RVA Lyricist Lounge Returns! Episode 5!
Nickelus F Perfoming his new album “Stuck” live!
Cole Hicks also performing live from her new project “May Day”
Special Southpaw Battle Coalition Cypher!
Live Cypher Including: Big Kahuna OG, Lisimba, Peedy Westro,
Crazique, A’Mere Fresh, Reppa Ton, and More!
IGB vs Swerve 360
Robalu vs Leek Bucks
FEATURED SHOW
Sunday, July 1, 12 PM
Williamsfest (In Memory of Kyle Trax), feat. Earthling, Gnarcave, Slump, Cruzer, Nightcreature, Naked Baby, Weird Tears, Big No, Craig Perry, Mindy Alexander, Matt Carter, Buttafly Vazquez @ En Su Boca – Free!
All-day music fests are always a great time, but sometimes they are bittersweet. Such is the case with this one celebrating the life of Kyle Trax, who passed away a couple of months ago due to complications from Type 1 diabetes. Kyle worked at En Su Boca, played drums in local rock n’ roll groups The Cherry Pits and Benderheads among others, and had a ton of friends around town. I didn’t know him well, but he was always nice to me, and I had a blast when his band played my living room for a Valentine’s Day party a few years ago. To say he will be missed is an understatement.
Kyle loved music, and this all-day outdoor festival in his memory is an appropriate occasion on which to celebrate his life. Earthling are the headliners, and this VA metal band has grabbed a lot of attention with their Spinning In The Void LP, released last year on Forcefield Records. If brutal metal crunch mingled with blazing solos and thrashing riffage sounds like fun to you, you need to get on this band’s level. Also on the bill is Gnarcave, an atmospheric black metal band that Kyle was in years ago. Co-founder Craig Perry, now a classical guitarist, will join up with Earthling bassist Sean Weber and Kyle’s childhood friend Ryan Nottingham (filling in for Kyle on drums) to recreate Gnarcave’s ripping black metal rage one last time. Perry will also perform one of his classical guitar compositions as an introduction to Gnarcave’s set — so you fans of technical guitar playing should get up front for this one.
A ton of other things will be happening as part of this all-day festival; performances from a ton of local hardcore, punk, and garage-rock bands including Slump, Cruzer, Nightcreature, Naked Baby, and a bunch more. There will be acoustic sets from several of Kyle’s friends, including local soul singer Buttafly Vasquez (Crucial Elements/Flavor Project). You’ll also get to see the premiere of a Cherry Pits video, indulge in some delicious En Su Boca tacos, and more! The whole thing is free to attend, but Kyle’s family is currently collecting donations to the Juvenile Diabetes Research Foundation, so if you have cash to spare, please donate to help find a cure. And then come rock out in memory of an awesome dude who left this world way too soon.
Thursday, June 28, 8 PM
Blac Rabbit, Sun Parade @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
Here’s an interesting gig for y’all to check out, especially if you’ve seen these guys on Ellen. Yeah, seriously, twin brothers Amiri and Rahiem Taylor, who founded Blac Rabbit, got onto Ellen due to their day job of sorts, busking on New York subways with some killer Beatles covers. This is a pretty excellent story, but it might sound like nothing more than a novelty to you — until you hear the originals Blac Rabbit create when they’re not busking for cash in Times Square.
Their self-titled debut EP, released late last year, brings together psych-rock touchstones from past eras, including The Beatles and Love, as well as modern groups like Tame Impala and MGMT. On songs like “Closer To The Sun,” the group paints hazy dayglo mind pictures that will be a big hit with fans of Dungen or Unknown Mortal Orchestra. It’s really incredible stuff, and it’s sure to shine that much brighter in the live setting. You’ll have a blast when these guys take the stage, even if they don’t play a single Beatles cover. And while Massachusetts’ Sun Parade has a somewhat different sound, they’re still an apt pairing for Blac Rabbit due to the group’s similar origins as buskers. These days they’re making colorful pop music that brings in equal influence from folk music and psychedelia, to excellent effect. These two groups will be the perfect vehicle with which to drift away across the stratosphere… at least for a few hours.
Friday, June 29, 9 PM
Imaginary Sons, Leach @ City Dogs – Free!
Damn — in certain segments of the local scene, this is bound to be the news of the year. Not only are the Imaginary Sons back for a one-time-only reunion show, they’ve reunited the original four-piece lineup that brought us all the irreverent, excellent Let It Beer LP back in 2015. With a ridiculous Beatles parody cover and some truly unforgettable costumes, these guys led with goofy spirit, then pulled you in with the absolute power of their rock n’ roll tunes. Equal parts Cheap Trick and Weezer, plus a dose of AC/DC for sheer power, the Imaginary Sons were a band you weren’t going to overlook.
