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VA Shows You Must See This Week: September 11 – September 17

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FEATURED SHOW
Sunday, September 15, 7 PM
Swordplay, PT Burnem, Blackliq, Killroy G, D R O N E S @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
It’s always nice when a prodigal Richmond musician returns home, and that’s what’ll be happening at Gallery 5 this Sunday as Swordplay hits Richmond once again to celebrate the release of his latest album, Paperwork. The rapper who last made a mark on the Richmond scene with his 2013 LP Tap Water has been living on the West Coast for over four years now, and he returns to Richmond having received a law degree from Berkeley. Not bad, right?

While Paperwork isn’t technically Swordplay’s first release in six years — a reissue of a 2009 CD-R release (remember those?) called Malista came out on cassette (we would have said “remember those?” about cassettes in 2009) earlier this year on MilledPavement Records — it is the first real new material from Swordplay in over half a decade, and shows quite a bit of growth since Tap Water, even as it retains all the qualities that made previous Swordplay albums so great: forthright emotion, complex and irreverent wordplay, acoustic and melodic touches mixing with pounding boom-bap beats to keep you dancing.

It’s always nice to see what’s been up with someone we haven’t been in touch with for a while. On Paperwork, Swordplay makes clear that he’s still doing well. And for his release party at Gallery 5, he’ll be gathering together a whole bunch of old friends to remind us all what we’ve been missing. He’s joined by some frequent collaborators, including the illustrious and always furiously political PT Burnem and the introspective and talented producer Erik Akers, aka D R O N E S. Sets from veteran Richmond emcee Blackliq and recent up-and-comer Killroy G will round out this bill with some serious rhyme fire. Get ready.

Wednesday, September 11, 8 PM
John Cage’s Musicircus, curated by Brian Jones, Justin Alexander, Antonio Garcia; feat. Suzi Fischer, Pinson Chanselle, Scott Burton, Reggie Pace, Zach Ware, Justin McConchie, Colleen Thorburn, Tony Martucci @ WE Singleton Center For The Performing Arts – Free!
It’s the middle of the week and we could all use something different. But over at VCU’s WE Singleton Center For The Performing Arts, some music-department faculty are getting together with a bunch of notable Richmond musicians to find out just how different things can get. Tonight they’ll all be gathering to perform John Cage’s Musicircus, one of many conceptual pieces created by 20th century experimental composer John Cage, who is most famous for “4’33” (yeah, the totally silent song).

This Cage piece is not silent at all, but instead described as a situation in which any number of musicians are gathered together in the same place at the same time and instructed to play whatever they want, without regard to what anyone else is playing, for at least an hour. If you’re imagining a wall of absolute noise chaos, you’re on the right track — but the whole reason Cage came up with the idea was to get people to look beyond the wall of noise and find the interesting juxtapositions that exist within. With members of the Spacebomb house band, No BS! Brass Band, Luray, The Big Payback, Agents Of Good Roots, and many more talented local musicians involved in this particular performance, potential is high for some amazing sounds to come out of it. Listen closely.

Thursday, September 12, 8 PM
Hand Out, W I S H, Midlife Pilot @ Bandito’s – Free!
Going to free shows is never a bad idea — even if you’ve never heard the bands involved. Take this one, for example — before I checked out the event page for this free show at Bandito’s, I had no idea who Hand Out are. Now that I’m familiar with this New Orleans-based melodic punk quartet, I’m giving this show highest marks. Hand Out’s 2018 EP, Blood & Water, was already pretty great, and they took things to an even higher level of excellence on their split EP with Ghostpool, released earlier this year.

Having spent some time with Hand Out’s ringing guitars, excellent vocal harmonies, and driving tempos, I’d say that they’d be worth paying a significant sum to see live. But hey, at Bandito’s this Thursday, you get to see them for free! You’d be a fool to turn that deal down, especially with local shoegazers W I S H and catchy Richmond pop-punkers Midlife Pilot on the bill as well. Plus — like I’m always telling you with Bandito’s shows — you can use the money you would have spent on admission to buy a big delicious plate of nachos. There’s nothing not awesome about that.

Friday, September 13, 7 PM
Max Gowan, Coy Pond, BigDumbBaby @ Black Iris – $5-10 suggested donation
The experimental sounds that were a regular occurrence at Black Iris a year or so ago have mostly died away or found other places to land, but this Friday night event shows that this gallery hasn’t entirely turned away from live performance — always a nice thing to learn in a city where finding a place to catch live music can sometimes be a challenge. What’s really nice is the sounds Black Iris is bringing us this Friday, mainly from DC songwriter Max Gowan.

Gowan sometimes performs under the name Max Gowan And The, which should tell you a little bit about how he operates. Bygones, the LP he released earlier this year, is full of quietly beautiful acoustic pop tunes that sound like they were recorded in a very private ad-hoc space (a bedroom, perhaps?), but glow with perfect melodies that shine in the slightly experimental context in which they exist. This sort of music may experience an interesting transition into the live environment; indeed, this may be the sort of show that everyone will get the most out of if everyone is very very quiet. But that doesn’t mean you should skip it — quite the contrary. Gowan has a lot to offer, and the fact that you might have to listen closely only makes the eventual payoff that much more rewarding.

Saturday, September 14, 9 PM
Grebes, Nicomo, Moons @ The Dark Room – $5
I haven’t heard much about Richmond-based singer-songwriter project Grebes, and apparently I’ve been missing out. A solo creation from Jacob Ungerleider, who previously played in Natalie Prass’s backing band, Grebes is a keyboard-driven powerhouse of quietly soulful indie pop sounds. They demonstrate their facility with that style on debut LP House Creature, which was released earlier this year, and if you dig the idea of The Beatles jamming with Marvin Gaye in the wee small hours of the morning, you’re going to want to dig into this one.

You’re also going to want to come check out New York trio Nicomo, the Nico Osborne-led trio who just released their latest EP, Views, last month. Its six songs showcase Osborne’s songwriting prowess, and the group’s charming folkish sound, which also mixes in unusual instruments and field recordings to add a bit more texture — though who knows how such things will come off in the live environment. Regardless, it should be lovely. Richmond-based opener Moons will add some texture to the evening with some Hendrix-inspired psych-rock jams to get your night started right.

Sunday, September 15, 9 PM
Serial Hawk, Druglord, Scaphe @ Wonderland – $10
This show is for all you intellectual post-metallers who enjoy slow-motion headbangs but get more stoked when you’re afforded an opportunity for contemplation of sheer riff majesty. Serial Hawk, an epic quartet who mix Isis-style moments of mood with brutal slow-motion pound and outright noise like Windhand jamming with Neurosis, are sure to please your ears when they pound hairline cracks into the Shockoe Bottom sidewalks outside Wonderland this Sunday night.

On tour behind their brand new double LP, Static Apnea, Serial Hawk are bringing an intriguingly complex and less-than-predictable approach to the intersection of two genres — post-metal and doom — which in 2019 can both feel very played out in less capable hands. Serial Hawk will remind you of why you loved all this music in the first place, and they’ll do so while blowing your mind (and your eardrums). They’ll be joined in this by Minnesota ragers Scaphe, who up the tempo and the noise for their complex and scathing two-piece approach. Richmond stoner heroes Druglord will kick the evening off with a set of hazy proto-metal dirges sure to put you in the proper mood for an evening of powerful noise.

Monday, September 16, 9 PM
Triptides, Flaural @ Cary Street Cafe – $10
A name like Triptides might lead you to expect some pretty straightforward jam-band action, but this California crew who are pulling into Richmond for the very first time are much more complicated than all that. Rather than dipping into the Deadhead sound that constitutes the usual brew for everyone’s favorite hippie hangout, Cary Street Cafe, this group takes a left turn into technicolor psychedelic pop.

On latest LP Visitors, Triptides bust out a powerful sound that harks back to some of the best acid trips pressed to vinyl over the past half-century — Innerspeaker, Incense & Peppermints, Skylarking, Magical Mystery Tour, and more all shine through the sounds dished out by this excellent group of psychedelic rangers. Denver’s Flaural are also on the bill, and bring a similarly acid-soaked psychedelic pop style into play; though they may be a bit more grounded in melody, their sound constitutes the perfect pairing with Triptides’ glorious musical space travels. Catch both of them this Monday night, and take a trip into the center of your mind.

Tuesday, September 17, 7:30 PM
Rising Revolution, Finding Verona, Sun Against Artemis, Militia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
OK, this is going to be a lot of fun — especially since I didn’t think this kind of thing happened anymore. By “this kind of thing,” I mean random shows bringing together a variety of surprisingly young rock bands from the outer edges of the Richmond suburbs — which are very far out indeed in 2019. Rising Revolution headline this show, and this symphonic power metal group have an entire fictional backstory built up around their band which sounds straight out of Blade Runner, or maybe a Coheed And Cambria record.

