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RVA Shows You Must See This Week: March 2 – March 8

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FEATURED SHOW
Saturday, March 5, 7 PM
Banding Together: A Benefit Concert For RPS Elementary School Music Programs, feat. No BS! Brass, Fear Of Music, Prabir Trio, Erin Lunsford, Landon Elliott, Buenas @ The Broadberry – $20-$100 (order tickets HERE)
It’s been a rough ol’ decade so far, folks, and 2022 is clearly trying to make sure no one thinks it’s calming down this year. Not only is there a terrible war in Ukraine courtesy of that despicable dictator Vladimir Putin, and not only is Texas literally attempting to put parents in jail for being supportive of their transgender children, but things are pretty dang rough right here in RVA, the most obvious example of that being the fire that gutted Fox Elementary School recently. Considering how much trouble Richmond Public Schools always has coming up with the funding necessary to give our local children a good public education, this is definitely not the sort of thing we as a city needed.

Luckily, a whole bunch of Richmond musicians feel exactly the same way, and they’re doing more than ranting about it on the internet somewhere; they’ve actually gotten together with local music education-focused nonprofit JAMinc to organize not one but two benefit concerts for Richmond Public Schools’ musical education programs, both of which take place at The Broadberry this Saturday. The more kid-friendly one takes place at 2 PM and features children’s hip hop group The Diggity Dudes, Jonathan The Juggler, and more. If you’ve got little ones in the house, you probably should take them out to this one, especially since kids 12 and under get in free. But RVA Mag is for the adults, so we’re officially recommending the grownup-oriented show at 7 PM, as it features an incredibly stacked lineup of local musical talent.

Topping the bill is No BS! Brass, a band who shouldn’t even need any introduction to Richmond music fans after all these years. However, on the off chance you pulled into town last week, I will tell you that this collection of horn players, percussionists, rappers, singers, and all around fun-loving troubadours incorporate everything from soul, funk, and classic jazz to hip hop, metal, and hardcore punk into their hype-as-hell tunes and incredibly energetic performances. They’re reason enough for you to be at this thing all by themselves, but the fact that talented local Talking Heads tribute act Fear Of Music, veteran power-popsters the Prabir Trio, excellent singer-songwriters Erin Lunsford and Landon Elliott, plus even more great acts will all be on this bill makes it easily worth the $20 price of admission. This is especially true when you contemplate the fact that every dime you pay will go toward Richmond Public Schools’ elementary music programs. And don’t worry — if you want to donate more, tickets with face values up to $100 are available in order to make your donation as easy as possible. Because as we all know, life’s hard enough right now.

Wednesday, March 2, 7 PM
Spirit Of The Beehive, Body Meat @ Richmond Music Hall at Capital Ale House – $14 in advance, $16 day of show (order tickets HERE)
Psychedelic ensemble Spirit Of The Beehive have been around for a while now, and you might think you’ve got them all figured out. But honestly, if you haven’t checked them out in the past year or so, you might get a big surprise when you show up at Capital Ale House’s Richmond Music Hall tonight. For one thing, the band’s lineup has shifted considerably since the pandemic shut down live music for 18 or so months. Their most recent keyboardist switched to drums, and everyone else other than co-founders and lead vocalists Zack Schwartz and Rivka Ravede left. Last year’s Entertainment, Death LP was their first as a trio, and it foregrounds the experimental, electronic, and sonic-collage aspects of the group in new and fascinating ways that led Pitchfork to give Entertainment, Death a much-sought-after Best New Music designation.

One listen is enough to see why; the hypnotic, psychedelic space pop that’s always been a part of their sound has gotten even more unmoored from conventional reality, even as it has absorbed everything from vaporwave vibes to thrift-store “world music” cassette compilations, shoving it all in alongside their tendency toward abrupt sonic shifts and jarring blasts of noise that depart as quickly as they arrive. What’s left is the kind of head-swimmy dance groove that always makes for the best parties; you’re tapping your feet even though you don’t know the song, but you have no idea what the DJ will reach for next or even if they’ll let it play to the end. After a while, though, it starts to make perfect sense. So come down to Capital Ale House tonight and get on Spirit of the Beehive’s level, because rest assured, no matter how weird it seems from the outside, it’s got a lot to offer.

Thursday, March 3, 8 PM
Well Wisher, Strawberry Moon, Closet Space @ The Camel – $12 (order tickets HERE)
I’m always a sucker for some catchy guitar-driven indie tunes with an undeniable undercurrent of melodic punk, and therefore I can’t in any way resist this performance by New Jersey’s Well Wisher, coming to the Camel on Thursday night to get you spiritually prepared for what the weather people are saying will be an at least semi-warm late-winter weekend. Most recently, Well Wisher graced our cooped-up pandemic time with a series of acoustic singles that did what they could to brighten up the precarious summer of 2020. However, to get a sense of what this quartet is capable of when they’re at full strength, we’ve got to go back to their 2019 LP, This Is Fine, which was chock full of great tunes played on pretty dang loud guitars — the sort of sound that would please any lover of PS Eliot or Speedy Ortiz.

