strange matter

VA Shows You Must See This Week: November 14 – November 20

Marilyn Drew Necci | November 14, 2018

Topics: Airpark, Amigo The Devil, Babe Club, Bask, Birds And Arrows, Blush Face, Capital Ale House Music Hall, cement shoes, Citizen, Court Street Company, Druglord, Fire In The Radio, Flora, Forward, Frances Cone, Glass Twin, Harley Poe, Headsplitters, Lair, Loud Night, Mister Earthbound, Mock Orange, Movements, Old Sea Brigade, shows you must see, Slump, Sound Of Music Studios, strange matter, Tall Heights, Tel, The Camel, The National, The Story So Far, The Wet Boys, Toast, Turnover

FEATURED SHOW
Thursday, November 15, 9 PM
Forward, Headsplitters, Loud Night, Cement Shoes @ Flora – $10
Burning Spirits. To most, perhaps, it’s a vaguely paranormal-sounding phrase with no real significance beyond that. But for the diehard punks and hardcore kids in the know, it is a password to some of the wildest, craziest, and greatest hardcore the genre has ever produced. Apparently the name Burning Spirits comes from a series of venues that graced Japan in the 80s, but these days it’s a signifier of the bands that came from those venues: Death Side, Bastard, Tetsu Arei, Judgment, etc. These bands had a huge influence on the punk, hardcore, and grind scenes around the world as the 80s turned into the 90s, and while many of them were done by the end of that decade, a new generation of bands formed in their wake.

Forward is one of those bands, and perhaps the most legendary. Formed in the mid-90s by members of Death Side and Insane Youth, they became the foremost torchbearers of burning spirits hardcore over the past two decades. Forward has the traditional Burning Spirits sound, which fused post-Discharge UK hardcore with the speed of Scandinavian crust and the ripping biker-style thrash of early speed metal bands. Motorhead was a key influence as well — in fact, on Forward’s latest EP, Another Dimension, they cover Motorhead’s “Death Or Glory” in tribute to Lemmy Kilmister (RIP) — but they inject surprising melodic touches at the oddest of times, which might be the biggest part of their charm.

Forward making it to Richmond from their native Japan isn’t something that happens every day — in fact, it’s been four years since the last time they came through. It might be at least that long before they make it again. So if you want to come sing along with classics like “Just Go Forward To Death” or “Over The Matter Of Course,” this is your chance. Don’t waste it. New Yorkers Headsplitters are also in on the fun with some raging biker-crust of their own, and Richmond up-and-comers Loud Night and Cement Shoes get this one moving. So spike up your hair, dig out your leather vest, and get ready for some serious circle-pit action.

Wednesday, November 14, 7 PM
Amigo The Devil, Harley Poe, The Wet Boys @ Strange Matter – $15 in advance/$17 day of show (order tickets HERE)
There’s a really interesting stereotype about old-time folk music from the hills of Appalachia. All of it, they’ll tell you, is about degenerate behavior — drugs, gambling, murder, and assorted antisocial behavior. It’s enticing to hear, but other than occasional high-profile exceptions like “Knoxville Girl,” you’re not gonna run across too much from the prewar 78-RPM era that lives up to that billing. But here in 2018, Texas musician Amigo The Devil is doing his best to make that hyped-up legend of folk music’s dark, twisted murder balladry a 21st century reality.

Amigo The Devil plays a banjo, sings in a hypnotic baritone, and has written multiple songs about serial killers, from Ed Gein to Jeffrey Dahmer. He’s even been known to tag his sound as “Murderfolk.” That’s the sort of sound he’s explored on his early EPs; now on debut full-length Everything Is Fine, he’s moving towards a fuller sound with more backing instrumentation. Up front, though, he’s still the same banjo-playing songwriter with an angelic voice and a demonic imagination. He’s joined on this tour by a group with a similar sort of approach to demonic folk music, Harley Poe. These Indiana boys like to sing from the point of view of horrible people, giving them jaunty folk tunes over which to vent their spleens and say horrible things. It’s a forbidden thrill, but it makes for a heck of a fun listen. Give these two artists, as well as VA-based openers The Wet Boys, a night to worm inside your skull, and you might just find yourself walking to work tomorrow humming a song about murder with a big smile on your face. And what could be wrong with that?

Thursday, November 15, 8 PM
Birds And Arrows, Glass Twin, Blush Face @ The Camel – $7
Birds And Arrows have had quite the journey over the past dozen years or so. Starting as a folk duo in North Carolina, the group (which is also a married couple, Andrea and Pete Connolly) pulled up stakes last year and headed across the country to Tucson, AZ. Since resettling there, they’ve been rediscovering rock n’ roll volume, turning up louder and louder. You can hear their newfound embrace of raging noise on single “Stay Down,” which has obvious folk roots in its strummy guitars but nonetheless hits with heavy rockin’ power, like a classic psychedelic stoner tune from the mid-70s.

So what can you expect from Birds And Arrows when they hit The Camel stage tomorrow night? Well, as we’ve always heard, the truth is somewhere in-between, and this duo is sure to bring both the hard-rockin’ power of recent tunes and the more stripped-down feel of their folk roots to life when they play live. They’ll be celebrating the release of their new LP, Arbitrary Magic, which expands on the sound of “Stay Down” and features some overtly political commentary about just how frustrating the current state of our country is. If you’re feeling the frustration, and just need to let out some energy to a high-volume example of rock n’ roll chaos, Birds And Arrows are the band for you. Don’t miss ’em.

Friday, November 16, 7 PM
Druglord, Slump, Lair @ Sound Of Music Studios – $7
You can expect some serious sludge from this loud, noisy affair at Sound Of Music Studios Friday night. Druglord have been dealing out their loud, heavy doom around Richmond for many years now, but returned to the recording arena only recently; new LP New Day Dying is their first release since 2015 EP Deepest Regrets. This is their first release with new bassist Julian Cook, and it shows that despite the departure of local legend Greta Brinkman, these guys can still pound and shred with the best of them.

The new album was released on Sludgelord Records, and it’s an appropriate label for a band with some strong musical resemblances to bands like Grief and Eyehategod. If you’re a fan of slow-motion headbangs and pulverizing low-end distortion, you need to see what this trio has been up to lately. You won’t be disappointed. Heavy-psych weirdos Slump make an intriguing pairing with Druglord for this bill; they trade the sheer slow-motion trudge of Druglord’s sound for some extremely spaced-out ambience of the sort that’ll appeal to Hawkwind fans. Underneath all the trippy noise, though, these guys have some driving riffage that splits the difference between Motorhead and Blue Oyster Cult. Opening up will be Lair, an intriguing newcomer on the Richmond doom metal scene who told you most of what you needed to know about their sound when they released a two-song, 21-minute EP earlier this year. Serious doom, y’all. Get ready.

Saturday, November 17, 7 PM
Mock Orange, Fire In The Radio @ Capital Ale House Music Hall – $15 (order tickets HERE)
It’s been interesting to watch the evolution of our cultural nostalgia over the past several decades of my life. One thing that’s become eminently clear is that nostalgia operates on a 20-year cycle — and the underground is not immune, from the early-00s infatuation with Joy Division-era postpunk to the “emo revival” that was all abuzz circa 2013. While it’s a good idea to be a bit wary of nostalgia, one great thing about the nostalgia cycle as it’s applied to underground music is that sometimes, it causes things that never got enough shine the first time around to receive a long-overdue embrace.

This year, it seems to be Mock Orange’s time to shine; they’re currently on tour to celebrate the 20th anniversary of landmark debut LP Nines And Sixes. That album staked a strong claim on a sound that was somewhere between indie-rock melody and the noisier post-hardcore tendencies of bands like Quicksand and Jawbox. Since then, Mock Orange have evolved quite a bit — they never really stopped making records, and released their sixth album, Put The Kid On The Sleepy Horse, in 2016. Though they still rock hard, their more recent releases show an increased presence of quirky postpunk synths and effects. It’ll be interesting to see how the group applies the results of these evolutions to the material with which they initially made their name. But regardless of the result, the mere fact that Mock Orange are finally getting their due is a positive thing. Whether you’re a curious potential convert or a longtime diehard fan, this show is sure to get your juices flowing.

Sunday, November 18, 7 PM
Tall Heights, Old Sea Brigade, Frances Cone @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one is going to be glorious. Tall Heights have been around for a while now, starting out with a joyfully ethereal indie-folk sound that highlighted the duo’s incredible vocal harmonies. They’ve come a long way since then, though, expanding the group’s instrumentation and lineup well beyond the airy, minimalist melodies on which they made their name. 2016 LP Neptune saw them augmenting their basic guitar-cello configuration with atmospheric percussion and multi-layered synth washes.

Now, with recently-released follow-up Pretty Colors For Your Actions, they’ve taken things to another level entirely, moving away from acoustic folk sounds toward the sort of layered indie-pop productions that have marked the work of Brian Wilson-influenced 21st century experimenters like Animal Collective and Grizzly Bear. Tall Heights have plenty of tunes just as indelible as those of their predecessors, too, and at Capital Ale House this weekend, they’ll dish ’em all out for you. Get ready to bliss out.

Monday, November 19, 8 PM
Bask, Mister Earthbound, Tel @ Strange Matter – $10 (order tickets HERE)
I think we all know there got to be a glut of doom metal bands for a while there, right? Sure, there were a whole bunch who really ruled, and stood head and shoulders above the pack (many of them from right here in Richmond, of course). But new doom bands popping up on a seemingly weekly basis just wore us all down after a while. That’s why it’s been good, in recent years, to see the emergence of groups like Bask — groups that find a way to use the best parts about doom metal (spooky atmosphere, crawling heaviness) in ways we haven’t heard other groups use them a million times before.

Bask’s 2017 LP, Ramble Beyond, does this in brilliant fashion. On this album, Bask uses doom metal’s slowed down tempos and groovy riffs as a part of an expanded sonic palette that incorporates psychedelic astral explorations as well as the evocative melodies of old-time Americana. The result sounds like what you’d get if some talented stoners with a penchant for serious heaviness broke into some old-time Western ballads beneath huge desert skies at twilight. From folk-metal to desert-psych, this band touches on a variety of genres and moods, and as a result has a much broader appeal. Take heart, headbangers — as long as bands are getting this creative with the standard template, doom metal will never die.

Tuesday, November 20, 7 PM
The Story So Far, Turnover, Citizen, Movements @ The National – $23 in advance/$26 at the door (order tickets HERE)
Damn, this one hits close to home. The Story So Far were one of those bands like Knuckle Puck and State Champs and The Wonder Years, the melodic hardcore groups who had enough energy and distortion to appeal to my hardcore punk heart even as their downcast melodies struck me right at the core of my being. This happened a whole lot throughout my 20s and 30s, when I spent most of my time being emotionally vulnerable, alienated, and alone. Life’s gotten a whole lot better for me over the past few years, and I don’t feel that way much anymore (thank god), but I will admit that I’ll always have a soft spot for bands like The Story So Far.

But I’m not just reliving memories of great records they put out years ago — The Story So Far released their fourth album, Proper Dose, only weeks ago, and somehow managed to outdo themselves yet again, bettering their classic self-titled album from a few years ago as well as 2013’s milestone in depressed melodicore awesomeness, What You Don’t See. On Proper Dose, The Story So Far brandch out a bit sound-wise. But they still sound sad, like the post-teenage self-doubt, alienation, and ennui is weighing on them just as hard as ever, despite the fact that they play much bigger venues when they go on tour now. Honestly, I get it — bigger crowds never seemed to make Kurt Cobain feel any better either. But at least when they look out from the stage of the National Tuesday night, they’ll feel a little less alone. You will too if you make the trip down, and between continued amazingness from our consistently brilliant headliners and a slate of outstanding support acts topped by VA’s own Turnover, there’s a lot to enjoy… or at least connect with. And sometimes that’s what we really need.

