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VA Shows You Must See This Week: October 16 – October 22

Marilyn Drew Necci | October 16, 2019

Topics: .gif From God, Bandito's, BigForestFire, Bingo Beer Co, Breakers, Charlie's American Cafe, Chugfest, Cobra Cabana, Cokenail, Elizabeth Cook, Faucet, Genosha, Ghost Logic, God Mother, Gorrak, Gull, Hold Close, House & Home, IX Art Park, Kool Keith, LNT, Love Roses, Minimum Balance, Narrow Head, Nine Line, plan 9 records, Pound, Ruckus The Bulldog, shows you must see, Sleave, Slump, Starcoast, Studebaker Huck, The 40 Boys, The Canal Club, The Chuggernauts, The Number 12 Looks Like You, The Second After, The tin pan, The Vailix, Trash Boat, VE, Weedeater, Weird Tears, Will Hoge, Wylder

FEATURED SHOW
Saturday, October 19, 3 PM
Cobra Cabana’s One Year Cobranniversary, feat. Kool Keith, Weedeater @ Cobra Cabana – Free!

It’s hard to believe that it’s only been a year since Cobra Cabana opened over in Carver. They’ve wasted no time making themselves an integral part of the Richmond scene, from their delicious and politically-informed menu to organizing motorcycle rallies and hosting outdoor rock n’ roll parties. They’ll be hosting another outstanding party this Saturday afternoon, and whether you’re there every week or haven’t made it in yet at all, you’re going to want to be there.

This one-year celebration is branching out from the hard-rockin’ theme of the last big show at Cobra Cabana, giving it a huge dose of hip hop talent with a headlining set from Kool Keith himself. This legend of rap has been rocking mics and dropping bizarre and fascinating rhymes for over three decades now, getting his start with Ultramagnetic MCs in the late 80s and hitting a creative peak in the late 90s with Sex Style, Dr. Octagonecologyst, and First Come First Served… all of which were released under different names. Keith’s still incredibly prolific to this day, and returned to his Dr. Octagon alter ego last year for the excellent Moosebumps: An Exploration Into Modern Day Horripilation, before following that up with this year’s equally great but far more straightforward KEITH.

All of which is to say that this groundbreaking hip hop veteran hasn’t lost a single step even after three decades, and you’ll need to see the fire he can bring to Cobra Cabana this Saturday. And speaking of fire, expect North Carolina metalheads extraordinaire Weedeater to spark up some serious stoner grooves when they hit the stage. It’s been a few years since their last LP, Goliathan, entered the world, but having recently recruited Dixie’s former Buzzoven bandmate Ramzi Ateyeh to take over the drum kit, they’re revitalized and back to full power. Expect to be bowled over — in slow motion, of course. As celebrations go, this one’s gonna be hellacious.

Wednesday, October 16, 6 PM
The Number 12 Looks Like You, God Mother, Pound, .gif From God, Genosha @ The Canal Club – $16 (order tickets HERE)

What a time to be alive. I never thought I’d see the day when there’d be a revival of the kind of metallic, chaotic, sassy noisecore that I was super-stoked about in my late 20s. I guess this is growing up, huh? No complaints here — especially not when it means the return of New Jersey maniacs The Number 12 Looks Like You, who carved a swath through the mid-2000s metalcore scene with wild slabs of frenetic guitar fuckery and constant tempo changes, such as 2003’s Put On Your Rosy Red Glasses and 2008’s Here At The End Of All Things. I’m certainly glad to get more of that.

And this year brings an answer to the fervent desires of all their fans, as the band released their first LP in over a decade, Wild Gods, last month. They’re slightly less frantic on this new LP than in previous work, but their mindblowing mixture of mathcore, jazz, and screamo remains alive and well, and it’s sure to have you vacillating between spastic twitching and frantic headbangs throughout their Canal Club set this evening. They’re joined by two talented fellow touring groups, Sweden chaotic metallers God Mother and Seattle instrumental tech-grind duo Pound, along with two excellent local acts, .gif From God and Genosha, both of which you definitely need to be familiar with if heavy, chaotic craziness is your thing. This starts early, so head straight over after work — you don’t want to miss any of it.

