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RVA Shows You Must See This Week: February 16 – February 22

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FEATURED SHOW
Monday, February 21, 6 PM
Obituary, Municipal Waste, Gatecreeper, Enforced, Spirit World @ The Broadberry – $30 (order tickets HERE)
In the crazy upside-down world that is Richmond’s live music scene in the hopefully-waning days of Omicron, we find that somehow, the early days of the week are becoming the hottest time for live music. I never would have expected it after last week’s featured show was on a Tuesday, but with this week’s coming on a Monday, it’s really undeniable. So plan for a disco nap after work on Monday, because you’re really gonna want to stay up late and go to work with what the metal kids call a “bangover” on Tuesday once you get a load of this tremendous Monday night bill.

Of course, you already saw it up above: That’s right, it’s the official Decibel Magazine Tour 2022, and it brings legendary death metal pioneers Obituary to the stage of the Broadberry to chop this entire city in half. Obituary were part of that first wave of talented yet unstintingly brutal death metal bands to come out of Florida at the dawn of the 1990s, and stand alongside other groundbreaking Floridians of the era like Death and Morbid Angel as masters who helped set the template for the genre with early masterpieces like 1990’s Cause Of Death and 1992’s The End Complete, both of which showed off John Tardy’s demonic vocals and a veritable cornucopia of fast, heavy riffs.

But I’m kind of burying the lede here, because the real reason Richmonders are gonna flip out for this bill is that Municipal Waste is on it. The grand marshalls of party thrash, hailing from right here in good ol’ RVA, are back in action once again. It’s been five years since their last LP, Slime And Punishment, though they did grace us with an EP called The Last Rager in 2019, just before the pandemic descended upon us all. Thankfully, it wasn’t actually the last of the raging the Waste will be doing, as they’re apparently bringing us a new LP later this year. Get a preview of that, and find out how truly crazy a post-pandemic crowd goes for a band that already brought the insanity, when Municipal Waste hits the Broadberry stage on Monday night. And hey listen, I know you don’t need another reason to be at this show, but you’d be a fool if you didn’t show up on time and lend an ear to talented up-and-comers Gatecreeper, Spirit World, and Richmond’s very own Enforced. Make that shit happen, y’all.

Wednesday, February 16, 8 PM
Yasmin Williams @ The Tin Pan – $27.50 – $34 (order tickets HERE)
Here’s something completely different but every bit as amazing as the above metalfest for you to go pleasure your ears with this very night. Yasmin Williams hails from the Northern Virginia outskirts of Woodbridge, but her instrumental music, based around acoustic guitar and often involving percussive fingerstyle techniques, will immerse you in a world of pleasurable sound that is far from the concrete alienation of suburbia. Which is not to say that her work isn’t informed by the concerns of modern city dwellers — far from it. Her second album, Urban Driftwood, was released last year and finds Williams drawing strong inspiration from the Black Lives Matter protests of 2020 and the 21st century movements for civil rights that are a political focal point in the new decade.

Honestly, Yasmin Williams’ very presence in the world of traditional fingerstyle acoustic solo guitar is somewhat of a political statement, as she pushes back against the tendency of the entire genre to be dominated by white men like John Fahey, Jack Rose, and Bill Orcutt. She proves on Urban Driftwood that she’s every bit as worthy of canonization as those men — and, unlike most of them, she’s still alive and in the prime of her musical career. In fact, she’s only in her mid-20s right now; she even cites her youthful experiences playing Guitar Hero as a fundamental influence on her guitar playing. These are all good reasons to go see Yasmin Williams at the Tin Pan, and see what a new, more diverse generation is doing today with the classic instruments and sounds of a mostly bygone era.

Thursday, February 17, 8 PM
Mykal Kilgore @ The Tin Pan – $20 – $26.50 (order tickets HERE)
R&B vocalist Mykal Kilgore has had a pretty significant career so far, but most of his credits come from the Broadway stage, where he has acted in such musicals as Motown: the Musical and The Wiz. It wasn’t until 2019 that he released his debut album, A Man Born Black, which got some pretty significant attention at the time, hitting the Billboard and iTunes R&B charts and garnering Grammy and NAACP Image Award nominations.

Kilgore, who is queer, has been very open about making R&B music that deals with LGBTQ subject matter; in particular, his single “The Man In The Barbershop” deals with the heartbreak of falling for someone whose sexual orientation is different than your own. And who hasn’t been there? Of course, as has happened to many other artists, Kilgore’s ability to tour on his excellent solo album was cut short by the pandemic. Thankfully, he’s back on the road now, and you can catch him at the Tin Pan this Thursday night to catch some pretty powerful vibes from his rich voice and soulful songs. If old-school slow jams are your thing, this is going to be a night full of music you’re sure to love. And hey, if you’re really feeling daring, bring your crush along. Maybe Kilgore will inspire the two of you to take things to the next level. Stranger things have happened.

Friday, February 18, 7 PM
Immolation, Imperial Triumphant, Mortiferum, Voarm @ The Broadberry – $20 in advance, $25 day of show (order tickets HERE)
Only halfway through this week’s column and we’ve already come full circle — from death metal to solo acoustic guitar to R&B and now back to death metal. However, where Obituary is one of the groundbreaking pioneers of first-wave death metal from Florida, Immolation are equally pioneering in the first wave of death metal from quite a ways north — specifically, New York. Along with fellow pioneers like Suffocation, Incantation, and Cannibal Corpse, Immolation helped create the template for a heavier, more powerful, and more low-end dominated take on death metal with early classics like 1991’s Dawn Of Possession and 1996’s Here In After.

Three decades later, they’re still cranking out the brutal New York death metal at just a high level of quality. Indeed, their eleventh album, Acts Of God, will be released the very night of this show, and based on advance singles from it, picking up your own copy at the Broadberry merch table on Friday will be an excellent use of your hard-earned dollars. But even more essential is getting to see Immolation pound out riff after headcrushing brutal riff on the Broadberry stage on the very same night. That’s what it’s all about right there. And hey — this time you’ll get to nurse your “bangover” on a Saturday morning, which should make things a little easier, right? No matter how you slice it, you’ve got no excuse for missing this one. So don’t.

Saturday, February 19, 7:30 PM
Deau Eyes, Landon Elliott, Ms. Jaylin Brown @ The Dark Room – $10 in advance, $12 at the door (order tickets HERE)
A night of Richmond’s most talented singer-songwriters at the Hofheimer Building’s Dark Room? Sounds like a great way to spend a Saturday, if you ask me. With this bill topped by a solo performance from Ali Thibodeau, the artist otherwise known as Deau Eyes, you know this one’s gonna be amazing. Thibodeau’s first album, which had been years in the making, unfortunately arrived to us all a couple of months into the pandemic. She didn’t let that slow her down, though, and recently she announced a sequel, Legacies, coming this summer, and graced all of our ears with an incandescent new single called “Moscow In The Spring.” Its atmospheric sound and synthesizer-driven instrumentation lands it at some distance from Let It Leave, but who wants to love an artist that never grows artistically? Let’s be real — none of us do.