Bonus Hampton Roads Picks:

Friday, November 16, 8 PM
Part Time, Fenster, Blood Sound, Zabeth @ Charlie’s American Cafe – $12 in advance/$15 at the door (order tickets HERE)
Those of you who sit up late at night watching dumpstered VHS tapes of 80s movies on your crappy thrifted VCR are sure to get something out of what Part Time is doing. This group, the creation of California-based songwriter David Loca, taps into the warped sounds of decaying videotapes and obsolete synthesizers to create the Part Time sound. The group has been around for a decade, releasing cassettes through Burger Records and building a following with their indie-influenced take on 80s new wave electronica, but with new LP Spell #6, freshly released via Tough Love Records, they’re going mega. The album features a guest appearance by obvious influence Ariel Pink, and lush ballads like “So Far Away” and “Hide” capture the lovelorn feel of the best bedroom-pop creations.

Part Time are joined on this bill by Berlin, Germany’s Fenster, who play some strange indie pop sounds of their own. They’ve done some intriguing and memorable things, including a feature-length film entitled Emocean (2015), which documented the band’s attempt to complete their third album while trapped in an alternate dimension. Or so they tell us. New album The Room finds the group continuing to explore sonic possibilities, from space-age lounge music to alternate-universe postpunk. Fenster might throw you for a loop at points, but they keep your feet moving and your ears enchanted by melody. And isn’t that what’s important? Don’t let the static hypnotize you — this dual-headliner bill is more than worth switching off the TV and leaving the bedroom for.

Saturday, November 17, 7 PM
Airpark, Babe Club, Court Street Company @ Toast – $7 in advance/$10 day of show (order tickets HERE)
Nashville’s Airpark is ready for their close-up. This duo of Ford brothers, Ben and Michael Jr., have a lush sound that, on recent single “Devotion,” harks back past modern folk-pop into the early 70s heyday of singer-songwriter soft rock. Chiming acoustic guitars and gorgeous vocal harmonies set the tone, grounded by a rock-solid rhythm section and some creative songwriting choices. The group has released two EPs so far, Early Works volumes 1 and 2, but their forthcoming follow-up promises to take us beyond the early stuff as Airpark comes into their own.

When they make their way to the stage of Norfolk’s Toast, they’ll be well prepared to show the audience what they’ve got to offer. And so will South Carolina’s Babe Club, a newly-formed duo whose members both split from SC indie band Susto earlier this year. For the group’s frontwoman, Jenna Desmond, this group offers her a chance to step out from her previous role in Susto as the female bass player in a band full of men, and express her feelings about being a woman in Trump’s America. She does this over intricate guitar melodies from bandmate Corey Campbell, as well as her own driving bassline, on debut single “Hate Myself,” which gives an intriguing preview of what this group will have in store for us when they hit the stage. If it’s all this stunning and memorable, Babe Club will give Airpark a run for their money. No matter how it turns out, though, you’re going to want to be there and hear it all go down.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Top Image by Lindsay Eastham

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 7 – November 13

Marilyn Drew Necci | November 7, 2018

Topics: Ann Beretta, Bennett Wales & The Relief, Bigwig, Butt, classical revolution RVA, CounterPunch, Dad, Doll Baby, Fat Spirit, Fishbone, Flora, Good Riddance, gwar, HAUNT, Jackmove, Jafar Flowers, Madison Turner, Mannequin Pussy, Matthew E. White, Miss May I, Miya Folick, Municipal Waste, NØ Man, Pale Waves, Peabody's, planned parenthood, Roosevelt Collier, Sensual World, Shaka's, shows you must see, Slothrust, strange matter, Super Unison, The Broadberry, The Bush League, The Camel, The Candescents, The HofGarden, The National, Toxic Holocaust, Toxic Moxie, Trey Pollard, Ugly Muscle, Video Shoppe, Wargo

FEATURED SHOW
Saturday, November 10, 8 PM
GWAR, Municipal Waste, Miss May I, Toxic Holocaust, HAUNT @ The National – $22 in advance/$25 at the door (order tickets HERE)
Folks, it’s time once again that we check in on Richmond’s reigning masters of bloodthirsty metal from outer space. Everyone’s favorite homicidal aliens, GWAR, will return to the National’s stage once again this Saturday night, and it’s sure to be an absolute gorefest, so you know what that means — wear your white t-shirts and get ready to be hit by the cannons of goo that are certain to be unleashed. You know the ones; the ones that throw so much blood and guts all over the place that the National has to drape their balconies in bedsheets just to protect the fancy woodwork. If you think you can be anywhere in the same room as GWAR and stay safe from the splatter, you’re sadly mistaken, but that’s OK — getting covered in slimy stuff of uncertain origin is part of what makes GWAR shows so much fun!

Last year, GWAR released their first new album since the death of founder Dave Brockie. The Blood Of Gods sees the crossover sound GWAR have cultivated over the past several albums giving way to a more over-the-top rock n’ roll sound that sees new vocalist (and originator of the Beefcake the Mighty character) Michael Bishop howling and yowling, Ted Nugent-style. There’s still plenty of thrashing going on with GWAR these days, don’t get me wrong; but the fact that the album ends with a cover of AC/DC’s “If You Want Blood (You Got It)” should tell you something about what you can expect, musically speaking, from GWAR these days.

That said, we all know that the gore-saturated show is the main attraction when seeing GWAR live. But there’s plenty of ass-kicking no-show all-go metal on this bill as well. The main attraction for all of you hoping to spend a few hours focusing on banging your head is the one and only Municipal Waste, who’d been largely dormant for most of this decade but returned to action last year with a beefed-up lineup featuring former Cannabis Corpse axe-slinger Nikropolis on rhythm guitars and their first LP in five years, Slime And Punishment. If you haven’t caught up with the Waste since all that went down, rest assured that they’re gonna fuck you up just like they always have. They’ll do it with the able assistance of their best thrashcore pals, Toxic Holocaust, as well as metalcore mainstays Miss May I and up-and-coming Maiden-esque power-metallers HAUNT. It’s a headbanging bonanza, and it’ll be topped off with a serious bloodbath. Should make for a wonderful weekend.

Wednesday, November 7, 7 PM
Slothrust, Mannequin Pussy, Doll Baby @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Look out, all you rock n’ rollers — the 90s are still back, perhaps more back than ever, and one great aspect of that is the continued ascendance of powerful songwriters with rough, distorted guitars that hit you hard even as their lyrics and vocal melodies make you feel some strong emotions. Slothrust is one of those groups, and singer-guitarist Leah Wellman is showing the world exactly what she has to offer on their brand new LP, The Pact, released a couple months ago on Dangerbird Records. There’s a darkness to songs like “Planetarium” and “Fever Doggs” that if anything harks back to a pre-90s, pre-Nirvana sensibility. These songs should strike familiar chords for fans of the Meat Puppets, or Green River, and do a great job of demonstrating that Slothrust has more to offer than an unabashed reiteration of what bands like Babes In Toyland and L7 did before (though don’t get me wrong, there’s a good bit of that in there too).

Slothrust are joined on this bill by Mannequin Pussy, a Philadelphia punk band who’ve been making a strong impact in Richmond for years now, and have also been growing beyond their noisy punk roots, into a sound that encompasses a variety of genres and combines rage, passion, and melody in an inspiring manner. Their 2016 album, Romantic, moves from roaring blasts of punk fury into moments of breathtaking melody, complete with shoegaze-style guitar swells. One thing that’s present on all of their songs is a strong emotional foundation that singer-guitarist Marisa Dabice communicates with everything from a breathy croon to a frustrated scream. No matter where each moment lands on the spectrum of her vocal range, though, all of them are honest, real, and gripping in their intensity. This isn’t one you’re going to want to miss. Local support by Doll Baby, who have a great deal in common with both touring bands, completes a powerful trifecta. You know what to do.

Thursday, November 8, 9 PM
Roosevelt Collier, Bennett Wales & The Relief, The Bush League @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
If you love to hear people wail on the electric guitar, this is the show for you. Roosevelt Collier is a pedal steel guitarist with roots in the same “sacred steel” tradition that brought Robert Randolph and his family band into the world, but Collier combines that gospel-soul sound with a Hendrix-ian approach that finds him in high demand with heavyweights like the Tedeschi-Trucks Band and the Allman Brothers. He’s a core member of Snarky Puppy bassist Michael League’s “World Music All-Star Band,” Bokanté, and he’s finally stepped out on his own this year as the frontman for his own group, which he’ll be bringing to the Camel.

Collier and his backing band are on tour in support of his debut solo album, Exit 16, on which he worked again with Snarky Puppy bassist Michael League. The album displays a hell of a range, moving from uptempo workouts to slow, seductive grooves, all with a very heavy bottom end. Collier’s playing is always the star of the show, and the man gets some outstanding noise out of his pedal-steel axe. While instrumental music can sometimes feel a bit bare-bones, you’ll never miss the vocals when Roosevelt Collier is laying waste to his slide guitar. He joins with VA Beach funk-rockers Bennett Wales and the Relief and RVA’s own blues-wailing machine, The Bush League, to tear the roof off the Camel this Thursday, and you should really be there to see — and hear — it all go down.

Friday, November 9, 7 PM
Pale Waves, Miya Folick, The Candescents @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
These days when you hear the sort of reverbed guitars and ambient synth sounds that have been a marker of the goth-postpunk sound in vogue at the moment for several years now, you expect to know what you’re getting. Dark moods, downcast eyes, sad lyrics full of desolate imagery that connect strongly with your personal alienation as you sit alone in your room in the dark. But haven’t we all had our fill of that sort of approach to the mid-80s postpunk sound? After a few years, all those 80s goth kids turned into bouncy New Wavers that would rather dance to New Order than cry to the Cure anyway — isn’t it time we found an antidote for our own post-millennial kohl-eyeliner blues?

That’s what Pale Waves is here to offer. The Manchester band may trace their aesthetic back to Siouxsie and the Banshees, but their sound is building on the uplifting synth melodies of recent UK postpunk successes CHVRCHES and adding some of the same glittering guitars and melodic bass lines that the original goth bands excelled at. Recently released LP My Mind Makes Noises hits all the right notes for the kids who still want to wear all black but are discovering the thrill of new love and the promise of sunny days. God knows everything is depressing enough these days… don’t we need our music to lift the veil at least a little bit? If you’re ready to dance with a smile on your face rather than tears in your eyes, come to The Broadberry this Friday night and bounce to the music of Pale Waves. It can’t rain all the time.

Saturday, November 10, 7 PM
Eat Your HRT Out: A Trans Health Clinic Benefit, feat. Toxic Moxie, Madison Turner, Wargo, Dad, Jafar Flowers @ Strange Matter – $15-20 suggested donation
I know, I know, I just wrote about Toxic Moxie like two weeks ago. But what was the rule we established the last time I wrote about them? I do believe it was “you will go see Toxic Moxie whenever they play a show.” We just had an election, but this one wasn’t on the ballot, so it is still very much in force. You want punk rage and disco euphoria? You want serious political views leavened with some good-time party energy? Toxic Moxie have got it all.

And what’s more, they’re bringing it to you this time in support of a very good cause. Planned Parenthood’s Trans Health Clinic is one of the only steady providers of transgender-specific health services in Richmond, and considering that trans people are much more likely to be unemployed or underemployed than the general population, their patients are more likely to face economic strain in finding ways to pay for their medical care. What your donation at the door of this show — which, in addition to the disco party punk of Toxic Moxie, will also feature an always-rockin’ full band set from Madison Turner, some electronic dance sounds from Jafar Flowers, and a good bit more — will go toward is helping ensure that prices for Planned Parenthood’s much-needed medical support for the trans community remain as affordable as possible. Plus you’ll have a great time in the bargain, and who doesn’t need more of those?