Rising Revolution are serious about their symphonic chops, leaning into the sort of operatic vocals and baroque guitar leads that make bands like Dragonforce so entertaining. Meanwhile, Flaming Verona, who hail from out Louisa way and are one of two bands on this show whose only internet presence is an Instagram account (#generationz), are going for more of a Killswitch Engage/All That Remains metalcore-with-emphasis-on-metal thing. Sun Against Artemis have a 70s proto-metal thing going on that makes me think of Deep Purple crossed with first-LP Heart, and Militia are clearly going for some 80s thrash sounds. But what really makes all of them interesting is how young and fresh-faced they are — if most of these bands are too young to drive, I wouldn’t be surprised. How wild is that? The kids are still out there doing it. Get down with it.

Elsewhere Around the State:

Saturday, September 14, 7:30 PM
The Appleseed Cast, Muscle Worship, Long Division @ Charlie’s American Cafe – $15 (order tickets HERE)
The Appleseed Cast have been one of the longer-lived midwestern emo bands to come out of the late 90s emo scene that also produced bands like Braid, American Football, and The Jazz June. They also have managed to stay relatively consistent across a 20-year history that’s seen them endure quite a few lineup changes. At this point, singer-guitarist Christopher Crisci is the only original member that remains, but as the band has always been fueled by his creative choices, that’s not a bad thing.

This summer saw The Appleseed Cast release their eighth album and first in six years, The Fleeting Light Of Impermanence. And if you loved their atmospheric, progressive take on an emo sound that often strayed well into post-rock territory, it’s sure to make you smile just as much as previous efforts have. Crisci’s vocals retain the power to evoke both vulnerability and extreme beauty, and the soaring guitar melodies and powerful drumming only underscore the fact that The Appleseed Cast are still at the top of their game after two decades. How amazing is that going to be in the live setting? It’s certainly worth quite a bit more than the admission price you’ll pay to find out.

Monday, September 16, 5:30 PM
Soulfly, Unearth, Incite, Prison, Arrival Of Autumn @ The NorVA – $21.50 in advance/$25 at the door (order tickets HERE)
Back when Max Cavalera left Sepultura at the height of their fame to form Soulfly, it seemed like the legendarily riff-obsessed guitarist may have screwed up. Now, 20 years later, it’s clear that Cavalera’s choice just managed to create two great brutal thrash bands out of what had been only one. Which is a pretty excellent result, if you think about it. On 2018’s Ritual, the 11th Soulfly album, Cavalera and his crew of metal ragers — which currently includes his son Zyon on drums — show that they can still crank out powerful riffs with a strong Brazilian tribal influence and some serious groove power, just as they always have.

Long-running Boston metalcore rippers Unearth are also on this bill, and have quite a strong track record in their own right. Seventh album Extinction(s), released late last year, shows that Unearth have remained consistently talented at both metal shredding and serious mosh brutality. They’re sure to get the pit raging at the NorVA once they hit the stage. In addition to these two legends of metal rage, this bill also features a few talented members of the younger generation, most notably Phoenix metalcore headbangers Incite. Floridian relative newcomers Prison and Canada thrashers Arrival Of Autumn round out a bill full of serious metal. Get ready.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Still Rocking In The Commonwealth

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For the ninth year in a row, WRIR DJ Shannon Cleary brings us a jam-packed multi-night showcase of excellent local music under the banner of his radio show, The Commonwealth of Notions.

WRIR and The Commonwealth of Notions Presents: Volume 9, a showcase of some of the best bands Richmond has to offer, kicks off on Saturday, August 3 at Gallery 5. The showcase will continue with its second show on Saturday, August 10 at The Camel. Both shows act as fundraisers for WRIR, a local independent radio station. 

Shannon Cleary, who hosts The Commonwealth of Notions — a show on WRIR that frequently features local artists — has been organizing the festival for the past nine years. “I wanted to see if I could develop a live equivalent of the radio show,” Cleary said. “Showcase the bands I’m playing on the show and use that as a means of supporting independent radio based out of Richmond.”

As always, this year’s The Commonwealth of Notions Presents features something for music fans of all types. Those attending the first show will be treated to the driving, political punk of Lounge Lizzard, who put out the first of their recorded music just this past March. HotSpit, a relatively new band in Richmond, will also be bringing their lush, melodic indie rock to the stage. Warrington will spruce things up with some delightfully emo-flavored indie, and the show will finish up with the high-energy garage rock of Washers, followed by the synthy, spooky punk of VV. 

The second night of music, at the Camel, will feature Midlife Pilot, who skillfully turn emo music into something positive and upbeat. Things will get a little more distorted when Twin Drugs takes the stage and show off their hypnotic shoegaze. Gnawing brings a powerful sound to the bill, and the jangly indie pop of Young Scum is always a pleasure to witness live. Opin closes out the night with their danceable synth-filled sound.

Both nights of the festival offer an excellent opportunity for music fans to hear the sounds they love while also checking out bands they may have never heard of. For the bands performing, it’s a rare opportunity to be part of a diverse bill. “I appreciate how it brings artists together onto bills that might not typically get the chance to play shows together,” Cleary said. “They are all fans and supporters of one another.” 

VV (Photo via Facebook)

Proceeds from the shows benefit WRIR, which is run by volunteers and is “the largest low power FM station of its kind in the country,” according to its website. The station airs everything from political talk shows to programs about film. There seems to be a show for just about every type of music, including punk, electronica, and Americana. 

Cleary noted that while also supporting local bands, people who attend the shows “are supporting a platform like WRIR that gives independent, underrepresented ideas, thoughts, and art a voice in the community. It’s an opportunity to support a lot of things all at once that all come together to piece together the identity of the creative community in Richmond.”

With two nights of music and bands that touch on multiple genres of music, The Commonwealth of Notions Presents: Volume 9 has something to offer for everyone while raising money for an independent radio station Richmond is lucky to have. It provides an excellent way to support Richmond’s buzzing music scene in general.

“I want to showcase artists, venues, organizations and beyond that I think are doing remarkable things in the scene,” Cleary said. “And the fact that this will be the ninth year that I’ve done this has not completely hit me yet.”

Top Photo: Opin, by Craig Stephen (via Facebook)

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 17 – July 23

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FEATURED SHOW
Saturday, July 20, 11 AM
RVA Bluegrass & Brews Festival, feat. Adam Dawson, Amanda Beason, Charlie and Darlings, The Come Hears, Corey Axt, K.F.C., Matt Monta, Ol’ Riles Band, Tony Farris & Jon Green, Wes & Rebecca @ AlterNatives Boutique – Free!
It’s hot, y’all. In fact, it’s damn hot. And while, in our modern times, the most effective way to beat the heat is to sit inside in the air conditioning all day (a tactic that, to avoid misconceptions, I am a huge fan of), the traditional Southern way to beat the heat is to spend a lot of time outside, in the shade, drinking cold drinks and listening to good music. It’s that classic Southern tradition that Carytown’s AlterNatives Boutique will be honoring this Saturday with their all-day RVA Bluegrass & Brews festival. The event will, according to AlterNatives management, “honor the values of mountain people with homegrown music, brews, and Southern cuisine.” Sounds good to me.

Where the food is concerned, multiple food trucks from the area will be on the scene, and Legend, COTU, Starr Hill, Hardywood, and more will be on hand to provide the brew. And what about the music? Well, that’s the best part, as nearly a dozen bluegrass acts, mostly from the local area, will be keeping us smiling and our toes tapping. The evening will feature the Come Hears, a loose-knit collective of local bluegrass musicians who came together from open jams at Cary Street Cafe and therefore have tunes by everyone from the Grateful Dead to Merle Haggard in their repertoire.

There’ll also be two sets from up-and-coming locals Ol’ Riles Band, who’ll be celebrating the release of their newest album. Ohio’s Matt Monta will make another of his frequent recent appearances in the River City, and Charlie And Darlings will represent the younger generation of local old-time music players. There are a ton more artists on the bill too, but we’re running out of space to discuss them all, and we still need to mention the Highland Support Project, a local non-profit with a multi-decade history who work to help break the cycles of poverty in mountainous communities throughout the Western Hemisphere. This event is free, but will nonetheless be raising money to benefit the Highland Support Project’s important work. The forecast says it’ll be 100 degrees this Saturday, so beat the heat with some great music, food, and brews at AlterNatives.

