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VA Shows You Must See This Week: July 3 – July 9

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, July 5, 9 PM
SeeYouSpaceCowboy (Photo by Marte Rowsam), Heavens Die, .gif From God, Nature Freak @ Wonderland – $10
Oh boy, I am super-stoked for this one! And not just because SeeYouSpaceCowboy, one of my favorite metallic hardcore bands of the past few years, is coming to town, but because for once, they’re playing a legally-sanctioned venue rather than a house party. That means I can tell you all about it, and in doing so, point out the underground hotbed that is Richmond’s metallic hardcore/noise/screamo/etc scene — something I rarely get to talk to you guys about, since it mostly takes place in basements and living rooms around the less gentrified parts of town. So don’t just go to this show to rock out — go to this show to learn. If you talk to the right people, you’ve got a good chance of hearing about all the underground spots that host shows like this on a weekly basis — spots I can’t tell you about, because there are hella narcs on the internet.

But none of this would have any purpose if it weren’t for how great of a show this is truly gonna be, and how great all the local shows like this are, no matter the venue. This one is particularly exciting to me because of the arrival of SeeYouSpaceCowboy, a Cowboy Bebop-referencing metallic hardcore band hailing from California and bringing serious pedal-to-the-metal spastic energy on their recent Pure Noise Records debut, Songs For The Firing Squad. This release collects all their early EPs and splits, along with a couple of new songs, to hit you with all the frenetic blast beats, stop-on-a-dime tempo changes, and brutal breakdowns that make this band such a standout.

The fact that SeeYouSpaceCowboy have hit the (relative) bigtime by signing to Pure Noise Records means that, like other screamo-associated bands of the past few years, they’re now in prime position to disassociate themselves from the scene that birthed them. But while Vein publicly insulted Richmond’s own .gif From God on their way up, SeeYouSpaceCowboy are playing with them at this show, so that’s certainly a positive sign. It’s also a benefit for you, the showgoer, since .gif From God is probably the best spastic noisy metalcore band in America other than SeeYouSpaceCowboy right now. The bill is rounded out by Heaven’s Die, who will travel down from VA’s Shenandoah Mountains to bring us some serious low-end mosh brutality, and local newcomers Nature Freak, who have some strong death-thrash DNA and are sure to get your head bangin’.

Wednesday, July 3, 8 PM
Alexander Mack (Photo by Cory Hammons), Ryan Com @ The Dark Room – $8 in advance/$12 at the door (order tickets HERE)
Sometimes midweek brings us big bands stopping through RVA on their way from one huge city to another. But when it doesn’t, you can always count on local venues like The Hofheimer and Vagabond to spotlight some deserving locals and give us some good music to spend our hump day evenings with. This show is actually part of a weekly series called Underexposed, presented each Wednesday at The Hof’s Dark Room, and while the combination of Underexposed with a rapper named Alexander Mack makes “secret world” jokes nigh-irresistible, I have to wonder if the young rapper, who named his most recent album ’91 Two Forty after a Volvo that probably seems ancient to him, is even old enough to get those jokes.

It doesn’t matter to you, the listener, though — what’s important to you is whether this young rapper and producer has a good enough sound to make it worth your while to go see him tonight. The answer from me is a resounding “Yes!”, especially if you like jazzy hip hop with breezy, upbeat flows from a talented lyricist who isn’t above dropping a perfectly-sung hook on ya every now and then. Based on what I’m hearing, it doesn’t seem as if Alexander Mack will remain a secret for long. Meanwhile, Northern Virginia rhymer/singer Ryan Cam has more of an R&B energy on his recent Star Power EP, which will add some contrasting flavor to this evening of fine music you probably haven’t encountered before. It’s the perfect time to get familiar.

Thursday, July 4, 7 PM
He Is Legend, The Native Howl, Vegan Llamas, The Huntrs @ The Canal Club – $15 (order tickets HERE)
I know, I know, it’s America’s birthday, and there’s a ton of Independence Day-themed stuff going on around town on Thursday night. But, can I be honest with you? As a socialist trans woman in the age of Trump, I am about as sick as could be of all the rah-rah flag-waving bullshit I encounter each day. And don’t even get me started on the “Blue Lives Matter” flags I see stuck to car bumpers and flying from trucks every time I leave the house. Fireworks are cool, but where the Fourth of July is concerned this year, I mostly just want to stay inside and get it over with.

Fortunately, there is one show happening in town tomorrow night that’s themed around kickass music. He Is Legend are coming back to town, and only a couple months after I last wrote about them, I’m sending you to see them again so that all of us can escape the jingoism and bang our heads to killer tunes from the band’s sixth and latest album, White Bat. He Is Legend are definitely Southern boys, hailing from Florida and letting some of that swampy blues-sludge energy shine through on their latest material, but this veteran metalcore group has always been obsessed with occult matters, so I’m hoping they don’t stop the show mid-set to demand that we pledge allegiance to the flag or anything. God knows I get enough of that bullshit at car shows these days. Shut up and mosh.

Friday, July 5, 7 PM
Genosha, Ruin By Design, Vulcanite, The Donalds, Illist, Eliza Battle @ Sound Of Music Studios – $5
As Virginia bands go, neither Genosha nor Ruin By Design get enough attention. Genosha definitely proved their worth on last year’s LP, Our Conspiracy, which showed that these Orange County boys have a strong command of blackened thrash, metallic hardcore, and brutal mosh riffage. Meanwhile, veteran quartet Ruin By Design showed off their melodic hardcore chops on last year’s From Ashes To Empowerment, bringing us a tough yet catchy and politically informed sound totally befitting a band featuring former members of none other than Avail.

Now, on Merger, a new split EP on Settle For It Records, these two bands have combined forces in an attempt to take their sounds twice as far as either have gotten on their own. And they’ll be celebrating the musical excellence they’ve created together with this release show at Sound Of Music Studios, right here in good ol’ RVA. You’re going to want to be there, and not just to be blown away by the amazing musical power and performance fury of these two bands, either — they’ve brought together a murderer’s row of fellow Virginia bands to act as support, from punk rockers the Donalds to metallic hardcore maniacs Eliza Battle. This one’s gonna be outstanding; those of you who haven’t caught on to the brilliance of Genosha and Ruin By Design need to get your asses to this show.

Saturday, July 6, 9 PM
Sadistik, Nickelus F, Elucid, MTFR @ Wonderland – $10
I’ve been doing this column for too long. You know how I know? Because sometimes I’m looking at a facebook event page and feel like I’m being personally called out. It’s probably all in my head (seriously, writing about ten shows a week for over five years starts to get to you), but regardless, I will admit it — OK, OK, Wonderland isn’t just for punk and metal shows (anymore). Sadistik is coming through town to prove this to me and anyone else who hasn’t gotten the memo yet with a unique sound that I’d have to describe as gothic hip hop.

On his latest album, Haunted Gardens, Seattle’s own Sadistik raps about dark, heavy subjects overtop of ambient goth beats and funereal melodies, which is kind of what he’s been doing throughout his career. If you liked the downcast melodies of that Soundcloud emo-rap movement that sprung up a few years ago, but really wished for more lyrical skills to go with them, Sadistik is here to grant you that wish. And he’ll be joined on this bill not only by Richmond’s foremost practitioner of rhyme skills, the almighty Nickelus F, but hard-hitting, intelligent New York rapper Elucid and MTFR of South Florida’s Nobodies. They’ll prove you can enjoy an outstanding show at Wonderland without ever feeling the urge to headbang.