First slimming down to a trio lineup, then breaking up in early 2017, Imaginary Sons left a gaping void in the RVA music scene. It’s no surprise that, when they announced this reunion earlier this year, people were stoked. And now the payoff to all that anticipation will finally arrive this Friday night when Imaginary Sons rage at City Dogs once again. They’ll be joined by Leach, the current project of former Sons Mike Cruz and Russell Redmond, and DJ Frontyard will be spinning tunes to kick off the night, but we all know the main attraction: the opportunity to hear all the hits — “Kicking The Cup,” “Never There,” etc — in a live environment once again. Eat your hot dogs early, because the mustard’s gonna fly when these guys take the stage.
Saturday, June 30, 7 PM
RVA Lyricist Lounge, Episode 5; feat. Nickelus F, Cole Hicks, IGB vs Swerve 360, Robalu vs Leek Bucks, Southpaw Battle Coalition cypher, and more @ Strange Matter – $15
There is, as always, a lot of great hip hop happening in this town, and you sleep on any of it at your peril. However, I must urge you to make specific effort to be at RVA Lyricist Lounge Saturday at Strange Matter if you care about hip hop at all. These ongoing events, presented by Southpaw Battle Coalition, have been putting cyphers and battles back into the scene in a big way over the past year or two, and are pushing the local scene forward in obvious ways. Most importantly this time around, though, is that Nickelus F will be performing his newest album, Stuck. Nick F shouldn’t need any introduction to hip hop fans around here by now — his 15 years of consistently excellent releases proves the quality he’ll deliver every single time you hand him a mic, and we’re seeing that same quality on his latest release. The sluggish beats and dazed lyrical flow that set the mood on the album help bring the title to life, and the man also known as Sweet Petey will make it hit hard when he hits the Strange Matter stage Saturday night.
But that’s just the beginning of what this show has to offer. Also on tap is a performance from up-and-coming local rapper Cole Hicks, who’ll be bringing us selections from her buzzworthy new release, May Day. Then there are the two battles on the card, pitting IGB against Swerve 360 and Robalu against Leek Bucks. Southpaw Battle Coalition will hit us with a cypher, as will a variety of local MCs you know and love. Plus, there’ll be room for new faces — 30 open cypher slots means that if you feel like you’ve got rhymes to deliver, there’s room for you to get on the mic and show your stuff. And if you just want to see some high-quality rhyming and keep up with the genre as it moves forward here in RVA, you’re definitely going to want to be here to watch. Mark your calendar.
Sunday, July 1, 8 PM
To Live And Shave In LA, New Ting Ting Loft, Oozing Meat, Fuk U / Idiot, DJ Rat Ward @ Strange Matter – $5
This one’s gonna be weird — and a whole lot of fun. To Live And Shave In LA, whose name certainly appears to be a joking reference to a William Friedkin movie, have a 25 year career behind them and are still going strong. The group primarily arises out of the collaboration between early Pussy Galore member Tom Smith and Florida noise legend Rat Bastard — though it’s involved a ton of other people over the years, from Thurston Moore to Andrew WK. Listening to To Live And Shave In LA is a challenging experience. Beginning from the proposition that “genre is obsolete,” Messrs. Smith, Bastard, and co. combine all sorts of experimental insanity, from ambient tape loops to metal-bashing harsh noise and untraceable electronic weirdness.
How does that translate live? Hard to say… a quick spin through their extensive discography will demonstrate to you that it’s pretty much different every time. But it’ll certainly be worth seeing, even if you have no idea what you’ll get — if there’s one term that does not describe To Live And Shave In LA, it’s “boring.” The local acts on this bill will keep things interesting as well; New Ting Ting Loft is a totally maniacal improvised-music ensemble who takes experimental jazz as a point of departure and ends up in all kinds of ludicrous places. The results are always fascinating. Oozing Meat is a collaboration between Eric Tomillon (Fake Object) and Jason Hodges (Suppression/Bermuda Triangles/etc) that, at least on last year’s Splatter High, leaps dramatically from ambient noise weirdness to shit-fi grindcore, then back again. Who knows how that’ll translate live, but it’s sure to keep your attention. Which is really the story for this entire show — there’s no way to know exactly what you’re gonna get, but you can be sure that it won’t bore you.
