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VA Shows You Must See This Week: September 25 – October 1

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FEATURED SHOW
Wednesday, September 25, 7 PM
Bob Mould, Will Johnson @ The Broadberry – $25 in advance/$30 at the door (order tickets HERE)
This one should just be a given, y’all. That said, we need to talk about Bob Mould, because I feel like he might be fading from the spotlight a bit for anyone who is under 40 — and if you are under 40, and you like loud music played on guitars, you need to be aware of Bob Mould. Here’s why: because he’s been making loud, fast, impassioned, beautiful rock music for four solid decades, and he’s been excellent at it pretty much the entire time. At the dawn of the 80s, he formed Husker Du, a formidable trio who were to the Minnesota punk scene what Black Flag were to LA, or Minor Threat were to DC: the first, the best, the most consistent, the least complacent. Between their 1982 live debut album, Land Speed Record, and their breakup six years later, Husker Du not only made massive innovations in the world of hardcore punk but also laid some of the most important groundwork for the Nirvana-led grunge/alternative rock explosion of the early 90s.

Husker Du had ended by then, but Bob Mould was still heavily involved, then leading an incredible second power trio called Sugar (which also featured future Drive-By Truckers producer David Barbe). Sugar only lasted a few years, but they created a legacy with the four releases they produced in that short time — one that far outlasted their lifespan. Leading lights of the early 00s rock revival like Ted Leo owed a huge debt to the music Mould had created a decade earlier. Today, Mould is in the midst of a late-career renaissance that has seen him, backed by a trio featuring members of Superchunk and Verbow, release four stellar solo albums in a row, the most recent being this year’s outstanding Sunshine Rock.

While Mould isn’t bringing his band to Richmond, his current “solo electric” tour brings us a format with plenty to offer in its own right. Due to his issues with hearing loss (something a lot of us aging musicians can relate to), he often performs by himself, but the lower volume never stops him from giving his all to the performance, and you can certainly expect a powerful set when he takes the Broadberry stage. What’s more, he uses the solo format as an opportunity to perform music from throughout his incredibly consistent 40-year career, so we may be fortunate enough to hear a few Husker Du and Sugar songs mixed into the set as well as a great selection of the many excellent tunes he’s released over the past decade of solo albums. Whether you celebrate Mould’s entire catalog or need a crash course in what makes this guy so great, you’re sure to get a treat tonight at the Broadberry. See you there.

Wednesday, September 25, 6 PM
Through The Eyes Of The Dead, Cognitive, Green Fiend, Applaud The Impaler, Autopsy Affair, Braincell @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
Being in a tech-death band is apparently pretty brutal — and not just in a musical sense. South Carolina band Through The Eyes Of The Dead spent their first decade or so as a band shedding members willy-nilly, with the only constant remainder being lead guitarist Justin Longshore. Each of their first three albums featured a different singer, a different drummer, and a different rhythm guitarist. However, the turbulence within the band seems finally to have calmed, as 2017 saw Through The Eyes Of The Dead release their fourth album, Diosmus, with almost exactly the same lineup as their third album seven years earlier. An impressive achievement, given the circumstances.

But that’s not the only impressive achievement of the band’s recent history. What’s even more awesome is the musical evolution they’ve undergone from their early days as a white-belt hipster deathcore band into the powerhouse of technical death metal heavyosity they’ve become today. Their recent work doesn’t mess around with melody or simplistic breakdowns — it goes straight for the throat with nonstop brutality, of the sort that’ll keep you headbanging throughout a metal-as-fuck evening at The Canal Club. Regional death metal stalwarts aplenty will be on this bill to get you warmed up, but save some of your energy — you’ll need it if you want to make it through the Eyes Of The Dead set in one piece.

Thursday, September 26, 9 PM
Dirty Fuss, Thin Pigeon, J Clyde Morris @ Wonderland – $10
Down n’ dirty, no-frills rock n’ roll — their ain’t a damn thing wrong with that. Proving this statement to be true is Nashville band Dirty Fuss’s prime directive. They do a great job of fulfilling their mission on debut LP American Animals, which was released earlier this summer and is sure to bring a gleam to the eye of Ty Segall and White Stripes fans everywhere.

This isn’t complicated music, and it isn’t recorded in a highly polished and sterilized studio. Instead, it’s the kind of wild noise you’d expect to hear in a sweaty barroom with inadequate climate control, the kind of place where by the end of the night, there are empties with cigarette butts floating in them sitting on every flat surface (gross). Wonderland isn’t quite that room, but it’s as close as you’re gonna get in smoking-ban Richmond, and you’ll be able to catch your breath a little bit easier after you spend an evening dancing your ass off to Dirty Fuss. Hard to complain about that.

Friday, September 27, 9 PM
Oxx, Gorrak, Paint Store @ Wonderland – $10
Back to Wonderland once again, and this time it’s for an entirely different type of chaos. The sort of massive hectic noise that Danish math-metal trio Oxx brings to Shockoe Bottom this Friday night may be summed up by the fact that they called their new album The Skeleton Is Just A Coat Hanger; These Are The Black Strings That Make You Dance.

Having just blown 10 percent of my word count on that title, it’s going to be that much harder to describe exactly what Oxx has in store for you, but considering the complexity, unpredictability, and sheer panicked energy of their music, I have to admit that it’s not all that easy to describe anyway. Do you like fast, heavy, hectic music that makes you want to bang your head but challenges you with knowing exactly when to do so? If so, Oxx is the band for you. Get ready to rock the hell out — and expect some strong help with the rocking from two Richmond noise-rock powerhouses: wild jazz-metal hybrid Gorrak, and math-rock fascination machine Paint Store. It’s gonna rule.

Saturday, September 28, 8 PM
Leopard Print Taser, Brain Drain, Baby Grill, Jimmy and the Delay @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
I love it when a band with a truly original name comes across my radar for the first time. Leopard Print Taser? Holy shit, that’s great. I don’t even care what they sound like — I’m in. Fortunately for me, I didn’t get let down at all once I listened to this Massachusetts quartet, who manage on their 2018 EP, Teeth Are Not Bones, to bring exactly the sort of shocking bite you’d expect from their name to a melodic punk sound that is both energetic and emotionally-driven, in a manner that is sure to please fans of bands like Mannequin Pussy and Screaming Females.

There’s a bunch of awesome local stuff happening on this bill as well, starting with Brain Drain. This trio bashes out some wild, hectic rock n’ roll noise that seems like the perfect fit for this bill — if you haven’t been rocked by this Richmond crew yet, now’s the perfect time to start. Baby Grill, a grungy two-piece who may or may not have a drummer with them at this performance, will get you dancing around the room with a particularly excellent combo of catchy tunes and rumbling distortion. And finally, I have to give a shoutout to RVA Mag contributor Jimmy O’Keefe, who apparently has a solo project that will be opening this show — I had no idea! Bringing catchy indie tunes with baritone vocals, this opener should be a fun time. And so should this entire show — so don’t miss it!

Sunday, September 29, 8 PM
Neighbor Lady, Isabella VanKesteren, Coy Pond @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
As a kid, I would have used this band’s name to describe some weird person who lived on my block. As an admittedly weird adult, I’m sure that phrase gets applied to me on at least an occasional basis. But I’m cool with that, and I’m also cool with Atlanta band Neighbor Lady, whose music has a laid-back cool and relaxed catchiness that makes it easy to slip right into.

On Neighbor Lady’s 2018 LP Maybe Later, they mix a psychedelic take on indie rock tunefulness with more than a touch of old-time Appalachian mystery, in a manner that should definitely appeal to Richmond music fans who miss The Diamond Center and wish Julie Karr would play local solo shows more often. They may not exactly blow the roof off the Camel this Sunday night — they’re too subtle for that. But their set is sure to expand your mind in some pleasing directions.

Monday, September 30, 9 PM
Shadow Age, Wingtips, Korine @ Bandito’s – Free!
Last year, Shadow Age’s self-titled LP was an undisputed highlight of Richmond music. It was made bittersweet when it was followed only a month later by the announcement of the group’s indefinite hiatus. But in light of the fact that they’d departed the scene at the very moment of gaining some incredible creative momentum had to make you wonder whether they wouldn’t be back pretty soon. Sure enough, by December, the occasion of Strange Matter’s extended farewell celebration brought them back from their hiatus to perform their first show as a quintet.

And now, this Monday at Bandito’s, we get another return engagement from Shadow Age, one billed as their “only show this year.” This melodic, fog-enshrouded gothic postpunk group have a ton of great songs in their catalog, and the thought of hearing them live one more time should definitely be enough to entice both longtime fans and new converts down to Bandito’s for this free Monday night show. No word on how many members the group will have for this performance, but trio, quartet, and quintet lineups have all charmed in the past, so it’s sure to be worth it regardless.

Tuesday, October 1, 6:30 PM
Catfish And The Bottlemen, July Talk @ The National – $25.50 in advance/$28.50 at the door (order tickets HERE)
Sometimes it feels like rock music is on a long downward slide into irrelevance. It can be tough to find rock bands that are able to attain a share of popularity while also retaining artistic quality. As has been true for decades now, though, the British continue to be much better at locating exactly that sort of band, and ensuring that they do achieve some degree of success — at least, across the pond.

Catfish And The Bottlemen’s current American tour has brought them to The National, so they’re doing pretty well on this side of the Atlantic as well, but if you haven’t checked them out yourself yet, you owe it to yourself to fix that. This Tuesday night is the perfect time to get better acquainted with this charming group and their catchy brand of melodic pub-rock, which lands somewhere between first-LP Radiohead and The Libertines. Their new album, The Balance, shows that, even though not every song hits the highs of their all-time greatest tune, “Cocoon,” they’ll always keep your toes tapping and give you some great choruses to sing along with. Consistency — it’s an underrated virtue.

Elsewhere Around the State:

Wednesday, September 25, 7 PM
Strung Out, The Casualties, Dead Aim @ The Bunker Brewpub (Virginia Beach) – $20 (order tickets HERE)
In the mid-90s, the California skate-punk sound ruled the world. NOFX and Bad Religion were the kings of the proto-Warped Tour hill, but the bands on their respective labels (Fat Wreck Chords and Epitaph) had ways of distinguishing themselves from the pack. Propagandhi was political, Lagwagon was emo, Ten Foot Pole’s singer was a major-league baseball pitcher… and Strung Out were metal. Don’t get me wrong, they still had the speedy melodic riffing and unforgettable catchy choruses that were common across the entire genre, but the licks guitarists Jake Kiley and Rob Ramos busted out were definitely the group’s most distinguishing characteristic.

These days, though, you’d also have to give Strung Out credit for staying power. After a 2018 acoustic EP, Black Out The Sky, they released their ninth full-length, Songs Of Armor And Devotion, just last month, and it proves they haven’t lost a single step since the heady days of the Survival Of The Fattest compilation. Catchy choruses and metal leads are still in abundance, and they surely will be at The Bunker Brewpub tonight as well! So if neither of the Richmond shows I’ve already told you about tickle your fancy, you certainly can’t go wrong gassing up and heading East on 64. If you hurry, you can catch opening sets by drunk-punk mainstays The Casualties and VA Beach hardcore survivors Dead Aim, which will certainly sweeten the pot.

Sunday, September 29, 7 PM
Dori Freeman @ The Front Porch (Charlottesville) – $18 in advance/$20 at the door (order tickets HERE)
Dori Freeman isn’t from any of the cities our more urbane readers would necessarily expect a Virginia musician to come from. She’s from Galax, a Southwest VA town close to the NC border, about 90 minutes south of Blacksburg. They used to build a lot of furniture down there, but the factories have gone away; these days, the main industry in that city is old-time folk and country music. Therefore, the fact that Freeman has risen to prominence with her old-fashioned blend of Appalachian influence and the Nashville sound of the mid-20th century isn’t nearly as surprising as you might think at first.

Freeman’s set to release her fourth album, Every Single Star, any day now. In fact, it will be released between the time when I write these words and the day this show will take place. The new album finds Freeman much happier than she’s been on previous work — newly married, she’s largely turned away from lonesome lover’s laments in favor of songs about making a relationship work. The result is a collection of positive tunes that incorporate 60s pop influences into a country framework that should delight fans of Loretta Lynn and Emmylou Harris. Dori Freeman will bring all of this to wonderful full-color life at Charlottesville’s the Front Porch this Sunday evening, and you’re going to want to be there. Mark your calendar.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

The 40 Most Essential RVA Albums Of 2018 (Part 2)

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Richmond’s always been a great city for music, and that didn’t change one iota in 2018. If anything, it became a bit overwhelming — indeed, even the most comprehensively-minded local music nerd was likely to overlook a few things. While putting this list together, I found a few that I overlooked myself — and I’m sure you will as well.

This list features our best shot at the most essential and noteworthy albums that our city birthed this year, from any and all genres. Since so many different genres and scenes are thriving in this town, we had to include 40 just to feel like we weren’t leaving anything crucial out. And let’s be real — we probably still didn’t catch everything. The best advice we could possibly give you about following this town’s vibrant musical community is this: always dig deeper. Your new favorite record might be right around the corner.

These 40 albums are a good place to start. Yesterday, we presented the first 20, and we follow up today with the remaining 20 — in alphabetical order by artist name, so it doesn’t seem like we’re playing favorites. Happy listening!

Elizabeth Owens – Coming Of Age (Grimalkin)
This young singer-songwriter has avoided the strict confines of genre on their first album, instead dancing along the invisible borders between a variety of sounds. Lushly-strummed acoustic guitars and haunting vocals center these compositions, even as a variety of both conventional and unconventional instruments form an intricate, multi-layered background. Psychedelic folk in the original, late 60s sense — think Incredible String Band or Pentangle — is a good touchstone, though a better, more recognizable one is hinted at by the song entitled “Ode to Joni.” Yeah, you know what’s up.

Piranha Rama – Piranha Rama (Trrrash)
Piranha Rama is a band full of Richmond underground rock all-stars that took the local scene by storm in 2018. Featuring members who’ve performed with a wide variety of local ensembles and played a wide variety of musical styles, Piranha Rama’s sound is apropos, capturing as it does both the rollicking rock n’ roll spirit that is this band’s bedrock and the wide variety of influences that takes this album in many different directions from song to song. The results are always catchy and fun, even if the album’s overall feel is more like that of a great mixtape made by a crate-digging friend than you’d expect from a singularly driven band. The more voices, the merrier.

Trey Pollard – Antiphone (Spacebomb)
I admit I never would have expected this in the year 2018, but it has in fact come to pass. Trey Pollard, best known as the in-house arranger for Spacebomb Records, has released an album of classical chamber music. The selections found within are the sorts of things typically referred to as “pieces” rather than songs, and are mostly performed by four to eight-piece string ensembles (sometimes accompanied by a piano). Pollard, who acts as composer and conductor here, has created a stunning collection of memorable moments that feel like a score for a film — one that’s playing in your mind as you listen. Close your eyes and let it overtake you.

Natalie Prass – The Future And The Past (ATO)
Natalie Prass had been the fledgling Spacebomb label’s obvious breakout star thus far — along, of course, with label founder Matthew E. White. For her second LP, Prass signed with ATO and moved beyond the traditional soul-R&B feel of the Spacebomb house band, getting into deeper electronic grooves that seem to arise directly out of the pre-New Jack Swing sound of 80s greats like Cameo or Kool & The Gang. When she croons overtop of these, she’s got a real retro-diva sound, like a young Janet Jackson. Who can resist that?

PT & Fan Ran – Airtight (Ear Tite) (Gritty City)
The Gritty City roster of champion rhyme-spitters is deep, and each passing year seems to make that clearer, as new albums bring us strong statements of purpose from previously unheard names. This year it’s PT, which stands for Perfect Timing, who jumped out in a big way. Airtight is a full-length collaboration with Gritty City production mainstay Fan Ran, and the hard-hitting beats he brings match up perfectly with PT’s strong flow and aggressive approach to the mic. If you miss the days when RZA was producing a different Wu-Tang solo album every couple months and they all ruled, this one’s for you.

Recluse Raccoon – Recluse Raccoon (recluseraccoon.bandcamp.com)
This band features a rotating selection of local musicians, but Timmy Peele is the true raccoon hiding reclusively behind the name. For this debut full-length, it’s Mr. Peele who lays down vast majority of instruments for the dozen compositions he treats us to. There is at times a decided Animal Collective vibe in the thick vocal harmonies and ringing piano notes, though at other moments he comes closer to straddling that invisible line where the mellowest math-rock meets the most far out of the psychedelic jam sounds. Expect the unexpected — it’s more fun that way.

Roy Batty – Roy Batty (roybattyband.bandcamp.com)
This one just dropped a couple weeks ago, but it demands a place on our radar simply by virtue of the many awesome bands the members have been part of in the past. Specifically, this is frontwoman Lindsey Spurrier’s first return to full-time action after the demise of Hot Dolphin, and I think I’m far from the only one who felt that band ended before their time. Roy Batty has a heavier sound that Hot Dolphin, due to the fact that Spurrier is backed here by metal dudes rather than garage-punk types, but the frantic energy and aggressive spirit remain undiminished. And thank god for that.

Serqet – Oleander (Vinyl Conflict)
This two-song EP constitutes the first release from a local band who’ve been getting some attention on the whole DIY punk scene. I hear kids who are nerdy about that style of music call it “peace-punk” but if you ask me, it’s more along the lines of old-school goth. Maybe a bit Siouxsie and The Banshees, plus a bit of Submission Hold, and even some strong melodies on the B-side that get more into pre-shoegaze UK indie sounds. If you’re looking for something that can simultaneously please fans of Flux of Pink Indians, Sisters Of Mercy, and House Of Love, you’ve hit paydirt with this one.

Shadow Age – Shadow Age (Play Alone)
This trio unfortunately took an indefinite hiatus not long after this album was released, but we can at least be thankful that they left behind such an excellent document of their creativity. Bandleader Aaron Tyree has obviously been influenced by the saddest goth boys of the early 80s UK, and he brings the spirits of Robert Smith, Ian McCulloch, and Adrian Borland into the 21st century with flair and panache. Hazy keyboards, glittering guitar leads, quiet melancholy crooning, all set to an essential driving rhythm section. Turn on the fog machine.

South Hill Banks – No Time For A Breakdown (southhillbanks.com)
This RVA bluegrass band has really cemented a place for themselves on the local music scene over the past year, and No Time For A Breakdown is just part of that — you may also have caught onto their year-long residency at The Camel, or the bluegrass festival they threw over at The Broadberry last month. But it’s this album that’ll give you the best taste of what South Hill Banks have to offer, spotlighting their 21st century take on bluegrass with some excellent melodic songcraft. Of course, they still know how to get down with a traditional speedy instrumental, and their choice to feature electric instruments in the band doesn’t get in the way at all.

Spooky Cool – Every Thing Ever (Citrus City)
Spooky Cool spent the first few years of their existence being the RVA scene’s best-kept secret, staying off social media and restricting access to their music to those who actually came to see them live. Their choice to live like a pre-internet band in the post-internet era paid off in a big way when they finally released their debut EP this year, and the whole world had a chance to hear the catchy indie-psych this quintet had spent the last few years cooking up. It was worth the wait — there are some seriously catchy tunes on this one, but those tunes also feature an unpredictable edge that only adds to their charm. Jam this one — we’ve waited long enough.

Sports Bar – Stranger In My Head (Mister Falcon)
Speaking of long-awaited releases, melodic garage-punk quartet Sports Bar have spent nearly a decade building up to this — a killer full-length full of shit-hot tunes that simultaneously bring the manic, distorted punk attack and highlight the flawless sense of melody that has made this group one of Richmond’s most enjoyable hidden discoveries since back in 2010. This one is a ton of fun, bringing us both angst-ridden singalongs like “Fried” and furious punk blasts like “Love Or Hate.” Get into it.

Suppression – Placebo Reality (Chaotic Noise Productions)
2018 was Suppression’s 26th year of existence, an existence that has seen them move from experimental power-violence to electronic noise to postpunk weirdness and now into the world of shit-fi grindcore madness — which really constitutes a return to the roots of bassist/vocalist Jason Hodges’ long-running project. On Placebo Reality, Hodges and drummer Ryan Parrish flail wildly through somewhere north of 70 songs in under half an hour, blowing your hair back with distorted vocals, hyperdrive tempos, and distorted bass rage. A palate-cleanser of the most confrontational sort, this one will erase all your momentary cares in the face of world-ending chaos. Exactly what we all need.

