• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

RVA Mag

Richmond, VA Culture & Politics Since 2005

Menu RVA Mag Logo
  • community
  • MUSIC
  • ART
  • EAT DRINK
  • GAYRVA
  • POLITICS
  • PHOTO
  • EVENTS
  • MAGAZINE
RVA Mag Logo
  • About
  • Contact
  • Contributors
  • Sponsors

VA Shows You Must See This Week: October 9 – October 15

Marilyn Drew Necci | October 9, 2019

Topics: Alien Boys, Angelica Rockne, ASM, Bandito's, Bedouine, Black Iris, Bleeding Out, Capital Ale House Music Hall, Colebrooke, Fallout, Future Terror, Gus Seyffert, Holy Fingers, Horse Culture, J Clyde Morris, Lee Bains III & Glory Fires, Mariee Sioux, Mike Watt & The Missingmen, Molly Drag, Mr. Kitty, Municipal Waste, Nana Grizol, Napalm Death, Panic Priest, Past Life, Pastel Ghost, Picker's Alley, Pigs Blood, Piranha Rama, shows you must see, Sibyl, Sick Of It All, Skullshitter, Solar Halos, Take Offense, The Broadberry, The Golden Pony, The Minks, Wonderland

FEATURED SHOW
Wednesday, October 9, 5:30 PM
Municipal Waste
, Napalm Death, Sick Of It All, Take Offense @ The Broadberry – $24.50 (order tickets HERE)

I don’t like doing this. And by “this,” I mean recommending that you go to a show that may very well be sold out by the time you read these words. On the other hand, when an absolute epic powerhouse of a lineup like this one comes to town, I feel powerless to do anything else. After all, not only is one of Richmond’s foremost heavy bands at the top of the bill, two absolute legends of two different genres are directly underneath them, and there’s even a fantastic up-and-comer to sweeten the pot. What music journalist can possibly resist this one? Certainly not me.

Let’s get into a little more detail, beginning with the hometown boys. Municipal Waste spent several years being less than fully active, as the members’ various other projects (Iron Reagan, BAT, Cannabis Corpse, etc) hit full speed. However, the last couple of years have seen them crank things up in a big way, first adding former Cannabis Corpse axe-slinger Nikropolis in 2015 to give them a twin-guitar attack after 15 years, then releasing long-awaited sixth LP Slime And Punishment in 2017. This month finds them following up that album with a four-song EP entitled The Last Rager, which is the sort of title that should simultaneously remind us all of past Best Friends’ Day craziness, even as it may inspire some concern about how long the band’s future will extend. If anything, that’s even more of a reason to see them tonight.

Now let’s quickly discuss the other amazing bands on this bill. Napalm Death are absolute legends of UK grindcore and first-wave death metal, and despite many different member changes over the years, are still cranking out face-scorching brutal speed-demon anthems, most recently on 15th album Apex Predator — Easy Meat, released in 2015. As for Sick Of It All, they were one of the key bands defining NYHC in the late 80s. They proceeded to take it worldwide in the 90s with two high-profile major label releases, Scratch The Surface and Built To Last. These days, they’re still going strong, heavy and powerful as ever, and they proved it on last year’s 12th LP, Wake The Sleeping Dragon! The combo of this hardcore legend and the grindcore/death metal legend Napalm Death is unbeatable, especially when topped by RVA’s own legends in the making, Municipal Waste. But show up on time for this one too, because California metallic hardcore rippers Take Offense kick it off, and their brand new third LP, Keep An Eye Out, shows just how ably they carry the legacy of late 80s thrash metal into the modern era. This will be a shred fest from beginning to end. My advice is that you do what you have to do to get a ticket.

Wednesday, October 9, 8 PM
Mr. Kitty, Pastel Ghost, Panic Priest @ Fallout – $8 in advance/$12 at the door (order tickets HERE)

If you don’t make it into the Broadberry tonight, you can always head down to Shockoe Bottom and join in with the gothic freaks dancing to spooky synth-pop at Fallout. You’ll be wearing black, they’ll be wearing black, you’ll fit right in. Tonight’s headliner is Mr. Kitty, an Austin-based electro-synth auteur who released a double LP, Ephemeral, earlier this year. While the album is every bit as likely to get your feet moving with darkened-dancefloor grooves, the fact is that Mr. Kitty wrote it about the suicide of a longtime friend. The resulting album is strongly influenced by grief and sadness, which come through in the minor-key melodies that add an emotional layer to the 30(!) dance anthems enclosed on Ephemeral.

Mr. Kitty’s Ephemerality tour brings him to town accompanied by another Austin electro-pop artist, Pastel Ghost, who released an excellent, dreamy LP entitled Ethereality last year, and thus provided the other half of the tour title. Pastel Ghost’s music is less dark and gothic, more dreamy and atmospheric, and at times reminds me of the way Grimes sounded at the time of her breakthrough 2012 LP, Visions (I have no idea what Grimes sounds like now). The result is excellent, making Pastel Ghost a perfect pairing with Mr. Kitty that’s sure to get the Fallout dance floor undulating. Gloomy baritone goth balladeer Panic Priest will bring a Sisters Of Mercy-ish sound to the evening as well, making this absolute ear candy for the fog-enshrouded dancefloor habitues of Fallout. Join them.

Thursday, October 10, 9 PM
Pigs Blood, ASM, Skullshitter, Bleeding Out @ Bandito’s – Free!

