of danceable tunes that will fill you with the sort of indefinable emotional rush of a John Hughes movie. Relive your teenage years (or, OK, mine) at Strange Matter Sunday night, and don’t miss the opening set from Norfolk sludge-punk weirdos True Body, who’ll add a bit of additional fascinating strangeness to the whole evening.

Monday, March 19, 8 PM
Soul Glo, Prison Religion, Nosebleed, MAASK @ Soft Web Studio Collective – $3-5 sliding scale
OK, let’s get this out there up front: Soul Glo have run into some trouble on their current tour, and may very well not make this show. The Philadelphia punk band, which features multiple people of color, was stopped on tour in Missouri by cops who proceeded to pull the band over and arrest one of the members. They then had to post an emergency crowdfunding campaign in order to pay the unusually high bail set by the judge, who presumably knew a touring band when he saw one. Thankfully, the scene came through, the bail money has been raised, and the band member should soon be free. Whether they’ll want to continue on tour after all that remains to be seen — we’d understand if they didn’t.

However, on the off chance that Soul Glo does make it to Richmond, you should absolutely be at the show. Their music is full of powerful, politically-informed hardcore punk with confrontational lyrics and complex, unpredictable riffs that get crowds moving every time they perform. Their performance is every bit the equal of the reactions they get, with the band throwing themselves into their music and leaving it all on the stage in an intense display that leaves no doubt as to how much they value the opportunity to express themselves, and connect with others. Even if Soul Glo don’t make it, this bill will feature a varied and powerful trio of local artists — the hardcore rage of Nosebleed, the gripping electronic terror of MAASK, and the confrontational, experimental hip hop of Prison Religion. But if nothing else, show up because Soul Glo might make it. They’re worth the time.

Tuesday, March 20, 9 PM
Ovlov, Maneka, Fat Spirit @ Flora – $5
Time to get something else out front: I’m not entirely sure what’s going on with this show, y’all. The facebook event page says Ovlov is playing, while the flyer for the tour (seen above) says Ovlov/Stove frontman Steve Hartlett is doing a solo set. What’s the truth? We’ll all have to show up and find out. However, regardless of what’s going on with Steve and his backing band (or lack thereof), Maneka is definitely playing, and this new project by former Speedy Ortiz guitarist Devin McKnight, is worth coming to check out on their own. Their debut EP, Is You Is, released last fall, mixes distorted off-kilter vibes I’d normally associate with the current state of the experimental electronic music scene with some killer 90’s style loud-guitar alt-rock jams of the sort that both Speedy Ortiz and Ovlov have been excellent at reviving in recent years.

It’s nice to hear bands continuing to put a new spin on this sound, which was excellent back in its original heyday but could easily turn into soulless retreads in the wrong hands 25 years later. Steve Hartlett’s hands are not the wrong ones, and that’s true whether he’s fronting Ovlov — which returned to action against all odds last year after splintering in 2015 — or his solo-ish post(?)-Ovlov project, Stove. It’s probably even true if he’s all by himself, considering how well the more acoustic sound of Stove works at replicating that post-Dinosaur Jr distorted-folk sound that Ovlov did in a much louder fashion. So hey, whatever he’s bringing to the table, I’m there for it, and you should be too. The grunge-punk of openers Fat Spirit will be the perfect appetizer for whatever these touring acts have in store. But I must admit… I really hope it’s an Ovlov full-band set. I love that band so much.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 2/28-3/6

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, March 3, 6 PM
Grace Vonderkuhn, Gold Connections, Fat Spirit, Doll Baby @ Hardywood – Free!
It’s a new year, and a lot of musicians are getting a jump on it with brand new releases intended to take 2018 by storm. It’s kinda been an ongoing theme of the column over the past month or so, as a variety of Richmond artists, heavyweights and newcomers alike, have been throwing record-release celebrations intended to let the city know that they’re here and have something strong to offer. The same thing can’t entirely be said of Grace Vonderkuhn, as she’s technically not even a Richmond artist (she hails from Wilmington, Delaware). However, her brand new album, Reveries, was released last week by Richmond’s own Egghunt Records. And while her show at Hardywood this Saturday might not be billed as a record release show, it’s the first chance Richmond will have to enjoy a full-volume live performance showing off everything Reveries has to offer.

There’s quite a bit to be found, too. Vonderkuhn’s live combo is a lean, mean power trio built around her gorgeous vocals and powerful, distorted guitar work. She’s got some killer songwriting and an incredible voice, something that could also be said about Egghunt’s last big discovery, Lucy Dacus. However, Vonderkuhn’s tunes hit harder, bringing a rock n’ roll swagger and a grunge-punk crunch that’ll surely appeal to everyone who still misses the post-Nirvana alt-rock wonderland of the early 90s. Reveries is capable of fitting right into a playlist featuring The Breeders and Liz Phair, but has the tough-girl swagger of The Runaways and The Shangri-Las down as well. What’s not to like?