Sunday, July 7, 7 PM
Party Nails, PRXZM, Rodes Rollins, Museum District @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Are you ready to dance? You better be this Sunday night, because Party Nails is coming to town, and this LA singer/songwriter/producer has some incredibly catchy electro-pop for you. When she starts dishing out tunes from her latest LP, Past Lives And Paychecks, you’re going to find yourself moving whether you’d planned to or not — so you’ll need to be prepared.

The synth-pop sound she cultivates in her music will definitely appeal to those among you who appreciate an 80s-retro good time, but if your aesthetic is firmly based in the 21st century, no worries — Party Nails has a modern appeal that comes through not only in her multilayered grooves but in the way-too-real subjects she deals with in the lyrics of songs like “So Broke” and “The Luxury Of Love” — seems like all of us are spending are last dollars to have a good time these days, and Party Nails knows that feel. Drop your last couple bucks on a ticket to this show, and dance your cares away.

Monday, July 8, 8 PM
Enforced, Gazm, Deviant, Itch @ Cary Street Cafe – $10
It’s time once again to bring some serious rage to the unlikely confines of Cary Street Cafe, as your Monday night gets exploded with some extremely heavy metallic thrashcore courtesy of Enforced. This RVA quintet has brought major heaviness to the mainstream-hardcore scene, and is about to demonstrate the fullness of their powerful talent on debut full-length At The Walls, coming later this month. Get an in-person preview at Cary Street Cafe this Monday night, and be prepared for some decidedly non-hippiefied mosh.

This show will also mark the final date of a weeklong tour that pairs Montreal’s Gazm with Richmond’s own Deviant. Gazm just released an LP entitled Heavy Vibe Music, but if you think that means they’re gonna hit you with some laid-back psychedelic haze, think again — this Canadian crew manages to mix heavy hardcore riffs with a snotty punk attitude and even, yes, a little bit of psychedelic weirdness to create something rather unique in today’s hardcore scene. Meanwhile, Deviant plays fast, angry hardcore that is primarily focused on a dark, nihilistic, and self-abnegating approach to the idea of sexuality. It’s fascinating, and a bit disturbing, but ultimately riveting, especially when they get that maniacal speed going. Local demo-core heroes Itch will get this whole thing started, apparently for the last time ever — so don’t miss a moment of this one.

Tuesday, July 9, 7:30 PM
Ghost Ship Octavius (Photo by MetalTitans), Rising Revolution @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
This is a great one for all you fans of progressive metal. Whether you prefer the erudite approach taken by Opeth and Porcupine Tree or the operatic occult stylings of Borknagar and Arcturus, you’re sure to find an appeal in Ghost Ship Octavius’s music. Formed by members of Nevermore and God Forbid, this group brings quite a pedigree to their symphonic heaviness.

But it’s vocalist Adon Fanion that really takes them to the next level; his soaring vocal melodies are the most overtly beautiful element of their sound. Meanwhile, the group’s lyrical approach brings majestic, haunted thematic elements to complex songs made up of multiple movements and intriguing dynamic textures — exactly the sort of thing that lends itself to such dramatic lyrics. This group is going to take you on a musical journey when you enter into the Camel on Tuesday night — have the courage to set sail with them. The trip will bring tremendous rewards.

Elsewhere Around The State:

Thursday, July 4, 8 PM
Pelicanesis, Walkie Talkie, Secret Ninja Death Squad @ The Golden Pony – $7 ($5 with space suit)
This truly unique July 4th show all but defies description. However, as one who is never at a loss for words, I will sure give it the old college try. Pelicanesis is a band from Harrisonburg who were active in the earlier part of this decade, releasing an album entitled A New Sun back in 2011. That album detailed the story behind Pelicanesis’s origin, one every bit as complicated as the plot to the Star Wars series, and which I will not even attempt to recapitulate here. The important thing you need to know is that Pelicanesis’s music is intended to act as a recruiting tool for an intergalactic mission to the Pelican Nebula to save the civilization of Sarmantia from future apocalypse.

That’s why you’ll get two bucks off the admission price if you show up to this Pelicanesis reunion show in a spacesuit: the band needs you to join with them and fight off an alien apocalypse. Or something like that — all I can tell you for sure is that you’ll be graced with an evening of digitally-infused progressive metal that somehow manages to be equally reminiscent of Thrice, Squarepusher, Grandaddy, and Iron Maiden. And how often does the opportunity to enjoy such a unique sound come around? Clearly not that often, so instead of worrying about the petty concerns of a self-congratulatory nation on a tiny blue planet, you really might want to consider spending your Independence Day with these heroes from another galaxy. The mission is critical.

Saturday, July 6, 9 PM
Bato, Worn, Raw Breed, Kept In Line @ Studio 239B – $5
Saturday night brings raw hardcore rage to a random studio in Norfolk, courtesy of Brain Hemorrhage Records. Bato, who stand among the fastest and angriest bands Hampton Roads has to offer, are joined on this bill by Pennsylvania’s Worn, who mark themselves as devastating practitioners of His Hero Is Gone-style D-beat hardcore madness on their recent EP, Not Your Game. Expect these guys to unleash a whirlwind of circle-pit fury when they take the stage.

They’ll be joined on this excursion to the 757 by Raw Breed, a Colorado-based collection of ragers who go for more of a straight-up tough-guy HC power on their most recent EP, Collected — which combines two different two-to-three-minute demo releases onto one vinyl 7 inch that still clocks in under five minutes. These guys get straight to the point, and do so with a vengeance. The evening is kicked off by a performance from Chesapeake’s Kept In Line. This band is not only straight edge but named after a Left For Dead song, so I am on board for their furious, noisy attack. Get on board for this show by showing up at 25th and Llewellyn in Norfolk Saturday night. All will become clear once you arrive.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 9 – January 15

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Thursday, January 10, 9:30 PM
Petrichor, Bad Magic, Doubtfire @ Don’t Look Back/Triple (3306 W. Broad St.) – Free!
The Richmond music scene has been showing its resilience for decades now, and the reaction it’s had to the latest trying time we’ve found ourselves in — prompted by the loss of Strange Matter, the steadiest venue for local shows anytime in the past decade — is just the latest example. You can see it in this show column; after last week’s unfortunately light post-holiday listing, the scene has rebounded with brilliance and ingenuity, finding new venues to fill the gaps and replace what we’ve lost.

One of these is the newly reincarnated Triple, a long-running Scott’s Addition pool hall that had been sitting empty for years, at least until Don’t Look Back brought it back last year. A decade or so ago, when it was still a pool hall, it hosted the occasional show, and now with the loss of Strange Matter, it has been pressed into service once again. This Thursday night, Petrichor will be holding the release celebration for their three-years-in-the-making new album, Petrichor II, and rock n’ roll will live in the Triple space once more. Viva RVA!

Petrichor has been an intriguing if somewhat low-profile institution on the Richmond scene for years now. Pairing the powerful voice of singer-songwriter Tess Fisher with a dark, heavy backing band that tends towards witchy early-70s-style doom, this group is a unique phenomenon both within and outside the borders of Richmond. That can be seen from their new album, which features acoustic moments as well as a sludged-up Misfits cover you probably won’t even recognize at first. The presentation of this incredible music is sure to be heightened to an impressive extent in the live environment, and what’s more, the show is free, so you’ll get to spend all the cash you bring on tacos and Petrichor albums. Which is as it should be.

Wednesday, January 9, 7 PM
Patrick Bates, Kenneka Cook, Keilan Creech @ Sound Of Music Studios – Free!
Traditionally, we don’t get too much out of Richmond singer-songwriter Patrick Bates. Though he does play solo shows occasionally, it’s been about four years since he last released a new record. That’s all set to change in the new year, though, as he’s currently ramping things up for a brand new collection of tunes. And it’s about time! On previous releases, such as 2015’s Feathers and Pearls, his delicate melodies had a fragile, aching beauty suffused with emotion. And while he’s certainly been known to recruit excellent local players to back him up, it’s his excellent voice and strong guitar playing that made his music so memorable.