Things are going to get downright vicious at this Thursday night Bandito’s show, and I’m not talking about the kind of viciousness that occurs when I attack a plate of Bandito’s nachos, either. (Well, I’m not just talking about that kind of viciousness.) This show brings a brutal out-of-town band with a recent release on excellent Brooklyn label Stygian Black Hand to Richmond to join up with a local Stygian Black Hand band and rule the roost at one of the best taco places in town.

Pigs Blood hail from Milwaukee, and play what they like to describe as “bestial black/death war metal.” New LP A Flock Slaughtered adds the imprimatur of truth to that genre designation with ten tracks of gory, guttural rage to blast your head apart. Expect them to deliver a similar effect at Bandito’s this Thursday night. Their brutality will be matched by that of Richmond’s ASM (Antichrist Siege Machine), whose crawling early Carcass-style chaos is shown off to excellent effect on brand new LP Schism Perpetration. As a bonus treat, NYC’s Skullshitter and Toronto’s Bleeding Out will hit you with a heaping helping of the brutal grind chaos excellently displayed on their brand new split LP on Nerve Altar Records, a copy of which you will no doubt be able to score at the merch table after their set. Do it.

Friday, October 11, 9 PM
Alien Boys, Future Terror @ Wonderland – $10

The second I discovered Alien Boys, they delighted me. I hadn’t even heard a note of their music, but after so many bands full of men have given themselves “so-and-so girls” names, it makes me incredibly happy to see a band full of women (or at least non-men — some members use “they” pronouns) going with a “so-and-so boys” name. Outstanding — I love it. And fortunately for me, I also love Alien Boys’ music!

Their LP Night Danger is a rip-roaring blast of fast, catchy punk with urgent lyrics about the violence visited upon women in this patriarchal society — a message more people need to hear. It’s sure delivered in a delightful package; Alien Boys’ sound evokes memories of melodic punk ragers like The Gits, Naked Aggression, and The New Bomb Turks. When these “boys” pull up at Wonderland this Friday night, they’re going to rock you hard and leave you stoked. RVA speed demons Future Terror, who feature members of Asylum, Prisoner, and Enforced, will blast you with some powerful thrash to kick this one off, and you might just get a third band on the bill as well. Even if you don’t though, trust me, this lineup is awesome enough.

Saturday, October 12, 9 PM
Solar Halos, Holy Fingers, Horse Culture, Sibyl @
Wonderland – $10
If I am to be completely honest, I got pretty bored of that whole 70s-inspired doom metal wave a few years ago. However, it’s been nice over the past couple of years to see it mutate into a new wave of epic progressive psychedelic sludge, and the fact that we’re getting a double dose of that exact sort of thing at Wonderland this Saturday night is pretty delightful on the whole.

It begins with Chapel Hill riff-rockers Solar Halos, who display formidable talent and powerful creativity on their latest LP, Coiled Light. These space-traveling slow-motion riffs are sure to get your third eye wide open. Not to be outdone, Baltimore’s Holy Fingers will summon up the peyote-drenched desert landscapes of last year’s Holy Fingers II, taking you on a spectral acid trip that’s entirely their own. RVA sludgeheads Horse Culture will add their own locally-grown take on the sound into the mix, while local newcomers Sibyl take things in a hazier direction to kick off an excellent evening that’s sure to thrill all the lysergic travellers among you.

Sunday, October 13, 7 PM
Bedouine, Gus Seyffert @ Capital Ale House Music Hall – $15 (order tickets HERE)

In recent years, there’s been a movement in serious record-nerd circles toward rediscovery of obscure folk artists who released albums on tiny labels with press runs in the low hundreds. Vashti Bunyan is just the tip of the iceberg; in 2019, if you really wanted to dig, you could find dozens of such artists, all of whom tap into an almost psychedelic atmosphere of minimal yet beautiful acoustic songwriting, which is given an unusual character by the lack of budget afforded them at the time. You might well wonder what those artists could have accomplished in a proper studio — but if you want to hear what an artist from that niche could have created had they been allowed to fully realize their vision, you have to turn to Bedouine.

Bedouine is the project of acoustic guitarist, singer, and songwriter Azniv Korkejian, who displays subtle yet undeniable prowess on this year’s Bird Songs Of A Killjoy. The lush string sections and jazzy, understated instrumental accompaniment given her voice and guitar on this album never overwhelm the gorgeous melodies and poignant lyrics Korkejian brings into the world with a relaxed grace that belies the powerful emotion at work in her music. Bedouine’s performance this Sunday night might require a quieter, more attentive posture than you’re used to engaging during rock n’ roll shows, but it’ll be 100 percent worth it. Listen closely — there’s an entire world within their music.

Monday, October 14, 7:30 PM
Mike Watt & The Missingmen, Piranha Rama, J. Clyde Morris @ Capital Ale House Music Hall – $20 (order tickets HERE)

Mike Watt has been an absolute legend for decades now. An incredibly talented and influential bass player, he’s exercised formidable influence over the past 40 years of low-end sounds in the worlds of punk, jazz, alt-rock and more. His membership in groups like The Minutemen, fIREHOSE, The Stooges, J Mascis & The Fog, and a thousand others has led to his indelible imprint on pretty much every bass player who has picked up the instrument in the last 30 years (including me). And it’s allowed him to remain an incredibly busy guy, even at 60-plus years old. Now, after joining with the surviving members of 80s noise-punk deathtrippers Flipper for a European tour, he’s returned home to reactivate one of his several backing bands and head out on a solo jaunt across America.