Wednesday, July 17, 7 PM
Wailin’ Storms, Unmaker, Manzara @ Gallery 5 – $7 (order tickets HERE)
It’s rare that any band in the world manages to name themselves as appropriately as Wailin’ Storms have. This noisy postpunk group has exactly the sort of loud, heavy, dark, and ominous sound that the phrase “Wailin’ Storms” evokes in your mind. For a group to have such a strong grasp of what they’re doing that they manage to perfectly describe their sound with the name they give their band is impressive in its own right. But the sort of massive foreboding punk rock noise they generated on their most recent LP, 2017’s Sick City, is even more impressive.

Therefore you can be sure that, when Wailin’ Storms take the Gallery 5 stage tonight, this North Carolina quartet will call forth the full fury of a class 5 gale. Their sound somehow manages to mix the dark-as-midnight garage fury of Ex-Cult with the fire-and-brimstone revival-preacher punk of Gun Club and the terrifying gothic horror of first-LP Bauhaus. The result is absolutely incredible — and if you’re into it, you’ll find that the metallic postpunk of Unmaker and the dark moodiness of Manzara make them the perfect local openers. The sun may be baking everyone outside, but tonight in Gallery 5, the perfect musical storm will be brewing. Dive into the eye.

Thursday, July 18, 9 PM
Landmines, Talk Me Off, Xed Out @ Bandito’s – Free!
This one hits me on a personal level, and I’m sure I’m not the only one. A little over a decade ago, Landmines were one of the best punk rock bands in Richmond, and I was a huge, huge fan. Their two LPs were full of furious rage, expertly coupled with indelible melodies and powerful lyrics about the important issues, both personal and political, that we all grapple with every day of our lives. A while after their excellent second LP, Commerce And Marx, was released in 2011, Landmines split up, and though there was a brief reformation in 2014, they haven’t taken the stage in something like four years now. The former members are all still making music in excellent bands like Sea Of Storms, Tied To A Bear, and Park Sparrows, but none of their current projects quite scratch that same itch the way Landmines always did.

Therefore I am very stoked to be able to tell you all that Landmines are finally taking the stage once again! It’ll happen at Bandito’s, and the fact that it’s happening there on something other than a Sunday night lets you know how special it is. With members spread all over the country these days, it’ll be great just to see them all in one place again. And of course, every song they ever recorded was outstanding, so this is going to be a set chock-full of hard-hitting melodic punk classics. The fact that snotty RVA punks Talk Me Off are also on the bill, along with Xed Out — a new project from some longtime vets of the Richmond punk scene — only sweetens the pot that much further. Get to Bandito’s, order some nachos, and let’s all get ready to sing along.

Friday, July 19, 9 PM
Un, Wormwitch, Shy Low, Colin Phils @ Wonderland – $10
In this life, you will find many reasons to be sad. For me most recently, it’s been the loss of something like a thousand dollars after an automotive breakdown four hours from home (and no, the car still isn’t fixed). For you, it might be something more tragic, like heartbreak or the loss of a close friend. Some might say that the best way to deal with emotions stemming from life’s bad breaks is to escape from it all with happy, upbeat music. But Seattle’s Un understand that, when things are really dark, nothing other than downbeat, gloomy music will really strike a chord with you.

For the past several years, Un have been creating note-perfect soundtracks for devastation. Their most recent full-length effort, 2018’s Sentiment, finds them combining haunting minor-key melodies with head-crushing slow-motion sludge riffs and unrelentingly bleak low-end vocals. And while that might sound like an incredibly gloomy thing to listen to, it has some healing elements that, despite paradoxical elements, are no less present. Un may rattle foundations when they take the Wonderland stage Friday night, but it’ll be in pursuit of a catharsis that will help you face the morning that always arrives too soon. Journey into the darkness of Shockoe Bottom this Friday night; you’ll find restoration awaiting you.

Saturday, July 20, 8 PM
Tiger Castle, Midlife Pilot, Cleophus James, Vegan Llamas @ Mojo’s – $5
It’s always a fun time down at Mojo’s, and this Saturday night will be no exception. Not only will delicious Philly cheesesteaks be on the menu like always, but Philadelphia’s Tiger Castle will be on the bill, spreading joy and happiness through loud, upbeat rock n’ roll with a definite post-Nirvana 90s feel. Which is to say, these guys capture that same dynamic created by mixing loud, distorted guitars with catchy pop melodies and a sort of loose, slacker approach to the whole thing.

That might sound like faint praise, but as someone who loved both Pavement and Superchunk back in the day, I see it as nothing but a positive thing. One listen to Tiger Castle’s new LP, Pineapple Slasher, and I fully expect you to be converted. Or you could just come on out to Mojo’s this Saturday night and enjoy a killer set from these traveling guitar-slingers, along with musical treats from local mainstays Midlife Pilot and Vegan Llamas, both of whom are just as adept at that whole 90s-style distorted yet melodic rock n’ roll. Newcomers Cleophus James are a bit of a wild card, but considering you’ll get the other three excellent bands on this bill for a mere $5 — already a screaming deal — you can think of their set as a free bonus.

Sunday, July 21, 6 PM
Madison Turner, Decide By Friday, Dead Selves, Spartan Jet-Plex @ Garden Grove Brewing – Free!
It’s always great to spice up your weekend with a free show that brings you a ton of local talent as well as a taste of what’s happening outside the city. Bandito’s has been a pretty consistent venue for exactly these sorts of shows, and in recent months, Garden Grove has become just as much of a clutch player where these kinds of chill-yet-awesome shows take place. This Sunday brings one such show to Garden Grove, and it’s very much worth your time.

Madison Turner has become a local mainstay, with her sound that blends angst-ridden folk-punk with 90s-style alt-rock to glorious effect, most recently on excellent 2018 LP, A Comprehensive Guide To Burning Out. She’ll be taking the stage at this one at the head of a four-piece band, which means things are gonna get rockin’, and you’re not gonna want to miss it. Decide By Friday will bring their brilliantly difficult to categorize sound, as epitomized on excellent 2018 EP Sankofa, to the stage, and the strange yet hypnotic ambient balladry of Spartan Jet-Plex will round out the trio of locals. Atlanta’s Dead Selves join the bill with some catchy yet emotionally resonant melodic punk, sure to soothe your soul as you prepare to start your work week. Enjoy this one — you’ve earned it.

Monday, July 22, 9 PM
Dead To A Dying World, Lair, Horse Culture @ Cary Street Cafe – $10
This burning hot week in Richmond is the perfect time to introduce all of you who are as yet unfamiliar to the majestic power of Dead To A Dying World, an epic, metallic force of nature in the form of a band featuring seven full-time members churning up huge, towering soundscapes of apocalyptic proportions. If you find Neurosis, Sunn 0))), Mogwai, and Mussourgsky’s “Night On Bald Mountain” equally captivating, this is the band for you, and they prove it with flair and finesse on brand-new LP Elegy, which sees them shifting back and forth between ambient moments full of ominous portent, and outright skull-crushing epic brutality.

This won’t just be a performance, it will be an experience, one far more memorable and life-altering than a three-hour superhero movie full of universe-ranging battles between gods and godlike humans. Why? Because that’s all make-believe, but Dead To A Dying World are 100 percent real. Just like the terrifying, captivating, and inescapable force we know as “life.” Of which this show is guaranteed to be a highlight. Don’t miss it.

Tuesday, July 23, 9 PM
Mephiskapheles, AdGRod, Blunt @ Wonderland – $10
Wow — this is a real blast from the past. Back in the late 90s, when ska ruled the roost and it seemed like every punk band had to have at least one song based around upstrokes, Mephiskapheles stood out in a crowded field, separate from the thousands of Save Ferris and Voodoo Glow Skulls clones, due to their frank embrace of the diabolical power of Satan. That’s right, it’s not just a clever name — from their very beginnings in the early 90s on to their eventual drifting apart in the early days of the 21st century. The ska boom-times had begun to wane, and the members slowly moved on.

However, two decades beyond the time of Mephiskapheles’ greatest fame, a new generation has discovered the joys of skanking all night in black-and-white checked pants, and the stage has been set for a ska revival. Mephiskapheles has been back and playing shows for several years now, their playfully devilish streak intact, and even released a self-titled EP a few years ago that found them at the top of their game as ever, especially on metallic reggae tunes like “Satan Stole My Weed” and “Snakes In The Garden.” Look — I know some of you still have porkpie hats and creepers buried in the back of your closets. What better opportunity than this one will you have to break them out once again? Exactly. Make it happen, cap’n.

Elsewhere Around The State:

Friday, July 19, 8 PM
J. Marinelli, Tucker Riggleman & the Cheap Dates @ Pale Fire Tap Room (Harrisonburg) – $5
Here’s a surprising and exciting face from long ago to delight those like me who were heavily involved in the emo scene 25 or so years ago. J. Marinelli once played guitar in Samuel, without a doubt the most unjustly forgotten band of that whole mid-90s Jade Tree Records scene that brought the world The Promise Ring and Texas Is The Reason. The sad denouement of Samuel in no way quieted the punk rock fire in J. Marinelli’s heart, though, and for the past decade or so, he’s been recording and performing as a one-man band, keeping the beat with his feet as he dishes out driving guitar riffs and sings joyous anthems of personal resistance.

Of course, as with any one-man band, Marinelli’s got a definite roots-rock influence mixed into his sound, but on 2017 LP Stray Volts, he pulls just as much from old-time folk, good ol’ punk rock, and even a little bit of mountain holler. It all adds up to a lot of fun, and that’s what you’ll have if you journey out to Harrisonburg’s Pale Fire Tap Room this Friday night. J. Marinelli will be joined on the bill by Tucker Riggleman and his band, the Cheap Dates, who’ll be laying down some of the same twangy, rollicking rock n’ roll they brought to us all earlier this year with their Time Machine EP. It’s going to be a ton of fun — don’t miss it.

Saturday, July 20, 7:30 PM
Sierra Ferrell @ The Golden Pony (Harrisonburg) – $10
I have no idea who Sierra Ferrell is bringing with her to The Golden Pony this Saturday night. Backing group? Opening act? It might happen, or it might not — I really can’t tell you. But even if it’s just her up there onstage all by herself for three hours, you should check it out regardless. This young lady from Nashville, Tennessee is a flawless songwriter who clearly works in an old-time milieu but has no easily-defined genre. Is she a folk singer? A country barroom queen? A swinging pop spitfire? The answer is: yes, and she’s a whole lot more than all that too.

On her new album, Washington By The Sea, Sierra Ferrell works with a five-piece band, but within a minimalist, acoustic framework that keeps her voice and acoustic guitar the undisputable star of the show. Occasional touches from fiddle, dobro, bass, and pedal steel bring layered depth to her sound, but rest assured, Ferrell’s songs stand on their own, with a driving pace and a distinctive lyrical approach that only gains ground when those words are sung in her uniquely captivating voice. Honestly, nothing I can say here will give you the full idea of what you’re in for at The Golden Pony Saturday night — you need to be there and see for yourself. Whether there’s an opening act or not.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo via Highland Support Project

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: March 6 – March 12

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FEATURED SHOW
Friday, March 8, 8 PM
Analog Suspects, J Slim, Cadillac Cat, Santana Brothers, music by Hip Hop Henry @ The Dark Room at The HofGarden – $10
If you really want to know what’s popping in Richmond hip hop, you need to keep up on what The Cheats Movement is doing. From the website Marc Cheatham’s been maintaining for most of a decade now to cover the intersection of hip hop and politics on a local and national level to the radio show hosted by Cheats and Gigi Broadway on WRIR (I listen to it as a podcast, you should too), the work The Cheats Movement does to shine a light on local hip hop is unparalleled in reach and effectiveness.

That’s why, when The Cheats Movement hosts a gig, I take notice. And maybe I’m slipping (I’m always slipping), but it wasn’t until I saw that The Cheats Movement was hosting a live performance by Analog Suspects at The HofGarden’s Dark Room that I found out about that high-powered local duo on the come-up. See? It pays to pay attention to Cheats. And it pays to listen to Analog Suspects, too — their just-released debut, Transmission 001, is incredible.

As a hip hop fan, I’m partial to albums with a single producer, and I think the unified sound DJ Mentos creates for Transmission 001 is an excellent demonstration of my reasoning — his moody, cinematic beats create the perfect atmosphere for Noah-O’s intense, politically-informed lyrics, which also delve into the MC’s personal background and the state of Richmond VA in 2019. Anyone who’s been paying attention over the past decade or so already knows that Noah-O is an incredible live performer, and with DJ Mentos backing him up, this Analog Suspects show is bound to blow everyone’s heads up. If you miss this one, you’ve officially screwed up.

Wednesday, March 6, 7 PM
The Joy Formidable, Positive No @ Capital Ale House Music Hall – $16 in advance/$18 day of show/$46 VIP (order tickets HERE)
As groups tagged with the unfortunate genre label of “shoegaze” go, The Joy Formidable is just about the best one in current existence. Using a genre term like that might give you a vague idea of what effects pedals this Welsh trio uses, but in no way sums up the gorgeous wall of noise they’ve been generating for the past decade or so, most recently on their fourth album, AAARTH, released last fall. You might think that title is the word for our planet, said in a cartoonish accent (OK, I admit it, that’s what I thought initially), but it turns out to be a stretched-out version of the Welsh word for bear. I love bears, so this pleases me.

The album also pleases me, both by continuing this band’s strong track record of dishing out hazily beautiful fuzz riffs at top volume while also retaining a top-flight sense of melody, and by showing some clear growth and expansion within their creativity. I mean, I have a ton of love for their debut album, 2011’s The Big Roar, but if they still sounded exactly the same eight years later I’m sure I’d be way less stoked. This band continues to evolve in wonderful ways, and you’re certainly going to want to be there tonight to get an up-close glimpse of where they stand as of today. VIP ticket-holders get a bonus acoustic mini-set before the show, too, so that’s definitely something to make the high-dollar tickets worth your while. And everyone gets an opening set from excellent locals Positive No, who’ve also spent several years demonstrating flawless senses of both melody and loud guitars. A perfect pairing — don’t miss this chance to enjoy it.

Thursday, March 7, 7 PM
SRSQ, Ships In The Night, MRC @ Gallery 5 – $12 in advance/$14 day of show (order tickets HERE)
SRSQ is a group born from tragedy; the project began as a way for Kennedy Ashlyn to deal with her grief after Cash Askew, her partner in up-and-coming group Them Are Us Too, passed away in the 2016 fire at the Ghost Ship collective in Oakland. There’s an undeniable melancholy undertone to the work Ashlyn has released since beginning SRSQ; the group’s layered synthesizers and vocals are reminiscent of both the Cocteau Twins and The Cure at their saddest moments. However, on debut LP Unreality, it is Ashlyn’s powerful voice that dominates the sound, rising above the ethereal ambient hum to offer an undeniable ray of hope and joy, shining through the misty, mournful melodies.

When SRSQ arrives at Gallery 5 Thursday night, they are sure to bring all of these elements to full, rapturous life onstage. The group’s deep synth textures are perfectly designed to fill a room with foggy ambient atmosphere at top volume — but of course, it will be Ashlyn’s voice that truly dominates the proceedings, as she demonstrates what we all would have experienced if the Cocteau Twins’ Elizabeth Fraser had exchanged ethereality for full-throated power. Charlottesville’s own ambient goth project, Ships In The Night, will provide strong support, and the show will open with a set from True Body side-project MRC, who are sure to inject a note of postpunk darkness into the proceedings.

Friday, March 8, 9 PM
The Stone Eye, Tel, Horse Culture @ Wonderland – $10
Ever been sitting around listening to Alice In Chains’ classic masterpiece of the grunge era, Dirt, and found yourself thinking, “This album is great and all, but wouldn’t it be cool if it was somehow… sludgier?” If so, you’re definitely going to want to head down to Shockoe Bottom this Friday night and catch The Stone Eye. This Philadelphia trio dishes out the heavy-as-fuck stoner grooves that you love from groups like Goatsnake and Kyuss, but does so while also bringing some incredible vocal melodies that can’t help but remind one of Layne Staley at his spooky, yowling best.

The Stone Eye’s latest album, Kevlar, Kryptonite, Gloria, was released last summer, and extends their already-formidable legacy with some powerful riffs that land somewhere between Blue Cheer at their most doleful and Soundgarden at their witchiest. They’ll be dishing out tons of riffage when they take the stage at Wonderland Friday night, and they’ll be aided in their mission by a couple of similarly minded Richmond groups. Tel are pros with the sludge grooves, though they skimp on the melody in favor of digging straight into the dirt. They’ll be releasing a new full-length later in the month and are sure to be playing some new jams as a result. Finally, Horse Culture will kick off the evening with some dark, unsettling noise dirges. It’s gonna get dark in the Bottom this Friday night.