What will be really interesting about this show will be seeing how Thibodeau’s latest single comes across in a solo performance — and whether she graces our ears with any other new tunes from the forthcoming sophomore album. The mere possibility of such things is reason enough to show up for this one. And then we also get performances from Landon Elliott and Ms. Jaylin Brown in the bargain! Elliott’s heartfelt melodies were given an excellent showcase on 2019 debut Domino, and he’s been releasing some excellent stand-alone singles over the past couple of years to give us all hope for an even better follow-up just around the corner. As for Ms. Brown, you may have seen her around town singing for local soul-funk group Evolution Of the Groove, but she shows strong songwriting chops on her solo material, and if you haven’t delved into what she has to offer, this show is the perfect opportunity to get familiar.

Sunday, February 20, 8 PM
Levi Douthit, Abby Huston, Angels Cant See, Nathan Grice @ The Camel – $6 in advance, $8 day of show (order tickets HERE)
Levi Douthit has done some intriguing things around the Richmond music scene in the past, mostly as part of off-kilter local punk groups like Teenage Cenobite and Black Button. But last year, he stepped out on his own with debut solo album Lucky Pennies, released on cassette by Citrus City Records. If you read this column regularly, you know that when Citrus City gets involved with a local artist, I pay attention, and Douthit’s album is a great example of why that’s a course of action I fully endorse. Its psychedelic take on acoustic indie-folk shows off not only Douthit’s background in strange punk music but his childhood immersed in old-time music and post-hippie Americana.

Filled with memorable, unusual acoustic tunes and unpredictable sonic shifts, Lucky Pennies has quite a bit to offer, and I fully expect to hear a similar aesthetic at work when Douthit takes the Camel’s stage on Sunday night to cap off a warm winter weekend with a sound you won’t hear anywhere else. He’ll be joined by Abby Huston, another unique Richmond singer-songwriter whose Egghunt Records debut LP, AH HA, was one of the more noteworthy releases this city produced in 2021. Angels Cant See is a mysterious lo-fi solo project of local musician Virginia Aveline and appears to delete the apostrophe from its band name on purpose — which only adds to the mystique. Last but by no means least, Big No leader Nathan Grice will start the evening with a solo set. All of this should be quite fascinating and well worth your time. You know what to do.

Monday, February 21, 8 PM
Worriers, Talk Me Off, Remote Control @ The Camel – $12 (order tickets HERE)
Whether you’re a musician or just a fan of music, the pandemic sure did screw all kinds of things up, didn’t it? For example, Worriers, the Brooklyn punk band led by Lauren Denitzio, who followed up their second album, 2017’s excellent Survival Pop, with an album entitled You Or Someone You Know in March 2020. Of course, that unfortunate release date meant that any post-release touring was quickly nipped in the bud by the need for isolation, and no one could blame you if you ended up missing the album entirely (or at least I hope no one could… since I missed the album entirely. Oops).

Luckily, we all get a second chance to get acquainted with the latest excellent material from Worriers when Denitzio and company pull into town this Monday night and grace The Camel with a set of their excellent indie-influenced power-pop punk tuneage. When they made You Or Someone You Know, Worriers included members like Mikey Erg (Ergs/a million other bands) and Frank Piegaro (Degenerics/Conquest For Death), but regardless of who is part of the lineup now, it’s Denitzio’s talent — as a singer, a songwriter, a guitarist, and a frontperson — that we’re all there to see. No matter who backs them up at The Camel on Monday night, they’re sure to bring the fire. So show up — and enjoy sets from veteran Richmond punks Talk Me Off and Remote Control while you’re at it. This one’s gonna be great.

Tuesday, February 22, 7 PM
Clairo, Arlo Parks @ The National – $42.50 in advance, $47.50 at the door (order tickets HERE)
Clairo kind of came out of nowhere a few years ago, when the artist otherwise known as Claire Cottrill was barely out of high school. Her early stuff was quickly tagged as the sound of Generation Z, but Clairo chafed at that label pretty quickly, and by the time of 2021 second album Sling, she seemed to have retreated from anything that could be tagged as accoutrements of modern, 21st century youth. Instead, she followed in the footsteps of early Waxahatchee and pandemic-era Taylor Swift, getting back to the basics with acoustic guitars, her excellent voice and lyrics, and very little else. The result is that Clairo has been shown to be what she probably was all along: a talented young singer-songwriter with a facility for connecting with the emotions and experiences of other young (and not-so-young) people who can easily relate.

No telling how all of this will translate to the stage of the 1500-capacity National, but chances are it’ll all work out fine; regardless of what phase her career has been in, the songs have always been what kept people coming back. By now, we know she’s got real staying power, and her set is sure to prove that. Let me also strenuously urge you to show up to this one early — opener Arlo Parks’s album Collapsed In Sunbeams was one of my favorite albums of 2021, and its mix of almost-retro soulful pop and coffeehouse indie-folk jams is truly excellent. She’s worth the price of admission for this one all by herself. When combined with Clairo, this show rises to the level of the truly unmissable. So like… don’t miss it. OK? OK.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Can’t Wait One Minute More: Weekend Playlist by Talk Me Off

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Every Friday night, RVA Mag brings you a playlist curated by Virginia’s most influential artists, musicians, and institutions.

This week’s comes to us from Talk Me Off, whose debut album, Cursed, dropped recently on Say-10 Records to remind us all how truly great melodic punk rock can be when played with plenty of heart as well as plenty of bile. You should definitely grab a copy and rock out to their ringing basslines, snotty yet catchy choruses, and pedal-to-the-metal drumming.

But right now, before you do that, you should also check out the killer playlist they’ve made for us to kickstart your early March weekend the right way. It’s chock-full of a wide assortment of bangers from all genres, ranging from reggae and doo-wop to ferocious hardcore and the sort of catchy uptempo punk that they deal in so well themselves.

Pogo to death, Virginia.

Open this playlist from mobile in your Spotify app HERE.

Talk Me Off (Cursed Record Release Party!) Doll Baby, Pedals, Xed Out at Gallery 5

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They’ll be releasing Cursed into the world at Gallery 5 this Sunday night, and you can expect its release to be accompanied by a fiery set of catchy uptempo tunes to get you bouncing. And in addition to Talk Me Off’s celebratory headlining set, you’ll also get some great sounds from an additional trio of Richmond punk bands. These include the twangy, emotional sounds of Doll Baby, the long-running folk-punk talents of Pedals (On Our Pirate Ships… I’m still not sure if the name has officially been shortened or not), and newcomers Xed Out, who feature former members of Smoke Or Fire and The Bled, so you know they’ve got a lot to offer. Be there for this one and appreciate the latest evolution of a storied Richmond tradition.