The Missingmen was Mike Watt’s backing band on his most recent solo LP, 2011’s Hyphenated-Man — an excellent collection of invigorated tunes capturing the spirit of his classic work with The Minutemen and fIREHOSE. This 2019 tour, named “the Dick Watt tour” after Watt’s late father, sees a slightly rearranged Missingmen hitting the road to play a selection of faves from throughout Watt’s career, as well as a variety of covers that he’s made his own over the years. If you dig anything Mike Watt’s done, the set’s sure to offer some songs to make you smile in delighted recognition — and the rest of the time, you’ll be just as thrilled, because it’s Mike Watt and he absolutely wails on bass, just like he always has.

Tuesday, October 15, 7 PM
Mariee Sioux, Angelica Rockne @ Black Iris – $20 (order tickets HERE)

Two quiet acoustic folk shows in a week? Hey, my ears aren’t what they once were — and if you keep blowing yours out at loud metal shows, yours won’t be either. A couple of quiet nights listening to incredibly talented folk singers certainly won’t kill you — if anything, it’ll do the opposite. That’s particularly true when Mariee Sioux is at the top of the bill.

This Native American singer-songwriter has a very different approach than that of Bedouine, who we discussed earlier. As is made clear on her recently-released third album, Grief In Exile, her delicate fingerpicking and charming high vocal harmonies have an intricate and soothing effect. Sioux’s performance will display quiet beauty of a sort that’s sure to stick with you long after you leave Black Iris on this cool autumn Tuesday night.

Elsewhere Around The State:

Saturday, October 12, 6 PM
Lee Bains III & Glory Fires, Nana Grizol, Colebrooke @ Picker’s Alley (Fredericksburg) – $10 (order tickets HERE)

It’s a little too on-the-nose to call Lee Bains III & his Glory Fires glorious, isn’t it? That said, it’s an easy adjective to land on with this group, a ripping Southern punk band who mix heartland rock riffs with the roaring rage of classic American punk like MC5 and the Dead Boys, even as they consistently foreground a strong political consciousness that’s more than a little reminiscent of the Drive-By Truckers. Have you ever wished DBT were 25 percent less country and 25 percent more punk? If so, Lee Bains III & Glory Fires are definitely the band for you.

They’ll be hitting Fredericksburg this Saturday in the company of Nana Grizol, a band that simultaneously draws from roots in the American folk-punk scene of a decade ago and the psychedelic indie-pop Elephant 6 scene of the late 90s. Featuring former members of Defiance Ohio, Elf Power, Neutral Milk Hotel and many more, Nana Grizol combine the shambling melodic grace of folk-punk with the DIY pop psychedelia of the classic Elephant 6 bands, keeping you dancing with lovely tunes played on unexpected instruments, and an approach that is punk in execution even as it brings us a bounty of delightful pop gems. This duo of contrasting Southern punk groups will offer a cornucopia of genres for the delight of the Fredericksburg punks — and it could offer the same thing to you, if you’re willing to drive an hour north for a great show. And why wouldn’t you be?

Sunday, October 13, 8 PM
The Minks, Molly Drag, Past Life @ The Golden Pony (Harrisonburg) – $7 in advance/$10 day of show (order tickets HERE)

We all know by now that Nashville isn’t just for country music, right? Having brought us groups like Los Straitjackets, Be Your Own Pet, and Diarrhea Planet, that city has shown us all by now that it’s more than capable of rocking the fuck out. Therefore, it’s not really a surprise that their latest export is The Minks, a group driven by the “create or combust” approach of frontwoman Nikki Barber. This raison d’etre manifests itself on The Minks’ brand new LP, Light and Sweet, in some rollicking blues-garage rock n’ roll with a strong Southern twist and a ton of swaggering energy.

Grabbing hold of that powerful energy is the main reason for you to wrap up your weekend at Harrisonburg’s Golden Pony with the Minks, but openers Molly Drag and Past Life have quite a bit to offer in their own right. Molly Drag’s just-released Touchstone offers quite the contrast to what the Minks have to offer, in the form of introspective, emotional guitar-driven ballads that should appeal to the emo kids who’ve spent some nights sitting up alone in dark bedrooms. Philadelphia’s Past Life is a good bit more upbeat, bringing some indie-style power-pop that’s sure to offer a strong dose of energy to get this show kicked off in proper fashion. Let’s rock.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

A Day At The Races

Caley Sturgill | April 17, 2019

Topics: behind the scenes, Michael Millions, Mickie James, Municipal Waste, nascar, Nickelus F, pro wrestling, richmond raceway, RVA, RVA Magazine, tony foresta, toyota owners 400, Valient Himself, Valient Thorr, WWE

While the history of NASCAR may lie in the bootlegging, blockade-running days of Prohibition in Appalachia, today’s races marry the sport’s moonshining, outlaw-racing origins with the modern world. Racing in 2019 invites folks to fly their own flags alongside the colorful and checkered symbols of its own, encouraging fans old and new to experience the excitement from all walks of life.

With a group of our own first-timers and favorite Richmonders, RVA Magazine took to the track last Saturday, April 13, for Richmond Raceway’s Toyota Owners 400, right here in our own River City. WWE star Mickie James, Municipal Waste’s Tony Foresta, rapper Nickelus F, Valient Himself of Valient Thorr, and rapper Michael Millions joined our team with a common purpose: Fast cars, big thrills.

