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VA Shows You Must See This Week: March 4 – March 10

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FEATURED SHOW
Friday, March 6, 7 PM
RVA Game Jams presents Split/Screen: A Video Games Themed First Friday Art Show, feat. Buzzard Dust, Ages, Gull, Mister Earthbound, Danet Jackson, F1NG3RS @ Gallery 5 – Free!
Sometimes, you guys, the world is just a major letdown. At those times it can be easy to get overwhelmed and feel like taking to your bed, pulling the covers over your head, and not coming out for six months. But take heart — there are still things worth being awake and in the world for. One of those is happening this Friday night, as RVA Game Jams partners up with Gallery 5 to bring us a First Friday art opening with a bit of a twist — it’s entirely focused on video games.

This event is a celebration of indie games in the Richmond area, and will feature playable demos of half a dozen games by local creators, including memorably named examples like Not Safe For Bugs and Deer In The Headlights. You’ll get a chance to check out art and artifacts from the creative process of video game development, as well as the opportunity to play these games yourself. And you’ll get to hear some really great tunes from local musicians while you’re at it!

Between rounds of the playable demos, you’ll enjoy sounds from Buzzard Dust, the fiery blackened thrash group who last released an LP on Richmond’s own Forcefield Records back in 2017. Word has it they’ve got a grip of new material to lay on us, though, so get stoked for that. Plus there’ll be a performance from Ages, the latest project from former Magnus Lush leader Age Shurte and talented members of other rad local groups like Weird Tears and Dumb Waiter. And we’ve still only scratched the surface, as several other area performers, from the almighty Gull to the psych-stoner jams of Mister Earthbound, as well as the video-game inspired electronica of F1NG3RS, are all on tap for the night as well. Let the often-solitary pursuit of video games be an opportunity for connecting with the world, and head over to Gallery 5 this Friday night. It’s better than hiding in bed — I promise.

Wednesday, March 4, 7 PM
Mind Shrine, Majjin Boo, Alfred., Castle OG, Shormey @ The Camel – $8 (order tickets HERE)
Mind Shrine may be from Texas, but things will be getting downright tropical, at least in a musical sense, at The Camel tonight when this catchy quartet brings their remarkable sound to town. On their recent self-titled EP, Houston’s Mind Shrine create a warmly glowing pop sound with roots in both smooth 70s AM radio sounds and the music of Brazilian leading lights like Caetono Veloso and Os Mutantes, but fed through an undeniable 21st century indie filter, resulting in pure indie-pop gold. You’re going to want to dive into the warm, sunny sounds this band produces, and the Camel’s giving you the perfect opportunity tonight.

The evening will also present a set from Majjin Boo, who released my favorite Richmond music of 2019 and still have a very secure place in my heart two months into the new year. If you’re not on their wavelength yet, now’s the time. You’ll also have the chance to catch excellent musicians Alfred and Shormey just before they leave town together on a pre-SXSW tour that will culminate with them performing at that legendary Austin, Texas music fest later this month. And of course, Castle OG will round out the bill with some rad local indie sounds. You’re not going to want to miss a minute of this one — so make sure you don’t.

Thursday, March 5, 9 PM
Triumvir Foul, Human Agony, Antichrist Siege Machine, Predation @ Wonderland – $10
That place on the spectrum of musical genre where death metal meets filthy lo-fi noise is a fascinating one for me personally, as it reflects a lot of the turmoil I find myself dealing with on a daily basis. If you, like me, are someone who has your fair share of mental struggles, you might find yourself connecting with Triumvir Foul, the Portland-based death-black-thrash group whose 2019 EP, Urine Of Abomination, covers old-school Autopsy-style death brutality with a rumbling haze of foreboding terror. In other words, it’s fucking awesome. And you’re going to want to see how it translates live.

Meanwhile, Triumvir Foul’s Invictus Productions labelmates, Human Agony, hail from across the northern border in Vancouver and bring a more grinding speed-metal assault on their most recent LP, Putrescence of Calvary, with just as much of the ominous lo-fi grit as Triumvir Foul has to offer. These two groups should make a great team — and locals Antichrist Siege Machine are the perfect complement, bringing the sort of unrelenting death metal rage they displayed on 2019’s Schism Perpetration to the Wonderland stage this Thursday night. They’ll be accompanied by mysterious noise project Predation, who I hear has something to do with Division Of Mind, but that’s all I can tell you. Assuage your inner turmoil with some outer turmoil at this show. You’ll thank me later.

Friday, March 6, 10 PM
Ant The Symbol’s City Dawgz Takeover, feat. Sneeze, Reppa Ton, Rah Scrilla, Ben FM, PT, DJ Elliot Ness @ City Dogs – Free!
Ant The Symbol’s always up to some interesting things, and in 2020, that definitely has not changed. 2019 saw the veteran RVA hip hop producer release The What?!, a dozen tracks featuring a who’s who of the city’s best MCs dropping rhymes overtop of Ant’s always-killer productions. Now in 2020, he’s surprised us all with a follow-up, Holyfield, featuring new versions of all of the songs from The What?! along with a few entirely new tracks. From my initial lessons, I’d guess he took the vocal tracks from The What?! and laid them over new productions; and since Ant’s productions are always the stars of the show, that makes it damn close to an entirely new album only a few months removed from the last one. That’s something worth throwing a party for.

So that’s what Ant The Symbol will be doing this Friday night at City Dogs, as he enlivens this hot dog shop with a variety of leading MCs from around the city, almost all of whom (with the exception of Sneeze) appear on Holyfield, The What?!, or both. DJ Elliot Ness is providing the music, and rappers who should need no introduction to Richmond hip hop heads, such as Reppa Ton, Rah Scrilla, Ben FM, and PT will contribute the rhymes. This leaves Ant The Symbol to hawk copies of the new Holyfield CD, contribute the tracks that Elliot Ness spins, and hang out with his many talented friends. Come chill with Ant The Symbol this Friday night, hear some great rhymes and dope beats, grab a copy of the new CD, and have a couple chili dogs while you’re at it. You won’t regret it.

Saturday, March 7, 8 PM
Addy, Spooky Cool, Young Scum, Castle OG @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
It still feels to me like Addy are a relatively new band on the Richmond scene. Therefore it’s kind of wild to note that they are just about to release their first LP on emo heavy-hitters Topshelf Records — but I’m definitely happy for them, and to see them representing Richmond so well. At Gallery 5 this Saturday night, they’ll be celebrating their debut full-length, Eclipse, which finds the group, originally a minimalist solo project of leader Adam Watkins, moving toward more of a group identity as their current four-piece lineup becomes the focus of their recorded sound.

On Eclipse‘s early singles, we hear Addy embracing a warm, laid-back version of the indie sound, one that definitely pulls in a little Southern flavor to spice things up country-style. There’s an undeniable charm to this band’s aural presence, and that’s sure to translate with ease to the live environment created at Gallery 5 Saturday night. Addy will be accompanied on this joyful musical evening by a few other great Richmond indie groups, including Young Scum, Spooky Cool, and Castle OG, but their new LP is what the evening is all about, so bring a few extra bucks to pick up a copy for yourself, and enjoy a pleasant evening enveloped by the wonderful sounds of Richmond, Virginia.

Sunday, March 8, 7 PM
Lance Bangs, The Firnats, You’re Jovian, Magic Wand @ The Camel – $8 (order tickets HERE)
The Citrus City Sunday residency at the Camel is such a boon to Richmond music, I swear — every time it rolls around, we get a wonderful mix of mainstays from one of Richmond’s leading indie labels and new sounds you might not expect but are always a pleasant surprise. This time around, we’re getting a little more of the known quantities than the unknown delights, but it’s very hard to complain when the known quantity at the top of the bill is Lance Bangs, the slacker-rock trio who’ve slipped into a quieter presence on the Richmond scene recently but still have a ton of excellent tunes to brighten your Sunday evening with. If it’s been a while since you’ve caught these guys live, remember what it was you dug about them so much to begin with this Sunday night at the Camel.

And make sure you show up on time for the other musical delights Citrus City has to offer this evening — rest assured, they are plentiful. The Firnats, who are currently working towards the release of a new album sometime this year, have been described to me as 50s doo-wop and 90s grunge, and as crazy as that sounds, it’s pretty much dead-on — and a very enjoyable listen that will appeal to the indie kids and Future Islands fans out there. You’re Jovian’s Norfolk-based shoegaze sound has been an underrated fave of mine for years, and I’m glad to see them making it up to Richmond more lately. If you don’t know the deal, find out on Sunday — you won’t be sorry. Melodic punk-grunge newbies Magic Wand will kick this evening off with a shot of much-needed energy. Come out to this one — it’ll be a blast.

Monday, March 9, 7:30 PM
Michale Graves, JJ Speaks @ Another Round Bar & Grill – $10 in advance/$15 at the door (order tickets HERE)
How you feel about this event is sure to depend to some extent on what the 90s were like for you. Back then, Glenn Danzig’s original punk band, The Misfits, had a revival in which brothers Jerry Only (bass) and Doyle (guitar) revived the long-dormant project with a new vocalist and some new material. Michale Graves was that new vocalist, and while people who’d grown up with the original Danzig-fronted Misfits were often dismissive of late-90s Graves-fronted releases like American Psycho, those records accumulated a strong following amongst the younger set — many of whom, thirtysomethings today — no doubt hold warm memories of Michale Graves-era Misfits in their hearts.

For those kids — and really, for any of us willing to give an aging punk rocker’s solo project a chance — this acoustic evening with Michale Graves at Another Round should be a treat. His acoustic performances find him bringing new power both to late-90s Misfits songs he wrote and material from his many solo albums since he left that group, all by himself with just an acoustic guitar and his strong, powerful voice. If you have a soft spot for “Dig Up Her Bones” or “Die Monster Die,” you’ll hear them in a whole new way this Monday night at Another Round. You won’t want to miss that.

Tuesday, March 10, 8 PM
Robbie Fulks, Jenny Scheinman @ The Tin Pan – $20 (order tickets HERE)
Based solely on talent, Robbie Fulks should be an outright legend in the country world. However, he’s never completely gotten his due in Nashville circles, partly because he has never been willing to play along with the way the country music industry works. For evidence of that fact, look no further than his classic tune about Music City, the memorably titled “Fuck This Town.” Thankfully, his cult following his given him a viable career over the last few decades, and he’s been able to follow his muse in a variety of fruitful directions.

Fulks’ latest move is one that shows why you should expect the unexpected from this talented songwriter — last year, he self-released a vinyl-only double LP called 16, which is a track-for-track reinterpretation of the long-maligned late-70s Bob Dylan album, Street Legal. That might sound like a recipe for disaster, but Fulks and his band find gold amid the critically-reviled nadir of Dylan’s career. They’ll surely demonstrate this with their Tuesday night show at the Tin Pan; whether Fulks does a whole bunch of Dylan tunes or sticks to his own delightful catalog, this is a musical evening that’s sure to delight all comers.

Elsewhere Around The State:

Friday, March 6, 9 PM
VV, Community Witch, Dysphonia, LEYA @ Taphouse Grill (Norfolk) – $5
Whether you’re a Richmond reader facing the prospect of an hour-plus drive to catch this show by a local favorite or a Tidewater denizen wondering what this RVA band has to offer, I can’t help but encourage you all to make your way to the Taphouse Grill this Friday night to catch VV. This Richmond postpunk foursome brings a harsh undercurrent of horror to their rumbling, dissonant sound on III, the EP they released in January that constitutes their first new material in over two years. If you didn’t catch up with VV a couple years ago when they first arrived on the scene, you should definitely get familiar with what they do now that they’re back in action. This group definitely brings the noise.

They’ll be performing with three homegrown Tidewater musical projects, all of whom bring the outsider punk vibes in plentiful amounts. Community Witch have a charming yet spooky lo-fi rumble to their jangle-punk sound. Dysphonia are hard to find evidence of online, but appear to have a bit more of a jangly indie vibe, one with a bit more melody than the other two groups we’ve discussed so far. And LEYA are just downright odd, but in a riveting manner. So this one is sure to both surprise and enlighten you. Expect the unexpected.

Tuesday, March 10, 7:30 PM
Dead Kennedys, DOA, Demons @ The NorVA (Norfolk) – $22.50 in advance/$27.50 at the door (order tickets HERE)
To all the aging punks out there, I’m sure it seems just as weird to you as it does to me that the Dead Kennedys have been around for longer without frontman, chief songwriter, and punk godfather Jello Biafra on vocals than they ever were with Biafra. But of course, in their post-Biafra incarnation, they’re pretty much a nostalgia act, mainly performing classics from the band’s original early-80s era, and releasing nothing more than a live album or two since they regrouped in the early 00s.

So why go see them? Well, because you certainly won’t ever see them with Biafra on vocals again, and this is the next best thing. Because they’re only gonna play old stuff you already know and love. Because if you can enjoy a DK’s tribute act at a Halloween covers show, you can certainly enjoy one featuring most of the original band. And because Canadian punk legends DOA and Hampton Roads hardcore group Demons are both on the bill as well. The cumulative whole of what this show has to offer is worth appreciating, even if it doesn’t feature Jello Biafra behind the microphone. So enjoy it, and don’t worry too much about the provenance.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Carl Raw on Unsplash

Howlin Rain: High Energy Cosmic Hippie Music

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California psychedelic rockers Howlin Rain bring their Hendrix/Dead-flavored throwback jams to Richmond Music Hall At Capital Ale House tonight. Frontman Ethan Miller explains what goes into the band’s cosmic musical creations.

On Friday, February 28, Howlin Rain will bring their own unique brand of psychedelic rock to Richmond Music Hall at Capital Ale House. The acclaimed underground Oakland, CA-based band is touring behind a new live album series, Under The Wheels, while also continuing to push their latest studio recording, The Alligator Bride.

According to front man Ethan Miller, RVA show-goers should expect to hear ramped up “60s and 70s rock” infused with a bit of “Hendrix and The Grateful Dead.” On the phone, Miller — who’s also a member of Heron Oblivion and Feral Ohms, as well as running his own label, Silver Current Records — comes across as thoughtful and friendly, speaking in a slow raspy tone that reflects his California hippie roots. “You’ll see people making music the old-fashioned way,” he promises of the show with a laugh, “sweating blood up on that stage.”

For Miller and Howlin Rain, Friday’s show will mark a return to the city following last year’s performance at Stone Brewing’s Stone’s Throw Down in RVA festival on Brown’s Island. Miller had not been to Richmond before, but the experience last year and his discovery of the city itself was enough to have Howlin Rain looking forward to returning.

“I’ve traveled the whole world, really, and enjoy the thrill of discovery,” Miller explains. “Richmond is a place that is steeped in history. [Last year] I remember walking around Richmond going to record stores and getting coffee…and you’re walking by these major historical sites at every turn. That was a thrill and fascinating; the people in Richmond were really laid back and the city itself was really quite striking.”

For Miller, whose recent tour stretch saw him playing 22 shows in 19 days, travel and music go hand in hand. One of his earliest memories of rock music was traveling an hour and a half outside of his rustic Eureka, CA hometown with his dad to cut and haul firewood off the mountain of a family friend.

“We’d drive out in my Dad’s little white Toyota pickup before dawn,” Miller recalls, “and he’d be playing music on the cassette player and banging away on the steering wheel singing… Kenny Rogers’ ‘The Gambler;’ Crosby, Stills and Nash, the first album.” I ask Miller what makes that experience so memorable and he pauses a moment before answering: “The smell of his coffee in his cup,” he says, “and him banging on the steering wheel and singing along, and us going to do stuff that’s pretty exciting for a little boy… you know, chainsaws going, wood flying, us stacking it up.”

Photo by Life Wide Open Photography, via Howlin Rain/Facebook

Miller, who has a deep interest in philosophy and literature, has spent the decades since pursuing the experience of creating and experiencing music. I ask him if he sees any similarities between the acts of felling trees and gathering firewood, and pursuing and producing music.

“I don’t know,” he says, considering the connection. “When you’re gathering firewood, you are kind of monster and master of your environment, and there’s a little bit of destructive triumph, I suppose, as an artist. Like times where you thought the music had you, but you end up doing it and capturing it, and completing the song or the album.”

Ultimately, though, Miller feels that his work as a musician and record label owner is more similar to the act of “creating beautiful photographs… knowing how to capture a moment and present it in the right way, without disturbing its natural essence.” He compares coming across an intriguing musical idea to coming upon something inspiring or unique in nature.  The best music,” he says, “gets made when something worked so naturally all I had to do was not threaten the thing off… and I could capture it and present it.” 

In addition to his bandmates, when he takes the stage at Richmond Music Hall on Friday, Miller will be accompanied by a significant co-creator in his efforts to produce and capture the music he shares with audiences: his beloved 1964 Fender Jaguar, originally a robin’s-egg blue that has long since “discolored to a rare seafoam green.” Miller purchased it in 1998 out of an airstream trailer of “really vintage stuff” behind Steve’s Music World in Santa Cruz, and it has been with him ever since.

Miller extols the attributes of the Jaguar’s “great tremolo system.” “Most guitars that stay in tune,” Miller says, “don’t have a radical action, and the ones that do have a radical action don’t stay in tune worth a shit. The Jaguar stays in tune even after taking a total beating doing diabolical whammy bar stuff.”

Howlin Rain at Stone’s Throw Down In RVA. Photo via Howlin Rain/Facebook

It took Miller two months of saving tips from delivering pizzas to accumulate the $1,400 needed to buy it. Since then, on the road, he’s had people offer him a lot of money, even one memorable offer of $6,000 just a few months after he bought it.

“It doesn’t matter what it’s worth,” Miller says. “It’s my life guitar… The reason I bought it is because I felt I’m better with it. It helps me go beyond my abilities. It’s got something it wants to do, too, and if you’re in the zone, it starts having a little bit of a life of its own.”

These days Miller has moved on from that white pickup of his childhood to the band’s Dodge Grand Caravan, with stowaway seats where they can load up their merchandise. When the band rolls into town on Friday, the audience will get to see Howlin Rain and Miller on stage going, with the help of his Jaguar, beyond their abilities.

“If you like high energy rock and roll shows and cosmic hippie music with a Hendrix buzz,” he says, “then I think you’ll love it. If you hate all that stuff,” he adds with a laugh, “then just come and check it out anyways.”

After the show, Miller and his bandmates will climb in the Dodge Caravan and pull off for “the next of many cities and tour stops” to come. The post-show drive to the next venue can be many hours long. “Sometimes the band goes quiet,” Miller says, looking at their phones and resting their ears. Often, though, he says they’ll “listen to music,” and Miller does more than his fair share of driving.

Howlin Rain at Stone’s Throw Down In RVA. Photo via Howlin Rain/Facebook

It’s not hard to imagine those dark hours of driving between venues: Music playing in the white van, the smell of coffee to keep the driver awake, Miller tapping the steering wheel as he and Howlin Rain move out yet again to another distant place — toward all those mountains and trees, all those cities and music that await.

Howlin Rain will be at Richmond Music Hall at Capital Ale House, located downtown at 619 E. Main St, tonight starting at 7 PM. Admission is $15 at the door. For more info, click here.

Top Photo by Erik Jankstrom, via Howlin Rain/Facebook

VA Shows You Must See This Week: February 26 – March 3

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FEATURED SHOW
Thursday, February 27, 8 PM
Satanic Richmond presents Black Mass, feat. 3:33, Ages, Cut The Architect’s Hand, Cruel Streak, Pitch’n A Fit @ Fallout – $6 suggested donation
Old-lady storytime: When I was a kid in the late 80s starting to get into music in a big way, any modern band I really dug was subject to potential labeling by adults as “Satanic.” I came to expect it, and not just about extreme metal bands that truly did dabble in Satanic imagery — your Slayers, your Ozzys — but even about innocuous musicians like Def Leppard, Aerosmith, and Madonna. Even though I was still young and hadn’t really started to question the religion I was raised in just yet, this cultural environment nonetheless created an undeniable allure around Satanic iconography. If the bands I like are all at least debatably Satanic, shouldn’t I be making a point of checking out other supposedly-Satanic bands?

At least for me, a fortysomething survivor of the Satanic-panic 80s, an edgy allure still remains around anything that overtly labels itself Satanic. Of course, I grew up and found out that Satanism as it exists in the world today is really more of a philosophy than anything, one that isn’t really about the Christian conception of Satan at all. In fact, it isn’t even a religion, and its adherents are closer to agnostic than anything. Their real purpose is to engage in social activism to promote separation of church and state, and the value of individual freedom, in the face of state oppression. That’s pretty excellent as an overall value system, and it’s certainly a long way from what my elders told me as a kid about what all the ostensibly-Satanic music I was listening to wanted me to believe.

That said, my old Black Sabbath and Slayer records are still cool as hell, and if you see where I’m coming from — or even if you kinda don’t — you should probably head to Fallout this Thursday night to see what Satanic Richmond are all about. They’ll be hosting some speakers and having a charity raffle, but the main focus of the evening is music — for the most part, the exact same kind of music my parents warned me about back in the day. This includes a variety of local groups: metallic punk stalwarts 3:33, chaotic metalcore veterans Cut The Architect’s Hand, and metal newcomers Cruel Streak will bring the heaviness, while Ages moves in a dark, postpunk direction and Pitch’n A Fit brings some old-time string-band styles with a 21st century sensibility. This evening at Fallout will be a ton of sinful fun, and who doesn’t love that?

Wednesday, February 26, 8 PM
Slump, Black Button, Cruzer @ Fuzzy Cactus – $8
There’s no getting around it; Slump are a strange band. This Richmond quartet released an LP, Flashbacks From Black Dust Country, late last year on Feel It Records, and it is full of the kind of batshit psychedelic punk with tinges of noise-rock, space-rock, and even wild-ass outlaw country that puts them somewhere in the neighborhood of Jesus Lizard, No Trend, the Meat Puppets, and Hawkwind, all at the same time. It’s certainly not the kind of thing you’re going to encounter on a weekly basis of listening to whatever comes through your Spotify Discover playlist; nope, this is a unique offering, with all the outsider oddity that implies.

And if you think this group, which even features an analog synth these days, are going to be a typical humdrum live band experience, you definitely need to recalibrate your assumptions — and the perfect time and place to do that is tonight at Fuzzy Cactus, where Slump will be kicking off a tour that will take them somewhere else for some amount of time (they aren’t exactly forthcoming about this info online, but I’d expect no less from these weirdos), and should be in fine fighting form in preparation for devastating the world with their bizarre noise. They’ll have similarly-minded noise-punk newcomers Black Button and surf-punk noisemakers Cruzer along for the ride, making for a pretty entertaining way to spend a midweek evening, no matter how you slice it.

Thursday, February 27, 7 PM
Only Sibling, Smallhands, Dozing, So Badly @ Thirsty’s RVA – Free!
It’s an undeniable fact: scruffy Mac DeMarco-looking indie rock boys with hardcore-punk backgrounds are a great source for the best shoegaze tunes of the 21st century. That band Nothing did a lot to demonstrate that fact, and Only Sibling are now here to make it even more clear. This New York-based quartet have released some singles and EPs on Other People Music, but still haven’t really taken the plunge into a full-length, so a lot of people haven’t woken up to what they have to offer as yet. But you have a chance to do so this Thursday night, just over the James on Forest Hill Ave, as Only Sibling come to Thirsty’s RVA for a free show that is well worth your time.

They’ll be joined on this bill by Smallhands, who hail from Fredericksburg and are, like a lot of that city’s scene, primed for discovery after years of floating just under the radar. Their hazy sound definitely shares some characteristics with that of Only Sibling, so if you dig one of these bands, you’re sure to dig the other. Smallhands will be accompanied on their trip an hour South down the I-95 corridor by So Badly, a Fredericksburg indie group with a lot to offer on their own behalf, and the whole bill will be rounded out with a set from Dozing, who bring the early-90s post-hardcore sound from right here in 21st century Richmond. Gotta love that.

Friday, February 28, 8 PM
Bbigpigg, Prayer Group, Faucet, Recital @ Boogaloo’s – $5
Speaking for myself, I am totally used to the fact that the world of noise-rock is often unfathomably bizarre. I grew up in the days when the Melvins and the Jesus Lizard were in their prime, so I’m totally desensitized now. However, if you’re a noise-rock newcomer, a lot of aspects of the band Bbigpigg might throw you for a loop. For a start, there’s the fact that there name looks like a typo of a late 80s Australian funk group they have absolutely nothing to do with. Then there’s their minimalist internet presence, which is matched by a less-than-prolific discography featuring nothing more than a few EPs, the last of which came out damn near five years ago.

But if you can get past all these aspects — and you should — there’s a lot to appreciate here, from this band’s undeniably Jesus Lizard-ish tendency toward bent notes and off-kilter chords to the driving stomp that makes their music so unstoppably awesome and fun. If you wish the Melvins would experiment a little less, or that Captain Beefheart was still kicking, this is the band for you. They’re joined on this bill by Richmond’s own Prayer Group, who engage in a slightly sludgier and significantly rantier take on Bbigpigg’s noise-rock attack, making this the perfect pummeling pairing for you noise nutcases. Make a note of it.

Saturday, February 29, 7:30 PM
Nat Baldwin, Jono Stewart’s Big Mistake @ Shockoe Denim – $10
Props to the folks over at Little Dumbo — they always bring unexpectedly fascinating musical treats to our city, often in the sales room of a literal denim workshop located in Shockoe Bottom. How cool is that? This weekend, they’re giving us another delightful evening of unique music when they bring upright bassist Nat Baldwin to town. If you know Baldwin’s name, it’s probably from the credits section of your Dirty Projectors LPs; he’s been in the group since 2005, and has also lent his talents to the work of Vampire Weekend, Grizzly Bear, and others.

That said, Baldwin is also a talented solo musician. While his previous solo albums showcased his ability to construct beautiful melodies around his acoustic bass and falsetto vocals, his latest returns him to his roots as avant-garde jazz bassist and improviser, originally honed at the start of his career, when he studied under jazz legend Anthony Braxton. Autonomia I: Body Without Organs, released only a week ago, finds Baldwin experimenting with the sounds created by pairing his bass with a broken bow. It’s certainly not anything like the Dirty Projectors, but the result is unique, fascinating, and well worth your time. See what he does with it in a live environment, and enjoy a set from Richmond experimentalists Jono Stewart’s Big Mistake beforehand — it’s sure to subvert your expectations in the most delightful of ways.

Sunday, March 1, 9 PM
Lovelorn, Night Sins, True Body @ Wonderland – $10
Remember Creepoid? The Philadelphia shoegaze quartet blew my mind when I caught them at Gallery 5 several years ago; unfortunately, though, they broke up soon after, leaving co-leaders Anna and Patrick Troxell sitting on a whole bunch of unfinished material. Thankfully, they didn’t let that stop them, and used that material as the genesis for their new project, Lovelorn. While this group is definitely more postpunk in nature than psychedelic a la Creepoid, the dark, moody atmosphere remains intact, now with an increased dose of programmed beats and synth sounds, but still driven by the contrast of ethereal vocals and spooky, rumbling bass.

Lovelorn have still only released a couple of isolated EPs, but while the world eagerly awaits a debut full-length from them, we’re lucky enough to get a full live set this Sunday night at Wonderland. And we’d be fools not to take advantage, and experience everything this dark, psychedelic postpunk group has to offer us. They’ll be joined by fellow Philadelphian combo Night Sins on this trip to town; Night Sins are fully prepared to light up our evening with a dose of gothic postpunk darkness all their own — and it will surely be appreciated. And of course, Richmond postpunk gloom merchants True Body will be on hand to let us all know what they’ve got in store for us on their soon-to-be-released LP. Can’t wait for that.

Monday, March 2, 6 PM
Creeping Death, Chamber, Enforced, In Battle, Guardrails @ The Canal Club – $13 (order tickets HERE)
Monday night’s been slim pickings around the Richmond live music world in recent months; fortunately, it only takes one good show to turn a night from a bust into a boom, and we’ve got exactly that with this Canal Club performance by Texas’s own Creeping Death, which is sure to light up our dreary Monday evening. This hard-as-fuck quartet not only touch on the same confluence of death metal, thrash, and hardcore that Power Trip have so fruitfully exploited for the past decade but also have strong connections with their fellow Texans, even touring with them last year.

So yeah, if you’re looking for a dose of that death-thrash roar on a Monday night, look no further than this Texas combo. What’s more, Nashville’s Chamber are along for the ride, bringing their more metalcore-derived sound to The Canal Club, a venue that’s proven itself over the years to be very comfortable with metalcore. Opening sounds are provided by Richmond blackened-thrash hardcore rulers Enforced, and by newcomers In Battle (about which all I can tell you is that they are NOT the Swedish In Battle you’ll find if you try and google) and Guardrails (who are probably the most straightforward USHC group on this whole bill). This is going to be a very heavy evening, in the best possible way.

Tuesday, March 3, 9 PM
Vacation, Gnawing, Kemtrailz, Bashful @ Fuzzy Cactus – $7
It’s really nice to have reliable venues around this town; there was a point where the demise of Strange Matter probably left us all a little concerned that street-level rock n’ roll would no longer have a home in the good ol’ RVA. Thankfully, several places have stepped in to fill the void, and at this point, Fuzzy Cactus definitely distinguishes themselves as first among equals. A show like this one proves it; by hosting Cincinnati’s Vacation and a trio of scrappy local groups on a quiet winter weeknight, Fuzzy Cactus proves itself a true utility player in the game of Richmond live music.

And thank goodness for that; Vacation are bringing the sort of sound we need more of around here, and it’s wonderful that they have a venue in which to present it to us all. Their name might lead you to expect pop-punk out of them, but one listen to 2019’s Zen Quality Seed Crystal shows that Vacation have a lot more to offer than just that, channeling Guided By Voices at their lo-fi peak in the early 90s and filling in some Pavement-ish slacker-rock swing to keep your toes tapping and your booty shaking. This is going to be a scrappy, fun evening of catchy tunes, and the addition of Richmond power-pop powerhouse Gnawing, as well as newcomers Kemtrailz and Bashful, to this bill, will only enrich what’s already sure to be the best thing happening in your life on any Tuesday night in March.

Elsewhere Around The State:

Wednesday, February 26, 6:30 PM
Dan Deacon, Ed Schrader’s Music Beat, CornCob @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
Damn, Dan Deacon’s come a long way since I used to see him performing in gross Jackson Ward basements back in the mid-00s. And thank goodness for that, because his music has only grown in catchiness and maturity over the past 15 years. He demonstrates that on his newest album, Mystic Familiar, which follows up several years in which Deacon focused on creating soundtracks for films like Rat Film, a documentary about segregation and infestation in his native Baltimore. Deacon has a conscience, and it shows through in his work, even as he first and foremost focuses on making you dance.

Where dance-party starters are concerned, Mystic Familiar‘s got plenty of material for you; on this emotionally transcendent album, Deacon remains adept at his signature building crescendos, which evoke a rush of feels even as you can’t help but bounce frantically around the room, caught up in the waves of gorgeous sound. It’s the same whether you’re in a basement with sweat dripping from the walls or a clean and lovely venue like Charlottesville’s The Southern Cafe — the joy will find you and the spirit will move you. And isn’t that what we all want out of a Wednesday night at the club?

Friday, February 28, 6 PM
Bodysnatcher, Born A New, Great American Ghost, Genosha, OnceDrowned, Split Wrist @ RiffHouse Pub (Chesapeake) – $13 in advance/$15 day of show (order tickets HERE)
You know you’re in for a heck of an evening when the Facebook event page features the words “no fighting, throwing chairs, or breaking tables.” If that’s the kind of activity the promoters are prepared for in advance, chances are things are going to get pretty crazy, even if none of those things actually come to pass. But with Bodysnatcher on the bill, you can’t really expect anything less. This Florida group’s crossbreed of beatdown hardcore and slam-style death metal is positively crushing on their brand new LP, This Heavy Void, and if it didn’t generate at least a few explosive mosh pits over the course of a live set, I’d have to wonder if the entire city of Chesapeake was asleep.

They certainly won’t be after the five bands paving the way for Bodysnatcher get done setting the stage for the headliners. Bodysnatcher’s labelmates on Stay Sick Recordings, Born A New (whom, to my eyes, should really have been “born anew” — spending a decade as a copyeditor will make you fixate on this sort of thing), bring a slightly groovier take to this sort of headstomping deathcore brutality, while Boston’s Great American Ghost simultaneously conjure up memories of Zao and Eighteen Visions, both of which are positive associations to evoke, for sure. With regional heavy hitters like Genosha, OnceDrowned, and Split Wrist filling out the bill, things are sure to get hectic at RiffHouse this Friday night.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

VA Shows You Must See This Week: February 19 – February 25

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FEATURED SHOW
Thursday, February 20, 7 PM
Bracewar, Division Of Mind, Combust, Mutually Assured Destruction, Guardrails @ The Camel – $15
There’s a lot going on in the Richmond music scene these days, within all sorts of different genres. And that’s wonderful! But if you want to talk about the styles of music that have a fertile, longstanding tradition in this town, you probably can’t do better than bringing up the Richmond hardcore scene. Going back to the dawn of the 80s and extending all the way to today, Richmond has been a town in which hardcore thrives, and this show at The Camel on Thursday night is the proof that this continues to be true in 2020.

At the top of the bill is Bracewar, one of those Richmond hardcore elder-statesman bands who moved into “plays a few shows a year but is otherwise inactive” mode at least seven years ago, but did thrill us all by releasing their first new material in almost a decade in the form of 2018 EP Colossal. They’ve maintained a slightly higher profile since then, but a Richmond Bracewar show is still a relative rarity, and if you delight in their signature brand of powerful breakdowns peppered with moments of high-speed thrashing, you’ll certainly want to catch this one.

Beyond Bracewar, this bill mostly focuses on current all-stars of Richmond’s straightforward hardcore scene, most predominantly Division Of Mind. This group’s recent self-titled LP on Triple B Records demonstrates that, while they are very skilled at the mosh, they have quite a bit more going on, and are worth your time and attention even if you don’t still find diving into an energetic pit to be the best way to spend a band’s set. Combust are actually from New York, but released a 12-inch EP on RVA’s own Edgewood Records last year, and will bring an energetic and welcome NYHC attack to the Camel’s stage. Plus, there’s Mutually Assured Destruction, who are taking heavy hardcore in an adventurous direction that doubtless owes a bit to Life Of Agony and Twitching Tongues, and the first show ever from Guardrails, who will kick this one off with a ton of pissed-off energy. Carry on the tradition, Richmond — be at this show.

Wednesday, February 19, 9 PM
Lifters, Weird Tears, Neat Sweep @ Fuzzy Cactus – $6
Punk rock has been enshrined in pop culture as music with something important to say, and I think that’s great, but one thing punk rock has always had room for, one that gets de-emphasized when we focus on The Clash and forget about the Ramones, is pure no-frills rock n’ roll melody. Durham’s Lifters might not qualify for punk rock if you’re expecting some sort of sophisticated political critique to emerge from their catchy tunes, but if you’re conversant with the genre’s history, the connection is undeniable. And that’s as it should be.

Tonight, if you’re looking for some catchy, fun tunes, played with plenty of energy but not that much polish, and reminding you of great groups like Radioactivity, Teengenerate, or the aforementioned Ramones, you’re going to want to point your feet toward Brookland Park’s own Fuzzy Cactus. There, Lifters and local melodic punk stalwarts Weird Tears and Neat Sweep are going to sweep you off your feet and get you caught up in the toe-tapping joys of punk rock. It all happens tonight; plan your evening accordingly.

Thursday, February 20, 9 PM
Excitable Boys, Daniel Case, The Dolphins @ Fuzzy Cactus – $7
It’s always interesting when you know enough about a band to care what they have to offer, but have no idea what they actually sound like. Such is the case with Excitable Boys, a band seemingly named for Warren Zevon’s most famous album, and made up of three different musicians one usually wouldn’t expect to see grouped together. In this case, those musicians include country-folk singer-songwriter Benjamin Shepherd, former Southside Stranglers guitarist Kevin Guild, and Irish-by-way-of-New-York indie-folk artist Cal Folger Day — who isn’t even a boy, putting a lie to the bandname in a far more entertaining fashion than the millions of all-male “girls” bands.

Anyway, that’s certainly an intriguing trio to bring together in one musical combo… but what exactly do you get when you mix an Irish indie-folk troubadour, a punk rock guitarist, and an Americana singer-songwriter? There’s only one way I know of to find out, and that’s to show up at Fuzzy Cactus this Thursday night and see what happens when the three of them take the stage together. It’s sure to be interesting; perhaps even, dare I say… exciting! (Sorry, y’all, but I couldn’t resist.)

Friday, February 21, 7:30 PM
Yamato Drummers present: Jhonetsu — Passion @ Altria Theater – $35 – $43 (order tickets HERE)
It’s not often that an opportunity for something truly unusual comes across our desk here at RVA Must-See Shows headquarters, so when something like this shows up in the local live music environment, we’ve got to make the most of it. Therefore, I encourage you to suck it up, deal with the higher-than-average ticket prices that accompany any night spent at the Altria, and go see Wadaiko Yamato, aka Yamato Drummers, this Friday night.

This group hails from Nara, Japan, a city once known as Yamato, and plays the sort of ensemble drumming native to Japan that’s known in the West as taiko. Wadaiko Yamato are a group made up of around a dozen different drummers, who explore the possibilities of percussion through polyrhythmic dynamics and highly choreographed theatrical dance performances. If you recognize the deep, transformative power of the beat that lies at the heart of music, you’re sure to be captivated and energized by what Wadaiko Yamato bring to the stage. It’s not the kind of thing you’ll see every weekend, either — that’s for sure. Make seeing this one a priority.

Saturday, February 22, 7 PM
Enforced, Alfred, Louderhead, Brain Tourniquet, Serqet @ Gallery 5 – $10
The war on drugs has been a highly damaging initiative of the US government over the past half-century or so. While it has failed to make a significant dent in the use and trafficking of mind-altering substances, it has allowed for a massive increase in the percentage of the US population that is incarcerated, a phenomenon that’s had a disproportionate effect on African Americans and low-income, marginalized folks across the country. This is why it’s heartening to see the first tentative steps being made here in Virginia to move beyond carceral methods of dealing with drug use and trafficking and toward decriminalization and harm reduction initiatives that grass-roots activist groups have been pushing for years.

This Saturday’s event at Gallery 5 will offer you the opportunity to both support these efforts and become part of them yourself… as well as hearing some great music, of course. The evening will begin with a free naloxone training session, then move on to music from Richmond leading lights like dark metallic hardcore ragers Enforced and psychedelic hip hop lyricist Alfred. There’ll also be a performance from Louderhead, who I am guessing is a Motorhead tribute band (always fun). And of course, DC power-violence freaks Brain Tourniquet and local goth-punk heroes Serqet will be in the house as well. The music will be great, the cause is just as great… get involved in this one.

Sunday, February 23, 9 PM
Catfest 4, feat. Cadillac Cat, Young Apollo, Gemi Jhay, Ley Cash, Pyrex Pedro, Civonnee, Balu, Delow, Cassius Kay, Qash, Skyy With 2 Y’s, Lowlifeball, Rasul, Don Chase, Ceo, Dee16Hunna, Mia Money, Lxrd Sleeza, Kaywan, Rascal Grimez, Tyrone Leake Jr., Moochiee @ The Camel – $10 (order tickets HERE)
It’s hard to keep up with the Richmond hip hop scene, and that’s not just because there’s a ton going on in this city. It’s also because hip hop is one music scene that doesn’t seem to have much use for the non-social-media internet, so information is at a premium, and google searches can only do so much. That said, I have been hearing the name Cadillac Cat for a while, so the fact that this jam-packed Sunday evening at The Camel is his fourth annual Catfest isn’t that much of a surprise.

If you also know the name Cadillac Cat, it’s probably because he’s produced a variety of material for Noah-O, including their 2017 full-length collab, Face/Off. These days, he’s working on a project called God Status, and if the video for first track “Free Shine” is any indication, this is going to be a hard-as-fuck street-level attack full of pounding beats and braggadocious flows. Expect something similar from his headlining set at this event. As for the 20-plus other artists performing, expect a crash course in an entire segment of the mid-Atlantic hip hop scene, one that’s sure to teach you a whole lot of shit you can’t learn from the internet.

Monday, February 24, 8 PM
Halfcast, Linden Row, Afib, Madison Turner @ The Camel – Free!
These free “Industry Night” shows the Camel has been throwing lately are intended to give all the people who work difficult shifts in the world of food service every weekend an opportunity to celebrate the end of their week’s busiest time. However, they also help out the Richmond live music preview industrial complex, an industry that I’m pretty sure consists entirely of me. So I’m really glad these exist, as they are sometimes the only thing remotely worth paying attention to on a Monday night — and that’s definitely true this week.

This week’s event offers a pretty strong local lineup, especially for a show that will cost you zero dollars to attend. That lineup is topped by Halfcast, a local trio who mix a chops-conscious metallic approach with alt-rock sensibilities to create crunchy melodic gold. Then there’s Linden Row, an alt-rock combo with plenty of energy and the same sort of mischievous surf-punk feel that shines through prime Pixies material; their set is sure to be a blast. I haven’t heard Afib, but they feature Truman drummer Dylan Anderson stepping out from behind the kit to pick up a guitar and play some indie/emo tunes, and that’s certainly an intriguing concept to me. And of course, Madison Turner, who’ll be playing her alt-punk-indie-folk tunes accompanied by a full band at this gig, is always worth seeing. So show up on time and catch it all. The price is more than fair.

Tuesday, February 25, 7 PM
GARZA, Jouwala Collective @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
Do you like to dance? If you do and you’ve spent any time at all in the state of Virginia, you’re sure to be familiar with the work of Rob Garza, better known as one half of the legendary DC duo Thievery Corporation. Thievery Corporation has been active for over two decades and show no signs of slowing down; indeed, they recently announced a new LP coming in the spring. However, Garza’s creative mind is always restless, and so he has brought us GARZA, a project initially born from his desire to write music for other people.

In the end, he couldn’t bear to give the music he’d come up with away, and it was released late last year on an EP entitled Where The Moon Hides, which finds Garza collaborating with vocalists Seann Bowe and EMELINE to create some lovely, immersive electronic melodies that increase the pop quotient of Garza’s Thievery Corporation work without losing that pulse that always keeps your feet moving. GARZA will utilize a whole ensemble of singers and live instruments to wonderfully recreate these tunes in a live setting at the Broadberry this Tuesday night. Be sure to wear your dancing shoes for this one.

Elsewhere Around The State:

Thursday, February 20, 7 PM
Summer Salt, Okey Dokey, Breakup Shoes, Berries @ Elevation27 (Virginia Beach) – $17 in advance/$20 day of show (order tickets HERE)
Groundhog or no groundhog, the fact remains that summer is far away at the moment. Therefore, it’s an especially welcome breath of fresh air that brings Summer Salt to Virginia Beach’s Elevation27 this Thursday night. This Austin Texas group mixes the sweet beach pop of Brian Wilson and the Brazilian bossa nova of artists like Gilberto Gil and Joao Gilberto into a base that is fundamentally indie-pop in nature. The result is the sort of lovely sound that’s sure to please fans of both Paul Simon’s Graceland and Animal Collective’s Feels.

In other words, it’s the perfect late-week listen for a Virginia locked in the late-winter doldrums. And it’s sure to bring a smile to your face even if you do have to don your heavy coat to walk from the club back to the car at the end of the night. The evening will also feature performances from catchy psychedelic indie group Okey Dokey, who hail from Nashville, and some electro-pop sounds from Arizona’s Breakup Shoes. Plus, VA Beach’s own Berries will kick off the evening with some charming indie-pop of their own. A splendid time is guaranteed for all.

Sunday, February 23, 7 PM
Tommy Stinson, Dashdown @ Hive Collective (Norfolk) – $25 – $100 (order tickets HERE)
Wrap up your weekend by spending an intimate evening in the company of Tommy Stinson and his acoustic guitar at Norfolk art gallery the Hive Collective. If you’re not familiar with Tommy Stinson by name, his time as bass player in The Replacements, Guns N’ Roses, and Soul Asylum should certainly let you know why he matters. But what really makes it a good idea for you to go see the man perform solo is the strength of his material as singer and songwriter, both under his own name and as the frontman for Bash And Pop.

That quartet, which released one excellent LP called Friday Night Is Killing Me in the wake of The Replacements’ early-90s breakup, then went their separate ways, got back together a few years ago for a long-awaited, much-belated follow-up called Anything Could Happen, which proved that they still had the spark that made their earlier work so wonderful. Stinson’s relatively recent solo LP, 2011’s One Man Mutiny, was just as great and heartfelt, and you can expect to see the sort of sloppy, sincere talent that’s always been the hallmark of his work on display at this intimate performance, so I highly recommend you get there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Gabe Becerra/Twitter

VA Shows You Must See This Week: February 12 – February 18

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FEATURED SHOW
Sunday, February 16, 7 PM
Talk Me Off, Doll Baby, Pedals, Xed Out @ Gallery 5 – $8 (order tickets HERE)
Where music is concerned, Richmond always has a lot going on, and in recent years, that activity has spread across a more widespread spectrum of genres than ever. That’s to be applauded. At the same time, this city would lose something if our longtime status as a hotbed of punk rock ever were to dry up. Therefore the fact that there’s no sign of that happening anytime soon is certainly a great sign for Richmond’s musical health as we head into the roaring(-with-frustration) 20s.

The latest standard bearer for Richmond punk rock is Talk Me Off, a local trio with a knack for expressing the archetypal punk emotions of alienation and frustration through quick, peppy songs with driving beats and scraping guitars paired with an always-strong sense of melody that keeps the whole thing from being just another atonal blurt. Talk Me Off are on the cusp of releasing their debut LP, Cursed, on longtime Richmond punk label Say-10, and whether you love that classic punk sound to the very core of your being or are just looking for a good musical outlet for your frustrations at being alive in Trump’s America in 2020, Talk Me Off are in great position to provide you with your fix.

They’ll be releasing Cursed into the world at Gallery 5 this Sunday night, and you can expect its release to be accompanied by a fiery set of catchy uptempo tunes to get you bouncing. And in addition to Talk Me Off’s celebratory headlining set, you’ll also get some great sounds from an additional trio of Richmond punk bands. These include the twangy, emotional sounds of Doll Baby, the long-running folk-punk talents of Pedals (On Our Pirate Ships… I’m still not sure if the name has officially been shortened or not), and newcomers Xed Out, who feature former members of Smoke Or Fire and The Bled, so you know they’ve got a lot to offer. Be there for this one and appreciate the latest evolution of a storied Richmond tradition.

Wednesday, February 12, 7:30 PM
The Wood Brothers, Kat Wright @ The National – $23 in advance/$26 at door (order tickets HERE)
Where folk music is concerned, things can sometimes get a little predictable. However, the Wood Brothers manage to avoid this issue by bringing quirky influences and a wide-ranging background to bear on the songs they create. Singer-guitarist Oliver Wood consistently comes up with interesting lyrics that avoid cliche, while bassist Chris Wood brings a funky jazz approach into the group, derived from his longtime membership of legendary trio Medeski, Martin & Wood.

The Wood Brothers just released their eighth album, Kingdom In My Mind, a few weeks ago, and as fans have come to expect, it moves across a variety of different genres to dip into everything from folk and jazz to blues and soul. That broad musical sensibility is sure to result in a live performance that takes listeners to a variety of musical places, all of which the Wood Brothers will inhabit with sure-footed talent, and all of which are guaranteed to please you and make your Wednesday night a brighter, happier affair than it otherwise might be. And here in the midst of a listless Virginia winter, who doesn’t need that?

Thursday, February 13, 7 PM
Plastic Nancy, Deli Kings, Toward Space, Majjin Boo @ Poor Boys – $5
It feels like we just got into 2020, so it’s heartening to see what an active year the Richmond music scene is already having. Plastic Nancy and Prsmcat Presents are both good examples; the Majjin Boo/Spooky Cool-affiliated booking company has really ramped up the amount of good music coming out of Poor Boys and given that venue a shot in the arm that will help ensure that it’s a worthy successor to Flora and Balliceaux before it.

And at this Thursday’s latest locally-focused Prsmcat show, Richmond psych ensemble Plastic Nancy are celebrating the release of their latest album, which should certainly lend a candy-colored dayglo atmosphere to the early months of 2020 here in the river city. On Last Of The Electric Flowers, the boys of Plastic Nancy embrace an acid-drenched atmosphere that manages to avoid outright retro nods in favor of a 21st century sensibility that nonetheless captures the greatness of all those spaced-out bands of the late 60s that we know and love. Revel in the all-encompassing mood they create, and enjoy three other immensely talented RVA bands while you’re at it, at Poor Boys this Thursday night. You won’t be sorry.

Friday, February 14, 8 PM
Lightmare, ZunZun, Prabir Trio, Past Palms @ Gallery 5 – $5-7 (order tickets HERE)
I may be married now, but for a long time, Valentine’s Day was a big bummer of a holiday for me, so I know there are probably a lot of people out there just hoping Friday comes and goes as quickly and painlessly as possible. And Gallery 5/Raw Mom Presents’ Rivanna Youngpool knows this too, which is why she’s reviving her tradition of throwing big fun shows on Valentine’s Day for this Friday night shindig. If you were at either of the ridiculous Valentine’s Day shows that took place at Sour Haus back in the day, you know how amazing this evening has the potential to be — especially at Gallery 5, a place that’s much more able to handle the crowd this is likely to draw than the kitchen of our old place in Church Hill ever was.

It’s not just eating candy hearts and spending the evening with friends that’ll get us through this one emotionally unscathed, though — it’s really great music. And Raw Mom Presents has a killer lineup awaiting us this Friday night, topped by DC’s uncategorizable DIY powerhouse, Lightmare. Expect something somewhere between soul, punk, synth-pop, disco, and garage rock from this six-piece combo with creative energy to spare. I have no idea who ZunZun are (googling only turned up a husband-and-wife flute duo from California who I can’t imagine are on this bill), but it’ll certainly be interesting to find out, and we’ll get a set from the Prabir Trio, the latest vehicle to bring us the ever-reliable pop songcraft of Mr. Prabir Mehta. All that plus newcomer Past Palms — plus, I’d be willing to bet there will be sour hearts. I’m calling it now: Gallery 5 is where you need to be for V-Day this year.

Saturday, February 15, 8 PM
Nosebleed, Ugly Muscle, Sweeties, Phantómódel @ Boogaloo’s – Donations requested
Here’s a show that’s an awesome confluence of three things that are already awesome on their own: political action, tattoos, and hardcore punk. This punk-as-fuck gig at Brookland Park’s Boogaloo’s is coordinated with International Tattoo Flash Day, an initiative created by tattoo artists in Santiago, Chile and Atlanta, GA to get as many people as possible tattooed in support of Chilean political prisoners in the wake of a massive government crackdown against citizen protests that began last October. All money raised at the door of this gig will go toward the families of Chilean prisoners, so whether or not you’re into getting a tattoo yourself, you’ll be able to support the cause.

You’ll also be able to hear some excellent sounds from several local hardcore/punk groups, starting with Nosebleed, who’ve recently released a fierce, incendiary EP called Outside Looking In on hardcore powerhouse Triple B Records. Expect this set to be galvanizing in the extreme, and you can expect similar from Ugly Muscle, a slightly more ramshackle and chaotic combo that will nonetheless bring all the furious energy that Nosebleed contains to bear on its own set. Sweeties are much noisier and less melodic than their name would suggest, while Phantómódel, a new incarnation of Thin Pigeon, offer a postpunk sound full of moody energy. This will be a great night for a great cause — you should really be part of it.

Sunday, February 16, 6 PM
Mean Jeans, Brower, The Ar-Kaics, Sports Bar @ Hardywood – Free!
A lot of people credit the Ramones for having invented punk rock, and many of them feel that the music made by those four New York weirdos in leather jackets has never been improved on. Therefore, it can’t be too much of a surprise that, even after the Ramones spent over 20 years cranking out album after album of their stripped-down, razor-sharp, but always incredibly catchy tunes, there are still bands out here trying to find new ways to wring glory out of that classic Ramones sound.

That’s where Mean Jeans comes in. Having existed for over a decade now, this toe-tapping trio released their fifth album of Ramones-worshipping punk ditties, Gigantic Sike, last year on Fat Wreck Chords. And even if you’ve heard every Ramones song a thousand times, that album and this performance by Mean Jeans at Hardywood on Sunday are guaranteed to prove that there’s still magic left in that classic (one-two-three-)formula. The evening will also feature a performance from New York’s Brower, a glam-punk/power-pop solo project sure to keep you smiling. And of course, consistently talented Virginia punk rockers The Ar-Kaics and Sports Bar open this one up with the retro-garage rock and punky power-pop that you’ve respectively come to expect from them. Get stoked for this one.

Monday, February 17, 7 PM
Ceremony, Loud Night, Ghouli @ Gallery 5 – $13 in advance/$15 day of show (order tickets HERE)
A warning only necessary in Virginia: This show does not feature the group called Ceremony from central Virginia. However, a warning for hardcore kids who haven’t checked back with the Cali Ceremony in a while — this show doesn’t exactly feature the band that made Violence Violence in 2006, either. Oh sure, it’s still the same people, but for the past decade or so, they’ve been moving further and further afield from the fast, angry hardcore that made their name.

That’s really obvious on last year’s In The Spirit World Now, Ceremony’s sixth album and first in four years. Singer Ross Farrar long since traded his harsh bark for a Gang Of Four-ish yelp with occasional dips into outright melody, while the guitars and increasingly present synths have moved away from the distorted and atonal in favor of a UK postpunk sound that might remind you of Joy Division or Echo and the Bunnymen, but certainly not the harsh fastcore of Ceremony’s early albums. Nonetheless, there’s still a lot to love here, including a propulsive energy that takes a vastly different form but remains intact from the band’s earliest works, one that makes singles like “Turn Away The Bad Thing” every bit as essential as Rohnert Park once was. If you’re bummed Ceremony shows don’t feature massive pits anymore, you might be tempted to skip this one, but I encourage you to open your mind and give it a shot. This is sure to be a thrilling evening of musical bliss, even if it’s not quite what you once expected from this talented band.

Tuesday, February 18, 7 PM
Flor, Winnetka Bowling League, Castle OG @ The Broadberry – $15-18 (order tickets HERE)
There are some intriguing things happening in the world of guitar-based pop over the past couple of years, and the success of bands like the 1975 is heartening for anyone who was afraid this stuff was going to fall permanently out of the mainstream musical discourse a few years ago. LA’s Flor are in a prime position to benefit from this resurgence, as on their 2019 album Ley Lines, they dabble in a similar sort of delicate, bouncy pop as that of the 1975 — one that always focuses on the sounds created by the band’s guitars and voices, even though it’s never particularly harsh or loud.

Perhaps we’ve finally gotten far enough past Nirvana for the distorted paradigm they created to lose its lengthy period of ubiquity, and I know there’ll be some out there who are bummed out to think of that, but when bands like Flor are out here on tracks like “Slow Motion” showing how much can still be done with an approach that focuses on playful melodies and delicacy rather than noise, it’s hard to see it as all that tragic. See what sort of magic Flor is able to weave in the live environment at The Broadberry this Tuesday night, and learn to embrace the non-crunchy guitar wave.

Elsewhere Around The State:

Friday, February 14, 8 PM
Witchbaby @ Blue Moon Diner (Charlottesville) – Free!
An alternate approach to Valentine’s Day is available this Friday night in Charlottesville, and it’s being brought to you by Witchbaby, the mother-daughter combo of Catherine Monnes and Sally Rose. You may know Rose for her role at the heart of C-ville’s own Shagwuf, and both are members of the Sally Rose Band, which features a song in its repertoire entitled “Witchbaby” — so it all comes full circle. This stripped-down duo finds Monnes’ cello and electric violin joining with Rose’s guitar and both members’ voices to create a more intimate version of the psychedelic folk-rock the full-scale Sally Rose Band brings to you so consistently.

This Valentine’s Day appearance by Witchbaby at Charlottesville’s Blue Moon Diner is a free gathering offering a welcome space for all — whether lovers or lonely hearts — to spend a holiday that is often fraught and difficult on an emotional level. If you’re looking for your V-Day to be a quiet, pressure-free evening, Witchbaby’s soothing musical presence is sure to help you attain what you seek. And who knows, you might make a friend, or at least find a new musical love.

Saturday, February 15, 7:30 PM
Amanda Shires, LA Edwards @ The Jefferson Theater (Charlottesville) – $25 (order tickets HERE)
There are a few different reasons you might be aware of singer/fiddler Amanda Shires; her frequent collaborations with her husband Jason Isbell and his band the 400 Unit is one of them. Another is her role in The Highwomen, an all-female take on the classic outlaw-country supergroup The Highwaymen featuring Shires, Brandi Carlile, Maren Morris, and Natalie Hemby.

However, it would be a bad idea to let her collaborations with other talented songwriters steal the spotlight from Shires’ own work as a bandleader, most recently showed off on 2018’s To The Sunset. On that album, her songwriting skills shine through in her evocative lyrics, even as the fuller sound her band on the album (which features Jason Isbell himself, returning the favor) takes her folk-country sound to a new level that, yes it’s true, outright rocks. You’ll be able to see her rock these tunes out for yourself at The Jefferson this Saturday night, but only because they moved this show up from The Southern after it sold out in a heartbeat. So yeah, get with the program if you haven’t already. Go see Amanda Shires.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

You Want It Darker: Weekend Playlist by S. Preston Duncan

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Every Friday night, RVA Mag brings you a playlist curated by Virginia’s most influential artists, musicians, and institutions.

This week’s playlist comes to us from our old pal S. Preston Duncan. Now, if you’ve been reading RVA Mag for a while, you’ve surely seen Duncan’s many contributions to the magazine over the years, both as a writer and an editor. But now he’s set off on his own, and he’s about to release a combination poetry book and “experimental spoken word music” EP entitled The Sound In This Time Of Being. The work defies easy description, bringing together a written collection of poetic works based on Duncan’s time as a “death doula” and featuring a sewn-thread binding with a six-song EP of spoken, non-rhyming poetry over music that’s best described as an adventurous mix of folk-Americana influences and electronic hip hop beats.

As the EP isn’t quite out yet, Duncan’s Weekend Playlist doesn’t contain any tracks from it, but you can hear one in advance of the EP’s release here. You should check it out, and also make plans to be at Gallery 5 next Wednesday, February 12, when Duncan will celebrate the release of The Sound In This Time Of Being with an evening of spoken word performance that will also include appearances by local poets Ryan Kent, Mara Eve Robbins, and Jamil D. Jasey. Find more info on that event here.

And until next Wednesday rolls around, spend your weekend taking a deep dive into the eclectic sensibilities of S. Preston Duncan. The Weekend Playlist he’s assembled especially for you features everything from old-time country and blues to modern punk and hip hop, bringing in plenty of local artists along the way. It’s a great mix that’ll have you nodding your head all weekend.

Find your voice, Virginia.

Open this playlist from mobile in your Spotify app HERE.

Music Sponsored By Graduate Richmond