Monday, July 2, 8 PM
Late Bloomer, Lovelorn, Teen Death, Sea of Storms @ Strange Matter – $10 (order tickets HERE)
Here we are at the end of a trio of Strange Matter shows, all completely different, and all completely awesome. This one’s for the fans of straight-up rock n’ roll with a melodic edge and some killer hooks; Late Bloomer brings all of that to us with their brand new LP Waiting, out on 6131 Records this Friday. It’s so brand new, it isn’t even out yet — but it will be on Monday night, so bring some cash and pick yourself up a copy! Then enjoy the bushel of killer tunes this North Carolina trio will be bringing with them, both from their latest ripper and excellent earlier LPs, such as 2014’s Things Change.
They’ll also be bringing Lovelorn with them, and if you’re a little unfamiliar with this Philadelphia trio — who’ve only released one song so far — it might help you recognize them if I tell you that they are three of the four members of the unfortunately departed Philly psych project Creepoid. That band was really hitting their peak with their third and final LP, 2015’s Cemetery Highrise Slum. Lovelorn’s sole demo release thus far has more of an ominous, spaced-out vibe reminiscent of Mazzy Star than the fuzzy, garage-damaged sound Creepoid were perfecting towards the end, but it’s close enough to make it really incredible in its own right. And hey, it’s only one song — getting to hear a full set is sure to leave us with a much stronger impression of where these excellent musicians are taking things next. Opening sets from awesome locals, including hard-rockin’ punk n’ rollers Teen Death and melodic, emotionally-driven rockers Sea Of Storms, will make for a bill full of highlights. Don’t miss a moment.
Tuesday, July 3, 6:30 PM
Have Mercy, Kississippi, Super American, Downhaul, Warrington @ The Camel – $14 in advance/$16 at the door (order tickets HERE)
Here’s something I didn’t expect at all; directly on the heels of their third LP, 2017’s excellent Make The Best Of It, Have Mercy are returning to town with a tour celebrating the five-year anniversary of their debut LP, 2013’s The Earth Pushed Back. What makes this unexpected is the fact that frontman Brian Swindle pretty much acquired a completely new backing band around the time of Make The Best Of It. This means the band that’ll be celebrating the anniversary of their debut album is mostly made up of members who weren’t in the band at the time of its release.
That’s all right, though; if there’s one thing Make The Best Of It proved, it’s that Swindle’s current compatriots are totally capable of delivering top-quality Have Mercy material that is capable of standing alongside the best work of their original lineup. And since The Earth Pushed Back is every bit as good as their latest album, the current incarnation of Have Mercy should have no problem doing it justice. I can’t help but hope they’ll play at least one or two new songs, though. They’ll be ably accompanied by Kississippi, a goofily named but excellent emo-pop group from Philly whose latest LP, Sunset Blush, is a real standout in the world of passionate melodies and evocative lyrics from which they ascend. Upbeat pop-rockers Super American will round out the trio of touring groups on this bill, which will be joined by locals Downhaul and Warrington. This is one to look forward to.
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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]
Music Sponsored By Graduate Richmond
Vinyl Conflict record shop has announced that Nickelus F’s new album, Stuck, will be released on the shop’s locals-only label, Vinyl Conflict Records, later this summer with an edition of 500 copies. The album was originally released on AGM on May 11 as a digital-only release.
Vinyl Conflict is known throughout the region for its selection of punk, metal, and hardcore records. Bobby Egger, owner and operator of Vinyl Conflict, started the locals-only imprint almost a decade ago to showcase punk and hardcore groups from Richmond. Nickelus F will be the first hip-hop artist on the label.
“[Bobby] reached out to me and asked about you know, would I be interested in having it on vinyl,” said Nickelus F, “I said, ‘fuck yeah.’ Damn right I want to have it on vinyl.”
Nickelus F is a prolific underground hip hop artist who has been releasing music in Richmond since the mid 2000s. He was known early on for his appearances on BET’s 106 & Park “Freestyle Friday” and for his guest spots on several Drake songs. In 2011 he collaborated with Ohbliv for the mixtape Yellow Gold, and in 2015 he released Trick Dice with Lil Ugly Mane. He produces and writes records at a fast pace, and has released a solo album every year for the last three years.
DIY punk labels and hip hop artists have been collaborating more often in recent years, and there is history between the two genres that dates back to the early 90s when Public Enemy and Anthrax teamed up on “Bring the Noise”.