Thursday, October 17, 8 PM
Gorrak, Gull, Faucet @ Bingo Beer Co – Free!

A show at Bingo Beer certainly brings back a lot of memories. Specifically of driving by the old bingo hall that this local craft brewing company has moved into and wondering if someone could book a punk rock show there. A lot of people tried, no one ever succeeded, but now, decades and an owner change later, music has finally come to the old bingo hall. And I for one think that’s pretty fucking cool.

It might be hard to label this show “punk rock” in any conventional, musical sense of the word, but the fact that it features three DIY bands that are very much in the open-minded “it’s how you think, not how you sound” tradition of punk, pushes it in that direction nonetheless. Gorrak is a powerful, borderline-metallic jazz duo who are celebrating the release of a new self-titled LP loaded with complex, exciting sax-drum riffage. Fans of local powerhouses like Dumb Waiter and Paint Store are definitely going to want to get on board the Gorrak train. It helps that tried-and-true solo experimentalist Gull is on this show as well — we all know what we’re getting from Gull, and we all know that it rules. I know nothing about brand new locals Faucet, but really, by now haven’t you got more than enough reasons to finally see a show at the bingo hall? I think you do.

Friday, October 18, 6:30 PM
Narrow Head, Slump @ Plan 9 Records – $5 donation

We may all associate record store appearances by bands with massive meet-and-greets at midnight the night their new album comes out, but sometimes record store shows are something completely different — a way to bring young bands with great new albums to the curious music fans of a new town. This is one of those in-stores, and as such, it’s sure to combine the informal atmosphere of a basement show with the inviting surroundings of your favorite place to lose an afternoon flipping through the used vinyl racks.

Texas group Narrow Head are the stars of this particular Plan 9 show, and they come to Richmond to bring us all the word about their latest EP, Coursing Through, released last month on Advanced Perspective Records. This two-song, 10-minute EP is a great showcase for what Narrow Head are sure to bring to Richmond this Friday night — big fuzzy waves of guitar, powerful drums, and an excellent undercurrent of minor-chord melody just below the surface. If your idea of shoegaze is more early Dino Jr than later Slowdive, these guys are sure to thrill you. They’ll be joined by Richmond hardcore-sludge maniacs Slump, who just might get a little gazey themselves at quieter moments, right before hitting you over the head with another massive banger. The whole thing should be over in about two hours, but time always flies when you’re having fun.

Saturday, October 19, 8 PM
Will Hoge, Elizabeth Cook @ The Tin Pan – $32.50 (order tickets
HERE)
Saturday night at The Tin Pan will bring us a double shot of modern country stars who are far from conventional Nashville-radio pap. The double-shot starts out with Will Hoge, who has been dubbed “The Tennessee Troublemaker” by Mojo Nixon himself. Hoge got the name due to his outspoken political views, which not only got an airing on last year’s My American Dream — a rockin’ country LP sure to appeal to fans of both Jason Isbell and Gary Clark Jr. — but also showed up on t-shirts he sold on tour, featuring slogans like “Will Trade Racists For Refugees.” Will Hoge is the kind of guy country music needs more of, and here in Richmond, it’ll be great to get a big dose of what he has to offer this Saturday night.

It’ll also be great to get a visit from Elizabeth Cook, a longtime Grand Ole Opry performer who has a long-running Sirius XM show on the Outlaw Country channel and has shown her debt to classic country spitfires like Loretta Lynn with memorable singles like “Sometimes It Takes Balls To Be A Woman.” In 2016, she released her first album in six years, Exodus Of Venus, coming out the other side of a difficult period involving divorce, rehab, and mental illness with a powerful statement of strength. The album’s tough country sound makes her a good pairing with Will Hoge’s similar approach, and really, if you’re trying to hear the best country music has to offer in 2019, you can’t find a much better show to go to than this one. I know it ain’t cheap, but scrounge up the cash and get there. You’ll be glad you did.

Sunday, October 20, 9 PM
VE, Weird Tears, Minimum Balance @ Bandito’s – Free!

The free local triple threat at Bandito’s is always a Sunday night standby, and it’s that way for a reason. For one thing, Bandito’s is the Richmond live music scene’s best-kept secret — the room sounds great. For another thing, these shows never cost anything to get into. For another, there’s some amazing food available at Bandito’s, so you can (and should) always start your evening off with some tacos. And of course, the bands they book are always dope, whether they’re touring legends of punk or the best our own scene has to offer.

This night is of the latter variety, and VE, which used to stand for Various Eggs and doesn’t appear to stand for anything anymore, are at the top of the heap. It’s been a long time since they released some new original music, but their moody indie-lounge sound, which evokes both Leonard Cohen and Mark Eitzel, remains intact, and will surely cast a formidable atmosphere over the side room at Bandito’s. Weird Tears will bring their own unique, mournful power-pop approach to the evening, which is sure to be a highlight, and Minimum Balance rounds things out with some driving, spunky alt-rock sounds that are sure to delight all comers. This one is well worth your time.

Tuesday, October 22, 6 PM
Trash Boat, House & Home, Sleave, Hold Close, Nine Line, The Second After @ The Canal Club – $13 (order tickets HERE)

It’s always interesting to see what the UK does with US-originating sounds like pop-punk and hardcore. Trash Boat are the latest British export to combine both of these genres, and instead of landing anywhere in the neighborhood of Neck Deep, on one hand, or Gallows on the other, they carve out their own niche at the intersection point of melodic, emotional punk and driving hardcore power on 2018’s Crown Shyness, an excellent example of the fact that some UK bands are able to hold their own with the best exports from these shores.

Trash Boat have pivoted a bit with new single “Synthetic Sympathy,” moving in a poppier and dancier direction, but it’s always tough to tell whether such moves represent a stylistic shift or just a slight outlier. Either way, it shows that the band’s still got what made them worth our time in the first place, so you could certainly do a lot worse than journeying to the Canal Club this Tuesday night and catching them live onstage. A whole bunch of local talents, including heavy-emotion trio Sleave — who are actually about to release an LP on a UK label — and speedy easycore quartet Nine Line, are also on the bill, and you should really show up on time so you can get a good look at what’s happening in this musical world here in Richmond as well as over in the UK.

Elsewhere Around The State:

Friday, October 18, 8 PM
Wylder, Starcoast, BigForestFire @ Charlie’s American Cafe (Norfolk) – $10 in advance/$12 day of show (order tickets HERE)

Formed in Virginia and currently based in DC, Wylder are an indie-folk group with a lovely sort of sound, one that on their most recent LP, this year’s Golden Age Thinking, doesn’t just adhere to the typical sound you think of when you hear the genre descriptor “indie-folk.” Which is to say, they aren’t just another group of bearded boys with wide eyes doing their best Sam Beam. There’s some real sonic variance here, from the string-sweetened indie-rock melodies of lead single “Ghosts” to the quieter, more precisely constructed acoustic ambience of album closer “Right To My Head.”

So can we expect the live incarnation of Wylder to hit the stage in full-on rock mode, loud and proud? Or will we get a quieter, more acoustically-driven evening? Well, chances are the answer will depend on the song. It seems most reasonable to expect many different moods from Wylder, a band with many degrees to their approach — though all of them are driven by their talent. The evening will also feature performances by Virginia Beach quartet Starcoast, who bring rich vocal harmonies to their brand of upbeat indie pop; as well as BigForestFire, a group whose jammed-out grooves are often fueled by trumpet. This will be a lovely night.

Sunday, October 20, 1 PM
Chugfest, feat. Studebaker Huck, Breakers, Ghost Logic, Cokenail, Love Roses, Ruckus The Bulldog, LNT, The 40 Boys, The Chuggernauts, The Vailix @ IX Art Park (Charlottesville) – $10 donation to UVA Cancer Center’s Patient Services Fund

When you hear a name like “Chugfest,” you might very well think it’s a day’s festivities centered around beer. However, in this case, the festival appears to have been put together by Charlottesville punk band The Chuggernauts, so I suppose it’s named after them. But then, they’re named after how much they love to drink beer (as demonstrated on tunes like “Drinking Problem” and “Party On”), so it’s all the same in the end. That said, this event is really about drinking and rocking out for a good cause, not just for the hell of it, and all proceeds from raffles and donations will go to UVA Cancer Center’s Patient Services Fund, which helps direct support to patients and survivors in need of medical services.

I can’t speak to what kind of drinking you can or can’t do at this event — it’s in a public park, so that really comes down to city ordinances up there in Charlottesville. What I can tell you is that you’ll get sets from nearly a dozen punk rock bands from all around the state, not just the Chuggernauts but also long-running C-ville punks The 40 Boys, Richmond’s favorite speedy-punk sons Love Roses, funk-blues-metal duo Ruckus The Bulldog, Tidewater skate rats LNT, countrified rockabilly boyos Studebaker Huck, and a whole bunch more. This should be a great afternoon of fun sounds for a good cause, and it’ll sure liven up your Sunday. So consider taking a trip up to C-ville for this one — you’ll thank me later.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo: Kool Keith by Jason Persse, CC BY-SA 2.0, via Wikimedia

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: March 27 – April 2

Marilyn Drew Necci | March 27, 2019

Topics: Aenimus, Ashland Theatre, Bennett Wales & The Relief, Bob Miller, Camp Howard, Capital Ale House Music Hall, Colin Phils, Curtana, Danet Jackson, DBUK, EU, Ex Hex, Fleshgod Apocalypse, gallery 5, Go-go, Gutted Christ, Hunter Rhodes, Hypocrisy, Jawbreaker, JC Kuhl, Junkyard Band, Kenneka Cook, Landon Elliott, LAVA, Mas Y Mas, Milk, missangelbird, Moaning, Modern Color, No Sun, Norman Westberg, Old Gun Road, Pohgoh, Positive No, Ramblin' Ron Talman, Recluse Raccoon, Seraph, Shormey, shows you must see, shy low, Standards, Starcoast, The Brecker Brothers, The Camel, The Canal Club, The Dark Room, The National, The NorVa, Tmobyle, Toast, Trouble Funk, Two Cars, W I S H, War On Women

FEATURED SHOW
Friday, March 29, 6:30 PM
A Tribute To The Brecker Brothers, feat. JC Kuhl & Bob Miller @ Ashland Theatre – $12-25 (order tickets HERE)

The Ashland Theatre’s only been doing shows for about a month now, and already they’ve become a venue to watch. No doubt this has something to do with the Broadberry Entertainment Group, whose bookings around the city are consistently some of the most interesting and cool live shows on any given week. And for this show, at least, it also has to do with Richmond’s jazz scene, which is always doing something new and creative in the live performance arena.

This time around, Ashland Theatre and Broadberry Entertainment Group will be presenting an evening in tribute to the Brecker Brothers. Now, that name may not jump right out at you, but I can guarantee you’ve heard their work. The brothers — Randy, who played trumpet, and Michael, who played saxophone — contributed their talents to all sorts of classic 70s albums, from George Clinton to Todd Rundgren to Frank Zappa to Eric Clapton. They also had a duo of their own, which was a primary exponent of that jazz/funk fusion sound that the 70s so generously gave to us, before pushing things farther with their landmark 1978 album, Heavy Metal Be-Bop, on which they ran their horns through guitar amps and distortion effects.

You’ll never see the Brecker Brothers themselves; Michael passed away a decade ago. But this weekend, you can see the next best thing — a full-band tribute to the Brecker Brothers, featuring JC Kuhl (of Agents of Good Roots and local jazz scene fame) playing the role of Michael, while Bob Miller (of Richmond’s salsa legends, Bio Ritmo) in the role of Randy. Backing them up will be a stacked lineup of Virginia talent, including members of Butcher Brown, the Spacebomb house band, and more! Get ready for some skunk funk, because these musicians are going to keep the music going all night at a venue that’s rapidly becoming an essential Central VA spot for live music.

Wednesday, March 27, 8 PM
Modern Color, No Sun, W I S H, Two Cars @ The Dark Room – $5

It’s a shoegaze paradise at The Hof’s Dark Room tonight. The Underexposed series, of which this show is a part, is designed to bring us sounds from bands we might not have heard much about, and while that might lead you to expect Richmond-based bands, tonight the big surprises are going to come from out-of-towners. Modern Color is at the top of the bill; they hail from SoCal and bring us a melodic yet driving take on a loud-guitar alt-rock sound that’s honestly way too clear to be shoegaze — but someone will call them that anyway, so it may as well be me, right?

One thing is for sure where Modern Color is concerned: they use their loud guitars to the fullest, evoking their beachfront hometown environs while still bringing plentiful energy. No Sun, who ironically come from the sunbaked state of Utah, generate the sort of fuzzy clang you’d be more likely to expect from a shoegaze band, and they embrace it fully, calling to mind 90s UK legends like Swervedriver or My Bloody Valentine. Getting this touring duo from a $5 local midweek show is one of the subtle treats this city loves to grace us with. And rest assured, the sets from local openers W I S H and Two Cars will be another. This one is well worth your cash, so pony up and get down to the Hof tonight.

Thursday, March 28, 8 PM
Shy Low, Standards, Colin Phils, Curtana @ The Camel – $5 in advance/$7 day of show (order tickets HERE)

Math-rock, post-rock, indie — whatever you want to call it, one thing is certain: there’s a lot of this kind of thing happening around Richmond lately. And it’s definitely a good thing, especially since it seems to have resulted in a recent rejuvenation of Shy Low, the long-running four-piece who’ve long evoked Mogwai and Mono with their epic, intense instrumentals. It has still been a few years since their last release, but… perhaps that will change soon? We can hope. In the meantime, there have been several opportunities to see them live lately — this is just the latest.

And as if availing yourself of that opportunity isn’t enough of a reason to hit the Camel this Thursday night, Shy Low will be accompanied on this bill by Standards, an outstanding LA duo who are on tour behind their freshly-released EP, Friends. For fans of instrumental guitar pyrotechnics, this record will be an embarrassment of riches, as Marcos Mena’s fingertap gymnastics impress on a whole other level. You’re sure to find yourself staring at his fretboard at some point during Standards’ set, wondering how the man can possibly do all that with only ten fingers. He does, though, and you’re going to want to see it happen live and in the flesh. Opening sets by the always-reliable Colin Phils and dazzling local prog-rockers Curtana only sweeten the pot.

Friday, March 29, 6 PM
Hypocrisy, Fleshgod Apocalypse, Aenimus, Seraph, Gutted Christ @ The Canal Club – $20 in advance/$22 day of show (order tickets HERE)

Oh wow. The fact that this tour is named after the legendary long-running compilation series, Death… Is Just The Beginning, definitely brings back memories for a true 90s metalhead like me. Nuclear Blast Records have been putting these comps out every few years for three decades now, and headliners Hypocrisy have been around for about as long. This killer Swedish death metal band hasn’t released an album in six years, but between their rock-solid track record and the fact that 2013’s End Of Disclosure was a sure-fire winner from beginning to end, headbangers can certainly take heart — this set is guaranteed to rule.

Even cooler is the fact that Hypocrisy’s co-headlining this tour with another Euro death metal sensation — Fleshgod Apocalypse. These Italians have always had a symphonic edge to their sound, even integrating operatic vocals on occasion for peak melodrama. However, they’ve always known how to keep it heavy and give us the killer riffs in abundance, and even after a significant lineup shakeup a couple years ago, the first single from upcoming fifth album Veleno shows they’ve still got the juice. So head out to the Canal Club this Friday night, and wear your best studded gauntlets, because this one is going to be tough as nails.

Saturday, March 30, 7 PM
Kings & Queens Of Go-Go Tour, feat. EU, Trouble Funk, Junkyard Band @ The National – $25 in advance/$35 at the door (order tickets HERE)

Do you like to get down? Do you like to get funky? Do you like to DROP THE BOMB? If so, you’re in luck, because this Saturday night sees three of the brightest stars of DC’s legendary go-go scene visiting Richmond to tear the roof off the National — and you’re gonna want to be there. Go-go is a highly regional scene centered around Washington, DC — for most of its history, it was only truly popular in the DMV area. However, it had a big moment in the 80s; while go-go has its roots in funk, it’s a particularly rhythmic, percussion-heavy strain, and that appealed strongly to early hip hop fans.

EU (short for Experience Unlimited) had one of the most popular go-go hits ever with “Da Butt,” a sexually charged party-starter from the soundtrack to Spike Lee’s School Daze. It was so popular, I once saw a guy in a Scooby-Doo costume dance to it in a make-your-own-video booth at King’s Dominion (#onlytrue80skidswillunderstand). Meanwhile, Trouble Funk’s 1982 single, “Pump Me Up,” was a huge club hit — especially in DC, where at the height of their fame, they co-headlined shows with hardcore pioneers Minor Threat. Meanwhile, onetime Def Jam recording artists The Junkyard Band can be seen performing their signature song, “Sardines,” in the Run-DMC movie, Tougher Than Leather. And we get all three of these groups on the same stage, for $25? This is the deal of the decade, folks — don’t miss out. And wear your dancing shoes, because your feet will be moving.

Sunday, March 31, 7 PM
Milk, Missangelbird, Danet Jackson @ Gallery 5 – $5 in advance/$6 day of show (order tickets HERE)

It’s not often that a piece of music manages to take me by surprise, so when it happens, it’s certainly worth noting. Milk’s 2017 LP, Horsetown Threshold, does exactly that, not only over the course of the album but even in a single song. The first track, a beautiful acoustic ballad called “Too High To Drive,” is occasionally interrupted by squalls of distorted heavy noise — but in a manner that is not only intentional but meshes well with the song as a whole. This is what Milk do throughout the album, really; present us with gorgeous melodies that draw from indie-folk sources, then shift into heavy moments that pulverize the listener with some prime Blue Cheer/Crazy Horse riffage.

Seeing this whole thing take place live might be a bit of a mind-bender… but who wouldn’t want that, especially on a Sunday night? Sometimes life has to throw us a few curveballs just to keep us from sleepwalking through it, and it’s much better to have those curveballs come in the form of a truly unpredictable band than in that of a car crash, right? So put down the cellphone and drive carefully to Gallery 5 this Sunday night, where Milk will proceed to blow your mind. Local openers Missangelbird and Danet Jackson will provide you with some sweet melodies of their own to prepare the way for the Boston headliners. Get there.

Monday, April 1, 7 PM
DBUK, Norman Westberg, Old Gun Road @ Capital Ale House Music Hall – $12 (order tickets HERE)

Denver’s DBUK were originally called Denver Broncos UK, a joke that I can appreciate as both a fan of American football and UK indie bands. Apparently the Denver Broncos football team didn’t appreciate it, though, since they’re known only by their initials now. But regardless of the name they’re going by, DBUK is definitely worth going to see. The group arises from a Denver scene known for producing dark, apocalyptic varieties of folk-Americana. DBUK features Slim Cessna’s Auto Club mastermind Slim Cessna, as well as Jay Munly, who has led various solo projects as well as taking part in Slim Cessna’s Auto Club and Scott Kelly & the Road Home.

DBUK just released their second album, Songs Nine Through Sixteen, and while it’s got less overt country and Americana influences than previous projects the members have been involved with, it maintains the deep dark mood that has always been the most compelling aspect of that whole Denver scene (which also produced Wovenhand and 16 Horsepower, among others). It’s therefore fitting that they come to Richmond in the company of Norman Westberg, who has played guitar in Swans for nearly 40 years and will be doing a solo set that, if it’s anything like the solo albums he’s released in recent years, should lean heavily on ambience and atmosphere. Local openers Old Gun Road consist of a bunch of hardcore and metal musicians playing the type of country music they loved as kids. Like everything else on this bill, that’s sure to be a treat.

Tuesday, April 2, 7 PM
Ex Hex, Moaning, Positive No @ Capital Ale House Music Hall
– $20 (order tickets HERE)
Ex Hex were all the rage a few years back. This tough-rockin’ trio from DC made a whole lot of fans around the country with their 2014 debut album, Rips, and its Shangri-Las-meets-Runaways take on catchy garage punk. However, the group’s been quiet a while, and you couldn’t be blamed for thinking they’d dissolved after one LP, just as singer-guitarist Mary Timony’s previous project, Wild Flag, did.

Fortunately, we learned as 2019 kicked off that this was not the case after all, and Ex Hex came roaring back just last week with the release of its sophomore full-length, It’s Real. They’ve definitely grown as a band, but the elements everyone loved about their first batch of tunes are all intact here, even as they stretch out with some heavier riffs, contrasting those at other points with some introspective moments. The end result is sure to delight all previous Ex Hex fans, and might just make some new ones (assuming everyone doesn’t love this band already). They’re accompanied on their return to Richmond by Los Angeles new-romantics Moaning, as well as perennial Richmond indie-pop faves Positive No. This one is a guaranteed delight.

Bonus Hampton Roads Picks:

Friday, March 29, 6 PM
Jawbreaker, War On Women, Pohgoh @ The NorVA – $37 in advance/$42 at the door (order tickets HERE)

All the 90s emo and pop-punk kids are sure to be freaking out over this one. Blake Schwarzenbach has done several memorable bands over the years, including Jets To Brazil and Forgetters, but none have ever captured the hearts of music fans the way his late-80s/early-90s band Jawbreaker did. For many years, even as fans clamored for Schwarzenbach to reunite with his former Jawbreaker bandmates, he swore he’d never do it. But then, in 2017, the band returned to headline Riot Fest and, improbably, kept working together, playing shows around the US and even starting work on their first album in 23 years.

They’re currently in the middle of a run down the East Coast, and this show brings them to Virginia for the first time in over two decades. They’ve even been playing some new-ish tunes (although they are really just unreleased songs from various Schwarzenbach projects over the years), and we can all look forward to the possibility of a new album on the horizon. For now, though, it’ll be enough to bop around the NorVA singing along with classics like “Save Your Generation,” “Boxcar,” “Chesterfield King,” and many more. Plus, opening sets from War On Women and Pohgoh are sure to make an amazing night even more special. Don’t miss this one.

Saturday, March 30, 5 PM
LAVA Mini-Fest, feat. Bennett Wales & The Relief, Camp Howard, Starcoast, Shormey, Mas Y Mas, Landon Elliott, Kenneka Cook, Recluse Raccoon, Ramblin’ Ron Talman, Hunter Rhodes MAGIC, Tmobyle @ Toast – $12 in advance/$15 day of show (order tickets HERE)

Here’s a fun way to spend your Saturday evening — by gassing up the ride, heading east down 64, and enjoying an evening mini-fest brought to you by Norfolk’s own LAVA Presents. These Norfolk promoters work with a variety of genres down in the Hampton Roads area, and they’re demonstrating that by bringing a variety of sounds from around Virginia together at Toast to get you stoked.

There are a ton of different genres on this bill, from the Southern-tinged rock n’ roll of Bennett Wales & The Relief to the cleancut indie jangle of Richmond’s own Camp Howard, from the electro-pop of Shormey to the heartland rock of Landon Elliott, plus a whole lot more. There are definitely some names that will perk up the ears of Richmond music fans (Kenneka Cook, anyone?), as well as some very interesting sidetrips, including a magic show, a pop-up record shop, and a craft market! Sounds to me like a great way to spend a Saturday night — you know what to do.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

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