PHOTO: Stuart Mauck

No two tracks may be the same, but Richmond brings something special to the table for both drivers and fans. Our track, smaller in comparison to multi-mile raceways like Talladega or Daytona, makes for tighter turns and higher difficulty (i.e., more fun). On the other side of the fence, Richmond Raceway has a yellow brick road of sorts, manifested in an access tunnel for the public that lets lucky fans catch the race from inside the track.

Among the lucky, our crew got to walk the “road under the road,” stepping out on the other side of the tunnel into the center of the infield.

PHOTO: Stuart Mauck

The newest adaptations of the cars, whose glory days of the 60s and 70s only pushed out about 250-300 horsepower, have more than doubled: Richmond Raceway’s track allows for cars that pack around 750.

Gearing up for the race, fans piled in from around the country as early as 6am last Tuesday morning. Campers, trucks, tents, and golf carts lined the fields around the raceway to tailgate and celebrate, with the same excitement that sparked with the sport decades ago.

RVA Magazine – Nascar 2019

With a special mural dedication before the race, NASCAR honored a treasured local artist, Sam Bass, who called Richmond his home and worked with the organization for years before passing away earlier this year. The mural, which can be found in the raceway’s media center here in town, drives home the importance of Bass to the racing community throughout the years.

The Richmond Raceway grounds are home to more than the track; they hosted events all weekend, including public Driver/Crew Chief Meetings, Toyota Thrill rides, Virginia Lottery giveaways, and a Craft Beer Fest full of breweries from around the state.

If you’re planning to hop in the Toyota thriller next time around, make sure you’re not weak of heart or stomach — in stock Camrys, fans can hop in with professional drivers to have the guts scared right out of them in twists, turns, burnouts, and close calls with the wall, all designed to bring your breakfast back up (and still have you jumping back in line for another round).

PHOTO: Branden Wilson

Down in the infield, pit crews line the track, while fans full of beer and Larry’s Lemonade gather at the gates to watch the action. Each car and driver are unique to their own specs, but experience reigns supreme.

PHOTO: Branden Wilson

“While the entry point for NASCAR might seem intimidating for first-time race-goers, the experience is unlike any other sport,” wrote RVA Magazine managing partner Landon Shroder following last September’s Federated Auto Parts 400 at the track. “And unlike other forms of motorsports, NASCAR is unique in that there is a certain level of egalitarianism to the way the teams are structured. What this means, in real terms, is that unlike Formula-1, the NASCAR team with the most money is not always likely to win.”

“For instance, NASCAR regulates just how big the engine can be, limiting the size to 358 cubic inches, restricting the amount of horsepower an engine can produce. This ultimately makes the racing experience more about driver competency, rather than dollars spent on high tech racing gear. Because of these rules, the leaders of the race change frequently – sometimes with multiple race leaders on a single lap.”

PHOTO: Stuart Mauck

Every point of the track during a race brings a unique experience to the table. From the infield, the behind-the-scenes area gives a personal look at crews working while drivers rush on around you. The Richmond Raceway has tickets for regular seating and infield access to open the thrill to fans of all kinds, and from above the track and along the straightaway, the speed of the cars can feel unbelievable as drivers accelerate by in colorful blurs with each passing second.

PHOTO: Stuart Mauck

Until you’ve seen it in person, the excitement of the days-long party that surrounds professional stock car races is hard to imagine in its full fire — and like all things Richmond, the raceway holds a part of our culture that can’t be found anywhere but here. With a case of beer in arm and a ticket in hand, a day at the track is an experience like no other in the River City.

The 400 race is returning this fall. We’ll see you there.

PHOTO: Stuart Mauck
PHOTO: Stuart Mauck
PHOTO: Stuart Mauck
PHOTO: Stuart Mauck
PHOTO: Stuart Mauck
PHOTO: Stuart Mauck
PHOTO: Branden Wilson
PHOTO: Branden Wilson

VA Shows You Must See This Week: November 7 – November 13

Marilyn Drew Necci | November 7, 2018

Topics: Ann Beretta, Bennett Wales & The Relief, Bigwig, Butt, classical revolution RVA, CounterPunch, Dad, Doll Baby, Fat Spirit, Fishbone, Flora, Good Riddance, gwar, HAUNT, Jackmove, Jafar Flowers, Madison Turner, Mannequin Pussy, Matthew E. White, Miss May I, Miya Folick, Municipal Waste, NØ Man, Pale Waves, Peabody's, planned parenthood, Roosevelt Collier, Sensual World, Shaka's, shows you must see, Slothrust, strange matter, Super Unison, The Broadberry, The Bush League, The Camel, The Candescents, The HofGarden, The National, Toxic Holocaust, Toxic Moxie, Trey Pollard, Ugly Muscle, Video Shoppe, Wargo

FEATURED SHOW
Saturday, November 10, 8 PM
GWAR, Municipal Waste, Miss May I, Toxic Holocaust, HAUNT @ The National – $22 in advance/$25 at the door (order tickets HERE)
Folks, it’s time once again that we check in on Richmond’s reigning masters of bloodthirsty metal from outer space. Everyone’s favorite homicidal aliens, GWAR, will return to the National’s stage once again this Saturday night, and it’s sure to be an absolute gorefest, so you know what that means — wear your white t-shirts and get ready to be hit by the cannons of goo that are certain to be unleashed. You know the ones; the ones that throw so much blood and guts all over the place that the National has to drape their balconies in bedsheets just to protect the fancy woodwork. If you think you can be anywhere in the same room as GWAR and stay safe from the splatter, you’re sadly mistaken, but that’s OK — getting covered in slimy stuff of uncertain origin is part of what makes GWAR shows so much fun!