More recently, Brooklyn rapper Ill Bill recently released a split single with Ghoul on Tankcrimes records, and Austin punk label 540 Records has released several hip hop records now, but the underground punk and hip hop scenes in Richmond have not yet crossed paths, which makes this release a unique event. Nickelus F, already a fan of punk and metal in the city, sees plenty of similarities between the two genres.
“I think the underground nature of my music, the rawness of it, and the attitude of it, is very punk and very rock,” said Nickelus F. “I feel like people identify with that about my music. I like the punk rock way of doing things, I like the grind of it all.”
DIY punk labels like Vinyl Conflict don’t operate like major labels. Short runs of vinyl releases are produced without a contract between the label and the artist, and the artist receives a portion of the copies to sell on their own at concerts.
“The thing that’s dope about the way that Vinyl Conflict runs is that, its like, you get on the grind and you do this,” he said. “Like, we’ll give you these records whatever, its up to you to sell them though, its up to you to get out there and rock these shows and make people want to buy this shit. And that’s always been my mindset going into things anyway.”
The Richmond hip hop scene has been growing in recent years, and there are now more events and open mics than there used to be in the city. Monthly events like RVA Lyricists Lounge are helping bring people together in the community, and the gathering has become a place where young, aspiring rappers can cut their teeth.
“We went through some really really dark times out here,” said Nickelus F. “I think we’re raising the integrity of the art that comes out from the city when it comes to hip hop artists.”
Egger is excited for the upcoming release Vinyl Conflict records, and has several other hip hop releases planned for the near future. He was surprised to learn that Nickelus F was dialed into the punk scene well before they agreed to do the record, and that his favorite local metal band is Cough.
Nickelus F said that he’s never been to a Richmond metal show, but that it’s something he wants to do this year.
“I like the hardcore shit, I like death metal, I like sludge metal, I like the shit rugged and raw,” he said.
Nickelus F and Lil Ugly Mane are going on a short tour at the beginning of August, and will be playing Vinyl Conflict’s Customer Appreciation Day concert on August 25 alongside hardcore punk bands Bib, Nosebleed, Deviant, and Slump.
Music Sponsored By Graduate Richmond
It was his first show in two years, and Nickelus F. and a cadre of other local rappers pulled a crowd of over 600 people to fill The Broadberry a few weeks ago, where the local hip hop heavyweight debuted songs off his new album, Stuck. The album had only been out two days, but Richmond’s love for “Sweet Petey” was apparent by the energy and enthusiasm of the crowd. The moment he wanted to create, celebrating the new album was solidified, and it was in that moment one of his fellow performers, turned to him and suggested he do his first ever stage dive stating, “If they’re gonna catch anybody they’re gonna catch you!”
It’s true. Richmond’s love for Nickelus F is deep. He’s been in the hip hop scene for over 15 years, the city loves and respects him for his unique perspective, intentional lyrics, and passion for maintaining that old school hip hop feel throughout his music. And his latest album, which he dropped on May 11, is no exception.
“The process of creating [Stuck] was hip-hop to its core… it started from a crate in Goodwill, old cassette tapes, and sampling off old analog equipment,” Nickelus F said of the project.
The 14-track album, which was produced by Nick himself and mastered by Richmond rapper Michael Millions, follows the raw and emotional journey of the rapper over the past three years as he navigates a place of discontentment. “I felt stuck financially because I was back in school full-time not working,” he said. “I was making some money from music, but it wasn’t enough to sustain my life being like, mortgage, kids, car payments… so financially I felt stuck, and emotionally I felt stuck.”
However, contrary to what the title implies, the album is not about being stuck. It’s about getting out of the situation he’s in and tackling life’s obstacles. “Even though the album is called Stuck, the theme throughout the album is I got up… I look at my struggles as part of the testimony, and it’s just kinda like when I go through something I’m like, ‘’hey I’m just living the testimony, eventually I’m gonna be able to tell this story.’”
It’s this level of honesty and integrity behind his music, that ensured his fans his eighth studio album was going to be worth the wait. “I take my time coming up with this stuff. I drop every couple years… it’s kinda like an ode to the era of music I came up on,” he said. “Nas didn’t drop an album every year, Jay wasn’t dropping an album every year…it would be two or three years between albums.’
And Nickelus F has followed suit with his major musical influences. He dropped his last solo album Triflin, in 2015, and the collab album Stretch Marks with Namebrand in 2016. The last time RVA Mag checked with him was two years ago when he dropped the video for “Laced Weed” off Triflin‘ so its safe to say he likes to take his time with his work.
Nickelus F also attributes the time between tapes to his diligent process of making music. “You gotta take your time making it, don’t rush it, you know? Like if you’re gonna get a turkey, man, if you’re gonna fix the turkey, season it up, clean it, stuff it, let it bake slow, cook it up… I want people to be able to listen to this years from now and still be like, ‘damn that shit was hard.’”
It’s apparent his hard work has paid off with this album once you give it a listen, but be prepared because this is only the beginning of what Nickelus F has to offer us this year. Not only did he drop a new album, but he also graduated from VCU with a degree in Strategic Advertising. He said going back to school was one of the best decisions he ever made and he looks forward to utilizing his new found education to, “make this album everything it needs to be.”
He said his coursework in college has helped make his musical work much better and more powerful. “In the past, I put out good projects, and I’ve had songs that could have been a lot bigger than they were, I didn’t have visuals for them, I didn’t work the overall project the way it should have been, but I just graduated college learning how to do all of that,” he said. “Learning how to brand, learning how to do creative advertising, learning how to use photoshop, learning how to shoot video, work video and do everything.”
That was evident in the dope visuals he dropped for the track “I Ain’t Cried Yet” off Stuck on May 17.
No show dates on the books just yet, but Nickelus F has a lot of tricks up is sleeve so be on the lookout for more work, more music, more tours and hopefully more stage dives from the artist this year.
Music Sponsored By Graduate Richmond
FEATURED SHOW
Sunday, May 15, 7 PM
Lil Ugly Mane, Nickelus F, Narwhalz of Sound, Division of Mind @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Travis Miller has developed quite the intriguing career over the past decade or so. While most who know his music know him primarily as Lil Ugly Mane, he’s released music under a variety of other pseudonyms, making beats for Nickelus F and others under the name Shawn Kemp. His most recent album, Flick Your Tongue Against Your Teeth And Describe The Present, was released in 2017 under the name Bedwetter, and was accompanied by an in-depth statement about his struggles with mental illness and frustrations with the health care system he encountered during that process. A year later, Lil Ugly Mane is celebrating his birthday by playing a show in his hometown of RVA for the first time ever; one has to hope that this means he’s doing all right these days.
Unless you’re a really careful follower of Lil Ugly Mane’s internet presence, you might never know he’s from Richmond, but if you’re a fan of underground hip hop at all, you probably know his music. On classic albums like 2012’s Mista Thug Isolation and 2015’s Oblivion Access, he filters a rough, brilliant flow sometimes reminiscent of El-P through a lyrical prism of drugs, depression, and self-destructive behavior, accompanied by bizarre bursts of braggodocio. His multi-layered beats, which veer from the ominous atmosphere of dark 90s-NYC classics from Wu-Tang and Mobb Deep to worldly explorations of disparate genres that float by serenely, are always creative and never predictable. It’s no wonder he’s super-popular in internet circles.
It’s excellent to have him step into the IRL world here in his hometown, though, no matter how long it took. Fittingly, he’s accompanied on this date by Nickelus F, whose 2015 cassette release Trick Dice was produced entirely by Miller under his Shawn Kemp moniker. For anyone who might think Lil Ugly Mane’s internet-based career makes him somehow less “real,” the Nickelus F cosign should erase all doubts. And Nick’s performance at this show is sure to knock everyone in attendance on their ass. Narwhalz of Sound, one of Miller’s long-ago collaborators in the bizarro experimental project known as The Church Of Crystal Light, has come back from NYC at long last to lay some circuit-bent Gameboy jams on us all once again. And local hardcore crew Division Of Mind, who feature someone with the last name Miller in their lineup (perhaps a relative?), will open the whole thing up with their hard-as-hell mix of Tragedy vocals and Turnstile riffs. Get stoked — and get your tickets ASAP, because this show will sell out.
Wednesday, May 9, 7:30 PM
Scott Clark, Brian Jones & JC Kuhl @ Black Iris – $6-10
Drummer Scott Clark has been tearing it up lately. You might know him from his work as a sideman for Natalie Prass or Matthew E. White, but his work over the past couple of years as a bandleader has been as fascinating and important, if not more so. A few years ago, Clark began using his music to explore his Native American familial heritage, and in turn letting that heritage inform his music. The result was a powerful 2015 album by his group, the Scott Clark 4tet, called Bury My Heart. That album saw him bringing to bear influences from his jazz background and his experience with Native American powwows in order to create a statement, inspired by Dee Brown’s Bury My Heart At Wounded Knee, about the genocidal treatment Native Americans suffered at the hands of the US government.
Now he’s prepared a follow-up, ToNow, the release of which he’ll celebrate with this show at Black Iris tonight. For ToNow, he’s expanded his group to a sextet, adding two guitars to the usual sax-trumpet-bass-drums lineup in order to further develop the possibilities of their musical explorations. ToNow focuses on the protests against environmentally damaging oil pipelines that threaten the Standing Rock Reservation in North Dakota, and Clark will work with his sextet to bring the emotional qualities of the situation to life at Black Iris tonight. Opening the show will be saxophonist JC Kuhl and drummer Brian Jones, who previously worked together in local ensembles like Agents Of Good Roots and MAP Trio. You might not know it, but there’s a lot going on in local jazz — start your explorations here.
Thursday, May 10, 9 PM
Tav Falco’s Panther Burns, Green Hearts, Grass Panther @ Bandito’s – Free!
They may not have quite as high a profile as The Cramps, but like Lux and Ivy, Tav Falco and his Panther Burns have been around since the dawn of punk rock, using the style’s back-to-basics urgency as an avenue to explore the raw beginnings of blues, soul, country, and rock n’ roll. The whole thing got started when wild blues archivist Tav Falco met power-pop weirdo Alex Chilton in late 70s Memphis, and decided to form a band. Since those days, Falco has played with a variety of noteworthy musicians from all sorts of different backgrounds, including members of Sonic Youth, The Gun Club, The Posies, Reigning Sound, and way too many more to list.
Throughout the past four decades, Falco has continued going strong at the front of the stage, slowly evolving from a rough-and-ready primitivist into a polished bluesman and rock n’ roller who today mingles rockabilly flavor, Tex-Mex vibes, and a deep Memphis soul influence into a powerful live show that’s always guaranteed to charm and impress. He’s bringing that show to Bandito’s this Thursday night, and everyone within reach of these words would do well to head down there early, scarf some tacos, order some drinks (Diet Coke for me), and get ready to get rocked out of your socks. Local power-poppers Green Hearts will be on the bill for those of you who miss Alex Chilton (RIP), and Grass Panther will open things up with some unique rockin’ sounds to kick off the night right and proper.
Friday, May 11, 7 PM
Frankie Cosmos, Florist, Lala Lala @ Capital Ale House Music Hall – $15 (order tickets HERE)
NYC indie royalty comes to Capital Ale House this Friday night, and all the indie kids are gonna want to be there. Frankie Cosmos is the performing and songwriting alter ego of Greta Kline, and by now I’m sure I don’t even need to tell you of her high-powered parentage (if you don’t know, google it, you’ll know within five seconds). More important to the current discussion of Frankie Cosmos is the fact that she and her backing band have just released their third LP, Vessel, their first for legendary indie label Sub Pop. This record is full of Kline’s reliably-charming indie-pop hooks, delivered in a winsome tone that calls to mind the positive genre connotations of the term “twee.”
Indeed, anyone who remembers 90s groups like The Pastels or Heavenly is sure to find some intriguing resonances in the jangly guitars and heavenly harmonies of Frankie Cosmos’ music. At the same time, there’s something inescapably modern about what Kline & co. are up to, something that vibrates in sympathy with the post-bedroom-pop ambience of groups often erroneously called “shoegaze” these days (none of which sound a thing like Ride or My Bloody Valentine). This is hazy downer indie-pop, the sort of sound to comfort a listener like a warm blanket on a cold night full of introspective self-doubt. Don’t stay home all alone this Friday night; come out to Capital Ale House and let Frankie Cosmos console you with beautiful pop music to remind you that you’re not alone.
Saturday, May 12, 1 PM
Punk In Drublic Fest, feat. NOFX, Bad Religion, The Interrupters, Mad Caddies, The Last Gang @ Bon Secours Training Center – $49.50 (order tickets HERE)
I’ve read all the aggrieved social media posts, so believe me, I know — you’re all horrified to realize that the bands of your rebellious teenage years have grown middle-aged and are now most stoked about drinking some high-quality beer and having a relaxing afternoon on a lawn digging some cool sounds that remind you of the good old days. But come on now — what ever happened to aging gracefully? After all, it’s not the 90s anymore. You’re not having to borrow dad’s car to drive you and three friends to the Warped Tour anymore; you’ve probably got kids of your own now, and god knows whether those old t-shirts even still fit. This is probably your idea of a good time these days, right? So why fight it?
After all, this event is going to have an incredible lineup. NOFX, the band who gave us the classic album that gave this fest its name, are still going strong, dishing out the goofy, genre-hopping skate punk that’s always been their specialty. Don’t even pretend you can’t still sing along with “Bob” and “Sticking In My Eye,” because I’m not buying it (I gotta admit though, I hope they don’t play “Don’t Call Me White.” That one did NOT age well). Even more awesome is the presence of Bad Religion on this lineup; this politically-informed melodic punk powerhouse has continued to crank out killer LPs at a steady rate for over 30 years — and their set is bound to bring you plenty of gems from their late 80s-early 90s prime (“American Jesus,” anyone?). There are only three more bands on the bill, and while the $50 tickets are almost as much as Warped Tour would cost, think about this — you actually care about all these bands. There are 80 bands on a typical Warped Tour bill, and if you’re anything like me, you’d almost pay NOT to have to watch 75 of them. So hey, step away from facebook, quit grousing that your favorite bands got old, call a sitter, and go have some fun in the sun this Saturday. You deserve it.
Sunday, May 13, 5 PM
Charles Latham, Strawberry Moon @ The Camel – Free!
Suddenly, after decades, I’ve been hearing the term “anti-folk” again. What’s anti-folk mean in 2018? Well, it’s not quite folk-punk, which uses folk instrumentation to play punk songs; but it’s not just straight-up folk music either. Artists like Charles Latham, who hails from Durham, NC and comes to us in support of his 2017 LP Little Me Time, do their most effective transgressions of the folk idiom through their lyrics. On Little Me Time opener “American Traditional,” Latham takes aim at the hypocrisy and contradictions at the heart of the American dream — it’s a fitting folk song for the Trump era.
Latham has songwriting chops aplenty, though, no matter what genre you want to tag him with. The sharp side of his tongue might make you think of Loudon Wainwright III (you know, Rufus and Martha’s dad), but his charming voice and pleasant acoustic tunes are more likely to remind you of fellow North Carolinians The Mountain Goats. This free matinee show at The Camel pairs him with up-and-coming local sweethearts Strawberry Moon, to excellent effect. This spring weekend, a folk show is the perfect cool breeze for a Sunday afternoon, but rest assured, Charles Latham will make sure you stay woke.
Monday, May 14, 7 PM
Mdou Moctar, The Messthetics, Time Is Fire @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The music of the West African Tuareg people has existed for many decades in its native land, but in recent years, it’s drawn quite a bit of attention outside of Africa as it’s been fused with electric guitars to create an exciting hybrid of traditional festival rhythms and modern psychedelic noise. Mdou Moctar hails from Niger and is one of the first Tuareg guitarists to integrate electronic sounds into his music. Originally spread through traded cellphone memory cards, his music has spread far and wide with the assistance of releases on international label Sahel Sounds, as well as his starring role in the first Tuareg-language film ever, a remake of Prince’s Purple Rain called Rain The Color Blue With A Little Red In It.
Now Moctar comes to America, and we’re fortunate to have him bring his futuristic, hallucinogenic sound to Strange Matter. He’ll be accompanied by DC band The Messthetics, who are named after a classic early Scritti Politti song and feature Fugazi’s Brendan Canty and Joe Lally, pairing up with jazz guitarist Anthony Pirog to bring us contemplative instrumental tunes with a wide-ranging flair and a multi-genre appeal. The group’s self-titled debut was released in March on Dischord Records, and brings with it the promise of a really killer live sound that we’re all going to want to catch. DC experimental ensemble Time Is Fire will kick the gig off, mixing Sufi poetics, Bauhaus-ish grooves, and funky dance beats into a sound entirely their own. This one is not to be missed.
Tuesday, May 15, 8 PM
Savage Master, Bewitcher, Loud Night @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
A week in RVA without at least one killer metal blowout just wouldn’t feel right, and thankfully, Savage Master will come to town this Tuesday night to make sure this week meets its recommended allowance of metal. This Louisville band may hail from less than a day’s journey away, but they sound like they just flew in from London in 1980, effortlessly evoking New Wave Of British Heavy Metal titans like Angelwitch even as they also capture the gloomy flair of proto-doom ensembles like Witchfinder General. And of course, Stacey Savage’s wicked vocal tones take the whole thing to the next level.
Savage Master are joined on this dark and stormy Tuesday night by Portland rippers Bewitcher, who take things in a faster, darker direction as they evoke prime early sounds from Overkill and Exodus. With tunes like “Wild Blasphemy” and “Harlots Of Hell” (both of which originate from the band’s self-titled 2016 debut), you know you’re in for a treat. Local newcomers Loud Night will open this shindig up, and their raging metal terror fits their unimpeachable pedigree to a tee. This will be a night of serious headbanging, so come prepared.
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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]
Top Image by Vivienne Lee
Music Sponsored By Graduate Richmond
Tired with the glorification of mumble rap? Well if you are like me and grew up listening to godfathers like Jay Z, Nas, and more, this empowering new album may just be right up your alley.
Up-and-coming Richmond rapper Radio B released his 16-track concept album, Jesus Never Wore a Suit (JWNAS) early last month with producer JL Hodges (formerly of Richmond band Avers) in collaboration with Purple Republic, a local audio production company.
With his latest release, Radio B, whose real name is Greg Carden II, aims to address social and political issues, as well as his viewpoints on religion and how the trust in God’s plan will create a more positive outlook on life given harsh societal conditions. Carden also speaks up for victims of oppression, and urges the community to stop the violence among one another.
“I am honest to my music almost to a fault because I am a very introspective type of artist which means whatever is going on in my life at that moment in time is what you are going to hear, as transparent as possible,” said Carden.
I find this sense of individuality incredibly inspiring especially nowadays considering the fact that aspiring rappers are almost scared to address these kinds of topics in their music because they try to appeal to everyone and not get bashed as they attempt to make a name for themselves. Because he is venting and not simply making party tracks, that same substance is exactly what builds cult followings from people who listen due to the depth of inspiration that the rapper has to offer rather than the sound of a beat.
“We are constantly taking things in and being receptive to the world around us. Everything you experience in life is either good for you or bad for you and I want people to take my music and live with it without it poisoning them. I aim to be respected by my peers and inspire other rappers to either get better or give up,” said Carden.
Carden has carved out a serious name for himself in the Richmond rap scene, pioneering the regular RVA Lyricist Lounge, around town and creating platforms for emerging emcees like Virginia’s rap battle league The Southpaw Battle Coalition to help propel local artists’ careers.
For this release, Carden recruited a cadre of Richmond’s finest acts from rappers to singers, with features from Fly Anakin, Breeze the Poet, Angelica Baylor, DJ skip, Easalio, Henny L.O., Sam Reed, Nickelus F, and Michael Millions who appears on the song “Grace.” Millions, along with Nickelus F, grew up with Carden on Richmond’s Southside.
“{He’s] one of the best lyrical geniuses in the city with a tremendous work ethic,” Millions said of Radio B.
Instead of some party tracks and mindless bangers, this project is designed to challenge the way listeners think about the world around them.
“It doesn’t always appeal to everyone nor is it designed to, but sometimes we just need more music like that. Music doesn’t evoke thinking like it used to anymore, that type of artwork is now limited in a mumble rap dominated industry,” said Millions.
After listening to the album a couple of times, I see it more as a story, with every track resembling a different chapter rather than a compilation of individual bangers. “Cursing in Church” and “Village Proverbs” are some of the stand-out tracks given their poetic transitions, and if you ask me, “God Lives” and “Once or Twice” will be on the radio any minute.
As for the group’s creative processes, their chemistry most simply stems from similar visions, according to Hodges. “The listening sessions and sampling of songs didn’t feel like work at all which made us realize that we were doing it right,” he said.
This was the producer’s first time working solely on hip hop. Since leaving Avers, Hodges has since been running Overcoast, a company specializing in music and sound primarily for commercials and other forms of media with studios in Richmond and London.
Using Cubase as his production software, Jesus Never Wore a Suit was Hodges’ first album that he produced using samples. With this project, Hodges said he wanted to “force people to have an opinion and evoke feeling and emotion through a mix of different energies.”
“It could have easily taken just a month to churn out if we wanted, but it would not have been thought-provoking nor multilayered. We are not just rapping on a beat, we are storytelling,” he said.
It didn’t surprise me at all that Carden was a New York native after listening to him rap. His rhyme scheme reminds me of the old Pro Era cyphers that we all know and love.
Personally, I always find it refreshing to see artists who stick to their roots and deliver thought-provoking poetry which is exactly what we are seeing with Radio B.
He will be leading a lecture on his album as a keynote speaker for Virginia Union University on April 12, and you can catch him at the next RVA Lyricist Lounge event May 26 at Strange Matter. His pride for his city is incomparable and his plans to bring it into the spotlight are just getting started.
Music Sponsored By Graduate Richmond