Saturday, March 9, 8 PM
Winstons, Dogwood Tales, Saw Black @ The Camel – $10 (order tickets HERE)
We’re getting raw and primitive at The Camel Saturday night, and I’m not talking about Norwegian black metal, either — Winstons hail from right here in the good ol’ US of A. This rockin’ duo currently lives in Brooklyn, but they have roots here in Virginia, which is why they’ll be celebrating the release of their new self-titled LP, on Charlottesville’s WarHen Records, right here in Richmond, at the Camel.

Winstons are part of the long wave, unleashed by the success of the White Stripes and the Black Keys, that finds rock n’ roll bands viewing a bassist as completely optional. Winstons generate so much excellent racket with just guitar, drums, and voices that a bass would just get in the way anyway, so I for one am in favor. They stick to the raw, blues-adjacent roots that the aforementioned duos grew from in their early stages, without a hint of the radio polish that infected them both before all was said and done. Winstons replace that less-than-desirable element with a higher dose of Southern-fried boogie that only makes the whole thing that much sweeter, especially for VA heads like you and me. So let’s all go rock out with em, shall we? And bring some biscuits — I’ll get the gravy.

Sunday, March 10, 10 PM
The Colloquial Orchestra, Christopher Tignor, Kenneka Cook @ Bandito’s – Free!
Keeping up with Dave Watkins is always an enjoyable endeavor. His equal facility with old-time folk music, bizarre noise-rock, and electronic ambience has been on display in various projects of his, and all of it comes together in The Colloquial Orchestra, a loose-knit ensemble with Watkins at its head. The Colloquial Orchestra allows Watkins to periodically unleash an instrument of his own invention called the dulcitar, which combines a strummed dulcimer straight from old-time mountain music with a modern electric guitar.

But he won’t just be busting out one dulcitar at this performance — there will be four in all, plus a bed of percussion and electronics to keep things solidly rooted. Watkins will be joined by local luminaries Elizabeth Owens, PJ Sykes (Hoax Hunters), Micah Barry (Private Cry), and Jon Hawkins (Opin) in this endeavor. And on the bill, the Colloquial Orchestra will be joined by New York violinist and composer Christopher Tignor, whose ambient, electro-acoustic sound is sure to pair well with the room-filling vibe the Colloquial Orchestra will create. Kenneka Cook will start the night out with her always-reliable looped-vocal soul sounds, so this evening will just be sheer joy from beginning to end. Grab a plate of tacos and get ready to enjoy yourself.

Monday, March 11, 9 PM
Sink In, Midlife Pilot, THRE3, Johnny C @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Here’s a fun one to liven up your Monday. Sink In started life as a Central PA pop-punk band, with a pretty similar sound to a lot of great bands that have come out in that scene over the past decade or so. However, in the last few years, they’ve moved in an interesting direction that surely reflects the poptimist state of our 21st century musical culture. Which is to say, they’ve demonstrated a great deal of straight-up mainstream pop influence in their more recent work.

Brand new single “Ghost,” which just came out a month ago, features a video that openly refers to Sink In as a “boy band,” which might seem like a turn-off til you listen to the music and realize that these guys have retained almost all of their emotionally-driven pop-punk sound — it’s just that singer Tighe Eshelman has followed in the footsteps of Tyler Carter and embraced his inner Justin Timberlake. The result is an undeniable blast, bringing to mind what might have happened if, instead of becoming a faceless radio pop band, Fall Out Boy had been able to retain their identity even as Patrick Stump dove into R&B. If that seems like a lost opportunity to you, go to The Camel Monday and watch Sink In take the very chances that FOB blew. It’s gonna rule.

Tuesday, March 12, 8 PM
The Tough Shits, Sick Bags, Toward Space @ Mojo’s – $8 suggested donation
It’s easy to assume that garage-punk bands with confrontational names like The Tough Shits are going to be wild, crazy, and full of raw, in-your-face energy. However, if there’s one thing The Tough Shits have demonstrated over the course of their career thus far, it’s that they not-so-secretly have hearts of gold. Despite the band name and a history of singles with names like “Pretty Wild,” “Babes Of The Abyss,” and “Adult Fantasy,” this is one raw rock n’ roll act that leans pretty heavily on their pop sensibilities.

They’ll be bringing those pop sensibilities to Mojo’s on a Tuesday night, giving plentiful opportunity for the movers and shakers of this city to move and shake on the dance floor to their incredibly catchy tunes. Their new LP, Burning In Paradise, is soon to be released by garage kingpins Burger Records, and they’ll surely unleash some tunes from it on the clamoring masses, but regardless of what portion of their extensive back catalog gets highlighted, sweet melodies played with high energy on jangling guitars will certainly rule the day. Slightly snottier RVA garage-punk groups Sick Bags and Toward Space make this a night full of rock action, so don’t miss a minute.

Bonus Hampton Roads Picks:

Saturday, March 9, 7 PM
Hiss Golden Messenger, Erin Rae @ Goode Theatre at ODU – $20 (order tickets HERE)
Hiss Golden Messenger has made a lot of fans here in Virginia, and not just because they’ve taken local trombone hero Reggie Pace on tour in his band, either. The North Carolina group, which is really just singer-songwriter MC Taylor and whoever else he recruits to play with him, has made quite a name for itself over the past decade-plus with a laid-back Southern folk-rock sound that pleases indie kids, hipster dads, and jam-band bros alike.

Hiss Golden Messenger has had quite a few heavy hitters in the group over the years, including members of Ben Folds Five and Megafaun, but at ODU’s Goode Theatre this Saturday, it’ll just be MC Taylor all by himself. And as much as I’d love to see him bust out a song from that Ex-Ignota EP buried in the back of my record collection, chances are the HGM fans among you will be more stoked to hear what material from last year’s Virgo Fool, the 10th Hiss Golden Messenger album since 2008, sounds like in more stripped-down arrangements. Chances are, though, no matter what material MC Taylor chooses to revisit in this performance, it’ll be revelatory. Definitely worth the trip, regardless of where you’re coming from.

Sunday, March 10, 6 PM
Brother Bird, Hot Spit, Static Collector @ Charlie’s American Cafe – $10 in advance/$12 day of show (order tickets HERE)
Sometimes a musician’s story threatens to overshadow their actual music. If we aren’t careful, Brother Bird’s story could do just that. The group is lead by Caroline Swon, who the Voice fans among you may remember as Caroline Glaser, from Season 4 in 2013. She met the man who’d eventually become her husband, Colton Swon, when they were both contestants on The Voice. Years later, she was able to obtain a record deal for Brother Bird by recording a Manchester Orchestra cover and posting it on her YouTube channel, where that band’s frontman, Andy Hull, discovered it.

So yeah, now Caroline Swon is married to her fellow Voice contestant, Brother Bird is signed to Hull’s label, Favorite Gentlemen, and the group’s on tour behind their self-titled debut EP, released late last year. That matters, though, not because of the extensive backstory leading us to this point, but because Brother Bird is an excellent group, regardless of pedigree. Their dynamic sound, which moves from moments of quiet beauty to dramatic crescendos in a manner that is sure to please Manchester Orchestra fans, creates a beautiful frame for Swon’s excellent vocals, which are the star of any show she’s involved in… no matter how she did on The Voice. Come to Charlie’s American Cafe this Tuesday night, and she’s sure to win in your heart.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: February 13 – February 19

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FEATURED SHOW
Saturday, February 16, 8 PM
Sister Radio Fundraiser, feat. Black Plastic, BUTT, Black Naked Wings, Real Daggers @ Gallery 5 – $7 – 10 donation at the door
It’s often said in this day and age — the radio sucks. It’s such a known fact that I recently saw an entire documentary about it. But even if you haven’t read deeply into it, you know why: corporate control. Suppression of diversity. Commercials over everything. And in the face of all those depressing 21st-century realities, our own listener-supported low-power station, WRIR, is a breath of fresh air from an industry that seems to be on its last gasp.

WRIR isn’t just a conduit for the vanishingly-rare phenomenon known as “great radio,” either — it is often the basis for unique and incredible projects put together by the many volunteers that make it such an awesome station. The latest project coming out of the WRIR world is called Sister Radio, a documentary intended to, um, document the ongoing collaboration between WRIR and Radio Sikoro, which is based in one of Richmond’s sister cities, Segou, Mali. The program, also called Sister Radio, is helping to teach Malian women how to produce radio broadcasts, in order to increase female participation in Malian radio. In Mali, radio is still pretty essential to communication of news and culture, and the stations involved feel that helping ensure the presence of women on Malian radio, where they are currently almost completely shut out, would represent an essential step towards decreasing the patriarchal nature of Mali’s society.