Last year, GWAR released their first new album since the death of founder Dave Brockie. The Blood Of Gods sees the crossover sound GWAR have cultivated over the past several albums giving way to a more over-the-top rock n’ roll sound that sees new vocalist (and originator of the Beefcake the Mighty character) Michael Bishop howling and yowling, Ted Nugent-style. There’s still plenty of thrashing going on with GWAR these days, don’t get me wrong; but the fact that the album ends with a cover of AC/DC’s “If You Want Blood (You Got It)” should tell you something about what you can expect, musically speaking, from GWAR these days.

That said, we all know that the gore-saturated show is the main attraction when seeing GWAR live. But there’s plenty of ass-kicking no-show all-go metal on this bill as well. The main attraction for all of you hoping to spend a few hours focusing on banging your head is the one and only Municipal Waste, who’d been largely dormant for most of this decade but returned to action last year with a beefed-up lineup featuring former Cannabis Corpse axe-slinger Nikropolis on rhythm guitars and their first LP in five years, Slime And Punishment. If you haven’t caught up with the Waste since all that went down, rest assured that they’re gonna fuck you up just like they always have. They’ll do it with the able assistance of their best thrashcore pals, Toxic Holocaust, as well as metalcore mainstays Miss May I and up-and-coming Maiden-esque power-metallers HAUNT. It’s a headbanging bonanza, and it’ll be topped off with a serious bloodbath. Should make for a wonderful weekend.

Wednesday, November 7, 7 PM
Slothrust, Mannequin Pussy, Doll Baby @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Look out, all you rock n’ rollers — the 90s are still back, perhaps more back than ever, and one great aspect of that is the continued ascendance of powerful songwriters with rough, distorted guitars that hit you hard even as their lyrics and vocal melodies make you feel some strong emotions. Slothrust is one of those groups, and singer-guitarist Leah Wellman is showing the world exactly what she has to offer on their brand new LP, The Pact, released a couple months ago on Dangerbird Records. There’s a darkness to songs like “Planetarium” and “Fever Doggs” that if anything harks back to a pre-90s, pre-Nirvana sensibility. These songs should strike familiar chords for fans of the Meat Puppets, or Green River, and do a great job of demonstrating that Slothrust has more to offer than an unabashed reiteration of what bands like Babes In Toyland and L7 did before (though don’t get me wrong, there’s a good bit of that in there too).

Slothrust are joined on this bill by Mannequin Pussy, a Philadelphia punk band who’ve been making a strong impact in Richmond for years now, and have also been growing beyond their noisy punk roots, into a sound that encompasses a variety of genres and combines rage, passion, and melody in an inspiring manner. Their 2016 album, Romantic, moves from roaring blasts of punk fury into moments of breathtaking melody, complete with shoegaze-style guitar swells. One thing that’s present on all of their songs is a strong emotional foundation that singer-guitarist Marisa Dabice communicates with everything from a breathy croon to a frustrated scream. No matter where each moment lands on the spectrum of her vocal range, though, all of them are honest, real, and gripping in their intensity. This isn’t one you’re going to want to miss. Local support by Doll Baby, who have a great deal in common with both touring bands, completes a powerful trifecta. You know what to do.

Thursday, November 8, 9 PM
Roosevelt Collier, Bennett Wales & The Relief, The Bush League @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
If you love to hear people wail on the electric guitar, this is the show for you. Roosevelt Collier is a pedal steel guitarist with roots in the same “sacred steel” tradition that brought Robert Randolph and his family band into the world, but Collier combines that gospel-soul sound with a Hendrix-ian approach that finds him in high demand with heavyweights like the Tedeschi-Trucks Band and the Allman Brothers. He’s a core member of Snarky Puppy bassist Michael League’s “World Music All-Star Band,” Bokanté, and he’s finally stepped out on his own this year as the frontman for his own group, which he’ll be bringing to the Camel.

Collier and his backing band are on tour in support of his debut solo album, Exit 16, on which he worked again with Snarky Puppy bassist Michael League. The album displays a hell of a range, moving from uptempo workouts to slow, seductive grooves, all with a very heavy bottom end. Collier’s playing is always the star of the show, and the man gets some outstanding noise out of his pedal-steel axe. While instrumental music can sometimes feel a bit bare-bones, you’ll never miss the vocals when Roosevelt Collier is laying waste to his slide guitar. He joins with VA Beach funk-rockers Bennett Wales and the Relief and RVA’s own blues-wailing machine, The Bush League, to tear the roof off the Camel this Thursday, and you should really be there to see — and hear — it all go down.

Friday, November 9, 7 PM
Pale Waves, Miya Folick, The Candescents @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
These days when you hear the sort of reverbed guitars and ambient synth sounds that have been a marker of the goth-postpunk sound in vogue at the moment for several years now, you expect to know what you’re getting. Dark moods, downcast eyes, sad lyrics full of desolate imagery that connect strongly with your personal alienation as you sit alone in your room in the dark. But haven’t we all had our fill of that sort of approach to the mid-80s postpunk sound? After a few years, all those 80s goth kids turned into bouncy New Wavers that would rather dance to New Order than cry to the Cure anyway — isn’t it time we found an antidote for our own post-millennial kohl-eyeliner blues?

That’s what Pale Waves is here to offer. The Manchester band may trace their aesthetic back to Siouxsie and the Banshees, but their sound is building on the uplifting synth melodies of recent UK postpunk successes CHVRCHES and adding some of the same glittering guitars and melodic bass lines that the original goth bands excelled at. Recently released LP My Mind Makes Noises hits all the right notes for the kids who still want to wear all black but are discovering the thrill of new love and the promise of sunny days. God knows everything is depressing enough these days… don’t we need our music to lift the veil at least a little bit? If you’re ready to dance with a smile on your face rather than tears in your eyes, come to The Broadberry this Friday night and bounce to the music of Pale Waves. It can’t rain all the time.

Saturday, November 10, 7 PM
Eat Your HRT Out: A Trans Health Clinic Benefit, feat. Toxic Moxie, Madison Turner, Wargo, Dad, Jafar Flowers @ Strange Matter – $15-20 suggested donation
I know, I know, I just wrote about Toxic Moxie like two weeks ago. But what was the rule we established the last time I wrote about them? I do believe it was “you will go see Toxic Moxie whenever they play a show.” We just had an election, but this one wasn’t on the ballot, so it is still very much in force. You want punk rage and disco euphoria? You want serious political views leavened with some good-time party energy? Toxic Moxie have got it all.

And what’s more, they’re bringing it to you this time in support of a very good cause. Planned Parenthood’s Trans Health Clinic is one of the only steady providers of transgender-specific health services in Richmond, and considering that trans people are much more likely to be unemployed or underemployed than the general population, their patients are more likely to face economic strain in finding ways to pay for their medical care. What your donation at the door of this show — which, in addition to the disco party punk of Toxic Moxie, will also feature an always-rockin’ full band set from Madison Turner, some electronic dance sounds from Jafar Flowers, and a good bit more — will go toward is helping ensure that prices for Planned Parenthood’s much-needed medical support for the trans community remain as affordable as possible. Plus you’ll have a great time in the bargain, and who doesn’t need more of those?

Sunday, November 11, 8 PM
Video Shoppe, BUTT, Fat Spirit @ Flora – $?
It’s always fascinating to see how people find ways to do a band despite lacking some seemingly crucial core members. Providence duo Video Shoppe easily found a way around this particular dilemma. No drummer? No problem — just bring in a primitive electronic beat machine, trigger it with foot pedals, and stack TVs and VCRs around you to when you play to make up for the fact that there’s nobody flailing away behind a kit and giving the audience some sudden moves to latch onto.

But that sort of creative problem-solving only goes so far if you don’t have some really cool songs to bring to the world when you play, and Video Shoppe’s latest EP, Nostalgia Trap(s), finds them filling that need in excellent fashion as well. Their pounding drum machine makes for an interesting contrast with their delicate postpunk guitar sound, just as their singer’s moody baritone offers an emotional feel completely different from that presented by their chiming melodies. The result has both power and ethereality, and will glow brightly in the dark room at the back of Flora this Sunday night. Their pairing with local ramshackle garage-rockers BUTT and the glorious grunge fury of Fat Spirit will round out the evening into a blast of rock n’ roll fun you’ll be willing to pay whatever the heck they’re actually charging at the door to get into.

Monday, November 12, 8 PM
Super Unison, NØ Man, Sensual World, Ugly Muscle @ Strange Matter – $10 (order tickets HERE)
This is one I’ve been looking forward to. Super Unison recently released their second LP, Stella, and it took their already powerful post-hardcore sound to a whole new level. You may know this group from the fact that singer-bassist Meghan O’Neil previously fronted ripping fastcore band Punch, but from their inception, Super Unison have had a great deal more to offer than O’Neil’s previous group, as they both retain the hardcore velocity of Punch and integrate the sort of driving, noisy energy of bands like Drive Like Jehu (who inspired the group’s name) and Rodan.

Stella finds Super Unison expanding beyond the sound of their 2016 debut LP by incorporating more dynamic shifts within single songs; they’ve also increased the melodic quotient of their guitar riffs, even as O’Neil’s vocals have become harsher and more emotionally-driven. Some might say these guys have been listening to some of the screamo stuff coming out of their home state of California — Vril, say, or Loma Prieta — and I think there’s definitely evidence to support that conclusion. Whether you’re a fan of passionate screamo, hardcore fury, or noisy rock chaos, though, you’re sure to get a lot out of Super Unison’s unrelenting attack. Put yourself in the way of it — you’ll never regret it.

Tuesday, November 13, 6:30 PM
Classical Revolution RVA presents Trey Pollard, Matthew E. White @ The HofGarden – $7 in advance/$10 at the door (order tickets HERE)
This is about as far as you can get from post-hardcore rage, but like they say, variety is the spice of life. It’s also how we keep things interesting here in Richmond, which a lot of people (including me) will tell you is one of the best music cities in the entire country. This Tuesday night sees some tremendously interesting things happening at The HofGarden, as Spacebomb Records head honchos Trey Pollard and Matthew E. White join together with local chamber music collective Classical Revolution RVA in order to present the live premiere of compositions from Pollard’s new album, Antiphone, coming later this month from Spacebomb.