It’s likely that this full-strength melodic indie-punk-pop sound will be what Well Wisher bring to The Camel tomorrow night; however, I’ve got to say, even if things focus on the acoustic moods, it’ll still be great. These songs are more than capable of standing on their own. The same can be said of Strawberry Moon, who’ve been bringing the powerful voice and catchy tunes of Katie Bowles and co. to the RVA music world for several years now. All we’ve gotten since pre-pandemic days from them have been a few minimalist demos, but their Bandcamp page heralds a new LP coming this summer, and that’s sure to be a highlight of 2022 for the entire local music scene. In the meantime, see what sorts of new and old tunes they’re bringing out for this Thursday night shindig, and make sure you show up on time to hear what indie-rock newcomers Closet Space have to offer as well. You’ll be glad you did.

Friday, March 4, 8 PM
Phantom Handshakes, Night Idea, Hotspit, Young Scum @ The Dark Room – $10 (order tickets HERE)
Here’s a night of cool moods for a dark room in a historic old building in a hip local neighborhood. Yes, I am of course talking about the Hofheimer’s Dark Room, where a night of excellent local bands will be headlined by visitors from New York. Specifically, I’m talking about Phantom Handshakes, a duo that brings their gorgeous dream-pop tunes south of the Mason-Dixon line to grace all our ear canals. The mix of ambient synth beds, chiming guitars, bouncy programmed beats, and adorable vocals on their 2021 full-length, No More Summer Songs, is truly wondrous, and will surely shine even brighter when it comes to us all from inside a very dark room. Make sure you’re there to see this one glow.

But look, you’ve got a lot of other reasons to be there too, and all of them speak to the always-deep pool of musical talent that has been RVA’s excellent legacy for decades now. Night Idea, a name I haven’t heard in a long minute now, is bringing their melodic math-rockin’ sound back to a Richmond stage at The Dark Room on this fine evening, and what’s more, we’ll also get the first live appearance I’ve heard about in quite a while from incredible local power-pop quartet Young Scum. This is a real dynamic duo of Richmond music right here, and if you’ve been paying attention at all, you know you’ve got to be there when these bands share a stage (and if you don’t know, this is your urgent notice that you need to get familiar ASAP). Rounding out the bill is local buzz band Hotspit, whose lovely indie-shoegaze sounds are getting a warm reception both within and outside of RVA lately. Make sure you don’t miss a moment of this one, folks. It’ll be a night to remember.

Saturday, March 5, 7 PM
Coheed And Cambria, Sheer Mag @ The National – $40 (order tickets HERE)
I’m not as good at being an emo girl as I used to be, and I know this because every time I turn around lately, Coheed and Cambria have yet another new album out, and I’m finding myself once again playing catch-up. I still haven’t really gotten my head around 2015’s The Color Before The Sun, and that’s a seven-year-old album now! Meanwhile, the band has launched into yet another of their multi-album prog epics, in the form of Vaxis. Act I: The Unheavenly Creatures came into the world back in 2018, and Act II: A Window Of the Waking Mind is due out this May, with two advance singles having made it into the world thus far. Oh my goodness! I’ve got a lot of listening to do.

Luckily, at first blush, Coheed’s long-established reputation for metallic, progressive, and eminently melodic emo quality remains sterling — brand new single “Shoulders” shows that they’re still at the top of their game, literally 20 entire years after I saw them for the first time (oh my god, I’m so old). So yeah, all the new jams they’re breaking out for the first time on this tour are sure to knock everyone on their ass, and no doubt they’ll be busting out legendary fan faves like “A Favor House Atlantic” and “Here We Are Juggernaut” to get all us old heads singing along as well. Plus, get this: the opening act on this tour is none other than power-pop-garage-punk titans Sheer Mag, who might not quite be worth the full price of admission just to see them if you don’t dig Coheed (and… why, pray tell, would you not dig Coheed?), but they’re certainly going to provide an excellent bonus for all those in the know who show up on time. So hey, make sure you do that, OK?

Sunday, March 6, 7:30 PM
Summer Salt, Renata Zeiguer, Kate Stephenson @ Richmond Music Hall at Capital Ale House – $19.99 in advance, $23 day of show (order tickets HERE)
Winter’s been rough around here this year, speaking strictly in terms of temperature: like, I can’t remember the last time we got a heating bill as high as the one we were slapped with last month. For that reason alone, it’s good to hear that Texas pop duo Summer Salt are coming through town to wrap up all of our weekends with a lovely performance at Richmond Music Hall Sunday night. You see, where Summer Salt are concerned, the warm sunny sea breezes aren’t just implied by their name; they come through in their glowing, gorgeous pop tunes, to the point where you can almost feel that warm wind on your face when you listen to them. It’s a pleasant prospect, especially with the kind of winter we’ve had.