Marcus Tenney Quartet – Moment (American Paradox)
If you pay attention to music in Richmond and beyond, chances are you’ve heard of Marcus Tenney. A full-time member of the legendary No BS! Brass Band as well as soul-jazz quintet Butcher Brown and hip hop duo Tennison, he stays busy. For this album, he took the lead in a quartet featuring several other Richmond jazz luminaries, and created a collection that is grounded in the classic hard-bop sounds of half a century ago, but comes from a thoroughly modern worldview that helps bring jazz into the 21st century. But this album isn’t just an exhibition of instrumental talent — the mellow, melancholy mood evoked on Moment has a deep emotional resonance.

Toward Space – Gently With A Chainsaw (Cult 45)
This raw garage-rock trio has done quite a bit, considering their youth, and Gently With A Chainsaw fulfills the promise they were showing even when they were still playing house shows with foot-pedal drums. These days, their snotty punk rage has been tempered a bit by a power-pop approach to choruses, and the result makes for a number of pleasing singalong earworms on this album. Make no mistake, though, these juvenile delinquents are still ready with a switchblade if anyone messes with ’em — but have no fear. Underneath the snarling facade, they’ve got hearts of gold.

Madison Turner – A Comprehensive Guide To Burning Out (madisonturner.bandcamp.com)
Madison Turner grew up with the classic alternative rock of the 90s, and now that she’s made it out of her 20s she’s headed back to her roots with this, her fourth solo release. Backed by a talented group of musically-inclined friends, she’s created a powerful collection of songs that sound excellent and are catchy as hell. The lyrics, which delve deeply and sincerely into the album’s “burnout” theme, are witty and all-too-relatable, even as the songs keep you singing along all day long. “I don’t know why I’m so sca-aa-ared to reach out to my friends!” So real.

Unmaker – Firmament (Seeing Red)
This quintet shares a few members with local blackened-thrash combo Occultist, but don’t let that fool you — Unmaker have quite a bit to offer in their own right. They distinguish themselves from the metallic pack thanks to Aaron Mitchell’s arresting vocals, which carry an urgency that makes them impossible to ignore. But the rest of the band has a powerful sound of their own, simultaneously exploring the gothic end of the postpunk spectrum while retaining a powerful, heavy rhythm and sticking to an energetic tempo. Fans of Killing Joke will find a lot to like here, but really, everyone should.

Windhand – Eternal Return (Relapse)
Local doom combo Windhand has always been witchy, but they’ve taken it to a new level on their fourth album (and first with only one guitarist), Eternal Return. The psychedelic aspects of their sound are cranked up here, and even as you can hear those low-end rumbles that make these guys a total headcrush live, the album’s production opens up another layer of their sound — one in which vocalist Dorthia Cottrell’s haunting voice is the star of the show, bringing a heaviness of emotion that more than matches the rest of the band’s heaviness of groove. Kill the lights and light a candle.

Womajich Dialyseiz – Live In RVA (Grimalkin)
This improvisational collective brings together a shifting group of “women, femmes, and gender non-conforming people” from around the Richmond scene to create uncategorizable experimental music. The results, documented here on recordings from four different live performances, are ambient and multi-layered, featuring percussion, voices, and a variety of melodies, many of which tend toward the unsettling. Maybe not something you should put on late at night when you are alone, but certainly an important element of the Richmond scene in 2018. Lend an ear.

Young Scum – Young Scum (Citrus City)
I doubt any of the young people in this city’s indie music scene are particularly intending to hark back to the early 90s heyday of Sarah Records and the indie-pop movement that label inspired, but regardless of intent, Young Scum have landed right in that wheelhouse. If you loved Heavenly or The Field Mice, you’re going to find a lot to love here, from Chris Smith’s dulcet vocal tones, which wash over you like a cooling mist, or the glittering layers of undistorted guitar strums laid down by Smith and Ben Medcalf. There are brief moments of tense distortion hovering subtly in the mix, but for the most part this mini-LP is pure indie-pop bliss.

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Wow, we’re done! And of course, as soon as I got this list finished, I realized I’d left out the Candy LP and the Boygenius EP, so go check those out too. What can I say? There was no way I was gonna think of everything.

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 28 – December 4

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FEATURED SHOW
Tuesday, December 4, 6 PM
Negative Approach, Battlemaster, Shadow Age, True Body, Slump, Unmaker, Serqet, Gumming, Loud Night @ Strange Matter – $15 (order tickets HERE)
The holiday season is here, but for the Richmond music scene, it’s a sad time, as perhaps our most reliable mainstay for live music over the past decade is going away. However, while it’s hard to think of how we’ll get by without Strange Matter in 2019, the venue’s imminent closing seems to have created an absolute bonanza for people who love seeing awesome bands. Between now and their final closing on December 15, they’ve booked a whole passel of action-packed, star-studded farewell shows to close out their time on a high note.

Indeed, there are so many that I couldn’t possibly fit all of the worthy bills happening at Strange Matter this week into this show column without ignoring some really great shows happening around town elsewhere. But rest assured, if any of the following picks isn’t in your lane, there’s probably something amazing happening at Strange Matter that night — check out the full schedule from now til their last night over here.

All that being said, I couldn’t possibly avoid mentioning this show. It was already stacking up to feature an abundance of excellent local bands from a variety of genres… and then Negative Approach came calling. This legendary first-wave US hardcore band came roaring out of Detroit in the early 80s with an amazing treasure trove of hardcore bangers that made their debut EP and Tied Down LP classics of the era. These days, vocalist and human whirlwind of rage John Brannon keeps the band alive in the company of the band’s original drummer, plus former members of fellow hardcore legends The Necros and Easy Action on bass and guitar.

And believe me, when they hit the Strange Matter stage, they’re going to rip your fucking head off. And yes, I intend that as a very high compliment. If you haven’t seen the reunited Negative Approach on any of their previous trips through Richmond, this is the time to make it happen. After all, you’ll not only be getting to see John Brannon go wild up close and in person, you’ll be celebrating the past decade of greatness Strange Matter brought to us, and in the company of some of this town’s best local bands. Its brought Shadow Age back from their recent retirement to play their first-ever set as a quintet, the dynamic psychedelic-postpunk duo of True Body and Slump are both on the bill, Unmaker’s fresh off the release of their new album and ready to lay you flat with Killing Joke-style heaviness… and there’s a whole lot more. I’ve already taken up too much space saying even this much. Just go.

Wednesday, November 28, 6 PM
Broadside, With Confidence, Sleep On It, Small Talks @ The Canal Club – $15 in advance/$18 at the door (order tickets HERE)
Broadside have been at it for a long time here in Richmond, and they’ve been through a lot during their decade or so of existence as a band. In fact, no one we talked to for our first interview with Broadside back in 2011 is even still in the band — so that should give you an idea. However, since singer Ollie Baxxter joined the band in 2013, they’ve had a standout sound that sets them apart from the pop-punk pack and helped get them signed to Victory. Second LP Paradise showed them branching out in their sound, increasing the emphasis on melody as Ollie grew as a vocalist and showed off some teen-idol vocal chops.

But rest assured, this band still packs the sort of punch you’ll need to get you jumping and dancing even as you sing along to all those heartbreaking lyrics we’ve all memorized alone in our rooms late at night. And they’re coming to town with Australians With Confidence, who have a similarly sure-footed approach to melodic, emotional punk sounds, though these guys are more on the emo tip than Broadside’s whole post-easycore approach. New album Love And Loathing is an excellent listen, and the band will bring all those tunes to life in glorious Technicolor when they hit the Canal Club stage. Wear your basketball shoes for this one, because the club is gonna be jumping.

Thursday, November 29, 8 PM
Manatree, Stray Fossa, Bottled Up, missangelbird @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
If you’d like a one-night crash course in what’s going on in the indie scene around VA, you can’t do much better than this show at the Camel. Your star attraction, as it’s been so many times, is Manatree, a group that started out as bouncy teenagers but have grown up, matured, and been through some lineup shifts in order to evolve into their current form. They’ve developed a new approach that moves away from the alt-rock and emo tinges they had on earlier material in favor of delicate, mathematically complex precision, which they showed off on Engines, the full-length they released this past summer. If you haven’t caught them live since 2016 or so, rest assured, a lot has changed — and in good ways.

To our west up 64, Stray Fossa has been putting together some excellence of their own of late, releasing debut EP Sleeper Strip earlier this fall to give us all a taste of their pensive UK-style tuneage. It borders on shoegaze, but the way frontman Nick Evans’ voice sits above the multi-layered guitars is so strong and assured that the end result is closer to pre-shoegaze UK guitar slingers like House Of Love and The Chameleons. DC’s Bottled Up let loose with a bit more distortion than the two previous bands we’ve discussed, but there’s a great deal of space in their sound nonetheless, and delicate, bouncy pop is ultimately the best way to describe their music. Recent EP BU2 is a lot of fun, and their performance at this show seems certain to be as well. Finally, Harrisonburg’s missangelbird, which grew from a series of quiet solo demos into a softly powerful indie-folk trio over the past few months, opens up, easing you into a night of lovely sounds from around the state. Don’t miss a moment.

Friday, November 30, 7 PM
Drug Church, Gouge Away, Seattle’s New Gods, Twin Drugs @ Strange Matter – $12 (order tickets HERE)
Just to show you a little bit about how the sausage is made: this double-headline bill was a major candidate for Featured Show this week. I couldn’t deny the outstanding nature of the Negative Approach show, but it in no way reduces the greatness this truly stacked lineup has to offer. Drug Church and Gouge Away have both released new albums this year, and both of them show some major growth. Drug Church’s third LP, Cheer, just came out and finds this crunching (post?) hardcore band dishing out their usual top-quality distorted midtempo riffs, only now with a slight undertone of minor-key melody that increases the emotional quotient even as lead vocalist Patrick Kindlon (also of Self Defense Family and the Axe To Grind podcast — yeah, you know this dude) is still blasting you with his usual acerbic wit and cutting insights into the darker sides of human character.

Drug Church have always had a lot to offer, and seeing them on this tour is sure to make that clear. But don’t get too excited about them and miss out on their touring partner — Gouge Away’s new LP, Burnt Sugar, is clearly the best thing this already shit-hot band has done. It finds them cleaning up their sound but continuing to lean into their driving, furious punk rock sound, with the end result landing somewhere between the excellent emotional hardcore of Xerxes circa Collision Blonde and White Lung at their career peak (that being the “Blow It South” single). Both of these bands are guaranteed to offer powerful live performances that you won’t soon forget, and openers Seattle’s New Gods and Twin Drugs only make this show even cooler and more interesting. Get there.

Saturday, December 1, 6 PM
Inter Arma, Black Tusk, Earthling, Humungus, Hoboknife, Buzzard Dust, Prayer Group, The Astral Void @ Strange Matter – $15
OK I can’t talk about ALL of the Strange Matter farewell shows, but some of them definitely need specific mention, and this is one of them. This one is for all the kids who wear old faded metal t-shirts with the sleeves cut off all summer, and denim vests covered in patches all winter. It’s the perfect evening for people who like the idea of doom metal, but prefer bands to be too creative to fall squarely within that genre’s rather narrow borders. That description perfectly fits headliners and local metal legends Inter Arma, who have shown us over their decade-plus career that they are equally skilled at all genres of metal, and are willing to fit pieces from the majority of them, as well as some completely uncategorizable elements, into any given song of theirs. And it always rules.

But there are a ton of other bands on this bill, and all of them deserve your attention, especially Black Tusk. This Savannah, GA band has persevered despite tragedy, returning this year with TCBT, their first album since the death of founding bassist Jonathan Athon. The album’s unrelenting heavyosity makes clear that these guys still have an immense amount of metal power running through their veins, and their set at Strange Matter should make it even clearer. Of course we’ll get a ton of other great metal from around the state on this bill, from Earthling’s blackened crust rage to Humungus’s power-metal triumph and the psychedelic noise of The Prayer Group. Plus more! Get that vest out and let’s rage.

Sunday, December 2, 3 PM
Doll Baby, American Television, Alex Jonestown Massacre @ Hardywood – Free!
It’s always fun to visit Hardywood on a Sunday afternoon when Handmade Holiday is in full swing. Tons of crafters, artists, and other local vendors will be on hand to offer you an artisanal alternative to the Christmas gifts the big-box stores are all pushing this year. And what makes this Sunday afternoon’s Handmade Holiday presentation even cooler is the presence of three excellent bands to liven up your afternoon and give you sounds to tap your foot to as you browse through the tents and get some holiday shopping done.

American Television are the out-of-towners, but they’re from just up the road in DC, and they’ve got a great sound that will find a home in RVA’s heart for sure. The “Death Defier” single they released this summer, which was sold in conjunction with a signature dark roast coffee if you can believe that, has the kind of caffeinated rush you’d expect from a melodic punk band with an addiction to the dark nectar of the bean. The signature roast is sold out, but they’ve still got plenty of killer tunes to deliver to you this Sunday afternoon, as do local favorites Doll Baby and up-and-coming young band Alex Jonestown Massacre. It’s free, it starts at 3 PM, there are food trucks where you can score a late brunch, and you can get all your gift-shopping done in one place. What more could you ask for?

Monday, December 3, 7 PM
WHY?, Lala Lala @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Remember when people used to talk about “backpacker hip hop”? It doesn’t get brought up as much now, but all that stuff released during the 00s on Anticon, Definitive Jux, and similar labels had a real effect on the culture and stretched the sounds and ideas of hip hop into new realms. Why?, a group formed by former cLOUDDEAD rapper and Anticon all-star Yoni Wolf in the mid-2000s, was a big part of that expansion. The project started as a de facto solo thing for Wolf, but soon evolved into a four-piece band that incorporated guitars, keyboards, and drums into a sound that was almost closer to indie than anything anyone would expect from a project associated with the hip hop genre.

But Wolf was still rapping over it all, and it created an intriguing fusion, one that Why? were largely responsible for creating, most prominently on their landmark 2008 album, Alopecia. You might hear about the fusion of rap and rock and think cringingly of Limp Bizkit, but Why?’s sound was about as far as you could get from that, accentuating Wolf’s thoughtful lyrical pensiveness with a quiet, contemplative indie sound that fit in well with groups like the Silver Jews — who Why? actually toured with back then. And they made their mark on a whole generation of music lovers, from hip hop heads to indie kids and everything in between. On this 10th anniversary tour for Alopecia, they’ll be bringing all those fans into the same room once again, and it’s sure to blow your mind whether you were there for the first go-round or you’re just discovering Yoni Wolf and his excellent band today. It’s something you need to see.

Tuesday, December 4, 8 PM
Ghost @ Dominion Energy Center – $39.50 – $79.50 in advance (order tickets HERE)
Nearly a decade after their formation, Sweden’s Ghost remain a very interesting band. Their theatrical Satanism, always exemplified by elaborate characters and onstage costumery, took a bit of a hit after legal action by former members of the group revealed the identity of mastermind Tobias Forge. Forge has actually been the band’s frontman throughout the many transferrences of the vocal position between different characters over the years, and he’s portraying yet another new character on the current Ghost tour — Cardinal Copia, a break from the Papa Emeritus lineage.

However, neither official character changes nor demystification has slowed Ghost down one bit. While their image might lead you to expect King Diamond/Cradle Of Filth-style theatrical thrash, their music has always hewed to a more classic proto-metal sound in line with late 60s-early 70s pioneers like Covenant, Bloodrock, or Blue Oyster Cult. That remains true on Prequelle, their latest offering, which carries their spooky, organ-fueled sound forward into a haunting, multi-layered extravaganza. It’s a bit late in the holiday season for Ghost’s current tour to arrive in Richmond — Halloween would have been much more appropriate — but with two full sets of excellent music and an incredible stage show, we’d be total grinches to complain.

Bonus Hampton Roads Picks:

Wednesday, November 28, 7 PM
Kaonashi, Cryptodira, Vatican, Accident Prone, Nhibitions, Split Wrist @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
It’s been nice to see a new generation of metallic hardcore kids who aren’t afraid to embrace the influence of nu-metal on their music. Because the fact is, the best of those bands had a lot to offer. When PA metalcore maniacs Kaonashi hit us with unabashed Slipknot and Mudvayne influences on their latest EP, Why Did You Do It?, it demonstrates clearly what sort of value can still be gained from those angst-ridden late-90s thrashers who loved tuning down and sporting eyeliner. Kaonashi songs like “My 5 Year Plan” and “You’ll Understand When You’re Older” mix the out-of-control moments of emotional meltdown that marked the best nu-metal into a recipe cobbled together from the best elements of deathcore’s downtuned thud and the gothic emo-prog of groups like Chiodos and Coheed And Cambria.

Kaonashi aren’t alone in following this thread to wherever it leads them — Sworn In has done quite a bit with it over the past few years, and Vein are certainly dipping a bit more than just a toe into the nu-metal pool on their new album. But Kaonashi’s new EP shows that they’re on the forefront of this musical territory, and they are sure to take it to another level entirely in the live arena — making attendance at this Charlie’s American Cafe show tonight all but mandatory (assuming you can make the drive). New Jersey’s Cryptodira are also on this bill, bringing an erudite take on progressive death-metalcore to the table, as showcased on 2017’s excellent The Devil’s Despair. Straight edge metalcore thrashers Vatican, who hail from Georgia, will also hit the stage with metalcore fury that harkens back to the genre’s 90s roots (so you know I’m stoked). All that plus three heavy-as-fuck local openers… gas up the Mustang, y’all. We’re going.

Thursday, November 29, 8 PM
Raven, Songe, Doomsday Lullaby @ Riffhouse Pub – $10
In a world where it seems musicians spend just as much time reinventing the wheel as they do building on the traditions of those that came before, it’s no surprise that some younger metal fans today don’t even remember the legends of the early 80s “New Wave of British Heavy Metal” scene. But that doesn’t make it any less vital, essential, and important to everything that followed. You might not know the name Raven as well as you do other legendary NWOBHM acts like Iron Maiden and Motorhead, but they’re every bit as good, and if you value the history of the music you love, you need to be paying attention.

Raven’s probably best known today for their mid-80s albums — 1983’s All For One featured a song called “Athletic Rock,” in which Raven named their own musical genre years before the “active rock” format was even a twinkle in a Clear Channel exec’s eye, while 1985’s Stay Hard produced their biggest hit, “On And On.” Three decades later, though, Raven’s founding Gallagher brothers, bassist John and guitarist Mark, are still going strong, and 2015’s ExtermiNation showed that they’ve still got the furious metal power they wielded at the height of their fame. So get a history lesson at Riffhouse Pub tomorrow night, and let Raven show you that metal was heavy as hell even before you were born.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 24 – October 30

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Sunday, October 28, 7:30 PM
Titus Andronicus, Ted Leo @ Capital Ale House Music Hall – $20 (Order tickets HERE)
It’s Halloweek, and the main thing everyone knows to expect this week is tribute shows. All sorts of different musicians from all kinds of different local bands regroup in new and fun configurations (or maybe even in the same configuration as their usual band) to learn a bunch of covers by some particular band or other, and play a Halloween show with the logic that they’re “in costume” as this other band. There’s no denying that it’s fun, but it’s become such an expected part of Halloween that these days, it’s everywhere. The custom has even spread to other holidays, like Christmas and Valentine’s Day. And to be honest with you, this year I don’t feel like writing about any of it.

Now, you might think I’m just getting old (true), or that I’m just a grumpy bitch who hates fun (also true), but I prefer to frame the decision to skip the covers shows this year as a push to remind you all that there’s still plenty of other awesome music happening in Richmond this week, and while you could spend the entire week hopping from one tribute show to another, you’ll miss out on a lot of great bands who are doing their actual music in town this week. Call me a stick in the mud all you want, but I don’t feel like feeding into that.

Instead, I’m gonna tell you that you should go see Titus Andronicus this week. Titus Andronicus has been around for quite a while now, and honestly, you’ve had plenty of chances to catch them in town before. But if you’ve been following the career of Patrick Stickles and his ragtag band of punk rockers for a while, you know that it’s always worth catching them again. For one thing, the band is different pretty much every time you see them — not only in personnel but in sound. For another thing, they’ve got a powerful live attack that turns their overwhelming Springsteen-ish soul-revue take on punk rock into a powerful locomotive of urgency.

It may be a little less like that this time, though — brand new LP A Productive Cough is, in many ways, their mellowest effort yet. Featuring seven songs, they lean heavily on their tendency to write rambling epics full of rock n’ roll melodrama — the loudest and heaviest thing on it is a first-person rewrite of Dylan classic “Like A Rolling Stone,” and the most obviously punk-ish tune (“Crass Tattoo”) is a morosely beautiful piano ballad. Will they still bust out the historical-reference-laden ragers live? I’d certainly expect them to, but you’ll ultimately have to find out for yourself. One thing’s for sure, this show — which features an incredible bonus opening set by the legendary Ted Leo, performing solo this time out — will offer way more surprises than any night full of tribute bands.

Wednesday, October 24, 7 PM
Iron Chic, Somerset Thrower, Doll Baby, Talk Me Off @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
Iron Chic have dealt with their share of pain. Two years ago, the group lost guitarist Rob McAllister, who died unexpectedly at only 36. They’ve soldiered on since then, continuing to write the emotionally-driven melodic punk tunes that have always been their stock in trade, now with a new wistfulness and undercurrent of sorrow that runs through 2017 album You Can’t Stay Here, the first written after McAllister’s death. Songs like “Let’s. Get. Dangerous.” and “A Headache With Pictures” show that the band has retained its wry sense of humor and facility with anthemic hooks, as well as retaining a tough edge that explains why Iron Chic seem to be the favorite pop-punk band of hardcore kids.

Speaking of hardcore, Iron Chic’s Long Island tourmates in Somerset Thrower have a much more direct connection to that scene, dishing out melodic post-hardcore in a manner that harks back to the early 90s days of Quicksand and Texas Is the Reason with aplomb on their new LP, Godspeed. Fans of Iron Chic will dig the way Somerset Thrower mixes strong melodies into their Hum-ish guitar crunch, while the hardcore kids among the audience should get a kick of how surprisingly hard this band’s crescendos hit. With Doll Baby providing a bit of a high-lonesome emo sound to the proceedings and Talk Me Off kicking things off in snotty punk fashion, this show is sure to satisfy all comers — even if it does leave you in a bit of a pensive mood.

Thursday, October 25, 6 PM
Carach Angren, Mors Principium Est, Wolfheart, Awaken Cthulhu, Gutted Christ, Deathkids @ The Canal Club – $18 in advance/$22 day of show (order tickets HERE)
OK look — you want some Halloween entertainment? Look no further than the Canal Club this Thursday night. What Dutch black metallers Carach Angren lack in holiday spirit, they more than make up for by being scary as hell. You’ll find this band widely billed as “symphonic black metal,” but if that leads you to expect some Nightwish-style opera-goth bombast, you best think again. These guys know what black metal is about; that being blast beats, tremolo-picked guitar riffs, and hoarse guttural screams. They also know when to let their keyboards take the fore to create some serious atmosphere, but they don’t overdo it — where this kind of music is concerned, they are far more second-LP Emperor than fourth-LP Cradle Of Filth.

So yes, if you want some serious Halloween headbangs, you need look no further. Carach Angren’s 2017 LP, Dance And Laugh Amongst The Rotten, is a slab of ferocity perfectly titled for the Trump era.  And they’re not the only metal ass-kickers coming to the Canal Club Thursday night, either. They’re joined by fellow Europeans Mors Principium Est (“Death is the beginning” in Latin), who bring us some Finnish melodic death metal in the vein of their countrymen Children Of Bodom, perhaps with a bit more of a thrashy edge. Wolfheart are also from Finland, making this show a veritable embarrassment of riches where European metal is concerned; these guys are closer to what Carach Angren do, and if anything go a bit heavier on the black metal end of things. Blast beats ahoy! Local support includes the Tidewater band Awaken Cthulhu, who are seeking to resurrect the Great Old Ones through ripping thrash terror. That’s a mission I can wholeheartedly support. Come, armageddon, come.

Friday, October 26, 9 PM
The Camel’s Friday Festival of Frights, feat. Toxic Moxie, Piranha Rama, Nightcreature, Pagan Reagan @ The Camel – $8 in advance/$10 day of show (order tickets HERE)
I said I was skipping the tribute shows this year, but I can cover Halloween shows full of original music, right? Why am I asking you? I make the damn rules around here! And I’m establishing this rule right now: you will go see Toxic Moxie whenever they play a show. This band does a better job finding the sweet spot between punk rock rampage and disco euphoria than pretty much any other band you’ll find anywhere. And while we still haven’t heard that wealth of new material they’ve been stockpiling in recorded form, it’s easy to catch ahold of their musical whirlwind anytime they take the stage.

They recently acquired a new drummer, and the switch-up didn’t slow them down for a second. Find out for yourself this Friday night at The Camel — it’s sure to be a night of nonstop fun, even when Toxic Moxie aren’t onstage. Nightcreature, a new band who’ve already made a big splash in the time they’ve been playing around Richmond, are bringing us a release party for their debut EP, which confirms what everyone who’s seen them live already knows — these maniacs have rock n’ roll oozing from their pores, and they’re gonna smear it all over you! Piranha Rama’s musical melange will bring the zombie beach party vibe to West Broad St, while DC’s Pagan Reagan drive down to deliver us a set chock-full of surf-garage awesomeness. Plus, there’ll be a costume contest, complete with prizes! Make sure you wear a costume that’s easy to dance in, because you’re gonna be dancing once Toxic Moxie comes on. We guarantee it.

Saturday, October 27, 8 PM
Mary Chapin Carpenter, Laura Cortese and the Dance Cards @ The National – $29.50 in advance (order tickets HERE)
A key sign of my encroaching middle age: I think country music’s pretty tight these days, y’all. I’m still picky about what I like, and all that modern stuff coming out of Nashville is the most fake plastic bro-truck bullshit I’ve ever heard, but some really great musicians have operated in that particular genre milieu over the past few decades, and when they come to town, I feel obligated to let y’all know that I’d probably rather be seeing them than whatever grimy metal show is happening in some dark rock club across town. OK, that isn’t always true, but when Mary Chapin Carpenter comes to town, it definitely is.

Mary Chapin Carpenter had quite the run back in the 90s. From Cajun party jams (“Down At The Twist And Shout”) and heartfelt slices of life (“He Thinks He’ll Keep Her”) to playful romps (“Shut Up And Kiss Me”) and yearning declarations of desire (“Passionate Kisses”), Carpenter gave us a succession of top-10 country hits that showed both a significant musical range and a strong songwriting ability that made her a reliable source of excellent tunes. She’s getting less attention these days, but she’s still at it, making the same excellent music as she ever has. Her thirteenth album, Sometimes Just The Sky, came out earlier this year, and acts as incontrovertible proof that, even three decades later, Mary Chapin Carpenter has the goods. Go to The National this Saturday night and experience the work of an incredibly talented singer-songwriter who’ll remind you that country music can be awesome.

Sunday, October 28, 8 PM
She Wants Revenge, Shadow Age @ The Broadberry – $30 (order tickets HERE)
Halloween may be the scary holiday, it may be the costume holiday, but it’s also definitely the goth holiday, and this is one that’s sure to bring all the goths out of the woodwork, the black hair dye dripping from the tips of their hairsprayed mops… or something like that. She Wants Revenge has been out of the limelight for years, having taken a hiatus after their 2011 third LP, Valleyheart. However, they’ve been slowly ramping back up into full-time action for the past couple of years, and their current tour sees them jumping fully back into the fray with their moody, foreboding take on post-Joy Division gothic postpunk sounds.

The fact that they’re hitting Richmond just in time for Halloween is eminently appropriate, and their pairing with local postpunk trio Shadow Age is equally apropos. Shadow Age just released an excellent self-titled full-length that ramps things up to the next level for the group, injecting their bleak, cold sound with a welcome dose of frenetic energy. Tunes like “Montrose” and “Reign” fulfill the promise of their earlier EPs, and bring us a band at the top of its game. Sadly, they recently posted on facebook that they’d be taking an indefinite hiatus of their own after this show, so this may be the last chance you get to see them perform this material live. If you miss it, you’re sure to regret it. Don’t do that to yourself.

Monday, October 29, 7 PM
Nosferatu feat. live score @ Strange Matter – Free!
I don’t want to give anyone the wrong impression. The fact is, I love horror. I love horror stories, I love horror novels, and I love horror movies. That’s why I can’t possibly prevent myself from recommending this film event taking place at Strange Matter on Monday night. They’ll be showing the classic 1922 silent film Nosferatu, complete with a live score. This film, directed by legendary German filmmaker FW Murnau, is one of the crucial establishing works of horror film, following up on the example of 1920 German expressionist film The Cabinet of Dr. Caligari, and setting the tone for all vampire films to come after.

Murnau’s haunting direction and German stage actor Max Schreck’s unforgettable portrayal of Count Orlok make this suspenseful classic essential viewing, and its status as a silent film opens up a perfect opportunity for some local musicians to enhance the film’s atmosphere with a soundtrack of their own. Members of R-Complex, Prisoner, Asylum, Sinister Haze, Cough, and others will all join together to create a soundscape likely to pull a great deal from these musicians’ backgrounds in metal, noise, punk, and experimental music. It will definitely not be the sort of thing you’ve come to expect from an organ-soundtracked showing of Phantom Of The Opera, but if anything, that makes it better. Head to Strange Matter Monday night and see Nosferatu like you’ve never seen it before.

Tuesday, October 30, 9 PM
Dead Bars, Love Roses, Yeehaw Junction @ Wonderland – $5
Seattle’s Dead Bars are coming to town to liven up the bars in Shockoe Bottom. Well, one bar in particular — Wonderland, the punkest dive bar in the Bottom, which is sure to rise to the Devil’s Night occasion with this show, which constitutes what they’re doing for a Halloween party down there. They may very well go all-out with the decor — we all know Wonderland owner Chad Painter is a big White Zombie fan, after all, and therefore you can assume he takes Halloween seriously. But don’t feel any big sense of obligation — as long as you come to party, you’re sure to have found the right place.

Dead Bars are pretty excellent musically, and though they don’t have any real Halloween-like attributes — most of their stuff is solidly in line with the musical tradition of their label, No Idea; which is to say, anthemic pop-punk with witty lyrics about struggling through life with one foot in the gutter — they’re sure to rock the place like no other. And that’s what we all really want. Locals Love Roses will do a very similar sort of thing, but at twice the speed and with twice the velocity. Meanwhile, relative newcomers Yeehaw Junction are bringing some programmed beats and synth whooshes to a place that’s probably not used to this sort of thing. It’ll be interesting to see how that goes over. Regardless, though, this is going to be an excellent night of punk rock jams, whether you care about the holiday or are just looking for something to do on a Tuesday night. Get into it.

Bonus Hampton Roads Picks:

Wednesday, October 24, 5 PM
Bloodletting, feat. Arsis, Internal Bleeding, Pyrexia, AngelMaker, Within Destruction, Crucial Rip @ Shaka’s – $20 in advance/$22 day of show (order tickets HERE)
Now hear this! This show is happening today, it’s happening over an hour from here, and it starts early. You know what that means — if you don’t have your tickets now, you better order ’em immediately and go running out of work full-tilt at 5 PM if you wanna catch the maximum amount of headbanging carnage at Shaka’s tonight. Of course, the main thing you’re gonna want to see is the performance by headliners and hometown favorite sons Arsis, who hail from the Hampton Roads area and are just about to release their sixth LP, Visitant, next week. You’ll get a killer live preview of the record at Shaka’s, complete with sick death-metal riffs, hyperspeed thrash beats, and James Malone’s unmistakable throat-shredding vocals. And who knows? They may even have copies for sale. Regardless, this is sure to be a rager of a set.

And that’s far from the only dose of awesomeness you can expect from this stop of the Bloodletting North American tour. Internal Bleeding, who hail from Long Island, were one of the pivotal groups in establishing the slower, heavier, more breakdown-focused version of death metal that became a New York trademark and helped create the death metal subgenre known as slam. They’re still at it today, having released their sixth album, Corrupting Influence, earlier this month. And they’re still crushing heads with maximum power, which should be brutal music to the ears of anyone who loves death fucking metal. Fellow NY death-metal headcrushers Pyrexia are also on this tour, and while they’re not quite as legendary as Internal Bleeding, they’re maybe a half-step down. This is going to be a hell of a show, y’all, and the fact that AngelMaker, Within Destruction, and VA locals Crucial Rip are also on the bill only sweetens the pot. You know what to do.

Friday, October 26, 6 PM
Piece Of Mind, Typecaste, Atonement, Knife Spitter, Compulse, Patheos @ 37th And Zen – $10 (order tickets HERE)
If you’re looking for some super-tough hardcore, Norfolk is often the place to be. This weekend is no exception — Oklahoma’s Piece Of Mind, who’ve been making their mark in a big way over the past year or so, are rolling through with some harsh, metallic hardcore full of powerful breakdowns and aggressive rage. They recently joined up with Safe Inside Records to release Trilogy, a compilation that pulls together three EPs (hence the name) and sets the stage for a new record soon to come from the band. The new material they’ve previewed thus far shows the same sort of heavy-as-fuck hardcore power that they’ve been dishing out all along; fans of Hatebreed and Buried Alive are sure to appreciate this one.

Piece Of Mind are joined on this bill by equally powerful hardcore crew Typecaste, who hail from Boston and feature a harsher vocal attack and some harder-hitting breakdowns but are very much on the same page overall as Piece Of Mind. If you’re expecting to get anywhere near the stage during their set without being in the middle of a massive mosh pit, I have some news for you: it ain’t gonna happen. This triple threat of touring hardcore heaviness is rounded out by Connecticut rippers Atonement, who are all about the Slayer-style riffs in pursuit of the ultimate powerful breakdown. It works, too — these guys will make your head explode. This show, which also features three killer bands from around the region, including the outstandingly named Knife Spitter, is acting as a benefit for Braeden Branch of VA Beach deathcore band Deathsinger, who recently suffered a collapsed lung and had to be hospitalized. Help a fellow rager cover some medical expenses; kick in the cash at the door, and come to 37th and Zen ready to mosh hard.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 29 – September 4

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, August 31, 8 PM
Inter Arma, Valkyrie, Genocide Pact, Paint Store @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
The summer is drawing to a close. The fall semester is starting, Labor Day is upon us, and the constant stream of awesome shows that makes summertime one of the most fertile periods of live music all year is starting to wind down. Never fear, though — Strange Matter always has you covered, and this Friday night they’re joining up with beloved Richmond metal veterans Inter Arma to bring you a night of outstandingly heavy sounds that’ll keep your weekend feeling as filled with rock as any weekend you’ve had this summer.

It’s been a couple of years since Inter Arma laid their last full-length slab of epic, ultra-powerful metal rage on us in the form of 2016’s Paradise Gallows. However, the word is that they’ve got another one in the can, so you can expect some fresh new jams from this creative quintet to level your mind once more. And considering their tendency to write veritable symphonies of metal riffing, even one new song will probably have enough going on to bring you at least a dozen killer new parts to get stuck in your head all weekend.

The rest of this bill is made up of friends and labelmates that Inter Arma is particularly delighted to bring to their fans. Foremost among those is Valkyrie, who may be better known for guitarist Pete Adams’ decade-long tenure in Baroness, but have distinguished themselves as a brilliant provider of heavy stoner-doom grooves for over 15 years now, most recently with their 2015 LP Shadows. Now that Pete is no longer performing with Baroness, it seems likely that this revitalized crew will be bringing us some previously-unheard awesomeness of their own, so get stoked! DC’s Genocide Pact are also on the scene with some dark and grimy biker-thrash sounds, as documented on their recent LP, Order Of Torment. And of course, RVA instrumental math-rockin’ trio Paint Store will kick it all off with some unpredictable but excellent tunes. Take heart, Richmond — your weekend’s still gonna start off right!

Wednesday, August 29, 7 PM
Slaughter Beach Dog, Thin Lips, Sammi Lanzetta @ Strange Matter – $13 in advance/$15 day of show (order tickets HERE)
It’s been a while since Modern Baseball went by the way side, and since the release of the second album by former Modern Baseball singer-guitarist Jake Ewald’s new band, Slaughter Beach, Dog, it’s started to seem like Ewald’s found a voice of his own, separate from the emotional pop-punk of his previous band. That’s not to say that Slaughter Beach, Dog isn’t emotional — even with a goofy name like that, there’s a very sincere feeling behind the songs on 2017’s Birdie that make clear that this band is no joke. What started as an outlet for a bit of a different approach than that of Ewald’s old band has become a fully independent project — and an excellent one at that.

Slaughter Beach, Dog’s most recent album finds the group exploring a variety of sounds, from softly-spoken acoustic folk to melodic, emotional indie sounds, even veering occasionally into country territory. Fans of everything from The Weakerthans to Hop Along to Sun Kil Moon will find something to enjoy from Slaughter Beach, Dog’s live incarnation, which is quite sure-footed considering the solitary origins of the group. Fellow Philadelphians Thin Lips will accompany the Slaughter Beachers down to RVA and bring us some pretty amazing pop sounds of their own, though Thin Lips certainly have a more overt wit, as well as a harsher edge to their catchy riffs. They show this off in noteworthy fashion on new LP Chosen Family, and the highlights from that album are sure to pick up some new RVA fans when they’re aired out onstage at Strange Matter tonight. Local phenomenon Sammi Lanzetta kicks off the show with some unmissable tunes that RVA music lovers should already be quite familar with — and if you’re not, what are you waiting for?

Thursday, August 30, 8 PM
Cole Hicks, Joey Gallo, Kenneka Cook @ The Camel – $10 (order tickets HERE)
RVA hip hop is only getting deeper and stronger as the years go on, and I don’t know who could possibly have a problem with it. For those of us who recognize how wonderful a development this is, the place to be this Thursday night is The Camel, where this city’s newest star of the hip hop community is having a party to celebrate the excellence of her brand new album, May Day. That’s right, I’m talking about Cole Hicks, a tenacious wordsmith with sharp, incisive lyrics and an unrelenting flow. The majority of her new album is produced by NameBrand of Nickelus F and Radio B’s crew, AGM, and it’s full of smooth soul samples that add a moody, elegaic undertone to Hicks’ powerful rhymes.

She’ll take this entire sound to the next level once she hits the stage at The Camel tomorrow night, where she’ll present her May Day album to the world with a full live performance. It’s been out for a few months now, so you’ve had plenty of time to get on her wavelength, but if you still haven’t caught on, your attendance tomorrow night is required. Joey Gallo will also be on the scene, presenting his own excellent multilayered sound and outstanding lyrics — as heard on his powerful 2016 release, The Gallory. And of course, a set from Kenneka Cook will change up the sound and bring a dose of soulful experimentation and incredible vocalizing to the evening. There’s a lot to look forward to from this one — you really don’t want to miss it.

Friday, August 31, 6 PM
Holly Golightly & The Brokeoffs, Big NO, The Shangri-Lords @ Hardywood – Free!
Holly Golightly — for truly, she is none other — comes to RVA this Friday night, and anyone who loves garage rock, rootsy country, and old-school punk rock should certainly be stoked. Now, I know what some of you are thinking: “Holly Golightly, wasn’t that the name of Audrey Hepburn’s character in Breakfast At Tiffany’s?” Well, yes, you’re correct, but it’s also the name of a singer (whose mom was apparently a Hepburn fan) who has been making excellent music in a variety of guises since the late 80s. She first came to fame as the frontwoman of UK garage-punkers Thee Headcoatees, an all-female spinoff from wildman Billy Childish’s Thee Headcoats. But she’s done a lot since Thee Headcoats disbanded, too.

In addition to over a dozen solo albums, she’s appeared everywhere from the soundtrack to Jim Jarmusch’s Broken Flowers to a memorable guest spot on the excellent White Stripes album Elephant (that’s her giving Jack’s horse a carrot so it’ll break his foot). For the past decade or so, she and her partner, Lawyer Dave, have had a project called Holly Golightly and the Brokeoffs, and it’s this project that’s coming to Hardywood Friday night. They’re sure to bring us some tunes from their brand new album, Clippety Clop, which features a collection of cover tunes about horses, originally performed by everyone from Jimmie Rodgers and Johnny Cash to Red Red Meat. And considering Golightly’s excellent voice and talent with a variety of musical genres, whatever else they want to bring to the stage is just as certain to be a delight. With local excellence in the form of Big No and the Shangri-Lords kicking this one off, and a truly delightful pricetag, you have no excuse to miss this one.

Saturday, September 1, 8 PM
North By North, Caterpillar Trap, Solace Sovay, Mister Moody @ Gallery 5 – $6
This one’s gonna be fun. Thumping, rollicking rock n’ roll trio North By North are coming to town, bringing their inexhaustible propensity for touring the world to Richmond, VA. This Chicago group eschews bass in favor of organ, in a manner that gives them a heavy, almost surf-like undertone and an energy that’s sure to get you dancing. 2016’s Last Days Of Magic also shows off a variety of unconventional instruments that give the group an additional layer in the studio, but the songs themselves are sure to stand on their own in the live environment, and ensure that you can’t stand still on the dance floor.

North By North will be joined by a variety of local RVA bands when they hit town, Caterpillar Trap being the foremost among these. Their funk-infused prog-rock sounds are sure to delight those of you who like their rock n’ roll to be a fun blast of high energy. Indie trio Solace Sovay have a bit of a different feel going on, venturing into the sort of post-shoegaze territory of Silversun Pickups, early Smashing Pumpkins, and even Band Of Horses on their underrated new album, It Doesn’t Matter What It Is, Just What It Seems. These guys are the best reason for you to show up early to this one. But of course, you’ll also want to catch Mister Moody, a new crew of rockers who haven’t revealed much about their sound as yet — but are certainly intriguing.

Sunday, September 2, 8 PM
Toke, Sinister Haze, Book Of Wyrms @ Strange Matter – $10 (order tickets HERE)
OK, y’all, get ready for some SERIOUS doom. Toke hails from NC, and you know any band that names themselves after the act of taking a drag from a joint is gonna have some top-level slow-n-heavy shit for you. Toke completely live up to their name on 2017 EP (Orange), dropping half a dozen bangers of pure thousand-ton groove on ya, complete with some excellent high, harsh vocals. If you always wished Grief were a little less depressed, or that Fu Manchu would quit pussyfooting around and get seriously heavy, you’re gonna get a big kick out of this Carolina trio.

They’re joined on this bill by a double-shot of local doom power to make you even gladder that you came out, too. For one thing, we’ll be graced by a rare appearance of Sinister Haze, who’ve gone through a significant metamorphosis over the years in which they’ve been active, most recently materializing as a spacefaring psychedelic metal quartet — complete with spooky synths from soundman extraordinaire/former Lost Tribe member JK — on their 2017 EP, Emperor Of Dreams. Book Of Wyrms have a psych tinge of their own, as displayed on 2017’s Sci-Fi/Fantasy, but end up splitting the difference between Sinister Haze’s space voyaging and Toke’s earthy rumble with ethereal vocals and Hawkwind-ish space sounds finding a home over some pulverizing proto-metal riffage. You’ll have a headbanging good time at this one, folks, so don’t miss it.

Monday, September 3, 8 PM
Ohmme, Renata Zieguer, Tinnarose @ Strange Matter – $10 (order tickets HERE)
I will freely admit that this Chicago duo’s name through me for a loop, at least until I found out it was originally spelled “Homme,” but was changed either to avoid confusion with a K-pop group or to appease the fans of that Queens Of The Stone Age guy (only their lawyer knows for sure). They’re doing some pretty interesting stuff on their brand new album, Parts, stuff that shows both a facility for pop songcraft and a love for experimentation with all sorts of unusual sounds. Apparently they’re both classically trained pianists, but these days they’ve left keyboards behind for the most part, in order to do weird stuff with guitars and sing in perfect harmony.

Ohmme’s got a lot of fascinating sounds and catchy tunes to bring to the ears of discriminating indie-pop fans, and the same folks are sure to enjoy New York’s Renata Zeiguer, who’ll be joining Ohmme on their trip to Strange Matter. Zeiguer’s debut LP, Old Ghost, encapsulates a variety of genres, moving through new wave, rock n’ roll, pop, country, and influences from older sounds like swing and gospel in a nimble fashion that I can imagine appealing both to fans of Haim and to those who love Natalie Prass. With recent RVA transplants Tinnarose, a folk-psych project with an enchanting aura, opening up, this show is sure to be a treasure trove of musical delights.

Tuesday, September 4, 8 PM
Shadow Age, Serqet, Pain In The Yeahs, Widow Rings @ Strange Matter – $8
New York group Wax Idols were scheduled to headline this show, but instead they cancelled their tour and broke up. That’s a real bummer, but we can’t let it get us down for too long, especially since this evening still has so much excellent music to offer us. Shadow Age, for one, who’ve brought us a couple of excellent EPs over the past few years and will be celebrating the release of their self-titled debut full-length at this show.

From the three songs that have been revealed on the internet thus far, it sounds like it’s going to be a great one, carrying on the group’s synth-infused, guitar-driven gothic postpunk sound with even stronger melodies than they offered before. Fans of the band are sure to be stoked. And with a packed lineup of VA-based excellence, from the gloomy, profound postpunk of RVA’s Serqet to the morose electro-goth sounds of Tidewater group Pain In The Yeahs to lachrymose Fredericksburg darkwave project Widow Rings, there’s plenty more for those able to get on Shadow Age’s wavelength to enjoy… or at least appreciate.

Bonus Hampton Roads Picks:

Friday, August 31, 9 PM
The Muslims, The Cazz, The Breach @ Taphouse Grill – $5
When I saw the band name “The Muslims,” I wasn’t sure what to expect. Was this just another group of suburban white kids attempting to provoke? Thankfully, no — it’s just the opposite. The Muslims are a trio of musicians of color, taking a confrontational approach to calling out all of the racist and discriminatory politics that are running wild in today’s climate of right-wing ascendancy. Their snotty, ramshackle punk sound and wittily confrontational lyrics, displayed on their self-titled full-length debut in songs like “Jihadageddon,” “Muslims At the Mall,” and “One Black Friend,” is exactly the sort of fearless, irreverent musical activism we need in this world right now.

The Muslims have had videos removed by YouTube and status updates censored by Facebook, but IRL, this Durham group can’t be stopped, so head out to Norfolk’s Taphouse Grill this Friday night and get your mind blown by this brilliant musical finger in the face of everything that sucks about 2018. They’ll be joined by Norfolk locals The Cazz, an old-school punk trio with some jangly tendencies and snarky lyrics. Opening up will be The Breach, who hail from Virginia Beach and clearly love early 80s hardcore and playing really fast. This one’s gonna be a lot of fun.

Tuesday, September 4, 7 PM
Dead Boys, Ghost Wolves, The Nerve Scheme, Norfolk Nightmares @ Shaka’s – $15 (order tickets HERE)
It’s been over 40 years since the Dead Boys released their groundbreaking debut album, Young Loud And Snotty, and if you’re thinking, “Wait, aren’t they all, you know… dead?” You’ve got another think coming. It is indeed true that original vocalist Stiv Bators passed away in the early 90s, but original members Cheetah Chrome and Johnny Blitz have, believe it or not, recruited a couple of members of a Dead Boys tribute act called The Undead Boys and hit the road once again in celebration of a brand new, rerecorded version of their legendary debut.

Still Snotty: Young Loud And Snotty At 40 shows singer Jake Haut (the punk rock Ripper Owens) doing a great job of recreating Stiv’s snarky rage on classic tunes like “Sonic Reducer” and “Ain’t Nothin’ to Do.” And he and the other still-living Dead Boys are sure to tear things up at Shaka’s on Tuesday when they bring you all the hits, as speedy, as energetic, and yes, as snotty as ever. Raw, roots rockin’ duo the Ghost Wolves will also be on this bill, laying down some primitive noise sure to bring a smile to the face of anyone who enjoys The Cramps. Tidewater locals The Nerve Scheme and Norfolk Nightmares will kick the night off and ensure that this one is a blast from the word go. Be there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 10/25-10/31

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FEATURED SHOW
Tuesday, October 31, 9 PM
Fear Of Music plays Fear Of Music @ The Camel – $10 (order tickets HERE)
It’s that time again–Halloween, when all the good little rock n’ rollers get together to put on costumes by playing the music of other bands. The Halloween parties that have become Richmond traditions are still happening, and will doubtless be as awesome as ever, but this year I find myself drawn to a new thing that I’d enjoy seeing become a tradition of its own.

Fear Of Music, who’ve been plying their Talking Heads tribute band trade around town for years now, have decided to take things one step further this Halloween. Instead of their usual set pulling from the wide variety of awesome songs Talking Heads created over the course of their career, they’ll be drilling down and focusing on one Talking Heads album–specifically, the one that gave them their name. 1979’s Fear Of Music is best known today for its landmark single “Life During Wartime,” which features memorable lyrics involving a New York scenester attempting to survive the apocalypse. But of course this album also sees Talking Heads’ musical explorations into funk, disco, and sounds from around the world kicking into high gear, most notably with Dadaist disco opener “I Zimbra.”

Will RVA’s Fear Of Music have the chops to properly recreate Talking Heads’ Fear Of Music? In light of the group’s impressive pedigree, I think it’s a safe bet. And not only will they do that, they’ll add a second set featuring the jam-packed retrospective of the Heads’ best work that more closely resembles their usual work. Special guests will apparently be in the house to help out, though specifics on their identities are as yet unknown. Whoever they are, they’ll probably be wearing costumes–and you should be too. It is, after all, Halloween.

Wednesday, October 25, 5 PM
Radiator Hospital, Outer Spaces, Big Baby @ Strange Matter – $10 (order tickets HERE)
The return of Philadelphia jangle-punk sensation Radiator Hospital is a big event for a certain segment of the RVA music scene, and considering how great this band is, the rest of you should probably get on board with the quickness as well. Led by singer/songwriter Sam Cook-Parrott, the group just released their fifth (and, by many accounts, best) album so far, Radiator Hospital Play The Songs You Like. Featuring songs with titles like “Long Distance Dedication,” “Pastoral Radio Hit, ” “Dance Number,” and “Old Refrain,” it seems the group is using this album to focus on the way music interacts with the world. Of course, that will become clearer once we’ve all had some time to give it a few listens. Get a jump on that at this show.

Baltimore-based Outer Spaces join Radiator Hospital on this trip down to good ol’ RVA, and while they don’t quite have the same sort of high profile in the scene as Radiator Hospital enjoy, it’s certainly not because they’re any less good. In fact, this band, the latest project from singer/songwriter Cara Beth Satalino, is a big personal favorite of mine. I’ve followed Satalino’s work since her early solo days over a decade ago, and from those early EPs to her previous band Witches and now through Outer Spaces, she’s maintained a consistently high level of songwriting. Last year’s debut full-length, A Shedding Snake, gives us a bushel of great tunes, enhanced by multi-instrumentalist Chester Gwazda’s frequent interjection of electric piano textures. With local geniuses Big Baby kicking off the whole thing, this is an incredible show from top to bottom.

Thursday, October 26, 6 PM
Shadow Age, True Body, Aerial Ruin @ Champion RVA – Free!
These free shows at Champion just keep on bringing the home runs, combining excellent local talent with rad up-and-comers from around the region to make for an evening of excellent sounds. The local stars on this particular bill are Shadow Age, who recently followed up their 2016 debut EP, Silaluk, with an excellent new EP called The Fall. Lineup changes since the previous EP see a slimmed-down, now synthless version of the band focusing more closely on frontman Aaron Tyree’s powerful guitar playing, which continues to evoke The Chameleons, Pornography-era Cure, and early Echo and the Bunnymen to superb effect. I was a big fan of their debut EP, but I might just like this new one even better. A full set like this is sure to be just what the doctor ordered.

This group is joined by a pair of out-of-town groups with some similarly downcast, memorable tunes. Norfolk’s True Body have a brand new two-song single to wow us with, and its gloomy baritone vocals and glimmering postpunk atmosphere strike many of the same notes as Shadow Age, but with a flavor entirely its own. This show is gonna be a real bonanza for the black-clad goth kids of this town, especially since the lineup is rounded out by Aerial Ruin. This atmospheric, mainly acoustic solo project is helmed by Erik Moggridge, a Pacific northwest musician with previous experience in a variety of heavier bands. Apparently this is his move in a quieter direction; recently released LP Nameless Sun also shows a great deal of hypnotic intensity to this group’s sound. Get some sun on your way to this one, because it’s gonna be all shadows once the music starts.

Friday, October 27, 6 PM
Neverkept, Telltale, We Call This Courage, Nine Line, Epiphany @ The Canal Club – $8 in advance/$10 day of show (order tickets HERE)
We’re back at the Canal Club this Friday night, and as has become the trend with this particular venue over the past year or two, we’re enjoying some catchy emotional pop-punk sounds at an all-ages gig that one wouldn’t be off base to guess will mostly be populated by high school students (OK, and maybe some college kids too). But seriously, if you let that kind of thing run you off, you’ll miss out on a lot of good shit–as has always been true, the kids know what’s up. The word for this show is Neverkept, a brand new name for an established band who originally introduced themselves to the world under the name Count To Four. Shedding the name last year when founding singer/guitarist Mike Hayden was replaced by the duo of Lucas Cote (vocals) and Aaron Mong (guitar), the group still doesn’t have any music available from their current incarnation. However, a new album is in the works, and the group’s sure to have plenty of new music with which to regale fans who’ve come to expect the sort of strong, melodic combination of pop-punk, emo, and hardcore the band has been delivering for years now.

There are plenty of local groups on this bill as well, and the one we should probably mention first is plucky quartet We Call This Courage, who will be bringing a brand new album into the world at this show. Their self-titled six-song EP shows off a dynamite songwriting sense with killer melodies driven by a great deal of youthful energy. It’s what the Canal Club wants, and it’s what the Canal Club will get–never fear. Telltale are a newer local group who’ve just released their debut EP, Good Intentions. These guys are cleancut enough to pass for a boy band, but their lyrics tell a darker story of issues with relationships and substances. So yeah–they’re an emo band. Which is never a bad thing, by any means. Local newbies Nine Line and Epiphany round out this lineup of bands that need to finish up their sets before curfew–expect this one to go quick and feature lots of hyperactive dudes jumping around with guitars. I don’t know about you, but I’m a sucker for that shit.

Saturday, October 28, 6 PM
Spooky Cool, Blush Face, Angelica Garcia, Private Cry @ Hardywood – Free!
Spooky Cool have been one of the more mysterious bands on the local indie scene over the past couple of years–grainy youtube footage was the only way you could learn about them for a long time, unless of course you went to the shows and learned for yourself. But all the buzz they’ve been picking up over that time has finally led to them poking their heads above the waterline, first with a new single, “Strange Rooms,” released last month, and now with a brand new video from the long-running local purveyors of music and filmic excellence, Good Day RVA. The group’s twining male-female vocal harmonies and strangely syncopated alt-rock riffs make a strong impression–though their inacessible air of mystery has no doubt ratcheted up the anticipation, making this overdue release all the more enjoyable.

Get your fill of Spooky Cool this Saturday night at a free show featuring a set from the band along with a premiere of the Good Day RVA video, which will be making its way to YouTube shortly afterwards. You’ll also get a heaping dose of the most excellent sounds from a variety of different subsections of the RVA indie world. Blush Face has grabbed quite a bit of attention on their own behalf with recent debut full-length What Do You Want? The group’s bouncy pop jangle is the kind of thing that worms under your skin and never lets go. The lineup is rounded out by recent local sensation Angelica Garcia, whose bold new sound has grabbed some high-profile attention from the likes of the New York Times recently; and newcomers Private Cry, who bring multi-layered vocals and an intriguing mix of instruments to bear on some vaguely psychedelicized alt-rock sounds in fascinating fashion. And all of this is available to you for the low low price of … absolutely nothing? Why the heck wouldn’t you go?

Sunday, October 29, 2 PM
Washers, Horizontal Hold @ Hardywood – Free!
I have no idea how hard y’all party, but if you’ve followed my previous instructions as to show attendance for the week, you shouldn’t have too much to worry about–after all, if you get too sloppy at Hardywood Saturday night, you can just crash in your car and drag your messy bedhead self back to Hardywood at 2 PM the next afternoon. You should probably go home and get a shower and some breakfast first, though–or at least I would, but far be it from me to tell you how to live, you maniacs.

I will tell you that attendance at this Sunday afternoon show over at Hardywood will bring a great deal of light into your life, if you choose to accept it. The main attraction on this bill is Washers, a new band bringing together the talents of Stuart Holt (Sports Bar), Brad Perry (Worn In Red), and Joel Alford (Pity Party). This band’s fun power-pop sound is exactly what you’d expect from some of these guys, with a heavier edge brought in by the rest of them. It’s tight–go see for yourself. And check out North Carolina’s Horizontal Hold while you’re at it; this group’s herky-jerky postpunk sound harks back to early 80s NYC No Wave without all that early-80s Manhattan grottiness. The whole thing is free, and it’ll be over in time for you to go get some dinner and head back out for yet another show! Or just hit the sack early. I honestly wouldn’t blame you.

Monday, October 30, 8 PM
LA Witch, Guantanamo Baywatch, The Smirks, Sick Bags @ The Camel – $12 (order tickets HERE)
The world of garage rock gets weirder and spookier with every passing year, and I for one think that’s great. After all, there are only so many new versions of “Dirty Robber” and “Psycho” we can all hear without getting bored. LA Witch is certainly not going to bore you. This trio, predictably hailing from Los Angeles, have a lot of venom and vigor to their sound, as well as a great deal of ominous reverb, simultaneously resembling the moody punk garage sounds of prime early Cramps and the psychedelic, um, witchery of bands like Black Rebel Motorcycle Club. The results, as documented on their brand new self-titled LP from Suicide Squeeze, are incredible. Much the same can be expected from their performance Monday night. Get down with it.

And you garage freaks will get a special bonus, as this one night sees them criscrossing the tour paths of Portland-based Suicide Squeeze labelmates Guantanamo Baywatch, who bring a ripping surf-driven sound to town to get all of us dancing. These guys just released their latest LP, Desert Center, back in August, and its deep dive into speedy mutant surf instrumental territory is matched in intensity by its haunting vocal numbers, many of which have a doomed 50s-retro vibe sure to thrill all assembled. Local garage-damaged young punk snots The Smirks will be on the bill to let the elders know how its done, while Sick Bags sees some former members of local punk louts The Ladies bringing a more openly retro style to their still-antisocial vibe. Don’t miss a minute of this one, folks, it’s sure to be a blast.

Tuesday, October 31, 6:30 PM
Citizen, Sorority Noise, Great Grandpa @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
When their first album came out in 2013, Citizen got lumped in with that whole emo-revival thing. At the time of their 2015 followup, they got thrown into the post-hardcore shoegaze crowd. Now, in 2017, their third album, Aim To Please, has been released, and it shows this group to have a sound that’s held true through every attempt to pigeonhole them. The emo aspects are still there. The post-hardcore vibes and ringing shoegaze guitars are still in the mix as well. But at the end of the day, what this band does best is killer melodies with an undeniable infusion of passion and heartache. And they’re still doing it as well as ever, so going to see them live is still a really great idea.

Sorority Noise came together from the ashes of a couple early emo-revival bands, but quickly staked out territory well outside their original expectations. Their most recent album, You’re Not As _____ As You Think (yes, it’s really a blank), continues to explore new sounds that move from slightly-twisted melodic punk to strange ambient gothic vibes, all while digging deeper into the sorts of emotional issues that plague us all. All in all, they’re a great pairing with Citizen, and all the Canal Club kids are sure to eat it up. The evening will kick off with a set from Seattle’s Great Grandpa, who orbit some of the same styles Citizen and Sorority Noise are swirling around, but mix in doses of shoegaze and 90s alt-rock to keep things lively.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]