BUY TICKETS

VA Shows You Must See This Week: February 12 – February 18

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FEATURED SHOW
Sunday, February 16, 7 PM
Talk Me Off, Doll Baby, Pedals, Xed Out @ Gallery 5 – $8 (order tickets HERE)
Where music is concerned, Richmond always has a lot going on, and in recent years, that activity has spread across a more widespread spectrum of genres than ever. That’s to be applauded. At the same time, this city would lose something if our longtime status as a hotbed of punk rock ever were to dry up. Therefore the fact that there’s no sign of that happening anytime soon is certainly a great sign for Richmond’s musical health as we head into the roaring(-with-frustration) 20s.

The latest standard bearer for Richmond punk rock is Talk Me Off, a local trio with a knack for expressing the archetypal punk emotions of alienation and frustration through quick, peppy songs with driving beats and scraping guitars paired with an always-strong sense of melody that keeps the whole thing from being just another atonal blurt. Talk Me Off are on the cusp of releasing their debut LP, Cursed, on longtime Richmond punk label Say-10, and whether you love that classic punk sound to the very core of your being or are just looking for a good musical outlet for your frustrations at being alive in Trump’s America in 2020, Talk Me Off are in great position to provide you with your fix.

They’ll be releasing Cursed into the world at Gallery 5 this Sunday night, and you can expect its release to be accompanied by a fiery set of catchy uptempo tunes to get you bouncing. And in addition to Talk Me Off’s celebratory headlining set, you’ll also get some great sounds from an additional trio of Richmond punk bands. These include the twangy, emotional sounds of Doll Baby, the long-running folk-punk talents of Pedals (On Our Pirate Ships… I’m still not sure if the name has officially been shortened or not), and newcomers Xed Out, who feature former members of Smoke Or Fire and The Bled, so you know they’ve got a lot to offer. Be there for this one and appreciate the latest evolution of a storied Richmond tradition.

Wednesday, February 12, 7:30 PM
The Wood Brothers, Kat Wright @ The National – $23 in advance/$26 at door (order tickets HERE)
Where folk music is concerned, things can sometimes get a little predictable. However, the Wood Brothers manage to avoid this issue by bringing quirky influences and a wide-ranging background to bear on the songs they create. Singer-guitarist Oliver Wood consistently comes up with interesting lyrics that avoid cliche, while bassist Chris Wood brings a funky jazz approach into the group, derived from his longtime membership of legendary trio Medeski, Martin & Wood.

The Wood Brothers just released their eighth album, Kingdom In My Mind, a few weeks ago, and as fans have come to expect, it moves across a variety of different genres to dip into everything from folk and jazz to blues and soul. That broad musical sensibility is sure to result in a live performance that takes listeners to a variety of musical places, all of which the Wood Brothers will inhabit with sure-footed talent, and all of which are guaranteed to please you and make your Wednesday night a brighter, happier affair than it otherwise might be. And here in the midst of a listless Virginia winter, who doesn’t need that?

Thursday, February 13, 7 PM
Plastic Nancy, Deli Kings, Toward Space, Majjin Boo @ Poor Boys – $5
It feels like we just got into 2020, so it’s heartening to see what an active year the Richmond music scene is already having. Plastic Nancy and Prsmcat Presents are both good examples; the Majjin Boo/Spooky Cool-affiliated booking company has really ramped up the amount of good music coming out of Poor Boys and given that venue a shot in the arm that will help ensure that it’s a worthy successor to Flora and Balliceaux before it.

And at this Thursday’s latest locally-focused Prsmcat show, Richmond psych ensemble Plastic Nancy are celebrating the release of their latest album, which should certainly lend a candy-colored dayglo atmosphere to the early months of 2020 here in the river city. On Last Of The Electric Flowers, the boys of Plastic Nancy embrace an acid-drenched atmosphere that manages to avoid outright retro nods in favor of a 21st century sensibility that nonetheless captures the greatness of all those spaced-out bands of the late 60s that we know and love. Revel in the all-encompassing mood they create, and enjoy three other immensely talented RVA bands while you’re at it, at Poor Boys this Thursday night. You won’t be sorry.

Friday, February 14, 8 PM
Lightmare, ZunZun, Prabir Trio, Past Palms @ Gallery 5 – $5-7 (order tickets HERE)
I may be married now, but for a long time, Valentine’s Day was a big bummer of a holiday for me, so I know there are probably a lot of people out there just hoping Friday comes and goes as quickly and painlessly as possible. And Gallery 5/Raw Mom Presents’ Rivanna Youngpool knows this too, which is why she’s reviving her tradition of throwing big fun shows on Valentine’s Day for this Friday night shindig. If you were at either of the ridiculous Valentine’s Day shows that took place at Sour Haus back in the day, you know how amazing this evening has the potential to be — especially at Gallery 5, a place that’s much more able to handle the crowd this is likely to draw than the kitchen of our old place in Church Hill ever was.

It’s not just eating candy hearts and spending the evening with friends that’ll get us through this one emotionally unscathed, though — it’s really great music. And Raw Mom Presents has a killer lineup awaiting us this Friday night, topped by DC’s uncategorizable DIY powerhouse, Lightmare. Expect something somewhere between soul, punk, synth-pop, disco, and garage rock from this six-piece combo with creative energy to spare. I have no idea who ZunZun are (googling only turned up a husband-and-wife flute duo from California who I can’t imagine are on this bill), but it’ll certainly be interesting to find out, and we’ll get a set from the Prabir Trio, the latest vehicle to bring us the ever-reliable pop songcraft of Mr. Prabir Mehta. All that plus newcomer Past Palms — plus, I’d be willing to bet there will be sour hearts. I’m calling it now: Gallery 5 is where you need to be for V-Day this year.

Saturday, February 15, 8 PM
Nosebleed, Ugly Muscle, Sweeties, Phantómódel @ Boogaloo’s – Donations requested
Here’s a show that’s an awesome confluence of three things that are already awesome on their own: political action, tattoos, and hardcore punk. This punk-as-fuck gig at Brookland Park’s Boogaloo’s is coordinated with International Tattoo Flash Day, an initiative created by tattoo artists in Santiago, Chile and Atlanta, GA to get as many people as possible tattooed in support of Chilean political prisoners in the wake of a massive government crackdown against citizen protests that began last October. All money raised at the door of this gig will go toward the families of Chilean prisoners, so whether or not you’re into getting a tattoo yourself, you’ll be able to support the cause.

You’ll also be able to hear some excellent sounds from several local hardcore/punk groups, starting with Nosebleed, who’ve recently released a fierce, incendiary EP called Outside Looking In on hardcore powerhouse Triple B Records. Expect this set to be galvanizing in the extreme, and you can expect similar from Ugly Muscle, a slightly more ramshackle and chaotic combo that will nonetheless bring all the furious energy that Nosebleed contains to bear on its own set. Sweeties are much noisier and less melodic than their name would suggest, while Phantómódel, a new incarnation of Thin Pigeon, offer a postpunk sound full of moody energy. This will be a great night for a great cause — you should really be part of it.