This Saturday night at Gallery 5, they’ll be throwing a killer show at Gallery 5 to help raise funds for this project. It’ll also be a party to greet filmmakers Cameron Robinson and Andee Arches as they return from two weeks of filming in Mali, so expect things to get loud! At this point I have almost no space to tell you about the actual bands playing, but with local up-and-comers like Black Plastic and BUTT on the bill, as well as the always-entertaining Black Naked Wings and Toxic Moxie side project Real Daggers, you can expect the kind of outstanding musical entertainment that Richmond’s music scene is always good for. And you can support a very good cause while you’re at it! What could be better?

Wednesday, February 13, 6:30 PM
St. Paul & The Broken Bones, Valley Queen @ The National – $28 in advance/$33 at the door (order tickets HERE)
St. Paul & The Broken Bones are an Alabama band, but in a lot of ways, their music speaks to the Richmonder’s soul. At a time when our state is grappling with some awful issues relating to the legacy and present-day reality of individual and institutionalized racism, it can be jarring to realize how many of us hold liberal values that are sharply in conflict with those who surround us. This same sort of struggle drives the music and lyrics of St. Paul & The Broken Bones, who released their third album, Young Sick Camellia, last fall.

On this album, singer Paul Janeway reckons very directly with his complicated and difficult family history. And musically, the group takes that conflict as a spur towards the best and most interesting music they’ve made thus far. This group may have started out as a raw retro-soul project, owing an obvious debt to the Southern soul sounds that sprang from its home region decades ago, but these days they’ve left some of the rawness behind, instead delving into lusher Philly-soul sounds as well as straight-up modern R&B touches. The result is their most excellent music yet, and considering the always-powerful live sound they built their name on, the combination should be downright explosive when they take the stage at the National tonight. You should be there.

Thursday, February 14, 8 PM
Colin Phils, Cardinal, Midlife Pilot, Rebekah Rafferty and the Wakes @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
There’s been a renaissance in indie-style math-rock around Richmond over the past few years, and I for one have enjoyed the heck out of it. That’s why Colin Phils originally got my attention; they showed up in town a couple of years ago, straight from Korea, and began working with groups I already loved, most notably their split-partners Houdan The Mystic. But these days, Colin Phils (whose name I finally realized, after way too long, is a play on Phil Collins) stand out to me as an excellent band in their own right, regardless of who they pal around with. Catching them live is sure to show you exactly why.

And they’re not the only standout band this event has to offer for your listening enjoyment, either. Cardinal might be a new name for Richmond’s indie music fans, but if I tell you they grew out of Majjin Boo, who had some pretty excellent math-indie demos of their own a couple years back, you’re sure to catch on. I was a huge fan of those Majjin Boo demos, but the sole single the group has released since changing their name and lineup and re-emerging as Cardinal blows me away significantly more than any of their prior material, and makes me really excited for what is to come from this quintet. Get your first taste at the Camel Thursday night, and enjoy rad sounds from local faves Midlife Pilot and Rebekah Rafferty and The Wakes while you’re at it!

Friday, February 15, 6 PM
Anna Connolly @ Steady Sounds – Free!
Steady Sounds doesn’t host live performances that often, but when they do, I pay attention. One of several outstanding record stores in town, Steady Sounds is run by people with impeccable taste; most of the time, when they bring in an artist to perform, it’s someone I already know and love. In this case, they’ll be hosting a performer whose work was previously unfamiliar to me, but as always in those cases, Anna Connolly turns out to be someone not only me but everyone in this town should be following.

For a rock critic like me, it’s easy to get hung up on the fact that Connolly has connections to DC postpunk luminaries like Joe Lally, Devin Ocampo, and Eddie Janney, all of whom played on her debut album, After Thoughts. However, many of the songs on her album find Connolly playing mostly on her own, and it’s her voice, her guitar, her cutting lyrics and sharp songwriting, that make Connolly’s music so breathtaking and memorable. I can’t be sure of what lineup she’ll be performing at Steady Sounds with, but even if it’s just her and an acoustic guitar (and it very well might be), you should still be there, listening and paying attention. There’s a lot to value in Anna Connolly’s music. Don’t miss it.

Saturday, February 16, 9 PM
Enforced, Prisoner, Cane Corso, Old Gods Defied @ Champion RVA – Free!
Since Strange Matter went away, I’ve found myself feeling a bit headbang-deficient. There just aren’t as many heavy-as-fuck shows happening around town lately, it seems. Thankfully, two months into the world after Strange Matter, it seems like things are starting to pick up. And can you blame me if I go a little overboard in celebration? Welcome to headbanging weekend. Y’all knew it was bound to happen.

Saturday night finds a crew of outstandingly hard and heavy locals taking the stage over at Champion RVA to pummel you with extremely hard-hitting low-end. Enforced are at the top of the bill, straddling the line between raw, crusty biker-core and outright mosh with aplomb. Whether you’re wearing a sleeveless denim jacket with a Slayer backpatch or a navy blue Champion hoodie, you’re gonna get stoked when this band hits the stage. Prisoner’s been the crew of choice for dirthead thrashers for quite a while now, and this show will prove that not a damn thing has changed on that score. Cane Corso and Old Gods Defied are local newcomers featuring a whole bunch of proven local talents you’re sure to recognize once you hit the stage. You’ll recognize the power of their riffs, too. Get stoked.

Sunday, February 17, 8 PM
Sect, Just Die!, Hybrid Warfare, Ghouli @ Mojo’s – $10
More heaviness on tap for ya, this time over at Mojo’s — and I can see the hands of some former Strange Matter lynchpins in the way the facebook event page is written, so we’ve got that going for us, which is nice. (Yes I do recognize different promoters around town by the way they write their facebook event page descriptions. I’ve been doing this column for quite a while now.) There are a lot of things I could tell you about headliners Sect to try and communicate exactly why you should be as stoked as I am about this band’s return to RVA. But if you’re a true fan of heavy hardcore, all I should need to say to you is: Chris Colohan sings for them.

That’s right, Chris Colohan, legendary vocalist for essential 90s and 00s metallic hardcore bands like Left For Dead, The Swarm, Cursed, Burning Love, and a whole bunch more. Crazily enough, he’s joined up with members of quite a few other legendary hardcore bands for this (it must be said) supergroup, including Earth Crisis, Undying, Day Of Suffering, and Racetraitor. So can it be any surprise that their most recent LP, No Cure For Death, is absolutely headcrushing in its storming rage? Nope. It can’t. So show up, and go off, for the almighty Sect. But don’t miss the openers either, as the excellent Asheville crew Just Die! have some New Mexican Disaster Squad-style melodic/metallic HC-punk to lay you out with, and local openers Hybrid Warfare and Ghouli are solid as bricks to your face.

Monday, February 18, 8 PM
Azotador, Perpetual Warfare @ McCormack’s – $8
I love Between 2 Beers, because they bring amazing metal bands to this town on a consistent basis, sometimes from far-flung parts of the globe. I must admit, though, when they book a show like this, with two bands from South America and no locals on the bill, I always get nervous. Is anyone gonna come without the security of their cousin’s friend’s thrash band being on the gig? Right now, all I know is that B2B is hoping to add two locals to this one… but it’s less than a week away, so whether that will manage to happen very much remains to be seen.

But look — I don’t care. Even if this show turns out to be a two-band bill featuring only Azotador and Perpetual Warfare, you need to be there. Bolivian thrash crew Azotador have speed and flashy guitar heroics on their side, as ably proven on most recent EP Enganche Al Grinche. They also have an unexpectedly strong melodic sense that often makes their tunes catchy as fuck, even as they remain 1000% headbang-worthy. Then there’s Colombia’s Perpetual Warfare, who have a razor-sharp guitar sound and a full-on thrash/crossover attack that brings wonderful memories of Fabulous Disaster-era Exodus into my mind. Latest LP Earthliens (a portmanteau of “earthlings” and “aliens,” I’m guessing — love it) is an absolute riff monster, and both of these bands are bound to tear the roof off McCormack’s and enliven a dead Monday night. So don’t spend it sitting on your couch watching reruns of Cops, OK?

Tuesday, February 19, 7 PM
Comrades, Dens, Eaves @ Mission Community Church – $5
When, in the course of writing this column, I bust out the word “peripatetic,” it tends to be in reference to musicians like Gull or Lobo Marino, who travel to exotic locales and use what they find there to inform and influence their music. But it could just as easily be applied to Comrades, a Richmond trio who’ve been plying their intriguing take on post-rock-influenced metalcore around the country for over a decade now. They’ve pretty much stayed on tour for most of the past decade, meaning that, for a local band, they play here in RVA quite rarely. Therefore, I’m always on the lookout for a chance to see them rock their hometown.