Sunday, November 11, 8 PM
Video Shoppe, BUTT, Fat Spirit @ Flora – $?
It’s always fascinating to see how people find ways to do a band despite lacking some seemingly crucial core members. Providence duo Video Shoppe easily found a way around this particular dilemma. No drummer? No problem — just bring in a primitive electronic beat machine, trigger it with foot pedals, and stack TVs and VCRs around you to when you play to make up for the fact that there’s nobody flailing away behind a kit and giving the audience some sudden moves to latch onto.

But that sort of creative problem-solving only goes so far if you don’t have some really cool songs to bring to the world when you play, and Video Shoppe’s latest EP, Nostalgia Trap(s), finds them filling that need in excellent fashion as well. Their pounding drum machine makes for an interesting contrast with their delicate postpunk guitar sound, just as their singer’s moody baritone offers an emotional feel completely different from that presented by their chiming melodies. The result has both power and ethereality, and will glow brightly in the dark room at the back of Flora this Sunday night. Their pairing with local ramshackle garage-rockers BUTT and the glorious grunge fury of Fat Spirit will round out the evening into a blast of rock n’ roll fun you’ll be willing to pay whatever the heck they’re actually charging at the door to get into.

Monday, November 12, 8 PM
Super Unison, NØ Man, Sensual World, Ugly Muscle @ Strange Matter – $10 (order tickets HERE)
This is one I’ve been looking forward to. Super Unison recently released their second LP, Stella, and it took their already powerful post-hardcore sound to a whole new level. You may know this group from the fact that singer-bassist Meghan O’Neil previously fronted ripping fastcore band Punch, but from their inception, Super Unison have had a great deal more to offer than O’Neil’s previous group, as they both retain the hardcore velocity of Punch and integrate the sort of driving, noisy energy of bands like Drive Like Jehu (who inspired the group’s name) and Rodan.

Stella finds Super Unison expanding beyond the sound of their 2016 debut LP by incorporating more dynamic shifts within single songs; they’ve also increased the melodic quotient of their guitar riffs, even as O’Neil’s vocals have become harsher and more emotionally-driven. Some might say these guys have been listening to some of the screamo stuff coming out of their home state of California — Vril, say, or Loma Prieta — and I think there’s definitely evidence to support that conclusion. Whether you’re a fan of passionate screamo, hardcore fury, or noisy rock chaos, though, you’re sure to get a lot out of Super Unison’s unrelenting attack. Put yourself in the way of it — you’ll never regret it.

Tuesday, November 13, 6:30 PM
Classical Revolution RVA presents Trey Pollard, Matthew E. White @ The HofGarden – $7 in advance/$10 at the door (order tickets HERE)
This is about as far as you can get from post-hardcore rage, but like they say, variety is the spice of life. It’s also how we keep things interesting here in Richmond, which a lot of people (including me) will tell you is one of the best music cities in the entire country. This Tuesday night sees some tremendously interesting things happening at The HofGarden, as Spacebomb Records head honchos Trey Pollard and Matthew E. White join together with local chamber music collective Classical Revolution RVA in order to present the live premiere of compositions from Pollard’s new album, Antiphone, coming later this month from Spacebomb.

Trey Pollard isn’t the sort of musician we’re used to interacting with here in the indie rock world. He’s a true composer, one who has done orchestral compositions and arrangements for everyone from Spacebomb compatriots Matthew E. White and Natalie Prass to Scottish indie-folk group The Waterboys and This American Life-affiliated podcast S-Town. Now he’s releasing the first album of his own compositions, which was recorded by a 16 piece ensemble earlier this year with Pollard conducting. For the performance at The Hof, a string quintet featuring members of Classical Revolution RVA will play compositions from Antiphone live for the first time. They’ll also accompany Matthew E. White for portions of a solo piano-and-vocal set that he’ll treat us all to, before we dive fully into the bold new works Pollard is bringing into the world. This is an evening for people who love all forms of music, and are most excited to see something unlike anything else out there. If you’re a true music fan, you’re not going to want to miss it.

Bonus Hampton Roads Picks:

Thursday, November 8, 7 PM
Fishbone, Jackmove @ Shaka’s – $27 in advance/$32 day of show (order tickets HERE)
Remember how we were talking earlier about the 90s being back? It doesn’t just show through in the return of sounds and styles that were popular back then; it also shows up in all the bands that are getting back together and returning to the road after decades away. Strictly speaking, this doesn’t describe Fishbone — they’ve been together the whole time, with founding vocalist Angelo Moore and bassist John Norwood Fisher sticking around through thick and thin. However, this year has seen the group return to their classic lineup for the first time since the late 90s. Or, well, that’s not entirely true — no one familiar with the whole saga will be surprised to hear that Kendall Jones isn’t back. But other than Jones, the lineup responsible for classic late-80s/early-90s LPs Truth And Soul, The Reality Of My Surroundings, and the unforgettably titled Give A Monkey A Brain and He’ll Swear He’s The Center Of The Universe is back once again and hitting the road to remind us why we loved Fishbone back in the day.

Of course, some of you are going to wonder what the heck I’m talking about. I hear you muttering: “Who is Fishbone, and why does it even matter?” Here’s the deal: back when “funk-punk” was a real, up-and-coming hybrid genre with underground energy and vitality, Fishbone were at the center of it. Never mind Red Hot Chili Peppers (who knew enough to shout Fishbone out constantly on their early albums); tracks like “Party At Ground Zero,” “Bonin’ In The Boneyard,” “Swim,” and “Everyday Sunshine” showed a talented group absorbing everything from ska and soul to hardcore and metal, then spitting it all back out in a wave of talented originality like nothing else out there, then or now. The members of Fishbone are quite a bit older now, but the songs they created in their heyday are still great, and their talent (and singer Angelo Moore’s boundless energy) are undiminished. This show will be both the perfect introduction for the young ‘uns among you and an outstanding opportunity for those of us who know exactly what Fishbone is all about to see the classic lineup in full nutt-megalomaniac form. Hell yeah.

Saturday, November 10, 7 PM
Good Riddance, Bigwig, Ann Beretta, Counterpunch @ Peabody’s – $20 in advance/$22 day of show (order tickets HERE)
And speaking of excellent bands from prior eras returning to demonstrate that they’ve still got it going on… here’s an excellent example of not one but THREE melodic punk bands of the 90s doing exactly that. California’s Good Riddance are at the top of this bill, nicknamed the “Fall Brawl 2018,” and they’ve got the kind of gritty hardcore feel underlying their more melodic moments to back that name up. Of the 90s Fat Wreck bands that cemented the skatepunk genre as the go-to sound for a generation of rebellious high school freshmen, Good Riddance were always the toughest, the dirtiest, the most hardcore. Returning to action a few years ago after almost a decade away, 2015’s Peace In Our Time showed that Good Riddance still had the goods.

New Jersey’s Bigwig haven’t made a new album in over a decade, but they’ve stayed on the road, cranking out their brand of metallically-melodic skatepunk for years now, and they’re still bringing the fire as well. More momentous news for longtime fans of RVA punk has been the return over the past couple of years of Ann Beretta, who were mainstays here in Richmond back in the late 90s but have been out of action since shortly after the dawning of the new millennium. They came back to us this year with Old Scars, New Blood, a new album of old hits rerecorded for the modern era, and the word is that they’re working on another entirely new collection that’ll hit town in the near future. This weekend, though, old-school RVA heads and melodic punk skate rats alike are gonna want to gas up the coupe and head down to Peabody’s, because this show is going to be full of excellent sounds from the past three decades of punk rock awesomeness.

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Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 31 – November 6

Marilyn Drew Necci | October 31, 2018

Topics: A Deer A Horse, Abacus, Addy, Alfred, Bantustans, Battlemaster, Black Plastic, Brian Wilson, Cole Hicks, Drones For Queens, From Overseas, gallery 5, Gillian Carter, Haircut, Hiss, Hoboknife, In Wolves Clothing, Infant Island, Majjin Boo, Mega Bog, Michael Millions, Mortuary, Mothers, Nickelus F, Omni, Pet Sounds, Radio B, Riffhouse Pub, Rotten, Scott Bradlee's Postmodern Jukebox, shows you must see, Spooky Cool, strange matter, Sunny & Gabe, Taphouse Grill, The Carpenter Theatre, The National, True Commonwealth, Unmaker, Voarm, Vorator, Yashira

FEATURED SHOW
Friday, November 2, 8 PM
Brian Wilson presents Pet Sounds: The Final Performances @ The Carpenter Theatre – $67-107 (order tickets HERE)
Richmond, we are in for a treat this Friday night — one that is both rare and unlikely to come again. I suppose there’s an outside chance you won’t recognize Brian Wilson’s name by itself like this, but you’re sure to know a great deal of his work as the bassist, vocalist, and chief creative mind behind the Beach Boys in their 60s heyday. Wilson wasn’t just an advocate for surf, sand, and killer falsetto harmonies, either; while songs like “I Get Around” and “Help Me Rhonda” are indisputable pop classics, it’s the material he created when he started growing up and getting more ambitious that has really made Brian Wilson a crucial figure in the last half-century of pop music.

The pinnacle of Wilson’s creative genius was Pet Sounds, a 1966 Beach Boys album that saw him skipping tours to stay home in the studio with legendary LA studio band The Wrecking Crew and create a towering masterpiece of symphonic pop. Wilson was known to refer to these elaborate creations as “teenage symphonies to God,” and that admittedly grandiose statement is fully borne out by the brilliant results he achieved. Pet Sounds featured several classic tunes that have been staples of the musical landscape ever since — “Wouldn’t It Be Nice,” “Sloop John B,” “God Only Knows,” and more — and went on to influence everyone from The Beatles to Animal Collective. Now, over 50 years after that classic album was released, Wilson is doing one last tour to commemorate Pet Sounds, after which he intends to retire the album from live performances.

Now, Brian Wilson is no spring chicken; he’s 76 years old, and actually had to reschedule this date from earlier this year due to health issues. Fortunately for us, after years of struggling with mental illness and being taken advantage of by unscrupulous managers, he’s been in top form for over a decade now, finally completing SMiLE, his long-abandoned follow-up to Pet Sounds, 15 years ago. He’s released two solo albums since then and, while not perfect, they are both far more enjoyable than what his cousin Mike Love did with the Beach Boys after Wilson left the group (“Kokomo,” anyone? Bleh). He’s accompanied on this tour by fellow original Beach Boy Al Jardine and early 70s Beach Boys bassist Blondie Chaplin, as well as a large complement of talented musicians who’ll reprise the fabulous work of The Wrecking Crew, all those years ago. God only knows, tickets are not cheap, but if you can wait a couple weeks to pay the power bill, you’ll get all the light you need to get you through the cold winter months ahead from this show. Highest possible recommendation.

Wednesday, October 31, 7 PM
Gallery 5’s Halloween Party, feat. Haircut, Unmaker, Alfred, Spooky Cool @ Gallery 5 – $5 in advance/$10 at the door (order tickets HERE)
We went through a solid week of Halloween-related shows last week, but the holiday still hasn’t finished yet, so let’s give it one more round before November begins with this wild night of underground sounds at Gallery 5. You’ll definitely find yourself in the perfect place to enjoy the spirit of the holiday, with spooky decorations everywhere, tons of glitter, and the always-enjoyable costume contest! So get dolled up, hit the Gallery, and get ready for the main attraction — which is, of course, the music. Gallery 5 has brought together several excellent musical acts from the local area with which to celebrate All Hallows Eve, spanning a wide variety of genres. And it’s gonna rule.

Haircut will bowl you over with a blast of angry, speedy punk, complete with bilingual lyrics and some relatable themes under all the vitriol. Unmaker have a goth-postpunk vibe that will appeal strongly to those who are bummed about Shadow Age going on hiatus, but will also connect with those who like the more metallic end of that whole thing (think Killing Joke). This show will constitute a release party for their new LP, Firmament, and where better for a goth band to have a release celebration than a Halloween party? The lineup’s rounded out by Alfred, a young rapper with a fresh approach to the weirder electronic end of that particular musical spectrum; and Spooky Cool, who recently made good on the promise of their years of local buzz with debut EP Every Thing Ever. No matter what flavor of the local scene you enjoy, you’re sure to get a taste of it here — and have an outstanding Halloween as well! Who can complain about that?

Thursday, November 1, 8 PM
The True Commonwealth, feat. Nickelus F, Michael Millions, Radio B, Cole Hicks, Sunny & Gabe @ Gallery 5 – $10
Nickelus F’s been one of the better rappers in this city — hell, this country — for over a decade now. Quite a few years over the past ten to fifteen have seemed like they were going to be his year, but somehow, it never seems to come to pass. 2018, though, seems like it might finally be the one. First he paired up with local punk rock label Vinyl Conflict for a vinyl release of his latest album, Stuck, which by the way is also a high-water mark in a career full of excellent releases. Then he got together with Richmond rap weirdo Lil Ugly Mane for a tour that took him across the country, playing to everyone from true-blue hip hop heads to moshpit-loving metalheads and punk maniacs. It feels like that whole punk rock-hip hop fusion that we all expected to happen after Rage Against The Machine and the Judgment Night soundtrack (instead we got Limp Bizkit. Ugh) is finally coming to pass.

So now, with this True Commonwealth show, Nickelus F stands at the top of a stacked bill featuring several of Richmond’s top hip hop talents. His compatriots in the AGM crew, Michael Millions and Radio B, have both demonstrated their styles and talents this year with new albums of their own — Hard To Be King and Jesus Never Wore A Suit, respectively. Taken in tandem with Stuck and Cole Hicks’s incredible coming-out party, May Day — also released in 2018, natch — the True Commonwealth showcase at Gallery 5 encompasses the top level of rap talent at work in RVA today. And that’s definitely something you’ll want to be part of, especially since the show will also feature a special guest performance from hot VA Beach duo Sunny and Gabe. They’ve got a 2018 album of their own, Peace Of Cake, and it shows off their wide-ranging sound just as they will do to get this party started tomorrow night. Don’t miss a moment.

Friday, November 2, 8 PM
Mothers, Mega Bog, Addy @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The indie kids should find a lot to enjoy at this show — but they aren’t the only ones. Mothers, who started in Athens, GA but moved to Philly last year, have a sound that definitely hints at the tension between beauty and darkness that marks the best music coming out of the indie scene these days. But they’ve got a good bit more going on, as they display on their sophomore album, Render Another Ugly Method, which just came out from Anti- Records. Its moments of languid torpor (“Beauty Routine”) hint at an uneasiness just under the surface, while the more energetic sounds found on the album (“Blame Kit”) function in lockstep, in a manner that almost sounds more like strained aural nervousness than painstakingly well-practiced tightness.

That is by no means a criticism, though — it’s this tone that suffuses throughout Mothers’ music that really makes them evocative, that brings the ideas the band is expressing through their somewhat abstract lyrics to solid, concrete life. Mothers will take you on an emotional journey, and if you’re not entirely comfortable with all the places you’ll go, you will at least be enjoying some excellent music on the trip. Mega Bog has a similar clearly-delineated wire-tight melodic indie-postpunk sound, but the emotional effect is very different, both brighter and deeper. Connect with both of these bands, and up-and-coming local opener Addy, and see where the night takes you. It’s sure to be an interesting trip.

Saturday, November 3, 8 PM
Abacus, Drones For Queens, Voarm, Hoboknife @ Strange Matter – $7 (order tickets HERE)
We’re heading rapidly toward the winter months, and now is the perfect time to get an increased dose of metal into your life. And rest assured, Strange Matter has the cure for what ails you, in the form of this tour package bringing together examples of brutal metal power from both sides of the Mason-Dixon Line. Abacus hail from the South — South Carolina, to be specific — and have a thick, dark sound full of harsh guitars and roaring vocals that pummel you just as hard as the punishment their rhythm section deals out.

Drones For Queens, who come from the northward locale of Philadelphia (always a hotbed for music and meanness), are just as ready to inflict some serious metal punishment as Abacus. They’ve got a slightly faster and cleaner approach, which just means it’ll take you longer to realize that their harsh vocals and thrashing guitars have slit your throat. Protect your neck — you’ll need it for headbanging. These two bands are on tour in support of their just released split EP, so make sure you attack the merch table with vigor in order to secure yourself a copy — this is one slab of rage you’ll want by your side throughout the winter months. Local mainstays Voarm and Hoboknife will open this show with a flagrant display of intense heavyosity. Get ready.

Sunday, November 4, 7 PM
Omni, Majjin Boo, Black Plastic @ Gallery 5– $8 in advance/$10 day of show (order tickets HERE)
Atlanta’s Omni are back at Gallery 5 once again, thanks as always to their pals at Citrus City Records, and all you indie kids who love to dance are going to want to make sure you’re there for it. Omni’s definitely got a little of that tuneful guitar jangle that we’ve all come to know and love from Citrus City’s many releases, but they bring in a solid dose of Southern-style postpunk as well, drawing inspiration from Georgia underground legends Pylon as well as Wire and The Feelies. I know I’m losing my younger readers with these comparisons, but an obvious modern reference would be Parquet Courts, mixed with the nervous dancefloor shuffle of the Talking Heads and that one Franz Ferdinand song everyone knows (and a lot of their other songs too).

Majjin Boo is a well-paired local to act as support on this bill; they’ve definitely got that same sort of wire-tight guitar bit that permeates Omni’s music, though Majjin Boo seems to derive it far more from the lighter, twinklier take on math-rock that several local bands have done an excellent job with in the past. Are they the next Fight Cloud? We can only hope. Finally, we need to mention the fact that openers Black Plastic suffered a pretty devastating setback recently, in the form of a house fire that destroyed most of their equipment and left members in need of a lot of financial support to get back on their feet. Whether or not you can make it to this show, they’d certainly appreciate whatever you’re able to throw their way via GoFundMe. But they’re gonna appreciate y’all showing up on time and giving them a warm reception just as much — and believe me, their brand of catchy, twangy power-pop certainly merits exactly that. So please, show up on time and give them some love.

Monday, November 5, 7 PM
Yashira, Gillian Carter, Infant Island, In Wolves Clothing @ Strange Matter – $10 (order tickets HERE)
Oh hell yeah. Yashira coming to town is a very good thing, regardless of whether it’s happening on a Monday night. Look, I know you’ll be tired from the weekend, and you’re still coming down from your Halloween hangover or whatever, but I don’t care. You need to go see this band. Yashira are an incredibly heavy band who are incorporating the epic heaviness of bands like Neurosis and early Mastodon with the kind of epic grind-crust madness of Tragedy and His Hero Is Gone. Their latest LP, Shrine, is an excellent example of this sort of thing that gets through its six songs just quickly enough to leave you wanting more.

Of course, now they’ve followed it up with a split EP with none other than metalcore legends Zao, and they’ll be laying waste to Strange Matter this Monday night. What more could you want? It would be so cliched for me to say “you could want the other three excellent bands on this bill,” but when the bands are indeed this amazing, how can I avoid it? Florida’s Gillian Carter are a band with a lengthy history of excellence in the field of metallic screamo, or something like that (even to this day, I can’t type the term “screamo” without cringing). Their new LP, …This Earth Shaped Tomb, is full of the simultaneously heavy and passionately emotional riffage that has become this group’s stock in trade, and proves that regardless of how silly they act on stage, there is real, powerful music at the heart of their existence. VA openers Infant Island and In Wolves Clothing exemplify the next wave of Virginia screamo (ack) and do so in outstanding fashion, so be sure you catch every second of this one.

Tuesday, November 6, 7:30 PM
Scott Bradlee‘s Postmodern Jukebox @ The National – $25.50 in advance/$28 day of show (order tickets HERE)
OK, let’s get this out there from the start — Scott Bradlee’s Postmodern Jukebox is hipster bait of the highest order. Covers of already-proven hits, redone to sound like different genres? Suburban goofballs have been gaga for this ever since the first time they heard the phrase “dynamite hack.” That said, I really can’t deny the talent at work here — nor the fact that jazz, unlike a lot of modern popular-music styles, was throughout its history far less about original composition than it was about putting your own stamp on tunes that might be your own… but might be well-loved standards that everyone knows. After all, it was this tradition that brought us John Coltrane’s take on “My Favorite Things,” and I certainly can’t hate on that.

So should you go see Scott Bradlee’s Postmodern Jukebox on Tuesday night at the National? Well, probably not if you hate jazz and swing — but if you see merit in these classic American music forms, and would like to see one very talented pianist and quite a few of his equally talented friends update those styles for the 21st century by applying them to songs from Michael Jackson’s “Thriller” and Toto’s “Africa” to Katy Perry’s “Roar” and Miley Cyrus’s “We Can’t Stop,” well, this is the place for you. Feel free to wear your best three-piece suit or cocktail dress and dance it up on the floor. But on the other hand, if it’s a little too soon after Halloween for all that, you’re welcome to just come as you are. Even if you hate hipsters, you’re sure to enjoy yourself.

Bonus Hampton Roads Picks:

Thursday, November 1, 7 PM
Mortuary, Battlemaster, Vorator, Rotten, Hiss @ RiffHouse Pub – $10 in advance/$15 at the door (order tickets HERE)
You guys — Mortuary is coming! The true headbangers among you are already stoked, but for the rest of you who need an explanation, let’s discuss the power and brutality dished out by Mexico’s pioneering group, who made their name by bringing death metal to the masses from their support slots on some huge Slayer tours in the late 80s. Their 1990 album Blackened Images is a cult classic today, its primitive and overpowering sound serving to light a fire under all the incredible riffs that come flooding out of every song, backed by incredible drumming and some seriously unhinged vocal roars and screams.

Mortuary were doing their thing before the deep growl became de rigeur in death metal, and the raging howls of their vocalist add a lot to their already blazing sound, connecting the group with its thrash influences and pointing the way forward into the more extreme genres that rule the metal scene today. Some excellent VA-area bands will be demonstrating those sounds from their support slots on this bill, from local legends like Battlemaster and Vorator to up-and-comers like Rotten and Hiss. All of it’s gonna be outstanding, and if you can afford to show up late with a headache to work on Friday morning, the drive down to Chesapeake’s RiffHouse Pub is more than worth it for this opportunity. Make it happen, metalheads.

Friday, November 2, 9 PM
Bantustans, A Deer A Horse, From Overseas @ Taphouse Grill – $5
If you like your underground rock bands both heavy and progressive, you need to be paying attention to what’s going on at the Taphouse Grill in Norfolk this Friday night. Bantustans, a Norfolk-based dual-drummer quartet who don’t have time to mess with vocals, are all set to lay down some heavy instrumental grooves that’ll keep your head nodding and your brain engaged regardless of the lack of lyrics. The complex rhythm patterns laid down by the group’s two drummers are both consistently in step with each other and allow for far more variation and creativity than is typically the province of the percussion. Not to be outdone, guitarist Aaron Evans’s tangled melodies and intricate song construction use a single guitar to add multiple layers of intrigue to this group’s unusual, hypnotic sound palette. They’ll be bringing some new material to this one, too, so it’s sure to delight even the most ardent of fans.

