RVA Mag

Richmond, VA Culture & Politics Since 2005

Menu

VA Shows You Must See This Week: April 24 – April 30

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, April 27, 2 PM
RVA (All Day) Block Party, feat. No BS! Brass Band (Photo by Lauren Serpa), The Trongone Band, The Congress, Kenneka Cook, Camp Howard, Piranha Rama, Calvin Presents @ The Broadberry – $25 (order tickets HERE)
Y’all had to know this was coming. How could I not talk about the Broadberry’s first big all-day outdoor throwdown of the year? After the long rainy winter we’ve endured, after the chilly late-breaking first half of spring, we’re finally getting some warm weather, and you better believe it’s a cause for celebration! And who better to celebrate great days in RVA with than No BS! Brass Band?

Who indeed. By now, this group of horn-playing troubadours should need no introduction, but on the off chance you moved to Richmond last week and still don’t know the basics, you’re in luck, because this show will act as a perfect introduction! Not only will you get an amazing outdoor live performance overlooking the beautiful intersection of West Broad and Arthur Ashe Boulevard, at this show you’ll also get the first opportunity to purchase No BS! Brass’s brand new double album, A Decade Of Noise, recorded live at their 10th anniversary show — at the Broadberry, natch. From their amazing covers of everyone from A-Ha to Led Zeppelin, to their many unforgettable originals, No BS! Brass Band are sure to bring the jazz, funk, soul, and hip hop your booty craves.

But that’s just the main course — and we all know that sometimes the side dishes are just as good, if not better! At this party, which kicks off about the time you roll out from brunch (2 PM, that is) and rolls on… wait for it… ALL DAY, you’ll get a killer indoor set from rockers The Trongone Band to close out the evening, as well as a diverse selection of excellent music earlier in the afternoon on the outdoor stage, from postpunk indie boys Camp Howard to electro-soul innovator Kenneka Cook and jam masters The Congress, along with quite a bit more. There were earlier tiers of tickets available for as low as $10, but they’re all sold out now. However, if you slept on this excellent bill, take heart — you can still grab a spot for your very own for only $25, a total bargain for such an embarrassment of musical riches as this.

Wednesday, April 24, 6 PM
Sylar, Cane Hill, Varials, Bloodline, Nhibitions @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
We’re in a new era of heavy music, and the main way I can recognize that is by seeing how common and accepted nu-metal influences are. When I was growing up two decades ago, all the metal dudes mocked bands like Korn and Coal Chamber; even when you found some good in the genre from heavier bands like Slipknot and System Of A Down, you had to be careful about who you discussed it with. That’s how it was for my generation, but we’re all hitting middle age now, and the young metal kids on the come-up today seem completely unencumbered by this sort of elitism.

This bill is the proof — a double-headlining stomper that brings Queens, NY’s Sylar and New Orleans’ Cane Hill to the stage at the Canal Club tonight. Sylar was formed by a former roadie for Emmure, which should tell you something about their sound — that they’re heavy as fuck, in a sometimes ignorant fashion. But what’s more, they integrate the same sorts of touches from hip hop and Nine Inch Nails that you can find in Korn in their most famous era (i.e. “Freak On A Leash”). Meanwhile, Cane Hill conjures a heavier sort of nu-metal influence, reviving that downtuned Slipknot/Coal Chamber midtempo thud that also helped give birth to deathcore — but in the sort of straightforward manner that’s more likely to make you think of Mushroomhead than Suicide Silence. I don’t know how the kids are gonna mosh it up in the tight pants they wear today — Jncos would probably be a big relief for some of them (I’m calling it now: revival within five years). But rest assured, you’ll be headbanging right along with them at this one. Even if you did tell all your friends back in the day that you hated nu-metal.

Thursday, April 25, 7 PM
Nico Rivers & the Black Grass, Tyler Meacham, Natalie Tyer @ Garden Grove Brewing – Free!
I would never have predicted it, but Garden Grove Brewing has become one of the more reliable standby venues in town for music on the more melodic side of things — and considering how difficult it always is to keep a longtime venue going, that’s welcome news indeed. This is a particularly good example of what they have to offer, as they’ll be presenting two local songwriters and an excellent touring ensemble on a Thursday night, and charging you no money to see it! How awesome is that?

It’s even more awesome once you hear the work of Nico Rivers and realize what a treat you’re in for. This Massachusetts singer-songwriter travels with a revolving collective known as The Black Grass, which can consist of everything from his female singing partner and seemingly constant companion (whose name I can’t find anywhere online, though I don’t know if it’s me or Nico who should be embarrassed by that) to a full band featuring multiple electric guitars and a full drum kit. What will we get tomorrow night? I can’t tell you that, but I can tell you that Rivers’ atmospheric but rockin’ take on indie-Americana is sure to make you smile. Local singer-songwriters Tyler Meacham and Natalie Tyer will provide lovely sounds to get the room warmed up for the arrival of the Black Grass. Don’t miss a moment.

Friday, April 26, 9 PM
The Loneliers, Lounge Lizzard, Atamada @ Wonderland – $10
This’ll be a fun punk rock Friday night in Shockoe Bottom for sure. The Loneliers are coming to town from New York, and their sound constitutes a real breath of fresh air in 2019. They play jangly, upbeat melodic punk with a decidedly twee-pop edge, harking back to some classic mid-90s bands who paired their punk rock spirit with catchy tunes full of more than a spoonful of sugar.

If you dug Tiger Trap, Go Sailor, or Courtney Love (the Lois Maffeo-led band that had nothing to do with the singer for Hole), The Loneliers are sure to make you smile. Plus, they’re known to cover tunes from the Powerpuff Girls show, so you know they know what’s up. They’re paired on this bill with Lounge Lizzard, the new group featuring Toxic Moxie’s Sera Stavroula on lead vocals and members of bands like Cremains, Pissing Contest, and The Donalds backing her up. As I’m sure you’ve guessed, they’re cool as hell. Brand new locals Atamada will kick things off with some Tigers Jaw-ish melodic emo sounds from members of Truman. It’ll be a great way to kick off your weekend, so make the trip down to the Bottom, even if you have to do so on foot — you can worry about the long uphill walk home afterwards.

Saturday, April 27, 7:30 PM
The Jasons, The World’s Greatest Detective, Love Roses, Personal Crisis @ McCormack’s Irish Pub – $13
The love affair between melodic punk rock and classic horror cinema, launched over three decades ago by The Misfits and TSOL, continues apace in the new millennium. The Jasons are standard-bearers of this exact crossover, named as they are for the mysterious zombie murderer clad in a goalie mask, who murdered teenagers everywhere from summer camp to outer space in the classic Friday the 13th series of films — or at least all of the sequels (which stalled at Part 12 a decade ago, what’s up with that?).

The Jasons are on tour promoting the impending release of their latest album, Blood In The Streets, but this show has a more important cause, being a fundraiser for Scares That Care. This charity group, run by horror fiction creators and fans, not only holds a horror convention in Williamsburg every summer but also donates all the funds they raise each year to children experiencing medically-related hardships. In other words, it’s super-cool, and the fact that your door price will go to them is all the more reason to make it out to McCormack’s on Saturday night for this rager. The fact that Brooklyn punkers World’s Greatest Detective, local HC-punk heroes Love Roses, and Fredericksburg’s Personal Crisis are also on the bill only makes this even cooler. So show up already, punk.

Sunday, April 28, 8 PM
Orville Peck, Holy Roller, LIZA And The Heart-Takers @ The Camel – $10 (order tickets HERE)
This one is gonna be weird — but in the best possible way. Orville Peck is, in the simplest of terms, a country singer, but from the face-hiding fringed mask he wears during his performances to the effect-laden electric guitar he plays, he’s certainly an unusual one. I’ve heard him compared to shoegaze bands, but on his brand new Sub Pop LP, Pony, I hear a lot of other sounds at work — Roy Orbison’s spooky, ambient ballads; the apocalyptic pop of Lana Del Rey; even the occasional touch of Lee Hazlewood or Scott Walker.

So yeah, don’t show up if you’re expecting a singer who’ll effortlessly channel Merle Haggard, but DO show up if you like music that is both intriguing and challenging, music that both calls to mind references from across the rich history of recorded music and doesn’t sound much like anything that’s come before. And of course, you’ll get an opening set from Holy Roller, who’ve changed their name in the recent past but are still cranking out the same killer rock n’ roll sounds, with just a hint of twang. Plus, there’s the lush, downcast pop of LIZA and the Heart-takers to kick it all off, so you’re certainly in good hands with this one.

Monday, April 29, 9 PM
Those Far Out Arrows, Plastic Nancy, Thin Pigeon, So Badly @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Let’s all admit it, because we know it’s true: Mondays usually suck. I know, I know, there are a few of you restaurant workers out there who get Monday off every week, but for the rest of us, it’s soul-crushing. Nothing worse than staring down a week of work with no relief in sight. That’s why it’s always such a relief to find a good show happening on what’s typically considered by the music industry to be an “off” night — it brightens up the dullest day of most people’s weeks.

Those Far Out Arrows are coming to Richmond to brighten up your Monday, and they’ll do it with aplomb, if their latest album, Part Time Lizards, is any indication. If you dig upbeat rock n’ roll with a garage-punk flavor and a Southern-fried twang, these Nebraskans will thrill you with their Natural Child-ish vibes. Plus there are some rad Virginia bands on the bill to further add cheer to your work week — energetic garage noise from Plastic Nancy, postpunk queer-core from Thin Pigeon, and fuzzy indie punk from Fredericksburg’s So Badly. This one’s gonna put a smile on your face — and by the time it starts, you’re gonna need it.

Tuesday, April 30, 7 PM
Weedeater, ASG, Druglord, The Astral Void @ Capital Ale House Music Hall – $17 in advance/$20 at the door (order tickets HERE)
I put forth the proposition (that you can petition the Lord with prayer… wait, no, what was I saying? Oh right) in a recent show column that where shows that used to go to Strange Matter are concerned, Wonderland has picked up the heavier end of the spectrum, while Capital Ale House’s downtown music hall has grabbed the lighter, more indie-fied side of things. And now here comes this Weedeater gig at Capital Ale House to shoot my theory all to shit. Look, I’m just glad this show still has a home in town, so I’m certainly not complaining.

And you won’t be complaining either, because the (ahem) Richmond Music Hall at Capital Ale House is a great space in which to see a show, and North Carolina’s own Weedeater is a great band to see — there or anywhere. They deal in a particularly fun brand of sludgy stoner metal, with the emphasis on “stoned” — copping some of that sticky green before this show is recommended if you, you know, engage in that sort of thing. Weedeater’s been quiet on the studio front for a while, having last released an album four years ago, but losing one drummer to health problems and another to a sudden passing, they’ve rejuvenated themselves with frontman Dixie Dave’s former Buzzoven bandmate, Ramzi Ateyeh, holding down the kit. So all is well and rest assured, you’re gonna get your head rocked at this one. Fellow North Carolinians ASG join this stoner carnival with some Camaro-rattling riffs of their own, and local openers Druglord and The Astral Void will do more than enough to get you warmed up and in the properly stoney frame of mind. I’m not talking about the mayor, either.