Sunday, February 16, 6 PM
Mean Jeans, Brower, The Ar-Kaics, Sports Bar @ Hardywood – Free!
A lot of people credit the Ramones for having invented punk rock, and many of them feel that the music made by those four New York weirdos in leather jackets has never been improved on. Therefore, it can’t be too much of a surprise that, even after the Ramones spent over 20 years cranking out album after album of their stripped-down, razor-sharp, but always incredibly catchy tunes, there are still bands out here trying to find new ways to wring glory out of that classic Ramones sound.

That’s where Mean Jeans comes in. Having existed for over a decade now, this toe-tapping trio released their fifth album of Ramones-worshipping punk ditties, Gigantic Sike, last year on Fat Wreck Chords. And even if you’ve heard every Ramones song a thousand times, that album and this performance by Mean Jeans at Hardywood on Sunday are guaranteed to prove that there’s still magic left in that classic (one-two-three-)formula. The evening will also feature a performance from New York’s Brower, a glam-punk/power-pop solo project sure to keep you smiling. And of course, consistently talented Virginia punk rockers The Ar-Kaics and Sports Bar open this one up with the retro-garage rock and punky power-pop that you’ve respectively come to expect from them. Get stoked for this one.

Monday, February 17, 7 PM
Ceremony, Loud Night, Ghouli @ Gallery 5 – $13 in advance/$15 day of show (order tickets HERE)
A warning only necessary in Virginia: This show does not feature the group called Ceremony from central Virginia. However, a warning for hardcore kids who haven’t checked back with the Cali Ceremony in a while — this show doesn’t exactly feature the band that made Violence Violence in 2006, either. Oh sure, it’s still the same people, but for the past decade or so, they’ve been moving further and further afield from the fast, angry hardcore that made their name.

That’s really obvious on last year’s In The Spirit World Now, Ceremony’s sixth album and first in four years. Singer Ross Farrar long since traded his harsh bark for a Gang Of Four-ish yelp with occasional dips into outright melody, while the guitars and increasingly present synths have moved away from the distorted and atonal in favor of a UK postpunk sound that might remind you of Joy Division or Echo and the Bunnymen, but certainly not the harsh fastcore of Ceremony’s early albums. Nonetheless, there’s still a lot to love here, including a propulsive energy that takes a vastly different form but remains intact from the band’s earliest works, one that makes singles like “Turn Away The Bad Thing” every bit as essential as Rohnert Park once was. If you’re bummed Ceremony shows don’t feature massive pits anymore, you might be tempted to skip this one, but I encourage you to open your mind and give it a shot. This is sure to be a thrilling evening of musical bliss, even if it’s not quite what you once expected from this talented band.

Tuesday, February 18, 7 PM
Flor, Winnetka Bowling League, Castle OG @ The Broadberry – $15-18 (order tickets HERE)
There are some intriguing things happening in the world of guitar-based pop over the past couple of years, and the success of bands like the 1975 is heartening for anyone who was afraid this stuff was going to fall permanently out of the mainstream musical discourse a few years ago. LA’s Flor are in a prime position to benefit from this resurgence, as on their 2019 album Ley Lines, they dabble in a similar sort of delicate, bouncy pop as that of the 1975 — one that always focuses on the sounds created by the band’s guitars and voices, even though it’s never particularly harsh or loud.

Perhaps we’ve finally gotten far enough past Nirvana for the distorted paradigm they created to lose its lengthy period of ubiquity, and I know there’ll be some out there who are bummed out to think of that, but when bands like Flor are out here on tracks like “Slow Motion” showing how much can still be done with an approach that focuses on playful melodies and delicacy rather than noise, it’s hard to see it as all that tragic. See what sort of magic Flor is able to weave in the live environment at The Broadberry this Tuesday night, and learn to embrace the non-crunchy guitar wave.

Elsewhere Around The State:

Friday, February 14, 8 PM
Witchbaby @ Blue Moon Diner (Charlottesville) – Free!
An alternate approach to Valentine’s Day is available this Friday night in Charlottesville, and it’s being brought to you by Witchbaby, the mother-daughter combo of Catherine Monnes and Sally Rose. You may know Rose for her role at the heart of C-ville’s own Shagwuf, and both are members of the Sally Rose Band, which features a song in its repertoire entitled “Witchbaby” — so it all comes full circle. This stripped-down duo finds Monnes’ cello and electric violin joining with Rose’s guitar and both members’ voices to create a more intimate version of the psychedelic folk-rock the full-scale Sally Rose Band brings to you so consistently.

This Valentine’s Day appearance by Witchbaby at Charlottesville’s Blue Moon Diner is a free gathering offering a welcome space for all — whether lovers or lonely hearts — to spend a holiday that is often fraught and difficult on an emotional level. If you’re looking for your V-Day to be a quiet, pressure-free evening, Witchbaby’s soothing musical presence is sure to help you attain what you seek. And who knows, you might make a friend, or at least find a new musical love.

Saturday, February 15, 7:30 PM
Amanda Shires, LA Edwards @ The Jefferson Theater (Charlottesville) – $25 (order tickets HERE)
There are a few different reasons you might be aware of singer/fiddler Amanda Shires; her frequent collaborations with her husband Jason Isbell and his band the 400 Unit is one of them. Another is her role in The Highwomen, an all-female take on the classic outlaw-country supergroup The Highwaymen featuring Shires, Brandi Carlile, Maren Morris, and Natalie Hemby.

However, it would be a bad idea to let her collaborations with other talented songwriters steal the spotlight from Shires’ own work as a bandleader, most recently showed off on 2018’s To The Sunset. On that album, her songwriting skills shine through in her evocative lyrics, even as the fuller sound her band on the album (which features Jason Isbell himself, returning the favor) takes her folk-country sound to a new level that, yes it’s true, outright rocks. You’ll be able to see her rock these tunes out for yourself at The Jefferson this Saturday night, but only because they moved this show up from The Southern after it sold out in a heartbeat. So yeah, get with the program if you haven’t already. Go see Amanda Shires.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

VA Shows You Must See This Week: January 22 – January 28

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FEATURED SHOW
Prsmcat Birthday Bash Minifest
Friday, January 24, 8 PM
Spooky Cool (Photo by Joey Wharton), Deau Eyes, Kate Bollinger, SHE
Saturday, January 25, 8 PM
Sleepwalkers, Majjin Boo, Castle OG, Hollywood Cemetery
@Poor Boys – $12 in advance/$15 at door/$20 two-day pass (order tickets HERE)
It’s my birthday today; I am 44 years old, which means I’d only be considered “young” if I was running for President. But Prsmcat Presents is definitely younger — the up-and-coming RVA show booking concern is less than a year old at this point. Therefore, the Prsmcat Birthday Bash Minifest happening this weekend at Poor Boys is not actually a celebration for the booking group’s birthday but that of Prsmcat leader and Majjin Boo guitarist Zavi Yueske, who is… (checks notes) 16 years younger than me. Wow.