This stacked show at Hardywood won’t just offer an opportunity to explore the excellent new sounds from Grace Vonderkuhn, though — it’s stacked with talent originating closer to home, starting with Gold Connections. This Charlottesville band has gotten some high-profile props due to frontman Will Marsh’s early work with Car Seat Headrest’s Will Toledo, but one listen to their debut EP from last year will let you know that Gold Connections have more than ample songwriting skills necessary to stand on their own. Their sound is a bit smoother and mellower than Grace Vonderkuhn’s, but overall it’s an excellent pairing. As is the pairing of Fat Spirit and Doll Baby, the two killer Richmond openers who shouldn’t really even need an introduction if you’ve been reading this column for a while. Just go. The show is even free — what more could you possibly want?

Wednesday, February 28, 8 PM
Zaigoat, Lair, NFA, British Sterling @ Strange Matter – $5
I love Strange Matter for a lot of reasons, but their Locals Only series is a big part of it. When I’m putting together this column, the middle of the week sometimes looks kinda lackluster, but if Strange Matter is doing a Locals Only show somewhere in there, I know I’ve got at least one pick locked down. This week is no exception, as the latest LO show (#56 in the ongoing series — keep it up, y’all!) brings us a collection of brand new heavies that anyone who loves metal and punk, definitely including me, can get stoked about. Zaigoat are at the top of the bill, and this brand new band might be considered doom under some lenses but seems more accurately characterized as horror-sludge. I sure am down with that.

Then there’s Lair, who absolutely can accurately be described as doom. This band’s debut EP features two songs and a 22-minute running time, so you know they’re serious as a heart attack. Slow-motion headbangs will be the order of the day when this band hits the stage. Which puts them at the opposite end of the spectrum from NFA, which stands for Not Fucking Around, and they certainly are not! This is the latest loud fast n’ outta control old-school hardcore punk barrage from the dudes who previously brought you Omega Boys and Flickerflame — and if you remember those two powerhouses, you know you’re in for a treat with this one. This gig is rounded out with a set from British Sterling, the latest from a bunch of super old-school Richmond heads who were veterans back when my 40 year old ass started going to shows around here — I’ll go ahead and mention Mulch and Ugly Law, and most of you won’t even know what I’m talking about. Get educated; show up on time to this all-RVA banger.

Thursday, March 1, 8 PM
Conan, The Ditch and The Delta, Gritter, Eldritch @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
It’s Thursday night, and things are getting even heavier over at Strange Matter. Conan is flying in from England, and although Arnold Schwarzenegger is not at all involved, this powerful three-piece will waste no time evoking apocalyptic tales from the Hyborian Age with their brutal, steamrolling metal power. Recently following up their killer 2016 full-length Revengeance with a collection of awesomely grimy demos entitled Man Is Myth, these Brits are fully set to obliterate Strange Matter with a wall of low-end sludge heavyosity. As doom bands go, these guys are actually rather concise, and keep things moving at a relatively non-glacial pace, even as their riffs seem to extend for days. Fans of High On Fire are gonna have a field day with this one.

Meanwhile, fellow touring doomers The Ditch And The Delta come to us from Salt Lake City, which seems like one of the weirdest environments to grow up as a metalhead that I can imagine. From the home base of Mormonism, The Ditch And The Delta bring us a sound that is cleaner and darker than that of Conan, more like early Mastodon or mid-period Neurosis. These two excellent doom crews should pair well together, and they’ll receive capable support from local vets Gritter, whose new LP, Nobody Cares, sees them further refining their take on downbeat NOLA-style sludge metal. The evening kicks off with a set from local newcomers Eldritch, who get points with me for taking a name from HP Lovecraft’s vocabulary list, and for their resemblance to departed sludge-doom legends Burning Witch. This one is gonna rule, friends.

Friday, March 2, 8 PM
Livid, Huntsmen, Desert Altar @ McCormack’s – $7
It’s a doomy week here in RVA, as Friday night finds Between 2 Beers and  McCormack’s bringing Shockoe Bottom into the act. Thankfully, Livid — who share a label with The Ditch And The Delta from the last show I wrote about — have their own disctinctive take on this sometimes-repetitive genre, keeping this week from blurring into a single long, sludgy riff. This Prosthetic Records crew hails from Minneapolis and released an excellent LP last summer entitled Beneath This Shroud, The Earth Erodes. This should give you some idea of where this group is coming from; if not as persistently gloomy and depressing as Loss or 40 Watt Sun, they nonetheless have a spooky vibe that mixes intriguingly with their progressive leanings. Fans of Helms Alee or early Isis will get a lot out of this band’s darkly fascinating sound.

They’re joined on this bill by Chicago’s Huntsmen, who are not the long-gone 60s garage band. This relatively new and frankly bizarre band mixes doom vibes with Americana, interjecting elegaic Southern folk reveries into the midst of melodic doom metal songs. Rather than doing so at random or in a jarring manner, the Huntsmen take advantage of the lengthy running times common in the doom metal genre to create smoothly building structures that take their songs from quiet folk beginnings to incredibly heavy crescendos, and sometimes back down into acoustic reveries. Plenty of doom bands have had apocalyptic-folk side projects over the past several years, but the Huntsmen have found a way to integrate these two disparate yet spiritually similar sounds — something I never would have predicted anyone could pull off. In a genre that can sometimes be a bit samey, they are unique, and that’s impressive. Don’t miss them.