What’s he got coming for us in 2019? This show will be our first opportunity to find out, and it’s taking place at Sound Of Music, a recording studio and occasional venue that also appears to be taking on an increased amount of live gigs in the wake of Strange Matter’s departure. Every little bit helps! And the fact that they’re hosting this impressive lineup of local singer-songwriters — not just Bates by RVA electro-soul phenomenon Kenneka Cook and folk-rocker Keilan Creech — makes this the perfect time to check this place out. You know what to do.

Thursday, January 10, 10 PM
Calvin Presents, Brain Drain, Dave Watkins @ Bandito’s – Free!
Damn… even Bandito’s is getting in on the act. This local home for outstanding nachos and what is secretly one of the best-sounding rooms for live music this city has to offer traditionally only hosts shows on Sundays. However, this trio of local performers are taking the stage at Bandito’s on a Thursday, and as far as we can tell, it isn’t even a particularly special occasion — they just needed somewhere to play. You need to go to Bandito’s to see them, too — and I’m not just saying that because it’s got incredible food.

If you keep your ear to the ground in this town, you’re sure to have heard the name Calvin Presents in recent months. This talented singer and pianist has been catching a lot of ears with his unique take on the place where soul, jazz, R&B, and hip hop all meet. His music is powerful and memorable, and it’s sure to sound outstanding in the Bandito’s back room. This show certainly offers variety as well; local punk-rock noisemakers Brain Drain are also on the bill. What’s more, the talented and eclectic Dave Watkins, who is capable of everything from old-time Americana to post-rock guitar ambience, is opening this show up — so you’ll be getting killer sounds from start to finish. Grab some tacos and get ready to rock.

Friday, January 11, 8 PM
Basilica, Home Astronomy, One Less Life, Referendum @ McCormack’s Irish Pub – $5
I have always found it important to keep a high level of metal in my diet — and I’m not talking about iron supplements either (though, as an aging lady, I should probably be looking into such things). Right now I’m talking about Basilica, a death metal band from North Carolina who will be bringing their remarkably catchy bangers to McCormack’s in Shockoe Bottom this Friday night. Last year’s Orbit Has Ceased EP shows that this band is ready, willing, and able to get your feet moving not only because they’re heavy as fuck, but also because they have some incredible riffs on offer.

If you’re not prepared for a full night of metal awesomeness, though, you’re in luck, because this show offers a variety of tuneage for the discriminating music connoisseur. Fellow Boone, NC residents Home Astronomy will arrive in company with Basilica, and their sound has not an ounce of metal to it, instead dabbling in the introspective moods of modern emo. And as you know if you’ve been reading this column for a while, that’s another genre I try to keep at high levels in my musical diet. With the addition of Tidewater deathcore mavens One Less Life and Lynchburg mosh machines Referendum, this bill has everything your body craves. Drink up.

Saturday, January 12, 6 PM
Tallies, Tula Vera, Nightcreature, Thin Pigeon @ Hardywood – Free!
The sounds are gonna get downright gorgeous over at Hardywood early on Saturday night. A pair of excellent groups will be bringing their excellent music to town from points Northeast of here, and we should all make sure to head to Hardywood and enjoy them going down. Tallies are a Toronto band with a brand new LP coming out only a day before they arrive in RVA, and from the advance singles that have hit the internet thus far, it appears this group has a downright brilliant dream-pop sound that should make fans of Baltimore’s Wildhoney or UK duo Honeyblood very happy (even though Tallies don’t have “honey” in their name).

As for Tula Vera, who come to us from New Jersey, they’re a bit more of a bouncy indie rock group, but they’ve got melodic sensibility to spare and brought a ton of it to the world on their excellent self-titled debut from a year or so ago. Both of these groups are sure to get your hips shaking, and they come to us in company of excellent local up-and-comers Nightcreature and Thin Pigeon. Plus, word has it there’ll be a curry truck at Hardywood for all your dining needs, and I guess they sell some drinks there too. “Not a bad way to spend your Saturday evening” is certainly a massive understatement, but you probably already knew that.

Sunday, January 13, 7 PM
Jon Spencer & the HITmakers, The Ar-Kaics @ Capital Ale House Music Hall – $15 in advance/$18 day of show (order tickets HERE)
The man, the myth, the legend… Jon Spencer is coming to town, he of the mighty Blues Explosion, as well as Pussy Galore, Boss Hog, and a few other excellent projects. He’s been blowing the minds of rock n’ rollers around the world with his unique brand of down n’ dirty, booty-shaking rock n’ roll noise fuckery for going on 40 years now, and his currently on tour with a group he’s calling the HITmakers. They’re here to revel in the fact that, after four decades of trash-rock excellence, Spencer has finally released an album as a solo artist, cleverly entitled Spencer Sings The Hits!

Now, as with Pussy Galore’s 1990 swan song, Historia de la Musica Rock, this ironically-titled collection isn’t actually a “hits” record at all, instead presenting us with a new slab of fine Spencer tunes with all the gas-tank-clanging gutter-blues excellence we’ve come to know and love from his previous work. His touring group features veteran Michigan outsider-rocker M. Sord on drums and Sam Coomes, formerly of Quasi and Heatmiser, on keys. Spencer hollers and whales away at the guitar, and as usual, there’s no bass — though Coomes’ keyboard will fill in plenty of low-end on its own. Chances are you’ll hear not only rad new rockers but some Spencer classics from throughout his career… and you’ll definitely get an opening set from VA’s own retro-garage heroes The Ar-Kaics. So really, what’s not to like?

Monday, January 14, 6:30 PM
Tyler Carter, R I L E Y, Matty Wavez, Calebfolks @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
Tyler Carter is probably most familiar these days as the angel-voiced clean singer for bizarre yet incredible emo-R&B-metalcore group Issues, who have proven over a couple of excellent albums that they can spin gold out of a musical hybrid that seems like it shouldn’t work for even five seconds. However, Carter, who also previously spent time in metalcore group Woe Is Me, has been dabbling in solo work for a while, first releasing a solo track back in 2010. As of 2019, he’s finally worked his way up to completing a full-length solo effort, Moonshine, and it’s that project that he’s on tour in support of right now.

If Carter’s group work leads you to expect heaviness from his solo music, you might be thrown a little bit for a loop by the smooth, emotionally-driven pop/R&B sounds he’s created for Moonshine. That said, anyone who’s heard more than 30 seconds of Issues’ music has to know that he’s always had this in him. And while we haven’t heard the album in its entirety yet (it’s supposed to be coming sometime soon…), the songs that have made their way to the internet show that Carter has every bit the facility with soulful pop crooning that he’s shown in the metalcore world. So get stoked for this one, regardless of what genres you usually gravitate toward… it’ll be a satisfying performance no matter what.

Tuesday, January 15, 7 PM
Tancred, Haybaby, Sammi Lanzetta @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Jess Abbott’s been demonstrating her talent in the field of songcraft for a while now. With each of her first three solo albums under the name Tancred, she showed further growth, as well as increasing comfort with what she’s doing and just what kind of music she wants to make. Her fourth album, Nightstand, which came out last summer, took things to a new level; largely gone is the introspective-acoustic format that was her standard MO back when Tancred started. These days, the songs are catchy and musically upbeat, featuring full-band backing and an alt-rock/indie-pop sound that’s sure to make your smile.

However, Abbott’s lyrics have remained dark and moody, expressive of an inner struggle that is by no means over. In that sense, she’s kind of followed the Waxahatchee path — steadily moving towards accessible melodies while continuing to focus on dark topics that most of us are sure to relate to, no matter how post-adolescent we are (like 25 years post-adolescent, in my case). And Tancred has quite a bit in common both musically and lyrically with Haybaby and Sammi Lanzetta, the two excellent local artists sharing this bill — even if they aren’t completely on the same page genre-wise (Haybaby’s a bit darker, Lanzetta a bit more straight-up rock). If any of this sounds appealing to you, rest assured it all will — and if you’re still not tuned in to what Tancred is up to, you really can’t afford to miss this one.

Bonus Hampton Roads Picks:

Friday, January 11, 8 PM
School Drugs, Nervous System, BATO, Street Weapon, Kept In Line @ Charlie’s American Cafe – $7
Almost every time I ever did drugs was when I was at school, which might seem slightly less insane if I tell you that I’ve been straight edge since 11th grade. But my point is that the name School Drugs makes pretty instinctive sense to me — didn’t we all do drugs in school at some point? Chances are, the answer for most of you is “LOL WTF no!” but maybe the members of this band will get where I’m coming from. I sure get where they’re coming from, at least on a musical level.

This New Jersey band mixes antisocial punk rage with old-school hardcore velocity and a few metallic touches. It’s definitely right up my alley, and it’ll be up yours too (heh heh) if you love cutting the shit and starting the pit. Just don’t take any of those dumb orange pills that weirdo metalhead from your study hall gave you — they don’t do anything. This show will feature a bunch of other killer punk bands from the Tidewater area, some of which are faster than others but all of which are sure to grab your attention. Don’t forget your steel-toed boots.

Tuesday, January 15, 8 PM
Beggar’s Row, Pummel, Compulse, Street Weapon @ Pourhouse of Norfolk – $5
We’re staying in the hardcore-punk world this week for our second Hampton Roads show, but this one is definitely for the kids who identify much more with the HC end of the spectrum. This show finds powerful, heavy Virginia Beach hardcore crew Beggar’s Row presiding over a murderer’s row of hardcore talent from around the state and beyond. Pummel hail from New Jersey and bring a solid dose of uptempo if not speedy hardcore to the Pourhouse — expect to see a lot of two-stepping (the hardcore kind, not the square-dancing kind) in the pit for these guys.

From within the boundaries of the Commonwealth — but almost as long a drive away — comes Roanoke, VA hardcore quartet Compulse, who definitely keep it rough and tough on their EP from last summer, Forged By Struggle. Not to be outdone, the show will kick off with a set from VB rabble-rousers Street Weapon, who’ve got that whole Negative Approach-core thing down cold, complete with slight tinges of Blitz-style oi and early-Warzone fury. This one’s gonna be a rager from top to bottom, and on a Tuesday night in January, you really can’t ask for more.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 12 – December 18

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FEATURED SHOW
Saturday, December 15, noon
White Laces, Night Idea, Fat Spirit, Manzara, Grem Smiley, Don Fredrick, Nightcreature, Billy Neptune, Deli Kings, Ghoul Trouble @ Strange Matter – $12 (order tickets HERE)
Saturday, December 15, 9 PM
Punks For Presents 2018 Night Two, feat. Good Cretins, London Caroling, Snow Control, Christmas Jerks, X-Mas @ Strange Matter – $10
The time has come. It’s the last hurrah. This Saturday marks the final time that Strange Matter will host any live music. I know a lot of us have been feeling some ways about this, and I’m definitely feeling those feels too. Not just because Strange Matter has been, hands down, the best and most reliable live music venue in Richmond for the past decade, but also because… y’all, I’ve got a column to write every week. I’ve been writing this column for four years, and I can count the weekly installments that went by without featuring at least one Strange Matter show on one finger. When most of the venues around town weren’t even open most random weeknights, Strange Matter could always be counted on to be hosting not just a show, but more often than not, a real banger that I’d put into my column even if it was happening on a Saturday night when every place was hosting something.

Where am I gonna send you now on a random Tuesday night now? We’re gonna find that answer together in 2019, for better or worse. But while Strange Matter still exists, you better believe I’m gonna send you there this weekend. After all, this Saturday, their final day in operation, is going to be a major blowout, featuring not one but two epic shows that will start off around the time you’re paying your tab at brunch and end at last call in the wee hours. What better way could there be for you to celebrate Strange Matter’s truly top-quality decade of operation than to spend about 14 hours within its darkened confines, enjoying over a dozen excellent bands from right here in RVA?

You know the answer as well as I do, so let’s all just mark our calendars now. There’s plenty to get stoked for — a reunion set by White Laces tops off the first epic show of the day, and since it’s always wonderful to see Landis, Jimmy, Jay, and the rest of the gang take the stage together, this will be a can’t-miss moment for any Richmond music fan. The coterie of excellent local faves supporting them on this bill — math-rock kingpins Night Idea, angst-ridden grunge punks Fat Spirit, spaced-out noise-rockers Manzara, so many more — is only matched by the outstanding slate of holiday-themed tribute acts being brought to us on the late show’s jam-packed lineup courtesy of Punks For Presents. Have you ever wanted to hear Clash songs rewritten to feature lyrics about Santa Claus? Or a set of Bad Religion tunes played by people who’ve seen snow on their front lawn at some point in their lives? You’ll get these and many more excellent musical treats at this fun-filled extravaganza. Don’t miss it — if you let your last chance to enjoy Strange Matter while it’s here slip away, you’ll regret it for the rest of your life. Guaranteed.

Wednesday, December 12, 6 PM
The Milkstains, Sports Bar, Sammi Lanzetta, The Trillions, Cold Beaches, Dumb Waiter, Toward Space, Neat Sweep @ Strange Matter – $12 (order tickets HERE)
Let’s continue to talk about the outstanding fare Strange Matter will be bringing us throughout their final few days of operation, shall we? The many epic local showcases that have filled their stage over the past few weeks have tended to find a focus in one local scene or another, and this one is no exception, bringing us a smorgasbord of the best alternative rock n’ roll this city has to offer. The fact that I took til the third sentence of this writeup to tell you that the Milkstains will be headlining this show with their first local performance since LAST Christmas might just constitute burying the lede, but I write these columns really goddamn fast, so I hope no one will hate on me too much for letting my journalistic principles slip just a bit.

Anyway, based on the advance promo for this show, it seems likely that this performance by the Milkstains may just constitute their last-ever performance as a band, and considering how much sweat, beer, and surf-grunge wildness this band has dished out to this city over the past decade-plus (they’ve been a thing even longer than Strange Matter has), that’s a real loss to all of us. Celebrate the life and the rock n’ roll power of the Milkstains once again/one last time(?) at Smatter tonight — but don’t just waltz in as they’re hitting the stage, because if you do, you’ll miss out on a plethora of fine musical performers, from the heartstopping alt-rock balladry of singer-songwriter extraordinaire Sammi Lanzetta to the garage-pop brilliance of Sports Bar to the jazz-metal madness of Dumb Waiter. And so much more! Dude… it’s gonna be epic.

Thursday, December 13, 8 PM
Old Faith, Colin Phils, Colder Planets, Kenneka Cook @ Capital Ale House Music Hall – $7 in advance/$10 day of show (order tickets HERE)
I could keep on talking about Strange Matter for every single remaining day of their brief existence, and rest assured, on both this night and the next, there are excellent shows spotlighting indie-rock and grindcore at Strange Matter on these nights. If you were to go, I fully would not blame you. But I would be remiss in my duty as Richmond’s chief chronicler of live local music (I mean, really, who else is there?) if I didn’t tell you about a couple of amazing shows happening at other venues during this final half-week of Strange Matter’s extended wake. Let’s begin with this one, which features an appearance by Greensboro instrumental quartet Old Faith.

There have been quite a few groups that have trod similar musical ground as these North Carolinians now cover, but their ability to evoke perspective, meaning, and emotion through the stunning evolutions of their dual-guitar instrumental epics, as demonstrated on their recently released self-titled LP, puts them in the top tier of the genre, alongside famous names like Explosions In The Sky and Mogwai. When the sounds of their amplifiers grow to fill and surround Capital Ale House’s Downtown Music Hall, the music is sure to take you on an emotional journey. RVA-via-Korea band Colin Phils will also be on hand to bring you their pleasing take on the note-twisting melodic tangles of math-rock, while Colder Planets’s gorgeous alt-rock sounds will put a smile on your face for sure. And of course, there’s Kenneka Cook, the excellent soul singer and amazingly talented electronic-music composer, who’ll bring us an always-delightful set of her amazing tunes. This one’s going to be a delight.

Friday, December 14, 8 PM
Hackedepicciotto, Eric Hubel @ Capital Ale House Music Hall – $15 (order tickets HERE)
Assuming you’re not hitting Strange Matter, it’s back to Capital Ale House’s Downtown Music Hall on this fine Friday night for one of the weirdest and most intriguing musical experiences you’re going to have anytime in the near future. Hackedepicciotto are coming to town, and while this particular name may not be all that familiar to you, you’re sure to be impressed by their musical pedigree. Alexander Hacke is bassist and co-founder of German industrial godfathers Einsturzende Neubauten; his partner in life and music, Danielle de Picciotto, sang with German postpunk band Die Haut and helped establish long-running Berlin music festival Love Parade.

When they create together, Hacke and de Picciotto make music focused on their interest in yoga and other forms of meditation. Their most recent release is JOY, the second of their albums composed specifically to be soundtracks for meditation, and for that album they worked with New York postpunk guitarist Eric Hubel, formerly of Glenn Branca’s band and a yoga master himself. Now all three come to Richmond to create ambient soundtracks that might have some meditative qualities but also have an intense character that sometimes carries a dark undercurrent and always has the potential to shake your spiritual foundations. It’s hard to say what we’ll see and hear at Capital Ale House Friday night, but one thing’s for sure — it’ll move you.

Saturday, December 15, 7 PM
Genosha, 3:33, Vulcanite, Lounge Lizzard, Treble Lifter, The Mostly Dead, Torino Death Ride @ Sound Of Music Studios – $5
As Strange Matter breathes its last this Saturday night, new life is being born into the Virginia hardcore scene. Metallic hardcore group Genosha will be releasing their latest CD, Our Conspiracy, and while I haven’t yet heard any of the tuneage from it, the two excellent bangers they released earlier this year on a split EP with fellow Commonwealth denizens Treble Lifter (also playing this show; more about them in a minute) give all the reason in the world to expect a powerful slab of dark, brutal moshcore out of this quintet. Being there to see the new Genosha LP being birthed into the world is certainly a fine use of your weekend night, especially if you’re ready for some serious headbangs.

There are quite a few other excellent bands from all around the VA area on this bill as well, and that’s sure to sweeten the pot for the initiated as well as the merely intrigued. Lounge Lizzard in particular are one to watch; this Richmond-based newcomer features members from all kinds of other excellent local bands — Toxic Moxie, Cremains, The Donalds, Skumboyz, and more. Plus, their snarky, catchy old-school punk sound is particularly designed to appeal to fans of The Avengers, which is never a bad thing. The aforementioned Treble Lifter have more of a driving post-hardcore sound, but don’t get me wrong — these guys are plenty pissed off, so you punks are still gonna love it. There are a lot more notable bands on this bill, but I’m running out of space, so I challenge you — learn about them for yourself. Come to Sound Of Music this Saturday night, and find out what’s going on with the new generation.

Sunday, December 16, 7:30 PM
Silent Music Revival, feat. Toxic Moxie @ Gallery 5 – Donations accepted
This should be an intriguing installment of the always-fascinating Silent Music Revival, a long-running series of local shows in which Richmond-area musicians of note create improvised soundtracks for silent films they’ve never seen before. This time around, it’ll be Toxic Moxie who’ve accepted the challenge, and it’ll be fun to see how they incorporate their disco-punk hybrid sound into the world of film score. They’ll have a pretty great candidate for scoring too, as the film on display this week is Jean Renoir’s 1928 picture The Little Match Girl.

Renoir, who shares a surname with Impressionist master Pierre-Auguste Renoir because he was his son, was a pioneering French film director who got his start in the silent era before going on to demonstrate what could be achieved in the film medium with classics like La Grand Illusion and The Rules Of The Game. Starring his first wife and based on that totally bleak Hans Christian Andersen story we all heard as kids, The Little Match Girl was one of Renoir’s more notable early efforts, one that he financed by selling off his dad’s paintings. Now it’s being paired with the music of Toxic Moxie, on a Sunday evening at Gallery 5. What a time to be alive.

Monday, December 17, 7 PM
Alright, Smoke Break, Ghouli @ Gallery 5 – $5 in advance/$6 day of show (order tickets HERE)
Never mind the fact that I always, without fail, write it as two words (“all right”); I’m still stoked to see Alright coming to town. These North Carolinians feature Sarah Blumenthal, formerly of the excellent Charlotte, NC band Faye, on guitar and vocals, and while Alright are clearly dipping a little further into the melodic/emotional end of the musical pond than Faye were, this group carries on the crunching guitars and exuberant bounce that Faye did so well.

Their just-released new EP, On The Outs, is the sort of record that will appeal equally to fans of melodic pop-punk groups like the Candy Hearts and garage-rock roustabouts like Sheer Mag. Live, these tunes are sure to get everybody bouncing around with smiles on their faces. It makes them a good pairing with Smoke Break, the melodic, energetic RVA trio featuring members of Sundials, Hold Tight, and Springtime who also grace this bill. We don’t get too many chances to see these guys, and as their 2016 LP Everything Is Wrong proved, they’ve got a lot to offer. So be sure not to miss out on this one — and show up on time, because local newcomers Ghouli have some caustic, frenetic punk to bowl you over with, and you’ll feel real stupid if you hear their last song from outside when you’re walking up. Don’t be that guy.

Tuesday, December 18, 7 PM
Matt Lisk, Justin Golden, Graham Stone, Mackenzie Roark, Pat O’Keefe @ The Camel – Free!
I don’t think this night is part of the official “singer-songwriter showcase” series The Camel’s been doing off-and-on over the past couple years, but it’s set up in much the same way: several local musicians known for excellently-crafted solo material will all get together and play sets one after the other, and you’ll be able to see it all for free. That’s always a good deal, especially since the Camel has burgers and tacos on the menu that become way more affordable when you didn’t have to pay to get in. So show up a little early, get your grub on, and then settle in to enjoy a night of excellent solo sounds that come to you courtesy of folks like Matt Lisk, whose contemplative acoustic offerings are a great soundtrack for an introspective evening.

By contrast, Justin Golden will bring us some rootsy acoustic blues with a soulful feel that take his work beyond the traditional sound of legends like Robert Johnson and Son House, even as it keeps their spirits alive. Mackenzie Roark, who worked with a former member of Hootie And The Blowfish on her last album, has some classic country sounds to offer that are sure to please fans of Patsy Cline and Wanda Jackson. And of course, Graham Stone has become a fixture on the local singer-songwriter scene, with his folk feel and deep-blue voice always making an impression. The evening is rounded out by Dalton Dash frontman Pat O’Keefe taking a solo turn that we can imagine will maintain a similar old-time mix of folk, country, and bluegrass sounds that we’ve all come to know and love in his band. All of this for no dollars at the door? You can’t beat that with a bat.

Bonus Hampton Roads Picks:

Friday, December 14, 7 PM
The Do-Nothings, Stray Fossa, Party Wave, Plastic Nancy @ Toast – $7 in advance/$10 day of show (order tickets HERE)
Something unusual is going on here. The Do-Nothings are holding this show at Toast as an “album release party,” but until recently, there was no evidence of a forthcoming album to be found. Then on Monday, a post went up on their Facebook page that read, “This is not a test. Our album release show set will be recorded live and released as the album we are having the release show to release. Get it? Your participation is very important to us.” And if that isn’t enough to pique your interest, you’re a less curious person than I am.

Research has revealed that The Do-Nothings, who appear to be based in Richmond even though they’re having this bizarre “release party” in Norfolk, are a project led by singer/guitarist Andrew Altman, who, along with an energetic rhythm section, makes wild, effects-laden psychedelic blues-punk tunes that rarely fail to get weird. Their work reminds me in some ways of the early Black Keys, back when their records were way too grotty to ever get within shouting distance of radio, and in others of the totally bizarre early material by New York freaks Royal Trux. How’s that all gonna translate when they both make and release their next album onstage at Toast this weekend? One thing’s for sure — it won’t be boring. Gas up the Hyundai and go see what these weirdos have up their sleeve.

Sunday, December 16, 7 PM
God Of Nothing, One Less Life, Black Lotus, Heft, Stolen Goodz @ Riffhouse Pub – $5
Northern Virginia deathcore brutality merchants God Of Nothing apparently galled a few people by referring to themselves on the internet a few years ago as “the heaviest band on earth,” but we ain’t mad at ’em. Honestly, new single “1075” is pretty crushing, especially with its incorporation of ambient noise and a ridiculous final breakdown that features several totally silent pauses that trick you into thinking the song’s over before blindsiding you with another monstrous riff. These guys are clearly continuing to build on the legacy of downtuned mosh madness they’ve built up over the last several years, and what they’re showing us lately more than makes them worth going to see — even if they aren’t the heaviest band on any earth that also contains Sunn o))).

New Jersey’s Black Lotus are also on this bill, and while they’re more focused on complex, chaotic masses of progressive metalcore (they call themselves a “djent” band, but I’ve never been able to establish a coherent definition for that particular subgenre) than the sheer low-end crunch of God Of Nothing, they should certainly appeal to fans of the headliner, if their excellent Wilted LP from earlier this year is any indication. There’s a lot going on on this album, for sure, but never fear — a brutal breakdown is always just around the corner. One thing’s for sure: the pit at this show’s gonna be a risky proposition. I’ll be protecting my middle-aged bones, but if you love to mosh hard, this one’s gonna put a smile on your face for sure.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 14 – November 20

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FEATURED SHOW
Thursday, November 15, 9 PM
Forward, Headsplitters, Loud Night, Cement Shoes @ Flora – $10
Burning Spirits. To most, perhaps, it’s a vaguely paranormal-sounding phrase with no real significance beyond that. But for the diehard punks and hardcore kids in the know, it is a password to some of the wildest, craziest, and greatest hardcore the genre has ever produced. Apparently the name Burning Spirits comes from a series of venues that graced Japan in the 80s, but these days it’s a signifier of the bands that came from those venues: Death Side, Bastard, Tetsu Arei, Judgment, etc. These bands had a huge influence on the punk, hardcore, and grind scenes around the world as the 80s turned into the 90s, and while many of them were done by the end of that decade, a new generation of bands formed in their wake.

Forward is one of those bands, and perhaps the most legendary. Formed in the mid-90s by members of Death Side and Insane Youth, they became the foremost torchbearers of burning spirits hardcore over the past two decades. Forward has the traditional Burning Spirits sound, which fused post-Discharge UK hardcore with the speed of Scandinavian crust and the ripping biker-style thrash of early speed metal bands. Motorhead was a key influence as well — in fact, on Forward’s latest EP, Another Dimension, they cover Motorhead’s “Death Or Glory” in tribute to Lemmy Kilmister (RIP) — but they inject surprising melodic touches at the oddest of times, which might be the biggest part of their charm.

Forward making it to Richmond from their native Japan isn’t something that happens every day — in fact, it’s been four years since the last time they came through. It might be at least that long before they make it again. So if you want to come sing along with classics like “Just Go Forward To Death” or “Over The Matter Of Course,” this is your chance. Don’t waste it. New Yorkers Headsplitters are also in on the fun with some raging biker-crust of their own, and Richmond up-and-comers Loud Night and Cement Shoes get this one moving. So spike up your hair, dig out your leather vest, and get ready for some serious circle-pit action.

Wednesday, November 14, 7 PM
Amigo The Devil, Harley Poe, The Wet Boys @ Strange Matter – $15 in advance/$17 day of show (order tickets HERE)
There’s a really interesting stereotype about old-time folk music from the hills of Appalachia. All of it, they’ll tell you, is about degenerate behavior — drugs, gambling, murder, and assorted antisocial behavior. It’s enticing to hear, but other than occasional high-profile exceptions like “Knoxville Girl,” you’re not gonna run across too much from the prewar 78-RPM era that lives up to that billing. But here in 2018, Texas musician Amigo The Devil is doing his best to make that hyped-up legend of folk music’s dark, twisted murder balladry a 21st century reality.

Amigo The Devil plays a banjo, sings in a hypnotic baritone, and has written multiple songs about serial killers, from Ed Gein to Jeffrey Dahmer. He’s even been known to tag his sound as “Murderfolk.” That’s the sort of sound he’s explored on his early EPs; now on debut full-length Everything Is Fine, he’s moving towards a fuller sound with more backing instrumentation. Up front, though, he’s still the same banjo-playing songwriter with an angelic voice and a demonic imagination. He’s joined on this tour by a group with a similar sort of approach to demonic folk music, Harley Poe. These Indiana boys like to sing from the point of view of horrible people, giving them jaunty folk tunes over which to vent their spleens and say horrible things. It’s a forbidden thrill, but it makes for a heck of a fun listen. Give these two artists, as well as VA-based openers The Wet Boys, a night to worm inside your skull, and you might just find yourself walking to work tomorrow humming a song about murder with a big smile on your face. And what could be wrong with that?

Thursday, November 15, 8 PM
Birds And Arrows, Glass Twin, Blush Face @ The Camel – $7
Birds And Arrows have had quite the journey over the past dozen years or so. Starting as a folk duo in North Carolina, the group (which is also a married couple, Andrea and Pete Connolly) pulled up stakes last year and headed across the country to Tucson, AZ. Since resettling there, they’ve been rediscovering rock n’ roll volume, turning up louder and louder. You can hear their newfound embrace of raging noise on single “Stay Down,” which has obvious folk roots in its strummy guitars but nonetheless hits with heavy rockin’ power, like a classic psychedelic stoner tune from the mid-70s.

So what can you expect from Birds And Arrows when they hit The Camel stage tomorrow night? Well, as we’ve always heard, the truth is somewhere in-between, and this duo is sure to bring both the hard-rockin’ power of recent tunes and the more stripped-down feel of their folk roots to life when they play live. They’ll be celebrating the release of their new LP, Arbitrary Magic, which expands on the sound of “Stay Down” and features some overtly political commentary about just how frustrating the current state of our country is. If you’re feeling the frustration, and just need to let out some energy to a high-volume example of rock n’ roll chaos, Birds And Arrows are the band for you. Don’t miss ’em.