This week, the chance comes in the form of a Tuesday night show in a church basement — staple venues for suburban hardcore for decades now (since even I was a young whippersnapper). Comrades have long avoided Richmond’s traditional music venues, and while that might make it harder to get word of their rare local performances, I’ve told you about this one now, so you have no excuse. Their combination of wistful melody, epic song structures, and roaring metallic rage is not something you’re going to encounter anywhere else, so do yourself a favor and get to the gig already. You can thank me later.

Bonus Hampton Roads Picks:

Friday, February 15, 7 PM
Old Wounds, Vain//Void, Accident Prone, Autopsy Affair @ Charlie’s American Cafe – $12 in advance/$15 day of show (order tickets HERE)
Old Wounds are back in action, and I for one am stoked. This metalcore group first landed on my radar with landmark debut LP From Where We Came Is Where We’ll Rest. Since those days, everyone from the original trio that made that LP has left the group at one point or another, but singer Kevin Iavaroni returned to the fold last year, just in time to helm the group’s incredible third album, Glow. Based on the evidence the album provides, no matter who is backing him, this group has the goods.

Iavaroni has been a flashpoint for controversy in the more blinkered metal circles; his open gender non-conformity and his band’s defiant pro-LGBTQ stance (Old Wounds has often performed with Pride flags draped over their amps) have pissed off some overly macho types in the heavy music world. Is it any surprise that a queer woman like myself loves them? It’s even less of a surprise when you listen to their music. Glow finds the group dipping further into musical influences from sassy, noisy groups like Glassjaw as well as some Sisters Of Mercy-ish goth tinges, all of which is to the good. However, crushing brutality is still the main ingredient for their excellent music; they’ll bring it straight to you at Charlie’s American Cafe Friday night — and look damn good while doing so, too. Be there.

Monday, February 18, 7 :30 PM
Vince Staples, Buddy, Armani White @ The NorVA – $25 in advance/$30 at the door (order tickets HERE)
You Norfolk hip hop heads are in for a treat — Vince Staples is coming to your town. I wish I could say the same for my own hometown, but as it is, those of us from Richmond are going to have to content ourselves with gassing up the ride and heading east on I-64 on a Monday night. At least we know it’ll be worth it. Staples has been one of the premier talents to come out of the hip hop world this decade; starting with his landmark 2015 debut, Summertime ’06, he’s been making some of the best music in the genre.

The past year saw Staples release his third LP, FM!, and show us once more the talent he’s got on offer. This one’s a short one, based around the concept of Staples taking over LA radio DJ Big Boy’s show to drop some killer tunes. Songs like “FUN!” and “Feels Like Summer” show Staples lyrical talents, versatile flow, and masterful choice of producers, and when stacked alongside classic earlier tracks like “Big Fish” and “Norf Norf,” they prove that this is an artist whose every move should be tracked closely by any true hip hop fan. And that’s why everyone should be at The NorVA this Monday night to see Vince Staples — no matter what part of VA you’ve gotta come from. Don’t blow it, y’all.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 30 – February 5

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FEATURED SHOW
Friday, February 1, 7 PM
WRIR’s 14th Anniversary Party, feat. Unmaker, Black Liquid, Trapcry, Alfred, Minor Poet, Rebekah Rafferty and the Wakes, The Vulgar Bulgars, Sweet Potatoes Music, Jr Wolf, RVA Comedy showcase, and more @ The Renaissance Ballroom (107 W. Broad St) – $15 (order tickets HERE)
It’s kind of amazing to look up every February and realize that it’s been another year with the awesomeness of WRIR right here in our city. From one unicorn to another, we certainly must admit that the cards tend to be stacked against the kind of radio station WRIR is — a community-run, volunteer-operated radio station that manages, despite its low 42-watt broadcast power, to reach a wide range of local listeners and to connect strongly with the Richmond musical community. What’s more, it’s a great place to learn more about the issues of the day, from right here in Richmond to around the country and the world.

So yeah, it’s a little tiny miracle to see WRIR holding on for another year — 14 so far, and here’s to many more. It’s also a cause for celebration, and that’s what the station and its community will be doing when they gather once again at the Renaissance Ballroom this Friday night for the latest edition of a yearly party that never fails to deliver the goods. This year’s edition features all kinds of excellent music, covering the wide spectrum of local talent. Unmaker are at the top of the bill, and their dark, heavy, metallic postpunk is sure to bring down the house at the end of a long happy night — especially considering their always-active live performance style.

But that’s just the beginning, really. The music on offer runs the gamut from the cerebral hip hop of Alfred to the indie rock of Minor Poet and from the klezmer (jazz-influenced Eastern European/Jewish folk dance music) sounds of the Vulgar Bulgars to the melodic alt-rock of Rebekah Rafferty and the Wakes, this show has seriously got everything the curious music fan could desire. Plus, it brings the kind of adventurous programming you can expect from WRIR into real life before your eyes, as Black Liquid coordinates a hip hop showcase that’ll recreate the kind of improvised rhyming excellence that often graces his Saturday night radio shows, and Jameson Babbowski brings a talented slate of local comedians to his own non-musical showcase. And of course, all your favorite WRIR DJs will be in the house, spinning tunes and making friends. Best of all, your ticket price goes toward helping WRIR bring us another year of awesomeness. What could be more worthwhile than that?

Wednesday, January 30, 8:30 PM
Vanilla Summit, Khrundo, Return To Sender @ Vagabond – Free!
Now that we’re out here in the world moving on after the loss of Strange Matter, there’s definitely been some urgent searching (at least on my part) for another reliable local venue to fill in the mid-week holes in the Richmond live music schedule. What I’m fast learning is that on Wednesday nights, Vagabond is likely to deliver the goods. Their Jazz Wednesdays series is a great place to be pretty much every single week if you want to learn more about the community of excellent jazz musicians existing in Richmond. Their scene may not get as much attention as punk, metal, or hip hop, but that says nothing about what the local players have to offer — which, it turns out, is a lot.

Vanilla Summit are a five-piece jazz group who’ve been grabbing spots on live dates around town for a while now, and their 2017 Green Session EP shows exactly why — this dual-drumming quintet creates some excellent funky grooves while also bringing the introspective melodies we so often want from jazz. They may not be joined live by the ever-talented McKinley Dixon, who graces one of the tracks on their EP, but they will be performing along with a couple of intriguing ensembles, also hailing from the world of local jazz. Khrundo is a group led by guitarist Jake Adams, which is apparently going to feature nine members on this Wednesday night, all coming together to kick some ferocious grooves. Plus there’s Return To Sender, a bass-less trio led by Vanilla Summit sax player Nate Clark, to kick things off right. If you don’t know, you’re gonna learn.

Thursday, January 31, 8 PM
Zack Mexico, Piranha Rama, Billy Neptune @ Capital Ale House Music Hall – $8 in advance/$10 day of show (order tickets HERE)
Zack Mexico isn’t one guy, it’s a band — and a full one at that, featuring eight members, two of whom are drummers who each play full kits. And this group doesn’t hail from the country across our controversial Southern border; instead, they come to us from the much closer region of North Carolina’s Outer Banks, which must be a pretty wild place to be if you’re not a tourist or a vacationer. The music Zack Mexico makes is certainly wild, and hard to pin down as well; what sort of sound you get from them depends significantly on which track you listen to.

However, one thing can be determined for sure — there’s a psychedelic sensibility that underpins everything this band does, and an unorthodox approach to music that lands them pretty far outside of what we expect from “indie” in 2019, though it always seems to result in catchy tunes that get your feet tapping and put a smile on your face. In that way, they’re a perfect musical companion to one of the best new bands to come out of Richmond in the last year. I’m speaking here of Piranha Rama, of course, whose music can just as easily be said to be catchy unorthodox psychedelic genius — as you know, if you heard their excellent LP from last year. Openers Billy Neptune will get this show started right, and Piranha Rama and Zack Mexico will come together to take care of the rest. Get on board.

Friday, February 1, 7 PM
Midlife Pilot, Joel Worford, Colpa Mia, Tyler Meacham @ Garden Grove Brewing – Free!
Here in Richmond, the kids really are all right. This show is a good opportunity for all of you to find that out, assuming you haven’t already been paying attention to the many mini-waves of talented singer-songwriters bringing out excellent music around this wonderful city over the past couple years or so. Midlife Pilot are at the top of this particular list, and they’ve certainly shown sufficient merit to justify that position — this group, the brainchild of singer-guitarist Casey Graham, released an excellent EP of emotionally-oriented melodic alt-rock tunes late last fall.

While Midlife Pilot demonstrated an outstanding full-band sound on that EP, Ready To Be That Way, it’s hard to say exactly how it’ll translate live, since Graham himself played everything but drums on the record. Can we expect an Into It. Over It.-style solo performance? Or will there be a full band onstage? Either way, based on Graham’s track record, we’re sure to get some awesome songs out of it. Colpa Mia is more clearly a full-band effort, and recent single “Atlas” shows them dabbling in both the emotional melodies of the alt-rock world and dipping into synthesized postpunk/indie sounds. Live, their multi-layered sound is sure to captivate. More definitively solo singer-songwriters Joel Worford and Tyler Meacham will round out this excellent bill of up-and-comers, which you can partake of for no money down! How can you pass that up? Be there.

Saturday, February 2, 7 PM
Them Evils, Gemini Love, Loxias, The Goodbye Forevers @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I don’t know where we as a society stand on loud, noisy rock n’ roll in this day and age. It seems like if you check out festival lineups it’s the indie bands who get the most acclaim, and when the occasional band manages to rise above the fray and get a reputation for rocking hard, they draw more hate from the tastemakers than anything else. So are all y’all gonna think I’m a behind-the-times middle-aged lady for sending you to see Them Evils on a Saturday night?

You’ll be either frustrated or relieved to know that I really don’t care how you judge me on this one. I’m over here rockin’ out, blissfully ignorant of any judgment that might be coming my way. And you’ll be in much the same position if you make your way to the Canal Club Saturday night. Because while the hipsters may all be allergic to distorted guitars and hard-hitting good-time grooves these days, it’s always such a relief to cast off that albatross of manufactured coolness and let yourself enjoy something sincerely. Them Evils are primed to provide you with some sincere enjoyment, and in all seriousness, you cool kids who enjoyed Wolfmother and Red Fang at one time or another are gonna dig this just as much as your Greta Van Fleet-loving little brother will. Stop with the excuses and show up already.

Sunday, February 3, 8 PM
30 Year Sick, Cold Choir, Gothic Lizard @ Fallout – $5 in advance/$8 at the door (order tickets HERE)
30 Year Sick is a pretty evocative name for a band, even if any contemplation of the concept behind the name just makes you (or at least me) think, “There’s no way you’d stay sick for 30 years and not die.” I mean, unless we’re talking “siiiick!” in the modern-slang sense of the term, in which case we just end up down a rabbit hole of talking about which bands that have been around since the late 80s still legitimately rule (spoiler: not many, that’s for sure). But seriously, we’re not here to talk about that — we’re here to talk about the show that’s coming to Fallout, everyone’s favorite Shockoe Bottom fetish bar, on Sunday night.

30 Year Sick, the band, who hail from North Carolina, have a pounding synth-goth sound, which is definitely on the rockin’ end of things where that genre is concerned. Their 2018 EP, Postpunks, has an intriguing title that certainly invites rock-crit types like myself to use lazy genre terms, but I’m trying really hard not to take the bait. Instead, I’ll tell you that 30 Year Sick mingle a gloomy rumbling rhythm section with ominous guitar and synth melodies, all of which is topped by the true star of the show: Akmeraj Niroc’s incredibly powerful voice, which is strong enough to raise the tiny hairs on the back of your neck. And then the whole band will rock you out in a manner sure to thrill fans of Sisters of Mercy and Killing Joke alike. Don’t be afraid — explore the darker corners of Fallout for this one. It’ll do you no harm.

Monday, February 4, 7 PM
Boy Harsher, Nightcrwlr, Aesthetic Barrier @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
It’s a good week for dark, gothic sounds. Spooky electronic duo Boy Harsher are releasing their latest LP, Careful, this Friday, and then on Monday, they’ll be here in town to play it live for us all. Careful was clearly born out of some pretty hard times, from loss of loved ones to difficulties in relationships, and singer Jae Matthews puts all of that into Boy Harsher’s music, combining as always with electronic musical genius Gus Muller to create an album’s worth of foreboding synthesized soundscapes.

Boy Harsher’s dark melodies and unnerving lyrical conceits have been compared (even by members of the group) to a David Lynch movie, and sonically, their work lands closest to a diabolical combination of Suicide and Yaz, with a strong dose of Nitzer Ebb-style severe European dance music. The kids in gleaming black Doc Martens will be stomping on the dance floor to this one, for sure; meanwhile, Matthews and Muller’s riveting presence is sure to keep you focused on the stage. Local electro-freaks Aesthetic Barrier will kick this all off, and we’ll get a bonus appearance from Nightcrwlr, yet another identity of the shapeshifting Kristina Esfandiari (King Woman/Miserable). It’s all going to be so amazing.

Tuesday, February 5, 9 PM
Brian Jones Trio, Doug Richards Orchestra @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
RVA jazz really is a solid ticket for your midweek musical jones in 2019, and that’s probably why our week is bookended by shows that fall under that category. This one brings us the latest appearance of a Brian Jones-led ensemble here in Richmond, and as local jazz heads know, the presence of Brian Jones in any group is a sign of top quality musicianship. Of course, we’re not talking about the original Rolling Stones guitarist who died in the late 60s, we’re talking instead about the local drummer who has played with everyone from Agents Of Good Roots to Jandek to Randy Brecker.

The Jones trio on display this time will include fellow RVA jazz luminaries Daniel Clarke (piano) and Randall Pharr (bass), but one of Jones’s most frequent collaborators, saxophonist JC Kuhl, will also be on the bill — but performing with the other group. The Doug Richards Orchestra will contain around 18 different musicians on this Tuesday night, including local jazz luminaries like John D’Earth, Bryan Hooten, Stefan Demetriadis, and the aforementioned JC Kuhl, as well as all three members of the Brian Jones Trio. Doug Richards, who founded VCU’s Jazz Studies program in 1980 and recently retired after four decades at the university, has a robust pedigree of his own, and what he brings to this formidable ensemble is sure to be intriguing and delightful. Don’t miss a moment.

Bonus Hampton Roads Picks:

Friday, February 1, 7 PM
The Josephines, The Heart Stompers @ Toast – $10 (order tickets HERE)
If you like to rock but also identify strongly with the Southern sound with which all of us from this state are intimately familiar, the music of The Josephines is sure to call to you on a deep, primal level. This group — yet another in which a feminine name belies the all-masculine lineup — hails from Kentucky and will definitely remind you that that state, like Virginia, is very much a part of the South no matter what latitudinal parallel Bowling Green sits on. They’ve got loud rockers in their repertoire that are sure to have you stomping, raging, and headbanging, but they’ve also got a big dose of bluegrass in their sound, ensuring that you’ll never forget what state they hail from.

The Josephines’ 2017 EP Sober Up certainly lets you know the musical headspace where these guys are coming from. Likewise, Hampton Roads local country ensemble The Heart Stompers lets you know where they’re coming from right in their name. Formerly known as Gina Dalmas and the Cow-Tippin’ Playboys — certainly an evocative name in itself — this group taps into the outlaw country sound of the 70s and 80s with a modern punk edge and an amazing voice out front, courtesy of Gina Dalmas herself. If you can get down with some honky-tonk partytimes, Toast is the place to be for you on Friday night.

Tuesday, February 5, 8 PM
Rayland Baxter, Illiterate Light @ Boathouse Live – $15 in advance/$18 day of show (order tickets HERE)
You Tidewater residents are sure to have a fun Tuesday night at the Boathouse with Rayland Baxter. This alt-country singer-songwriter comes from a music family (his dad played on REM and Bob Dylan albums), and certainly has his feet planted in that tradition, as his more alt-country/folk-Americana tunes make clear. But on his latest album, Wide Awake, Baxter showed that he’s capable of the sort of widescreen pop that made the Beatles and the Byrds legendary figures that influenced a generation. Baxter taps into that psychedelic power-pop sound rooted in Americana dirt that is so au courant in 2019 United States of America, evoking the Beach Boys, the Grateful Dead, and other powerful musical touchstones with aplomb… and just a splash of post-Mac DeMarco slacker irony.

But we shouldn’t focus only on our headliner here — tourmates Illiterate Light hail from right here in VA, Harrisonburg to be exact, and have been making a powerful impact on the commonwealth’s music scene for a couple of years now. For a guitar-drum duo, they make strong, deep music, which connects power-pop, alternative rock, and the melody-uber-alles alt-country approach of My Morning Jacket or Band Of Horses. They show off all this and more on brand new EP Sweet Beast, which is an excellent calling-card to present to music fans of all stripes who find themselves wondering whether they should take the plunge on these local boys striving to make good. Message from us: dive in. You’ll be glad you did.

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Top Photo: Unmaker, by David Morton

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

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