Saturday, March 3, 7 PM
American Nightmare, Pissed Jeans, Protester, Cloak/Dagger @ The Broadberry – $20 (order tickets HERE)
Let’s start with an important note: as of this writing, this show is not sold out YET. But if you don’t even need me to tell you why you should care, and somehow forgot to buy your ticket already, skip the rest of this writeup and click that ticket link NOW (or try the facebook event page — there are at least a few people selling tix over there). OK, now that that’s out of the way, let me try to explain to the rest of you why some people are freaking the hell out that American Nightmare is coming back to town. See, this band went away for a long time. One of the bands — if not THE band — to ignite the early 00s hardcore revival, American Nightmare mixed the erudite, emotional lyrics of Wes Eisold with a rage-filled take on Boston hardcore riffage and some 21st century speed to start a new movement within the genre.

The band encountered a series of setbacks in their early years, ultimately being forced to give up their original name by another band that had copyrighted the phrase. However, with their return to full-time action in 2016 (after over a decade apart), they were able to reclaim the name, and just recently released their self-titled third album on Rise Records. The album shows that Eisold and co. haven’t lost a step, incorporating a slightly higher percentage of melody into the same angry riffage and passionate lyrics that made the scene fall in love with them nearly 20 years ago. As if that isn’t enough reason to go to this show all on its own, the fact that they’re joined by post-hardcore sludge-monsters Pissed Jeans, DC straight edge rippers Protester, and veteran RVA garage-hardcore hybrid Cloak/Dagger should be more than enough to get you to pony up the ticket price for this jammer. But act fast! Tomorrow may be too late.

Sunday, March 4, 6 PM
Hate Club, The Death Vacation, Nightcreature, Deli Kings @ Capital Ale House – $5 in advance/$7 day of show (order tickets HERE)
This Sunday, Albany invades Richmond, as Hate Club and The Death Vacation roll into town and set up shop at Capital Ale House, of all places. Albany’s always had a pretty unique scene, and it doesn’t require knowing much more than the fact that Self Defense Family hails from that city. That band’s amorphous lineup and unpredictable take on post-hardcore seems to exert at least a little bit of an influence over the whole city, not least because almost every musician in Albany has been in SDF at one point or another. Indeed, two members of The Death Vacation are former members of SDF spinoff band Aficionado — but then, Aficionado were always a pretty strange exercise in and of themselves, and The Death Vacation is pretty far removed from their own former band. At which point, my whole analogy blows apart like a house of cards.

So what the heck can you expect from Hate Club and The Death Vacation when they arrive in RVA? Well, Hate Club have the sort of jangly, poppy sound that derives influence from early 90s slacker grunge crews like Pavement and Guided By Voices, and therefore should be a big hit with the whole Citrus City scene, who are spiritually very much in line with that whole aesthetic. The Death Vacation like to stomp the distortion pedals a bit harder, and therefore are a bit more reminiscent of Dinosaur Jr, only crossed with early Weezer to add that proper note of weirdo pop goodness. Basically, it’s all killer, and the addition on this bill of post-You Go Girls up-and-comers Nightcreature is pure gravy. Get stoked!

Monday, March 5, 7 PM
Wallows, Field Medic @ The Broadberry – $15 (order tickets HERE)
Sometimes I just give bands whose names I don’t recognize a brief listen before writing about them to make sure I’m into them enough to give them my stamp of approval. Then I google them when I’m actually about to write the column and find myself going, “Oh holy shit, I didn’t expect that!” Such is my current situation, where the catchy indie-rock of Wallows was pleasing enough at first listen that I picked them for the show column this week without ever discovering that frontman Dylan Minette is on that Netflix show 13 Reasons Why… until right now. Oops.

But it’s really not a big deal; after all, if Wallows were good when I just thought of them as three random dudes from LA or wherever, they’re still good now that I know one of them is a random famous guy. They’ve got some really catchy tunes that sorta remind me of early Strokes, sorta remind me of Parquet Courts, but mostly just get my feet tapping in an excellent manner. They don’t have an album yet, having only released a succession of four digital singles with themed covers, but those songs give more than enough reason to expect a killer set from this band when they show up to The Camel Monday night. That way, even if the front row is full of blushing teenage girls that only came out to get a glimpse of Clay Jensen in the flesh, there’ll still be some people there to appreciate the music. Which is really what it’s all about.

Tuesday, March 6, 7 PM
Young Scum, Jouska, Strawberry Moon, Cat Duggan @ Sound Of Music Studios – $5
Those days early in the week when it’s sometimes hard to find anything fun to do, it’s nice to find an old reliable friend dishing out the killer jams and giving us a chance to dance, long before the weekend rolls around. That’s the role Young Scum are playing Tuesday night as they head up an excellent bill over at Sound Of Music. It’s been a while since they had some new tunes out — 2016’s Zona EP was the last new release — but those songs haven’t dulled any with age, and at this point it’d be a big surprise if there weren’t at least a couple new rockers the band’s ready to spring on us all. So either way, we win!