Friday, November 16, 7 PM
Druglord, Slump, Lair @ Sound Of Music Studios – $7
You can expect some serious sludge from this loud, noisy affair at Sound Of Music Studios Friday night. Druglord have been dealing out their loud, heavy doom around Richmond for many years now, but returned to the recording arena only recently; new LP New Day Dying is their first release since 2015 EP Deepest Regrets. This is their first release with new bassist Julian Cook, and it shows that despite the departure of local legend Greta Brinkman, these guys can still pound and shred with the best of them.

The new album was released on Sludgelord Records, and it’s an appropriate label for a band with some strong musical resemblances to bands like Grief and Eyehategod. If you’re a fan of slow-motion headbangs and pulverizing low-end distortion, you need to see what this trio has been up to lately. You won’t be disappointed. Heavy-psych weirdos Slump make an intriguing pairing with Druglord for this bill; they trade the sheer slow-motion trudge of Druglord’s sound for some extremely spaced-out ambience of the sort that’ll appeal to Hawkwind fans. Underneath all the trippy noise, though, these guys have some driving riffage that splits the difference between Motorhead and Blue Oyster Cult. Opening up will be Lair, an intriguing newcomer on the Richmond doom metal scene who told you most of what you needed to know about their sound when they released a two-song, 21-minute EP earlier this year. Serious doom, y’all. Get ready.

Saturday, November 17, 7 PM
Mock Orange, Fire In The Radio @ Capital Ale House Music Hall – $15 (order tickets HERE)
It’s been interesting to watch the evolution of our cultural nostalgia over the past several decades of my life. One thing that’s become eminently clear is that nostalgia operates on a 20-year cycle — and the underground is not immune, from the early-00s infatuation with Joy Division-era postpunk to the “emo revival” that was all abuzz circa 2013. While it’s a good idea to be a bit wary of nostalgia, one great thing about the nostalgia cycle as it’s applied to underground music is that sometimes, it causes things that never got enough shine the first time around to receive a long-overdue embrace.

This year, it seems to be Mock Orange’s time to shine; they’re currently on tour to celebrate the 20th anniversary of landmark debut LP Nines And Sixes. That album staked a strong claim on a sound that was somewhere between indie-rock melody and the noisier post-hardcore tendencies of bands like Quicksand and Jawbox. Since then, Mock Orange have evolved quite a bit — they never really stopped making records, and released their sixth album, Put The Kid On The Sleepy Horse, in 2016. Though they still rock hard, their more recent releases show an increased presence of quirky postpunk synths and effects. It’ll be interesting to see how the group applies the results of these evolutions to the material with which they initially made their name. But regardless of the result, the mere fact that Mock Orange are finally getting their due is a positive thing. Whether you’re a curious potential convert or a longtime diehard fan, this show is sure to get your juices flowing.

Sunday, November 18, 7 PM
Tall Heights, Old Sea Brigade, Frances Cone @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one is going to be glorious. Tall Heights have been around for a while now, starting out with a joyfully ethereal indie-folk sound that highlighted the duo’s incredible vocal harmonies. They’ve come a long way since then, though, expanding the group’s instrumentation and lineup well beyond the airy, minimalist melodies on which they made their name. 2016 LP Neptune saw them augmenting their basic guitar-cello configuration with atmospheric percussion and multi-layered synth washes.

Now, with recently-released follow-up Pretty Colors For Your Actions, they’ve taken things to another level entirely, moving away from acoustic folk sounds toward the sort of layered indie-pop productions that have marked the work of Brian Wilson-influenced 21st century experimenters like Animal Collective and Grizzly Bear. Tall Heights have plenty of tunes just as indelible as those of their predecessors, too, and at Capital Ale House this weekend, they’ll dish ’em all out for you. Get ready to bliss out.

Monday, November 19, 8 PM
Bask, Mister Earthbound, Tel @ Strange Matter – $10 (order tickets HERE)
I think we all know there got to be a glut of doom metal bands for a while there, right? Sure, there were a whole bunch who really ruled, and stood head and shoulders above the pack (many of them from right here in Richmond, of course). But new doom bands popping up on a seemingly weekly basis just wore us all down after a while. That’s why it’s been good, in recent years, to see the emergence of groups like Bask — groups that find a way to use the best parts about doom metal (spooky atmosphere, crawling heaviness) in ways we haven’t heard other groups use them a million times before.

Bask’s 2017 LP, Ramble Beyond, does this in brilliant fashion. On this album, Bask uses doom metal’s slowed down tempos and groovy riffs as a part of an expanded sonic palette that incorporates psychedelic astral explorations as well as the evocative melodies of old-time Americana. The result sounds like what you’d get if some talented stoners with a penchant for serious heaviness broke into some old-time Western ballads beneath huge desert skies at twilight. From folk-metal to desert-psych, this band touches on a variety of genres and moods, and as a result has a much broader appeal. Take heart, headbangers — as long as bands are getting this creative with the standard template, doom metal will never die.

Tuesday, November 20, 7 PM
The Story So Far, Turnover, Citizen, Movements @ The National – $23 in advance/$26 at the door (order tickets HERE)
Damn, this one hits close to home. The Story So Far were one of those bands like Knuckle Puck and State Champs and The Wonder Years, the melodic hardcore groups who had enough energy and distortion to appeal to my hardcore punk heart even as their downcast melodies struck me right at the core of my being. This happened a whole lot throughout my 20s and 30s, when I spent most of my time being emotionally vulnerable, alienated, and alone. Life’s gotten a whole lot better for me over the past few years, and I don’t feel that way much anymore (thank god), but I will admit that I’ll always have a soft spot for bands like The Story So Far.

But I’m not just reliving memories of great records they put out years ago — The Story So Far released their fourth album, Proper Dose, only weeks ago, and somehow managed to outdo themselves yet again, bettering their classic self-titled album from a few years ago as well as 2013’s milestone in depressed melodicore awesomeness, What You Don’t See. On Proper Dose, The Story So Far brandch out a bit sound-wise. But they still sound sad, like the post-teenage self-doubt, alienation, and ennui is weighing on them just as hard as ever, despite the fact that they play much bigger venues when they go on tour now. Honestly, I get it — bigger crowds never seemed to make Kurt Cobain feel any better either. But at least when they look out from the stage of the National Tuesday night, they’ll feel a little less alone. You will too if you make the trip down, and between continued amazingness from our consistently brilliant headliners and a slate of outstanding support acts topped by VA’s own Turnover, there’s a lot to enjoy… or at least connect with. And sometimes that’s what we really need.

Bonus Hampton Roads Picks:

Friday, November 16, 8 PM
Part Time, Fenster, Blood Sound, Zabeth @ Charlie’s American Cafe – $12 in advance/$15 at the door (order tickets HERE)
Those of you who sit up late at night watching dumpstered VHS tapes of 80s movies on your crappy thrifted VCR are sure to get something out of what Part Time is doing. This group, the creation of California-based songwriter David Loca, taps into the warped sounds of decaying videotapes and obsolete synthesizers to create the Part Time sound. The group has been around for a decade, releasing cassettes through Burger Records and building a following with their indie-influenced take on 80s new wave electronica, but with new LP Spell #6, freshly released via Tough Love Records, they’re going mega. The album features a guest appearance by obvious influence Ariel Pink, and lush ballads like “So Far Away” and “Hide” capture the lovelorn feel of the best bedroom-pop creations.