Let me stop worrying about how old I’m getting and move on by saying: Happy birthday, Zavi! His birthday gift is for the entire city’s music scene, as he’ll celebrate with this two-night, eight-band extravaganza of talented musicians from around Richmond and the central Virginia region. On Friday night, we get the double-dose of Richmond indie melodicism that is Spooky Cool and Deau Eyes. Both of these groups have exercised a “less-is-more” philosophy where recordings are concerned, which means you’ll surely hear some unrecorded tunes during both sets, and that’s a lovely thing from two world-class talents like these. Friday night will also feature Charlottesville singer-songwriter Kate Bollinger, whose laid-back, tuneful approach should pair well with the others on the bill.

Then Saturday night, Zavi gets to strut his stuff with Majjin Boo — who, in case I haven’t made it clear in this column before now, released the Richmond records I loved the most last year, the “Tension Rod”/”One Wing” single and Egghunt Records full-length Go Between. These guys are essential listening and will surely remain so going forward in 2020. They share Saturday night’s bill with fellow Richmond mainstays Sleepwalkers, who you should all know and love by now, as well as smooth-sounding indie mainstays Castle OG and difficult-to-google newcomers Hollywood Cemetery. Celebrate the wonderfulness Zavi Yueske brings into the world while enjoying that very wonderfulness all weekend at Poor Boys!

Wednesday, January 22, 7 PM
The Adicts, No-Heads, Talk Me Off @ The Broadberry – $25 (order tickets HERE)
If you’ve paid attention to UK punk anytime in the last four decades, you’re sure to have heard of the Adicts. This catchy melodic punk band styled themselves after the droogs of Stanley Kubrick’s A Clockwork Orange, and have been cutting a memorable figure in the world of punk since they broke out with 1981 debut LP Songs Of Praise. Their singalong choruses are infectious enough that they’ve had chart hits in the UK with tunes like “Viva La Revolution” and “Bad Boy” — songs you’re sure to remember if you’ve heard them even once.

The Adicts’ heyday was in the 80s, but they’ve never really stopped recording and touring; they’ll be coming through RVA in support of their 11th album, And It Was So!, released by Nuclear Blast in 2017. The group’s core members have stayed the same throughout the past four decades, and their entertaining costumed live performances are still a fun, active spectacle. If you’ve never caught the Adicts live before, this is the perfect time to do it, and wear your best Malcolm McDowell eye makeup while you’re at it.

Thursday, January 23, 8 PM
Kai Orion, Kill The Druid @ Garden Grove Brewing – Free!
Every musician is creative, but it’s rare to find a musician out there who dismantles every assumption about musical orthodoxy with each new song they create. However, that is exactly how Kai Orion creates. The DC-based songwriter plays over a dozen instruments on his latest album, Start To End, some of which can only be described as “instruments” (vacuum cleaner, lawnmower, wine glasses, etc). He often works by himself, creating thickly layered compositions through use of a microphone, a loop creator, and a menagerie of voices, instruments, and random objects he has at hand.

The result is a collection of catchy and enjoyable tunes on his records, and a fascinating spectacle to behold in a live environment. At Garden Grove Brewing this Thursday night, you’re sure to see Orion create songs out of all sorts of random sounds, and you’re sure to be impressed how beautiful the end result is — especially with his Peter Gabriel-ish vocal chords unleashed overtop. Richmond post-rockers Kill The Druid will open this one up with an instrument-switching set that’s sure to both set the stage for Orion and remain much closer to a conventional rock show. The whole evening is sure to be a blast.

Friday, January 24, 9 PM
Fat Spirit, You’re Jovian, Alison Blue @ Fuzzy Cactus – $5
Fat Spirit have settled into a solid role as utility players in the Richmond alt-rock scene. They haven’t released any new material since 2017’s Nihilist Blues, but they continue bringing their raucous, exuberant performances to local venues on a regular basis, keeping the spirit of the slacker-rock 90s alive and evoking the spirits of Pavement and Dinosaur Jr. with their loud, guitar-driven tunes. You know what you’re getting with Fat Spirit these days, but that’s certainly not a strike against a band who always delivers a rockin’ good time.

They’re joined on this occasion by Hampton Roads residents You’re Jovian, who have a solid dose of the 90s embedded in their sound as well. On 2019’s Singles, this group shows themselves as occupying a similar territory to that of Fat Spirit, though Elliott Malvas’s more ethereal vocals definitely push the needle away from grunge and toward shoegaze — in the original Ride/Swervedriver/JAMC sense, rather than the MBV-plus-postrock context its taken on in the past decade. Putting these two groups together on a single bill makes for a great evening, especially if you’re the sort of guitar lover who can’t get enough of that sweet, sweet fuzz. Youthful VA Beach shoegazing fuzz-lovers Alison Blue will kick the whole thing off with a further dose of what you’ve been looking for, so don’t miss a minute of this one.

Saturday, January 25, 9 PM
DJ Williams’ Shots Fired @ Fuzzy Cactus – $15 (order tickets HERE)
Saturday night, and it’s right back to Fuzzy Cactus, this time for a homecoming show by one of Richmond’s favorite sons, DJ Williams. Around town, he’s known for his time fronting the DJ Williams Projekt, but this talented, blues-inclined guitarist has achieved more widespread fame beyond these shores in recent years with his work in Karl Denson’s Tiny Universe. He’s also put together an all-star cast of sidemen for a new group called DJ Williams’ Shots Fired, who released a mostly-live LP called Live From Over Where back in 2018.

The funky, bluesy, Southern-tinged rock n’ roll that group shows off on their debut LP is exactly what they’ll bring to Brookland Park Boulevard when they show up at Fuzzy Cactus this Saturday night. I can’t tell you for sure who will be firing the shots behind Williams during this performance, but the group has included Williams’ fellow Tiny Universe members, as well as musicians from Dave Matthews Band, Slightly Stoopid, and Lenny Kravitz and Dr. John’s respective backing bands. Rest assured, no matter who DJ Williams brings with him on this jaunt, they’ll be talents equal to the kind of firepower he lays down. And as anyone who’s been paying attention around here for a while knows, that’s some serious six-string pyrotechnics.