Bantustans are joined on this bill by New York heavy rockers A Deer A Horse, who certainly present just as enticing a musical buffet for the interested showgoer as the hometown headliners do. Having been around for close to a decade now, A Deer A Horse still haven’t given us a full-length yet, but they’re hard at work on one, and if the advance single they released only a couple of weeks ago is any indication, this record is sure to fulfill the promise of this group’s many EPs, showering us with the kind of darkly powerful rock n’ roll that has been the province of NYC since the days of Unsane, Surgery, and Live Skull. Singer/bassist Angela Philips’s name totally deserves to be mentioned in the same breath as Thalia Zedek’s, and if you’re tuned in, you know that’s high praise indeed. Norfolk openers From Overseas explore some ambient drone guitar experimentation, beginning this show with some strong atmospherics. It’ll only get more intense from there.

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Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 24 – October 30

Marilyn Drew Necci | October 24, 2018

Topics: 37th and Zen, AngelMaker, Arsis, Atonement, Awaken Cthulhu, Capital Ale House Music Hall, Carach Angren, Compulse, Crucial Rip, Dead Bars, Deathkids, Doll Baby, Gutted Christ, Internal Bleeding, Iron Chic, Knife Spitter, Laura Cortese and the Dance Cards, Love Roses, Mary Chapin Carpenter, Mors Principium Est, Mykki Blanco, Nightcreature, Nosferatu, Pagan Reagan, Patheos, Piece Of Mind, Piranha Rama, Pyrexia, Shadow Age, Shaka's, She Wants Revenge, shows you must see, Somerset Thrower, strange matter, Talk Me Off, Ted Leo, The Broadberry, The Camel, The Canal Club, The National, Titus Andronicus, Toxic Moxie, Typecaste, Within Destruction, Wolfheart, Wonderland, Yeehaw Junction

FEATURED SHOW
Sunday, October 28, 7:30 PM
Titus Andronicus, Ted Leo @ Capital Ale House Music Hall – $20 (Order tickets HERE)
It’s Halloweek, and the main thing everyone knows to expect this week is tribute shows. All sorts of different musicians from all kinds of different local bands regroup in new and fun configurations (or maybe even in the same configuration as their usual band) to learn a bunch of covers by some particular band or other, and play a Halloween show with the logic that they’re “in costume” as this other band. There’s no denying that it’s fun, but it’s become such an expected part of Halloween that these days, it’s everywhere. The custom has even spread to other holidays, like Christmas and Valentine’s Day. And to be honest with you, this year I don’t feel like writing about any of it.

Now, you might think I’m just getting old (true), or that I’m just a grumpy bitch who hates fun (also true), but I prefer to frame the decision to skip the covers shows this year as a push to remind you all that there’s still plenty of other awesome music happening in Richmond this week, and while you could spend the entire week hopping from one tribute show to another, you’ll miss out on a lot of great bands who are doing their actual music in town this week. Call me a stick in the mud all you want, but I don’t feel like feeding into that.

Instead, I’m gonna tell you that you should go see Titus Andronicus this week. Titus Andronicus has been around for quite a while now, and honestly, you’ve had plenty of chances to catch them in town before. But if you’ve been following the career of Patrick Stickles and his ragtag band of punk rockers for a while, you know that it’s always worth catching them again. For one thing, the band is different pretty much every time you see them — not only in personnel but in sound. For another thing, they’ve got a powerful live attack that turns their overwhelming Springsteen-ish soul-revue take on punk rock into a powerful locomotive of urgency.

It may be a little less like that this time, though — brand new LP A Productive Cough is, in many ways, their mellowest effort yet. Featuring seven songs, they lean heavily on their tendency to write rambling epics full of rock n’ roll melodrama — the loudest and heaviest thing on it is a first-person rewrite of Dylan classic “Like A Rolling Stone,” and the most obviously punk-ish tune (“Crass Tattoo”) is a morosely beautiful piano ballad. Will they still bust out the historical-reference-laden ragers live? I’d certainly expect them to, but you’ll ultimately have to find out for yourself. One thing’s for sure, this show — which features an incredible bonus opening set by the legendary Ted Leo, performing solo this time out — will offer way more surprises than any night full of tribute bands.

Wednesday, October 24, 7 PM
Iron Chic, Somerset Thrower, Doll Baby, Talk Me Off @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
Iron Chic have dealt with their share of pain. Two years ago, the group lost guitarist Rob McAllister, who died unexpectedly at only 36. They’ve soldiered on since then, continuing to write the emotionally-driven melodic punk tunes that have always been their stock in trade, now with a new wistfulness and undercurrent of sorrow that runs through 2017 album You Can’t Stay Here, the first written after McAllister’s death. Songs like “Let’s. Get. Dangerous.” and “A Headache With Pictures” show that the band has retained its wry sense of humor and facility with anthemic hooks, as well as retaining a tough edge that explains why Iron Chic seem to be the favorite pop-punk band of hardcore kids.

Speaking of hardcore, Iron Chic’s Long Island tourmates in Somerset Thrower have a much more direct connection to that scene, dishing out melodic post-hardcore in a manner that harks back to the early 90s days of Quicksand and Texas Is the Reason with aplomb on their new LP, Godspeed. Fans of Iron Chic will dig the way Somerset Thrower mixes strong melodies into their Hum-ish guitar crunch, while the hardcore kids among the audience should get a kick of how surprisingly hard this band’s crescendos hit. With Doll Baby providing a bit of a high-lonesome emo sound to the proceedings and Talk Me Off kicking things off in snotty punk fashion, this show is sure to satisfy all comers — even if it does leave you in a bit of a pensive mood.

Thursday, October 25, 6 PM
Carach Angren, Mors Principium Est, Wolfheart, Awaken Cthulhu, Gutted Christ, Deathkids @ The Canal Club – $18 in advance/$22 day of show (order tickets HERE)
OK look — you want some Halloween entertainment? Look no further than the Canal Club this Thursday night. What Dutch black metallers Carach Angren lack in holiday spirit, they more than make up for by being scary as hell. You’ll find this band widely billed as “symphonic black metal,” but if that leads you to expect some Nightwish-style opera-goth bombast, you best think again. These guys know what black metal is about; that being blast beats, tremolo-picked guitar riffs, and hoarse guttural screams. They also know when to let their keyboards take the fore to create some serious atmosphere, but they don’t overdo it — where this kind of music is concerned, they are far more second-LP Emperor than fourth-LP Cradle Of Filth.

So yes, if you want some serious Halloween headbangs, you need look no further. Carach Angren’s 2017 LP, Dance And Laugh Amongst The Rotten, is a slab of ferocity perfectly titled for the Trump era. And they’re not the only metal ass-kickers coming to the Canal Club Thursday night, either. They’re joined by fellow Europeans Mors Principium Est (“Death is the beginning” in Latin), who bring us some Finnish melodic death metal in the vein of their countrymen Children Of Bodom, perhaps with a bit more of a thrashy edge. Wolfheart are also from Finland, making this show a veritable embarrassment of riches where European metal is concerned; these guys are closer to what Carach Angren do, and if anything go a bit heavier on the black metal end of things. Blast beats ahoy! Local support includes the Tidewater band Awaken Cthulhu, who are seeking to resurrect the Great Old Ones through ripping thrash terror. That’s a mission I can wholeheartedly support. Come, armageddon, come.

Friday, October 26, 9 PM
The Camel’s Friday Festival of Frights, feat. Toxic Moxie, Piranha Rama, Nightcreature, Pagan Reagan @ The Camel – $8 in advance/$10 day of show (order tickets HERE)
I said I was skipping the tribute shows this year, but I can cover Halloween shows full of original music, right? Why am I asking you? I make the damn rules around here! And I’m establishing this rule right now: you will go see Toxic Moxie whenever they play a show. This band does a better job finding the sweet spot between punk rock rampage and disco euphoria than pretty much any other band you’ll find anywhere. And while we still haven’t heard that wealth of new material they’ve been stockpiling in recorded form, it’s easy to catch ahold of their musical whirlwind anytime they take the stage.

They recently acquired a new drummer, and the switch-up didn’t slow them down for a second. Find out for yourself this Friday night at The Camel — it’s sure to be a night of nonstop fun, even when Toxic Moxie aren’t onstage. Nightcreature, a new band who’ve already made a big splash in the time they’ve been playing around Richmond, are bringing us a release party for their debut EP, which confirms what everyone who’s seen them live already knows — these maniacs have rock n’ roll oozing from their pores, and they’re gonna smear it all over you! Piranha Rama’s musical melange will bring the zombie beach party vibe to West Broad St, while DC’s Pagan Reagan drive down to deliver us a set chock-full of surf-garage awesomeness. Plus, there’ll be a costume contest, complete with prizes! Make sure you wear a costume that’s easy to dance in, because you’re gonna be dancing once Toxic Moxie comes on. We guarantee it.

Saturday, October 27, 8 PM
Mary Chapin Carpenter, Laura Cortese and the Dance Cards @ The National – $29.50 in advance (order tickets HERE)
A key sign of my encroaching middle age: I think country music’s pretty tight these days, y’all. I’m still picky about what I like, and all that modern stuff coming out of Nashville is the most fake plastic bro-truck bullshit I’ve ever heard, but some really great musicians have operated in that particular genre milieu over the past few decades, and when they come to town, I feel obligated to let y’all know that I’d probably rather be seeing them than whatever grimy metal show is happening in some dark rock club across town. OK, that isn’t always true, but when Mary Chapin Carpenter comes to town, it definitely is.

Mary Chapin Carpenter had quite the run back in the 90s. From Cajun party jams (“Down At The Twist And Shout”) and heartfelt slices of life (“He Thinks He’ll Keep Her”) to playful romps (“Shut Up And Kiss Me”) and yearning declarations of desire (“Passionate Kisses”), Carpenter gave us a succession of top-10 country hits that showed both a significant musical range and a strong songwriting ability that made her a reliable source of excellent tunes. She’s getting less attention these days, but she’s still at it, making the same excellent music as she ever has. Her thirteenth album, Sometimes Just The Sky, came out earlier this year, and acts as incontrovertible proof that, even three decades later, Mary Chapin Carpenter has the goods. Go to The National this Saturday night and experience the work of an incredibly talented singer-songwriter who’ll remind you that country music can be awesome.

Sunday, October 28, 8 PM
She Wants Revenge, Shadow Age @ The Broadberry – $30 (order tickets HERE)
Halloween may be the scary holiday, it may be the costume holiday, but it’s also definitely the goth holiday, and this is one that’s sure to bring all the goths out of the woodwork, the black hair dye dripping from the tips of their hairsprayed mops… or something like that. She Wants Revenge has been out of the limelight for years, having taken a hiatus after their 2011 third LP, Valleyheart. However, they’ve been slowly ramping back up into full-time action for the past couple of years, and their current tour sees them jumping fully back into the fray with their moody, foreboding take on post-Joy Division gothic postpunk sounds.

The fact that they’re hitting Richmond just in time for Halloween is eminently appropriate, and their pairing with local postpunk trio Shadow Age is equally apropos. Shadow Age just released an excellent self-titled full-length that ramps things up to the next level for the group, injecting their bleak, cold sound with a welcome dose of frenetic energy. Tunes like “Montrose” and “Reign” fulfill the promise of their earlier EPs, and bring us a band at the top of its game. Sadly, they recently posted on facebook that they’d be taking an indefinite hiatus of their own after this show, so this may be the last chance you get to see them perform this material live. If you miss it, you’re sure to regret it. Don’t do that to yourself.

Monday, October 29, 7 PM
Nosferatu feat. live score @ Strange Matter – Free!
I don’t want to give anyone the wrong impression. The fact is, I love horror. I love horror stories, I love horror novels, and I love horror movies. That’s why I can’t possibly prevent myself from recommending this film event taking place at Strange Matter on Monday night. They’ll be showing the classic 1922 silent film Nosferatu, complete with a live score. This film, directed by legendary German filmmaker FW Murnau, is one of the crucial establishing works of horror film, following up on the example of 1920 German expressionist film The Cabinet of Dr. Caligari, and setting the tone for all vampire films to come after.

Murnau’s haunting direction and German stage actor Max Schreck’s unforgettable portrayal of Count Orlok make this suspenseful classic essential viewing, and its status as a silent film opens up a perfect opportunity for some local musicians to enhance the film’s atmosphere with a soundtrack of their own. Members of R-Complex, Prisoner, Asylum, Sinister Haze, Cough, and others will all join together to create a soundscape likely to pull a great deal from these musicians’ backgrounds in metal, noise, punk, and experimental music. It will definitely not be the sort of thing you’ve come to expect from an organ-soundtracked showing of Phantom Of The Opera, but if anything, that makes it better. Head to Strange Matter Monday night and see Nosferatu like you’ve never seen it before.

Tuesday, October 30, 9 PM
Dead Bars, Love Roses, Yeehaw Junction @ Wonderland – $5
Seattle’s Dead Bars are coming to town to liven up the bars in Shockoe Bottom. Well, one bar in particular — Wonderland, the punkest dive bar in the Bottom, which is sure to rise to the Devil’s Night occasion with this show, which constitutes what they’re doing for a Halloween party down there. They may very well go all-out with the decor — we all know Wonderland owner Chad Painter is a big White Zombie fan, after all, and therefore you can assume he takes Halloween seriously. But don’t feel any big sense of obligation — as long as you come to party, you’re sure to have found the right place.

Dead Bars are pretty excellent musically, and though they don’t have any real Halloween-like attributes — most of their stuff is solidly in line with the musical tradition of their label, No Idea; which is to say, anthemic pop-punk with witty lyrics about struggling through life with one foot in the gutter — they’re sure to rock the place like no other. And that’s what we all really want. Locals Love Roses will do a very similar sort of thing, but at twice the speed and with twice the velocity. Meanwhile, relative newcomers Yeehaw Junction are bringing some programmed beats and synth whooshes to a place that’s probably not used to this sort of thing. It’ll be interesting to see how that goes over. Regardless, though, this is going to be an excellent night of punk rock jams, whether you care about the holiday or are just looking for something to do on a Tuesday night. Get into it.

Bonus Hampton Roads Picks:

Wednesday, October 24, 5 PM
Bloodletting, feat. Arsis, Internal Bleeding, Pyrexia, AngelMaker, Within Destruction, Crucial Rip @ Shaka’s – $20 in advance/$22 day of show (order tickets HERE)
Now hear this! This show is happening today, it’s happening over an hour from here, and it starts early. You know what that means — if you don’t have your tickets now, you better order ’em immediately and go running out of work full-tilt at 5 PM if you wanna catch the maximum amount of headbanging carnage at Shaka’s tonight. Of course, the main thing you’re gonna want to see is the performance by headliners and hometown favorite sons Arsis, who hail from the Hampton Roads area and are just about to release their sixth LP, Visitant, next week. You’ll get a killer live preview of the record at Shaka’s, complete with sick death-metal riffs, hyperspeed thrash beats, and James Malone’s unmistakable throat-shredding vocals. And who knows? They may even have copies for sale. Regardless, this is sure to be a rager of a set.

And that’s far from the only dose of awesomeness you can expect from this stop of the Bloodletting North American tour. Internal Bleeding, who hail from Long Island, were one of the pivotal groups in establishing the slower, heavier, more breakdown-focused version of death metal that became a New York trademark and helped create the death metal subgenre known as slam. They’re still at it today, having released their sixth album, Corrupting Influence, earlier this month. And they’re still crushing heads with maximum power, which should be brutal music to the ears of anyone who loves death fucking metal. Fellow NY death-metal headcrushers Pyrexia are also on this tour, and while they’re not quite as legendary as Internal Bleeding, they’re maybe a half-step down. This is going to be a hell of a show, y’all, and the fact that AngelMaker, Within Destruction, and VA locals Crucial Rip are also on the bill only sweetens the pot. You know what to do.

Friday, October 26, 6 PM
Piece Of Mind, Typecaste, Atonement, Knife Spitter, Compulse, Patheos @ 37th And Zen – $10 (order tickets HERE)
If you’re looking for some super-tough hardcore, Norfolk is often the place to be. This weekend is no exception — Oklahoma’s Piece Of Mind, who’ve been making their mark in a big way over the past year or so, are rolling through with some harsh, metallic hardcore full of powerful breakdowns and aggressive rage. They recently joined up with Safe Inside Records to release Trilogy, a compilation that pulls together three EPs (hence the name) and sets the stage for a new record soon to come from the band. The new material they’ve previewed thus far shows the same sort of heavy-as-fuck hardcore power that they’ve been dishing out all along; fans of Hatebreed and Buried Alive are sure to appreciate this one.

Piece Of Mind are joined on this bill by equally powerful hardcore crew Typecaste, who hail from Boston and feature a harsher vocal attack and some harder-hitting breakdowns but are very much on the same page overall as Piece Of Mind. If you’re expecting to get anywhere near the stage during their set without being in the middle of a massive mosh pit, I have some news for you: it ain’t gonna happen. This triple threat of touring hardcore heaviness is rounded out by Connecticut rippers Atonement, who are all about the Slayer-style riffs in pursuit of the ultimate powerful breakdown. It works, too — these guys will make your head explode. This show, which also features three killer bands from around the region, including the outstandingly named Knife Spitter, is acting as a benefit for Braeden Branch of VA Beach deathcore band Deathsinger, who recently suffered a collapsed lung and had to be hospitalized. Help a fellow rager cover some medical expenses; kick in the cash at the door, and come to 37th and Zen ready to mosh hard.

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Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 17 – October 23

Marilyn Drew Necci | October 17, 2018

Topics: Adult Mom, Ancient Torture Techniques, BB and the Blips, Benderheads, Bonjinski, Buck Gooter, Capital Ale House Music Hall, Chamomile and Whiskey, Charley Crockett, Charlie's American Cafe, CloZee, Cupid McCoy, Deathbirds Surf Club, Derek Ted, Escape-ism, Flora, Frameworks, Full Of Hell, Gull, Haybaby, JFA, Left Cross, My Noodle & Bar, Nervous Dater, Night Business, Outer Heaven, Riffhouse Pub, Ruin By Design, shows you must see, Sinister Purpose, strange matter, The Broadberry, The Camel, The Canal Club, Thee Oh Sees, Ugly Muscle, Vulcanite, Warrington, Weakened Friends, Yamantaka//Sonic Titan

FEATURED SHOW
Sunday, October 21, 7 PM
OH SEES, Escape-ism @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
Oh goodness. Where to begin with OH SEES? They’ve been Thee Oh Sees. They’ve been OCS. They’ve been Orange County Sound and Orinoka Crash Suite. For their past two albums, they’ve been OH SEES (in all caps). But whatever anyone is calling them these days, this fearless band of psychedelic musical explorers has been rocking out for over two decades now, during which they’ve produced 21 different albums featuring a wide range of sounds and styles.

Right now, they’re coming to Richmond on tour to support their latest album, Smote Reverser, released a couple months ago. On it, band founder, mainstay, and only constant member John Dwyer is backed by the dual-drumming quartet that’s been his musical ensemble for the group’s last five albums (all of which came out in the past 26 months). While his three backing musicians focus on rhythm, Dwyer’s all over the map, contributing not only his usual acid-drenched vocalizations but guitar, keyboards, Mellotron, Wurlitzer, and various effects that all amp up the lysergia and take your head on a one-way trip to the Crab Nebula.

It’s weird, it’s awesome, it’s unforgettable, and in the live environment, it’s something else to see. Dwyer and co. don’t make it to town very often — this is their first trip through Richmond in half a dozen years — and when they do, they make it count. Unfortunately, so do local music fans; this show sold out as we were putting this column together. You’re welcome to hit up the facebook event page and see if anyone’s got an extra they want to sell you (though we have to warn you, you’re not the first in line). But if nothing else, take this as a lesson to ya — when there’s a possibility of seeing OH SEES, you better not wait until I’m telling you about it. Set up a google alert, because believe me, you’re gonna want to get your tickets ASAP.

Wednesday, October 17, 9 PM
Night Business, Bonjinski, Vulcanite @ Flora – Donations requested
You may not make it into the OH SEES show this week, but you’ll certainly be able to check out some brand new local rock n’ roll tonight at Flora, and that’s a pretty good consolation prize, right? All three of these bands are Richmond-based, all of them have just started to make a name for themselves, and all of them are solid rockers with some great tuneage to bless your ears. Night Business may be the first name on the flyer, but they’re also the newest of these groups, with only one track on their Bandcamp account.

However, a quick look at the names of the band members should catch your interest if you’ve been a longtime follower of RVA music. Members of Eliza Battle, Extant Deth, and Five Flew Over (remember them?) are rocking out in this project, and it sounds like just what you’d expect from those bands — uptempo punk with equal tinges of hardcore rage and power-pop melody. It’s great, is what I’m trying to say. And so is Bonjinski, which brings us some of those killer 90s-are-back riffs a la Dinosaur Jr, or for a more modern example, Ovlov. Vulcanite round this out with some Entombed-style biker-core rockouts, with an undeniable 90s influence of their own that shows up in the occasional Nirvana cover. These may not be household names just yet, but this is an unbeatable trio, and you can’t beat the price for this night of music at Flora either. Scoop the change out of your car’s cupholder, drop it in the bucket, and get ready to rock.

Thursday, October 18, 9 PM
CloZee, Frameworks @ The Canal Club – $17 (order tickets HERE)
OK, listen — I know most of you don’t usually get down with EDM. And I hear you — I don’t usually either. But writing off the entirety of any genre of music is always a bad look, so when I get a hot tip from a friend about an EDM artist coming to town that’s not just the usual twirling glowsticks and bass drops, I look into it. And sometimes, I hit paydirt. This is definitely true of French artist CloZee, who comes to the Canal Club Thursday night in support of her debut full-length, Evasion. CloZee isn’t just another electronic artist who gets onstage, punches a button, and bounces around behind a bank of computers while a pre-programmed file plays through the speakers. She’s not just a producer but a talented guitarist, and often plays guitar as part of her performances.

She also pulls from a wide variety of musical influences to create her sound, which integrates musical styles she’s encountered in her travels around the world with a fundamental grounding in melodic electro-dance rhythms. This isn’t music that gets you shaking your booty to eardrum-imploding bass drops — CloZee takes you on a spiritual journey, using her multi-layered soundscapes to evoke far-flung landscapes and inspire your imagination. You can dance to it, but you’ll get just as much out of the show if you just listen to what she’s playing and let your mind go where it will. Don’t worry, hardcore EDM fans, there’ll still be a complex, enthralling light show and plenty of pounding beats — but if that’s all you get out of the evening, you’re missing the best of what CloZee has to offer. Don’t do that.

Friday, October 19, 8 PM
JFA (Photo by James Sakert), Ruin By Design, Sinister Purpose, Deathbirds Surf Club @ Strange Matter – $15 (order tickets HERE)
Sometimes you’ve just got to take it back to the old school, and who better to do that with than JFA? An acronym for Jodie Foster’s Army (which was originally a reference to John Hinckley Jr’s attempt to assassinate Ronald Reagan, allegedly because he wanted to impress Jodie Foster), this Arizona punk band began when a bunch of teenage skate rats wanted to play fast and get under people’s skin. They’ve been doing so for nearly 40 years now, starting with the classic 1981 EP Blatant Localism and their 1983 debut full-length, Valley Of The Yakes. JFA’s connections to the early skateboard culture of Southern California fueled their snotty teenage iconoclasm and love for out-of-control speed, but the group always had unique elements to their sound, drawing from the same surf-guitar style that influenced fellow early West Coast punkers Agent Orange, as well as a low-key weirdness that was all their own.

Their most recent album, Speed Of Sound, has a slightly tougher approach than they showed in the early days, but the nihilistic speed and circle-pit anthems are just as present as ever. No matter what era of their catalog they dip into for their performance at Strange Matter, they’re sure to keep you slamming. As a bonus, they’re joined on this bill by Ruin By Design, the latest driving melodic punk project from former Avail and Lickity Split vocalist Brien Stewart. Their new album, From Ashes To Empowerment, is fast, energetic, and catchy as hell — you’re really gonna wanna see these guys bust it out live. A pair of RVA bands — rockin’ hardcore wildmen Sinister Purpose and retro-surf sweethearts Deathbird Surf Club — will kick things off right and proper.

Saturday, October 20, 9:30 PM
BB and the Blips, Benderheads, Ugly Muscle @ My Noodle & Bar – $8
Here’s some exciting news — the return of UK punk phenom Bryony Beynon to our lovely river city is only days away. You might remember Beynon from her time in the incredible London band Good Throb, a vitriolic burst of musical frustration that took aim squarely at the many frustrations that plague a young woman without much money in our modern misogynistic, class-obsessed society. Their 2014 LP Fuck Off was one of the best albums of the past decade, but the band fell apart soon after its release, and Beynon departed the UK for Australia.

Now she’s back with her new Australian band, BB and the Blips (she’s the BB, if you didn’t guess), and they just released their debut LP, Shame Job, on Thrilling Living Records. Beynon’s energetic vocals are both confrontational and slightly melodic as she delivers odes to feminist heroes (“Materialist Girl”) and sarcastic takes on empty self-help slogans (“The Ballad Of Personal Growth”). Behind her, the Blips bash out some catchy punk tunes that hark back to the catchy rage of foundational punk bands like X-Ray Spex and The Avengers. Like Good Throb, it’s a frenetic dose of witty, angry snark; what’s not to love? Richmond punks Benderheads and Ugly Muscle get this basement-bar show rolling with aplomb, but BB and the Blips are the reason for the season. Don’t miss this one.

Sunday, October 21, 7 PM
Weakened Friends, Nervous Dater, Haybaby @ Capital Ale House Music Hall – $10 (order tickets HERE)
I’m not even gonna front — I’m a sucker for stuff like this. Weakened Friends, who hail from Maine of all places, are a kickass trio pulling from the excellent alt-rock sound of classic 90s bands like Veruca Salt and Nada Surf, as well as more modern excellence like Speedy Ortiz and Swearin’, to create some incredibly catchy distorted-guitar anthems. Debut LP Common Blah will hit the world only two days before Weakened Friends hits Richmond, and you’re gonna want to bring whatever cash you can scrounge up to get yourself a copy.

Frontwoman Sonia Sturino puts a ton of energy and emotion into her music, and it bleeds through her frantic vocal performances on advance singles “Peel” and “Blue Again.” I honestly have no idea how she’ll survive a full set of all-out rocking like this, let alone a full tour, but it’s certainly going to make Weakened Friends’ live show worth watching closely. Tourmates Nervous Dater, who hail from the more conventional hometown of NYC, have a bit more melody and less emotional rage in their sound, but the two bands are definitely simpatico, and are sure to pair exquisitely. Local mainstays Haybaby will get things started, and if you haven’t caught on to them yet, you’re going to want to show up on time. If you have caught on to them, you already know that shit.

Monday, October 22, 7 PM
Charley Crockett, Chamomile and Whiskey @ Capital Ale House Music Hall – $10 in advance/$12 day of show (order tickets HERE)
If you look at Charley Crockett’s name and find yourself singing the theme song to that old Davy Crockett TV show… well, for one thing, you’re at least as old as I am. But for another, you’re onto something — this Texas singer-songwriter really does trace his lineage back to the legendary frontiersman who lost his life at the Alamo. But Charley Crockett is a thoroughly modern young man; growing up on hip hop, he eventually found his way to the streets of New Orleans, where he got into music by busking on the streets. He’s gone through a lot of struggles to get to where he is now — from criminal charges to spending long stretches with no fixed address — but it’s all worked out in the end.

Crockett released his new album — the first of all original material — Lonesome As A Shadow earlier this year, via Nashville conglomerate Thirty Tigers, and it’s got a whole lot of Southern styles wrapped up into it, from old-school country and blues to the Cajun and Tejano sounds he grew up around. Crockett’s music is the real thing, 180 degrees from the million faceless singers with brand-new cowboy hats and overdone fake accents you’ll find on country radio these days. And if you know what true country is all about, you’re sure to appreciate hearing it. Crockett is joined on this bill by Charlottesville’s own youthful progenitors of bluegrass, Chamomile and Whiskey. This show will be the perfect way to chase away a bad case of the Mondays.

Tuesday, October 23, 8 PM
Adult Mom, Derek Ted, Cupid McCoy, Warrington @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Adult Mom’s really come a long way since this project was just Stephanie Knope singing by themselves with a guitar, and I for one am really glad to see it. The group’s 2017 album, Soft Spots, didn’t just bring another top-notch collection of emotionally-driven melodic indie-pop tunes into the world via excellent label Tiny Engines; it also gave a voice to the lovelorn, angst-ridden longings of a new generation of young people with tons of feels who just don’t see themselves represented in the inescapably binary and heteronormative world of mainstream pop music.

Adult Mom makes music for boys, girls, and especially those who don’t fit into either category, who struggle to find their place in the world, to find someone who will see them and love them for who they are and not just whatever restrictive category they can be awkwardly shoved into. On songs like “Full Screen” and “Drive Me Home,” Adult Mom encapsulate all of the beautiful difficulties of our complicated identites, and it’s glorious. No matter what sort of expression feels most natural to you, you’re sure to feel like you fit in at The Camel this Tuesday night. And you’ll hear some excellent music while you’re there — always a good thing.

Bonus Hampton Roads Picks:

Friday, October 19, 9 PM
Yamantaka//Sonic Titan, Gull, Buck Gooter @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
Seeing Yamantaka//Sonic Titan is an awe-inspiring experience. They last made it to Virginia several years ago, touring for their album UZU, and anyone who caught their set at Gallery 5 on that tour knows how outstandingly overwhelming they are as a live act. A lot has happened with the group since that time, though, and this year saw the long-awaited release of their third album, Dirt, which brought it all home with a musical statement that takes Yamantaka//Sonic Titan to a new level of intensity.

On Dirt, the group showcases their incredible range, moving from delicate, atmospheric melodies to pounding metallic explosions of heaviness in back-to-back moments. There’s a triumphant air to some of the album’s most epic moments, and if you find yourself recalling Queen’s heaviest moments, or Iron Maiden’s most dramatic, it’s not without reason. But fans of Bjork and Diamanda Galas might find quite a bit that strikes a chord here too. Yamantaka//Sonic Titan contains multitudes. And their dramatic performances, striking song construction, and incredible musical crescendos are worth the trip down to Norfolk — and then some.

Sunday, October 21, 8 PM
Full Of Hell, Left Cross, Outer Heaven, Ancient Torture Techniques @ Riffhouse Pub – $10 in advance/$12 at the door
Maryland grind maniacs Full Of Hell have never been content with the traditional understanding of what it means to play grindcore. Establishing their bona fides with a couple of excellent super-heavy, hyperfast albums back at the beginning of the decade, they began to move in a more experimental direction, collaborating with legendary Japanese extreme noise pioneer Merzbow and Southern sludge-metal explorers The Body. 2017 saw the release of their latest solo album, Trumpeting Ecstasy, and it showed that Full Of Hell’s brutal, uncompromising vision remained fully intact, with all the throat-destroying screams, metallic riffage, and blast beats you could ever want.

Full Of Hell will carry that legacy forward into some serious eardrum destruction when they take the stage at Riffhouse this Sunday night. But you’d be ill-served to consider this nothing more than a Full Of Hell show. Richmond’s own Left Cross, who find a way to merge the darkest, filthiest edges of the hardcore scene with the primitive origins of US death metal, will also be on hand to rip your face off with a rusty crowbar (we mean that in the best way possible). You’ll also get a set from Pennsylvania death metallers Outer Heaven, whose just-released Realms Of Eternal Decay casts a gloomy, foreboding atmosphere over some outstandingly guttural vocals and shred-tastic metal riffage. Reincarnated Tidewater power-violence nutcases Ancient Torture Technique will start this one off, but if you think they’re just another opening act, they’ll be quick to disabuse you of that notion. Show up on time and ready to headbang — it’s your duty as a true metal warrior.

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Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 3 – October 9

Marilyn Drew Necci | October 3, 2018

Topics: Antagonize, Benjamin Shepherd, Bracewar, Carriage, Catalyst, Cold World, Culture Abuse, Dark Web, Day By Day, deviant, Division Of Mind, DJ Devolved, Downfall, gallery 5, Garden Grove Brewing, Gouge Away, Haircut, Human Services, Listless, Marbled Eye, Mindforce, Nemesis, Praise, Ragana, Rotem, Rotten Mangoes, Saw Black, Shaka's, Shark Attack, shows you must see, Slump, Smut, strange matter, Taphouse Grill, Tavishi, The Bronx, The Canal Club, The National, The Wedding Funeral, Thrice, True Body, Uglyography, Unk Al and the Amazingly Mediocre, Victim, White Denim

FEATURED SHOW
Friday, October 5, 6 PM
Bracewar, Cold World, Shark Attack, Day By Day, Victim, Division Of Mind, Mindforce, Downfall, Antagonize @ The Canal Club – $20 (order tickets HERE)
It might be a surprise for the uninitiated to hear this, but hardcore is basically dance music — and hardcore bands know it. So many of them have “Intro” songs they play when they first hit the stage, and big mosh breakdowns that they end their sets with, most of which are introduced by a singer screaming, “Last chance to dance!” I rest my case. Richmond’s Bracewar is one of those bands, and in fact, I’ve often heard other hardcore kids talk about how their “Intro” (from their 2007 Juggernaut LP) is their best or most popular song. It makes a weird sort of sense — for a typically fast-as-hell band, the intro offers a perfect chance to get the kids all fired up before launching into a million-miles-an-hour rager.

Bracewar were super active about a decade ago, but the members have gotten older, and they’ve focused less on the band in recent years, playing the occasional local show but mostly not doing much. However, it appears all that is changing — they’ve got a brand new EP, Colossal, coming out on Triple B Records this week. It’s only three songs, but it’s their first new material in a decade, so we can cut ’em some slack. What’s really interesting is that they’ve got a new intro song on this one, entitled “Introduction.” Will this far more metallic take on the set-starting dance call get the kids moving as much as the old intro did? On Friday at the Canal Club, you’ll probably have a chance to find out.

You’ll also get a chance to see a TON of other rad hardcore bands from the past two decades, giving you a great view on what’s been happening in the world of hardcore since the millennium turned. Well-respected veterans Cold World will be sharing headliner status with Bracewar and bringing their brutal riffs with a slight tinge of hip-hop flavor to keep the dancefloor moving. And of course we can’t forget about Shark Attack, the short-lived but legendary northeast hardcore band that blew everyone’s minds back in 2001 with two incredible EPs, then dipped out leaving everyone wanting more. Their discography LP finally came out this year, complete with some unreleased tracks, and now they’re coming to Richmond to knock everybody on their asses once again. There are quite a few other excellent bands on this bill, from current ragers like RVA’s own Division Of Mind and Florida’s Day By Day to reincarnated VA Beach warriors Victim and the brand-new project from legendary Bane frontman Aaron Bedard, Antagonize. Practice your moves, kids — you’ve got a lot of dancing to do.

Wednesday, October 3, 7 PM
Thrice, The Bronx @ The National – $24.50 in advance/$29.50 at the door (order tickets HERE)
It’s hard not to love Thrice. They’ve been around forever, and despite many sonic evolutions they’ve been through, they’ve consistently remained great. From the ridiculously metallic skate-punk of their earliest work to the progressive, emotionally-driven sound of their Alchemy Index tetralogy to the work they’ve released since their brief hiatus earlier in the decade, everything has been enjoyable in its own way, and on its own merits.

It’s still true, too — their recently-released tenth album, Palms, mixes a variety of different sounds from all eras of their work to create a moving and powerful example of a band carving their own path. I guess you could call it post-hardcore, but even that rather nebulous genre term falls woefully short of describing this band’s capabilities — capabilities they demonstrate every time they step onto a stage. Tonight at the National will be no exception, and the fact that they’ve got irreverent melodic punk rippers The Bronx (speaking of groups who’ve remained consistently great for multiple decades) on tour with them only sweetens the deal. Prepare yourself — this one’s gonna be an experience.

Thursday, October 4, 8 PM
Rotten Mangos, Benjamin Shepherd, Saw Black @ Strange Matter – $7
Psychedelic rock n’ roll is a style of music that’s been around for a long time, but when it’s done right, it still rules. And there’s nowhere they do it as right as they do in Austin, Texas. From the band that started it all, the Thirteenth Floor Elevators, to current phenomena like Golden Dawn Arkestra, Austin is the place to go when you’re looking for wild, crazy psych to blow your mind.

Alternatively, you can let it come to you — and that’s what’s happening at Strange Matter Thursday night. Rotten Mangos, an all-star Austin psych crew featuring members of The Black Angels, former Richmonders The Diamond Center, and a whole lot more, will be rolling through with some pop-infused psych n’ roll that’ll open up your third eye and let the sun shine in. You’ll get a not entirely dissimilar experience from the local singer-songwriters opening up the show — Benjamin Shepherd brings a folky touch to his songs, but he’s not without some side trips into drug-fueled weirdness. Saw Black’s material is both more countrified and spacier; it’s not that predictable, especially on his excellent recent LP, Water Tower, but it’s always fun. This is a show to get your toes tapping even as your mind drifts through the astral plane. Who doesn’t love that?

Friday, October 5, 8 PM
Ragana, Haircut, Listless, Tavishi @ Strange Matter – $7
Things are getting spooky this Friday night at Strange Matter. Ragana is hitting town for the first time in several years, and this California group, only a two-piece, creates a powerful, all-encompassing ambience with their sound, one that’s sure to have a deep psychological effect on the denizens of Grace Street this weekend. The fact that Ragana’s most recent release is a split LP with New Orleans sludge-doom veterans Thou entitled Let Our Names Be Forgotten certainly gives you some idea of what to expect from their performance on Friday.

But it would be unfair to write Ragana off as just another doom metal band. They certainly have their share of loud, crushing moments that roll over you in slow motion like waves… or maybe a steamroller. But they also integrate quiet melodies and ominous atmosphere into their sound, significantly increasing the witchiness quotient of their music while also offering something more than the unremitting punishment dealt out by the typical doom band. For this reason, it makes sense that they’re sharing a bill with three Richmond bands who span a significant musical breadth. Listless’s crust/grind queercore, Tavishi’s harrowing electronic soundscapes, and Haircut’s angry punk noise all have elements in common with Ragana and each other, but every performer on this bill will offer their own unique take on the anguish that plagues us all as we walk through this difficult life.

Saturday, October 6, 7 PM
The Wedding Funeral @ Garden Grove Brewing & Winery – $?
This is a weird one, y’all. The Wedding Funeral is a project brought into the world by Darren Deicide and Ethel Lynn Oxide, a romantically-involved duo of musicians with widely divergent backgrounds. Deicide, an honest-to-god priest of the Church Of Satan, has been playing Robert Johnson-style acoustic blues for years now, while Oxide has a background in choral singing and the voice of an angel. The two of them have come together to create The Wedding Funeral, a sort of noir-folk project that uses rootsy blues-style instrumentation to jump all around the musical map, from pastoral British folk sounds to deep South blues to bizarre noise interludes.

At least, that’s how it seems from listening to the 30-second samples of their as-yet-unreleased debut album, You Are Cordially Disinvited, which they will be premiering for all comers at Garden Grove this Saturday night. Those samples are the entirety of the music they have available anywhere on the internet — their debut EP, Beneath The Floor Boards (Covered In Feces) (how’s that for a title), has been scrubbed from the World Wide Web in the interest of moving on to exciting new sounds, which is an understandable policy, if a frustrating one for a music journalist with a minimum of time on her hands. But I can tell you that you’ll learn a good bit more about what The Weddding Funeral have to offer if you make the trip down to Garden Grove, and in light of how unusual this band truly is, I definitely think it’s worth it.

Sunday, October 7, 8 PM
White Denim, Rotem @ Strange Matter – $15 (order tickets HERE)
This one’s gonna be a lot of fun. White Denim, another excellent Austin, Texas band, have been around for about a decade, and in that time, they’ve been traversing a similar trajectory to that of another deep-South rock n’ roll group, The Black Keys. Starting out with a primitive garage-rock stomp that came out sort of like a janglier White Stripes and moving over the past decade into a thicker, funkier take on post-garage rockin’ that is downright impossible to deny.

Discovering their 2016 LP, Stiff, when I heard multiple songs from it at Sheetz (those of you who’ve known me for a while know how stoked I am about the music they play at Sheetz and really about Sheetz in general — don’t @ me, Wawa nerds), I fell in love with their ability to write incredible tunes that made you wanna get up and dance wherever you were when you heard them, but also rocked hard and had real staying power. And the fact that this excellent band is finally, after a decade of touring existence, bringing their live show to the river city has got to be the best news I’ve heard all week. So take my advice: go to this show, and bring your dancing shoes. Don’t worry if you know nothing about this band — just be yourself, and try to have a good time. You’re sure to succeed.

Monday, October 8, 7 PM
Culture Abuse, Gouge Away, Praise, Deviant, DJ Devolved @ Gallery 5 – $13 in advance/$15 day of show (order tickets HERE)
A double-shot of punk rock awesomeness from two of the best bands on the scene today, both of which just put out new LPs that took their already-outstanding sound to an even higher level? Yeah, this one definitely falls into the category of a no-brainer. Both of these bands have a ton of cachet in the hardcore punk world, and for that reason you might expect their music to be on the harsher end of things — but if you like catchy melodies and strong, memorable choruses, you’re in for a pleasant surprise, because both of these bands have a ton of songcraft skills and melodic dexterity to wow you with.

Californians Culture Abuse split the difference between driving punk-damaged power-pop groups like Neon Piss and straight-up goodtime rockers like The Strokes, and on their brand new Bay Dream LP, this approach yields a bumper crop of toe-tappers that are guaranteed to make you smile. Gouge Away are a bit more fired up; on their just-released Burnt Sugar LP, their harsh vocals and driving riffs land somewhere between melodic hardcore a la White Lung and post-hardcore noise-rock along the lines of Circus Lupus or early Rye Coalition (everyone who even got those references knows I’m over 40 now). As if this bill wasn’t stacked enough, Baltimore melodic, emotional hardcore group Praise are also here to get you fired up, and transgressive up-and-coming local hardcore crew Deviant get things started in fine fashion. Get stoked for this one.

Tuesday, October 9, 8 PM
Marbled Eye, Dark Web, Slump, True Body, Smut @ Strange Matter – $8 (order tickets HERE)
There’s no particular reason why the genre descriptor “postpunk” needs to mean anything in particular, beyond the fact that a band has taken formative influence from punk rock and brought it with them to a sound beyond that genre’s borders. But let’s be real — when I say that Marbled Eye is postpunk, you know what I mean. You expect the moody vibe, the wiry undistorted guitars, the melodic basslines and deadpan vocals. And you get all of that here. No doubt about it.

But it only takes one listen to Marbled Eye’s debut LP, Leisure, which just came out this week, to realize that this band has a fresh take on this style, one that takes them far beyond the Joy Division clones and Chameleons riff-stealers who’ve been part of the underground musical landscape for quite a while now. Remember how cool that postpunk style sounded over a decade ago, back when no one was really doing it? Marbled Eye still sound that cool. And if that isn’t proof of their standout talent, I don’t know what is. Fellow out-of-towners Dark Web and Smut, along with local mainstays Slump and True Body, provide excellent support to make this bill a top-quality musical evening from beginning to end.

Bonus Hampton Roads Picks:

Friday, October 5, 8 PM
Carriage, Nemesis, Catalyst @ Shaka’s – $10 (order tickets HERE)
It’s tough to try to talk to people about 80s metal who weren’t there for that whole era, because they figure you’re talking about one of two things — either Slayer-style thrash (which, don’t get me wrong, rules) or teased-hair glam metal in the style of Poison and Motley Crue (which, don’t get me wrong, also rules — haters to the left). But there was a whole other wave of heavy, powerful underground metal from that time that people today don’t even think about, and it’s that sound that Carriage evokes today.

Their new LP, Visions, is full of the kinds of flourishes that the kids used to call “power metal,” from the kind of high-pitched yowls that Mercyful Fate’s King Diamond made de rigeur for a while there to the epic progressive riffs that bands like Candlemass took from prog-rock giants like Rush and King Crimson. Carriage has all of this going on and more, and their sound is genetically engineered to get you banging your head. This release party for their Visions LP should be full of more denim jackets and flying hair than you can shake an air guitar at, and if you have any love at all for the days of high-flying, triumphant metal, you’re gonna want to get in the mix at Shaka’s Friday night.

Saturday, October 6, 9 PM
Uglyography, Human Services, Unk Al @ Taphouse Grill – $5
The fact that Richmond has long been a hub for the musically unique and downright bizarre should never blind us to the fact that crazy stuff comes out of the Tidewater area on a regular basis as well. This show is a great example of that exact fact, and it all starts with Hamptonites Uglyography, who have been wielding their goofy, uncategorizable sound for over a decade now. They themselves call it “quirkadelic rock,” and if you imagine an alternate universe where Frank Zappa’s Mothers Of Invention, Devo, They Might Be Giants, and 90s noise-rockers Alice Donut were all the same band, you’ve sorta got a general idea of what they’re up to.

But the reality is certainly going to be even crazier than you expect — Uglyography demonstrates just this fact on recent LP Evil Rays, which features ridiculously catchy tunes like “Neighborhood Watch” and “We Want You To Click Play,” then amidst all of the mania delivers a heartfelt ballad like “Imperfect For You.” They’re a group that must be seen to be believed, which is exactly why the Taphouse Grill is an eminently worthwhile destination for all you musical explorers of the new and unusual this Saturday night. They’ll be joined by the heavier but just-as-bizarre Human Services, who also hail from the Hampton area. Plus there will be an opening set from Unk Al, aka The Real Unk Al, aka Unk Al and the Amazingly Mediocre, a strange yet enjoyable bluegrass troupe that hails from Chesapeake. Open your mind and dive in.

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