Part Time are joined on this bill by Berlin, Germany’s Fenster, who play some strange indie pop sounds of their own. They’ve done some intriguing and memorable things, including a feature-length film entitled Emocean (2015), which documented the band’s attempt to complete their third album while trapped in an alternate dimension. Or so they tell us. New album The Room finds the group continuing to explore sonic possibilities, from space-age lounge music to alternate-universe postpunk. Fenster might throw you for a loop at points, but they keep your feet moving and your ears enchanted by melody. And isn’t that what’s important? Don’t let the static hypnotize you — this dual-headliner bill is more than worth switching off the TV and leaving the bedroom for.

Saturday, November 17, 7 PM
Airpark, Babe Club, Court Street Company @ Toast – $7 in advance/$10 day of show (order tickets HERE)
Nashville’s Airpark is ready for their close-up. This duo of Ford brothers, Ben and Michael Jr., have a lush sound that, on recent single “Devotion,” harks back past modern folk-pop into the early 70s heyday of singer-songwriter soft rock. Chiming acoustic guitars and gorgeous vocal harmonies set the tone, grounded by a rock-solid rhythm section and some creative songwriting choices. The group has released two EPs so far, Early Works volumes 1 and 2, but their forthcoming follow-up promises to take us beyond the early stuff as Airpark comes into their own.

When they make their way to the stage of Norfolk’s Toast, they’ll be well prepared to show the audience what they’ve got to offer. And so will South Carolina’s Babe Club, a newly-formed duo whose members both split from SC indie band Susto earlier this year. For the group’s frontwoman, Jenna Desmond, this group offers her a chance to step out from her previous role in Susto as the female bass player in a band full of men, and express her feelings about being a woman in Trump’s America. She does this over intricate guitar melodies from bandmate Corey Campbell, as well as her own driving bassline, on debut single “Hate Myself,” which gives an intriguing preview of what this group will have in store for us when they hit the stage. If it’s all this stunning and memorable, Babe Club will give Airpark a run for their money. No matter how it turns out, though, you’re going to want to be there and hear it all go down.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Top Image by Lindsay Eastham

Music Sponsored By Graduate Richmond

Rock N’ Roll Benefit for Daily Planet at Sound of Music

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“Hey, Seyla of Toward Space here.
I am hosting this benefit at Sound of Music Studios, June 23rd, in honor of Julia Ann Martinez, my cousin and best friend, who passed away last June due to an overdose. Unfortunately, I know that too many of you can relate to this sort of tragedy. With the current opioid crisis in America, heroin and fentanyl accounting for more and more deaths, I think it’s important that we help organizations such as Daily Planet who have multiple treatment options for those who struggle with substance abuse.

Treatments provided by Daily Planet’s Behavioral Health Clinic include mental health counseling (one-on-one, group and family), substance use counseling, medication management and evaluation, and psychiatric evaluations and assessments.
Daily Planet does not turn away patients with no health insurance.

Lineup of Bands-

Toward Space
https://www.facebook.com/towardspace/

Ladygod
https://www.facebook.com/ladygodftw/

Long Arms
https://www.facebook.com/longarmsmusic/

Venus Throw
https://www.facebook.com/pg/Venus-Throw-127301817282618/about/?ref=page_internal

Minimum Balance
https://www.facebook.com/minimumbalancemusic/

Doors at 6, music at 7
$10 Donation
100% Of profits will be donated to the cause!”

Sound of Music Studios Owner & Longtime Producer John Morand Debuts Solo Album Tonight

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John Morand has been making punk records since the 80s. The longtime producer and co-founder of Scott’s Addition’s Sound of Music Studios has worked his magic for countless bands from local groups like GWAR and Lamb of God to bigger names like D’Angelo and Cracker and even Hanson.

But tonight, he will release his debut solo record, Scott’s Addiction, material that the sound engineer’s been working on for the last three years and for the first time in a long time, he’ll be at the front of the stage instead of at the drum set or behind a control booth.

“It’s been really good for me as a producer to do a record, because you kind of forget about everything involved in it, you can tell someone to go out there and sing that song, but it’s hard being a performer and you kind of take that for granted when you work with really good people that it’s going to be easy,” said Morand.

The show tonight will be the first time in quite awhile that the producer has stepped onto a stage. The last time Morand played in a band was in the late 90s when he played drums for Burst Into Flames. He was also the drummer for other longtime local acts The Future Neighbors and Mutilating Mummies.

“The difference between being behind the drums and having to stand up front and play the guitar and look at people and sing is really scary,” he said.

The album actually spurred out of necessity when Morand broke his arm two years ago.

“It was sort of a form of therapy and part of my arm getting better was learning to play guitar. I’d only ever been able to play guitar kind of enough to make my way through a song,” he said.

Busy spending 12-hour days editing, recording, and tinkering with other people’s music, there wasn’t much time to focus on his own. But, Morand said he’d go back to it here and there and once things at the Altamont Avenue studio calmed down, he could start to focus on his personal project again.

“Over the years, as things got more established, I realized I could do both,” he said. “In November, we were having a meeting about the {Richmond International} film festival, and I was like ‘oh, we’ll release my record this week, but it wasn’t close to being mixed. Literally, we just put the band together within the last few weeks, but it’s been really fun playing.”

And to bring this 10-track lo-fi poppy punk record to life, Morand recruited a cadre of local musicians who are featured throughout including Séyla Hossaini (bass/vocals) and David Pahtoon from Toward Space, Callie Addison from The Smirks, James Toth from One Eleven Heavy, Tommy Crisafulli of Imaginary Sons, and David Lowery, Morand’s former Sound of Music partner and co-founder of Cracker along with a few others.

“I don’t have to have like the biggest record in the world it was just sort of a way of getting my thoughts down and having fun with my friends. So, it was a way to get back in touch with some people that I hadn’t worked with in a long time or I hadn’t seen in a long time and do some parts,” he said of the album.

Morand wrote all of the songs except for one and sings, plays guitar, and drums on Scott’s Addiction. Rounding out his backing band are Mike Linn from punk rock band Deprogrammers on drums, Doc Thomas on bass, Nick Wisher on keys, and Charles Nill on guitar.

He’s dropped a video ahead of the album release party for garage pop-rock single, “Needs of the Narcissist” which pokes some fun at our current political situation.

“It was about this time last year, this was just after Trump got elected and we were all sort of really stunned still, and then Charlottesville happened, and that ‘narcissist’ word kept getting batted around, and then Kellyann Conway having to get up there and say the alternative facts line and the whole idea of fake news was so intriguing,” Morand said of the video.

But Morand said Scott’s Addiction isn’t political, but rather an “ode to the rock and roll lifestyle and feel good songs,” along with a cover of Cracker’s “Darlin, We’re Out of Time”, a few songs about his 11-year-old daughter, Aurora, and the studio’s neighborhood home, which they moved into in 2015.

“I’ve always loved this neighborhood since the Pyramid Club in the early 80s all kinds of great bands played there,” he said. Some metaphors to addiction also make their way into the record, from not being able to leave music to friends and fellow musicians that have battled with addiction.

“It’s also the idea of addiction when you’re working on a song, it’s the thing at the forefront of your mind, even though you’re trying to have a conversation with somebody really what you’re thinking about is getting back to that song,” Morand said.

Bob Strickler, a Richmond-based tour manager for major acts like AWOLNATION, Logic, and Avenged Sevenfold helped with the mixing of Morand’s album along with Wayne Pooley, a partner at Sound of Music Studios. Having that extra set of hands and ears was a refreshing change according to the producer who is usually the one calling the shots.

“It was nice to have at least some input from somebody from the outside,” he said.

Morand will release his album Scott’s Addiction tonight at Sound of Music Studios of course. The show starts at 8 PM. And be on the lookout for his upcoming projects including a True Crime podcast on the Southside Strangler, a new Grim Smiley record, and several new video projects.

Music Sponsored By Graduate Richmon