Sunday, January 26, 6 PM
RVA Rap Elite Season 3 Premiere, feat. BASIC, Easalio, Tr3demark, Bravo vs. Chance Fischer, Team 804 Cypher (Vintage A, Henny LO, Habeeb, Tone Redd, Yung Sums) vs. Team 757 Cypher (BASIC, Will Jung, Amir Driver, Illien Rosewell, Eastcoast Mikey), Music by Hip Hop Henry & Melodic, plus Open Cypher @ The Dark Room – $10
Hip hop shows take research, y’all. For one thing, there are always a ton of people on the show (indeed, the Open Cypher on this bill will feature another 20-plus rappers I decided not to even attempt to list). For another, there are never any website links listed for any of them. And sometimes, you have to do some digging just to even get a list of who’s on the show. But I don’t want to sound like I’m complaining; the fact is, it’s all worth it when you encounter a show like this, full of a murderer’s row of talented MCs battling it out for lyrical supremacy.

There’s been a renaissance of battle rap on the Richmond scene over the past year or two, and RVA Rap Elite has been right at the heart of it, so it’s no surprise to see what a stacked lineup they’re bringing for the premiere edition of their third season. Personally, I’m most excited for the throwdown between world-class lyricists Chance Fischer and Bravo, but the Team 804 vs. Team 757 cypher battle promises some serious fireworks as well. And really, the overall atmosphere is the best part of all this; when RVA Rap Elite is happening, everyone wants to bring their A game, and the results are sure to delight any true hip hop head. So end your weekend at the place The Cheats Movement says is “making its claim to be the [hip hop] venue of choice” — The Dark Room at the Hofheimer.

Monday, January 27, 9 PM
Dark Thoughts, Sensual World, Ugly Muscle @ Fuzzy Cactus – $8
Dark Thoughts is the sort of band name that might lead you to expect a sound resembling that of Christian Death, or TSOL — punk, but a decidedly gothic take on punk. However, as the band’s fans well know, Philadelphia’s Dark Thoughts are made of much catchier stuff than those classic LA death-rockers. Their new LP, Must Be Nice, came out last month on Stupid Bag Records and is loaded with tracks that split the difference between snotty Dead Boys-style rockers and the Ramones at their most clumsily lovelorn.

Dark Thoughts play classic punk for classic punks, and since it’s the middle of a freezing January here in Richmond, you officially have no excuse for not breaking out your leather jacket for this shindig. You’ll get a bonus as well, in the form of two great local punk bands filling out this bill with their own excellent sounds. Sensual World brings a sort of forlorn jangle to their downbeat rumble, almost Gun Club-ish in execution; Ugly Muscle strip down their sound into a pounding, minimalist attack fueled by atonal synths and screaming. The whole thing is sure to delight any among you who appreciate the articulate aggression that punk rock is all about.

Tuesday, January 28, 6 PM
Shadow Of Intent, Signs Of The Swarm, Inferi, Brand of Sacrifice, Seraph @ The Canal Club – $15 (order tickets HERE)
It’s been 50 years since Black Sabbath’s debut album acted as the starting gun for the metal genre. Bands have progressed in all sorts of far-flung directions from that initial ground zero in the intervening half-century, and it’s difficult to find any band still playing a pure form of metal that would have been recognizable to Ozzy Osbourne in 1970. Nonetheless, there are a lot of outstanding musicians at work in the genre, producing milestones that may very well appear equally seminal once they’re 50 years in the rearview.

Shadow Of Intent’s 2019 LP Melancholy may or may not be one of those (though MetalSucks certainly likes it), but no matter how you slice it, the New England quartet definitely gave us a memorable slab of truly redoubtable heaviness when they released their third album last year. It’s both the deepest, darkest death metal and a particularly impressive display of musical omnivorousness, integrating orchestral melodies and gothic lyrical themes into their always-brutal sound in a manner that allows room to breathe while still pummelling listeners with a wonderfully aggressive efficiency. Seeing all of this brought to life on the Canal Club stage is sure to inspire a veritable forest of banging heads. Join the raging sea this Tuesday night, and celebrate the ongoing bounty that is the music of metal.

Elsewhere Around The State:

Thursday, January 23, 6:30 PM
Blackalicious, Black Liquid, Waasi, Grayling Skyy, DJ Almighty @ The Southern Cafe (Charlottesville) – $25 (order tickets HERE)
Hip hop has always been a genre that focuses on skills, but there are some hip hop artists that stand out even in a crowded sea of fantastic MCs and DJs. Blackalicious, the duo consisting of rapper Gift Of Gab and producer Chief Xcel, is one of those, and has been for the past two decades. They haven’t exactly been prolific in that time; they’ve only released three LPs since 1999 debut Nia. However, regardless of how long they take to bring out new material, it’s impossible to deny that Blackalicious continues to make some of the most challenging, intricate, and talent-loaded music in the hip hop world.

The current Blackalicious tour is celebrating the 20th anniversary of Nia‘s release, so you can certainly expect a set list that leans heavily on that initial statement of purpose. Nia dropped right in the midst of the bling area and showed an entirely different worldview in the way Chief Xcel’s beats created mellow, soulful landscapes for Gift Of Gab’s witty lyrics about life and love. Blackalicious has remained on their own wavelength ever since, and if you’ve kept up with their less-than-prolific release schedule, you know that anything they want to bring us is more than worth the wait. That said, who knows when they might be back to VA after this? Get to their gig at The Southern this weekend while the getting’s good.

Saturday, January 25, 7 PM
Black Mass//Un-Baptism, feat. Xeukatre, Serpentshrine, Athame @ Pourhouse of Norfolk – Free!
Black metal is a notoriously intense genre, and while keeping it real did go wrong for a while in the mid-90s when the scene’s leading lights were killing each other and destroying thousand-year-old architecture, you have to admire the people who make this music’s commitment to the evocation of evil. That’s why I can’t help but be impressed to see three black metal bands from the MD/VA area teaming up with Satanic Norfolk this Saturday night for an honest-to-Lucifer black mass at Pourhouse of Norfolk.

Norfolk’s Serpentshrine, who occupy the middle slot on this bill, are musical advocates for Satan themselves, and the trio cranks out some old-style gritty riffage on latest EP Occultum Exordium. You Bathory fans out there will get a big kick out of these guys. Meanwhile, Baltimore’s Xeukatre kick out some guttural lo-fi roars and classic tremolo-picked riffs on their split with Hagerstown’s Athame, who round out both that split and this triple bill with the fastest and filthiest take on black metal of these three bands, Transilvanian Hunger-style. But of course the big event is the black mass; how intense is that gonna be? There’s only one way to find out, and that’s to show up. Bring your own blood.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 18 – September 24

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FEATURED SHOW
Saturday, September 21, 3 PM
Stone’s Throw Down In RVA, feat. White Denim (Photo by Barnaby Fairley), J. Roddy Walston & The Business, Cory Wong, Howlin’ Rain, The Long Ryders @ Brown’s Island – $20 (order tickets HERE)
The seasons are changing, y’all. The Autumnal Equinox, one of two days every year in which the sun is up for exactly 12 hours and down for the other 12, will arrive on Monday and mark the first day of fall. Therefore, this makes Saturday and Sunday the official Last Weekend Of Summer. And you know you’re gonna want to make that count. Fortunately for us all, Stone Brewing is here to help, having scheduled their annual Stone’s Throw Down In RVA celebration at Brown’s Island this Saturday afternoon and evening. And you’re going to want to be there.