Summer Salt’s current tour is even more likely to bring the beach vibes; the band is touring in support of their upcoming album, The Juniper Songbook, which will be released mere days after their performance at Richmond Music Hall. It’s a collection of Summer Salt favorites re-interpreted in a more stripped-down, acoustic fashion. And in order to get everyone in the mood, their current tour features the same feel. So not only will we be getting a laid-back acoustic take on Summer Salt’s tunes at this show, we’ll also be getting similarly stripped-down performances from singer-songwriters Renata Zeiguer and Kate Stephenson, each of which has plenty to offer in their own right. Clearly you know what you must do: come down to Capital Ale House’s downtown location and enjoy the vibes this Sunday night.

Monday, March 7, 7 PM
Computer, ApathyFire, K!LL SCREEN @ Fallout – $7 in advance, $10 day of show (order tickets HERE)
This show at Fallout had me ready for some serious goth vibes, as I usually expect from any musical performance taking place at Richmond’s premier fetish bar. However, they threw me for a bit of a curve with this performance by Computer, a mysterious, prolific New York-based project whose work veers between ominous electronic sounds and outright harsh noise in a manner that’s likely to please fans of everything from Pharmakon to Author & Punisher.

Computer’s music seems less likely to inspire dancefloor action than Fallout’s usual fare, but their atonal sonic approach definitely seems at least somewhat appropriate for the moody atmosphere this place always has in abundance. Opener ApathyFire has plenty of additional noise with which to bewitch all comers, while the pounding techno of K!LL SCREEN should be able to at least start the evening with some dance beats before diving fully into the chaos. Jump in and ride the wave, folks.

Tuesday, March 8, 7 PM
Rick Maguire (of Pile), Allie Smith (of Blush Face), Brent McCormick (of The Wimps) @ Gallery 5 – $12 in advance, $15 day of show (order tickets HERE)
I’m guessing it’s the pandemic that did it, but lately we’ve been seeing a move toward more stripped-down, acoustic takes on bands’ and songwriters’ previous material. Indeed, it’s a phenomenon that already appears elsewhere in this very column. However, it takes on a whole different feel when it’s explored by someone like Pile’s Rick Maguire, who normally plays a loud, distorted guitar and hollers animatedly overtop of Pile’s pounding noise-rock anthems. He’s completely subverted that formula with his 2021 solo album, Songs Known Together, Alone. This album sees Maguire stripping Pile’s blasting tunes down to their core elements and converting them into songs full of ambient sound, singular emotion, and lyrics that take on a whole new meaning with the harsh pounding of his backing band stripped away.

It’s an interesting choice from a musician whose songs normally sound like they wouldn’t work at all without all the distortion and screaming noise. What Maguire proves on his new solo album is that you can just as easily love a quiet, bare-bones recreation of a Pile tune just as much as you loved the chaotic, raging original. His set at Gallery 5 on Tuesday is sure to bring that fact home in even more dramatic fashion — and what’s more, it’ll give Richmond heads a chance to see local talents Allie Smith of Blush Face and Brent McCormick of The Wimps do similar things with their own bands’ rockin’ tunes. The results are sure to be illuminating — so come down to Gallery 5 on Tuesday, and let the light shine upon your face.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

RVA Shows You Must See This Week: 3/21-3/27

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FEATURED SHOW
Friday, March 23, 7 PM
Windhand, Satan’s Satyrs, Prisoner @ The Broadberry – $15 (order tickets HERE)
It’s been a long time, y’all, but the time has finally come for the return of Windhand! This crew of almighty shredders has been quite a while away from the recording studio — their last full-length, Grief’s Infernal Flower, was issued nearly three years ago. However, not only have they returned to action this year with a split LP combining their sludgy brutality with the shredding rippage of NoVA slayers Satan’s Satyrs, they’re returning to the stage here in Richmond for the first time in a year with this epic celebration of the aforementioned split LP’s release!

The Windhand side of this full-length is the first release featuring Windhand’s current single guitar lineup, but it shows no diminution in the power, volume, and density of the band’s sound. The spooky gloom sludge of new tunes “Old Evil” and “Three Sisters” carries on the foreboding mood of the band’s previous work, with Dorthia Cottrell’s witchy vocal melodies and some excellent organ undertones making the perfect contrast to the brutal riffs these songs are veritably overflowing with. You’ll get a good taste of their excellent new material as well as some old favorites at this show, so come prepared for the onslaught.

Satan’s Satyrs will be on hand as well, giving you a heavy dose of the rockin’, rollin’ biker metal grooves from their own side of the brand new split LP. They aren’t quite as crushing as Windhand, but they’ll keep your head banging and your ears ringing just fine on their own behalf. And of course, Prisoner will bring plenty of thunderous fury of their own from their opening slot, reminding us all how great their 2017 LP Beyond The Infinite was, with its mix of denim n’ leather thrash and grit-encrusted D-beat doom. Make sure you’ve got some ibuprofen in the medicine cabinet before this one, because your neck and ears will be in serious need the next morning. And you’ll never regret it for a second.