Trey Pollard isn’t the sort of musician we’re used to interacting with here in the indie rock world. He’s a true composer, one who has done orchestral compositions and arrangements for everyone from Spacebomb compatriots Matthew E. White and Natalie Prass to Scottish indie-folk group The Waterboys and This American Life-affiliated podcast S-Town. Now he’s releasing the first album of his own compositions, which was recorded by a 16 piece ensemble earlier this year with Pollard conducting. For the performance at The Hof, a string quintet featuring members of Classical Revolution RVA will play compositions from Antiphone live for the first time. They’ll also accompany Matthew E. White for portions of a solo piano-and-vocal set that he’ll treat us all to, before we dive fully into the bold new works Pollard is bringing into the world. This is an evening for people who love all forms of music, and are most excited to see something unlike anything else out there. If you’re a true music fan, you’re not going to want to miss it.

Bonus Hampton Roads Picks:

Thursday, November 8, 7 PM
Fishbone, Jackmove @ Shaka’s – $27 in advance/$32 day of show (order tickets HERE)
Remember how we were talking earlier about the 90s being back? It doesn’t just show through in the return of sounds and styles that were popular back then; it also shows up in all the bands that are getting back together and returning to the road after decades away. Strictly speaking, this doesn’t describe Fishbone — they’ve been together the whole time, with founding vocalist Angelo Moore and bassist John Norwood Fisher sticking around through thick and thin. However, this year has seen the group return to their classic lineup for the first time since the late 90s. Or, well, that’s not entirely true — no one familiar with the whole saga will be surprised to hear that Kendall Jones isn’t back. But other than Jones, the lineup responsible for classic late-80s/early-90s LPs Truth And Soul, The Reality Of My Surroundings, and the unforgettably titled Give A Monkey A Brain and He’ll Swear He’s The Center Of The Universe is back once again and hitting the road to remind us why we loved Fishbone back in the day.

Of course, some of you are going to wonder what the heck I’m talking about. I hear you muttering: “Who is Fishbone, and why does it even matter?” Here’s the deal: back when “funk-punk” was a real, up-and-coming hybrid genre with underground energy and vitality, Fishbone were at the center of it. Never mind Red Hot Chili Peppers (who knew enough to shout Fishbone out constantly on their early albums); tracks like “Party At Ground Zero,” “Bonin’ In The Boneyard,” “Swim,” and “Everyday Sunshine” showed a talented group absorbing everything from ska and soul to hardcore and metal, then spitting it all back out in a wave of talented originality like nothing else out there, then or now. The members of Fishbone are quite a bit older now, but the songs they created in their heyday are still great, and their talent (and singer Angelo Moore’s boundless energy) are undiminished. This show will be both the perfect introduction for the young ‘uns among you and an outstanding opportunity for those of us who know exactly what Fishbone is all about to see the classic lineup in full nutt-megalomaniac form. Hell yeah.

Saturday, November 10, 7 PM
Good Riddance, Bigwig, Ann Beretta, Counterpunch @ Peabody’s – $20 in advance/$22 day of show (order tickets HERE)
And speaking of excellent bands from prior eras returning to demonstrate that they’ve still got it going on… here’s an excellent example of not one but THREE melodic punk bands of the 90s doing exactly that. California’s Good Riddance are at the top of this bill, nicknamed the “Fall Brawl 2018,” and they’ve got the kind of gritty hardcore feel underlying their more melodic moments to back that name up. Of the 90s Fat Wreck bands that cemented the skatepunk genre as the go-to sound for a generation of rebellious high school freshmen, Good Riddance were always the toughest, the dirtiest, the most hardcore. Returning to action a few years ago after almost a decade away, 2015’s Peace In Our Time showed that Good Riddance still had the goods.

New Jersey’s Bigwig haven’t made a new album in over a decade, but they’ve stayed on the road, cranking out their brand of metallically-melodic skatepunk for years now, and they’re still bringing the fire as well. More momentous news for longtime fans of RVA punk has been the return over the past couple of years of Ann Beretta, who were mainstays here in Richmond back in the late 90s but have been out of action since shortly after the dawning of the new millennium. They came back to us this year with Old Scars, New Blood, a new album of old hits rerecorded for the modern era, and the word is that they’re working on another entirely new collection that’ll hit town in the near future. This weekend, though, old-school RVA heads and melodic punk skate rats alike are gonna want to gas up the coupe and head down to Peabody’s, because this show is going to be full of excellent sounds from the past three decades of punk rock awesomeness.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Toxic Boombox: Weekend Playlist by Tony Foresta of Iron Reagan and Municipal Waste

RVA Staff | September 21, 2018

Topics: Cross-Over, Iron Reagan, metal, Municipal Waste, richmond, rock and roll, RVA, thrash, tony foresta, Weekend Playlist

Every Friday night, RVA Mag drops one scorcher of a playlist curated by Virginia’s most influential artists, musicians, and institutions. As your witching hour circle pit gains velocity make sure to lay waste with thrash legend Tony Foresta of Iron Reagan and Municipal Waste’s weekend playlist: A playlist tightly packed with all of the essential ingredients needed for a weekend rock and roll fiesta of the highest order.

Be sure to check out and pre-order Iron Reagan’s new five-song EP, “Dark Days Ahead,” on Pop Wig Records, dropping October 12.

Cover Photo by Steve Krandel

 

Music Sponsored By Graduate Richmond

 

Mr. Pickles Thrashtacular Tour Melted Faces at The National Friday Night

John Donegan | March 15, 2018

Topics: Adult swim, Exodus, Left Cross, metal, Mr. Pickles, Mr. Pickles Thrashtacular Tour, Municipal Waste, The National

Last Friday, a homecoming parade of sorts filed into The National in downtown Richmond. But instead of trumpets and horns were riffs of deafening guitars echoing into the neighboring streets. Where the marchers normally would stand in their pristine uniforms, a mosh pit of sweaty, gritty berserks fighting to retain glory of the inner circle came together as one.