A duo of massive modern rock n’ roll juggernauts are ready, willing, and able to offer top-quality assistance with making this not only the last but the best weekend of your entire Summer 2019. J Roddy Walston & The Business are the hometown boys, and will wrap the whole evening up in wonderful fashion with the piano-driven down-home rock sound we’ve all come to know and love. Their best-known riff monster may still be 2013’s “Heavy Bells,” from their ATO Records debut, Essential Tremors, but 2017 follow up Destroyers Of The Soft Life offered a pretty massive dose of rock power in its own right, from that incredible title down to the soaring high points of singles like “The Wanting” and “You Know Me Better.”

They’ll be sharing the top of the bill with Texas boogie rockers White Denim, who won my heart back when they released their 2016 monsterpiece of funky Southern rock, Stiff. Since then, they’ve released not one but two more albums, including this spring’s Side Effects — their ninth studio album in just under 11 years, so these guys certainly don’t slow down. The new LP proves that their adeptness with tunes that rock you hard while keeping your body moving on the dance floor is totally undiminished. Come find out for yourself at Brown’s Island this Saturday, and enjoy tunes from rock n’ roll veterans like Howlin’ Rain, Cory Wong, and reunited first-wave Paisley Underground legends The Long Ryders. It’s gonna be a top-notch afternoon of classic rock n’ roll, and the perfect way to say sayonara to summer 2019.

Wednesday, September 18, 9 PM
Pharmakon, Suppression, Tavishi, Noiro Zepol @ Wonderland – $10
Experimental noise artist Pharmakon has never exactly been an easy listen. The solo project of New York native Margaret Chardiet is based around terrifying screams, atonal synth loops, and industrial samples, and while the strong structures of Pharmakon’s music has always made it slightly more accessible than that of your average harsh noise project — think Merzbow — it’s still the kind of thing that could send anyone who isn’t adequately prepared for what’s coming running from a room at top speed. What’s wild is that on their latest album, Devour, released earlier this year, Pharmakon has moved even further in the direction of confrontational noise havoc. Chardiet’s vocals are even more shocking, rising to the outright monstrous level of Alan Dubin’s work with doom/noise project Khanate.

OK, look, I know that those of you who aren’t into testing the limits of the boundary between music and noise may not be catching any of my reference points — and that’s fine. But what you do need to know is that, if you’ve ever found anything enjoyable in the world of angry, noisy, extreme music of any kind, you’re going to want to see Pharmakon tonight. Not only is Chardiet a riveting performer, her compositions have an unusual ability to push beyond the cold intellectual facade of most experimental noise and reach the listener on a deep emotional level. If you haven’t experienced it yet, you owe it to yourself to do so at least once — even if it terrifies you. The terror is the point.

Thursday, September 19, 7:30 PM
Shonen Knife, Talk Me Off, Captain Scrunchie @ The Camel – $17 in advance/$20 at the door (order tickets HERE)
I’m not sure how well young music fans know the name Shonen Knife, but if they don’t, they certainly should. This trio of Japanese women, who released their first LP of catchy melodic punk back in 1982, were instrumental in bringing international attention to the underground punk scene of Japan. They weren’t as unhinged as GISM nor as caustic as Gauze, but that very fact made their heavily Ramones-influenced music approachable by music fans all over the world — and they quickly fell in love. High-profile fans like Kurt Cobain, Thurston Moore, and Steven McDonald of Redd Kross helped ensure that Shonen Knife became a name known all over the alt-rock world.

Today, Shonen Knife has over 20 albums to their credit, and they’re still going strong, releasing latest full-length Sweet Candy Power just a few months ago. The title track still retains the same mix of garage rock grit, DIY spirit, and pure pop goodness that made past Shonen Knife high points like “Twist Barbie,” “Antonio Baka Guy,” and “Catnip Dream” such classic tunes. This show is sure to be full of fun singalongs and big smiles, and if you aren’t part of it, you’ll be missing out, so get together with your friends tomorrow night and let’s knife.

Friday, September 20, 7 PM
McKinley Dixon, Alfred, Bon Ki @ Plan 9 Music – Free!
Richmond hip hop is taking things to the next level, and that’s true in all facets of the scene. McKinley Dixon is a prime example — not only has his focus on killer live performances and frequent tours helped him to gain fans all over the country, he’s reached some pretty influential ears. For proof, look no further than his brand new single, for which this free in-store at Plan 9 acts as a release party. The two song vinyl EP, “Anansi, Anansi” b/w “Wit These,” is coming out as part of the Document Series by powerful midwestern label Saddle Creek.

The Nebraska label made their name releasing legends of post-Y2K emo like Cursive and Bright Eyes, but with the Document Series, they hope to offer a higher profile to work from emerging underground artists all over the world. And of course, there’s no Richmond artist more deserving of this attention than McKinley Dixon, whose powerful hip hop is some of the best music being made locally in any genre, and whose A-side for the Document Series single just might constitute a new career high. Join Dixon, along with fellow local hip hop up-and-comer Alfred (who himself just released Like You!! on Topshelf Records) and newcomers Bon Ki. This one’s gonna be a blast.

Saturday, September 21, 9 PM
Sinister Haze, The Red Skulls, Crimson Heat @ Mojo’s – $5
By late this Saturday evening, you may well have had your fill of rock n’ roll out at Brown’s Island. But if you still want more, you should definitely head over to Mojo’s by 9 PM this Saturday night to catch a triple-threat banger of Virginia-area bands that are underrated, unexpected, and ready to blow your mind. Sinister Haze is at the top of the bill, and while this band has gone through periods of obscurity over the past couple of years, they’ve undergone a bit of lineup revision recently, and are now, if rumors are true (don’t quote me), on the cusp of releasing a new EP. This spaced-out psychedelic doom group showed exactly how heavy they could get on 2017’s Emperor Of Dreams, and if you’re hungry for more — and you should be — Mojo’s is the perfect place to be this Saturday night.

The Haze boys will be joined by a band who have, over the past decade-plus, been far more discussed than seen: The Red Skulls, a Roanoke-based early-2000s rock n’ roll project led by the Lunsford brothers: Joe (Avers/Peace Beast) and Sam (The Young Sinclairs/Stimulator Jones). I’m not sure what’s caused the two brothers to reunite their 2002-era garage rock quartet, but if their reputation for wild shows full of top-volume craziness is even somewhat justified, we’re all gonna be glad they’re back. Mysterious local newcomers Crimson Heat will kick off this show featuring just the right amount of bands (three. The number is three), so show up on time and grab yourself a cheesesteak. You won’t be sorry.