Wednesday, March 21, 7 PM
Forever Came Calling, In Her Own Words, Hold Close, Telltale, Last Night’s Ghost @ The Canal Club – $12 in advance/$15 day of show (order tickets HERE)
I try to be honest when shows like this come up, so let’s just get it out front right now — I’m a sucker for emotional pop-punk bands with a vague hardcore edge. The Story So Far, State Champs, Four Year Strong… all that stuff just has me dead to rights. Like those other bands, Forever Came Calling was signed to Pure Noise Records earlier this decade when they were putting out killer LPs like 2014′ s What Matters Most and winning me over with outstanding emo-pop gems like “Defenseless” and “Rather Be Dead Than Cool.” They fell off the map for a bit, leaving Pure Noise and doing some lineup restructuring that kept them off the road and in the practice space for a while.

However, Forever Came Calling have come back full-strength this year with a new guitarist and a new self-released EP, Retro Future. The two advance singles from the EP show that they’re still firing on all cylinders, and between these killer new tunes and the passel of singalong classics from their first two LPs they’ll have for us, tonight’s gonna be a hell of a night! Tourmates In Her Own Words — a pretty good emo-pop-punk band in their own right, though their name would make a lot more sense if they actually had a female singer — and Hold Close — another crew of emo-punk bad boys with a bit of a Knuckle Puck vibe (always good in my opinion) — will bring a significant amount of excellent tuneage to this night as well.

Thursday, March 22, 7 PM
Gavin Riley Smoke Machine, Anneliese, Mylo Shift @ Gallery 5 – $5
It’s getting pretty far along in the week, but the weekend’s not quite here yet — so if what you really need this Thursday night is to add some spice to your week, look no further than the Gavin Riley Smoke Machine show at Gallery 5. It’d be easy to just call Riley’s sound electronic hip hop, but there’s so much more to what he and his Smoke Machine have to offer, and a lot of it only fully comes alive in the live environment. You see, performances by the Gavin Riley Smoke Machine are sort of like those Choose Your Own Adventure books we all used to read when we were seven years old. Wait, what? Hold on a second, I’ll explain.

Each song presents us with a plot point in Riley’s “Space Needle Adventure.” At the end of the song, the audience will be given two choices, and how they vote will determine what happens next in the story… and, in turn, what song the Smoke Machine plays next. Eventually, we’ll arrive at an ending, though it may not be one you necessarily expected. The songs themselves are fun and amusing, littered with plot twists reflecting Riley’s dark sense of humor. And therefore, it makes some sense that hilarious local one-man band Mylo Shift is one of the locals on this bill — his own twisted sense of humor and wacky antics are enough to put you in the perfect mood for your headliners. And of course, we can’t forget Anneliese, who you may know from The Folly or Museum District but who has some pretty great pop-soul sounds of her own in store for you. Show up on time, and be prepared for an unusual and unforgettable show! It’ll get you through til the weekend, and then some.

Friday, March 23, 8 PM
Palm, Spirit Of The Beehive, Lance Bangs, Basmati @ Strange Matter – $12 (order tickets HERE)
This Friday night, Palm comes to town to prove to everyone who thinks there’s nothing new under the sun that they’re just not paying close enough attention. The zany, frenetic hybrid sound of Palm’s brand new second album, Rock Island, is the kind of thing that could never have existed before the current moment in the indie continuum, synthesizing as it does disparate influences from mellow math-rockers like Tera Melos, pop experimentalists like Animal Collective, and impossible-to-categorize hyperkinetic weirdos like Deerhoof. If any of these bands appeal to you, you’re sure to enjoy watching Palm dash headlong through sounds that remind you of all of them and a good deal more, in the space of a single song. And somehow, they keep the melodies memorable and the tunes entertaining throughout it all.

Spirit Of The Beehive are another excellent product of the recent indie evolutions, though they have landed in a very different spot. Initially channeling that whole early 90s “shoegaze” sound that many bands attempt these days (with varying rates of success), their second LP, last year’s Pleasure Suck, is an altogether different animal that sees Spirit Of The Beehive retaining their sense of tuneful energy but adding programmed beats, underwater synth sounds, and an air of general weirdness that shifts the whole thing at least 90 degrees off-kilter. The result is something that local Citrus City fans should really dig, which makes it all the more apropos that Citrus City standard-bearers Lance Bangs bring their jangly slacker-pop to one of the opening slots on this bill. Basmati interject their own unique take on math-pop indie sounds as well, making this a night full of bizarrely captivating music that is sure to win you over.

Saturday, March 24, 8 PM
Gumming, Lipid, Butt, Haircut @ Mojo’s – $8-10 donation to RRFP
Punk rock has gotten really psychedelic and weird in recent years and I love it. I’m particularly stoked about Gumming, a relatively new RVA band featuring members of fellow psych-punk oddities Pucker Up and Whorecough. They’ve got a brand new tape, Human Values, out on Not Normal Records, which showcases their rumbling, pounding riffs, messy guitar sound, and frustrated vocal ranting. The sum total of the whole thing reminds me of incredible UK punk band Good Throb with some demented Flipper/Butthole Surfers energy and a dose of early-80s psychos The Crucifucks. Gumming might freak you out at first, but if you stand your ground and give yourself a chance to get on their wavelength, the rewards will be plentiful. Trust me.

This show celebrates the release of Human Values, but it also benefits the Richmond Reproductive Freedom Project, and Gumming will even be giving a portion of the money from their merch sales to RRFP, so that’s all the more reason to score your own copy of Human Values at this show. The other bands on this bill offer plenty of additional reasons to show up. Butt aren’t quite as ranty as Gumming but definitely have that weirdo psych-punk vibe in excess. Haircut drop the psychedelia in favor of full-on angry old-school hardcore, but without going all tough-guy style and ruining it. Lipid follow the trend of one-word names that is apparently sweeping the city based on this bill, but that’s all I can really tell you except that the facebook event page calls them “rap punk” and I have no idea whether to take that seriously or not. Regardless, you already have more than enough reason to make it to Mojo’s this Saturday night, and I haven’t even mentioned their food! Get there.

Sunday, March 25, 8 PM
Love Roses (photos by Eric Maupin), Ruin By Design, LNT, Brainbuster, Hanoi Jane @ Wonderland – $8
I tend to think of package tours as the sort of thing that brings four or five emo or metalcore bands to The Canal Club and turns a show into an all-day festival even before there are openers added, but if the bill hitting Wonderland this Sunday night is any indication, package tours aren’t just for Warped Tour graduates anymore. The final date of the Worldwide Weekend Tour sees five different bands from around VA finish up a jaunt across the state that will bring the same five bands to clubs in DC and Roanoke before finishing up down in Shockoe Bottom. I wonder if they rented a bus for the occasion?

In all honesty, I can’t imagine. After all, these are hardly the sort of well-scrubbed heartthrobs you’d find on a Warped Tour bus. Instead, we’ve got the raging old-school HC/punk hybrid of RVA’s Love Roses at the top of the bill — and anyone paying attention knows these guys are always a blast. DC’s Ruin By Design bring a tough yet somewhat melodic take on fast USHC, while NoVA rippers LNT, aka Like No Tomorrow, bring some Dwarves-style raging punk with a hint of melody. Then there’s Fredericksburg spiky punks Brainbuster, who mix Casualties-style US punk with some old-school Boston HC sounds. And of course, we wrap it up with Roanoke’s Hanoi Jane, who mingle Poison Idea’s rockin’ punk rage with some oddly Op Ivy-ish ska-punk moments. It’s gonna be a lot to take in all at once, but since all of these bands keep the pedal to the floor, you’ll be able to skank on through to the other side with no problem. So throw away your preconceptions about five-band tours and come out ready to circle-pit — it’ll be a blast. And it won’t take all night!

Monday, March 26, 8 PM
Patsy’s Rats, Scott Yoder, Big No, Sick Bags @ Strange Matter – $10 (order tickets HERE)
It kinda keeps to itself, but if you pay attention, you’re sure to notice just how active the local garage-punk scene is here in Virginia. If you haven’t caught on just yet, this show is definitely a good reason to pay attention. After all, Patsy’s Rats, an incredible power-pop ensemble out of Portland that combines the talents of former Scavenger Cunt frontwoman (and Howe Gelb of Giant Sand’s daughter) Patsy Gelb with those of Mean Jeans frontman Christian Blunda, aka Billy Jeans, have turned to the VA garage scene for their current rhythm section: Paul Kirk (Cherry Pits) and Tim Abbondelo (the Ar-Kaics). If you want to see these favorite local sons rocking it with a killer group from the left coast — and you do, I assure you — this Monday night’s your chance.

Patsy’s Rats will arrive in town in the company of their Burger Records labelmate Scott Yoder, who hails from Seattle and has a sweet acoustic sound on his 2016 LP, Looking Back In Blue. Regardless of the decided lack of punk snarl, Yoder’s work has a real kinship with what Patsy’s Rats are doing, being just as firmly grounded in the basics of excellent pop songcraft as the Rats are. This can also be said of Big No, the local band featuring Tim Abbondelo’s long-ago Crestfallen bandmate Nathan Grice and his partner, Heather Jerabeck, delivering some psychedelic sounds that will add a measure of outer space to this evening’s festivities. Sick Bags will open up with all the snotty punk snarl you could ever want in your garage punk, just to keep all the leather-jacket kids happy. This one’s got it all.

Tuesday, March 27, 8 PM
Ceschi, Onry Ozzborn, Moodie Black, ESH, Trauma Lavern @ Strange Matter – $10 (order tickets HERE)
If you’re both stoked on the DIY underground and a true-blue hip hop head, this might just be the best show for you all year. Ceschi Ramos, who records and performs under his first name (which is pronounced chess-key), has been running his own label, Fake Four Inc, for a decade now, and he’s on tour with some labelmates to bring the celebration across the country. Ceschi has an intriguing sound that is more hip hop in approach and mindset than strictly in sound — while the man can rap rings around most emcees working these days, he sometimes forgoes the boom-bap beats in favor of acoustic guitars, choosing to sing instead of spit. His expanded palette always keeps his performances interesting, and everyone from open-minded hip hop fans to singer-songwriter types are sure to find plenty to love in his performance Tuesday night.

But Ceschi’s got a whole crew of Fake Four artists along with him this time around, and those artists are at least as much an attraction as Ceschi himself. Onry Ozzborn, who may be best known for his membership in Seattle rap duo Grayskul, is showing up solo with sounds from his 2017 release, Black Philip, and presumably quite a bit more as well. With less genre-hopping tendencies than Ceschi, Onry is mainly here to spit some killer lyrics over strong beats and electronic vibes. Meanwhile, Moodie Black brings the noise rap sounds from way back, coming out of Arizona with an aggressive sound that originated long before any of us had heard of Death Grips. Boston rapper/producer Esh rounds out the crew of Fake Four tourmates with some sick rhymes and unusual beats, while PT Burnem continues his long local association with Ceschi and Fake Four by bringing his current group, Trauma Lavern, to an opening spot on this bill. Liven up your week with this one.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [for more of my deranged ramblings, check GayRVA each and every day. Sometimes I even write about music over there.]

Top image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 9/6-9/12

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FEATURED SHOW
Sunday, September 10, 7 PM
Iron Reagan, Valkyrie, Homewrecker, Enforced @ The Camel – $12 (order tickets HERE)
I’m ba-aaack! And as usual, I’m really excited about a local metal show. Yup, some things never change. Iron Reagan have been remarkably consistent for a long time, but if you think that means they’re stagnating, you obviously haven’t checked out their absolutely ripping latest album, Crossover Ministry. I think it’s probably time for you to fix that if not. And even if you have, it’s probably been a damn minute since you got to see Iron Reagan rip things up in a relatively small club on a stage less than 5 feet high, so you should probably show up at The Camel this Sunday night and remedy that as well! This is the first time Iron Reagan’s hit a local stage since they were at The Broadberry with Power Trip back in the wintertime, so it’s really overdue, and what better way is there to wind up a weekend than by becoming absolutely exhausted in a classic 80s-style mosh pit? No, I don’t know either!

Where long-running and reliably consistent metal bands from Virginia are concerned, though, Iron Reagan really look like babes in the woods alongside Valkyrie. This stoner metal crew from the woods to the west of here have been laying down rip-roaring Sabbath style grooves to get your head banging for over a decade now. Led by guitar-slinging brothers Jake and Pete Adams, the band took a bit of a back seat when Pete joined Baroness in 2008. But they never went away, and their 2015 third album, Shadows, showed that they hadn’t lost a single step. Now that Pete’s left Baroness, Valkyrie are back in action full-time, and ready to destroy all comers with riffs as slow and groovy as Iron Reagan’s are fast and thrashy.

Homewrecker may not be as long-running as Valkyrie, but they’ve definitely got quite a bit of history under their belts as well, and their multiple A389 albums show that these Ohioans are tapped into that same pitch-dark vein of fast, metallic rage that drives bands like Sect, YAITW, and quite a few others. Stuff like that is always good to hear, and will make a nice strawberry to Iron Reagan’s vanilla and Valkyrie’s chocolate for this Neapolitan ice cream box of a show. Not sure that metaphor works but I’m running a little late so I’m just gonna keep rolling. Enforced are your new local thrashers opening up the bill, and their straight up 80s thrash style sounds like something that’d appear on a Metal Massacre comp in 1984. So, you know, like a lot of the best bands coming out of the hardcore scene right now. Which rules.

Wednesday, September 6, 8 PM
Cayetana, A Giant Dog, The Smirks, Piranha Rama @ Strange Matter – $12 (order tickets HERE)
Cayetana’s back, which always brings a smile to my face. This band’s first LP struck a chord with me at a time when my life was kind of a damn mess (which I realize does not narrow down the time frame too much–though 2017 has been thankfully mess-free so far. I should knock on wood. And return to the subject at hand). Their new one, A New Kind Of Normal, came out at the beginning of the summer, but I was so knee-deep in the retail job I thankfully no longer have that I’m only hearing it for the first time now. On it, this Philly trio shows that they’ve still got the knack for hooky power-pop in the vein of bands like Speedy Ortiz and Hop Along, and that Augusta Koch’s lyrics still cut deep in the best way possible.

This time, Cayetana comes to town in the company of A Giant Dog, who just released their latest album, Toy, on Merge Records–which was a tiny DIY label when I was in high school, and now seem like they might run the entire music business. A Giant Dog are just as successful at cranking out catchy rock n’ roll tunes with some dirty guitar swagger and a confident strut that’ll make you think of Sheer Mag crossed with The Murder City Devils as their label is at rising from diminutive origins to becoming an international powerhouse. Does this mean A Giant Dog are headed for world domination? Their music is certainly capable of it. Catch them in a small club now and you can say you knew them when. The Smirks and Piranha Rama, a couple of sassy garage-punk locals with spirit, fire, and hooks galore, will kick off this excellent bill.

Thursday, September 7, 6 PM
Opin, On The Water, Blush Face, Julie Storey @ Champion RVA – Free!
I love this. Bandito’s has made itself the place to go if it’s Sunday night, you need to rock, and you can really only afford a drink. Now Champion on E. Grace St is stepping up to play the same role on Thursdays. If things carry on like this, eventually you’ll be able to catch a few local bands for free on any given night in RVA. With the troubles I’ve had making ends meet in my time, I’m sure that would be a relief. For now, though, if you need a night out to get you through until that paycheck hits your bank account in the morning, and you’ve only got $3.50 in quarters you harvested from the couch, you can spend your Thursday evenings at Champion, and score some dollar menu goodies from Taco Bell on the way home! Who could ask for anything more?

This Thursday night pairs an excellent new local band, Opin, with some radical troubadours hailing from Philly known as On The Water. The contrast between these groups is obvious based on even the briefest listen; Opin, the new project from former White Laces frontman Landis Wine, takes the sorts of songs that White Laces did in a more fundamentally electronic direction, for an intriguing electrified sequel to Wine’s previous group. On The Water are a strange folk collective who create quietly riveting compositions using entirely acoustic instruments. Both groups are unique, and have attention-getting styles that are sure to keep you watching raptly throughout their sets, though, so this pairing is ultimately quite apropos! With excellent local indie-pop band Blush Face also on the bill, and Doll Baby frontwoman Julie Storey making another of her ever-more-frequent solo appearances, this evening promises to be everything you need to keep your spirits soaring even as your bank account scrapes bottom.

Friday, September 8, 7 PM
Japanese Breakfast, Mannequin Pussy, Spirit Of The Beehive @ Strange Matter – $12 in advance/$14 day of show (order tickets HERE)
I’ll just go ahead and admit it–when I found out about this show, I knew all of the bands on it except the headliner. It’s true, I’d never heard Japanese Breakfast before a few weeks ago! I don’t know where I was hiding (actually I do–low-wage retail hell), but I’m hoping to grab a #latepass on this one because the newest Japanese Breakfast album, Soft Sounds From Another Planet, is absolutely delectable and I just want to sink into it forever. It has an ambient electronic vibe that lands it somewhere between hazy yet danceable electronic pop a la Grimes and a mysterious European vibe that’s sometimes downright Francoise Hardy-ish. I’m sure all the hip girls in their Swinging London-style outfits and perfect eye makeup will be swaying to the beat in the front row at this one, and even if that’s a somewhat intimidating image, you should still join them, because this stuff is beautiful and you could do a lot worse than letting it wash over you at top volume.

Now for the bands I did already know. Mannequin Pussy are a raging twin-guitar punk crew from Philly (all three of these groups are from Philly, actually; as far as I can tell, it’s the only thing that unites them). They’ve got a bit of a melodic sensibility to their songwriting, as all great punk bands do, but their ultimate goal is to knock your socks off, catchy choruses be damned. They remind me of White Lung, which is always a good thing to do. As for Spirit Of The Beehive, their languid, 90s-style guitar-driven alt-rock veers from more Pavement-ish moments towards louder sounds that have an almost Swervedriver-ish upbeat shoegaze feel (yes, that’s a real thing). Their latest album, Pleasure Suck, drifts a bit further in the ambient/electronic direction, but they can still crank the guitars up if they’re feeling like it. Word is this show might sell out in advance, y’all, so if you’re reading this and you’re interested, buy now! Me, I’ll be on a plane Friday night, but I hope everyone has fun!

Saturday, September 9, 8 PM
Stinking Lizaveta, Branch Manager, Black Naked Wings @ Gallery 5 – $6 in advance/$7 day of show (order tickets HERE)
What’s going on here? When I saw this event announcement, I couldn’t help but think someone had made a mistake, because this looks way more like the sort of bill I’d encounter at Moondance on a Thursday night in 1997 (no one under 37 has any idea what I’m talking about right now). But no, it’s not a mistake at all–Philadelphia noise-math trio Stinking Lizaveta may first have crossed my radar back in the 90s, but they’ve continued on a steady stream of excellence ever since, and released a new album earlier this year, entitled Journey To The Underworld. The album sees this instrumental trio continuing their explorations into jazz syncopation, math-rock weirdness, and wire-tight metallic riffage in as fearless and confident a fashion as they did two decades ago. If, like me, you haven’t seen them since back then, this is a great time to get re-acquainted.

As for Branch Manager, this is indeed the DC band who released two albums on Dischord Records in the mid-90s and once opened for Fugazi at an outdoor show in Shafer Court, on a stage long since torn down to make way for a dining hall. Oh, VCU. Anyway, Branch Manager were one of those random DC bands who’d get signed to Dischord back in the 90s and then drop an excellent postpunk record full of complex song structures and off-kilter catchy tunes out of nowhere. Their second LP, 1997’s Anything Tribal, was killer and the fast tracks in particular could send a jolt of adrenaline through your veins even when you’re dead asleep. That was their last release though, so what the past 20 years have brought them to, and through, remains to be seen. It’ll be great to get an update, though. Youthful metalheads Black Naked Wings kick this one off–should be rad, even if it isn’t the 90s anymore.