The attendees, sporting steel-toed boots, leather trench coats and plenty of horns, did not arrive in Richmond to bring city dwellers an average homecoming event. Will Carsola and Dave Stewart, creators of the hit Adult Swim show “Mr. Pickles” unleashed “Mr. Pickles Thrashtacular Tour” on fans with some of metal’s most respected acts melting faces and bursting eardrums.

Related image

With a wild opening by Richmond locals Left Cross, along with veteran thrashers Municipal Waste, the two groups rocked the house; leaving the crowd in a frenzy before California metal band Exodus even took the stage. The band, handpicked by Carsola and Stewart personally, attest to a longstanding friendship with the creators, who even shot their first music video for “Unleash Our Bastards” over 20 years ago.

The tour was to support the animated series’ third season, which premiered on Adult Swim last month. Bringing up several guest musicians from the Richmond scene, it was an open scene unlike any I had ever been to. In the absence of pretentious head bobbers of the alternative indie crowd, the venue took a different flow that night. I felt like I could’ve gone on stage and led a set or two. Carsola and Stewart walked around as a meet and greet with friends and locals, yet hidden enough in plain sight from the average attendee.

Exodus lived up to its well-precedented hype, looming over the audience with a dominant stage presence. Their set showcased Gary Holt’s mastery, providing a fantastic performance.  

The only show displayed up on the half-lit billboard for the week prior to the concert, it’s obvious this show meant a lot to the community. Before venturing out to Los Angeles to work with Hothouse Productions; the creators began their rise to viral fame in Richmond with Day by Day Productions about 20 years ago. The show Mr. Pickles itself is loosely-based on Richmond and several other small towns of Virginia. With a totally metal dog at the center of it all.

Adult Swim offered plenty of fun gags including a photo-op sitting in the profaned Mr. Pickles chair along with plenty of merchandise to please fans. The Thrashtacualr Tour was a night where the bizarre and twisted nature of the off-brand all came together, a congregation of a misfit celebration, a homecoming for the renegades against complacency- and it was worth every penny.

Catch Mr. Pickles on Adult Swim every Thursday night.

Photos By: John Donegan

Music Sponsored By Graduate Richmond

Adult Swim’s Mr. Pickles Thrash-tacular Tour Hits The National This Weekend

John Donegan | March 5, 2018

Topics: Adult swim, cartoon, Exodus, Left Cross, metal, Mr. Pickles, Municipal Waste, The National

This Friday marks a homecoming for Richmond natives Will Carsola and Dave Stewart as they bring “Adult Swim’s Mr. Pickles Thrashtaculor Tour” to The National in support of the animated series new season. The 13-city metal tour kicked off last Thursday, Feb. 22 in Seattle, jumping across fan hot spots until landing in our little city, the advent for the creators of the hit show Mr.Pickles; the event- a celebration of their successes in the world of Old Town.

The show will feature live performances from Richmond metal bands Municipal Waste and Left Cross, who Stewart and Carsola handpicked for the tour. “When Adult Swim had the idea for the promotional tour, we said cool, Municipal Waste are our homies, hopefully, they’re into it,” Stewart said. “We wanted U2, but…  Bono’s kind of a douche.”

Rounding out the festivities is veteran thrashers Exodus so its safe to say attendance at the show is both a must for any Richmond metalhead or Adult Swim fan. 

The show will also feature a photo op with the infamous Mr. Pickles doghouse, a fully stocked “Mr. Pickles” store, and free Adult Swim merchandise for attendees. The creators hinted several surprises lay in wait, but said most have been kept under wraps, even from them. “Adult Swim has some other things planned that haven’t been revealed yet, not even to us, should be interesting,” Carsola said.

Created in 2014, Mr. Pickles follows the eccentric people living in Old Town and is loosely based off of Richmond and several other small towns of Virginia,  offering a humor catered to the very essence of this city, ever since the viral videos of Carsola and Stewart’s Day By Day Productions about 20 years ago. “In particular, Bowling Green, a place trapped in time then and even more so now,” Stewart added.

In its third season which premiered Feb. 25 on Adult Swim, the series follows the Goodman family as they battle zombies, telemarketing plantation owners, and bullies. And the world’s most metal dog will get in on the action as well, taking on memory hackers, ruthless television executives, and military footwear.

Stewart and Carsola’s sense of humor, intermixed with topics otherwise locked away in the void of taboo, complements Adult Swim’s history of promoting a refined taste. “They really let us do what we want. That and they definitely get our weird sensibilities,’ said Stewart. “There’s a lot we probably wouldn’t get away with on other networks.”

Honestly, if Infowars makes the time to assign them a conspiracy, they must be doing something right. 

Adult Swim’s Mr. Pickles Thrash-tacular Tour takes the stage at The National this Fri., March 9. Doors open at 6:30, show starts at 7:30 pm. Tickets are $22 ADV, $25 DOS.

Music Sponsored By Graduate Richmond

 

  • Go to page 1
  • Go to page 2
  • Go to page 3
  • Go to page 4
  • ⟩

sidebar

sidebar-alt

Copyright © 2021 · RVA Magazine on Genesis Framework · WordPress · Log in

Close

    Event Details

    Please fill out the form below to suggest an event to us. We will get back to you with further information.


    OR Free Event

    CONTACT: [email protected]