The Scummers (actually the most clean-cut nice-looking fellas, but hey, I didn’t name them) are joined on this bill by touring crew Jouska, who like the touring bands on Sunday night’s show are from Albany. Interesting. Their sound is, as you might expect from that previous writeup, pretty unusual, and definitely engaging. It mixes quiet, emotional moments with off-kilter jangle riffs and some outright ambience to bring a unique overall vibe to both their forthcoming Tiny Engines EP, From Elson To Emmett, and to Sound Of Music Studios, where such styles are always welcome. Local openers include ambient pop star Strawberry Moon and folksy strummer Cat Duggan, who are sure to sweeten the pot.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Top image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 1/31-2/6

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, February 2 & Saturday, February 3, 8 PM
Cory’s Big Sloppy Hate Fest Round 2, feat. Day 1: Charmer, No Mas, Jars Full Of Blood In Hell: Action Unit III, War Bonds, Cremains; Day 2: Uncle Buck, Nerve Rot, Kryptcest, Van Hagar, Musket Hawk @ McCormack’s – Free!
Guess who’s back? OK yes, the show column is back after a week’s hiatus… but that’s not what I’m talking about! Nope, it’s Between 2 Beers Productions, still cranking out the shit-hot metal spectaculars after several years of nonstop booking all around Shockoe Bottom and beyond! B2B majordomo Cory Nicholas is taking things to a higher gear at the start of 2018 by returning to a winning tactic for a jam-packed weekend of brutality. Cory’s Big Sloppy Hate Fest is back for another round, and it’ll be taking over the upstairs room at McCormack’s in the Bottom for two straight nights of carnage. Strap in, folks.

Night one is full of grind, power violence, and other blastbeat-related genres full of speed and noise. DC’s No Mas are the star attraction on this bill, dishing out a Rotten Sound/Nasum-ish brand of extremely metallic crust-grind, laced with the occasional killer Anthrax-style mosh break. Virginia Beach heshers War Bonds have somehow landed on a sound that mixes thicknecked tough-guy mosh with death metal, or something like that. It definitely has its charms. As for locals, Charmer’s been plying their ripping speedcore around town for a while now, but still don’t seem to be getting the attention they deserve–let’s fix that, shall we? Meanwhile, the incredibly named Jars Full Of Blood In Hell: Action Unit III seems to be shooting for some mix of bass-drum grind a la No Comply and 80s-action-worship a la Graf Orlock. Color me intrigued.

On Saturday night, the hits keep on coming, with two excellent Maryland bands at the top of the bill. Uncle Buck takes a different approach to the 80s-movie theme, but their songs fly by so fast and hit so hard you’re not even gonna worry about it. Recommended for fans of Lack Of Interest and other prime Slap A Ham classics. Musket Hawk are not in as big of a rush but their thrashcore-meets-death metal approach to riffage hits every bit as hard. Local grind stalwarts Van Hagar are also on board, and word is they’re hard at work on an LP, so you can expect some killer new material from these freaks. VB low-end death ragers Kryptcest, as well as the first live appearance of Nerve Rot (featuring members of US Bastards and Unmaker) round out a killer night that’ll keep you full of sloppy hate for weeks to come. The best part is that this entire two-day shindig is free; at that price, how can you say no?

Wednesday, January 31, 8 PM
Des Demonas, Paint Fumes, Stake @ Strange Matter – $10 (order tickets HERE)
Oh wow. Usually when these retro-garage style bands hit town, I’m ready for a whole lot of rocking with very little intellectual thought behind it. And that’s awesome — sometimes it’s exactly what a body needs, and I can definitely recognize that. However, Des Demonas are coming from a whole different perspective, primarily because of their  singer, Jacky Cougar Abok. This intense Kenyan firebrand shifts on the self-titled Des Demonas debut LP (released in December on In The Red) between raging rock n’ roll delivery and outright Gil Scott-Heron style political declamations, the most formidable of which is album opener “The South Will Never Rise Again.”

“You can build a big fucking wall between the border of the United States and Mexico but the South will never rise again,” Abok declares, not an ounce of amusement in his voice. Backed by members of veteran DC punk and garage combos like The Make-Up, Medications, and Kid Congo Powers’ Pink Monkey Birds, Abok and his compatriots bring a foreboding, midnight-dark feel to the whole garage-punk thing, much like Ex-Cult, who are personal faves, so you know I’m in. Get ready to dance, but don’t turn your brain off just yet, because Des Demonas are gonna make you use it. Paint Fumes, who’ve made plenty of friends in RVA over their decade or so of existence, are back in support of their year-or-so-old second LP, the excellently titled If It Ain’t Paint Fumes It Ain’t Worth A Huff. And of course, if Paint Fumes are playing, it can’t be much of a surprise that Chaz Tick’s latest project, Stake, are opening up. Killer.

Thursday, February 1, 8 PM
Stop Worrying And Love The Bomb, Enemy Exorcism, Pissing Contest, Maximum Zero @ McCormack’s – $5
More fun, more punk, more Between 2 Beers excellence… it’s shaping up to be that kind of week. I never thought I’d be recommending as many McCormack’s shows as Strange Matter shows, but here we are, and there’s definitely some credit due to Cory and the B2B crew for that one. And hey, it doesn’t hurt that they’re consistently bringing good bands to town — in this case, Stop Worrying And Love The Bomb, who hail from up around DC way. I’m sure I’m not the only one here who’s a sucker for a Dr. Strangelove reference, and it also doesn’t hurt that this band has found a way to do straight-up old-school punk riffage with a melodic sense that is almost power-pop in its sugary goodness. Think Sheer Mag riffs played by the Adolescents, or the Dead Boys stealing licks from the Raspberries — something like that.

Stop Worrying And Love The Bomb are joined on this bill by a triple threat of Richmond punk reprobates, which is headed up by Enemy Exorcism. I’m kind of surprised to see this band’s name on a bill again, as it’s been a few years since they were really around too much, and as the only recorded evidence of their sound I’m aware of dates back to the dawn of this decade, I can’t really tell you how much they have or haven’t changed in the intervening years either. But I’m definitely curious, I’ll say that. Pissing Contest are way less of a mystery, and more of an institution around town. They’re mainly punk in the riff style but just tight enough and crunchy enough to be vaguely metallic. Not bad! And then of course there’s Maximum Zero, the fake Soviet band who pop up every now and then with another entertaining twist on a bizarre gimmick. I’m ready for another dose — how about you?

Friday, February 2, 8 PM
Lola Pistola, Magnus Lush, Toward Space @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
If you’re anything like me, you hear the name Lola Pistola and think, “Oh damn, is this another garage-punk show?” But here’s the thing — it’s not! Lola Pistola is not just a musical project but a person, or at least a persona, who leads this Brooklyn combo, and she gives it an intriguing sound that is hard to pin down. Last year’s Curfew was an excellent LP that roamed the entire musical landscape over the course of its 10 songs, from the Hole-style moody alt-rock of “Carroll St” and the jangle-punk of “I’m Stupid” to the hazy acoustic ambience of “Doomed” and the gloomy balladry of “Friday Night.”

So what will Strange Matter goers get from this band/frontwoman’s performance this Friday night? It may not be that easy to predict from moment to moment, but it’s sure to entrance and enlighten showgoers. One thing that holds strong throughout Lola Pistola’s varied discography is an assured songwriting talent that brings us a strong, clear voice. That voice is our guide through the many musical moods it wanders, and it stays true throughout. The RVA locals opening up bring us their own strong voices despite different musical approaches; Magnus Lush’s complex yet tough take on post-hardcore, or maybe postpunk, lands somewhere in the neighborhood of both Fugazi and the Bush Tetras. Toward Space mix the Shangri-La’s with the King Khan & BBQ Show, bringing raging retro rock n’ roll with a heart of gold. It’s all gravy.

Saturday, February 3, 8 PM
Mammoth Grinder, Genocide Pact, Occvlta, Left Cross @ Strange Matter – $12 (order tickets HERE)
Mammoth Grinder is back, in more ways than one! This Texas band has finally released their fourth album, Cosmic Crypt, after a five-year break; also, they’re coming back to RVA, which is especially nice now that the band features two Richmond locals in the form of Iron Reagan’s Ryan Parrish and Mark Bronzino. Does this mean we can say they’re coming HOME? Well, let’s not get too excited, as frontman Chris Ulsh’s loyalties still lie very much with Austin, where he swings the sticks for living thrash legends Power Trip. But it’s hard to remain complacent when faced with an incredible album like Cosmic Crypt — that old-school death metal sound that’s been getting such a workout in recent years is done to perfection here.

Indeed, I’m sure a dubbed cassette of this album would go right into heavy rotation if it were taken 25 years back in time and dropped into the waiting Camaro (or Chevette, as the case may be) of any suburban headbanger. But its retro appeal is no strike against it, and honestly I’d take this album over most of the early Obituary albums I cut my teeth on back then. Yeah, I said it. Genocide Pact, who are on tour with Mammoth Grinder, have an even newer album (this show occurs only one day after its official release), Order Of Torment, which also harks back to the early 90s prime of first-wave death metal — though this time, I’m thinking more of Incantation. Whatever, the point is it’ll get your neck snapping, as will a bonus set from German thrashers Occvlta, whose killer take on early black metal fits right into the early-90s evocation of this whole bill. Left Cross kick the whole thing off, and they’re always a treat, so show up on time!

Sunday, February 4, 8 PM
Classical Revolution RVA presents Andrew McEvoy, Django Tango @ The HofGarden – $6 in advance/$8 at the door (order tickets HERE)
If you’re thinking that this column has leaned really hard on punk and metal so far this week, rest assured I’m thinking the same thing. Variety is the spice of life, and we all need to change it up from time to time, so this Sunday night full of classical guitar performances, being presented by Classical Revolution. Admittedly, I don’t know a ton about classical music of any kind, but this one sounds intriguing. Guitarist Andrew McEvoy will be performing solo, doing his new album Parlor Tricks. This album, which features pieces by Chopin, Villa-Lobos, and Dyens, among others, was put together by McEvoy to demonstrate the influence that folk rhythms had on the music of Parisian high society.

That’s a fascinating enough premise for me right there. And when you add in a performance by Django Tango, a local trio who pay tribute to the early 20th-century Romani guitar master Django Reinhardt and his hot-swinging Manouche jazz sound, I’m definitely hooked. Reinhardt’s swinging sound had its own effect on the sounds of Parisian society in the 30s, and was one of the major movements in jazz music in general at the time. This night won’t have you banging your head, and you can leave your earplugs at home, but where entertaining musical spectacles are concerned, this one’s as good as any death-metal extravaganza.

Monday, February 5, 8 PM
Phlegm, Dweebs @ McCormack’s – $5
Speaking of death metal extravaganzas, though, we’ve still got one more for ya this week, and even though right now the bill only features two bands, the presence of Phlegm at the top of it is really all you need. Phlegm are hardly the most famous death metal band to exist in the history of the genre, but they were on the scene from the beginning, forming in 1988 and becoming a Rhode Island legend through their demos and their work booking touring bands in their area.

Since their breakup in the early 90s, Phlegm have developed a steady cult following, and in the wake of their reformation several years ago, and a 2015 double-disc reissue of all their early demos entitled Consumed By The Dead, they’ve kept at it with a higher profile than ever. So even with only one random opener on the bill, they’re still worth the trip down to Shockoe Bottom all by themselves. I have no idea who Dweebs are, but I’m pretty sure they’re not the ridiculous-seeming family band from Wisconsin that keeps showing up on google searches… I guess we’ll all find out together! And then Phlegm will run us over and it’ll be awesome.

Tuesday, February 6, 6:30 PM
Tiny Moving Parts, Mom Jeans, Oso Oso @ The Camel – $13 in advance/$15 at the door (order tickets HERE)
OK yes, Tiny Moving Parts have been to Richmond within the past nine months or so, and yes, I sent you to that show too, but OMG I’m still so excited about this, because they have a new album out and it’s probably the best thing they’ve done to date. Considering how much I loved 2016’s Celebrate, that’s a strong recommendation to say the least, but seriously, Swell (which came out just last Friday) is even MORE crammed with indelible melodies than the last album, and still hits that same level of passionate emotional intensity. And on top of all that, I feel like it’s even more energetic and bouncy… basically, what I’m telling you is that this already-great band got better in every way.

Is that enough to get you in the door at The Camel on Tuesday night? Or do you need even more? Well, if you’re on the latter side of things, the fact that Mom Jeans is on this bill will surely sway you. At least I’d hope so. This melodic emo band has a bit more of a lovelorn feel than Tiny Moving Parts, but between their name and the fact that they recently followed up their debut LP, Best Buds, with a three-way split EP called NOW That’s What I Call Music Vol. 420, it’s clear that they have a sense of humor as well. In the world of emo, that can be a pretty difficult quantity to come by, so whoever’s gonna lay it on us at any point is a welcome presence on a bill that, in all honesty, is gonna see 90 percent of attendees getting all choked up at some point. Openers Oso Oso (“bear bear” in English) bring some more upbeat punky sounds to the whole emo thing, so while all of these bands will tug at your heartstrings, none of them will take quite the same musical approach to do so. Variety is, after all, the spice of life.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Top photo by xKgB Productions

Post Nothing, Crushed!?, Deadball @ McCormack’s

|

Topics: , , ,

I know we all get used to thinking of Between 2 Beers Productions as the go-to people for metal in this town, but they’ve got broader horizons than you might think, as this Friday night Shockoe Bottom bill will make clear. California’s Post Nothing and New Mexico’s Crushed!? are coming through with a killer tour package, and while it’s certainly awesome, there’s not really anything metal about it. Post Nothing have a raging sound that is both indebted to hardcore and pushing completely beyond that genre’s borders. It’s really tempting to call this band “post-hardcore,” in fact, but based on their name I have a feeling they’d be a little frustrated about that, so I’ll just say that their hard-rocking riffs remind me of bands like Xerxes and Refused and leave it at that.

As for Crushed!?, (love that little confluence of punctuation marks) they have a bit more of an emotional focus, as is made clear on 2017 EP Giant Robots And Existentialism. The same sort of hardcore influence lies beneath their driving, melodic riffs as one can hear from Post Nothing, but they take it in an introspective rather than forceful direction, bringing to mind bands like Hot Water Music or local heroes Sea Of Storms. Local openers Deadball are a loud n’ proud punk rock band with no frills on offer–slightly different than what you might expect from the local openers on a show like this, but sure to be plenty of fun nonetheless. You really can’t lose with this one, metal or no metal.

RVA Shows You Must See This Week: 1/10-1/16

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, January 12, 7 PM
RVA Lyricist Lounge, Vol. 1, hosted by Radio B, feat. Michael Millions, AGM/Southpaw, Mutant Academy, Gritty City, Noah O, Joey Gallo, Born Unique, Intalek, Easalio, Chance Fischer, Cane, Cole Hicks, J Slim, Nu3ra Ness, Misterelle, Reppa Ton, RezonDaDawn, and more @ Strange Matter – $10
Radio B has been a prime mover on the Richmond hip hop scene for a while now, and his efforts not only to make great music but to help cultivate the culture and push the genre forward locally have been the reasons. With 2018 just getting started, he’s wasting no time, bringing the first installment of a planned monthly event, RVA Lyricist Lounge, to Strange Matter this Friday. With this event, Radio B and his compatriots hope to “be the catalyst for better writers and emcees in Richmond and all over the world” by emphasizing lyricism and making bars, flows, and wordplay important within the local scene. Sounds like a worthy goal. Are you in?

Well, for those on the fence, there’s a powerful inducement to make it out to the premiere of this new series right at the top of the bill. Michael Millions, who has been one of local hip hop’s leading lights, just dropped Hard To Be King, a new album that’s getting everyone talking. Word on the street is that this guy’s poised to blow up, so now’s the time to get in on the ground floor and catch him live in an intimate setting. Plus, there’ll be a limited physical release of Millions’ 2016 collaboration with Radio B, Tenthsndhrs, available at the show for the first time.

This is just the beginning of what is going on at this show, and we don’t have too much space, so let’s lay it down real quick: cyphers from hot local crews AGM/Southpaw, Mutant Academy, and Gritty City, as well as more cyphers featuring a variety of local and regional lyrical talent–a list is above, and I know you know at least some of those names. Southpaw Battle Coalition, who’ve been making battles a threat again locally, will be sponsoring a tryout battle between up-and-comers TRIG and Basement Chemistry. And there are 15 cypher slots available on a first-come-first-serve basis so you young unknowns can grab the mic and let the people know. The whole thing will be aired on the RVA Lyricist Lounge YouTube channel, but it’s just not the same when you’re not there in person. You know what to do.

Wednesday, January 10, 8 PM
True Widow, Hex Machine, Twin Drugs @ The Camel – $12 (order tickets HERE)
Veteran Dallas act True Widow returns to RVA for what has to be at least their seventh time or so playing here. This is their first time playing The Camel, which is at least somewhat noteworthy, but more important is the hazy, heavy sound they’re bringing with them. You might hear True Widow described as shoegaze in certain circles, but this description will in no way prepare you for the volume and power of their three-piece attack, which to my mind lands closer to doom metal. However, the melodic, psychedelic streak running through this band’s material, especially their most recent album, 2016’s Avvolgere, leavens their more crushing moments with a beautiful undertone that will keep you smiling even as they bowl you over.

They’ll be joined on this bill by local noise-rock trio Hex Machine, who’ve been mostly inactive since the release of their 2013 album Fixator, mainly because singer/guitarist Trevor Thomas and drummer Douglas Andrae have been holding it down as the latest rhythm section for celebrated noise legends Today Is The Day since 2015. However, they’ve brought in Antelope King’s Alex Ricart on bass and returned to action over the last few months, firing on all cylinders and with some new material in the works. Theirs is a welcome return, and their presence on this bill is equally welcome. Fuzzy newcomers Twin Drugs will kick the whole thing off and get you in the mood for the serious amplifier volume that awaits.

Thursday, January 11, 8 PM
Aerica Lauren, OwlRare, On The Water, Julie Storey @ Sound Of Music Studios – $6
It’s a night of quiet beauty at Sound Of Music, with headliners that seem to share a similar vibe even as they take completely different approaches to their music. Prolific songwriter Aerica Lauren a prolific songwriter keeps it raw and real with acoustic instrumentation and some memorable, affecting lyrics. The intricate beauty of her softly plucked strings intertwines with her strong, clear voice and sends you drifting away on the breeze. OwlRare has a darker, moodier vibe on first listen, but this solo performer’s deep, emotionally vulnerable vocal tones and unadorned acoustic guitar strums are equally likely to transport you to some secret place deep inside your mind. Both must be heard to be believed.

Philadelphia’s On The Water are not a solo project, but despite bringing together multiple members, this group operates in a quiet, ambient space constructed as much out of the space between notes played on several instruments as by the chords being struck–though they’re not afraid to hit hard and crank up the volume when the occasion merits it. Finally, this show will also feature Doll Baby frontwoman Julie Storey playing a solo set–and the word is that this will be her last time doing so. Therefore you’d be very well-advised to arrive on time.

Friday, January 12, 8 PM
Post Nothing, Crushed!?, Deadball @ McCormack’s – $5
I know we all get used to thinking of Between 2 Beers Productions as the go-to people for metal in this town, but they’ve got broader horizons than you might think, as this Friday night Shockoe Bottom bill will make clear. California’s Post Nothing and New Mexico’s Crushed!? are coming through with a killer tour package, and while it’s certainly awesome, there’s not really anything metal about it. Post Nothing have a raging sound that is both indebted to hardcore and pushing completely beyond that genre’s borders. It’s really tempting to call this band “post-hardcore,” in fact, but based on their name I have a feeling they’d be a little frustrated about that, so I’ll just say that their hard-rocking riffs remind me of bands like Xerxes and Refused and leave it at that.

As for Crushed!?, (love that little confluence of punctuation marks) they have a bit more of an emotional focus, as is made clear on 2017 EP Giant Robots And Existentialism. The same sort of hardcore influence lies beneath their driving, melodic riffs as one can hear from Post Nothing, but they take it in an introspective rather than forceful direction, bringing to mind bands like Hot Water Music or local heroes Sea Of Storms. Local openers Deadball are a loud n’ proud punk rock band with no frills on offer–slightly different than what you might expect from the local openers on a show like this, but sure to be plenty of fun nonetheless. You really can’t lose with this one, metal or no metal.

Saturday, January 13, 8 PM
When Particles Collide, Glass Twin, School of Rock Short Pump, School Of Rock Midlothian @ The Camel – $7 (order tickets HERE)
This will be an entertaining and unusual night at the Camel, that’s for sure. It all starts with When Particles Collide, a bouncy duo with an elastic sound that calls to mind everything from Blondie and Devo to Cheap Trick and oldies radio. They’ve been on a crowdfunded tour since last May, and their Patreon-like subscription service (fans can contribute amounts equivalent to tanks of gas, hotel rooms, meals, and more, on a monthly automatic-donation basis) has kept them rolling thus far, and they hope to keep things going til at least next summer.

See how it’s going and get rocked in the bargain by coming out to The Camel this Saturday night–and while you’re at it, you’ll not only get a great set from capable local indie vets Glass Twin; you’ll also get to see performances by student groups from two different local branches of the School Of Rock. That’s right, the program for middle schoolers that Jack Black started in the Richard Linklater movie is based on a real thing. So this night will give you a chance to check out some hard-rocking kids strutting their stuff and showing what they’ve learned. That alone is probably worth the price of admission, and you get two excellent adult bands in the bargain. Why not?

Sunday, January 14, 6 PM
Iron Reagan, Despise You, Cemetery Piss, Left Cross @ Champion RVA – Free for 21+, $10 for under 21
It’s not quite a beer bash at the moon tower, but this sure does look like a wild, excellent party that’ll hark back to days of yore for many of us who still love to thrash despite not being as young as we once were. Iron Reagan, once a young upstart of a Municipal Waste side project, are now on their third album, and have become just as venerable a crossover thrash institution as the Waste themselves. In preparation for their upcoming split with Gatecreeper, they’re out on tour once again, and in celebration of Champion’s one-year anniversary of opening their Richmond location, this rock n’ roll brewery will be bringing Iron Reagan to their stage for a night of metal thrashing madness!

Iron Reagan’s partner on this tour is Los Angeles band Despise You, a pioneering grind-crust ripper of a band that made a big noise back in the 90s and returned to action more powerful than ever a little less than a decade ago. This will be their second time hitting Richmond since the reformation, but the first time was over six years ago, so surely a lot of us have built up a big time thirst to see them rip it up once again. Baltimore rippers Cemetery Piss and local old-school death-thrash revivalists Left Cross will round out the lineup with plenty more awesomeness, and–if you’re over 21–the whole thing is free! I’m sure the $10 admission for those under 21 is to offset lost beer sales, but honestly, it’s pretty steep, especially since 40-something straight edge kids like myself can beat the system by neither paying admission nor buying beer! Oops, I did it again!

Monday, January 15, 8 PM
Anneliese, Donnie Dale, Kenneka Cook, Tara Dillard @ Strange Matter – $5
It’s time for another edition of Strange Matter’s excellent Locals Only series. This week’s curator, Anneliese Grant, sings in The Folly, a local folk-rock combo who’ve been very active around town for the last couple of years. However, she’s been making a name for herself as a solo artist lately too, with the release last summer of her Out To Graze EP. The soulful pop bounce of the tracks on this EP have a totally different flavor than her work in The Folly, but that knack with a melody shines through in both venues, so anyone who gets down with one project should enjoy both.

Anneliese isn’t the only member of the Folly who made it onto this bill, with fiddler Tara Dillard taking an opening slot to roll out a set of her solo tunes. Inbetween her kickoff set and Anneliese’s big closer will be two other intriguing performances. One will come from Donnie Dale, a local singer and producer who has previously recorded and performed under the name MNLV, and apparently has a whole new approach to lay on us. The other is from Kenneka Cook, who’s been getting a ton of attention lately as she prepares to release her debut album, Moonchild. This soul-jazz singer has a distinctive style that’s already won many listeners over, and if you’re not among that number, this night is sure to convert you.

Tuesday, January 16, 8 PM
Rosedale, Halfcast, Silver Twin, In The Water @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
If you thought you would get through a whole week of my column without me talking about emo, well, you’ve got another think coming. Not that Rosedale would necessarily identify as emo–this 15 year veteran project hailing from Canada is actually the work of one man, Mike Liorti, who according to facebook would call Rosedale a “progressive power pop” group. But I know emo when I hear it, and considering that this Canadian guitar-slinger alternates between playing with a full band and touring with a solo setup that he brings to life all by himself, it seems to me that this group could easily be called Canada’s answer to Into It. Over It.

Of course, Rosedale busts out a lot more synths on a typical release than Evan Thomas Weiss would, and ultimately seems to draw more from the softer side of the genre–they’re more Spill Canvas than Pianos Become The Teeth, that’s for sure. But one listen to recent EP Again is enough to convince me that, regardless of genre, Rosedale is well worth catching live. The fact that they’re joined by some killer local rockers like Halfcast and Silver Twin, along with new local group In The Water, is enough to let us all know that this will be an excellent show from beginning to end. Don’t miss out, y’all–after all, what else have you got going on on a Tuesday night?

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]