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A Musical Message That’s Long Overdue

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Dust’s multi-genre collaboration mixes Afrobeat, hip hop, and digital experimentation to create a musical message of progress toward civil rights and away from institutional racism.

As social issues and civil rights have become more prevalent in the city, many local artists and musicians have shifted the focus of their work in order to address those issues. Others, though, have already been addressing these issues for years and are now approaching the subject matter with even more vigor.

Such is the case with Spirit Drummer and Radio B, two Richmond artists who recently released Overdue in collaboration with musician and producer Dust.

Dust, whose real name is Chris Farmer, is most known for being the drummer of the pioneering early 90s math rock band Breadwinner. Farmer later took an interest in drum and bass music, which resulted in him beginning to create hip-hop and Afrobeat-inspired instrumentals. Farmer is also a former member of Hotel X, a world music/jazz ensemble based in Richmond that Spirit Drummer has also played in.

Farmer first met Spirit Drummer years ago through Richmond’s pickup soccer scene, but he has only come to know Radio B through the making of the Overdue EP. After making the instrumental for “Back to Today,” the track Radio B is featured on, Farmer considered several Richmond rappers before deciding he would be the best fit.

“I was looking for great flow, great lyrics, great presence. I was just looking for a great rapper,” Farmer said.

“Back to Today” deals with institutional racism and the killing of Black people at the hands of police, two subjects Radio B is no stranger to addressing. According to him, the events of 2020 have made it harder to look away from those issues, but they’ve been on his radar since the beginning of his rap career.

“I’m a very introspective artist, I’m affected by whatever is going on around me, whether it be personally or otherwise,” said Radio B. “It’s always bleeding into my work, what’s going on as a whole.”

The track’s instrumental uses a 5/4 time signature. On his 2018 release Jesus Never Wore a Suit, Radio B raps over some non-standard rhythms. To him, it usually makes little difference.

“Whatever it is, if I chose to write to it, it spoke to me somehow, and my approach to writing is not as conceptual as it might sound like it is. It’s more so a conversation between me and the music,” Radio B said. “The challenge was figuring out what the delivery was gonna be, because it’s not a standard rap instrumental; it doesn’t have a rhythm that you can easily get in the pocket of. Fortunately, I have a bit of a history in spoken word, so I took a more spoken-word approach to crafting the verse.”

Radio B. Photo via Facebook.

“Ish/No More” is the name of the track Spirit Drummer is featured on. It shares a similar theme with “Back to Today,” and speaks out against the violence and hate that has become so ingrained in our society. Preaching the message of love and compassion instead of hate is by no means a new development for Spirit Drummer.

Originally from Cameroon, Spirit Drummer is a Catholic minister who grew up playing drums in his parents’ spiritualist church, which took aspects from numerous traditions of faith, and first came to America with a missionary group. When he first met Farmer, he was impressed by his knowledge and interest in Afrobeat.

“To finally have the privilege not just to hear music together but also to attempt to play together, and to then feel the heart of the type of music he liked to play, that was awesome,” Spirit Drummer said. “Because that’s what Afrobeat is really about — the origin of Afrobeat is doing what’s right with insistence.”

Spirit Drummer. Photo via Facebook.

The trio says they have not planned a follow-up to the project. In fact, none of them tend to think about future musical endeavors very far in advance — though they are interested.

“This thing just hit, so we just gotta see what plays out, but I would definitely be down,” Farmer said.

Top Photo: Chris Farmer, aka Dust. Photo via Bandcamp.

Faced With A Pandemic, RVA Rap Elite Takes The Show Online

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In January, the RVA Rap Elite started their third season of cyphers and rap battles at The Dark Room in Scott’s Addition. In the small venue within the Hofheimer Building, the hip-hop based platform had established a consistent home after spending 2019 going from one venue to another. Then in March, the coronavirus pandemic stopped the world as we knew it. Gyms were closed, some people worked from home, while others were laid workers off or furloughed. And in the local music world, live events came to a sudden and complete stop.

As venues closed, artists lost their traditional way of connecting with fans, and the income they derived from tours and shows went away. In the darkness that the pandemic brought to the music culture, social media interaction between artists, fans, and platforms reached a new level. RVA Rap Elite evolved.

With their venue gone, they replaced their March cypher with a virtual March Madness bracket called Rap Elite Madness, featuring 64 emcees spitting to see who would come out on top. Followers watched videos of each head-to-head matchup and picked the winners in the comments. In addition to the virtual tournament, a weekly schedule of different live events were posted on their Instagram page each week. 

The usual schedule would go like this: 

  • Mondays were for interviews with an artist or battle rapper
  • Tuesdays featured live playlists hosted by Spielburg
  • Wednesday presented a recap of the previous week’s worth of Rap Elite Madness action
  • Thursdays focused on an open beat cypher hosted by producer NameBrand
  • Fridays brought Freestyle Fridays hosted by Radio B

I checked in with one of the RVA Rap Elite staff members and several of the emcees involved in Rap Elite Madness bracket to get the inside information about how the platform has worked to elevate its influence during an unprecedented time. 

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Big B. Photo via @bigb81dreaming on Instagram

Big B was one of the artists featured in the Rap Elite Madness tourney. I had a chance to chat with him on the platform. 

Jay Guevara: Tell me about your take on the March Madness bracket that RVA Rap Elite did. Did you think that it was beneficial for everybody, or just the winners of the later rounds?

Big B: I thought it was a great way to keep the platform going. Rap Elite was at an all-time high before COVID hit. I think they did a great job of still providing a way for artists to get recognized and [get] exposure. It also gave an opportunity for those who might not have been ready to cypher on stage to have access to the platform and be seen.

Jay: How did this push your pen to do better in the later rounds?

Big B: I had to really study my opponents. I couldn’t just write a verse and throw some bars in and expect to advance, so it added another element to the process.

Jay: If the pandemic didn’t happen, do you think the platform could’ve expanded the way it did, via social media with their weekday calendar of IG Live exclusive events?

Big B: I think it was a learning curve that I’m sure they will implement going forward.  These events during the week will keep people focused on Rap Elite for the whole month leading up to the big event. In a sense, that is a good thing that came out of a bad situation. These guys work hard to make the platform what it is, and I know it was devastating for this to happen right when everything was at a peak.

Jay: Who were some of your favorite emcees or surprise contestants in the March Madness bracket?

Big B: I had a lot of favorites.  Loved how O-Z added the visual element. Synse was dope the whole. My sleepers were Jason and Zo the poet!  They came through and did their thing.

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King Fizzle. Photo via @kingfizzle on Instagram

King Fizzle was the champion on Episode 7 of the RVA Rap Elite and was a competitor in the Rap Elite Madness Tourney.

Jay: Please give me your take on March Madness. Do you think it was beneficial for everybody, or just the winners?

King Fizzle: I can only answer that for myself. Emcees will have different goals and expectations for the competitions. If your intention was to build your fanbase or your domain, then can you demonstrate a measurable conversion in follower count or engagement on your platform? What metrics have you decided to use to determine your success?

But what if you went in with the intention to train yourself for combat? How do you anticipate your enemy’s offense? How does the presentation of offense differ from the stage platform? That requires a different set of skills. If your intention was to play the game, and you didn’t make it into your expected bracket, by your predetermined metric of success, the competition was not beneficial for you.

For myself, I had several intentions: learn basic video editing techniques, train my audience on how to listen to my style of writing with the use of subtitles and typography, and among other things, to stay consistently writing. Under that criteria, it was highly beneficial for me.

Jay: How did you push your pen during the tourney and pandemic?

Fizzle: These one-minute raps are great for me to demonstrate how I stretch multis, without the subject of the scheme becoming abstract. If you notice when I stretch a rhyme pattern, I never have any repeating vocabulary. In a competition cypher setting, I don’t get to display the different rap forms I can deliver because certain forms are not appropriate for a given instrumental. For example, in my first round I used this as an opportunity to inject comedy, or I misdirect the audience by hitting them with something they didn’t expect me to say. The deliberate pacing of breath and motor expressions assist in landing that punch.

But this competition ain’t a measure of who really got techniques, fundamentals, or even bars on lock. Strategy for this competition will take you farther than good writing, in my opinion. My success criteria were different, so I didn’t play with strategy, and bad strategy can make even good writing sound like filler. And that’s what happened in my losing round. Out of context, as a stand-alone piece, the verse is alright, but with me and my opponent both being battle rappers, the verse was lacking. And you can tell I wasn’t trying to be savage. I used the word “brethren” in a rhyme against a woman. I clearly wasn’t writing for Zoe, and that was the wrong play.

It’s even deeper when you consider the format of presentation. O-Z done proved that Rap Elite as a platform tests every aspect of being an emcee, and it’s all considered. You could have everything flawless on paper as pun intended, but what overall impression you left on the voter weighs more than what you did with your pen.

Jay: If the pandemic didn’t happen, do you think the platform could’ve expanded more with social media?

Fizzle: The platform did expand as a result of the pandemic. Even purely quantitatively you had something like over sixty artists in the same event, versus a max of thirty we can do for a one night on a stage. Then those sixty people spread it to their domains, and Rap Elite got big looks for that. From an emcee’s perspective, Rap Elite is expanding when emcees are fighting just to make it to the platform/competition. When the competition becomes prestigious.

Like how we talk about how Juice and Eminem came out of the Rap Olympics — Rap Elite is going to do that for our emcees. Selective restriction doesn’t imply expansion, but with standards and a higher barrier of entry comes notoriety, and in that sense, there will be expansion in both the digital space and as a community event. We see all this happening already.

Jay: Who were some of your favorite emcees or surprise contestants?

Fizzle: It’s great to see other oratory artists play the brackets. We have some of the highest caliber poets, so shout-outs to Roscoe. It’s always a dope to see the intersectionality of arts and elements. I watched Synse open for KRS-ONE the year we had that big snowstorm, so when I saw him spit again, I said “Wait, this the same guy?” And it was. Quick follow. Big ups to all the performers who stay on their deen. That’s Jason and CGoss. Love to my homie Robalu, because this is the closest you would see us battle. There were some ill verses in the brackets. Kilroy’s verse stood out to me. I always award points to emcees who can present words differently, and he did that. And you know the emcees who stay consistent on Rap Elite are always a crowd favorite.

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Spielburg. Photo via @spielburg on Instagram

Spielburg is the social media contributor for the RVA Rap Elite platform. His responsibilities range from IG Live/On Site interviews to hosting a weekly IG Live Playlist, on which he plays music by artists from Virginia and the DMV. 

Jay: Was the March Madness bracket successful to you? And what rounds stood out the most to you?

Spielburg: Extremely successful; it drove much warranted traffic towards the platform. Plus, the engagement from the MCs who participated gave RVA Rap Elite a broader audience. The rounds I enjoyed the most were the Sweet 16 rounds and Final 4. The showman and penmanship rose as the competition stiffened.

Jay: If the pandemic didn’t happen, what would’ve been the direction that the platform went next in elevating their influence?

Spielburg: Radio B is constantly seeking ways to expand the reach of RVA Rap Elite. If COVID-19 never happened, there would have been a strong presence from us, not only on IG but on other streaming platforms. 

Jay: When you get submissions in the playlists, what’s a common pattern you hear that artists can improve on?

Spielburg: For the most part, every submission has been well received, but if I’m looking for areas of improvement, I would say sound quality, delivery and content. That’s relative to most of the MCs starting out.

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Synse. Photo via @iamsynse on Instagram

For my last two interviews, I spoke with the two emcees that faced off in the final battle of Rap Elite Madness. First up: Synse.

Jay: How did the tourney push your pen to do better in the later rounds?

Synse: For me it didn’t have anything to do with rounds. It had everything to do with being an emcee. The fact I participated in the tournament itself was all I needed to continue to push myself and my pen. I had at that point already been doing weekly rap drops on my IG; I called them #SynseSundays. I challenged myself to them every Sunday for a year straight.

Jay: If the pandemic didn’t happen, do you think the platform could’ve expanded more the way it did via social media, with their weekday calendar of IG Live exclusive events?

Synse: Anything is possible. I think anyone with great ideas always bumps into the “Now how do I get this to the people” stage. I guess it was a bound-to-happen kind of thing, the pandemic just sped it up.

Jay: With the return of the open cyphers taking place outdoors, how do you see the outside aspect affecting the performers? Do you see it affecting some artists in a way that affected battle rappers when empty room battles became a norm? Some artists and performers thrive from a small or large room crowd, so do you feel like that’s going to affect the emcees and battle rappers at all?

Snyse: Crowd or no crowd always affects an artist. In my opinion, whether it helps or hurts, I believe it depends on the artist’s familiarity to surroundings/settings. It also could depend on what stage of the career that artist is in. Any given night can be a bad night or a good night.

Jay: If you had to formulate a COVID RVA Rap Elite starting five, who would be on the squad? Who would you call the most improved emcee during all this?

Synse: I’m a newcomer so I wouldn’t. I’m still learning the scene and the artists, so I don’t think I know them well enough to begin grouping people. Salute to all those who participated and even bothered to check out the work that I’ve done. Continue to grind, continue to shine. I’m Just Here To Rap.

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O-Z. Photo via @odashz on Instagram

Finally, the emcee who won it all in the Rap Elite Madness tourney: O-Z.

Jay: How did the tourney push your pen to do better in the later rounds?

O-Z: First, I want to shout out RVA Rap Elite. Thanks for having me. Shoutout to @ogmelrose, @rich_homie_rheese, @willjungmusic, @killroyg, @_c_slick, and @iamsynse. These were the guys that inspired me and pushed me. All dope artist and def should be tapped into. 

Honestly, initially, I didn’t know what to expect. For the first two rounds, I used recycled verses. At the time the verses felt comfortable and they fit well with the beats. In my mind, which was the wrong approach totally, I assumed everyone would use recycled verses. I’m sure some did; however, it was very clear to see those that did not. Further along, or more specifically with round 3, the sweet 16, the production inspired me, and I instantly wrote my verse the night it was sent. Ironically, during the very next Rap Elite live recap discussion, they made remarks about artists recycling verses. From then on, I wrote every bar for every round. The competition demanded it.

Jay: If the pandemic didn’t happen, do you think the platform could’ve expanded more the way it did via social media, with their weekday calendar of IG Live exclusive events?

O-Z: Absolutely. With zero doubts. There isn’t much to say besides the simple fact that prior to shutting down we were selling out the Dark Room the past few events. The trajectory was extreme, when you really think about it. I’m talking, the venue is at capacity by 7:30. I haven’t seen that before here in Richmond on a consistent basis. The expansion is still happening. I can promise you that.

Jay: As the champion of the Rap Elite Madness tourney, how does this influence you going forward?

O-Z: Winning the tournament was beyond inspiring. You’d be surprised how many new people you meet when we were all isolated. That was our first time experiencing the kind of environment we were exposed to and being able to come together for such a great experience. You couldn’t ask for better. These kinds of things can’t be written. It’s a story to tell when time passes us all and we look back and say, “Oh yeah!” Or even when we are possibly put in that predicament again.

Going forward, it has allowed me to open up in a way, to where now I’m living outside of my comfort zone. Before I was just stepping outside of it. I’m influenced to live outside of it now, because the idea is to never be comfortable, and to always keep climbing. 

Jay: RVA Rap Elite has been recording private cyphers at the Dark Room to continue with this season’s team battles they’ve been keeping points for. Do you think this is something we’ll see in the following seasons to come? And if so, has this been a justifiable substitute in a time where events in small spaces are restricted due to the pandemic?

O-Z: I think we will continue to see this going forward, and I also expect to see new things added as well. There is always something new going on at Rap Elite. As far as the justification of the events and where [they’re held] due to restrictions… maybe so, but in reality, a lot was implemented prior to the pandemic. So if anything, not being able to have the events with conviction, it will be hard to look at numbers and stats with that same level if we aren’t even able to know specifically when and where the events will take place. That comes with understanding that this is a very unpredictable year we are forced to rely on. Most things we have going on now were things we already had planned prior, and are trying to implement to the best of our abilities. Whether I’m involved or not, I can see the work being done and the measures being made to continue the movement. Big love.

In addition to continuing with weekly Instagram Live events, RVA Rap Elite has recently begun hosting socially-distanced outdoor rap battles around the city. To keep up with what they have going on, stay tuned to their Instagram @rvarap.elite.

VA Shows You Must See This Week: December 18 – December 24

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FEATURED SHOW
Thursday, December 19, 7 PM
Gritty City For The Kids 5, feat. Gritty City Records (Photo by Jake Cunningham), Segga Spiccoli, Radio B, 3WaySlim, Reppa Ton, Scuba, Bandolero, Illa Styles, Versace Chachi, Shawn Mike, Starr Nyce, A.Day, Gritty City Sound Machine @ The Camel – $10 (order tickets HERE)
Y’all, when you’re the editor of a magazine that focuses on the entirety of the music scene in a mid-sized American city, let me tell you, a lot of pressure gets put on you. Specifically, the pressure to say that every single thing from that city is equally great. And that’s an easy job most of the time, because Richmond really does have a tremendous musical scene. But sometimes, especially in this column, I like to drop the facade a little bit and let y’all know how I really feel. This is how I really feel: in Richmond, if you want hip hop, the best place to go is Gritty City Records.

If you ask me, there isn’t even a convincing argument against it. Without even mentioning their formidable, nearly decade-deep back catalog, just look at the wide cross-section of Richmond talent that released projects on Gritty City this year alone! We’re talking Ant The Symbol, Noah-O, Fan Ran, Johnny Ciggs, Rah Scrilla, and more. And look at the wide cross-section of talent appearing on Gritty City’s annual holiday extravaganza this year. From label stalwarts to all-star guests, this one is truly stacked with talents that bring a wide variety of Richmond hip hop flavors to the table.

For example, there’s Illa Styles, whose latest album, A Quarter Til A Mil, released just a month ago, is the kind of hip hop masterwork we’re lucky to get in any year. There’s Radio B, whose work with AGM always dominates the city and remains highly underrated in the world at large. Plus Segga Spiccoli, Versace Chachi, Reppa Ton, Bandolero… the list goes on for quite a while, and it’s all top-quality. Plus, this show is affiliated with Punks For Presents, so cash and toys donated will help add to the annual bonanza that group delivers to the Children’s Hospital. There are a million reasons to be in attendance for this, so you really should just go ahead and do it.

Wednesday, December 18, 9 PM
Mister Goblin, Pet Fox, Baby Grill, BigDumbBaby @ Wonderland – $10
Two Inch Astronaut had a lengthy career full of high points in melodic, emotional postpunk, and it was a real bummer to hear that this Maryland band was ending last year. Thankfully, frontman Sam Woodring didn’t slow down at all, and only a year later, we’ve already got the debut album from his post-Two Inch Astronaut project, Mister Goblin. Is Path Warm?, which sounds like a badly translated subtitle in a foreign film, was released just a few weeks ago by Exploding In Sound Records, and now Woodring and co. are coming to Richmond to bring us some excellent sounds, live and in person.

Mister Goblin might sound like a hip hop or electronic project, but the band isn’t much different than Two Inch Astronaut, really — maybe a little moodier, with a slightly more wistful vibe, but really, if you were into the last Two Inch Astronaut LP, 2017’s Can You Please Not Help (now THAT’s a great album title), you’re not going to find anything not to love in what Mister Goblin’s bringing to you now. They’ll be coming to town accompanied by Bostonians Pet Fox, in which Ovlov drummer Theo Hartlett is stepping out from behind the kit to front a trio with strong melodic inclinations and maybe just a bit less crunch than his other band. If you dig Ovlov, though, you’ll want to catch Pet Fox on their way through town. So spend your midweek evening at Wonderland tonight — you’ll be glad you did.

Thursday, December 19, 7 PM
Post Sixty Five (Photo by Joey Wharton), Nah., Colin Phils, Fullscreen @ Poor Boys – $5
Prsmcat, the new show-booking crew from members of Majjin Boo, have been running things in a downright familial manner over at Poor Boys, and it’s been really nice so far. They picked up the banner of locals-only shows that fell to the ground with the sad departure of Strange Matter, and have been doing shows featuring known and up-and-coming groups regularly over at Poor Boys. This latest, the last before the holidays, is a birthday celebration for Hicham Benhallam, who is not only the soundman at Poor Boys but the frontman for Post Sixty Five. And, not coincidentally, Post Sixty Five will be headlining this show.

The ambient indie group with its roots throughout Virginia haven’t been all that active in recent years — their last EP was released in early 2017 — but if anything, that makes it more exciting to get a set from the quintet to cap off a celebratory evening. What’s more, we’ll also hear from Nah., a DC-based group who stretches the definition of “local” but has a welcome synth-spiced indie-postpunk sound that will go perfectly with that of Post Sixty Five. With local faves Colin Phils and newcomers Fullscreen filling out the bill, this one’s gonna be a wonderful time all around.

Friday, December 20, 8 PM
Ty Sorrell, Bon Ki, Billy Capricorn @ Gallery 5 – $8
One of the greatest things about Richmond label Citrus City is their eclectic palate. From electro-pop to indie-psych to erudite hip hop, they release music from any genre that strikes their fancy, and rapper Ty Sorrell’s brand-new Citrus City cassette, At God’s House, makes that all the more clear. The release, a co-production with Boston’s Disposable America, is what we’ll be celebrating at this show, and it’s certainly worth a party, considering how well Sorrell displays an engaging combo of erudite rhymes and multi-layered beats on this project.

Sorrell brings in all sorts of guests on At God’s House to sweeten the pot and enliven the proceedings, and we should see a similar sort of thing going on at this Gallery 5 throwdown, especially since psychedelic indie space rangers Bon Ki, who appear on the album, will also be playing a set this evening. Will we see folks like Alfred and Rob Gibsun joining Sorrell onstage as well? There’s only one way to find out.

Saturday, December 21, 8 PM
Elizabeth Owens, Spartan Jet-Plex, Melul, Persephone @ Garden Grove Brewing – Donations for VAVP appreciated
Singer-songwriter Elizabeth Owens has been making a name for themselves around Richmond for a couple of years ago. Backed by The Live Bats, they created a moving indie-folk song cycle entitled Coming Of Age in 2018. That album explored the difficulties of finding oneself amid an alienating, oppressive world, through a story of a young princess finally escaping a mystical imprisonment after years of isolation. Now, in 2019, Owens is bringing us another take on that tale with an acoustic EP entitled Still Coming Of Age, which reimagines some of the standout tracks from the original album in a bare-bones solo context.

It’s that EP that this performance at Garden Grove celebrates, and for this release party, Owens will join with other performers to create an intimate, personal evening of solo musical endeavors. Hard-working local collective Grimalkin Records has been Owens’ label of choice for a while now, and fellow Grimalkin artist Spartan Jet-Plex will be one of the performers on this bill, bringing their haunted balladry to the Garden Grove stage. The evening will be rounded out by the dark ambient atmospheres of Melul and a solo turn from Aesthetic Barrier’s Persephone. Plus, Owens will have holiday gifts for friends who attend, so this show is sure to bring a little of the positive holiday spirit into your heart.

Sunday, December 22, 5 PM
R4ND4ZZO BIGB4ND (Photo via VPM/Facebook) @ Fuzzy Cactus – Free!
Last time we were in this space, we talked about Richmond’s own jazz bassist extraordinaire, Andrew Randazzo, and his efforts heading a variety of ensembles here in town. At that time, I told you that there was at least one more opportunity awaiting you to see Randazzo’s foremost orchestra, the R4ND4ZZO BIGB4ND, engaging in their excellent yearly interpretations of Vince Guaraldi’s immortal soundtrack for best Christmas special ever A Charlie Brown Christmas. Well, if you didn’t mark your calendars then, you definitely should now, because that time has come.

Guaraldi’s original soundtrack was performed by a simple trio, with Guaraldi’s piano backed solely by bass and drums. The R4ND4ZZO BIGB4ND treatment is something else entirely, though, as it augments a crack rhythm section featuring Randazzo and some of his Butcher Brown compatriots with a dozen or so horn and reed players, plus even some occasional guest vocals, for a massive big-band treatment of quite a few absolute classic Christmas season tunes. Are you struggling to find the spirit this year? Look no further — R4ND4ZZO BIGB4ND will put you in the proper mood.

Monday, December 23, 7 PM
Sons Of The Beasts @ Chiocca’s – Free!
Relaxing holiday times are much the same throughout the year — the closer they get, the more relaxed things are around the music scene. And when things are relaxed, musicians inclined towards jamming truly come into their own. That’s when we see mainstays of the scene take stages to get loose and explore what can happen outside the confines of a standard set list, and it’s where all kinds of one-offs and improptu supergroups find time to shine.

You’ll see exactly that kind of thing taking place at Chiocca’s, that little sandwich shop in a Museum District basement, when Sons Of The Beasts get together again for the first time in quite a while, in order to unleash some rockin’ acoustic fun times. If you’re not familiar with the name, you still know the musicians — members of The Southern Belles, The Congress, Jackass Flats, and more are represented in this quartet, and they’ll be dishing out a variety of tunes from their other projects along with some fun covers and unexpected delights. We all know no one gets anything of substance done the week of Christmas, so start the week off with some fun and rock out with Sons Of The Beasts at Chiocca’s.

Elsewhere Around The State:

Wednesday, December 18, 8 PM
Turnover, Men I Trust, Renata Zeiguer @ The NorVA (Norfolk) – $23 in advance/$26 at the door (order tickets HERE)
Turnover’s gone through a lot of changes over the years, from their roots as a melodic, emotional post-hardcore group to their middle period as a shoegazing dream-pop combo. Now, with their brand-new fourth album, Altogether, they’ve integrated an 80s New Wave synth sound that finds them progressing yet again — to a land somewhere between Vampire Weekend, ABC, and 60s tropicalia. That’s a long way to go in six years.

However, it’s a trip that’s worth taking with these Tidewater boys, who keep finding fantastic new ways to express their ever-renewing pop sensibility. So join the Turnover crew as they return home for the holidays with a big party at The NorVA. They’ll be accompanied by Men I Trust, a hypnotic bedroom-synth group from north of the border, as well as up-and-coming torchy Brooklyn songwriter Renata Zeiguer. It won’t be a stage-dive fest of old, but if you appreciate good music, Turnover’s latest transformation will please you every bit as much as their previous incarnations.

Thursday, December 19, 6:30 PM
Leukemia & Lymphoma Society benefit, feat. Super Doppler, No BS! Brass Band @ Naro Cinema (Norfolk) – $15 (order tickets HERE)
The holidays bring out the giving spirit in everyone, and our favorite local bands are no exception. Punks For Presents is far from the only example, and live music collective LAVA Presents proves that on Thursday by joining with two of the best bands in Virginia right now — rockers Super Doppler and funk-jazz party-bringers No BS! Brass Band — to throw a hellacious wingding at Norfolk’s Naro Cinema to benefit the Leukemia & Lymphoma Society.

As charity events go, you’ll have more time writing this one off on your taxes than you will pretty much anywhere else, and rest assured that between our two musical hosts, we’re sure to get plentiful opportunities for smiles, singalongs, and dance parties. What better way could there be to kick off the last weekend before Christmas? (Goodness knows, if any weekend starts on Thursday, it’s this one.)

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 20 – November 26

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FEATURED SHOW
Friday, November 22 & Saturday November 23
Raw Mom Weekend, Night 1: Alfred, Trapcry, Archangel, F.R.E.E.
Night 2: Gumming, True Body, VV, Lance Bangs, Sofia Lakis
@ Gallery 5 – single night: $8 in advance/$10 at the door. Weekend pass: $15 in advance (order tickets HERE)
Hope everyone’s getting their wallets limbered up, their psyches strengthened, and their cars fit for traveling, because it’s that time again! Yes indeed, folks, the holidays are coming sooner than you think — Thanksgiving is a mere eight days away, and Christmas, Hannukah, and Kwanzaa are only a month past that. It’s coming time to see the fam, with all the happiness and terror that entails. But before the holiday season officially kicks in, let’s celebrate our river city fam with the first ever Raw Mom Weekend at Gallery 5.

My old pal Rivanna Youngpool has really outdone herself with this one, bringing two nights of incredible local talent together on the Gallery 5 stage to celebrate the ever-renewing wellspring of talent that is the Richmond music scene. Night one is the night on which we will all dance, featuring hip hop, ambient electro, and psychedelic dance grooves from several different politically-informed artists of color. Rapper Alfred will headline and bring his lysergic beats and tongue-twisting rhymes to keep your ears burning and your feet moving. Trapcry, meanwhile, brings powerful electric funk with a strong social conscience, as Archangel explores spaced-out anime-inspired breakbeats.

That’s Friday night, and on Saturday, night two brings us a whole different approach that’s sure to be equally invigorating. The noisy, quirky, brilliant, powerful punk rock of Gumming tops the bill and promises to trip you out and rip your head off all at the same time. Things will get more gothic at points with sets from True Body and VV, while Lance Bangs will bring you an always-pleasing dose of slack indie rockin’. Sofia Lakis will kick things off with some beats to ensure that there’s plenty of dancing on this night as well. What better way do we have to celebrate the last weekend before the holidays spread their ambivalent malaise across the next six weeks? I can’t think of one.

Wednesday, November 20, 9 PM
Ant The Symbol, GIANT, Johnny Ciggs, Reppa Ton, Rah Scrilla, Jarv, C Shreve @ The Richmonder – Free!
Over here at RVA Mag, we’ve been following the work of Ant The Symbol for a solid decade now, since back when he was still Just Plain Ant of the Just Plain Sounds crew. He’s been growing and maturing as a producer and musician ever since, and over the past few years, his massive collaborative albums have become event listening for the entire RVA hip hop scene whenever he releases one. THE WHAT?! is the latest in a string of Ant The Symbol releases on his post-JPS home of Gritty City Records, and it shows that as time goes on, the man just gets better at making incredible music for the city’s best to spit rhymes over.

That doesn’t mean he’s getting predictable — even his latest crew of collaborators can acknowledge that. The first thing Kels says on his THE WHAT?! track, “My Way,” is, “I love you, Ant, but this beat’s weird.” Speaking personally, that’s why I look forward to each new Ant The Symbol project — where others get predictable, he gets creative. He’s put out so many records I’ve honestly lost count, and he still hasn’t come anywhere near repeating himself. That’s why you should make a point to show up tonight at Gritty City’s longtime live home, which is called The Richmonder instead of Emilio’s now but is still the same dope spot. Ant The Symbol’s gonna join with his Gritty City crew and a whole bunch of other talented rappers from Richmond and beyond to bring you the freshest new sounds this city has to offer, in the form of his new album. Don’t be left asking, “the what?” Show up tonight so you know the answer.

Thursday, November 21, 7 PM
Wild Pink, Addy, Recluse Raccoon, Beeline @ Poor Boys – $5
If you’ve been seeing the phrase “Prsmcat Presents” on a bunch of good shows lately, you’re not the only one — this new booking project from members of Majjin Boo has brought a cornucopia of excellent live music to the city over the past couple months, and established themselves as a name to look out for. This visit from Brooklyn’s own Wild Pink is just the latest positive result of Prsmcat’s efforts around town, many of which have involved the return of rad live sounds to the backroom stage at Poor Boys, the venue formerly known as Flora and, before that, Balliceaux. I can’t imagine anyone having any complaints about that.

Wild Pink are definitely worth spending a Thursday night in the aforementioned back room. On last year’s Yolk In The Fur, it’s clear why this trio dedicated their latest album to the memory of Tom Petty — that recently-departed heartland rocker is an obvious influence for Wild Pink, one they feed through a 21st century sensibility that evokes the best work by The War On Drugs. It’s smooth, comfortable, and ever-so-slightly melancholy, in a manner sure to evoke a sad smile of recognition. Wild Pink will be joined on this weekend-preview night at Poor Boys by some excellent local indie groups as well, foremost among them Recluse Raccoon. The results are sure to charm you.

Friday, November 22, 7:30 PM
Bonsai Trees, Dropping Ugly, Linden Row @ Garden Grove Brewing – Free!
Damn, y’all, I love it when this happens — when I’m poking through a list of bands, all of which I’m unfamiliar with, trying to find the makings of a killer show. I always find something good — this is Richmond, after all; we do live music RIGHT. But it’s rare that I am totally blown away by a band whose name I’ve never even heard before. However, Connecticut’s Bonsai Trees are that rare band.

This talented quartet’s recently-released Learn To Grow LP came out of nowhere to blindside me with its incredible collection of melodic, emotional alt-rock tunes. The more I listen to it, the more stoked I get. At this rate, I’ll be bouncing all over the room by the time they even take the Garden Grove stage Friday night. And whether you’ve heard them before or not, I pretty much guarantee that once they start playing, you’ll be just as over the moon as I am. The fact that their show is free and also features talented RVA combos Dropping Ugly and Linden Row merely sweetens the already-delicious pot. Is that how that particular cliche works? Oh, who cares. All I care about is you going to see Bonsai Trees Friday night. Seriously, do it.

Saturday, November 23, 8 PM
David Shultz, Nick Woods, Jonathan Vassar, Trey Burnart Hall @ Capital Ale House Music Hall – $8 (order tickets HERE)
By now, you’re probably used to seeing “singer-songwriter night” tagged onto certain performances that take place around this city, and you’ve come to expect certain things — talented solo performers who are for the most part just getting started with their musical careers, playing a selection of tunes you probably won’t have heard before but you just might love. This Saturday night show at Capital Ale House’s Richmond Music Hall could accurately be termed a singer-songwriter night as well, but if it were, it’d be a particularly stacked one, featuring as it does multiple Richmond musicians who’ve built decade-plus careers here in the river city.

Take David Shultz, for example. From his days fronting alt-country combo The Skyline to more recent solo acoustic outings and now some brand new tunes created with the assistance of multiple Spacebomb-affiliated creators (perhaps a harbinger of positive things to come?), Shultz has quite the track record going for him — and he’s clearly far from done as a creative musical force. His old pal Nick Woods is similar — once the Richmond-based frontman of indie-folk group Orioles, these days he’s making country-style acoustic music down in Nashville. And of course, Jonathan Vassar’s heartfelt folk-Americana sounds have been a constant here in Richmond for over 15 years now. Trey Burnart Hall is a relative newcomer by comparison, but he’s an incredibly talented one. If it’s a showcase for some of the most talented singer-songwriters this city’s ever produced that you crave, you’re in for a major treat at Capital Ale House this Saturday night.

Sunday, November 24, 6 PM
RVA Rap Elite Season Finale, feat. Team Radio (Radio B, Michael Millions, Cole Hicks, Cane, Intalek) vs Team Petey (Nickelus F, Big Sty, Easalio, Illa Styles, Fan Ran), Bravo vs. Chance Fischer, Big Sty, BlackLiq @ The Dark Room – $10
Battle rap is a strong tradition that dates back to the very dawn of hip hop, but it’s had its ups and downs over the decades. Freestyle battles between talented rappers are definitely on the upswing here in Richmond, though, and have been for the past few years, from the work of the Southpaw Battle Coalition to the star-studded presentations by RVA Rap Elite. This particular event constitutes the 2019 Season Finale for these events, which have relocated with the closing of Champion RVA to The Hofheimer Building’s Dark Room.

RVA Rap Elite majordomo Radio B is really pulling out all the stops for this last event of 2019, too — he and his AGM partner Nickelus F have each formed five-MC teams that will battle it out in a cypher sure to have faces melting and heads exploding all over the Hof. Between Radio B’s enlistment of heavy hitters Michael Millions, Cole Hicks, and more; and Nickelus F’s recruitment of Illa Styles, Fan Ran, and other world-class talents, it’s hard to predict who could prevail in this clash of the hip hop titans. Meanwhile, Bravo and Chance Fischer will strut their own stuff in a battle that’s guaranteed to showcase some devastating rhymes from these two top-level rhyme spitters. And of course, BlackLiq and Big Sty will each bring the fire with sets of their own. If you care at all about hip hop in RVA, you have got to make it out to this one — it really doesn’t get better.

Monday, November 25, 7 PM
Jimbo Mathus @ The Canal Club – $15 (order tickets HERE)
It’s entirely possible that right now, you’re thinking what I was thinking when I first saw this listing: “Jimbo Mathus… do I know who he is?” You almost certainly do, but chances are you know him better as the co-founder and leader of the Squirrel Nut Zippers than you do as a solo performer. Everyone remembers the Zippers from their late 90s hit, “Hell,” but that quick taste of success did them a disservice, as their old-time Dixieland jazz approach got them swept into the “swing revival” dustbin with the Cherry Poppin’ Daddies and old VHS copies of Swingers when the turn of the millennium rolled around.

Meanwhile, Jimbo Mathus was and remains a world-class talent with a wide-ranging creative sensibility that finds him dipping into the worlds of folk, blues, and Southern soul, as he’s proven with his 2019 solo album Incinerator — his fourth under his own name. The album sees him collaborate with former Zippers bandmate Andrew Bird, as well as Lily Hiatt and members of the Drive-By Truckers. The result isn’t that much like your memories of the Squirrel Nut Zippers, but it’s sure to be a hit with anyone who loves heartfelt American music created by truly unique characters that haven’t been homogenized by our country’s creeping suburban wasteland. That’s what you’ll get from Jimbo Mathus, and you’re going to love it.

Tuesday, November 26, 8 PM
La Dispute, Touche Amore, Empath @ The Broadberry – $25 (order tickets HERE)
One of the first articles I wrote for RVA Mag, nearly a decade ago, was about Touche Amore and Pianos Become The Teeth coming to town to perform. While La Dispute wasn’t part of that gig, they were, along with those other two bands, part of the loosely-aligned group known as The Wave. This was a cadre of half a dozen or so bands who formed an affiliation based on their mutual status as groups attempting to thread the needle between emo and hardcore at the dawn of the 2010s. Those groups have gone in a variety of musical directions since then — Pianos Become The Teeth have dropped the screaming and found a deep well of melodic emotion to draw from, Touche Amore have remained closely musically aligned to hardcore even as their exploration of deeply fraught lyrical content has cut ever closer to the bone.

As for La Dispute, 2019 has seen them sign to Epitaph Records and release their first LP in five years, Panorama. On it, vocalist Jordan Dreyer — always the most literarily inclined of The Wave’s songwriters — has gone deeper than ever into his novelistic inclinations, exploring his own emotional responses to trauma and tragedy in the lives of those he cares about over the course of the album’s 10 songs, even as the rest of the band generates dynamic compositions that move from quiet introspection to overwhelming crescendos in a matter of minutes. The result is an incredible musical journey that will have a powerful impact on all who witness it — especially in the live environment La Dispute will create at The Broadberry this Tuesday night. Let it impact you. Be there.

Elsewhere Around The State:

Friday, November 22, 6 PM
Femme Funk, feat. Shagwuf, Ships In The Night, Harli & The House of Jupiter, Dropping Julia, Marti @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
This Friday night in Charlottesville, The Southern Cafe will bring us the third annual celebration of C-ville’s showcase of femme musicians, Femme Funk. This year’s event is set to benefit Planned Parenthood of Charlottesville, and with the kind of peril reproductive rights and women’s health care face in Trump’s America, you’d be hard pressed to find a better cause than this one. Plus, you’ll get to hear a highly diverse set of sounds from Central Virginia performers of a feminine persuasion, and that’s always a joy.

It’s especially a joy when the evening is headlined by the unrestrained rock n’ roll passion of Shagwuf, whose blues-inflected alt-rock has been blowing minds around VA and beyond for quite a few years now. The evening will also feature as wide a variety of sounds as is possible to find in one room on one evening, from Harli & the House Of Jupiter’s powerful soul-punk fusion to Ships In The Night’s dark, ambient electronic sounds to the rootsy pop of Dropping Julia and the indie rocking of Marti. See how much femme artists have to offer the world of Virginia music and take a drive up 64 this Friday night for Femme Funk — you won’t be sorry.

Tuesday, November 26, 7:30 PM
Immortal Technique, GOOGZ @ Elevation27 (Virginia Beach) – $20-$25 (order tickets HERE)
If you’ve just been following the lists of new releases over the past eight years or so, you could be forgiven for thinking that Immortal Technique had retired from the hip hop game. We haven’t gotten any new music out of the most radical rapper in the game since his 2011 collection, The Martyr, and while he swears he’s still working on long-promised fifth album The Middle Passage, there’s no release date as yet. That’s all the more reason to head to Virginia Beach this Tuesday and see Immortal Technique murder the mic, live and in person.

While these days he’s probably better known for his radical left-wing politics due to multiple appearances on the shows of Joe Rogan and (uh) Alex Jones, Technique’s hip hop mixes those politics with some incredibly harsh lyrical content, leaving him somewhere between political rap and outright horrorcore — a dichotomy clearly visible in songs like “Point Of No Return” and “Dance With The Devil.” Regardless of whether you agree with everything Immortal Technique raps about (personally, I’ve never been a fan of his casual use of homophobic slurs), he’s an incredibly talented and provocative MC of the sort who doesn’t come around very often at all. So go see him, because there’s no telling when you’ll get the chance again.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Gumming, by Joey Wharton, via Twitter

Music Sponsored By Graduate Richmond

J.Bizz Enlists The Entire City For New Project Greetings From Virginia

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Southside emcee/shop owner/philanthropist J.Bizz has returned to the scene with the compilation Greetings From Virginia Vol. 1, featuring all Richmond artists. With production handled by Sutta Homz and a roster that includes Radio B, Michael Millions, Noah-O, Joey Gallo, Nickelus F, OG Illa, Nick Verses, 3WaySlim and a host of others, the compilation is a great display of the talent the Cap City has to offer. With Greetings From Virginia, Vol. 1, J.Bizz shows love to the homegrown talent even as he sheds the “local artist” stigma. 

Listen below:

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 31 – November 6

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FEATURED SHOW
Friday, November 2, 8 PM
Brian Wilson presents Pet Sounds: The Final Performances @ The Carpenter Theatre – $67-107 (order tickets HERE)
Richmond, we are in for a treat this Friday night — one that is both rare and unlikely to come again. I suppose there’s an outside chance you won’t recognize Brian Wilson’s name by itself like this, but you’re sure to know a great deal of his work as the bassist, vocalist, and chief creative mind behind the Beach Boys in their 60s heyday. Wilson wasn’t just an advocate for surf, sand, and killer falsetto harmonies, either; while songs like “I Get Around” and “Help Me Rhonda” are indisputable pop classics, it’s the material he created when he started growing up and getting more ambitious that has really made Brian Wilson a crucial figure in the last half-century of pop music.

The pinnacle of Wilson’s creative genius was Pet Sounds, a 1966 Beach Boys album that saw him skipping tours to stay home in the studio with legendary LA studio band The Wrecking Crew and create a towering masterpiece of symphonic pop. Wilson was known to refer to these elaborate creations as “teenage symphonies to God,” and that admittedly grandiose statement is fully borne out by the brilliant results he achieved. Pet Sounds featured several classic tunes that have been staples of the musical landscape ever since — “Wouldn’t It Be Nice,” “Sloop John B,” “God Only Knows,” and more — and went on to influence everyone from The Beatles to Animal Collective. Now, over 50 years after that classic album was released, Wilson is doing one last tour to commemorate Pet Sounds, after which he intends to retire the album from live performances.

Now, Brian Wilson is no spring chicken; he’s 76 years old, and actually had to reschedule this date from earlier this year due to health issues. Fortunately for us, after years of struggling with mental illness and being taken advantage of by unscrupulous managers, he’s been in top form for over a decade now, finally completing SMiLE, his long-abandoned follow-up to Pet Sounds, 15 years ago. He’s released two solo albums since then and, while not perfect, they are both far more enjoyable than what his cousin Mike Love did with the Beach Boys after Wilson left the group (“Kokomo,” anyone? Bleh). He’s accompanied on this tour by fellow original Beach Boy Al Jardine and early 70s Beach Boys bassist Blondie Chaplin, as well as a large complement of talented musicians who’ll reprise the fabulous work of The Wrecking Crew, all those years ago. God only knows, tickets are not cheap, but if you can wait a couple weeks to pay the power bill, you’ll get all the light you need to get you through the cold winter months ahead from this show. Highest possible recommendation.

Wednesday, October 31, 7 PM
Gallery 5’s Halloween Party, feat. Haircut, Unmaker, Alfred, Spooky Cool @ Gallery 5 – $5 in advance/$10 at the door (order tickets HERE)
We went through a solid week of Halloween-related shows last week, but the holiday still hasn’t finished yet, so let’s give it one more round before November begins with this wild night of underground sounds at Gallery 5. You’ll definitely find yourself in the perfect place to enjoy the spirit of the holiday, with spooky decorations everywhere, tons of glitter, and the always-enjoyable costume contest! So get dolled up, hit the Gallery, and get ready for the main attraction — which is, of course, the music. Gallery 5 has brought together several excellent musical acts from the local area with which to celebrate All Hallows Eve, spanning a wide variety of genres. And it’s gonna rule.

Haircut will bowl you over with a blast of angry, speedy punk, complete with bilingual lyrics and some relatable themes under all the vitriol. Unmaker have a goth-postpunk vibe that will appeal strongly to those who are bummed about Shadow Age going on hiatus, but will also connect with those who like the more metallic end of that whole thing (think Killing Joke). This show will constitute a release party for their new LP, Firmament, and where better for a goth band to have a release celebration than a Halloween party? The lineup’s rounded out by Alfred, a young rapper with a fresh approach to the weirder electronic end of that particular musical spectrum; and Spooky Cool, who recently made good on the promise of their years of local buzz with debut EP Every Thing Ever. No matter what flavor of the local scene you enjoy, you’re sure to get a taste of it here — and have an outstanding Halloween as well! Who can complain about that?

Thursday, November 1, 8 PM
The True Commonwealth, feat. Nickelus F, Michael Millions, Radio B, Cole Hicks, Sunny & Gabe @ Gallery 5 – $10
Nickelus F’s been one of the better rappers in this city — hell, this country — for over a decade now. Quite a few years over the past ten to fifteen have seemed like they were going to be his year, but somehow, it never seems to come to pass. 2018, though, seems like it might finally be the one. First he paired up with local punk rock label Vinyl Conflict for a vinyl release of his latest album, Stuck, which by the way is also a high-water mark in a career full of excellent releases. Then he got together with Richmond rap weirdo Lil Ugly Mane for a tour that took him across the country, playing to everyone from true-blue hip hop heads to moshpit-loving metalheads and punk maniacs. It feels like that whole punk rock-hip hop fusion that we all expected to happen after Rage Against The Machine and the Judgment Night soundtrack (instead we got Limp Bizkit. Ugh) is finally coming to pass.

So now, with this True Commonwealth show, Nickelus F stands at the top of a stacked bill featuring several of Richmond’s top hip hop talents. His compatriots in the AGM crew, Michael Millions and Radio B, have both demonstrated their styles and talents this year with new albums of their own — Hard To Be King and Jesus Never Wore A Suit, respectively. Taken in tandem with Stuck and Cole Hicks’s incredible coming-out party, May Day — also released in 2018, natch — the True Commonwealth showcase at Gallery 5 encompasses the top level of rap talent at work in RVA today. And that’s definitely something you’ll want to be part of, especially since the show will also feature a special guest performance from hot VA Beach duo Sunny and Gabe. They’ve got a 2018 album of their own, Peace Of Cake, and it shows off their wide-ranging sound just as they will do to get this party started tomorrow night. Don’t miss a moment.

Friday, November 2, 8 PM
Mothers, Mega Bog, Addy @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The indie kids should find a lot to enjoy at this show — but they aren’t the only ones. Mothers, who started in Athens, GA but moved to Philly last year, have a sound that definitely hints at the tension between beauty and darkness that marks the best music coming out of the indie scene these days. But they’ve got a good bit more going on, as they display on their sophomore album, Render Another Ugly Method, which just came out from Anti- Records. Its moments of languid torpor (“Beauty Routine”) hint at an uneasiness just under the surface, while the more energetic sounds found on the album (“Blame Kit”) function in lockstep, in a manner that almost sounds more like strained aural nervousness than painstakingly well-practiced tightness.

That is by no means a criticism, though — it’s this tone that suffuses throughout Mothers’ music that really makes them evocative, that brings the ideas the band is expressing through their somewhat abstract lyrics to solid, concrete life. Mothers will take you on an emotional journey, and if you’re not entirely comfortable with all the places you’ll go, you will at least be enjoying some excellent music on the trip. Mega Bog has a similar clearly-delineated wire-tight melodic indie-postpunk sound, but the emotional effect is very different, both brighter and deeper. Connect with both of these bands, and up-and-coming local opener Addy, and see where the night takes you. It’s sure to be an interesting trip.

Saturday, November 3, 8 PM
Abacus, Drones For Queens, Voarm, Hoboknife @ Strange Matter – $7 (order tickets HERE)
We’re heading rapidly toward the winter months, and now is the perfect time to get an increased dose of metal into your life. And rest assured, Strange Matter has the cure for what ails you, in the form of this tour package bringing together examples of brutal metal power from both sides of the Mason-Dixon Line. Abacus hail from the South — South Carolina, to be specific — and have a thick, dark sound full of harsh guitars and roaring vocals that pummel you just as hard as the punishment their rhythm section deals out.

Drones For Queens, who come from the northward locale of Philadelphia (always a hotbed for music and meanness), are just as ready to inflict some serious metal punishment as Abacus. They’ve got a slightly faster and cleaner approach, which just means it’ll take you longer to realize that their harsh vocals and thrashing guitars have slit your throat. Protect your neck — you’ll need it for headbanging. These two bands are on tour in support of their just released split EP, so make sure you attack the merch table with vigor in order to secure yourself a copy — this is one slab of rage you’ll want by your side throughout the winter months. Local mainstays Voarm and Hoboknife will open this show with a flagrant display of intense heavyosity. Get ready.

Sunday, November 4, 7 PM
Omni, Majjin Boo, Black Plastic @ Gallery 5– $8 in advance/$10 day of show (order tickets HERE)
Atlanta’s Omni are back at Gallery 5 once again, thanks as always to their pals at Citrus City Records, and all you indie kids who love to dance are going to want to make sure you’re there for it. Omni’s definitely got a little of that tuneful guitar jangle that we’ve all come to know and love from Citrus City’s many releases, but they bring in a solid dose of Southern-style postpunk as well, drawing inspiration from Georgia underground legends Pylon as well as Wire and The Feelies. I know I’m losing my younger readers with these comparisons, but an obvious modern reference would be Parquet Courts, mixed with the nervous dancefloor shuffle of the Talking Heads and that one Franz Ferdinand song everyone knows (and a lot of their other songs too).

Majjin Boo is a well-paired local to act as support on this bill; they’ve definitely got that same sort of wire-tight guitar bit that permeates Omni’s music, though Majjin Boo seems to derive it far more from the lighter, twinklier take on math-rock that several local bands have done an excellent job with in the past. Are they the next Fight Cloud? We can only hope. Finally, we need to mention the fact that openers Black Plastic suffered a pretty devastating setback recently, in the form of a house fire that destroyed most of their equipment and left members in need of a lot of financial support to get back on their feet. Whether or not you can make it to this show, they’d certainly appreciate whatever you’re able to throw their way via GoFundMe. But they’re gonna appreciate y’all showing up on time and giving them a warm reception just as much — and believe me, their brand of catchy, twangy power-pop certainly merits exactly that. So please, show up on time and give them some love.

Monday, November 5, 7 PM
Yashira, Gillian Carter, Infant Island, In Wolves Clothing @ Strange Matter – $10 (order tickets HERE)
Oh hell yeah. Yashira coming to town is a very good thing, regardless of whether it’s happening on a Monday night. Look, I know you’ll be tired from the weekend, and you’re still coming down from your Halloween hangover or whatever, but I don’t care. You need to go see this band. Yashira are an incredibly heavy band who are incorporating the epic heaviness of bands like Neurosis and early Mastodon with the kind of epic grind-crust madness of Tragedy and His Hero Is Gone. Their latest LP, Shrine, is an excellent example of this sort of thing that gets through its six songs just quickly enough to leave you wanting more.

Of course, now they’ve followed it up with a split EP with none other than metalcore legends Zao, and they’ll be laying waste to Strange Matter this Monday night. What more could you want? It would be so cliched for me to say “you could want the other three excellent bands on this bill,” but when the bands are indeed this amazing, how can I avoid it? Florida’s Gillian Carter are a band with a lengthy history of excellence in the field of metallic screamo, or something like that (even to this day, I can’t type the term “screamo” without cringing). Their new LP, …This Earth Shaped Tomb, is full of the simultaneously heavy and passionately emotional riffage that has become this group’s stock in trade, and proves that regardless of how silly they act on stage, there is real, powerful music at the heart of their existence. VA openers Infant Island and In Wolves Clothing exemplify the next wave of Virginia screamo (ack) and do so in outstanding fashion, so be sure you catch every second of this one.

Tuesday, November 6, 7:30 PM
Scott Bradlee‘s Postmodern Jukebox @ The National – $25.50 in advance/$28 day of show (order tickets HERE)
OK, let’s get this out there from the start — Scott Bradlee’s Postmodern Jukebox is hipster bait of the highest order. Covers of already-proven hits, redone to sound like different genres? Suburban goofballs have been gaga for this ever since the first time they heard the phrase “dynamite hack.” That said, I really can’t deny the talent at work here — nor the fact that jazz, unlike a lot of modern popular-music styles, was throughout its history far less about original composition than it was about putting your own stamp on tunes that might be your own… but might be well-loved standards that everyone knows. After all, it was this tradition that brought us John Coltrane’s take on “My Favorite Things,” and I certainly can’t hate on that.

So should you go see Scott Bradlee’s Postmodern Jukebox on Tuesday night at the National? Well, probably not if you hate jazz and swing — but if you see merit in these classic American music forms, and would like to see one very talented pianist and quite a few of his equally talented friends update those styles for the 21st century by applying them to songs from Michael Jackson’s “Thriller” and Toto’s “Africa” to Katy Perry’s “Roar” and Miley Cyrus’s “We Can’t Stop,” well, this is the place for you. Feel free to wear your best three-piece suit or cocktail dress and dance it up on the floor. But on the other hand, if it’s a little too soon after Halloween for all that, you’re welcome to just come as you are. Even if you hate hipsters, you’re sure to enjoy yourself.

Bonus Hampton Roads Picks:

Thursday, November 1, 7 PM
Mortuary, Battlemaster, Vorator, Rotten, Hiss @ RiffHouse Pub – $10 in advance/$15 at the door (order tickets HERE)
You guys — Mortuary is coming! The true headbangers among you are already stoked, but for the rest of you who need an explanation, let’s discuss the power and brutality dished out by Mexico’s pioneering group, who made their name by bringing death metal to the masses from their support slots on some huge Slayer tours in the late 80s. Their 1990 album Blackened Images is a cult classic today, its primitive and overpowering sound serving to light a fire under all the incredible riffs that come flooding out of every song, backed by incredible drumming and some seriously unhinged vocal roars and screams.

Mortuary were doing their thing before the deep growl became de rigeur in death metal, and the raging howls of their vocalist add a lot to their already blazing sound, connecting the group with its thrash influences and pointing the way forward into the more extreme genres that rule the metal scene today. Some excellent VA-area bands will be demonstrating those sounds from their support slots on this bill, from local legends like Battlemaster and Vorator to up-and-comers like Rotten and Hiss. All of it’s gonna be outstanding, and if you can afford to show up late with a headache to work on Friday morning, the drive down to Chesapeake’s RiffHouse Pub is more than worth it for this opportunity. Make it happen, metalheads.

Friday, November 2, 9 PM
Bantustans, A Deer A Horse, From Overseas @ Taphouse Grill – $5
If you like your underground rock bands both heavy and progressive, you need to be paying attention to what’s going on at the Taphouse Grill in Norfolk this Friday night. Bantustans, a Norfolk-based dual-drummer quartet who don’t have time to mess with vocals, are all set to lay down some heavy instrumental grooves that’ll keep your head nodding and your brain engaged regardless of the lack of lyrics. The complex rhythm patterns laid down by the group’s two drummers are both consistently in step with each other and allow for far more variation and creativity than is typically the province of the percussion. Not to be outdone, guitarist Aaron Evans’s tangled melodies and intricate song construction use a single guitar to add multiple layers of intrigue to this group’s unusual, hypnotic sound palette. They’ll be bringing some new material to this one, too, so it’s sure to delight even the most ardent of fans.

Bantustans are joined on this bill by New York heavy rockers A Deer A Horse, who certainly present just as enticing a musical buffet for the interested showgoer as the hometown headliners do. Having been around for close to a decade now, A Deer A Horse still haven’t given us a full-length yet, but they’re hard at work on one, and if the advance single they released only a couple of weeks ago is any indication, this record is sure to fulfill the promise of this group’s many EPs, showering us with the kind of darkly powerful rock n’ roll that has been the province of NYC since the days of Unsane, Surgery, and Live Skull. Singer/bassist Angela Philips’s name totally deserves to be mentioned in the same breath as Thalia Zedek’s, and if you’re tuned in, you know that’s high praise indeed. Norfolk openers From Overseas explore some ambient drone guitar experimentation, beginning this show with some strong atmospherics. It’ll only get more intense from there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

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