RVA Mag

Richmond, VA Culture & Politics Since 2005

Menu

VA Shows You Must See This Week: March 27 – April 2

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, March 29, 6:30 PM
A Tribute To The Brecker Brothers, feat. JC Kuhl & Bob Miller @ Ashland Theatre – $12-25 (order tickets HERE)
The Ashland Theatre’s only been doing shows for about a month now, and already they’ve become a venue to watch. No doubt this has something to do with the Broadberry Entertainment Group, whose bookings around the city are consistently some of the most interesting and cool live shows on any given week. And for this show, at least, it also has to do with Richmond’s jazz scene, which is always doing something new and creative in the live performance arena.

This time around, Ashland Theatre and Broadberry Entertainment Group will be presenting an evening in tribute to the Brecker Brothers. Now, that name may not jump right out at you, but I can guarantee you’ve heard their work. The brothers — Randy, who played trumpet, and Michael, who played saxophone — contributed their talents to all sorts of classic 70s albums, from George Clinton to Todd Rundgren to Frank Zappa to Eric Clapton. They also had a duo of their own, which was a primary exponent of that jazz/funk fusion sound that the 70s so generously gave to us, before pushing things farther with their landmark 1978 album, Heavy Metal Be-Bop, on which they ran their horns through guitar amps and distortion effects.

You’ll never see the Brecker Brothers themselves; Michael passed away a decade ago. But this weekend, you can see the next best thing — a full-band tribute to the Brecker Brothers, featuring JC Kuhl (of Agents of Good Roots and local jazz scene fame) playing the role of Michael, while Bob Miller (of Richmond’s salsa legends, Bio Ritmo) in the role of Randy. Backing them up will be a stacked lineup of Virginia talent, including members of Butcher Brown, the Spacebomb house band, and more! Get ready for some skunk funk, because these musicians are going to keep the music going all night at a venue that’s rapidly becoming an essential Central VA spot for live music.

Wednesday, March 27, 8 PM
Modern Color, No Sun, W I S H, Two Cars @ The Dark Room – $5
It’s a shoegaze paradise at The Hof’s Dark Room tonight. The Underexposed series, of which this show is a part, is designed to bring us sounds from bands we might not have heard much about, and while that might lead you to expect Richmond-based bands, tonight the big surprises are going to come from out-of-towners. Modern Color is at the top of the bill; they hail from SoCal and bring us a melodic yet driving take on a loud-guitar alt-rock sound that’s honestly way too clear to be shoegaze — but someone will call them that anyway, so it may as well be me, right?

One thing is for sure where Modern Color is concerned: they use their loud guitars to the fullest, evoking their beachfront hometown environs while still bringing plentiful energy. No Sun, who ironically come from the sunbaked state of Utah, generate the sort of fuzzy clang you’d be more likely to expect from a shoegaze band, and they embrace it fully, calling to mind 90s UK legends like Swervedriver or My Bloody Valentine. Getting this touring duo from a $5 local midweek show is one of the subtle treats this city loves to grace us with. And rest assured, the sets from local openers W I S H and Two Cars will be another. This one is well worth your cash, so pony up and get down to the Hof tonight.

Thursday, March 28, 8 PM
Shy Low, Standards, Colin Phils, Curtana @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Math-rock, post-rock, indie — whatever you want to call it, one thing is certain: there’s a lot of this kind of thing happening around Richmond lately. And it’s definitely a good thing, especially since it seems to have resulted in a recent rejuvenation of Shy Low, the long-running four-piece who’ve long evoked Mogwai and Mono with their epic, intense instrumentals. It has still been a few years since their last release, but… perhaps that will change soon? We can hope. In the meantime, there have been several opportunities to see them live lately — this is just the latest.

And as if availing yourself of that opportunity isn’t enough of a reason to hit the Camel this Thursday night, Shy Low will be accompanied on this bill by Standards, an outstanding LA duo who are on tour behind their freshly-released EP, Friends. For fans of instrumental guitar pyrotechnics, this record will be an embarrassment of riches, as Marcos Mena’s fingertap gymnastics impress on a whole other level. You’re sure to find yourself staring at his fretboard at some point during Standards’ set, wondering how the man can possibly do all that with only ten fingers. He does, though, and you’re going to want to see it happen live and in the flesh. Opening sets by the always-reliable Colin Phils and dazzling local prog-rockers Curtana only sweeten the pot.

Friday, March 29, 6 PM
Hypocrisy, Fleshgod Apocalypse, Aenimus, Seraph, Gutted Christ @ The Canal Club – $20 in advance/$22 day of show (order tickets HERE)
Oh wow. The fact that this tour is named after the legendary long-running compilation series, Death… Is Just The Beginning, definitely brings back memories for a true 90s metalhead like me. Nuclear Blast Records have been putting these comps out every few years for three decades now, and headliners Hypocrisy have been around for about as long. This killer Swedish death metal band hasn’t released an album in six years, but between their rock-solid track record and the fact that 2013’s End Of Disclosure was a sure-fire winner from beginning to end, headbangers can certainly take heart — this set is guaranteed to rule.

Even cooler is the fact that Hypocrisy’s co-headlining this tour with another Euro death metal sensation — Fleshgod Apocalypse. These Italians have always had a symphonic edge to their sound, even integrating operatic vocals on occasion for peak melodrama. However, they’ve always known how to keep it heavy and give us the killer riffs in abundance, and even after a significant lineup shakeup a couple years ago, the first single from upcoming fifth album Veleno shows they’ve still got the juice. So head out to the Canal Club this Friday night, and wear your best studded gauntlets, because this one is going to be tough as nails.

Saturday, March 30, 7 PM
Kings & Queens Of Go-Go Tour, feat. EU, Trouble Funk, Junkyard Band @ The National – $25 in advance/$35 at the door (order tickets HERE)
Do you like to get down? Do you like to get funky? Do you like to DROP THE BOMB? If so, you’re in luck, because this Saturday night sees three of the brightest stars of DC’s legendary go-go scene visiting Richmond to tear the roof off the National — and you’re gonna want to be there. Go-go is a highly regional scene centered around Washington, DC — for most of its history, it was only truly popular in the DMV area. However, it had a big moment in the 80s; while go-go has its roots in funk, it’s a particularly rhythmic, percussion-heavy strain, and that appealed strongly to early hip hop fans.

EU (short for Experience Unlimited) had one of the most popular go-go hits ever with “Da Butt,” a sexually charged party-starter from the soundtrack to Spike Lee’s School Daze. It was so popular, I once saw a guy in a Scooby-Doo costume dance to it in a make-your-own-video booth at King’s Dominion (#onlytrue80skidswillunderstand). Meanwhile, Trouble Funk’s 1982 single, “Pump Me Up,” was a huge club hit — especially in DC, where at the height of their fame, they co-headlined shows with hardcore pioneers Minor Threat. Meanwhile, onetime Def Jam recording artists The Junkyard Band can be seen performing their signature song, “Sardines,” in the Run-DMC movie, Tougher Than Leather. And we get all three of these groups on the same stage, for $25? This is the deal of the decade, folks — don’t miss out. And wear your dancing shoes, because your feet will be moving.

Sunday, March 31, 7 PM
Milk, Missangelbird, Danet Jackson @ Gallery 5 – $5 in advance/$6 day of show (order tickets HERE)
It’s not often that a piece of music manages to take me by surprise, so when it happens, it’s certainly worth noting. Milk’s 2017 LP, Horsetown Threshold, does exactly that, not only over the course of the album but even in a single song. The first track, a beautiful acoustic ballad called “Too High To Drive,” is occasionally interrupted by squalls of distorted heavy noise — but in a manner that is not only intentional but meshes well with the song as a whole. This is what Milk do throughout the album, really; present us with gorgeous melodies that draw from indie-folk sources, then shift into heavy moments that pulverize the listener with some prime Blue Cheer/Crazy Horse riffage.

Seeing this whole thing take place live might be a bit of a mind-bender… but who wouldn’t want that, especially on a Sunday night? Sometimes life has to throw us a few curveballs just to keep us from sleepwalking through it, and it’s much better to have those curveballs come in the form of a truly unpredictable band than in that of a car crash, right? So put down the cellphone and drive carefully to Gallery 5 this Sunday night, where Milk will proceed to blow your mind. Local openers Missangelbird and Danet Jackson will provide you with some sweet melodies of their own to prepare the way for the Boston headliners. Get there.

Monday, April 1, 7 PM
DBUK, Norman Westberg, Old Gun Road @ Capital Ale House Music Hall – $12 (order tickets HERE)
Denver’s DBUK were originally called Denver Broncos UK, a joke that I can appreciate as both a fan of American football and UK indie bands. Apparently the Denver Broncos football team didn’t appreciate it, though, since they’re known only by their initials now. But regardless of the name they’re going by, DBUK is definitely worth going to see. The group arises from a Denver scene known for producing dark, apocalyptic varieties of folk-Americana. DBUK features Slim Cessna’s Auto Club mastermind Slim Cessna, as well as Jay Munly, who has led various solo projects as well as taking part in Slim Cessna’s Auto Club and Scott Kelly & the Road Home.

DBUK just released their second album, Songs Nine Through Sixteen, and while it’s got less overt country and Americana influences than previous projects the members have been involved with, it maintains the deep dark mood that has always been the most compelling aspect of that whole Denver scene (which also produced Wovenhand and 16 Horsepower, among others). It’s therefore fitting that they come to Richmond in the company of Norman Westberg, who has played guitar in Swans for nearly 40 years and will be doing a solo set that, if it’s anything like the solo albums he’s released in recent years, should lean heavily on ambience and atmosphere. Local openers Old Gun Road consist of a bunch of hardcore and metal musicians playing the type of country music they loved as kids. Like everything else on this bill, that’s sure to be a treat.

Tuesday, April 2, 7 PM
Ex Hex, Moaning, Positive No @ Capital Ale House Music Hall – $20 (order tickets HERE)
Ex Hex were all the rage a few years back. This tough-rockin’ trio from DC made a whole lot of fans around the country with their 2014 debut album, Rips, and its Shangri-Las-meets-Runaways take on catchy garage punk. However, the group’s been quiet a while, and you couldn’t be blamed for thinking they’d dissolved after one LP, just as singer-guitarist Mary Timony’s previous project, Wild Flag, did.

Fortunately, we learned as 2019 kicked off that this was not the case after all, and Ex Hex came roaring back just last week with the release of its sophomore full-length, It’s Real. They’ve definitely grown as a band, but the elements everyone loved about their first batch of tunes are all intact here, even as they stretch out with some heavier riffs, contrasting those at other points with some introspective moments. The end result is sure to delight all previous Ex Hex fans, and might just make some new ones (assuming everyone doesn’t love this band already). They’re accompanied on their return to Richmond by Los Angeles new-romantics Moaning, as well as perennial Richmond indie-pop faves Positive No. This one is a guaranteed delight.

Bonus Hampton Roads Picks:

Friday, March 29, 6 PM
Jawbreaker, War On Women, Pohgoh @ The NorVA – $37 in advance/$42 at the door (order tickets HERE)
All the 90s emo and pop-punk kids are sure to be freaking out over this one. Blake Schwarzenbach has done several memorable bands over the years, including Jets To Brazil and Forgetters, but none have ever captured the hearts of music fans the way his late-80s/early-90s band Jawbreaker did. For many years, even as fans clamored for Schwarzenbach to reunite with his former Jawbreaker bandmates, he swore he’d never do it. But then, in 2017, the band returned to headline Riot Fest and, improbably, kept working together, playing shows around the US and even starting work on their first album in 23 years.

They’re currently in the middle of a run down the East Coast, and this show brings them to Virginia for the first time in over two decades. They’ve even been playing some new-ish tunes (although they are really just unreleased songs from various Schwarzenbach projects over the years), and we can all look forward to the possibility of a new album on the horizon. For now, though, it’ll be enough to bop around the NorVA singing along with classics like “Save Your Generation,” “Boxcar,” “Chesterfield King,” and many more. Plus, opening sets from War On Women and Pohgoh are sure to make an amazing night even more special. Don’t miss this one.

Saturday, March 30, 5 PM
LAVA Mini-Fest, feat. Bennett Wales & The Relief, Camp Howard, Starcoast, Shormey, Mas Y Mas, Landon Elliott, Kenneka Cook, Recluse Raccoon, Ramblin’ Ron Talman, Hunter Rhodes MAGIC, Tmobyle @ Toast – $12 in advance/$15 day of show (order tickets HERE)
Here’s a fun way to spend your Saturday evening — by gassing up the ride, heading east down 64, and enjoying an evening mini-fest brought to you by Norfolk’s own LAVA Presents. These Norfolk promoters work with a variety of genres down in the Hampton Roads area, and they’re demonstrating that by bringing a variety of sounds from around Virginia together at Toast to get you stoked.

There are a ton of different genres on this bill, from the Southern-tinged rock n’ roll of Bennett Wales & The Relief to the cleancut indie jangle of Richmond’s own Camp Howard, from the electro-pop of Shormey to the heartland rock of Landon Elliott, plus a whole lot more. There are definitely some names that will perk up the ears of Richmond music fans (Kenneka Cook, anyone?), as well as some very interesting sidetrips, including a magic show, a pop-up record shop, and a craft market! Sounds to me like a great way to spend a Saturday night — you know what to do.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 18 – December 25

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, December 22, 9 PM
L’Amour, Sick Bags, DJ Sam Slug @ Mojo’s – Free (Donations appreciated)
It’s time to go back to the dawning days of Richmond punk — long before White Cross or Death Piggy, back when punk hadn’t yet become a pedal-to-the-metal speed competition, before it was all about rage and fury. Back in the late 70s, the Ramones, Dead Boys, and Dictators were still kings of the US punk scene, and here in Richmond, our earliest punk exports fit into much the same mold; mixing teenage hormones, class-clown goofiness, and no-frills rock n’ roll into a potent cocktail of melody, energy, and fun.

1979 was the year that L’Amour, one of the foremost bands in that first wave of RVA punk, released their sole EP. It featured two songs, “Sunglass Party” and “Someday,” and preserved the group’s blend of Stonesy catchiness and New York Dolls-style gleeful trashiness for posterity. There was a lot more where that came from, but it was much harder in those days to record and release music than it is today, so the rest of it spent decades languishing unheard on tapes buried in former members’ basements.

Thankfully, this year has seen a resurrection of L’Amour’s greatness, as VA label Beach Impediment has collected all of the band’s known recordings onto an excellent 14-song LP entitled Look To The Artist. To celebrate its long-overdue release, core L’Amour members Tom Applegate and David Stover have regrouped, recruited a young rhythm section from among the fertile talent pool of today’s Richmond punk scene, and returned to action for this incredible reunion show at Mojo’s Saturday night. Most of us probably missed L’Amour the first time (I was three, and I’m OLD), so this is a golden opportunity to be present for a return to the very roots of this city’s near half-century of punk greatness. And how can you possibly turn that down?

Wednesday, December 19, 7 PM
A Very Butcher Holiday, feat. Butcher Brown, R4nd4zzo Big B4nd @ The Broadberry – $12 in advance/$15 at the door (order tickets HERE)
Christmas time is here, and Butcher Brown knows it. This excellent quintet is getting into the holiday spirit at the Broadberry tonight with an excellent set of jazzed-up Christmas standards, paying tribute in particular to the Vince Guaraldi Trio’s classic soundtrack for A Charlie Brown Christmas. They’ll be joined by the R4nd4zzo Big B4nd, a fifteen-or-so-piece project led by Butcher Brown’s very own bassist, Andrew Randazzo, which brought us much the same tribute last year, as captured on their Tribute To Vince Guaraldi LP, released back at the beginning of this year.

Considering Guaraldi often worked at the head of a simple piano-bass-drums trio, this brassy, expanded treatment from a group that includes multiple trumpets, trombones, and reeds is different from the original in significant ways. However, the jazzy spirit of Christmas that makes Guaraldi’s original album the objective best holiday music ever (yeah, I said it) remains intact, even as the group’s inspired new arrangements allow for considerable creativity. Whether you’re a fan of A Charlie Brown Christmas in particular or the holidays in general, and even if you just like good jazz music no matter the season, this show’s got a lot to offer you. Be there, and get into the spirit the Butcher Brown way.

Thursday, December 20, 7 PM
Snail Mail, Bleary Eyed @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
Look, I admit it — I’m just discovering Snail Mail. I’m a big-time music nerd (as you may have gathered) and I catch a lot, but sometimes things are gonna slip past my radar until way past time that I should have heard them. Snail Mail is one such thing; somehow I missed their debut full-length, Lush, when it was released this past summer and proceeded to score Best New Music plaudits from Pitchfork. Oops.

I mean, I always take that website with several grains of salt, so don’t get me wrong, but this time they are totally correct — Lush is an absolute tour-de-force. Where downcast indie-pop songwriting is concerned, Snail Mail frontperson Lindsey Jordan has an incredible gift, and songs like “Speaking Terms” cut to the heart of the tremendous difficulties inherent in all human relationships, even as they wash your tears away with beautiful vocal melodies and perfect chiming guitars. This is an album that will resonate with the awkward emo nerd inside us all, even the jaded denim-clad metalheads among our number. I will go so far as to say this — if you’ve ever in your life had feels about a thing, you need to be at the Broadberry this Thursday night. Snail Mail’s gonna make you feel all those feels all over again, and in much more wonderful ways.

Friday, December 21, 8 PM
Camp Howard, Twain, Recluse Raccoon, Kenneka Cook @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
Get ready for a lovely night of gorgeous indie sounds at Gallery 5 this Friday. This quartet of excellent Virginia artists will ease you into the weekend before Christmas and all the hectic travel plans you’re sure to be executing in the days that follow. Reliable RVA mainstays Camp Howard are at the top of the bill, and that’s always a good place for them; it may have been a year and a half since most recent EP, Juice, but Nic and the boys have established such a reliable track record of glittering post-punk power-pop over the past several years that everyone in RVA knows what these boys have to offer.

Where this show is concerned, though, Camp Howard is just the beginning. Twain hail from Franklin County, a rural region just south of Roanoke that has legendarily been known as “the moonshine capital of the world,” so you know this band understands how to have a good time. Their 2017 LP, Rare Feeling, is full of beautiful songs that bring an understated, pensive touch to a style landing somewhere between indie and alt-country. They’re simultaneously reminiscent of Sturgill Simpson and My Morning Jacket, and just as excellent a listen as those two, so they’re well worth your time. Recluse Raccoon are a good bit more social than the name suggests, and in fact they recently released a gorgeously weird self-titled LP that makes quite an impression with its introspective tunes embroidered by a variety of unconventional instruments. And of course Kenneka Cook is always someone you should catch, even if it means showing up early — her excellent voice and skillful compositions are worth the price of admission all by themselves.

Saturday, December 22, 8 PM
Planned Parenthood Fundraiser, feat. Occultist, VV, Kuni, Trapcry @ Gallery 5 – $5 to $10 suggested donation
With Strange Matter sadly shuffling off this mortal coil, there seems little doubt that we’ll all be spending more time at Gallery 5 in the near future. Their focus on the DIY community and support for causes that matter to the less-privileged inhabitants of the river city makes the gallery the obvious torchbearers for the sort of local scene support that Strange Matter was so good at. This Saturday night, they prove it for the second time in 24 hours with an amazing benefit for Planned Parenthood — an organization that’s been constantly under siege for several years now, and does crucial work within the local community, from ensuring your right to reproductive freedom to such important things as providing essential health care for transgender people without other options (like me, for instance).

Occultist are headlining this shindig, and it’s great news, considering how difficult it’s been to catch these thrash-metal ragers in a live setting over the past year or so. It’s been quite a while since they brought us any new studio recordings, and at this point they’re sure to have some new material to bring you, so get ready to headbang with a grateful fury. VV are an excellent addition to any bill, and their vitriol-drenched, synth-laced postpunk attack is particularly apropos for a Planned Parenthood benefit — smashing patriarchal faces for the win. Kuni’s queer electro-punk and the seductive techno-dance sounds of Trapcry will round this bill out perfectly. You’ll dance, you’ll rock, you’ll smash the patriarchy… it’s the most wonderful time of the year.

Sunday, December 23, 8 PM
Marc Rebillet, DJ Harrison @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Marc Rebillet is a phenomenon that’s not that easy to explain. What I’d heard from other people before I checked out his music led me to expect one thing, but what I found was something significantly different. People will tell you this guy’s a bit of a comedian, and certainly he approaches his electro-funk music with an irreverent, humorous attitude, but the results he gets from synthesizers, beat loops, and most importantly his unforgettable voice are not only entertaining but seriously intriguing.

His Loop Daddy EP, released a couple of months ago, finds Rebillet, who got his start on YouTube, in loverman mode, sounding a bit like Baltimore electro-goof Dan Deacon if he was able to expertly channel R. Kelly. However, he’ll occasionally put the whole damn thing on pause to holler ridiculous improvised exhortations, and yeah, you’re gonna laugh at those times. Mostly though, Marc Rebillet’s gonna get your booty shaking with a rhythm that might seem totally out of place this close to Christmas but is, if anything, exactly what you need to survive another awkward dinner at Grandma’s house. So head to the Camel this Sunday and get in the pool. You know what I’m talking about.

Bonus Hampton Roads Picks:

Friday, December 21, 8 PM
Demons, Shy Low, Ladada @ Taphouse Grill – $5
Shit is always pretty heavy down Tidewater way, I’ve found. There are indie shows down there at times, but a lot of what I find coming out of that geographical region of Virginia is hard as fuck and taking its best shot at crushing your skull. The same is true of Demons, though instead of super-heavy deathcore stuff, this band is aiming for more of a thick, metallic sound on latest EP Made In The USA. The resulting pummeling lands somewhere between Far Beyond Driven-era Pantera and early Every Time I Die. And when it lands, it lands on its feet and starts charging straight at you. Be there to meet the onslaught at Taphouse Grill this Friday, and you’re sure to be glad you did.

This show will also bring you a performance from Richmond’s own Shy Low, who’ve been less active recently than they were a few years ago. However, their most recent release, Burning Day, was only a year and a half ago, and it showed that they’d retained their powerful approach to the instrumental post-rock sound on which they made their name back a half-decade or so ago. So you can certainly expect a reliable (post-)rocking from these guys, and you’ll get a bonus set from openers Ladada, who have a catchy indie-pop sound that’s sure to delight. All in all, it’s a fine Friday night in Norfolk. Enjoy!

Sunday, December 23, 4 PM
Shaka’s Appreciation Show, feat. The Unabombers, Beggar’s Row, Accident Prone, Pushing On, Evade, Faded, Freebase, Chain Breaker, Catalyst, Semtex @ Shaka’s – Free!
It’s a sad story, one that those of us here in Richmond know all too well. Norfolk live music mainstay Shaka’s is celebrating its tenth anniversary this month… but it’s also closing its doors forever. That’s not happening after this Sunday matinee show — their last show is actually the Doyle gig on New Years Eve — but it is one of the last chances the Norfolk area will have to show their appreciation for a venue that’s filled much the same role in their scene that Strange Matter has in ours. What a shame.

The show itself will be a glorious occasion, though, with longtime VA punk veterans The Unabombers taking care of business at the top of the bill. These guys have been rocking the Hampton Roads area and beyond for over 20 years now, and they’re the perfect band to send Shaka’s off on a high note. And there’s a ton of hardcore punk on the bill besides, from the speedy metallic rage of Beggar’s Row to the brutal pummeling mosh of Evade to the angry punk/HC of Pushing On. There are a whole bunch more bands on this one too, and the price is certainly right, so if Shaka’s ever meant anything to you, there’s no time like the present to both show it some love before it disappears and to enjoy the Hampton Roads hardcore/punk scene’s past, present, and future all in one great place.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers –- this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Charmer, Ostraca, Au Revoir, Shy Low at Strange Matter

|

Topics: , , , , ,

CHARMER (RVA)
https://charmerva.bandcamp.com/
OSTRACA (RVA)
https://ostraca.bandcamp.com/
AU REVOIR (States in the midwest and east coast)
https://aurevoirit.bandcamp.com/
SHY LOW (RVA)
https://shylowmusic.bandcamp.com/

8PM Doors // 9PM Sounds | $7 Cover | 18+

Rippin’ diverse a gig from metal to post-rock to screamo to metal to hardcore and beyond!. Come early, stay late. Support local/touring bands. Support mixed genre shows and the touring band AU REVOIR as well as amazing locals CHARMER, OSTRACA and SHY, LOW!

RVA Shows You Must See This Week: 4/18-4/24

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, April 20, 8 PM
420 at G5, feat. Battlemaster, Night Idea, Unmaker, Haircut @ Gallery 5 – $8
It’s always weird to live through a holiday you don’t celebrate, and hipster holidays like 420 are no different. That said, just as you don’t have to be a Christian to enjoy getting presents on December 25, you don’t have to be a dyed-in-the-wool marijuana connoisseur to scarf munchies and enjoy some loud music on April 20th. Rest assured, Gallery 5 will not be checking your bloodstream for THC at the door of this 420 celebration, which will bring you some rad local bands for a very economical price point, and offer you a “munchies table” in the bargain. Sounds like a great Friday night to me.

Battlemaster are your headliners on this bill, and these raging metal masters have been dishing out the triumphant, hyperspeed riffage for well over a decade now. Granted, they aren’t the most active band in the scene — it’s been three years since the release of their last LP, Battlehungry and Swordsworn — but then, what could be more fitting for a band headlining a 420 gig? There’s no rush, man, let’s just rage for now and then grab some eats. I gotta admit, y’all, there’s a lot about this 420 mindset that appeals to me.

Night Idea are a bit more active, dishing out their melodic, psychedelic take on math rock on four separate albums in the past seven years; the most recent being last fall’s Riverless. That said, regardless of their scientific approach to song structure, these guys at the end of the day are just some laid back dudes that want to hang. And you’ll be able to do just that as they serenade you with killer tunes that just might leave you scratching your head if you pay close attention. Local heavy-postpunk group Unmaker and raging hardcore punks Haircut round out a bill that’s a perfect celebration of the most stonerific day of the year. So get there on time; after all, the Cool Ranch Doritos aren’t gonna last.

Wednesday, April 18, 7 PM
The Aces, The Barons, Blush Face @ The Camel – $12 in advance/$15 at the door (order tickets HERE)
People talk a lot about the 90s being back these days, but I think we all need to admit that the 80s revival is a formidable aspect of our current musical culture as well. And not the sort of 80s revival we had a decade and a half ago; that was about fashion. This is about music, and where The Aces are concerned, it’s about good music. This four-woman group featuring two sisters might just remind you of fellow sister act Haim, but The Aces are no copycat; their debut album, When My Heart Felt Volcanic, has a grip of excellent melodies and catchy choruses to deliver to all of us, mixing chunky guitars with the same sort of synth swells that lended secret power to classic singles by 80s rockers like Rick Springfield and Corey Hart. I know, younger readers, you have no idea who those people are. Trust me.

Not that you even need to, because hearing the voices of The Aces will be enough to convince you that this band has a sound you need in your life. Their vocal harmonizing gives the already-incredible choruses of songs like “Stuck” and “Bad Love” an atomic-level power that’ll caress your eardrums and shatter your heart. It’s enough to make me long for days of the Saturday morning American Top 40 Countdown. Casey Kasem has passed on, Madonna is, um, not that good anymore, but The Aces are keeping the dream alive. They’re joined on this trip through RVA by Charlottesville’s own 80s-pop killers, The Barons, who mix musclecar references into their own version of guitar-driven, synth-inflected pop. Irrepressible local popsters Blush Face, who always bring a good time, will take the opening slot, and if that’s not a reason to arrive on time, I don’t know what is.

Thursday, April 19, 6 PM
Boston Manor, Free Throw, Homesafe, Hot Mulligan, Save Face @ Strange Matter – $15 (order tickets HERE)
As anyone who’s been paying attention to this column for the past few years will surely be aware, I’m a huge fan of emotionally-driven pop-punk. What’s more, I make no apologies for it, and I don’t think anyone else should either. Which is why I’m encouraging all of you who have even a shred of my love for the genre to hold your head high with pride and head out to Strange Matter Thursday night for this visit from Boston Manor. Despite what the name might lead you to think, this quintet hails from Blackpool, England, and if you listen closely to their 2016 full-length debut on Pure Noise Records, Be Nothing, you’ll hear tinges of that cross-the-pond lineage shining through.

In addition to the obvious emotional pop-punk touchstones, there are hints of underrated (at least here in the USA) UK groups like Funeral For A Friend and Idlewild on tracks like “Lead Feet” and “Broken Glass” — and I for one am certainly not complaining. In addition to this excellent UK headliner, this show also brings us a variety of other emo-pop bands from various locations west of the Atlantic and east of the Mississippi. Nashville’s Free Throw are a bit mellow and jangly, while Illinois group Homesafe has a lot of energy and crunch, bordering on melodic hardcore. Michigan’s Hot Mulligan have that way with witty song titles I’ve always loved (“All You Wanted by Michelle Branch,” “Pluto Was Never Really A Planet Either Even”), while New Jersey’s Save Face get all rock n’ rolly, bringing an almost-grunge influence to their melodic punk riffs. All of it’s rad, though. All of it is worth seeing. Don’t hide from it.

Friday, April 20, 8 PM
Bully, Shellshag, The Smirks @ Strange Matter – $12 (order tickets HERE)
Here’s some great news for anyone with good taste: Bully are hitting town once again. This Tennessee quartet have been lighting it up for close to five years now, with their highly energetic mix of melodic punk and post-grunge power-pop. Their first LP, Feels Like, grabbed a ton of attention for its striking songwriting chops and predilection for overdriven guitars and angst-ridden screams. Last year’s follow-up, Losing (perhaps the continuation of a sentence begun in the first album’s title?), hits even harder, cranking the angst up to 11 and giving frontwoman Alicia Bognanno plenty of opportunities to scream her head off.

Bully’s performance at Strange Matter Friday night will offer yet another opportunity, and it’d be a wise idea for all of us to station ourselves at ground zero of this impending explosion of rock n’ roll fury. If you’ve ever thought that Nirvana would have been an even better band if they were run by a woman, this is the band for you. Plus, they’ll be joined by minimalist garage-punk heroes Shellshag, who’ve been gracing Richmond with their presence regularly for years and have won over a lot of people in the process. If you don’t know, now you know. Local punk rock killers The Smirks open up with what is apparently their album release show. And look, I know I tell you quite often that you need to get to shows on time. But seriously, if you miss The Smirks’ LP release, you win the blue ribbon for blowing it.

Saturday, April 21, 8 PM
HeadlessMantis, Houdan The Mystic, Lucid Traveler, Mad Habit @ Gallery 5 – $5
This all-local Saturday night special is being brought to you by The Jamwich, a magazine covering regional music of what I’m guessing is the “jam” variety; and Progress Festival, a three-day fest taking place out in Dublin, a VA town somewhere outside of Radford. All of this will give you a definite idea of what this festival-preview night at Gallery 5 will have to offer, but you’d be foolish to write it off accordingly. Because honestly, while I’m no fan of “jam bands” as they are popularly conceived, all of the bands on this bill have quite a bit more to offer than warmed-over retreads of Phish or Disco Biscuits. And thank god for that.

HeadlessMantis is at the top of the bill, and this band has at least as much garage rock running through its swamp-monster veins as prog-psych. They’ll inspire a good deal more headbanging than goofy LSD twirl-dancing. Meanwhile, Houdan The Mystic has some pretty excellent math-rock chops, which they integrate into prog-rock melodies that might please the jam heads but are more likely to keep fans of mid-period King Crimson smiling. Lucid Traveler keep things funky with their instrumental tunes, and while they are probably closest of all these groups to being an actual jam band, they’ll keep the groove moving enough that you won’t want to hold it against them. And openers Mad Habit bring enough pop melodies to keep their psych sound engaging and fun. For a supposed show full of jam bands, this one is gonna be pretty darn unmissable.

Sunday, April 22, 9 PM
Desert Altar, Indighost, Lair @ Bandito’s – Free!
There was a time a few years ago when it seemed you couldn’t get through a week of live music here in Richmond without seeing at least two or three doom metal bands. Even if you were going to indie shows, it was pretty much everywhere. However, lately, it seems like the doom trend is starting to die. This may be bad news to any hipsters who were trying to get famous by wearing denim jackets and copping Fu Manchu riffs from 2001, but it’s good news for those who just want to enjoy good music without all the extra baggage. You’ll have a great opportunity to do so with some bands that might have missed the doom metal trend, but are still really excellent, this Sunday night at Bandito’s.

Indighost is the touring crew on this bill, and this Johnson City, TN crew seems to draw quite a bit of influence from their Appalachian background, as they mix spooky backwoods gloom with their doom-laden psychedelic melodies. Their 2017 album, Sphinx Rider, is the soundtrack for the best Hills Have Eyes-style rural-nowhere horror movie never actually made. At least we have the music, right? Local up-and-comers Desert Altar bring some witchy psych-doom sounds of their own to the bill, as brand new RVA heads Lair crush our heads with some mournfully beautiful sludge. Grab some nachos and settle in for some excellent bleakness.

Monday, April 23, 8 PM
Charmer, Ostraca, Au Revoir, Shy Low @ Strange Matter – $7
OK, before we go any farther can I just give a shoutout to this flyer? Is this really how those “flat-earthers” see the world? Holy hell, my brain is broken. But that’s OK, all will be well once again when this quartet of killer bands takes the stage at Strange Matter Monday night. Of course I’ve never made it a secret that I totally love Ostraca; one of the best bands to come out of Richmond anytime this decade, if you ask me. They only further proved it with the three killer releases they brought into the world last year, highlighted by their second LP, Last. If the idea of passionate, emotionally-driven metallic hardcore that draws equally from black metal, experimental noise, and raging thrash doesn’t appeal to you, then I think you need to come see Ostraca this Monday night and get your head right.

The great thing about this bill is that it not only features one of the best bands making music in this town right now but will also bring us three other groups with their own take on excellent heavyosity. New Jersey’s Au Revoir, the out-of-towners on this bill, bring some epic heavy instrumental jams along the lines of Pelican, or Earthless. Shy Low have been plying their own instrumental post-rock trade locally for a fair bit of time now, but 2017’s Burning Day EP showed us all that the group still have quite a few tricks up their sleeve. And of course, there’s Charmer, whose seemingly sweet name belies this group’s non-stop power-violence attack. On last year’s split EP with Amara, they dished out five songs in around four minutes, and they’ll be cranking ’em out at a similar rate of speed at Strange Matter. Don’t blink.

Tuesday, April 24, 7 PM
Hovvdy, Kenneka Cook, Addy @ Gallery 5 – $8 (order tickets HERE)
I’m still not sure I entirely approve of the whole “two v’s in place of a w” thing that’s been going around for a few years now. That said, I’ve heard a bunch of bands who went with this particular move, and I’ve liked them all. So for now, I’m willing to go with it in the case of Hovvdy. This duo was started by Austin drummers Will Taylor and Charlie Martin to explore their own interest in quiet, hypnotic sounds. Contrary to all the old jokes about drummers not having any musical ability, these two have created a gorgeous world of sound on their brand new album, Cranberry — which ironically features a significant amount of programmed beats. Give the drummer some!

Hovvdy will be joined on this show by Kenneka Cook, who should need no introduction for those who’ve been reading this column and this magazine lately. That said, I’ll offer a brief one: Cook is an amazing soul-funk-pop vocalist who creates incredible music in a variety of formats — sometimes on her own, with programmed loops backing up her vocals; sometimes with bands consisting of the best musicians Richmond has to offer. Which version of Cook’s live performance you’ll get at this show isn’t something I can tell you in advance, but I can tell you that either one is sure to blow you away and leave you begging for more. Addy will open things up with some bedroom-pop solo sounds that will transfer to the stage in unique and interesting ways. This whole bill is worth catching — don’t sleep on it.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

And on April 23 at 7 PM, make sure to join VA music promoters Lucas Fritz (The Broadberry/The Camel), Mark Osborne (Strange Matter/Slimehole), and Jessica Gordon (RVA Shows/Trigger System), for a FACEBOOK LIVE interactive chat. The promoters will discuss the Richmond music scene, talk about their experiences booking bands, and ask you, the fan, what bands you want to see come to town. They’ll be asking some trivia questions to win tickets to upcoming shows and you can leave any questions you want them to answer in the comments section. Make sure to get in on the conversation this Monday!

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 12/6-12/12

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Thursday, December 7, 8 PM
Gritty City Is For The Kids 3, feat. Gritty City, Noah-O, Black Liquid, Michael Millions, Tef Wesley, Chance Fischer, Segga Spiccoli, Reppa Ton, Ant The Symbol, hosted by Been Official, music by Swerve 36 @ Strange Matter – $5 (or toy donations)
It’s Christmastime again, and like all good people everywhere, the Richmond music scene tends to get into the giving spirit. Not only has No BS! Brass Band’s canned food drive returned for another year, and Punks For Presents come back for a record five shows (more on that one later), Gritty City Records has put together their third annual Gritty City Is For The Kids hip hop summit. This show, rapidly becoming a local institution, will benefit Toys For Tots by bringing together perhaps the best lineup of local hip hop RVA’s seen since last Christmas.

No, seriously–I’ve talked before about how there are many layers to the RVA hip hop scene, and how every show seems to spotlight a different crew, each of which has a packed stable of amazing rhymers and killer producers waiting in the wings. But in a traditionally competitive genre, Gritty City stands out by crossing all lines between crews and uniting the entire scene for a night that brings together top-level artists from all facets of the scene. This isn’t surprising for a label that’s released local artists from The Lone Crow (aka Murk One) and The Honorable Sleaze (RIP) to Rah Scrilla and John Canada, but it’s certainly refreshing for fans of all facets of RVA hip hop–for once, you can see all the best locals on the same stage on the same night.

Who are we talking about here, exactly? Well of course you know the Gritty City fam (Johnny Ciggs, Fan Ran, Ben FM, etc) will be out in force. But they’ll also be joined by Charged Up majordomo Noah-O, who is a decade into his career and only getting better. Then there’s Michael Millions, an underrated emcee from the AGM posse who just might be the best rhymer on the local scene right now. Chance Fischer, one of the only rhymers with a prayer of challenging Millions for that title, will be there too. And of course, we can’t forget the hardest working man in Richmond hip hop, Black Liquid, who just dropped what must be at least his 20th album and shows no sign of slowing down. Strong up-and-comer Segga Spiccoli, production mastermind Ant The Symbol, rock-solid spitter Reppa Ton, and living legend Swerve 36 on the wheels of steel round out a lineup that no local hip hop fan has any excuse to miss. The charity stuff is important, but where this show is concerned, the reason for the season is the music.

Wednesday, December 6, 8 PM
The Palmer Squares, Vantablac Sol, Netherfriends, Yung Dxrk @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
From local hip hop to some touring rappers from Chicago, it’s a rhyme-heavy week. Here we have a three-artist tour package headed up by The Palmer Squares, who’ve got a huge social media presence and the lyrical skills to back up their high view numbers on YouTube. Their latest EP, NaPalm follows up their first two full-lengths with another half a dozen songs full of tongue-twisting turns of phrase from rappers Terminal Knowledge and Acumental, as well as thick, multi-layered beats from producer Nate Kiz, who isn’t technically in the group but has established a strong, unified sound for The Palmer Squares over the course of multiple projects.

Nate Kiz may not be along on this tour, but Vantablac Sol is, and I’m assuming this Chicago rapper quit using original nom de rhyme Bruce Bayne after DC Comics got wind of it. Regardless, his more laid-back flow fits with Palmer Squares’ more manic tendencies due to equally thick, pulverizing beats that tie his latest VBS Tape together. A fun third piece of this trio is Netherfriends, the Chicago-based project that came through Richmond a bunch back in the 50 Songs 50 States days. Shawn Rosenblatt’s solo project had more of a bedroom-indie vibe back then, but he was already starting to get into hip hop production last time I caught up with him a few years ago, so this tour makes a lot of sense in conjunction with recent beat-heavy releases like Piano Dude. Whether you’re in the house to catch up with Netherfriends or to catch some sick rhymes from Palmer Squares, this show’s gonna deliver some killer sounds to your earholes.

Thursday, December 7, 8 PM
Battalion Of Saints, The Cryptics, Talk Me Off @ Bandito’s – Free!
It’s never a bad guess to assume that an early 80s American hardcore band was full of dead end kids with no future, but even in a scene full of bands that could barely survive their own nihilistic lifestyle, Battalion of Saints deserve special recognition. After all, singer George Anthony has been the only surviving original member of the band since sometime in the late 80s. He’s kept the band rolling with a rotating collection of SoCal miscreants ever since, and most recently, they released a 3-song EP on Southern Lord that showed their skills at loud, fast, out-of-control punk noise having decayed not at all after 35 years of destructive rage.

So it’s pretty cool to see these maniacs rolling through Richmond once again, 20 years after they tore Strange Matter (then known as Twisters) apart on the Death-R-Us tour. This time they’ll be hitting Bandito’s, so all the punks who are scraping quarters together to buy 40s at 7-11 can stop by the show on the way to the store without worrying about their beer money having to go to the door charge. If you’re living a bit more of a sensible lifestyle these days, your money can easily go towards tasty tacos and high-quality brew from the Bandito’s staff. Either way, you’ll get a hefty dose of punk rock awesomeness from the Battalion as well as spooky, melodic punk tourmates The Cryptics and local hardcore-punk newcomers Talk Me Off. Don’t miss out.

Friday, December 8, 8 PM
Punks For Presents 2017, Night 1, feat. London Caroling, Good Cretins, Sex Tinsels @ Gallery 5 – $10
Over the next couple of weeks leading up to Christmas, Punks For Presents will present five amazing holiday-themed covers shows, all of which will benefit Childrens Hospital of Richmond, and all of which are well worth your time even if they don’t end up making it to this column. How could I skip out on this first one, though? It’d be pretty amazing to see an actual bill featuring the holy trinity of the 77 punk rock explosion, and since that will never happen, this is the next best thing!

Not only will this show feature the songs of the Ramones, The Clash, and the Sex Pistols, most likely performed by members of some of your favorite local bands (though at the moment that’s a closely guarded secret–you’ll have to show up Friday night to find out exactly who is involved), it will most likely also feature slightly-rewritten lyrics turning much loved classics into Christmas songs! “Santa Is A Punk”? “Yule Logs Burning”? “Holidays In The Snow”? All are possibilities, but what really makes this whole thing fun is finding out for yourself. Come rock out this Friday night and get in the giving spirit once again!

Saturday, December 9, 8 PM
Houdan The Mystic, Colin Phils, Gull, Shy Low @ Strange Matter – $6 in advance/$8 day of show (order tickets HERE)
Our favorite melodic prog mathematicians in Houdan The Mystic are back with yet another split LP. After keeping a low profile for a few years, since previously joining with Fight Cloud for 2014’s killer Where’s My Shakespeare?, they’ve decided to team up this time with South Korean transplants Colin Phils for a slab aptly titled Star Charts. This collection will enter the world this Saturday night at a shindig being thrown by Jet Trails Media over at Strange Matter. Like Where’s My Shakespeare?, Star Charts will enter the world on cassette and CD as well as over the digital waves. And really, even if you’re just planning on picking up the mp3s, record releases aren’t as fun without a big musical celebration, so you should still come out!

After all, Colin Phils are just as big a part of this whole picture as Houdan The Mystic, and unlike Houdan, they may still be quite unfamiliar to those of you who’ve been reading this column for a while. As previously mentioned, they originally formed in South Korea, and only arrived in Richmond recently. However, they’ve made a lot of local connections in their scant time here, and have impressed a lot of people who know what they’re talking about. Including me, I must say–the preview tracks from Star Charts available online show a mastery of everything from post-rock ambience to prog-emo grandeur and math-rock intensity. These guys are sure to bring the heat live, and if you, like me, still haven’t had the pleasure, this is the perfect opportunity. With Gull and Shy Low also on the bill, this is going to be a night full of challenging, amazing musicality. Get on board.

Sunday, December 10, 7 PM
The Dream Syndicate, Elephant Stone, Armistead of Love Tractor @ Capital Ale House Music Hall – $20 (order tickets HERE)
Social media is a weird thing. For example, this morning as I was checking facebook on my way to work where I knew I’d eventually write about this show, I discovered that it was two years ago today when I returned home from seeing The Dream Syndicate at Strange Matter and bashed out a quick recap for my tumblr before I went to bed. I’d written about that show for my show column, and it had totally lived up to the pre-show hype I myself wrote. Now, with the Syndicate’s return to the city this Sunday night, I find myself writing about them again. And I don’t regret it one bit.

That 2015 show was an incredible showcase of Steve Wynn and co.’s amazing run of 5 releases between 1981 and 1989, and I’m sure there’ll be some Dream Syndicate classics unleashed to mindblowing effect this Sunday night as well. But the main reason you should go to Capital Ale House and see this band is because the reunited incarnation of the band released their first new album in nearly 30 years earlier this year, and How Did I Find Myself Here? stands alongside any of their previous work in awesomeness. Wynn’s killer tunes are still at the forefront here, but the atonal noise solos, the layered psychedelic guitar freakiness, the hypnotic buzzing hum, and the punk rock-fueled intensity from classic albums like Medicine Show and The Days Of Wine And Roses is still on display. So yeah, it’s safe to say these guys will kick ass once again. Kick down the 20 bucks for a ticket–it’s worth it.

Monday, December 11, 8 PM
R-Dent, Josie McQueen, Sleave, Halfcast @ Strange Matter – $5 in advance/$7 day of show (order tickets HERE)
If you play alt-rock loud and fast enough, it kinda crosses the line into punk, and Jacksonville’s R-Dent push their guitar-driven midtempo riffage across that line as often as they can. One could probably quibble about whether or not this band would be more at home on Sub Pop in 1993 or No Idea in 1997, but either way, those who like loud guitars, driving rhythms, intense vocals, and an undeniable melodic sense hiding underneath everything will find a lot to like in this band, who’ll show up to Strange Matter Monday night with some loud amps in the back of their van.

They’ll be joined by a trio of loud-rockin’ locals, led by Josie McQueen, who don’t really ever push their alt-rock sound into the red enough to count as punk. That’s not a dis, though–these guys are more like Cheap Trick jamming with Marvelous Three or something, and that kind of tight, rockin’ power-pop is too thin on the ground these days. It’s good to have someone bringing that style to us right here in RVA, and it’s also nice to have the gruff melodic punk of Sleave, who clearly would find their place on post-Y2K No Idea, in the house for this one as well. Halfcast opens up with some thick riffage to keep the rock going from start to finish.

Tuesday, December 12, 8 PM
New Madrid, David Barbe & Inward Dream Ebb @ Strange Matter – $10 (order tickets HERE)
REM may not be around anymore, but if you think that means Athens, GA is no longer musically relevant, you need to pay better attention. You can start right here with this show, during which Athens crew New Madrid will come to town to hypnotize everyone with their riveting psychedelic grooves. Latest album magnetkingmagnetqueen has the sort of laid-back, spacey sound that should appeal to fans of locals like Avers and Minor Poet, making it an amazing headtrip of a listen.

With them, New Madrid will bring David Barbe, a well-known Athens denizen who has produced New Madrid along with legends like the Drive-By Truckers and Deerhunter. Barbe’s quite a musician in his own right, which he initially proved as the bass player for early 90s alt-rock stars Sugar and continued to make clear on solo efforts like 2001’s Comet Of The Season. He’s recently stepped back from production to devote himself to music-making once again, and brand new album 10th Of Seas sees Barbe playing all instruments on an album of psych-infused alt-rock that reminds everyone who loved his old stuff exactly what made it all so great. Barbe will perform backed by Inward Dream Ebb, the alter-ego of New Madrid as they pay tribute to a mentor by backing him up before returning to the stage with a killer solo set to close out the night. It’s gonna be an awesome night–make sure you’re part of it.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Astronoid, Shy Low, Paint Store @ Strange Matter

|

Topics: , , ,

Oh wow, new discovery of the week alert! Somehow I missed Astronoid’s 2016 album, Air, back when it came out, and only realized what this band actually has going on once I checked out this upcoming show to decide what to write about for Monday. Something like 30 seconds in, the debate was over. There’s no way I can miss the chance to highlight a band doing something this incredible. Air is an album that has received comparisons to Deafheaven and Alcest, which is automatically exciting to me. But what really makes this album stand out in the field of what has annoyingly been called “blackgaze” (shoegaze black metal. Don’t worry, I hate it too) is the way it manages to hide all its brutal riffing and blasting drums beneath gorgeous layers of beautifully harmonized clean vocals and some downright PRETTY guitar leads. Who saw that coming?

I didn’t, but I’m delighted to see this band coming to Strange Matter next Monday, and taking the opportunity to entrance us all with their intriguing hybrid sound, which I am imagining will somehow be both heavier and prettier in a live environment. They are well paired with Shy Low, whose recent Burning Day EP sees the band moving in a heavier direction from their earlier material while still retaining the elements of their epic instrumental sound with which they originally made their sound. Openers Paint Store have some of that Breadwinner-ish metallic math sound I was talking about earlier going on, and it’s always a welcome phenomenon. On the whole, this show is a can’t lose proposition. Don’t miss it.