Sunday, September 10, 8 PM
Paear, McKinley Dixon & Friends, Antiphons, Shormey @ Strange Matter – $7
Paear is an intriguingly named musical project. The cover of their most recent, self-titled album depicts a pear, the fruit that this strangely-named band is most likely to remind you of. Also, the frontman of this band’s name is Peter Katz, and if you replace the T in his first name with an A, you get… Peaer. Which isn’t quite Paear, but it’s close enough to make you think. Musically, Paear is pretty well thought-out, even though they definitely have a sort of 90s-guitar alt-rock slacker vibe that’s kind of back in vogue lately. Closer listens to songs like “Third Law,” from their latest full-length, show some pretty precise choices being made, even as the guitars and vocals sway along with the somnolent grace that gives this band their overall first impression. There’s a lot of talent here; Paear certainly reward close aural attention.

McKinley Dixon seems to show up more often on rock bills than anything else, which may be because he typically performs backed by a live band. However, make no mistake–McKinley Dixon is a hip hop artist. He’s got skills, he’s got killer songs, he’s got talent, and if you haven’t caught up with what he’s up to around town by now, I’m not sure where you’ve been hiding. Now is a good time to crawl out from under that rock, I promise. At least at Strange Matter, the coast is clear. Antiphons are another great opener on this bill; a local guitar-slinging band with a mournfully beautiful sound, these guys kind of remind me of early My Morning Jacket at times. At others, though, things are decidedly more psychedelic. Regardless of where their muse is taking them, Antiphons are sure to move you. Intriguing new artist Shormey will kick this off by letting you know what they’re all about. Don’t miss it.

Monday, September 11, 7:30 PM
The Afghan Whigs, Har Mar Superstar @ The National – $28 in advance/$33 day of show (order tickets HERE)
You know, I could go with another “OMG the 90s are back!” angle here, but it really feels uncharitable. After all, the Afghan Whigs have a lengthy history of greatness, dating back all the way to the late 80s and stretching forward to… well, right now. After releasing six albums between 88 and 98, the band took a decade and a half off before returning a few years ago with Do The Beast. Now they’ve followed it up with In Spades, their eighth album. Genius frontman Greg Dulli is still making incredible emotional epics to this very day, and lead single “Demon In Profile” reflects the same sort of possibly-diabolical brilliance Dulli brought to 1993 landmark album Gentlemen (still, even now, the album Afghan Whigs are best remembered for).

Dulli’s post-y2k work with ensembles like The Twilight Singers (from which the Whigs recruited current guitarist Rick G. Nelson) and The Gutter Twins (which paired him up with heavyweight talent Mark Lanegan) kept his creative juices flowing during the Whigs’ long time off, and with first Do The Beast and now In Spades, the band makes clear that they’re still at the top of their game. Come for “Be Sweet” and “Debonair;” that’s certainly understandable. But you’ll stick around for “Oriole” and “Royal Cream”–I promise you that. Get there on time, too, because just to give this show a proper touch of “no really, is it still the 90s?” Har Mar Superstar is opening up. I’m sure that man’s ironic lounge act has only become more and more poignant as he’s gotten older. Who knows, maybe by now it’ll seem sincere.

Tuesday, September 12, 8 PM
Chase Royale, Mally Black, Isaiah Jeremiah, Metallic Keem @ Strange Matter – $8
I love finding new underground hip hop artists to get into. And what’s really amazing is just how often that can happen right here in VA, without the need to go anywhere! Chase Royale is my latest discovery, and I really only found him because he’s playing at Strange Matter next Tuesday night. I was considering a couple of other possible shows for the column that night, but as soon as I heard The Gemcutter’s Prism, Royale’s latest full-length, I knew that this would be the show to see in RVA that night. From its intricate, creative production to its hard hitting beats and Royale’s top-quality rhymes, this album is a tremendous achievement. Royale’s lyrics dig deep into important issues affecting the African-American working class, and focus on way more important things than beef and bling. I always dig that.

Chase Royale will share the stage at this performance with Mally Black, a Stafford-via-VCU rapper who further proves that great new hip hop artists show up right here in VA all the time. Black’s sound, from the groovy electronic beats to his smooth confident flow, reminds me of local hero Dr. Millionaire with a bit more of a space-age vibe. I’m down with that. Richmond’s own Isaiah Jeremiah is the third headliner for this power-trio of back to school hip hop headliners, and he’s got a bit of a cloud rap thing going on, which is never a bad thing. Local rapper Metallic Keem is one of several openers you can expect on this bill, and if I knew who else to expect, rest assured I’d tell you. With the powerful headliners you’re guaranteed to see at this show, though, you really can’t go wrong.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [the rvamag address isn’t working for some reason, I haven’t had time to look into it! Bear with me]