Sunday, September 22, 9 PM
Irreal, Benderheads, Dummies @ Fuzzy Cactus – $8
Here’s your entrance exam for this show. Don’t panic, it’s only one question long. Ready? Which band do you more readily associate with the genre term “hardcore”? A: Hatebreed. B: Anti-Cimex. If you answered B, congratulations — this is the show for you. Irreal is a hardcore punk band from Catalonia’s capital city of Barcelona, and they’ve got that same sort of blown-out rage with strong influences from Discharge and Gauze that you can find in classic Scandinavian hardcore (i.e. Anti-Cimex).

However, they’ve updated it with a creative passion that makes their new album a particularly fascinating listen, even if you don’t own at least a dozen black T-shirts with the sleeves cut off. The album in question, Fi Del Mon, actually comes out between when I’m writing this now and when this show is happening this Sunday. Ideally that means you’ll be able to pick up a vinyl copy for yourself after you storm up a raging circle pit on the floor at Fuzzy Cactus. Even if you haven’t got the scratch for vinyl right now, though, you’re gonna want to be there — this one’s going to be a real ripper. Especially in light of the fact that Irreal will be joined by local punk stalwarts Benderheads and D-beat newcomers Dummies, who apparently feature members of Haircut and Cement Shoes. That’s all the endorsement you should need to show up on time and ready to go off.

Monday, September 23, 9 PM
Parsnip, VV, DJ Sam Slug @ Fuzzy Cactus – $8
I know a parsnip is a vegetable, but I can’t remember if I actually know it under a different name. Let me do a quick Google… [Wait, is she serious? How unprofessional -ed.] OK no, it turns out that parsnips are just called parsnips, and they’re sorta like carrots and sorta like parsley, and… I’m pretty sure I’ve never eaten them. But we’re not here to talk about vegetables, we’re here to talk about bands — specifically the Parsnip that is an Australian band and not the one that I’m pretty sure has never showed up on my dinner plate.

The Australian band Parsnip is not too different from Japanese band Shonen Knife, who we talked about a little earlier — their music is poppy, catchy, and fun, but has a DIY production feel and carries obvious influences from punk and garage rock. The way they mix these two aspects together on brand-new debut LP When The Tree Bears Fruit makes for a very fun listen, and if you enjoyed smiling and bopping along with Shonen Knife at the Camel a few days before, you’re never going to regret doing the same thing again on Monday night at Fuzzy Cactus. Local punks VV are quite a bit weirder, and their music has veered in a decidedly “postpunk” direction over the last year or so, but if you loved their earlier material, you’re sure to have a blast with them at this show too. They’ll offer the perfect acidic counterpoint to Parsnip’s poppy sweetness. And Feel It Records head honcho DJ Sam Slug will be on hand to spin some tunes and get us all in the mood, so this is sure to be a great night all around.

Tuesday, September 24, 9 PM
Clowns, Waxjaw, Thin Pigeon @ Wonderland – $10
Australian punk is always a lot of fun, and Clowns are no exception. This Melbourne punk band are worldwide thanks to their Fat Wreck Chords deal, which brought us their latest LP, Nature/Nurture, earlier this year. It’s a whole ton of fun, bringing the skate-style upbeat melodic punk that we all expect from labels like Fat a big infusion of Aussie-style rollicking garage noise. This Tuesday-night rager marks Clowns’ first time coming through RVA — indeed, this tour is their first-ever jaunt to the East Coast — so it should be a proper fun time in the works! Make sure you’re part of it.

Clowns are joined on this trip through town by Huntington, WV queer punks Waxjaw, whose brand new LP, A Collection of Rituals In Sound, finds them mixing occult-vibe postpunk sounds with a strong sense of ringing melody that ensures this album is still a great deal of fun to listen to. We can surely expect a similar sort of fun from their live performance, and from that of Richmonders Thin Pigeon, who’ll kick off this whole shebang down in Shockoe Bottom! Liven up your midweek with this one, folks.

Elsewhere Around The State:

Friday, September 20, 6:30 PM
Smooth Hound Smith, Kyshona @ The Southern Cafe – $12 (order tickets HERE)
The one-man-band musical formula is one that’s become familiar over several decades, especially if you enjoy that roots-rock/Americana style that’s so conducive to this musical approach. You know the deal — guitar in the hands, drums at the feet, maybe a harmonica on a neck stand, and some heartfelt vocals. Smooth Hound Smith’s Zack Smith does pretty much all of that stuff, but he’s not the only member of this group — he’s joined by his wife, Caitlin Doyle-Smith, who contributes auxiliary percussion and some all-important vocal harmonies to give this band a whole lot more depth than you’d expect from their rudimentary setup.

While Smooth Hound Smith are certainly capable of busting out some raucous down-home rock n’ roll when the occasion calls for it, their latest LP, Dog In A Manger, finds them stretching out in multiple other directions, dipping into Southern soul, sweet folk balladry, and alt-country twang. If any of that sort of thing appeals to you, chances are you’re going to love seeing this two-person one-man band in action. They’ll be accompanied at this performance by Nashville soul-blues singer Kyshona, who’s sure to move you with her powerful, politically-informed tuneage. Show up on time for this one.

Saturday, September 21, 7 PM
This Wild Life, The Happy Fits, Rome Hero Foxes, Calebfolks @ Elevation27 – $16 (order tickets HERE)
The idea of acoustic emo might seem like something recent, like it only showed up once Evan Thomas Weiss of Into It. Over It. or Kevin Morby started touring with just an acoustic guitar. However, it’s actually got a pretty long tradition, one that stretches back to my mid-90s salad days of seeing house show sets by solo artists like Keith Welsh or Tom LoMacchio. This Wild Life approach things a bit differently, augmenting Kevin Jordan’s acoustic guitar and heartfelt vocals with electric guitar melodies and vocal harmonies from Anthony Del Grosso, but the percussionless, melody-first results of their approach are decidedly familiar both to vets of Vinnie Caruana and Geoff Rickly’s Acoustic Basement Tour from a couple of years ago and those of us who saw these kinds of acoustic sets in actual basements over a decade ago.

This Wild Life bring a particularly lovely flavor to their take on the acoustic sound, which makes them a welcome addition to a scene ususally much more dependent on percussion and distortion. On last year’s Petaluma LP, This Wild Life avoided the temptation to make their acoustic songs lightweight tunes about love and flowers, instead tackling difficult subjects that lie at the heart of life’s difficult moments and offering catharsis and support through their delightful melodies. You can certainly enjoy their music as you lie alone in your darkened bedroom, but it’s sure to be far more fulfilling to see This Wild Life perform live in a bright room full of smiling faces. So head to Elevation27 this Saturday night and let their music surround you. It’s gonna be beautiful.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond