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Never Created, Never Destroyed: Weekend Playlist by Opin

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Every Friday night, RVA Mag brings you a truly fantabulous playlist curated by Virginia’s most influential artists, musicians, and institutions.

This time around, we’re bringing you a great list of tunes from Opin, the Richmond band formed from the ashes of White Laces and Navi, among others. Their second full-length album, Media & Memory, will be out next month on WarHen Records, and will be accompanied by a remix album as well. The first single, “Ezprt,” is out now, and you’ll be able to check it out as part of the playlist Opin have assembled for us.

Their playlist has plenty more to offer as well, everything from ambient shoegaze to hard-hitting hip hop, as well as some groundbreaking early influences and a whole bunch of local friends and peers. According to Opin’s Landis Wine, “It’s a mix of what we’ve been listening to during quarantine, tracks that influenced the record and folks we either worked with on the album or played with in the past year or so.” If you want a varied, unpredictable, but always entertaining listen for this cool, cloudy final weekend of summer, you can’t do better than this collection of tunes brought to us by Opin.

Soak it in, Virginia.

Open this playlist from mobile in your Spotify app HERE.

VA Shows You Must See This Week: January 2 – January 7

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FEATURED SHOW
Saturday, January 4, 9 PM
Djanuary, feat. Stu Kindle, Sweet Potatoes Music, The Pop-Up Duo, Lil Jimmy & The Robinsons @ The Dark Room – $5
Well folks, it’s 2020. We made it through another holiday season — and another decade — alive, and it’s time to get our bearings and ease into yet another year here in Trump’s America. And what better way to get a non-stressful start on the 20’s (finally, a decade with an abbreviation that makes sense!) than with a week heavy with the wonderful sounds of jazz?

That’s what we’ve got for you this week, and at the top of the list is Djanuary, a year-beginning celebration of legendary Romani jazz guitarist Django Reinhardt masterminded by local ukulele strummer Stu Kindle. Reinhardt was one of the first guitarists and first Europeans to exert a strong influence on jazz, a feat made that much more remarkable by the fact that he only had the use of three fingers on his left hand due to an injury he sustained in a fire at the beginning of his career. Reinhardt’s integration of Romani folk music, and focus on stringed instruments rather horns and woodwinds, helped kickstart an entire genre known as “gypsy jazz.”

You can hear a strong influence from Reinhardt’s approach on Stu Kindle’s own agile, speedy ukulele technique, which makes it eminently appropriate that he’s the Richmond musician spearheading this entire evening. He’ll be joined in this evening-long tribute to Django Reinhardt by a variety of local talents including jazz combo Sweet Potatoes Music, the acoustic jazz-folk of Pop-Up Duo, and swinging acoustic string band Lil Jimmy and the Robinsons (which also features Kindle on ukulele). It won’t be loud, it won’t be heavy, but rest assured, Djanuary at The Dark Room definitely will be hot.

Thursday, January 2, 7 PM
Plastic Nancy, Hollywood Cemetery, Big Fundamental, Cleophus James @ Poor Boys – $5
I can’t imagine anyone isn’t glad to see Poor Boys and PRSMCAT carrying on the banner of Locals Only in this post-Strange Matter era — and it’s even better when it results in a rock-solid bill like this one. Plastic Nancy top the bill with some pretty outstanding psych-pop alt-rock that hit a new high on recent single “Think Of Now.” I for one can’t wait to see what their next batch of tunes sounds like — and chances are we’ll get at least a little bit of a preview tonight!

Hollywood Cemetery are a newer group from right here in the river city, but they’ve certainly got their sound locked down tight if recent EP Sweet Dreams is any indication; I never would have thought the mixture of catchy emo pop and Interpol-style postpunk drama would be anywhere near this much fun, but I’m happy to stand corrected. Alt-rockers Big Fundamental and soulful postpunks Cleophus James (old-person points for you if you know the reference) round out a killer bill of talented Richmond groups you should be paying attention to in the new decade.

Friday, January 3, 7 PM
Opin (Photo by Joey Wharton), ADAR, Velocity 128, Bri Bevan @ Gallery 5 – Free!
Gallery 5 turns 15 this year (as does RVA Mag — watch this space), and they’re showing no signs of slowing down as they roll into 2020 with an awesome art show featuring custom-made toys. That alone should make turning up at their free First Friday event a no-brainer, but the musicians they’ll have on hand only make it that much more essential. Opin, the post-White Laces group featuring members of Magnus Lush, Night Idea, and Navi, among others, is currently gearing up to release the long-awaited follow-up to their 2017 self-titled debut.

New single “No. 3” finds Opin in powerful form, with driving rock rhythms, multi-layered synths, and an incredible vocal melody overtop of it all. Can’t wait for more where that came from. This show will also feature DC retro synthwave duo Velocity 128, turning the whole place into the dancefloor from an 80s crime movie, as well as a performance by Charlottesville jazz-soul-rock hybrid ADAR. Local singer-songwriter Bri Bevan rounds out an excellent bill you’re sure to enjoy — get there.

Saturday, January 4, 10 PM
The Gilberts, Black Plastic, Lounge Lizzard @ City Dogs – Free!
It’s rare for too many bands to be touring around the holiday times, so this early into a new year, you’ve got to expect a lot of locally-focused shows. Fortunately for us, Richmond has a wonderful music scene that in no way, shape, or form has any need of out-of-town bands to make for excellent live musical experiences. For example, this Saturday, we’ve got this outstanding three-band local bill happening at City Dogs, the Main Street hotspot that was, in the early days of the 21st century, home to one of the best live venues in the city — the glorious chaos that was Nara Sushi.

City Dogs may or may not get as wild on this Saturday night as Nara used to back in its prime, but the music is certainly worthy of excitement regardless of how crazy y’all get out there in the crowd. Local quintet The Gilberts dish out indie-pop tunes with a shambling punk spirit. Black Plastic raves up with some driving alternative rock tuneage. And then there’s Lounge Lizzard, whose vocalist, Sera Stavroula, will be celebrating a birthday this evening — they’ll rise to the occasion with a big dose of their raging metallic punk sound. It all adds up to an evening you’re sure to enjoy, especially in light of the lack of cover charge. Use your cash to grab some chili dogs instead! Just be sure you don’t take them into the pit — that’s always a sloppy proposition.

Sunday, January 5, 8 PM
Brydge/Williams/Kartari @ Cary Street Cafe – Free!
Get ready for the first full work week of the new year — and the first non-holiday week since back in the first half of December — with this evening of fine jazz sounds over at Cary Street Cafe. Bassist Chris Brydge has worked with a lot of local jazz talents around town, including JC Kuhl, Fred Hibbard, and quite a few others. He usually does so in the company of drummer Emre Kartari, his rhythm-section partner in crime. And this evening finds the two of them together once again, this time working with saxophonist Eddie Williams.

This same lineup has performed gigs under the name The Eddie Williams Trio as well, so will the equal billing for the three indicate a different instrumental priority in this performance? The improvisational nature of jazz as a musical style all but guarantees we won’t know until the three musicians take the stage, but regardless of how it all plays out, we can certainly expect some outstanding bebop sounds from this trio of instrumental talents. Just what we all need so we can face the boss on Monday, right?

Monday, January 6, 8 PM
Zack Mexico, Landon Elliott, The Flavor Project, Manzara @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
North Carolina group Zack Mexico have an intriguing approach to the art of creating psychedelic indie music, and you can tell the second they start setting up their gear. Beginning as a quartet, the group has expanded significantly in their decade together, most prominently with the addition of a second drummer. Seeing two full kits up there onstage is always powerful, and this band’s laid-back, tuneful approach does indeed carry a lot of power, even as it is often wielded with a subtle grace.

This is part of why Richmond singer-songwriter Landon Elliott is such a good match for Zack Mexico, musically. Elliott’s recently-released LP, Domino, shows off strong songcraft, making judicious use of 80s-style production and instrumentation at times while always first and foremost serving the gorgeous, introspective pop songs Elliott creates with a natural ease. It will be a treat to see this multi-layered sound come to life on the Camel’s stage this Monday night. The Flavor Project and Manzara will round out this eclectic bill with injections of funky Latin hip hop and dark, heavy postpunk. It’s sure to be a good time.

Tuesday, January 7, 8 PM
Dexter Moses & Marcus Tenney @ The Dark Room – $5
This Tuesday brings more jazz to the Dark Room, in the form of a meeting between two talented local saxophonists. Dexter Moses is the younger of the two, a blazing jazz talent who is still too young to order a beer at the HofGarden bar (at least for a few more weeks), but has been making a name for himself around town since his high school days. His skills at sax are worthy of a player twice his age.

Marcus Tenney isn’t quite there yet — his 2019 LP Triple Trey was a celebration of his having reached 33 years of age — but anyone who pays the slightest bit of attention to the local jazz, funk, and hip hop scenes is sure to know that he’s got a ton of talent in his own right, whether he’s showing it off in Butcher Brown, No BS! Brass Band, hip hop duo Tennison, or as the leader of his own jazz quartet. What sort of fireworks will ensue when the veteran comes together with the young gun in a fiery sax duo on the stage of the Dark Room? Something you’ll definitely want to see.

Elsewhere Around The State:

Saturday, January 4, 5 PM
True Body, You’re Jovian, Gone, Carnival Bird @ Smartmouth Brewing (Norfolk) – Free!
Down Norfolk way, Smartmouth Brewing’s warehouse seems to be about the closest thing they’ve got to Richmond’s wonderful Hardywood — a place predominantly concerned with creating craft beer (which I know the kids all love), which also brings the area some excellent free musical performances on a somewhat regular basis (now this is what I’M here for). They’re kicking off the year with exactly that sort of thing this Saturday as they bring us all a live performance by Norfolk gothic-postpunk ensemble True Body.

True Body haven’t given us a new helping of their dark, dramatic, synth-driven sound since the 2017 “Over It”/”Tourists” single, and that was three years ago now, so catching them live has become a must. Plus, they’re joined on this bill by fellow Norfolkers You’re Jovian, whose shoegazey indie-rock sound is always a hazy delight. There’s also a band called Gone on this bill, and all I can tell you for sure is that they’re not the same Gone featuring ex-members of Black Flag. But we do have a bit more information about Virginia Beach’s Carnival Bird, an indie-electro-pop duo featuring members of Radflux and Berries who will return to the stage at this event for the first time in over a year. So yeah, all of this is definitely worth being present for — especially since it won’t cost you anything to get in.

Sunday, January 5, 6 PM
Watersdeep, Route 29, Old Old, Good Grief @ Flipside Lounge (Fredericksburg) – $5
I freely admit that I don’t know as much about Fredericksburg’s music scene as I’d like to, but I’m always trying to learn, so I’m glad to have discovered a new F-burg venue to keep an eye on — Flipside Lounge, which is starting the new year off right by presenting this bill of catchy emo-punk groups from throughout the Old Dominion (should I be capitalizing those letters? Shrug). Watersdeep, at the top of the bill, are technically from DC, but close enough, right?

The Watersdeep boys refer to their sound as “sadboi pop-punk,” and if you enjoy bands like Saves The Day, Taking Back Sunday, and Knuckle Puck as much as I do, you’re sure to get a charge out of this band’s energetic, intense sound. Route 29, who coincidentally enough hail from my own hometown of Warrenton, have more of an indie feel, but still draw on emotional undercurrents that give their music a welcome resonance. Blacksburg’s Old Old are tough to google for, but reward the tenacious internet searcher with both a tough side and a sweet sensitivity. The entire evening kicks off with some fine power pop from Good Grief. Taken as a whole, it’s more than worth the hour’s drive up 95.

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Top Photo: Django Reinhardt in 1946, by William P. Gottlieb, Public Domain, via Wikimedia/Library of Congress

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Still Rocking In The Commonwealth

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For the ninth year in a row, WRIR DJ Shannon Cleary brings us a jam-packed multi-night showcase of excellent local music under the banner of his radio show, The Commonwealth of Notions.

WRIR and The Commonwealth of Notions Presents: Volume 9, a showcase of some of the best bands Richmond has to offer, kicks off on Saturday, August 3 at Gallery 5. The showcase will continue with its second show on Saturday, August 10 at The Camel. Both shows act as fundraisers for WRIR, a local independent radio station. 

Shannon Cleary, who hosts The Commonwealth of Notions — a show on WRIR that frequently features local artists — has been organizing the festival for the past nine years. “I wanted to see if I could develop a live equivalent of the radio show,” Cleary said. “Showcase the bands I’m playing on the show and use that as a means of supporting independent radio based out of Richmond.”

As always, this year’s The Commonwealth of Notions Presents features something for music fans of all types. Those attending the first show will be treated to the driving, political punk of Lounge Lizzard, who put out the first of their recorded music just this past March. HotSpit, a relatively new band in Richmond, will also be bringing their lush, melodic indie rock to the stage. Warrington will spruce things up with some delightfully emo-flavored indie, and the show will finish up with the high-energy garage rock of Washers, followed by the synthy, spooky punk of VV. 

The second night of music, at the Camel, will feature Midlife Pilot, who skillfully turn emo music into something positive and upbeat. Things will get a little more distorted when Twin Drugs takes the stage and show off their hypnotic shoegaze. Gnawing brings a powerful sound to the bill, and the jangly indie pop of Young Scum is always a pleasure to witness live. Opin closes out the night with their danceable synth-filled sound.

Both nights of the festival offer an excellent opportunity for music fans to hear the sounds they love while also checking out bands they may have never heard of. For the bands performing, it’s a rare opportunity to be part of a diverse bill. “I appreciate how it brings artists together onto bills that might not typically get the chance to play shows together,” Cleary said. “They are all fans and supporters of one another.” 

VV (Photo via Facebook)

Proceeds from the shows benefit WRIR, which is run by volunteers and is “the largest low power FM station of its kind in the country,” according to its website. The station airs everything from political talk shows to programs about film. There seems to be a show for just about every type of music, including punk, electronica, and Americana. 

Cleary noted that while also supporting local bands, people who attend the shows “are supporting a platform like WRIR that gives independent, underrepresented ideas, thoughts, and art a voice in the community. It’s an opportunity to support a lot of things all at once that all come together to piece together the identity of the creative community in Richmond.”

With two nights of music and bands that touch on multiple genres of music, The Commonwealth of Notions Presents: Volume 9 has something to offer for everyone while raising money for an independent radio station Richmond is lucky to have. It provides an excellent way to support Richmond’s buzzing music scene in general.

“I want to showcase artists, venues, organizations and beyond that I think are doing remarkable things in the scene,” Cleary said. “And the fact that this will be the ninth year that I’ve done this has not completely hit me yet.”

Top Photo: Opin, by Craig Stephen (via Facebook)

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 15 – May 21

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FEATURED SHOW
Monday, May 20, 7 PM
Cursive, Mewithoutyou, The Appleseed Cast @ The Broadberry – $22 in advance/$25 day of show (order tickets HERE)
This show is an absolute bonanza for people who were crazy about emo fifteen years ago. I shouldn’t even have to tell you that I’m one of those people. Back in 2004, Cursive, a band closely associated with the Omaha scene that also produced Bright Eyes, The Faint, and Saddle Creek Records, had just topped off a string of killer emotionally-driven alt-rock albums with the instant classic The Ugly Organ. MewithoutYou had just released their stunning sophomore LP, Catch Us For The Foxes, which introduced a wider audience to frontman Aaron Weiss’s strangely moving story-songs. And The Appleseed Cast had both blown everyone away and helped to push the genre forward with a trio of amazing albums: Mare Vitalis, the two-volume Low Level Owl series, and the moving, unforgettable Two Conversations.

But look — this Monday night triple-header at The Broadberry is far from a pure nostalgia act. Oh, I’m sure the groups on this bill will play some old tunes you know and love, but all of them remain active, powerful creative forces to this day. Last year, Cursive reunited with original drummer Clint Schnase after a decade, released their first album in six years, and brought in cellist Megan Seibe to recapture the sound they’d had on previous high-water marks Burst And Bloom and The Ugly Organ. Vitriola turns out to be every bit as great as those emo classics, and should be more than capable of capturing the full attention of fans who currently plan to hit the bar during the new songs. (Yo, don’t be that guy. For real.)

MewithoutYou remains a powerful creative force fifteen years later as well. On 2018’s dual releases, an LP and an EP (both untitled), Aaron Weiss engaged in matter-of-fact examination of his own struggles with mental illness and the way it mirrors the mental illness in his ancestry and that of disparate historical figures, including European royalty from centuries past. And amazingly enough, the music behind this emotional travelogue is some of the best of the band’s career thus far. Meanwhile, it’s been six years since the last full LP of Appleseed Cast material, 2013’s Illumination Ritual, but Christopher Crisci and company released a new single, “Asking The Fire For Medicine,” in January, and it apparently heralds a new LP that seems sure to follow their recent pattern of atmospheric, melodic, progressive post-hardcore. Will they bust out some other new ones at The Broadberry? The prospect alone makes this one worth the trip.

Wednesday, May 15, 8 PM
Charming Disaster, Left-Handed Smoke Shifters @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
A simple way to describe Charming Disaster, who come to Richmond from their hometown of Brooklyn this very night, is as a gothic-folk duo. However, if such a descriptor conjures up thoughts of Comus, Current 93, or Simon Finn for you, then it’s been a bit misleading. There’s much more of the carnival folk traditions of old Europe in Charming Disaster’s music, and even as they bring a decided noir sensibility to their memorable ballads, there’s a clear sense of humor running throughout, letting you know that this, um, charming duo have a lot to offer besides pain and sadness.

Their brand new album, Spells & Rituals, doesn’t get an official release until June 7, so chances are you will not have an opportunity to pick up a copy for yourself at the show. But you will get a delightful preview of the excellent sounds on offer — just enough to whet your appetite for your very own pre-order. Opening sounds will be provided by Left-Handed Smoke Shifters, a band named after an old campfire joke and bringing together the talents of local bellydancing sensation Madame Onca and singer/vaudeville host extraordinaire Mark Slomski. It’s always nice to see what these two are up to, so don’t miss this one!

Thursday, May 16, 9 PM
BAT, Witchtrial, Under Attack @ Bandito’s – Free!
If you love metal, hardcore, and/or general headbanging madness, Bandito’s is the place you should be this Thursday night. This free show will serve as a record release party for not one, not two, but ALL THREE bands on this bill! BAT are your headliners, and it’s a fitting spot on the bill for a trio featuring current or former members of Municipal Waste, Cannabis Corpse, and DRI. This old-school thrash band has been inducing serious fist-pumping headbanging good times around Richmond and beyond for years now, and on this night, they’re releasing their second LP, Axestacy.

Axestacy takes things to the next level for BAT; it’s full of the kind of incredible riffs and ridiculous lyrics that fans of early Exodus or Dark Angel are sure to appreciate. They’ll probably also appreciate the new LP from Witchtrial; this DC band is releasing their first full-length on VA’s own Beach Impediment Records, and have a lot of links to the world of hardcore — but the music on their self-titled LP is pure thrash. With a roaring attack sure to remind you of prime German thrash, fans of Sodom and Kreator are definitely going to want to pay attention to this one. Not to be left out, Richmond’s own Under Attack are releasing a new tape full of speedy, no-frills hardcore on the Vinyl Conflict label, and if you dig pedal-to-the-metal ‘core action, you’re gonna want a copy of this. Since this show is free, you’ll be in prime financial position to pick up releases from all three of these ragers. But wait til after the set; you don’t want your brand new records getting messed up in the pit!

Friday, May 17, 8 PM
Perturbator, GOST, True Body @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
For those of you who were stoked to see Fallout on the list this week, only to be let down that it wasn’t an industrial show I’m sending you to there — take heart! For the industrial sound can be found in all sorts of places around town, if you know where to look. Take Perturbator’s arrival at The Broadberry this Friday night. People talk a lot with respect to Perturbator about spooky synth soundtracks to 70s and 80s Italian horror movies, and listen, there is a fair bit of that in Perturbator’s sound. But the group’s most recent LP, 2017’s New Model, is going to be even more familiar to fans of Skinny Puppy or Front 242 than it will be to fans of Goblin or Tangerine Dream.

Seriously, regardless of whatever you’ve heard thrown around about “retrosynth,” all you coldwave, postpunk, and industrial fans owe it to yourselves to listen to Perturbator. Because even if the hipsters don’t know how to contextualize this stuff, the goth kids are sure to understand. This is prime stomping-around-a-foggy-dancefloor-in-black-Docs music — black fingernails are definitely a plus. Just to further drive the point home, GOST is on this bill as well, bringing you the exact sort of industrial electro-pound that you know and crave. True Body will start the evening with some moody postpunk from right here in VA. Get the leather pants out, y’all.

Saturday, May 18, 5 PM
Spooky Cool, Outer Spaces, Opin, Julie Karr @ Hardywood – Free!
When you can give your band a name that actually describes your band, you’re really onto something good. Take Spooky Cool, for example; this Richmond band’s name may not tell you what genre they play or how many people are in the band, but it does offer you two specific bits of info: they’re spooky, and they’re cool. That’s enough to make a lot of people curious. And then when you actually hear this band’s hybrid math-prog alt-indie sound, you realize that the name hasn’t steered you wrong. There’s a definite spooky vibe to what this group is up to on their first EP, Every Thing Ever. And it’s definitely cool as hell.

Then there’s Outer Spaces, a band I’ve been excited about for quite a while now. This latest project of incredibly talented Baltimore singer-songwriter Cara Beth Satalino hasn’t released an LP since 2016’s A Shedding Snake, but is returning in a big way over the next month or so — first with a brand-new two-song EP on Saddle Creek, then with a new LP, Glazing Globe, scheduled for release next month. As a longtime fan, I couldn’t be more stoked, and the songs that have been released thus far from these two projects sound excellent, despite their genesis in anxiety, self-doubt, and the end of a long-term relationship. Hey, we’ve all been there, right? Sometimes making art is the best way out. Outer Spaces has made some great music in the past, and there’s no reason to think that’ll change now. Do yourself a favor and go see both of these groups. After all, the price is right.

Sunday, May 19, 7 PM
HIRS, Coherence, NØ MAN, .gif From God @ Gallery 5 – $10 in advance/$12 at the door (order tickets HERE)
The most confrontational queer grindcore band ever finally comes to Richmond and I for one couldn’t be more stoked. HIRS grabbed some relatively mainstream attention in 2018 with the release of Friends, Lovers, Favorites, their first full-length of new material — relatively speaking, that is; its 20 songs still blow by in under 15 minutes. They’ve hardly rested on their laurels since then, cranking out several EPs in the past year or so, as well as a split LP of Nirvana covers with celebrated New Orleans sludge masters Thou.

When HIRS arrive in Richmond, you can expect the confrontational spirit embodied in past EP titles like Trans Girl Takeover, You Can’t Kill Us, and How To Stop Street Harassment, as well as the harsh, raging grind sound of their breakthrough LP, to hit you like a ton of bricks. It won’t just be lightspeed velocity, either — this group knows how to bring the most headcrushingly powerful of breakdowns as well. Basically, this is the heaviest band you’ll see in Richmond anytime this year, and you’re going to thoroughly enjoy having your head knocked off by them. Trust me.

Monday, May 20, 7 PM
Dehd, Blunt, Plastic Nancy @ Capital Ale House Music Hall – $10 (order tickets HERE)
A few years ago, that whole droney jangly post-Velvet Underground sound was in the ascent in the indie world, and I was digging it. More recently, it seems like everyone’s on that synthesized bedroom-pop tip, which I guess is also cool, but I’m glad to see Dehd out here proving that the jangle-drone sound is not, um, dead. This Chicago band’s new LP, Water, shows that there are many possibilities for musical greatness embedded within the basic no-frills rock n’ roll package. By channeling VU and The Cramps through a more modern sound that reminds me of Parquet Courts, Beach Fossils, and the like, Dehd has created some serious gold soundz. Yes, with a Z.

Dehd will be joined on this bill by a couple of RVA newcomers with a lot to offer. Blunt takes a sludgy approach to dark garage punk sounds, while Plastic Nancy cranks out some psychedelic punk rock fun. This whole show is gonna rock like crazy, and in 2019, that can’t always be guaranteed. Treasure it when you find it.

Tuesday, May 21, 7 PM
Blessed, Unmaker, Serqet @ The Camel – $10 (order tickets HERE)
Some serious goth vibes going on around Richmond this week, although this Tuesday night show at The Camel only bears a passing resemblance to the other two shows this week that have led me to use that term. Specifically, Blessed play a gloomy, metallic form of postpunk that veers from morose to anxious on their debut LP, Salt, released earlier this spring. The results this Vancouver band are able to generate are transfixing in the extreme, and their reputation for live greatness only makes this show at The Camel feel that much more of an essential part of your midweek.

The fact that Richmond’s own Unmaker are on the bill as well only makes this an even more essential evening of sounds. This group shows off their more intense version of goth-metal awesomeness on debut full-length Firmament, an album that’s turned a lot of heads locally and nationally since its release six months ago. Mixing this powerful blend of Killing Joke-style rage with Blessed’s more deliberate approach will make for a heady musical brew, and adding the gothic peace-punk vibes of Serqet to the mixture is only going to take things to an even higher level. Get on board with this one.

Elsewhere Around The State:

Thursday, May 16, 7:30 PM
The Struts @ The NorVA – $22.50 in advance/$25.50 at the door (order tickets HERE)
The Struts are one of the more fascinating discoveries the mainstream rock world has yielded in recent years. This British band has a fashion sense that seems equally derived from Guns N’ Roses, Aerosmith, and the Sex Pistols, but musically, they land somewhere in the area of a 21st-century update on Queen. This group clearly comes from a modern time in which the backlash against the 80s hair-metal era has faded from youthful memory; rather than playing their glammed-out, swaggering rock n’ roll for over-the-top laughs the way The Darkness did, The Struts are 100 percent serious about their desire for world domination.

Which might be totally obnoxious if they didn’t have the songs to pull it off. Singles like “Could’ve Been Me,” “Kiss This,” and their collaboration with Kesha, “Body Talks,” are proven arena-rock anthems, and they’re sure to get the NorVA popping on Thursday night. Once you’ve seen The Struts blow the roof off the joint, all your doubts will be cleared away, leaving only the desire to rock! The Struts will definitely help you with that, though after the night that awaits you, you may feel the need to call in to work Friday morning. But hey, why not? That’s the rock n’ roll thing to do.

Sunday, May 19, 6 PM
Enforced, Copperhead, Flatline, Semtex, Bato @ West Beach Tavern – $10
I love the way a lot of tough-guy hardcore is metal as fuck these days. I mean, granted, I still don’t like to get up front at the shows (who enjoys having to keep your back to the band just so you can dodge flying fists and feet?), but the music sure is a lot better when I go to them, and that makes us middle-aged ladies standing in the back of the room real happy. Enforced have shown their crossover-thrash chops off both on tape and in the live environment for a while now, and with their At The Walls LP soon to drop, they’re about to take it to the next level. Get on board now.

Both Richmond’s own Enforced and fellow RVA thrash-masters Copperhead will be heading down to VB for this end-of-weekend rager at West Beach Tavern, and both will bring the sort of aggressive hardcore attack that, if you close your eyes (or even if you keep them open, considering how many longhairs there are in hardcore bands these days) you’ll likely mistake for straight-up metal. Which rules. They’ll be joined on this bill by three Hampton Roads-based ensembles; Flatline and Semtex bring a more straightforward Agnostic Front/Negative Approach-style HC attack, while Bato verge on fastcore with their speedy beats and energetic sound. The pit should be going hard from beginning to end at this one; I’ll be sure to stand back.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: July 11 – July 17

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FEATURED SHOW
Saturday, July 14, 7 PM
Vinyl Conflict 10th Anniversary Celebration, feat. Night Birds, Dark Thoughts, Gumming, Scarecrow, Talk Me Off @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
I had no idea Vinyl Conflict had been around an entire decade now. Why, it seems only yesterday that the store’s original owner, Brandon Ferrell (RIP), opened this little shop in the middle of a residential block in Oregon Hill. But of course, the older you get, the faster time seems to pass, and I’m pretty goddamn old at this point, so I suppose I shouldn’t be surprised by the store’s sudden longevity. Since Vinyl Conflict was taken over by current owner Bobby Egger, it has if anything become even more an essential part of the local music scene, not only bringing us an unparalleled selection of new and used punk/metal-related sounds but also releasing a variety of EPs and tapes by up-and-coming locals on their Vinyl Conflict Records label.

And now it’s time to celebrate their decade of essential service to the world of RVA hardcore punk, and kick off the next decade of awesomeness in the finest fashion possible. They’ll be throwing a huge party at Gallery 5 this Saturday night, and you’ll know it’s guaranteed to be a hell of a rager when you see that Night Birds are your headliners. This New Jersey band mixes a melodic sense derived from the best of the early-80s US punk wave (The Misfits, The Adolescents) with a breakneck fury that is half 82-style USHC and half early-00s East Coast fastcore (think Tear It Up). They haven’t released anything in a couple of years, but the hints they’ve been dropping on social media recently sure indicate that new material is coming — maybe this show will give you a preview? Don’t quote me on that though.

Night Birds will be bringing Philadelphians Dark Thoughts down with them, and this bouncy melodic punk group has just released an album called At Work that has a lot of energy and a bit of darkness in the mix as well; as with Night Birds, if you dig stuff like the Misfits and the Adolescents, you’re going to find something to enjoy in the music of Dark Thoughts. The bill will also feature a Raleigh, NC band called Scarecrow who have very little info available online — although I can tell you that they’re not the same as Raleigh jazz/fusion band Scarecrow’s Brain. I know that much. I also know the two RVA bands on the bill, Gumming and Talk Me Off, will kick this party off with a lot of energetic fury all their own. So get to Gallery 5 this Saturday night and give props to Vinyl Conflict — if the past decade hasn’t already proven to you how great an asset to Richmond this store is, this show is sure to win you over.

Wednesday, July 11, 7:30 PM
Divided Heaven, Eaves, Two Cars, Having Keepsake @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
Grown-up punks, take note; Jeff Berman’s Divided Heaven project is rolling through town and stopping off at The Camel tonight. While this group may seem like a late development in Berman’s career, following on his early days in NJ hardcore/punk groups like The Boils, Protagonist, and The Rites, he’s actually been fronting this project for most of a decade now, and they’re about to drop their third LP, Cold War, on WireTap Records. The advance singles, most notably “1983,” showcase both a wistfully mature outlook on life beyond one’s youthful days, and an incredible melodic sense that shows just how much talent Berman has to offer. Honestly, it would have been a huge waste if he’d spent the rest of his days playing angry punk.

We’re still a little more than a week away from the release of Cold War, so right now you can only hear two of the album’s songs online. But you’ll undoubtedly hear more tonight, as well as some classic tunes from Divided Heaven’s earlier, more acoustically-oriented LPs. Plus, you’ll get some excellent emotional post-hardcore sounds from up-and-coming local group Eaves, who turned in an impressive debut LP late last year with As Deeply As You Do, and are only headed upwards from there. Local newcomers Two Cars and Having Keepsake both bring their own emotional melodies to the table, making this an evening of moods and hooks that’s sure to please you.

Thursday, July 12, 8 PM
The Body, Lingua Ignota, Womajich Dialysiez @ Gallery 5 – $12 (order tickets HERE)
The Body’s been around for nearly two decades now, and they’ve come a long way from the sludgy noise they started out creating. Always more of an experimental band than anything, they’ve really foregrounded their exploratory efforts in recent years, somehow going both noisier and poppier than ever before with 2016’s No One Deserves Happiness. This year’s follow-up, I Have Fought Against It But I Can’t Any Longer, brings us a new approach, in which the group cuts up previous recordings, sampling them over programmed beats and electronics to create a unique work of art you’d be foolish to dismiss as a mere “remix album.” It’s difficult, it’s noisy, it’s dark as fuck, and somehow, amidst all that, it is bizarrely danceable.

But will people be dancing to The Body’s set at Gallery 5 tomorrow night? Or will they do as they’ve done in previous RVA performances over the years and use powerful walls of noise to wipe the floor with all of us? It wouldn’t surprise me if the answer turned out to be “both,” and it’s well worth the price of admission to learn for yourself. They come to Richmond this time around accompanied by Lingua Ignota, an intense solo project from Rhode Island’s Kristin Hayter that lands somewhere between the confrontational avant-garde work of Diamanda Galas and the soul-baring noise terror of Pharmakon. Their most recent EP is entitled All Bitches Die, and features a song entitled “Holy Is The Name (Of My Ruthless Axe)” …just to let you know what you’re in for. The experience you’ll have at Gallery 5 Thursday night isn’t that predictable, but if one thing is certain, it’s that you’ll be affected by it.

Friday, July 13, 6 PM
June Parker, Opin, Blush Face, Goldfeather @ Hardywood – Free!
My wife and I took a trip deep into the heart of Virginia’s Northern Neck region this past weekend. Not for any real reason, just to get out and explore parts of the state we’d never been to before. While we were passing through Tappahanock, we noticed several businesses named after a woman we’d never heard of before. Now, less than a week later, I find myself writing about a show by a band that is also named after her. I have no idea who June Parker was or is, but I know one thing — somebody in this band has made that same drive out to Tappahanock at least a time or two.

June Parker used to be known as California Death, but their 2017 full-length, We’re Exactly Where We Are, showed that this local shoegaze band has upped their game since changing their name. The first track from the new EP they’ll bring into the world at this show, “I Can’t Relate Anymore,” adds a jangly indie sensibility to their hazy guitar fuzz, upping the melodic quotient and bringing them to their highest level yet. With this preview in mind, it seems a safe bet that the new EP will be their best work yet. Find out for yourself at Hardywood Friday night, and get a set from enjoyable New York indie-folk combo Goldfeather, plus some excellent sounds from always-reliable locals Opin and Blush Face, in the bargain. It’d be a deal at any price — and since this show is free, it rises to the level of unmissable.

Saturday, July 14, 7 PM
Bangladeafy, Teen Death, Foresterr, Swathe @ Garden Grove Brewing – Free!
Bangladeafy may seem like a weird name to give a band, but when you learn that this group is a duo made up of a Bangladeshi drummer and a bassist who is… well, not quite deaf, but certainly has a hearing disability (sensorineural hearing loss, to be specific), it all starts to make sense. The wry sense of humor displayed by this choice of name also shows through in the band’s unpredictable musical hijinks, especially on songs like “Act Like An Adult” and “Say It With Your Chest,” from their most recent LP, 2016’s Narcopaloma.

This LP is an excellent showcase of Bangladeafy’s bizarre instrumental attack, which integrates jazz, prog, and metallic elements into a speedy, unique sound that might just remind you of Miles Davis’ Bitches Brew-era rhythm section doing Lightning Bolt covers… or maybe that’s just me. Grungy local punk n’ rollers Teen Death will offer quite a contrast with their opening set, but if you dig loud, energetic bands, you’re sure to enjoy both. Also on the bill are New Yorkers Foresterr, who do the sort of noisy, off-kilter post-hardcore grooves that bands like Barkmarket and Sliang Laos excelled at two decades ago. These guys are worthy successors to the outstanding track record of those bands. Locals Swathe offer some pummeling sounds in the vein of the Melvins and Unsane to get you in the mood for what awaits. This show is gonna rule.

Sunday, July 15, 7 PM
JD McPherson, Chamomile and Whiskey @ Capital Ale House Music Hall – $20 (order tickets HERE)
I don’t know how aware young punk types are of what’s going on in the world of rootsy rock n’ roll, but I’ll go ahead and admit that I never would have known about JD McPherson if it weren’t for the fact that he gets played over the PA regularly at one of my favorite hangout spots, Sheetz. Seriously, not only does that place have the best three-cheese sub in the Richmond metropolitan area, their muzak station is the best radio station in this town. But I’m not here to advocate for Sheetz (I do that enough on twitter); I’m here to tell you that you need to go see JD McPherson at Capital Ale House Sunday night.

McPherson’s third album, Undivided Heart And Soul, came out last year on New West Records, and it beefed up the rollicking rockabilly sound of his first two albums with a sort of retro-soul vibe that also shows up in artists like White Denim and even The Black Keys. But make no mistake, the man’s still about some straight-up rockin’, and songs like “Let’s Get Out Of Here While We’re Young” and “Style (Is a Losing Game)” make this abundantly clear. When McPherson hits the stage at Capital Ale House, he’s sure to get the whole place on their feet and shaking their tailfeathers. It’ll be an outstanding way to end the weekend, and give you an emotional high to carry you through a soul-draining Monday back at the office. Don’t miss out.

Monday, July 16, 9 PM
Church Of Disgust, Cemetery Filth, Future Terror, Night Hag @ Wonderland – $5
I have pretty much not talked at all about metal this week, but we’re gonna fix that situation right now with a thorough discussion of this Monday night show at Wonderland featuring the almighty Church Of Disgust. This  band hails from Texas and Florida, and the swampy Southern heat bleeds through their music, as does the clear influence of classic Floridian death metal past. Sometimes they’re thrashy, sometimes they’re moshy, but on 2016’s excellent Veneration of Filth LP, they most often strike the tone of classic riffage from early Morbid Angel, Deicide, or even Death. You headbangers out there better be paying attention, because this is a band you are guaranteed to love.

Johnson City, TN’s own Cemetery Filth will accompany Church Of Disgust on their trip to Shockoe Bottom, and their work on recent split EPs show this band to have a similarly ripping, brutal death-thrash attack sure to appeal to fans of prime Obituary and early Carcass. The thrash fiends will be pleased to hear these guys as well, and one can at least hope that all in attendance will receive Future Terror positively too. This Richmond band is treading in the footsteps of extremely blown-out crustcore bands like long-gone DC/RVA legends Aghast to churn out some incredibly noisy D-beat fury, and it’s awesome. Sludgy local newcomers Night Hag open up this show with some darkness of their own. Get ready to bang your head, y’all.

Tuesday, July 17, 6 PM
Backyard Boogie Tour, feat. Fly Anakin, Ohbliv, Al Divino, Billie Essco, Ankhlejohn @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
RVA hip hop is always fertile ground, and it seems 2018 is going to bear particularly excellent fruit where the genre is concerned. Not only do we get an excellent new Nickelus F release, Mutant Academy’s Fly Anakin has come together with production titan Ohbliv to create an album that represents a high-water mark for both. Backyard Boogie shows off Ohbliv’s predilection for murky soul vibes throughout, and gives just as much shine to Fly Anakin’s excellent flow and cutting lyrical wit. It hit the streets in April, and Fly Anakin and Ohbliv clearly recognize how excellent a statement it is for both of them, as they’re spending next week touring up the East Coast. They’ll start the week off right, with a hometown show at Gallery 5 that brings the album’s fire to life onstage.

However, there are more reasons to come to this show than just the local superstars showing off their stuff. Indeed, this event finds Fly Anakin & Ohbliv meeting up with a powerful package of touring MCs from up north. First on the list is Massachusetts’ own Al Divino, a hard-rhyming lyricist who has had Fly Anakin drop features on his tracks before — so you know he’s legit. Then there’s NYC rapper Billie Essco, aka Uptown Chase, whose recent LP Cafe mixes lyrical skills with a somewhat introspective vibe that’s sure to draw you in. DC’s Ankhlejohn rounds out the touring trio with some cinematic styles showcased perfectly on recent EP Knowledge. This show is jam-packed with hip hop talent from all over the East Coast — miss it at your own peril.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Mag Premiere: Opin’s ‘How Can I’

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Richmond’s Opin is on track to drop their next EP Drifters later this month, and the four-piece has given us a little taste of what to expect with the funky/groovy track,”How Can I,” accompanied by some extra trippy visuals. Formed last year by ex-White Laces members Tori Hovater (vocals, keys) and Landis Wine (vocals, guitar) after they announced the end of their longtime shoegazey turned indie rock group, Opin has since recruited Night Idea’s Ethan Johnstone (drums) and Navi’s Jon Hawkins for their project, put out a self-titled LP on Egghunt Records, and plan to hit the road in the next few weeks.

The video, between its electronic groovy rhythms and spliced images of a giant swirling moth, bikers and more, makes me feel like I am dropped into an old-school video game. The vocals are upbeat yet hazy and transport me into another world as I sit here typing away at work. A world which is carefree and I’m dancing among other carefree souls in a dimly-lit room with nothing but pops of bright colors shining through here and there to light us up as we dance the night away. We can thank director Chris Foster-Baril for his seriously weird and hypnotic work on this video.

“He’s a really excellent graphic designer and does a lot of visual experiments with his artwork,” Wine said. “He’s gotten into more video art and we wanted something interesting to go with that track and he hunkered down and did a lot of rendering and came up with something really cool for us.”

Drifters, Opin’s second release, is slated to drop on Fri., April 20, via Harding Street Assembly Lab, a Lynchburg-based studio who Wine worked with on past projects when he was in White Laces.

“They suggested doing a limited-edition, clear one-sided 12-inch, which I’m a big fan of old dance remix 12 inches and that sort of thing so I jumped at the chance,” Wine said.

The band recorded the six-track (two bonus tracks) EP this past summer in Philadelphia with Jeff Zeigler, who they worked with their on their debut record, and who Wine and Hovater worked with on several of White Laces’ albums.

“Jeff’s a great dude and we had a few songs that were outside of stuff that was on the record that came out last year that we were playing live,” he said. “We basically went in with what we had and did most of it live in the room.”

Wine said the band wrote most of it while Johnstone was gone on tour with Night Idea, and wrapped up finishing touches on the EP in August after having it mastered by Heba Kadry.

To add to the unique sound for “How Can I”, Opin recruited the lead singer of Doll Baby Julie Storey for her lovely backup vocals.

“I’ve known Julie for a really long time since I was at VCU, and she was doing acoustic stuff primarily and it was really cool to get her to hop on a track,” Wine said.

The band plans to hit the road later this month for an East Coast tour with Doll Baby {dates below}, a band that Wine said is one of his favorites and really vibes well with the band.

“I love their songs, I love seeing them live, they’re good people and a great band,” he said.

Judging from the other tracks RVA Mag had the pleasure to have a sneak peek into, fans are in for one hell of a treat this spring when Drifters drops. Get your dancin’ shoes ready. You can pre-order Drifters here, and until then, make sure to catch Opin tomorrow, Apri 4, at Sound of Music Studios with Shormey, Chesapeake’s Shormey, Atlanta/Philly’s Pamela_ and her sons, and fellow Richmond band, WaBeya. Doors: 8 PM and Music at 9 PM. $5 cover.

Tour Dates with Doll Baby: 
4.26 – Dew Drop (Washington, DC)
4.27 – Ortlieb’s (Philadelphia, PA)
4.28 – Golden Pony (Harrisonburg, VA)
4.29 – Odditorium (Asheville, VA)

Photo By: Joey Wharton Photography 

Music Sponsored By Graduate Richmond