Elsewhere around the state:

Friday, April 26, 7 PM
The Happy Fits, Early Eyes, Kid Brother @ Charlie’s American Cafe (Norfolk) – $12 in advance/$15 day of show (order tickets HERE)
I am not a Spotify user. I don’t know if that’s something I should be ashamed or proud to admit, but regardless, it’s just the truth. The Happy Fits are a band who owe their success to Spotify — a song from their first EP was featured on a “Fresh Finds” playlist back in 2016 — and therefore it’s entirely possible you’re already familiar with this youthful New York trio. For me, they were a totally new discovery as of earlier this week, when their name jumped out at me from a long list of shows I was considering for potential inclusion in this column. “Wow, what’s the deal with these guys?” I thought. “Are they the opposite of the Misfits, or something like that?”

Well, no, not really. Their driving sound is more akin to the early Black Keys (you know, back when they were still an excellent garage band rather than the mediocre hitmakers your aunt loves now), only with more of an acoustic, raw, in-the-room feel. 2018 debut full-length Concentrate is a rollicking blast of pure rock n’ roll fun, with some outstanding melodic chops thrown in to make everything brighter, catchier, and overall better. In the studio, this band has the virtue of capturing what sure sounds like the sound they’d make playing right there in the room with you, so having heard their recordings, I feel extremely confident in advising you to go see The Happy Fits when they come to Charlie’s American Cafe this Friday night. You’re sure to wear a smile throughout the night — even on the long drive home.

Saturday, April 27, 8 PM
Guerilla Toss, Toxic Moxie, The Dawn Drapes @ The Southern Cafe (Charlottesville) – $10 in advance/$12 day of show (order tickets HERE)
Guerilla Toss (shut up, spellcheck, that’s how they spell it) have been around for nearly a decade now, and they’ve remained fascinating and fun the entire time. Early days saw them getting pretty wacky and noisy, but still managing to pound out an invigorating groove at all times. As they metamorphosed over the years into the fully formed band they are today, the funk, dance, and electro elements rose to the surface, slowly overtaking the noise and allowing the group to become the effortless dance machine they are on last year’s Twisted Crystal LP.

These days, Kassie Carlson screams quite a bit less, and the guitars are way less atonal — Guerilla Toss have kinda evolved into a sort of electro-funk version of punk rock, in a manner that will appeal both to fans of early 80s NYC groups like Liquid Liquid and tapped-in young Virginians who are rightfully hyped on … Richmond’s own Toxic Moxie, who coincidentally just happen to be traveling up I-64 from RVA to open up this killer bill. The results are sure to be uproarious, and keep your feet moving and your body shaking throughout the night. I know, there’s a whole lot going on Saturday night — I already told you about a couple of things, in fact. So it’s really up to you whether Charlottesville is the place you most want to be. But let me tell ya, if you are already up that way, or happen to land there Saturday night, you’re guaranteed a good time with Guerilla Toss and Toxic Moxie at The Southern. So hey, tell ’em we sent ya.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 30 – February 5

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, February 1, 7 PM
WRIR’s 14th Anniversary Party, feat. Unmaker, Black Liquid, Trapcry, Alfred, Minor Poet, Rebekah Rafferty and the Wakes, The Vulgar Bulgars, Sweet Potatoes Music, Jr Wolf, RVA Comedy showcase, and more @ The Renaissance Ballroom (107 W. Broad St) – $15 (order tickets HERE)
It’s kind of amazing to look up every February and realize that it’s been another year with the awesomeness of WRIR right here in our city. From one unicorn to another, we certainly must admit that the cards tend to be stacked against the kind of radio station WRIR is — a community-run, volunteer-operated radio station that manages, despite its low 42-watt broadcast power, to reach a wide range of local listeners and to connect strongly with the Richmond musical community. What’s more, it’s a great place to learn more about the issues of the day, from right here in Richmond to around the country and the world.

So yeah, it’s a little tiny miracle to see WRIR holding on for another year — 14 so far, and here’s to many more. It’s also a cause for celebration, and that’s what the station and its community will be doing when they gather once again at the Renaissance Ballroom this Friday night for the latest edition of a yearly party that never fails to deliver the goods. This year’s edition features all kinds of excellent music, covering the wide spectrum of local talent. Unmaker are at the top of the bill, and their dark, heavy, metallic postpunk is sure to bring down the house at the end of a long happy night — especially considering their always-active live performance style.

But that’s just the beginning, really. The music on offer runs the gamut from the cerebral hip hop of Alfred to the indie rock of Minor Poet and from the klezmer (jazz-influenced Eastern European/Jewish folk dance music) sounds of the Vulgar Bulgars to the melodic alt-rock of Rebekah Rafferty and the Wakes, this show has seriously got everything the curious music fan could desire. Plus, it brings the kind of adventurous programming you can expect from WRIR into real life before your eyes, as Black Liquid coordinates a hip hop showcase that’ll recreate the kind of improvised rhyming excellence that often graces his Saturday night radio shows, and Jameson Babbowski brings a talented slate of local comedians to his own non-musical showcase. And of course, all your favorite WRIR DJs will be in the house, spinning tunes and making friends. Best of all, your ticket price goes toward helping WRIR bring us another year of awesomeness. What could be more worthwhile than that?

Wednesday, January 30, 8:30 PM
Vanilla Summit, Khrundo, Return To Sender @ Vagabond – Free!
Now that we’re out here in the world moving on after the loss of Strange Matter, there’s definitely been some urgent searching (at least on my part) for another reliable local venue to fill in the mid-week holes in the Richmond live music schedule. What I’m fast learning is that on Wednesday nights, Vagabond is likely to deliver the goods. Their Jazz Wednesdays series is a great place to be pretty much every single week if you want to learn more about the community of excellent jazz musicians existing in Richmond. Their scene may not get as much attention as punk, metal, or hip hop, but that says nothing about what the local players have to offer — which, it turns out, is a lot.

Vanilla Summit are a five-piece jazz group who’ve been grabbing spots on live dates around town for a while now, and their 2017 Green Session EP shows exactly why — this dual-drumming quintet creates some excellent funky grooves while also bringing the introspective melodies we so often want from jazz. They may not be joined live by the ever-talented McKinley Dixon, who graces one of the tracks on their EP, but they will be performing along with a couple of intriguing ensembles, also hailing from the world of local jazz. Khrundo is a group led by guitarist Jake Adams, which is apparently going to feature nine members on this Wednesday night, all coming together to kick some ferocious grooves. Plus there’s Return To Sender, a bass-less trio led by Vanilla Summit sax player Nate Clark, to kick things off right. If you don’t know, you’re gonna learn.

Thursday, January 31, 8 PM
Zack Mexico, Piranha Rama, Billy Neptune @ Capital Ale House Music Hall – $8 in advance/$10 day of show (order tickets HERE)
Zack Mexico isn’t one guy, it’s a band — and a full one at that, featuring eight members, two of whom are drummers who each play full kits. And this group doesn’t hail from the country across our controversial Southern border; instead, they come to us from the much closer region of North Carolina’s Outer Banks, which must be a pretty wild place to be if you’re not a tourist or a vacationer. The music Zack Mexico makes is certainly wild, and hard to pin down as well; what sort of sound you get from them depends significantly on which track you listen to.

However, one thing can be determined for sure — there’s a psychedelic sensibility that underpins everything this band does, and an unorthodox approach to music that lands them pretty far outside of what we expect from “indie” in 2019, though it always seems to result in catchy tunes that get your feet tapping and put a smile on your face. In that way, they’re a perfect musical companion to one of the best new bands to come out of Richmond in the last year. I’m speaking here of Piranha Rama, of course, whose music can just as easily be said to be catchy unorthodox psychedelic genius — as you know, if you heard their excellent LP from last year. Openers Billy Neptune will get this show started right, and Piranha Rama and Zack Mexico will come together to take care of the rest. Get on board.

Friday, February 1, 7 PM
Midlife Pilot, Joel Worford, Colpa Mia, Tyler Meacham @ Garden Grove Brewing – Free!
Here in Richmond, the kids really are all right. This show is a good opportunity for all of you to find that out, assuming you haven’t already been paying attention to the many mini-waves of talented singer-songwriters bringing out excellent music around this wonderful city over the past couple years or so. Midlife Pilot are at the top of this particular list, and they’ve certainly shown sufficient merit to justify that position — this group, the brainchild of singer-guitarist Casey Graham, released an excellent EP of emotionally-oriented melodic alt-rock tunes late last fall.

While Midlife Pilot demonstrated an outstanding full-band sound on that EP, Ready To Be That Way, it’s hard to say exactly how it’ll translate live, since Graham himself played everything but drums on the record. Can we expect an Into It. Over It.-style solo performance? Or will there be a full band onstage? Either way, based on Graham’s track record, we’re sure to get some awesome songs out of it. Colpa Mia is more clearly a full-band effort, and recent single “Atlas” shows them dabbling in both the emotional melodies of the alt-rock world and dipping into synthesized postpunk/indie sounds. Live, their multi-layered sound is sure to captivate. More definitively solo singer-songwriters Joel Worford and Tyler Meacham will round out this excellent bill of up-and-comers, which you can partake of for no money down! How can you pass that up? Be there.

Saturday, February 2, 7 PM
Them Evils, Gemini Love, Loxias, The Goodbye Forevers @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I don’t know where we as a society stand on loud, noisy rock n’ roll in this day and age. It seems like if you check out festival lineups it’s the indie bands who get the most acclaim, and when the occasional band manages to rise above the fray and get a reputation for rocking hard, they draw more hate from the tastemakers than anything else. So are all y’all gonna think I’m a behind-the-times middle-aged lady for sending you to see Them Evils on a Saturday night?

You’ll be either frustrated or relieved to know that I really don’t care how you judge me on this one. I’m over here rockin’ out, blissfully ignorant of any judgment that might be coming my way. And you’ll be in much the same position if you make your way to the Canal Club Saturday night. Because while the hipsters may all be allergic to distorted guitars and hard-hitting good-time grooves these days, it’s always such a relief to cast off that albatross of manufactured coolness and let yourself enjoy something sincerely. Them Evils are primed to provide you with some sincere enjoyment, and in all seriousness, you cool kids who enjoyed Wolfmother and Red Fang at one time or another are gonna dig this just as much as your Greta Van Fleet-loving little brother will. Stop with the excuses and show up already.

Sunday, February 3, 8 PM
30 Year Sick, Cold Choir, Gothic Lizard @ Fallout – $5 in advance/$8 at the door (order tickets HERE)
30 Year Sick is a pretty evocative name for a band, even if any contemplation of the concept behind the name just makes you (or at least me) think, “There’s no way you’d stay sick for 30 years and not die.” I mean, unless we’re talking “siiiick!” in the modern-slang sense of the term, in which case we just end up down a rabbit hole of talking about which bands that have been around since the late 80s still legitimately rule (spoiler: not many, that’s for sure). But seriously, we’re not here to talk about that — we’re here to talk about the show that’s coming to Fallout, everyone’s favorite Shockoe Bottom fetish bar, on Sunday night.

30 Year Sick, the band, who hail from North Carolina, have a pounding synth-goth sound, which is definitely on the rockin’ end of things where that genre is concerned. Their 2018 EP, Postpunks, has an intriguing title that certainly invites rock-crit types like myself to use lazy genre terms, but I’m trying really hard not to take the bait. Instead, I’ll tell you that 30 Year Sick mingle a gloomy rumbling rhythm section with ominous guitar and synth melodies, all of which is topped by the true star of the show: Akmeraj Niroc’s incredibly powerful voice, which is strong enough to raise the tiny hairs on the back of your neck. And then the whole band will rock you out in a manner sure to thrill fans of Sisters of Mercy and Killing Joke alike. Don’t be afraid — explore the darker corners of Fallout for this one. It’ll do you no harm.

Monday, February 4, 7 PM
Boy Harsher, Nightcrwlr, Aesthetic Barrier @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
It’s a good week for dark, gothic sounds. Spooky electronic duo Boy Harsher are releasing their latest LP, Careful, this Friday, and then on Monday, they’ll be here in town to play it live for us all. Careful was clearly born out of some pretty hard times, from loss of loved ones to difficulties in relationships, and singer Jae Matthews puts all of that into Boy Harsher’s music, combining as always with electronic musical genius Gus Muller to create an album’s worth of foreboding synthesized soundscapes.

Boy Harsher’s dark melodies and unnerving lyrical conceits have been compared (even by members of the group) to a David Lynch movie, and sonically, their work lands closest to a diabolical combination of Suicide and Yaz, with a strong dose of Nitzer Ebb-style severe European dance music. The kids in gleaming black Doc Martens will be stomping on the dance floor to this one, for sure; meanwhile, Matthews and Muller’s riveting presence is sure to keep you focused on the stage. Local electro-freaks Aesthetic Barrier will kick this all off, and we’ll get a bonus appearance from Nightcrwlr, yet another identity of the shapeshifting Kristina Esfandiari (King Woman/Miserable). It’s all going to be so amazing.

Tuesday, February 5, 9 PM
Brian Jones Trio, Doug Richards Orchestra @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
RVA jazz really is a solid ticket for your midweek musical jones in 2019, and that’s probably why our week is bookended by shows that fall under that category. This one brings us the latest appearance of a Brian Jones-led ensemble here in Richmond, and as local jazz heads know, the presence of Brian Jones in any group is a sign of top quality musicianship. Of course, we’re not talking about the original Rolling Stones guitarist who died in the late 60s, we’re talking instead about the local drummer who has played with everyone from Agents Of Good Roots to Jandek to Randy Brecker.

The Jones trio on display this time will include fellow RVA jazz luminaries Daniel Clarke (piano) and Randall Pharr (bass), but one of Jones’s most frequent collaborators, saxophonist JC Kuhl, will also be on the bill — but performing with the other group. The Doug Richards Orchestra will contain around 18 different musicians on this Tuesday night, including local jazz luminaries like John D’Earth, Bryan Hooten, Stefan Demetriadis, and the aforementioned JC Kuhl, as well as all three members of the Brian Jones Trio. Doug Richards, who founded VCU’s Jazz Studies program in 1980 and recently retired after four decades at the university, has a robust pedigree of his own, and what he brings to this formidable ensemble is sure to be intriguing and delightful. Don’t miss a moment.

Bonus Hampton Roads Picks:

Friday, February 1, 7 PM
The Josephines, The Heart Stompers @ Toast – $10 (order tickets HERE)
If you like to rock but also identify strongly with the Southern sound with which all of us from this state are intimately familiar, the music of The Josephines is sure to call to you on a deep, primal level. This group — yet another in which a feminine name belies the all-masculine lineup — hails from Kentucky and will definitely remind you that that state, like Virginia, is very much a part of the South no matter what latitudinal parallel Bowling Green sits on. They’ve got loud rockers in their repertoire that are sure to have you stomping, raging, and headbanging, but they’ve also got a big dose of bluegrass in their sound, ensuring that you’ll never forget what state they hail from.

The Josephines’ 2017 EP Sober Up certainly lets you know the musical headspace where these guys are coming from. Likewise, Hampton Roads local country ensemble The Heart Stompers lets you know where they’re coming from right in their name. Formerly known as Gina Dalmas and the Cow-Tippin’ Playboys — certainly an evocative name in itself — this group taps into the outlaw country sound of the 70s and 80s with a modern punk edge and an amazing voice out front, courtesy of Gina Dalmas herself. If you can get down with some honky-tonk partytimes, Toast is the place to be for you on Friday night.

Tuesday, February 5, 8 PM
Rayland Baxter, Illiterate Light @ Boathouse Live – $15 in advance/$18 day of show (order tickets HERE)
You Tidewater residents are sure to have a fun Tuesday night at the Boathouse with Rayland Baxter. This alt-country singer-songwriter comes from a music family (his dad played on REM and Bob Dylan albums), and certainly has his feet planted in that tradition, as his more alt-country/folk-Americana tunes make clear. But on his latest album, Wide Awake, Baxter showed that he’s capable of the sort of widescreen pop that made the Beatles and the Byrds legendary figures that influenced a generation. Baxter taps into that psychedelic power-pop sound rooted in Americana dirt that is so au courant in 2019 United States of America, evoking the Beach Boys, the Grateful Dead, and other powerful musical touchstones with aplomb… and just a splash of post-Mac DeMarco slacker irony.

But we shouldn’t focus only on our headliner here — tourmates Illiterate Light hail from right here in VA, Harrisonburg to be exact, and have been making a powerful impact on the commonwealth’s music scene for a couple of years now. For a guitar-drum duo, they make strong, deep music, which connects power-pop, alternative rock, and the melody-uber-alles alt-country approach of My Morning Jacket or Band Of Horses. They show off all this and more on brand new EP Sweet Beast, which is an excellent calling-card to present to music fans of all stripes who find themselves wondering whether they should take the plunge on these local boys striving to make good. Message from us: dive in. You’ll be glad you did.

—-

Top Photo: Unmaker, by David Morton

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

The 40 Most Essential RVA Albums Of 2018 (Part 2)

|

Topics: , , , , , , , , , , , , , , , , , , , , , , ,

Richmond’s always been a great city for music, and that didn’t change one iota in 2018. If anything, it became a bit overwhelming — indeed, even the most comprehensively-minded local music nerd was likely to overlook a few things. While putting this list together, I found a few that I overlooked myself — and I’m sure you will as well.

This list features our best shot at the most essential and noteworthy albums that our city birthed this year, from any and all genres. Since so many different genres and scenes are thriving in this town, we had to include 40 just to feel like we weren’t leaving anything crucial out. And let’s be real — we probably still didn’t catch everything. The best advice we could possibly give you about following this town’s vibrant musical community is this: always dig deeper. Your new favorite record might be right around the corner.

These 40 albums are a good place to start. Yesterday, we presented the first 20, and we follow up today with the remaining 20 — in alphabetical order by artist name, so it doesn’t seem like we’re playing favorites. Happy listening!

Elizabeth Owens – Coming Of Age (Grimalkin)
This young singer-songwriter has avoided the strict confines of genre on their first album, instead dancing along the invisible borders between a variety of sounds. Lushly-strummed acoustic guitars and haunting vocals center these compositions, even as a variety of both conventional and unconventional instruments form an intricate, multi-layered background. Psychedelic folk in the original, late 60s sense — think Incredible String Band or Pentangle — is a good touchstone, though a better, more recognizable one is hinted at by the song entitled “Ode to Joni.” Yeah, you know what’s up.

Piranha Rama – Piranha Rama (Trrrash)
Piranha Rama is a band full of Richmond underground rock all-stars that took the local scene by storm in 2018. Featuring members who’ve performed with a wide variety of local ensembles and played a wide variety of musical styles, Piranha Rama’s sound is apropos, capturing as it does both the rollicking rock n’ roll spirit that is this band’s bedrock and the wide variety of influences that takes this album in many different directions from song to song. The results are always catchy and fun, even if the album’s overall feel is more like that of a great mixtape made by a crate-digging friend than you’d expect from a singularly driven band. The more voices, the merrier.

Trey Pollard – Antiphone (Spacebomb)
I admit I never would have expected this in the year 2018, but it has in fact come to pass. Trey Pollard, best known as the in-house arranger for Spacebomb Records, has released an album of classical chamber music. The selections found within are the sorts of things typically referred to as “pieces” rather than songs, and are mostly performed by four to eight-piece string ensembles (sometimes accompanied by a piano). Pollard, who acts as composer and conductor here, has created a stunning collection of memorable moments that feel like a score for a film — one that’s playing in your mind as you listen. Close your eyes and let it overtake you.

Natalie Prass – The Future And The Past (ATO)
Natalie Prass had been the fledgling Spacebomb label’s obvious breakout star thus far — along, of course, with label founder Matthew E. White. For her second LP, Prass signed with ATO and moved beyond the traditional soul-R&B feel of the Spacebomb house band, getting into deeper electronic grooves that seem to arise directly out of the pre-New Jack Swing sound of 80s greats like Cameo or Kool & The Gang. When she croons overtop of these, she’s got a real retro-diva sound, like a young Janet Jackson. Who can resist that?

PT & Fan Ran – Airtight (Ear Tite) (Gritty City)
The Gritty City roster of champion rhyme-spitters is deep, and each passing year seems to make that clearer, as new albums bring us strong statements of purpose from previously unheard names. This year it’s PT, which stands for Perfect Timing, who jumped out in a big way. Airtight is a full-length collaboration with Gritty City production mainstay Fan Ran, and the hard-hitting beats he brings match up perfectly with PT’s strong flow and aggressive approach to the mic. If you miss the days when RZA was producing a different Wu-Tang solo album every couple months and they all ruled, this one’s for you.

Recluse Raccoon – Recluse Raccoon (recluseraccoon.bandcamp.com)
This band features a rotating selection of local musicians, but Timmy Peele is the true raccoon hiding reclusively behind the name. For this debut full-length, it’s Mr. Peele who lays down vast majority of instruments for the dozen compositions he treats us to. There is at times a decided Animal Collective vibe in the thick vocal harmonies and ringing piano notes, though at other moments he comes closer to straddling that invisible line where the mellowest math-rock meets the most far out of the psychedelic jam sounds. Expect the unexpected — it’s more fun that way.

Roy Batty – Roy Batty (roybattyband.bandcamp.com)
This one just dropped a couple weeks ago, but it demands a place on our radar simply by virtue of the many awesome bands the members have been part of in the past. Specifically, this is frontwoman Lindsey Spurrier’s first return to full-time action after the demise of Hot Dolphin, and I think I’m far from the only one who felt that band ended before their time. Roy Batty has a heavier sound that Hot Dolphin, due to the fact that Spurrier is backed here by metal dudes rather than garage-punk types, but the frantic energy and aggressive spirit remain undiminished. And thank god for that.

Serqet – Oleander (Vinyl Conflict)
This two-song EP constitutes the first release from a local band who’ve been getting some attention on the whole DIY punk scene. I hear kids who are nerdy about that style of music call it “peace-punk” but if you ask me, it’s more along the lines of old-school goth. Maybe a bit Siouxsie and The Banshees, plus a bit of Submission Hold, and even some strong melodies on the B-side that get more into pre-shoegaze UK indie sounds. If you’re looking for something that can simultaneously please fans of Flux of Pink Indians, Sisters Of Mercy, and House Of Love, you’ve hit paydirt with this one.

Shadow Age – Shadow Age (Play Alone)
This trio unfortunately took an indefinite hiatus not long after this album was released, but we can at least be thankful that they left behind such an excellent document of their creativity. Bandleader Aaron Tyree has obviously been influenced by the saddest goth boys of the early 80s UK, and he brings the spirits of Robert Smith, Ian McCulloch, and Adrian Borland into the 21st century with flair and panache. Hazy keyboards, glittering guitar leads, quiet melancholy crooning, all set to an essential driving rhythm section. Turn on the fog machine.

South Hill Banks – No Time For A Breakdown (southhillbanks.com)
This RVA bluegrass band has really cemented a place for themselves on the local music scene over the past year, and No Time For A Breakdown is just part of that — you may also have caught onto their year-long residency at The Camel, or the bluegrass festival they threw over at The Broadberry last month. But it’s this album that’ll give you the best taste of what South Hill Banks have to offer, spotlighting their 21st century take on bluegrass with some excellent melodic songcraft. Of course, they still know how to get down with a traditional speedy instrumental, and their choice to feature electric instruments in the band doesn’t get in the way at all.

Spooky Cool – Every Thing Ever (Citrus City)
Spooky Cool spent the first few years of their existence being the RVA scene’s best-kept secret, staying off social media and restricting access to their music to those who actually came to see them live. Their choice to live like a pre-internet band in the post-internet era paid off in a big way when they finally released their debut EP this year, and the whole world had a chance to hear the catchy indie-psych this quintet had spent the last few years cooking up. It was worth the wait — there are some seriously catchy tunes on this one, but those tunes also feature an unpredictable edge that only adds to their charm. Jam this one — we’ve waited long enough.

Sports Bar – Stranger In My Head (Mister Falcon)
Speaking of long-awaited releases, melodic garage-punk quartet Sports Bar have spent nearly a decade building up to this — a killer full-length full of shit-hot tunes that simultaneously bring the manic, distorted punk attack and highlight the flawless sense of melody that has made this group one of Richmond’s most enjoyable hidden discoveries since back in 2010. This one is a ton of fun, bringing us both angst-ridden singalongs like “Fried” and furious punk blasts like “Love Or Hate.” Get into it.

Suppression – Placebo Reality (Chaotic Noise Productions)
2018 was Suppression’s 26th year of existence, an existence that has seen them move from experimental power-violence to electronic noise to postpunk weirdness and now into the world of shit-fi grindcore madness — which really constitutes a return to the roots of bassist/vocalist Jason Hodges’ long-running project. On Placebo Reality, Hodges and drummer Ryan Parrish flail wildly through somewhere north of 70 songs in under half an hour, blowing your hair back with distorted vocals, hyperdrive tempos, and distorted bass rage. A palate-cleanser of the most confrontational sort, this one will erase all your momentary cares in the face of world-ending chaos. Exactly what we all need.

Marcus Tenney Quartet – Moment (American Paradox)
If you pay attention to music in Richmond and beyond, chances are you’ve heard of Marcus Tenney. A full-time member of the legendary No BS! Brass Band as well as soul-jazz quintet Butcher Brown and hip hop duo Tennison, he stays busy. For this album, he took the lead in a quartet featuring several other Richmond jazz luminaries, and created a collection that is grounded in the classic hard-bop sounds of half a century ago, but comes from a thoroughly modern worldview that helps bring jazz into the 21st century. But this album isn’t just an exhibition of instrumental talent — the mellow, melancholy mood evoked on Moment has a deep emotional resonance.

Toward Space – Gently With A Chainsaw (Cult 45)
This raw garage-rock trio has done quite a bit, considering their youth, and Gently With A Chainsaw fulfills the promise they were showing even when they were still playing house shows with foot-pedal drums. These days, their snotty punk rage has been tempered a bit by a power-pop approach to choruses, and the result makes for a number of pleasing singalong earworms on this album. Make no mistake, though, these juvenile delinquents are still ready with a switchblade if anyone messes with ’em — but have no fear. Underneath the snarling facade, they’ve got hearts of gold.

Madison Turner – A Comprehensive Guide To Burning Out (madisonturner.bandcamp.com)
Madison Turner grew up with the classic alternative rock of the 90s, and now that she’s made it out of her 20s she’s headed back to her roots with this, her fourth solo release. Backed by a talented group of musically-inclined friends, she’s created a powerful collection of songs that sound excellent and are catchy as hell. The lyrics, which delve deeply and sincerely into the album’s “burnout” theme, are witty and all-too-relatable, even as the songs keep you singing along all day long. “I don’t know why I’m so sca-aa-ared to reach out to my friends!” So real.

Unmaker – Firmament (Seeing Red)
This quintet shares a few members with local blackened-thrash combo Occultist, but don’t let that fool you — Unmaker have quite a bit to offer in their own right. They distinguish themselves from the metallic pack thanks to Aaron Mitchell’s arresting vocals, which carry an urgency that makes them impossible to ignore. But the rest of the band has a powerful sound of their own, simultaneously exploring the gothic end of the postpunk spectrum while retaining a powerful, heavy rhythm and sticking to an energetic tempo. Fans of Killing Joke will find a lot to like here, but really, everyone should.

Windhand – Eternal Return (Relapse)
Local doom combo Windhand has always been witchy, but they’ve taken it to a new level on their fourth album (and first with only one guitarist), Eternal Return. The psychedelic aspects of their sound are cranked up here, and even as you can hear those low-end rumbles that make these guys a total headcrush live, the album’s production opens up another layer of their sound — one in which vocalist Dorthia Cottrell’s haunting voice is the star of the show, bringing a heaviness of emotion that more than matches the rest of the band’s heaviness of groove. Kill the lights and light a candle.

Womajich Dialyseiz – Live In RVA (Grimalkin)
This improvisational collective brings together a shifting group of “women, femmes, and gender non-conforming people” from around the Richmond scene to create uncategorizable experimental music. The results, documented here on recordings from four different live performances, are ambient and multi-layered, featuring percussion, voices, and a variety of melodies, many of which tend toward the unsettling. Maybe not something you should put on late at night when you are alone, but certainly an important element of the Richmond scene in 2018. Lend an ear.

Young Scum – Young Scum (Citrus City)
I doubt any of the young people in this city’s indie music scene are particularly intending to hark back to the early 90s heyday of Sarah Records and the indie-pop movement that label inspired, but regardless of intent, Young Scum have landed right in that wheelhouse. If you loved Heavenly or The Field Mice, you’re going to find a lot to love here, from Chris Smith’s dulcet vocal tones, which wash over you like a cooling mist, or the glittering layers of undistorted guitar strums laid down by Smith and Ben Medcalf. There are brief moments of tense distortion hovering subtly in the mix, but for the most part this mini-LP is pure indie-pop bliss.

—

Wow, we’re done! And of course, as soon as I got this list finished, I realized I’d left out the Candy LP and the Boygenius EP, so go check those out too. What can I say? There was no way I was gonna think of everything.

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 26 – January 1

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, December 28, 7 PM
The Grand Finale, feat. Illa Styles, Kyle The Ghost, Big B, Yung Sums, June Elizabeth, Tyrone Leake Jr, Coffee Black @ Gallery 5 – $7 in advance/$10 at the door (order tickets HERE)
If you’re anything like me, your first thought upon seeing that they’ve titled this Gallery 5 hip hop show “The Grand Finale” is, “Oh god, please tell me they’re not going away too.” Thankfully, as far as I can tell, there’s no cause for alarm — if this show is the grand finale to anything, it’s 2018, not Gallery 5. And at the end of a year that saw AGM’s ruling triumvirate (Nickelus F, Radio B, Michael Millions) dominate the hip hop game here in Richmond, this excellent showcase is here to let all of us know that RVA’s hip hop scene has a lot more than that going on.

There’s a wide variety of sounds from all around the city and state on this lineup, but you can’t be blamed if Illa Styles’ name is the one that jumps out at you. He’s not necessarily at the top of the bill, but his 2018 EP theBalance makes clear exactly why all of us should be listening to him. It’s a masterful slice of life from a veteran MC who gives us gritty, focused lyrical flow overtop of incredible multilayered beats that make the rhymes hit that much harder. It’s the most assured statement yet from a man who’s recording career goes back most of a decade and is already full of strong and powerful statements.

Another strong artist on this bill is Kyle The Ghost, who comes heading up the freeway from Newport News to team up with Richmond rapper Big B (and no, that’s not the reggae-rap guy from the West Coast). The two of them recently laid down an excellent collaborative track over a Haze Banks beat called “Passion,” which showcases both of their lyrical talents and can’t-miss flow. Between Big B’s 81 Dreaming and Kyle The Ghost’s Rebirth, both of them have also released solo projects this year that show they are more than capable of standing on their own. And then there’s also Yung Sums, who’s been making a name for himself around town as a battle rapper but also showed himself to have studio skills aplenty on his recently-released album Black Friday. There are quite a few more artists on this bill too, and if you want to have an amazing last weekend of 2018, seeing all of them send the year out on a high note is an unbeatable way to do it.

Wednesday, December 26, 8 PM
Mitchell Evan, Tyler Meacham, Pistol Sister, Rebekah Rafferty and The Wakes @ The Camel – $7 (order tickets HERE)
The Christmas holiday is officially over (sorta… though really, this is only day two of the “12 days of Christmas” you’ve been hearing about all your life), but we all know that the whole week between Christmas and New Years is kind of a rabbit hole everybody falls down. We won’t really be out of it until the New Year celebrations are over and the kids are back in school, so for now, just enjoy the ride and relax. Mitchell Evan is at the Camel tonight to help you do so, bringing you the debut of his latest solo album, Nostalgia. And this laid-back songwriter has the perfect sort of music to keep you in the right mood for this lost holiday week.

Nostalgia isn’t out yet, so none of us will hear it in all its glory until tonight at the Camel, but Mitchell Evan has released two singles from it thus far, and both give reason aplenty to expect this to be an excellent album. “Las Cruces,” which brings us the title lyric of sorts — “It’s a hell of a drug, nostalgia” (and ain’t that the truth) — has a melancholy alt-country sound that gets under your skin in the best possible way, while “Timpani Hits” has a more orchestral feel that might just have you thinking of Damien Rice. Both of these tunes are beautiful, and there’s plenty more where that came from, so come down to the Camel tonight and get the first taste of Nostalgia. Opening sets from local pop starlet Tyler Meacham and the MacKenzie Roark-led group Pistol Sister, plus an “after-party set” by Rebekah Rafferty and the Wakes, sweeten this pot considerably. Dip into it.

Thursday, December 27, 8 PM
The Vegabonds, Kendall Street Company, The Dirty Grass Players @ The Broadberry – $12 in advance/$15 day of show (order tickets HERE)
“Southern rock” probably evokes a certain mental image in all of our minds, one derived from childhoods hearing Lynyrd Skynyrd and Molly Hatchet songs on the car radio while driving around in the tiny backseats of our dads’ pickup trucks. OK, so maybe that’s only some of us, but it’s OK, because Southern rock has grown and changed since those days, and in this post-millennial post-Drive By Truckers era, things are quite a bit different. The Vegabonds are a prime example, with their mixture of guitar crunch, church-y organ hums, driving tempos, and high-lonesome vocal hooks adding up to something that’s sure to appeal to fans from all over the good ol’ US of A and beyond.

Right now we’re talking about Richmond, though, and this town is pretty close to Nashville in a geographical sense, so chances are there are quite a few of us more than ready to embrace the down-home heaviness of The Vegabonds, who are about to release their fifth album, simply entitled V, once the year turns. Get a sneak preview of that record tomorrow night at the Broadberry, and catch a set from VA’s own Kendall Street Company in the bargain. This group mingles Americana sounds with the sort of granola jams all y’all who mark the LOCKN Festival dates on your calendar the second they’re announced each year are gonna flip for. With Baltimore bluegrass pickers The Dirty Grass Players opening up, this is gonna be a night to remember.

Friday, December 28, 8 PM
Plastic Nancy, Big Fundamental @ Garden Grove Brewing – Free?
This Friday night, get some psychedelic grooves into your soul over at Garden Grove Brewing. This free show will apparently feature two sets each from Richmond groups Plastic Nancy and Big Fundamental, and considering that the show gives all the appearance of being free, this sounds like quite a bargain, if you ask me. Plastic Nancy have a pretty noisy, almost punk take on the whole hazy psych sound as displayed on a recently released single that apparently heralds a whole LP of this fuzzy, buzzy stuff. Sounds like a party.

Big Fundamental are more laid-back and rollicking on their Basement Demos, released earlier this year, but things definitely stay loud and distorted throughout. It’s clear that both of these groups will twist your head right around, and you’ll love every minute of it — especially in the pleasant surroundings Garden Grove always provides. Where pre-New Years’ weekend treats are concerned, this one is a home run.

Saturday, December 29, 8 PM
Thorp Jenson, JR Wolf @ The Camel – $7 (order tickets HERE)
If it’s gonna be that kind of week, we may as well lean into it, right? That’s what local Americana singer-songwriter Thorp Jenson and the duo of scene mainstays Angelica Garcia and Russell Lacy, collectively known as JR Wolf, will be doing at the Camel this Saturday night, and you can’t go wrong by joining them. What will specifically be going on is Thorp and his band pulling together a tribute to the Grateful Dead at the dawn of the 70s, that era which produced classic studio albums Workingman’s Dead and American Beauty as well as classic live albums Europe 72 and the Skull And Roses record (which, yes, is officially self-titled).

For a band that made a half-century’s worth of reputation on their head-expanding psychedelic epics, this was a time at which they were focusing pretty strongly on folk and country influences, bringing their more free-flowing tendencies to bear on classic American tunes complete with polished vocal harmonies — and that’s probably the perfect material for Thorp Jenson to focus on with this tribute set, as it largely mirrors his own focus as a songwriter. Whether you’re a Thorp-head or a Deadhead, this one is sure to please you. And while we can’t tell you much about what it sounds like when Angelica Garcia and Russell Lacy combine powers like the Wonder Twins to form JR Wolf, we’re sure based on their mutually powerful track records that you’re going to find the results intriguing and delightful. Come chill.

Sunday, December 30, 10 PM
Hallelujah, Deathbirds Surf Club, Delicate Whip @ Bandito’s – Free!
It seemed unlikely that we could get through this whole week without some ugly punk noise, and now it’s become a certainty that we can’t. Oh, but who would want to? Especially when we have the opportunity to spend a Sunday night in the company of these killer Richmond outfits for the low, low price of zero dollars! Hallelujah, who made quite an impression on the RVA noise-rock scene in the early years of the 21st century with their harsh interjections of sound, have been back in action as a trio for a while now, and showed on last year’s self-titled full-length that they’ve still got the goods. Get ready to have your hair blown back — if you’ve got any left.

Deathbirds Surf Club have been an intriguing proposition from the word go, bringing a straightforward 60s-retro surf sound to the modern RVA punk scene in the same way that the Fresh-O-Matics did 20 years ago. However, instead of evoking the hard-charging guitar heroics of Dick Dale, the Deathbirds go for lovelorn sincerity with a strummy pop sound that’s on the fresh-faced Beach Boys end of things — with some Wavves-type modern indie damage thrown in to spice things up. It’s a unique proposition, for sure, and one that’s always worth catching. The moody sludge of local newcomers Delicate Whip kicks the whole thing off in fine fashion, and if you’ve invested wisely, you’ll have a big plate of tacos in front of you before they start.

Monday, December 31, 8 PM
Piranha Rama, Chance Fischer, Dr. Millionaire, Ghost Piss, Dazeases @ Gallery 5 – $10 in advance/$15 at the door (order tickets HERE)
It’s probably not too early to ask… what are you doing New Years Eve? Some would say you’re best off ordering a pizza, staying in, and going to bed early. We certainly don’t recommend spending your afternoon driving up to NYC to stand in the freezing cold in Times Square, but despite the cynics, there are still good times to be had on New Years Eve here in RVA. And if some great local music in a variety of sounds and styles is your thing, Gallery 5 is definitely the place to be. Not only will there be champagne toasts and a photobooth (as well as “glitter” and “tears,” if the facebook event page is to be believed — and chances are it’s correct), there will be an amazing variety of excellent musical performers, all of whom at least originate here in our own river city.

You know what’s up with Piranha Rama by now, right? This conglomeration of Richmond musical all-stars has been plying their trade around town for the past year in fine fashion, bringing us a unique and lushly instrumented take on lounge-inflected retro-surf indie pop. Or something like that. Their self-titled LP is a real treat, and if you haven’t tasted it yet, this will be a great opportunity for you to make 2019 a better year than 2018 by getting familiar. That’s not even to mention the outstanding double-dose of RVA hip hop we’ll get on this bill from a couple of Richmond’s champion rhymers, Chance Fischer and Dr. Millionaire. Both of them are set to slay, so be prepared. And then there’s the double-dose of ambient electronic unease from moody divas Ghost Piss and Dazeases. Really, what more can you ask for? I mean, yes, you can ask for a really outstanding 2019, but that’s kinda beyond the capacity of a live music preview column, so this excellent show will have to do.

Bonus Hampton Roads Picks:

Thursday, December 27, 7 PM
Ancient Torture Techniques, Amara, MSD, Nervous System, Berkowitz @ Charlie’s American Cafe – $5
One totally lovely element of the Hampton Roads musical scene’s 2018 has been the return to full-time action of Ancient Torture Techniques, a power-violence ensemble best known on these RVA streets for their decade-ago split with bygone locals Street Pizza. They’re back, and while they still don’t have a Bandcamp page, they do have a quiver full of Spazz-meets-Slayer blastbeat-fueled mayhem to deal out on us all. You can show your gratitude with headbangs.

They’re joined on this bill by a smorgasbord of heavy grinders representing the current crop of this sort of high-speed devastation in the commonwealth. Newport News shredders Amara have a wall of harsh fuzz noise for you, pushing all the needles into the red with their grinding metallic riffage. Richmond’s MSD (no clue what it stands for, put your best guesses in the comments) go for a more straight-up death metal approach, while Norfolk’s Nervous System find the line where grindcore meets hardcore and hit it for all it’s worth. And of course, Berkowitz represents with some lo-end death-grind to kick it all off. Be prepared to thrash.

Monday, December 31, 7 PM
GWAR, Against The Grain, Stonecutters @ The NorVA – $20.50 in advance/$23 at the door (order tickets HERE)
New Years Eve in the Norfolk area is looking quite a bit like a lot of Richmond metalheads’ dream of a brutal year-ending party here at home. That’s because GWAR is taking over the NorVA for New Years Eve, and if you don’t love the idea of ending 2018 soaked in (fake) blood, I don’t know what to even tell you. It’s a bummer this isn’t happening closer to home, we agree — but hey, GWAR were just here at The National in November. So rather than pointing fingers at the NorVA for poaching our favorite alien overlords, let’s all just order our tickets now, gas up the Jeep, and leave early to beat the tunnel traffic, shall we?

GWAR’s turn toward a more KISS/Nugent-style vibe on most recent LP The Blood Of Gods will make their furor even more apropos for a night of celebration, and also means they’ll be able to match up perfectly with Detroit’s Against the Grain, whose triumphant throwback-thrash approach is your ticket to nonstop headbangs. Kentuckians Stonecutters kick things off with some more powerful 80s thrash stomp, as exemplified on their brand new LP, Carved In Time. Overall, this is a night of absolutely stupendous metal in the offing, so take this opportunity to send 2018 out with a (head)bang! But seriously — pick a DD ahead of time, we don’t want y’all wrecking into the bay on your way back to town.

—-

Top Photo by Alyk Visions

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 5 – December 11

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, December 7, 9:30 PM
Claudio Simonetti’s Goblin performs Suspiria @ The Byrd Theatre – $35 (order tickets HERE)
This is pretty much a once-in-a-lifetime event, and you pretty much need to be there if you have any interest at all in horror movies, spooky European prog rock of the 70s, or both. Here’s the deal: the Italian prog group Goblin did quite a few soundtracks for horror movies back in the 70s and 80s, including several for legendary Italian horror director Dario Argento. In 1977, they did what is probably their most famous work in the score for Argento’s most famous film, Suspiria. Now, in a weird tie-in to the 2018 remake of the film, Claudio Simonetti’s Goblin are on tour performing the Suspiria score live along with the film. This Friday night, they’ll be doing so at The Byrd Theatre. How cool is that?

Goblin has been made up of many people over the years, and at this point in history, there are several active or dormant projects that have used variations on the name in the past decade or so. Claudio Simonetti, the group’s longtime keyboardist, is currently leading a trio featuring the members of his late-90s/early-00s metal band, Daemonia, and that’s the version of Goblin that will be coming to the Byrd. Anyone who’s seen Suspiria or soundtracked an awesome Halloween party with the soundtrack album will recognize the essential role Simonetti’s keyboards play in the film’s music; basically, if there were to be one original member of Goblin involved in this performance, you’d want it to be Claudio Simonetti.

Basically, this is the closest any of us will get to seeing the original Goblin play this music. And better yet, the group will follow its performance along with the film by another set of music drawing from the highlights of Simonetti’s lengthy career, which has included film scores for dozens of classic horror flicks (Deep Red, Dawn Of the Dead, Demons, Nightmare Beach, The House of Witchcraft… so many more). And if that tantalizes you, here’s the best part of all: you’ll get to see Argento’s original Suspiria on the big screen. Who can pass that up? Not you, if you’re smart.

Wednesday, December 5, 7:30 PM
Generation Axe Tour, feat. Steve Vai, Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt, Tosin Abasi @ The National – $39.50 in advance/$43 at the door (order tickets HERE)
The 90s have been the nostalgia decade of choice for a while now, and somehow we got there as a culture without ever dealing with that late 80s era of leather pants, hairspray, and wild shreddy guitars that everyone remembers now as “hair metal.” There was a lot to that era, y’all, and a lot of it was great. From 80s power metal that got wrongly lumped in (Iron Maiden, anyone?) to the true classics of the glam generation (Shout At The Devil is one of the best metal albums of that decade — yeah, I said it), we’ve chosen to leave a lot of great things out of the cultural narrative. I guess this is what people mean when they say “guilty pleasures,” huh?

Generation Axe comes to The National to let us all know that it’s time to stop feeling guilty about all the shred-heavy guitarists with feathered hair and lightning-speed arpeggios whose tablatures we all studied obsessively in the back pages of Guitar World while we were supposed to be finishing our algebra homework. The king of the shred, Steve Vai, who is known not only for his epic instrumental solo albums (and “solo” is indeed the word) but his time in Whitesnake, David Lee Roth’s solo band, and many more, got this whole project together, recruiting fellow instrumental shred king Yngwie Malmsteen (it’s pronounced “ING-vay,” and in the time it took you to read this parenthetical aside he’s played at least 800 notes), Ozzy/Black Label Society legend Zakk Wylde, former Extreme guitarist Nuno Bettencourt, and Animals As Leaders, um, leader Tosin Abasi to form a five-guitar monster of razor-sharp licks and tour the world. At the National, you’ll see everything from spotlight sets by each of these five guitarists to duets and collaborations between three or even all five string-benders to wow you with hours and hours of shred-thrash fireworks. It’s going to be so goddamn amazing you’ll surely want to dig through mom’s attic over Christmas until you dig out your dusty old Ibanez and books of guitar tabs. Get fired up.

Thursday, December 6, 7 PM
The Ar-Kaics, Christi, Piranha Rama, Weird Tears @ Strange Matter – $10 (order tickets HERE)
Strange Matter’s long goodbye continues this week, and we’ll be sending you there quite a bit before we wrap up this column. This is because, even in their final throes, this best of all Richmond venues continues to pack the place each night with brilliance. This particular garage-psych focused bill is centered around 60s revivalists The Ar-Kaics, who’ve spent the last several years wowing us with the charm of their many 45 RPM singles, recapturing the fuzzed-out glory of the Nuggets era. After a couple years away from the spotlight, they’ve returned in a big way with In This Time, their second full-length. On it, they mix the primitive charm of their garage-rock roots with some increased melodic elements that make these tunes catchier than ever.

Rejoicing at the return of the Ar-Kaics is a big reason to come to this show; however, it’s not the only one, as local power-pop legends Christi are returning to live performance after a year and a half away from the stage. I would say this makes sense, since longtime Ar-Kaics drummer Patty Conway was also in Christi, but by the time Christi broke up she wasn’t in that band anymore — and at this point, it seems like she might have left the Ar-Kaics as well. So this could all be a big coincidence. Either way, the double-dose of old-school rock n’ roll with some killer vocal harmonies overtop is coming for you, and it’s going to rule, so you really should just be at this show no matter what. Local up-and-coming garage-pop group Piranha Rama and the ever-mysterious Weird Tears will get this show rolling in fine fashion.

Friday, December 7, 8 PM
Sleep, Weather Warlock @ The National – $21.50 in advance/$25 at the door (order tickets HERE)
Where doom metal, or “stoner metal,” or whatever you want to call it, is concerned, Sleep are pretty much the north star. Having evolved out of apocalyptic crust band Asbestos Death at the dawn of the 90s, Sleep went on to define the stoner-doom genre with their 1992 classic, Sleep’s Holy Mountain, before either attaining doom godhead or flying too close to the sun (depending on your point of view) with the long-delayed legend of an album, Dopesmoker (which consisted of one 74-minute song. I know, right?). However, while record companies were less than stoked at the idea of marketing a one-song double LP, leading the group to disband, their legend grew in their absence — fueled by the biker-metal heroics of guitarist Matt Pike’s post-Sleep project, High On Fire, and the epic drone of bassist/vocalist Al Cisneros’s Om, which has incorporated elements from Tibetan Buddhist chants into their moody darkness.

After receiving rapturous responses to a series of reunion tours, Sleep became a fully functioning band again about five years ago, recruiting Neurosis’s Jason Roeder to replace retired original drummer Chris Hakius. This year, they followed up two excellent post-reunion singles with their first full-length album in over 20 years, The Sciences. What is obvious from the first listen is that this group hasn’t lost a single step over the intervening years, mixing the biker-doom headbanging of High On Fire into Om’s droning low-end hum to create newborn classics like the Egyptian pyramid-Black Sabbath pun reference in “Giza Butler,” or the 21st century stoner anthem “Marijuananaut’s Theme.” They’ll bring all of this to us at mind-shearing volume and with soul-pulverizing power when they take the stage at The National, and all of you stoner warriors of the astral plane are going to want to touch down and experience it firsthand.

Saturday, December 8, 12 noon
Dry Spell, Mensroom, Cloak/Dagger, Nosebleed, Haircut, Sinister Purpose, Butt, Deviant @ Strange Matter – $12 (order tickets HERE)
These days, it seems, hardcore bands never really die — they just go dormant for longer and longer periods, only returning to play a show on occasions momentous enough to resurrect them from their suspended animation. Strange Matter’s closing is definitely a momentous occasion, and one way you can tell is that this noontime Saturday show is headed up by not one, not two, but THREE mostly-dormant hardcore bands that have returned to action for the first time in at least a year (OK yes, Cloak/Dagger played a few shows nine months ago. Point stands).

Dry Spell’s big period of activity is about a decade in the rearview now, and their midtempo rockin’-hardcore rage sounds fresher than ever when you revisit it in 2018, so this set bringing together members from up and down the East Coast to perform together once again should be a real blast. Mensroom disappeared from the Richmond musical landscape about three years ago now, so the new jacks may not remember them, but any young punks who love the psychedelic-sludge take on hardcore that Slump has been dishing out for the past couple years are definitely gonna want to catch their set (being billed as a “reunion/last show”), as these guys were doing that sort of thing before Slump ever got going. As for Cloak/Dagger, these rip-roaring maniacs have made some killer sounds by finding the line between garage-punk and hardcore and staking out a position just to the “hardcore” side of that line. Get ready for some raw rock n’ roll power when these guys take the stage. And be sure to set your alarm, because if you’re not there right at noon, you’re sure to miss some of the many excellent openers — and that would be a very bad move.

Sunday, December 9, 7 PM
Cloud Nothings, The Courtneys, Russ Waterhouse @ Strange Matter – $15 in advance/$18 day of show (order tickets HERE)
Cloud Nothings may not be coming to Richmond specifically to celebrate the life and legacy of Strange Matter, but that’s no reason to skip this show — it’s gonna be every bit as good as everything else that has become a part of the Strange Matter Closing Series. Cloud Nothings are an incredible band from Cleveland, who have built themselves quite a reputation by simply putting their heads down and continuing to crank out excellent no-frills tuneage that both rocks hard as hell and has the ability to stick firmly into your head all day.

Where a lot of other rock bands have fallen into the pattern of taking three years or more between records, Cloud Nothings have stayed prolific, releasing five full-length albums and one collaborative album with Wavves since 2011. Their two most recent albums, Life Without Sound and Last Burning Building, both came out within the last year and a half, and both bring us excellently written songs with fire and passion, landing somewhere between prime mid-period Replacements and the best work of legendary UK punk rockers Leatherface. If anything, Cloud Nothings just seem to get better as they go on, and that’s reason enough to catch them whenever they come through town. Rest assured, they’ll blow you away. Excellent support from Canada’s The Courtneys, who bring us their shambling indie-pop brilliance under the auspices of legendary New Zealand record label Flying Nun, only sweetens the pot — as does a solo set from Blues Control’s Russ Waterhouse to kick it all off. Get with this one.

Monday, December 10, 6 PM
Cult Leader, Primitive Weapons, God Mother, Asylum, Shark Eyes @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I read a novel from 30 years ago this past week, and at one point, a character referenced “heavy metal.” The term, once ubiquitous in my own musical vocabulary, struck me as archaic to an almost amusing extent. When I pondered why it felt that way these days, I realized that it’s mostly because, while we still use both words separately to talk about certain types of music, we pretty much never use them together. There’s metal music, there’s heavy music, but instead of combining to become “heavy metal,” they really seem like two completely separate genres today.

I bring all this up to point out that Cult Leader, who released their second album, A Patient Man, less than a month ago, are definitely on the “heavy” side of that divide. A Patient Man is a crushing listen, full of volcanic riffs that feel less like discrete breakdowns than a continual overpowering onslaught of low-end rumble and harsh, roaring noise. The fact that this quartet hails from Salt Lake City, Utah, makes their sheer brutality a bit more understandable — it’s got to be hard to grow up in such a repressive social environment. All that repressed tension’s gotta come out somewhere. The way it comes out might not be metal, exactly, but it’s certainly heavy. The same is definitely true of tourmates Primitive Weapons, who hail from Brooklyn, and God Mother, who come to us from Sweden. Apparently heaviness can emanate from anywhere. Let’s all go soak it up.

Tuesday, December 11, 6 PM
Strange Matter’s Final Hip Hop Show, feat. Black Liquid, Nickelus F, Mutant Academy, Moon, Michael Millions, Chance Fischer, Dr. Millionaire, Cole Hicks, Octavion X, PT Burnem, Young Flexico, Grayscale, Cakes, Reppa Ton, Fuggin Doe, Cha$e Royale, Goad Gatsby, Big Dev, Van Silke, 1NF1N1T8, Lovesick, Dogfuck, God Goldin, Frankenstein Reyes, Skinnyy Hendrixx, Skuzii, Chris Haskins, Rack Squaresoft; music by DJ Bandolero, DJ Banga, Hip Hop Henry @ Strange Matter – $10 (order tickets HERE)
All these Strange Matter closing shows have been jampacked with local talent, which means that when you’re going to a hardcore or metal show, you might see 10 or 12 bands instead of the usual four or five. But what happens when a hip hop show goes mega? After all, a regular hip hop show can easily feature 10 rappers, and Black Liquid’s long-running monthly Face Melt Friday nights at Strange Matter rarely featured less than 20. So what does a really epic hip hop show look like? Well, if this bill is any indication, it looks like at least 30 rappers and several different DJs holding down an entire evening full of awesomeness. And I think we’d all have to say that’s outstanding.

RVA’s hip hop world often looks like at least half a dozen parallel worlds, many of which don’t intersect frequently by any means. However, if there’s one thing Black Liquid has always tried to do with his Face Melt Fridays, it’s to bring the entire scene together under one roof, so everyone can appreciate each other’s talent. The same thing is true of this show, which pulls together everyone from local legend Nickelus F and hot up-and-coming talents Mutant Academy to local veterans like Dr. Millionaire and Chance Fischer and Face Melt Friday mainstays like Goad Gatsby. Plus, there’s a lot of lesser-known talent lurking around the lower reaches of this bill — bizarre names like Dogfuck and 1NF1N1T8 come with solid track records. And of course, with Black Liquid presiding over it all, the vibe is gonna be like the Face Melt Friday to end all Face Melt Fridays… regardless of the fact that it’s actually happening on a Tuesday. So hey, don’t sleep on this one. There won’t be another.

Bonus Hampton Roads Picks:

Friday, December 7, 7 PM
Boxford, Invaluable, Accident Prone, Scotty And the Steiners, Eric & Aviana, I Fight Vampires @ Charlie’s American Cafe – $5
I love pop-punk. I’ve never hidden that, never tried to play it down… I don’t feel the least bit guilty about it. It makes me smile and it rules and more people should try to understand its charms. But I’ll tell the truth — I’m very aware of how navel-gazing the whole genre can be, and how male-dominated… to the point where some otherwise-great bands are self-centered enough to take a downright douchey approach to some otherwise incredible hooks. It’s a bummer.

Thank god for bands like Virginia Beach’s Boxford, who actually seem to care about the world outside their own rooms. This show is a release party for their latest EP, Facade, a three-song collection that focuses on the sort of mental health struggles that too many pop-punk fans can relate to (yes, including me. No shame). And for their record release show, they’re doing more than just singing about it, turning the entire show into a collaborative fundraiser with the American Foundation for Suicide Prevention, who will be on hand to talk to attendees between bands about ways we can all lend a hand to the struggle within our communities for greater mental health. This is important stuff, and I don’t want to trivialize it by saying that it comes with a legitimately great soundtrack. But it must be mentioned that Boxford’s Facade is an excellent record, and openers like Invaluable and Accident Prone have quite a bit to offer as well. This will be a fun show with a very serious purpose. And that’s just about perfect.

Saturday, December 8, 6 PM
Blind Justice, Paper Trail, Red Vision, Watchdogs, Combust, Flatline, Semtex @ 37th And Zen – $12
An alert for Central Virginia’s hardcore kids: if you can find a fast enough ride, you can fill your entire Saturday this week with incredible hardcore sounds. Not only do we have an excellent slate of hardcore bands here in RVA with a noon kickoff time, the excellent Jersey-shore hardcore band Blind Justice will be headlining a killer bill featuring multiple Richmond bands at Norfolk’s 37th and Zen that night. Travel time between the two is just 90 minutes if you’ve got a lead foot… and if the tunnel doesn’t screw you over. It’s worth a shot, right?

This is especially true in light of Blind Justice’s latest LP, No Matter The Cost, which dropped this summer and knocked everyone out. The energetic approach this band takes to their music, and particularly vocalist Mike Botti’s ridiculously intense vocals, are a recipe for bowling you over in a live environment. These guys are sure to get the pit moving with a vengeance when they hit the stage at 37th and Zen. Richmond bands Red Vision and Watchdogs are also on the bill, and both bands are celebrating their brand new releases. Red Vision brings us their hard-as-hell new full-length, Stake Your Claim, while Watchdogs give us a dark, metallic new EP called Sanguinary. They both rule, and I’m sure these sets will be ones to watch. A whole bunch of other bands, including Virginia Beach mainstays Paper Trail, are on hand to sweeten the pot on this killer. Gas up your tank before the Strange Matter show, because you’re gonna want to catch this one too, and you’ll have no time to waste.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 24 – October 30

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Sunday, October 28, 7:30 PM
Titus Andronicus, Ted Leo @ Capital Ale House Music Hall – $20 (Order tickets HERE)
It’s Halloweek, and the main thing everyone knows to expect this week is tribute shows. All sorts of different musicians from all kinds of different local bands regroup in new and fun configurations (or maybe even in the same configuration as their usual band) to learn a bunch of covers by some particular band or other, and play a Halloween show with the logic that they’re “in costume” as this other band. There’s no denying that it’s fun, but it’s become such an expected part of Halloween that these days, it’s everywhere. The custom has even spread to other holidays, like Christmas and Valentine’s Day. And to be honest with you, this year I don’t feel like writing about any of it.

Now, you might think I’m just getting old (true), or that I’m just a grumpy bitch who hates fun (also true), but I prefer to frame the decision to skip the covers shows this year as a push to remind you all that there’s still plenty of other awesome music happening in Richmond this week, and while you could spend the entire week hopping from one tribute show to another, you’ll miss out on a lot of great bands who are doing their actual music in town this week. Call me a stick in the mud all you want, but I don’t feel like feeding into that.

Instead, I’m gonna tell you that you should go see Titus Andronicus this week. Titus Andronicus has been around for quite a while now, and honestly, you’ve had plenty of chances to catch them in town before. But if you’ve been following the career of Patrick Stickles and his ragtag band of punk rockers for a while, you know that it’s always worth catching them again. For one thing, the band is different pretty much every time you see them — not only in personnel but in sound. For another thing, they’ve got a powerful live attack that turns their overwhelming Springsteen-ish soul-revue take on punk rock into a powerful locomotive of urgency.

It may be a little less like that this time, though — brand new LP A Productive Cough is, in many ways, their mellowest effort yet. Featuring seven songs, they lean heavily on their tendency to write rambling epics full of rock n’ roll melodrama — the loudest and heaviest thing on it is a first-person rewrite of Dylan classic “Like A Rolling Stone,” and the most obviously punk-ish tune (“Crass Tattoo”) is a morosely beautiful piano ballad. Will they still bust out the historical-reference-laden ragers live? I’d certainly expect them to, but you’ll ultimately have to find out for yourself. One thing’s for sure, this show — which features an incredible bonus opening set by the legendary Ted Leo, performing solo this time out — will offer way more surprises than any night full of tribute bands.

Wednesday, October 24, 7 PM
Iron Chic, Somerset Thrower, Doll Baby, Talk Me Off @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
Iron Chic have dealt with their share of pain. Two years ago, the group lost guitarist Rob McAllister, who died unexpectedly at only 36. They’ve soldiered on since then, continuing to write the emotionally-driven melodic punk tunes that have always been their stock in trade, now with a new wistfulness and undercurrent of sorrow that runs through 2017 album You Can’t Stay Here, the first written after McAllister’s death. Songs like “Let’s. Get. Dangerous.” and “A Headache With Pictures” show that the band has retained its wry sense of humor and facility with anthemic hooks, as well as retaining a tough edge that explains why Iron Chic seem to be the favorite pop-punk band of hardcore kids.

Speaking of hardcore, Iron Chic’s Long Island tourmates in Somerset Thrower have a much more direct connection to that scene, dishing out melodic post-hardcore in a manner that harks back to the early 90s days of Quicksand and Texas Is the Reason with aplomb on their new LP, Godspeed. Fans of Iron Chic will dig the way Somerset Thrower mixes strong melodies into their Hum-ish guitar crunch, while the hardcore kids among the audience should get a kick of how surprisingly hard this band’s crescendos hit. With Doll Baby providing a bit of a high-lonesome emo sound to the proceedings and Talk Me Off kicking things off in snotty punk fashion, this show is sure to satisfy all comers — even if it does leave you in a bit of a pensive mood.

Thursday, October 25, 6 PM
Carach Angren, Mors Principium Est, Wolfheart, Awaken Cthulhu, Gutted Christ, Deathkids @ The Canal Club – $18 in advance/$22 day of show (order tickets HERE)
OK look — you want some Halloween entertainment? Look no further than the Canal Club this Thursday night. What Dutch black metallers Carach Angren lack in holiday spirit, they more than make up for by being scary as hell. You’ll find this band widely billed as “symphonic black metal,” but if that leads you to expect some Nightwish-style opera-goth bombast, you best think again. These guys know what black metal is about; that being blast beats, tremolo-picked guitar riffs, and hoarse guttural screams. They also know when to let their keyboards take the fore to create some serious atmosphere, but they don’t overdo it — where this kind of music is concerned, they are far more second-LP Emperor than fourth-LP Cradle Of Filth.

So yes, if you want some serious Halloween headbangs, you need look no further. Carach Angren’s 2017 LP, Dance And Laugh Amongst The Rotten, is a slab of ferocity perfectly titled for the Trump era.  And they’re not the only metal ass-kickers coming to the Canal Club Thursday night, either. They’re joined by fellow Europeans Mors Principium Est (“Death is the beginning” in Latin), who bring us some Finnish melodic death metal in the vein of their countrymen Children Of Bodom, perhaps with a bit more of a thrashy edge. Wolfheart are also from Finland, making this show a veritable embarrassment of riches where European metal is concerned; these guys are closer to what Carach Angren do, and if anything go a bit heavier on the black metal end of things. Blast beats ahoy! Local support includes the Tidewater band Awaken Cthulhu, who are seeking to resurrect the Great Old Ones through ripping thrash terror. That’s a mission I can wholeheartedly support. Come, armageddon, come.

Friday, October 26, 9 PM
The Camel’s Friday Festival of Frights, feat. Toxic Moxie, Piranha Rama, Nightcreature, Pagan Reagan @ The Camel – $8 in advance/$10 day of show (order tickets HERE)
I said I was skipping the tribute shows this year, but I can cover Halloween shows full of original music, right? Why am I asking you? I make the damn rules around here! And I’m establishing this rule right now: you will go see Toxic Moxie whenever they play a show. This band does a better job finding the sweet spot between punk rock rampage and disco euphoria than pretty much any other band you’ll find anywhere. And while we still haven’t heard that wealth of new material they’ve been stockpiling in recorded form, it’s easy to catch ahold of their musical whirlwind anytime they take the stage.

They recently acquired a new drummer, and the switch-up didn’t slow them down for a second. Find out for yourself this Friday night at The Camel — it’s sure to be a night of nonstop fun, even when Toxic Moxie aren’t onstage. Nightcreature, a new band who’ve already made a big splash in the time they’ve been playing around Richmond, are bringing us a release party for their debut EP, which confirms what everyone who’s seen them live already knows — these maniacs have rock n’ roll oozing from their pores, and they’re gonna smear it all over you! Piranha Rama’s musical melange will bring the zombie beach party vibe to West Broad St, while DC’s Pagan Reagan drive down to deliver us a set chock-full of surf-garage awesomeness. Plus, there’ll be a costume contest, complete with prizes! Make sure you wear a costume that’s easy to dance in, because you’re gonna be dancing once Toxic Moxie comes on. We guarantee it.

Saturday, October 27, 8 PM
Mary Chapin Carpenter, Laura Cortese and the Dance Cards @ The National – $29.50 in advance (order tickets HERE)
A key sign of my encroaching middle age: I think country music’s pretty tight these days, y’all. I’m still picky about what I like, and all that modern stuff coming out of Nashville is the most fake plastic bro-truck bullshit I’ve ever heard, but some really great musicians have operated in that particular genre milieu over the past few decades, and when they come to town, I feel obligated to let y’all know that I’d probably rather be seeing them than whatever grimy metal show is happening in some dark rock club across town. OK, that isn’t always true, but when Mary Chapin Carpenter comes to town, it definitely is.

Mary Chapin Carpenter had quite the run back in the 90s. From Cajun party jams (“Down At The Twist And Shout”) and heartfelt slices of life (“He Thinks He’ll Keep Her”) to playful romps (“Shut Up And Kiss Me”) and yearning declarations of desire (“Passionate Kisses”), Carpenter gave us a succession of top-10 country hits that showed both a significant musical range and a strong songwriting ability that made her a reliable source of excellent tunes. She’s getting less attention these days, but she’s still at it, making the same excellent music as she ever has. Her thirteenth album, Sometimes Just The Sky, came out earlier this year, and acts as incontrovertible proof that, even three decades later, Mary Chapin Carpenter has the goods. Go to The National this Saturday night and experience the work of an incredibly talented singer-songwriter who’ll remind you that country music can be awesome.

Sunday, October 28, 8 PM
She Wants Revenge, Shadow Age @ The Broadberry – $30 (order tickets HERE)
Halloween may be the scary holiday, it may be the costume holiday, but it’s also definitely the goth holiday, and this is one that’s sure to bring all the goths out of the woodwork, the black hair dye dripping from the tips of their hairsprayed mops… or something like that. She Wants Revenge has been out of the limelight for years, having taken a hiatus after their 2011 third LP, Valleyheart. However, they’ve been slowly ramping back up into full-time action for the past couple of years, and their current tour sees them jumping fully back into the fray with their moody, foreboding take on post-Joy Division gothic postpunk sounds.

The fact that they’re hitting Richmond just in time for Halloween is eminently appropriate, and their pairing with local postpunk trio Shadow Age is equally apropos. Shadow Age just released an excellent self-titled full-length that ramps things up to the next level for the group, injecting their bleak, cold sound with a welcome dose of frenetic energy. Tunes like “Montrose” and “Reign” fulfill the promise of their earlier EPs, and bring us a band at the top of its game. Sadly, they recently posted on facebook that they’d be taking an indefinite hiatus of their own after this show, so this may be the last chance you get to see them perform this material live. If you miss it, you’re sure to regret it. Don’t do that to yourself.

Monday, October 29, 7 PM
Nosferatu feat. live score @ Strange Matter – Free!
I don’t want to give anyone the wrong impression. The fact is, I love horror. I love horror stories, I love horror novels, and I love horror movies. That’s why I can’t possibly prevent myself from recommending this film event taking place at Strange Matter on Monday night. They’ll be showing the classic 1922 silent film Nosferatu, complete with a live score. This film, directed by legendary German filmmaker FW Murnau, is one of the crucial establishing works of horror film, following up on the example of 1920 German expressionist film The Cabinet of Dr. Caligari, and setting the tone for all vampire films to come after.

Murnau’s haunting direction and German stage actor Max Schreck’s unforgettable portrayal of Count Orlok make this suspenseful classic essential viewing, and its status as a silent film opens up a perfect opportunity for some local musicians to enhance the film’s atmosphere with a soundtrack of their own. Members of R-Complex, Prisoner, Asylum, Sinister Haze, Cough, and others will all join together to create a soundscape likely to pull a great deal from these musicians’ backgrounds in metal, noise, punk, and experimental music. It will definitely not be the sort of thing you’ve come to expect from an organ-soundtracked showing of Phantom Of The Opera, but if anything, that makes it better. Head to Strange Matter Monday night and see Nosferatu like you’ve never seen it before.

Tuesday, October 30, 9 PM
Dead Bars, Love Roses, Yeehaw Junction @ Wonderland – $5
Seattle’s Dead Bars are coming to town to liven up the bars in Shockoe Bottom. Well, one bar in particular — Wonderland, the punkest dive bar in the Bottom, which is sure to rise to the Devil’s Night occasion with this show, which constitutes what they’re doing for a Halloween party down there. They may very well go all-out with the decor — we all know Wonderland owner Chad Painter is a big White Zombie fan, after all, and therefore you can assume he takes Halloween seriously. But don’t feel any big sense of obligation — as long as you come to party, you’re sure to have found the right place.

Dead Bars are pretty excellent musically, and though they don’t have any real Halloween-like attributes — most of their stuff is solidly in line with the musical tradition of their label, No Idea; which is to say, anthemic pop-punk with witty lyrics about struggling through life with one foot in the gutter — they’re sure to rock the place like no other. And that’s what we all really want. Locals Love Roses will do a very similar sort of thing, but at twice the speed and with twice the velocity. Meanwhile, relative newcomers Yeehaw Junction are bringing some programmed beats and synth whooshes to a place that’s probably not used to this sort of thing. It’ll be interesting to see how that goes over. Regardless, though, this is going to be an excellent night of punk rock jams, whether you care about the holiday or are just looking for something to do on a Tuesday night. Get into it.

Bonus Hampton Roads Picks:

Wednesday, October 24, 5 PM
Bloodletting, feat. Arsis, Internal Bleeding, Pyrexia, AngelMaker, Within Destruction, Crucial Rip @ Shaka’s – $20 in advance/$22 day of show (order tickets HERE)
Now hear this! This show is happening today, it’s happening over an hour from here, and it starts early. You know what that means — if you don’t have your tickets now, you better order ’em immediately and go running out of work full-tilt at 5 PM if you wanna catch the maximum amount of headbanging carnage at Shaka’s tonight. Of course, the main thing you’re gonna want to see is the performance by headliners and hometown favorite sons Arsis, who hail from the Hampton Roads area and are just about to release their sixth LP, Visitant, next week. You’ll get a killer live preview of the record at Shaka’s, complete with sick death-metal riffs, hyperspeed thrash beats, and James Malone’s unmistakable throat-shredding vocals. And who knows? They may even have copies for sale. Regardless, this is sure to be a rager of a set.

And that’s far from the only dose of awesomeness you can expect from this stop of the Bloodletting North American tour. Internal Bleeding, who hail from Long Island, were one of the pivotal groups in establishing the slower, heavier, more breakdown-focused version of death metal that became a New York trademark and helped create the death metal subgenre known as slam. They’re still at it today, having released their sixth album, Corrupting Influence, earlier this month. And they’re still crushing heads with maximum power, which should be brutal music to the ears of anyone who loves death fucking metal. Fellow NY death-metal headcrushers Pyrexia are also on this tour, and while they’re not quite as legendary as Internal Bleeding, they’re maybe a half-step down. This is going to be a hell of a show, y’all, and the fact that AngelMaker, Within Destruction, and VA locals Crucial Rip are also on the bill only sweetens the pot. You know what to do.

Friday, October 26, 6 PM
Piece Of Mind, Typecaste, Atonement, Knife Spitter, Compulse, Patheos @ 37th And Zen – $10 (order tickets HERE)
If you’re looking for some super-tough hardcore, Norfolk is often the place to be. This weekend is no exception — Oklahoma’s Piece Of Mind, who’ve been making their mark in a big way over the past year or so, are rolling through with some harsh, metallic hardcore full of powerful breakdowns and aggressive rage. They recently joined up with Safe Inside Records to release Trilogy, a compilation that pulls together three EPs (hence the name) and sets the stage for a new record soon to come from the band. The new material they’ve previewed thus far shows the same sort of heavy-as-fuck hardcore power that they’ve been dishing out all along; fans of Hatebreed and Buried Alive are sure to appreciate this one.

Piece Of Mind are joined on this bill by equally powerful hardcore crew Typecaste, who hail from Boston and feature a harsher vocal attack and some harder-hitting breakdowns but are very much on the same page overall as Piece Of Mind. If you’re expecting to get anywhere near the stage during their set without being in the middle of a massive mosh pit, I have some news for you: it ain’t gonna happen. This triple threat of touring hardcore heaviness is rounded out by Connecticut rippers Atonement, who are all about the Slayer-style riffs in pursuit of the ultimate powerful breakdown. It works, too — these guys will make your head explode. This show, which also features three killer bands from around the region, including the outstandingly named Knife Spitter, is acting as a benefit for Braeden Branch of VA Beach deathcore band Deathsinger, who recently suffered a collapsed lung and had to be hospitalized. Help a fellow rager cover some medical expenses; kick in the cash at the door, and come to 37th and Zen ready to mosh hard.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond