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One Last Time Through The Wash

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Richmond punk rock/power-pop trio Washers are performing live for the very last time tomorrow night at Gallery 5. Even as they call it quits, though, they’ll be celebrating the release of their new album, Be Careful. And you’re gonna want to get in on that.

The pandemic has taken a lot of great music from us over the past year and a half. Mostly I mean all the bands we could’ve seen live if clubs hadn’t had to shut down for over a year, but another very important element of the loss the music world has experienced is all the bands that have come to the conclusion, for one reason or another, that they needed to call it quits.

One Richmond band like this is Washers, the trio of Stuart Holt, Joel Alford, and Brad Perry. These guys were already known around town for their work in bands like Sports Bar, Worn In Red, and Pity Party, and the music they made as Washers built on the punk rock/power pop pedigree they’d established in those other bands. Sadly, while we were all hiding in our houses from the pandemic, Washers came to an end.

“The pandemic as well as some big life changes a few of us experienced made everyone reflect on our priorities,” said drummer Brad Perry of the breakup. “We’re all still friends, but it had just kind of run its course.”

Luckily for everyone in Richmond, we will still get one last chance to experience Washers in a live setting — at Gallery 5 tomorrow night. Perry is excited to give it one final go. “We’re all proud of the music we made together, and we had a lot of fun doing it,” he said. “So we’re excited to have one last hurrah with two bands we love at Gallery 5 (which was also the site of our first show in 2016!).”

In addition to one last live performance, Washers has a real treat on offer for fans old and new — the release of their second (and, sadly, final) album, Be Careful. This nine-song collection is full of fun, catchy tunes with surprisingly substantive lyrical themes. Synth-tinged opener “(Hanging Out With) Brad” is just a fun song about chilling with friends, but the chorus hook is hard not to chant along with and draw some possibly unintentional resonance from. “I don’t read much, I just watch stuff,” the band chants.

Then there’s mid-album mid-tempo banger “Building A Brand,” a song that views the ubiquitous social climbing of every wannabe social-media “influencer” with undisguised disdain. “Take another photograph, for the 13th time — the light just wasn’t right,” sings Stuart Holt. “Building up my brand real nice for 10,000 strangers with faces glowing bright.” This over a chunky riff that pops like the catchiest Cars tunes even as it hits like the heaviest Pixies riffs, but with an undeniable undercurrent of hardcore chug.

The album offers plenty of other fun moments, from the bouncy upbeat pop of “Blocking The Box” to the rendering of caged-up frustration as driving hooks on album closer “Gone,” which closes the album with a singalong chorus you’ll be humming for the rest of the day. The lyrics to this one could symbolize a lot of reasons why a person might want to get out of a situation, from despair of a bad relationship to frustration with a crappy job, but after a year and a half of COVID precautions, it might be as simple as wanting to back to the places we used to go without fear.

That same theme, of frustration with the many restrictions we’ve dealt with since last spring, comes through in the album’s title. According to Perry, that’s a definite factor. “We settled on the name, Be Careful, right as things felt like they might be starting to open up again after vaccinations were happening. But we probably all felt like it couldn’t be that simple – the pandemic wasn’t going to be “done” just like that,” he said. “Safe to say everyone wanted to feel relief, and we thought we all wanted to rekindle that love of playing loud music with friends. But nothing is the same as it was before. All of us are putting more care into every decision we make. So maybe that’s why the name struck a chord.”

Unfortunately, the album is only available digitally at this point, and Perry doesn’t think that’s likely to change. “Pressing anything on vinyl is crazy expensive and takes forever these days, so we aren’t doing that. But we all came up playing record release shows, so even though there’s no physical record, it still just feels natural to do a show where we play a bunch of these songs,” he explained. “Some of them will sound familiar to folks who came to see us pre-pandemic, but there are at least a few that we haven’t played live before.”

So this Saturday night banger will be a treat in a lot of ways, but you don’t have to sacrifice your own ability to “be careful” in order to come. Proof of vaccination will be required for entry, and the big fire station doors will be open to allow air to circulate and keep everyone breathing as much fresh air as possible. In addition to a headlining set from Washers, attendees will get to see fellow Richmond locals Big No and Teen Death. Plus, all proceeds from Washers merch sales will go toward Doll Baby frontwoman Julie Storey and her ability to pay medical bills she incurred while fighting brain cancer. So buy a t-shirt — it’s for a good cause! (You can also donate directly to Julie at her GoFundMe.)

Washers’ record release/final show is taking place on Saturday, October 2 at Gallery 5 (200 W. Marshall St). Admission is $7 in advance, $10 at the door, with tickets available via Eventbrite. And to get yourself psyched for their final performance, you can stream Washers’ Be Careful right now over at Spotify and Apple Music, or buy your very own download of it at Bandcamp. Let’s go!

Top Photo by Steve Crandall, via Washers/Facebook

RVA Shows You Must See This Week: July 11 – July 17

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FEATURED SHOW
Saturday, July 14, 7 PM
Vinyl Conflict 10th Anniversary Celebration, feat. Night Birds, Dark Thoughts, Gumming, Scarecrow, Talk Me Off @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
I had no idea Vinyl Conflict had been around an entire decade now. Why, it seems only yesterday that the store’s original owner, Brandon Ferrell (RIP), opened this little shop in the middle of a residential block in Oregon Hill. But of course, the older you get, the faster time seems to pass, and I’m pretty goddamn old at this point, so I suppose I shouldn’t be surprised by the store’s sudden longevity. Since Vinyl Conflict was taken over by current owner Bobby Egger, it has if anything become even more an essential part of the local music scene, not only bringing us an unparalleled selection of new and used punk/metal-related sounds but also releasing a variety of EPs and tapes by up-and-coming locals on their Vinyl Conflict Records label.

And now it’s time to celebrate their decade of essential service to the world of RVA hardcore punk, and kick off the next decade of awesomeness in the finest fashion possible. They’ll be throwing a huge party at Gallery 5 this Saturday night, and you’ll know it’s guaranteed to be a hell of a rager when you see that Night Birds are your headliners. This New Jersey band mixes a melodic sense derived from the best of the early-80s US punk wave (The Misfits, The Adolescents) with a breakneck fury that is half 82-style USHC and half early-00s East Coast fastcore (think Tear It Up). They haven’t released anything in a couple of years, but the hints they’ve been dropping on social media recently sure indicate that new material is coming — maybe this show will give you a preview? Don’t quote me on that though.

Night Birds will be bringing Philadelphians Dark Thoughts down with them, and this bouncy melodic punk group has just released an album called At Work that has a lot of energy and a bit of darkness in the mix as well; as with Night Birds, if you dig stuff like the Misfits and the Adolescents, you’re going to find something to enjoy in the music of Dark Thoughts. The bill will also feature a Raleigh, NC band called Scarecrow who have very little info available online — although I can tell you that they’re not the same as Raleigh jazz/fusion band Scarecrow’s Brain. I know that much. I also know the two RVA bands on the bill, Gumming and Talk Me Off, will kick this party off with a lot of energetic fury all their own. So get to Gallery 5 this Saturday night and give props to Vinyl Conflict — if the past decade hasn’t already proven to you how great an asset to Richmond this store is, this show is sure to win you over.

Wednesday, July 11, 7:30 PM
Divided Heaven, Eaves, Two Cars, Having Keepsake @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
Grown-up punks, take note; Jeff Berman’s Divided Heaven project is rolling through town and stopping off at The Camel tonight. While this group may seem like a late development in Berman’s career, following on his early days in NJ hardcore/punk groups like The Boils, Protagonist, and The Rites, he’s actually been fronting this project for most of a decade now, and they’re about to drop their third LP, Cold War, on WireTap Records. The advance singles, most notably “1983,” showcase both a wistfully mature outlook on life beyond one’s youthful days, and an incredible melodic sense that shows just how much talent Berman has to offer. Honestly, it would have been a huge waste if he’d spent the rest of his days playing angry punk.

We’re still a little more than a week away from the release of Cold War, so right now you can only hear two of the album’s songs online. But you’ll undoubtedly hear more tonight, as well as some classic tunes from Divided Heaven’s earlier, more acoustically-oriented LPs. Plus, you’ll get some excellent emotional post-hardcore sounds from up-and-coming local group Eaves, who turned in an impressive debut LP late last year with As Deeply As You Do, and are only headed upwards from there. Local newcomers Two Cars and Having Keepsake both bring their own emotional melodies to the table, making this an evening of moods and hooks that’s sure to please you.

Thursday, July 12, 8 PM
The Body, Lingua Ignota, Womajich Dialysiez @ Gallery 5 – $12 (order tickets HERE)
The Body’s been around for nearly two decades now, and they’ve come a long way from the sludgy noise they started out creating. Always more of an experimental band than anything, they’ve really foregrounded their exploratory efforts in recent years, somehow going both noisier and poppier than ever before with 2016’s No One Deserves Happiness. This year’s follow-up, I Have Fought Against It But I Can’t Any Longer, brings us a new approach, in which the group cuts up previous recordings, sampling them over programmed beats and electronics to create a unique work of art you’d be foolish to dismiss as a mere “remix album.” It’s difficult, it’s noisy, it’s dark as fuck, and somehow, amidst all that, it is bizarrely danceable.

But will people be dancing to The Body’s set at Gallery 5 tomorrow night? Or will they do as they’ve done in previous RVA performances over the years and use powerful walls of noise to wipe the floor with all of us? It wouldn’t surprise me if the answer turned out to be “both,” and it’s well worth the price of admission to learn for yourself. They come to Richmond this time around accompanied by Lingua Ignota, an intense solo project from Rhode Island’s Kristin Hayter that lands somewhere between the confrontational avant-garde work of Diamanda Galas and the soul-baring noise terror of Pharmakon. Their most recent EP is entitled All Bitches Die, and features a song entitled “Holy Is The Name (Of My Ruthless Axe)” …just to let you know what you’re in for. The experience you’ll have at Gallery 5 Thursday night isn’t that predictable, but if one thing is certain, it’s that you’ll be affected by it.

Friday, July 13, 6 PM
June Parker, Opin, Blush Face, Goldfeather @ Hardywood – Free!
My wife and I took a trip deep into the heart of Virginia’s Northern Neck region this past weekend. Not for any real reason, just to get out and explore parts of the state we’d never been to before. While we were passing through Tappahanock, we noticed several businesses named after a woman we’d never heard of before. Now, less than a week later, I find myself writing about a show by a band that is also named after her. I have no idea who June Parker was or is, but I know one thing — somebody in this band has made that same drive out to Tappahanock at least a time or two.

June Parker used to be known as California Death, but their 2017 full-length, We’re Exactly Where We Are, showed that this local shoegaze band has upped their game since changing their name. The first track from the new EP they’ll bring into the world at this show, “I Can’t Relate Anymore,” adds a jangly indie sensibility to their hazy guitar fuzz, upping the melodic quotient and bringing them to their highest level yet. With this preview in mind, it seems a safe bet that the new EP will be their best work yet. Find out for yourself at Hardywood Friday night, and get a set from enjoyable New York indie-folk combo Goldfeather, plus some excellent sounds from always-reliable locals Opin and Blush Face, in the bargain. It’d be a deal at any price — and since this show is free, it rises to the level of unmissable.

Saturday, July 14, 7 PM
Bangladeafy, Teen Death, Foresterr, Swathe @ Garden Grove Brewing – Free!
Bangladeafy may seem like a weird name to give a band, but when you learn that this group is a duo made up of a Bangladeshi drummer and a bassist who is… well, not quite deaf, but certainly has a hearing disability (sensorineural hearing loss, to be specific), it all starts to make sense. The wry sense of humor displayed by this choice of name also shows through in the band’s unpredictable musical hijinks, especially on songs like “Act Like An Adult” and “Say It With Your Chest,” from their most recent LP, 2016’s Narcopaloma.

This LP is an excellent showcase of Bangladeafy’s bizarre instrumental attack, which integrates jazz, prog, and metallic elements into a speedy, unique sound that might just remind you of Miles Davis’ Bitches Brew-era rhythm section doing Lightning Bolt covers… or maybe that’s just me. Grungy local punk n’ rollers Teen Death will offer quite a contrast with their opening set, but if you dig loud, energetic bands, you’re sure to enjoy both. Also on the bill are New Yorkers Foresterr, who do the sort of noisy, off-kilter post-hardcore grooves that bands like Barkmarket and Sliang Laos excelled at two decades ago. These guys are worthy successors to the outstanding track record of those bands. Locals Swathe offer some pummeling sounds in the vein of the Melvins and Unsane to get you in the mood for what awaits. This show is gonna rule.

Sunday, July 15, 7 PM
JD McPherson, Chamomile and Whiskey @ Capital Ale House Music Hall – $20 (order tickets HERE)
I don’t know how aware young punk types are of what’s going on in the world of rootsy rock n’ roll, but I’ll go ahead and admit that I never would have known about JD McPherson if it weren’t for the fact that he gets played over the PA regularly at one of my favorite hangout spots, Sheetz. Seriously, not only does that place have the best three-cheese sub in the Richmond metropolitan area, their muzak station is the best radio station in this town. But I’m not here to advocate for Sheetz (I do that enough on twitter); I’m here to tell you that you need to go see JD McPherson at Capital Ale House Sunday night.

McPherson’s third album, Undivided Heart And Soul, came out last year on New West Records, and it beefed up the rollicking rockabilly sound of his first two albums with a sort of retro-soul vibe that also shows up in artists like White Denim and even The Black Keys. But make no mistake, the man’s still about some straight-up rockin’, and songs like “Let’s Get Out Of Here While We’re Young” and “Style (Is a Losing Game)” make this abundantly clear. When McPherson hits the stage at Capital Ale House, he’s sure to get the whole place on their feet and shaking their tailfeathers. It’ll be an outstanding way to end the weekend, and give you an emotional high to carry you through a soul-draining Monday back at the office. Don’t miss out.

Monday, July 16, 9 PM
Church Of Disgust, Cemetery Filth, Future Terror, Night Hag @ Wonderland – $5
I have pretty much not talked at all about metal this week, but we’re gonna fix that situation right now with a thorough discussion of this Monday night show at Wonderland featuring the almighty Church Of Disgust. This  band hails from Texas and Florida, and the swampy Southern heat bleeds through their music, as does the clear influence of classic Floridian death metal past. Sometimes they’re thrashy, sometimes they’re moshy, but on 2016’s excellent Veneration of Filth LP, they most often strike the tone of classic riffage from early Morbid Angel, Deicide, or even Death. You headbangers out there better be paying attention, because this is a band you are guaranteed to love.

Johnson City, TN’s own Cemetery Filth will accompany Church Of Disgust on their trip to Shockoe Bottom, and their work on recent split EPs show this band to have a similarly ripping, brutal death-thrash attack sure to appeal to fans of prime Obituary and early Carcass. The thrash fiends will be pleased to hear these guys as well, and one can at least hope that all in attendance will receive Future Terror positively too. This Richmond band is treading in the footsteps of extremely blown-out crustcore bands like long-gone DC/RVA legends Aghast to churn out some incredibly noisy D-beat fury, and it’s awesome. Sludgy local newcomers Night Hag open up this show with some darkness of their own. Get ready to bang your head, y’all.

Tuesday, July 17, 6 PM
Backyard Boogie Tour, feat. Fly Anakin, Ohbliv, Al Divino, Billie Essco, Ankhlejohn @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
RVA hip hop is always fertile ground, and it seems 2018 is going to bear particularly excellent fruit where the genre is concerned. Not only do we get an excellent new Nickelus F release, Mutant Academy’s Fly Anakin has come together with production titan Ohbliv to create an album that represents a high-water mark for both. Backyard Boogie shows off Ohbliv’s predilection for murky soul vibes throughout, and gives just as much shine to Fly Anakin’s excellent flow and cutting lyrical wit. It hit the streets in April, and Fly Anakin and Ohbliv clearly recognize how excellent a statement it is for both of them, as they’re spending next week touring up the East Coast. They’ll start the week off right, with a hometown show at Gallery 5 that brings the album’s fire to life onstage.

However, there are more reasons to come to this show than just the local superstars showing off their stuff. Indeed, this event finds Fly Anakin & Ohbliv meeting up with a powerful package of touring MCs from up north. First on the list is Massachusetts’ own Al Divino, a hard-rhyming lyricist who has had Fly Anakin drop features on his tracks before — so you know he’s legit. Then there’s NYC rapper Billie Essco, aka Uptown Chase, whose recent LP Cafe mixes lyrical skills with a somewhat introspective vibe that’s sure to draw you in. DC’s Ankhlejohn rounds out the touring trio with some cinematic styles showcased perfectly on recent EP Knowledge. This show is jam-packed with hip hop talent from all over the East Coast — miss it at your own peril.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Lovelorn, Late Bloomer, Teen Death, Sea of Storms at Strange Matter

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The Nightschool Agency and Strange Matter Present…

LATE BLOOMER (Charlotte, NC; 6131 Records)
www.latebloomer.bandcamp.com

LOVELORN (Philly; ex-CREEPOID)
www.lovelornphilly.bandcamp.com

TEEN DEATH (RVA: 6131 Records)
www.teendeath.bandcamp.com

SEA OF STORMS (RVA; Self Aware Records)
www.seaofstormsrva.bandcamp.com

Monday, July 2nd, 2018
8PM Doors // 9PM Sounds | $10 Cover | 18+
BUY TICKETS–> https://www.ticketfly.com/purchase/event/1723942

A ripping Monday night of rowdy punk tunes featuring two amazing out of town acts, LATE BLOOMER (touring in support of the release of their upcoming brand new record) and LOVELORN (3 out of 4 original members of CREEPOID). Rounding out the bill are RVA scum poppers TEEN DEATH and local rock and rollers SEA OF STORMS. This is the wildest Monday you’ll have all summer.
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LATE BLOOMER:

On Late Bloomer’s third full length, Waiting, the band have truly come into their own with an achingly human record that explores the crushing uncertainty of adulthood through a mix of hook-driven guitar rock and punk urgency. The album centers on ever-changing perspectives, with all three members contributing to the writing process to utilize their personal narratives, as well as points-of-view completely outside their own.

While much of Waiting’s core revolves around the anxiety and confusion of everyday life, sonically the album finds the Charlotte, NC-based band more confident and focused than ever. After honing their sound through their 2013 debut and 2014’s lauded Things Change, the band teamed with producer/engineer Justin Pizzoferreto (Dinosaur Jr, Pixies, Speedy Ortiz) on Waiting. The result effortlessly blends each members’ seemingly disparate influences into a dynamic sound that ranges from roaring to tender—often within the same track. The fuzzy familiarity of college rock effortlessly collides with the intensity of punk and hardcore, all serving to propel the band’s biggest choruses to date.

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LOVELORN (ex CREEPOID):

Lovelorn is a band from Philadelphia, featuring 3 of the 4 original members of Creepoid.

“Sleepy and atmospheric with hazy, distorted guitar, steady drums and bass, and far away, airy vocals. The lyrics are interesting and imaginative with lines like “So take me away to my next big mistake / down through the gutter and out the gate.” – Madorne Lemaine 88.5 WXPN

RVA Shows You Must See This Week: June 27 – July 3

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FEATURED SHOW
Sunday, July 1, 12 PM
Williamsfest (In Memory of Kyle Trax), feat. Earthling, Gnarcave, Slump, Cruzer, Nightcreature, Naked Baby, Weird Tears, Big No, Craig Perry, Mindy Alexander, Matt Carter, Buttafly Vazquez @ En Su Boca – Free!
All-day music fests are always a great time, but sometimes they are bittersweet. Such is the case with this one celebrating the life of Kyle Trax, who passed away a couple of months ago due to complications from Type 1 diabetes. Kyle worked at En Su Boca, played drums in local rock n’ roll groups The Cherry Pits and Benderheads among others, and had a ton of friends around town. I didn’t know him well, but he was always nice to me, and I had a blast when his band played my living room for a Valentine’s Day party a few years ago. To say he will be missed is an understatement.

Kyle loved music, and this all-day outdoor festival in his memory is an appropriate occasion on which to celebrate his life. Earthling are the headliners, and this VA metal band has grabbed a lot of attention with their Spinning In The Void LP, released last year on Forcefield Records. If brutal metal crunch mingled with blazing solos and thrashing riffage sounds like fun to you, you need to get on this band’s level. Also on the bill is Gnarcave, an atmospheric black metal band that Kyle was in years ago. Co-founder Craig Perry, now a classical guitarist, will join up with Earthling bassist Sean Weber and Kyle’s childhood friend Ryan Nottingham (filling in for Kyle on drums) to recreate Gnarcave’s ripping black metal rage one last time. Perry will also perform one of his classical guitar compositions as an introduction to Gnarcave’s set — so you fans of technical guitar playing should get up front for this one.

A ton of other things will be happening as part of this all-day festival; performances from a ton of local hardcore, punk, and garage-rock bands including Slump, Cruzer, Nightcreature, Naked Baby, and a bunch more. There will be acoustic sets from several of Kyle’s friends, including local soul singer Buttafly Vasquez (Crucial Elements/Flavor Project). You’ll also get to see the premiere of a Cherry Pits video, indulge in some delicious En Su Boca tacos, and more! The whole thing is free to attend, but Kyle’s family is currently collecting donations to the Juvenile Diabetes Research Foundation, so if you have cash to spare, please donate to help find a cure. And then come rock out in memory of an awesome dude who left this world way too soon.

Thursday, June 28, 8 PM
Blac Rabbit, Sun Parade @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
Here’s an interesting gig for y’all to check out, especially if you’ve seen these guys on Ellen. Yeah, seriously, twin brothers Amiri and Rahiem Taylor, who founded Blac Rabbit, got onto Ellen due to their day job of sorts, busking on New York subways with some killer Beatles covers. This is a pretty excellent story, but it might sound like nothing more than a novelty to you — until you hear the originals Blac Rabbit create when they’re not busking for cash in Times Square.

Their self-titled debut EP, released late last year, brings together psych-rock touchstones from past eras, including The Beatles and Love, as well as modern groups like Tame Impala and MGMT. On songs like “Closer To The Sun,” the group paints hazy dayglo mind pictures that will be a big hit with fans of Dungen or Unknown Mortal Orchestra. It’s really incredible stuff, and it’s sure to shine that much brighter in the live setting. You’ll have a blast when these guys take the stage, even if they don’t play a single Beatles cover. And while Massachusetts’ Sun Parade has a somewhat different sound, they’re still an apt pairing for Blac Rabbit due to the group’s similar origins as buskers. These days they’re making colorful pop music that brings in equal influence from folk music and psychedelia, to excellent effect. These two groups will be the perfect vehicle with which to drift away across the stratosphere… at least for a few hours.

Friday, June 29, 9 PM
Imaginary Sons, Leach @ City Dogs – Free!
Damn — in certain segments of the local scene, this is bound to be the news of the year. Not only are the Imaginary Sons back for a one-time-only reunion show, they’ve reunited the original four-piece lineup that brought us all the irreverent, excellent Let It Beer LP back in 2015. With a ridiculous Beatles parody cover and some truly unforgettable costumes, these guys led with goofy spirit, then pulled you in with the absolute power of their rock n’ roll tunes. Equal parts Cheap Trick and Weezer, plus a dose of AC/DC for sheer power, the Imaginary Sons were a band you weren’t going to overlook.

First slimming down to a trio lineup, then breaking up in early 2017, Imaginary Sons left a gaping void in the RVA music scene. It’s no surprise that, when they announced this reunion earlier this year, people were stoked. And now the payoff to all that anticipation will finally arrive this Friday night when Imaginary Sons rage at City Dogs once again. They’ll be joined by Leach, the current project of former Sons Mike Cruz and Russell Redmond, and DJ Frontyard will be spinning tunes to kick off the night, but we all know the main attraction: the opportunity to hear all the hits — “Kicking The Cup,” “Never There,” etc — in a live environment once again. Eat your hot dogs early, because the mustard’s gonna fly when these guys take the stage.

Saturday, June 30, 7 PM
RVA Lyricist Lounge, Episode 5; feat. Nickelus F, Cole Hicks, IGB vs Swerve 360, Robalu vs Leek Bucks, Southpaw Battle Coalition cypher, and more @ Strange Matter – $15
There is, as always, a lot of great hip hop happening in this town, and you sleep on any of it at your peril. However, I must urge you to make specific effort to be at RVA Lyricist Lounge Saturday at Strange Matter if you care about hip hop at all. These ongoing events, presented by Southpaw Battle Coalition, have been putting cyphers and battles back into the scene in a big way over the past year or two, and are pushing the local scene forward in obvious ways. Most importantly this time around, though, is that Nickelus F will be performing his newest album, Stuck. Nick F shouldn’t need any introduction to hip hop fans around here by now — his 15 years of consistently excellent releases proves the quality he’ll deliver every single time you hand him a mic, and we’re seeing that same quality on his latest release. The sluggish beats and dazed lyrical flow that set the mood on the album help bring the title to life, and the man also known as Sweet Petey will make it hit hard when he hits the Strange Matter stage Saturday night.

But that’s just the beginning of what this show has to offer. Also on tap is a performance from up-and-coming local rapper Cole Hicks, who’ll be bringing us selections from her buzzworthy new release, May Day. Then there are the two battles on the card, pitting IGB against Swerve 360 and Robalu against Leek Bucks. Southpaw Battle Coalition will hit us with a cypher, as will a variety of local MCs you know and love. Plus, there’ll be room for new faces — 30 open cypher slots means that if you feel like you’ve got rhymes to deliver, there’s room for you to get on the mic and show your stuff. And if you just want to see some high-quality rhyming and keep up with the genre as it moves forward here in RVA, you’re definitely going to want to be here to watch. Mark your calendar.

Sunday, July 1, 8 PM
To Live And Shave In LA, New Ting Ting Loft, Oozing Meat, Fuk U / Idiot, DJ Rat Ward @ Strange Matter – $5
This one’s gonna be weird — and a whole lot of fun. To Live And Shave In LA, whose name certainly appears to be a joking reference to a William Friedkin movie, have a 25 year career behind them and are still going strong. The group primarily arises out of the collaboration between early Pussy Galore member Tom Smith and Florida noise legend Rat Bastard — though it’s involved a ton of other people over the years, from Thurston Moore to Andrew WK. Listening to To Live And Shave In LA is a challenging experience. Beginning from the proposition that “genre is obsolete,” Messrs. Smith, Bastard, and co. combine all sorts of experimental insanity, from ambient tape loops to metal-bashing harsh noise and untraceable electronic weirdness.

How does that translate live? Hard to say… a quick spin through their extensive discography will demonstrate to you that it’s pretty much different every time. But it’ll certainly be worth seeing, even if you have no idea what you’ll get — if there’s one term that does not describe To Live And Shave In LA, it’s “boring.” The local acts on this bill will keep things interesting as well; New Ting Ting Loft is a totally maniacal improvised-music ensemble who takes experimental jazz as a point of departure and ends up in all kinds of ludicrous places. The results are always fascinating. Oozing Meat is a collaboration between Eric Tomillon (Fake Object) and Jason Hodges (Suppression/Bermuda Triangles/etc) that, at least on last year’s Splatter High, leaps dramatically from ambient noise weirdness to shit-fi grindcore, then back again. Who knows how that’ll translate live, but it’s sure to keep your attention. Which is really the story for this entire show — there’s no way to know exactly what you’re gonna get, but you can be sure that it won’t bore you.

Monday, July 2, 8 PM
Late Bloomer, Lovelorn, Teen Death, Sea of Storms @ Strange Matter – $10 (order tickets HERE)
Here we are at the end of a trio of Strange Matter shows, all completely different, and all completely awesome. This one’s for the fans of straight-up rock n’ roll with a melodic edge and some killer hooks; Late Bloomer brings all of that to us with their brand new LP Waiting, out on 6131 Records this Friday. It’s so brand new, it isn’t even out yet — but it will be on Monday night, so bring some cash and pick yourself up a copy! Then enjoy the bushel of killer tunes this North Carolina trio will be bringing with them, both from their latest ripper and excellent earlier LPs, such as 2014’s Things Change.

They’ll also be bringing Lovelorn with them, and if you’re a little unfamiliar with this Philadelphia trio — who’ve only released one song so far — it might help you recognize them if I tell you that they are three of the four members of the unfortunately departed Philly psych project Creepoid. That band was really hitting their peak with their third and final LP, 2015’s Cemetery Highrise Slum. Lovelorn’s sole demo release thus far has more of an ominous, spaced-out vibe reminiscent of Mazzy Star than the fuzzy, garage-damaged sound Creepoid were perfecting towards the end, but it’s close enough to make it really incredible in its own right. And hey, it’s only one song — getting to hear a full set is sure to leave us with a much stronger impression of where these excellent musicians are taking things next. Opening sets from awesome locals, including hard-rockin’ punk n’ rollers Teen Death and melodic, emotionally-driven rockers Sea Of Storms, will make for a bill full of highlights. Don’t miss a moment.

Tuesday, July 3, 6:30 PM
Have Mercy, Kississippi, Super American, Downhaul, Warrington @ The Camel – $14 in advance/$16 at the door (order tickets HERE)
Here’s something I didn’t expect at all; directly on the heels of their third LP, 2017’s excellent Make The Best Of It, Have Mercy are returning to town with a tour celebrating the five-year anniversary of their debut LP, 2013’s The Earth Pushed Back. What makes this unexpected is the fact that frontman Brian Swindle pretty much acquired a completely new backing band around the time of Make The Best Of It. This means the band that’ll be celebrating the anniversary of their debut album is mostly made up of members who weren’t in the band at the time of its release.

That’s all right, though; if there’s one thing Make The Best Of It proved, it’s that Swindle’s current compatriots are totally capable of delivering top-quality Have Mercy material that is capable of standing alongside the best work of their original lineup. And since The Earth Pushed Back is every bit as good as their latest album, the current incarnation of Have Mercy should have no problem doing it justice. I can’t help but hope they’ll play at least one or two new songs, though. They’ll be ably accompanied by Kississippi, a goofily named but excellent emo-pop group from Philly whose latest LP, Sunset Blush, is a real standout in the world of passionate melodies and evocative lyrics from which they ascend. Upbeat pop-rockers Super American will round out the trio of touring groups on this bill, which will be joined by locals Downhaul and Warrington. This is one to look forward to.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Pinact, Teen Death, Carry Fisher @ Champion RVA

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Another Thursday, and once again, we’re back at Champion gaining fortification for the last work day of the week with a shot of heavy-duty musical salvation for the low low price of nothing at all. There’s even beer, if that’s your kind of thing. But more importantly, there’s rad music, this week featuring a performance from touring Scottish act Pinact, who just released their second album, The Part That No One Knows. Its killer punk riffs incorporate the sorts of awesome post-Nirvana early-90s alt-rock influences that have been showing up across the indie underground for the past few years to outstanding effect. It also features some excellent choruses that will stick in your head and refuse to go away, keeping your toes tapping all night. Who can complain about that?

Pinact are excellently paired with local rockin’ punk trio Teen Death, who have been back on the radar after a relatively quiet last year or so with a bunch of local shows and a recent trip to The Fest in Gainesville, FL. These guys mix early 90s influences of their own with some crunchy garage sounds that crank up the punk quotient and give you something to snarl about. Recent Woodbridge transplants Carry Fisher kick things off with what promises to be the noisiest, sloppiest set of the night–and if you don’t think those are good qualities, I’ll have to ask you to re-evaluate what you look for in good music. Come to this one ready to rock, because the heavy jolt of energy this show is packing is sure to get you moving.

RVA Shows You Must See This Week: 11/1-11/7

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FEATURED SHOW
Saturday, November 4, 7 PM
Ladygod, Rikki Shay, Ben Shepherd, Cool Moon @ Flora – $7
They’ve cultivated an air of mystery around themselves throughout their time in the RVA scene, which stretches back at least three years now. Releases have been few and far between, with too few songs on them. It’s always been hard to pin down who is actually in the band. And recently it’s become tough to even determine whether their band name is one or two words. But Saturday night at Flora, Ladygod (Lady God?) will finally reveal themselves with the release of their debut full-length, Rock n Roll Kaliphate.

In fairness, those who’ve seen the band have surely grasped at least a little of what was going on. The group’s hazy, “Exile-era Stones fed through a Brian Jonestown Massacre cloud of psychedelia” sound becomes clear over the course of a full set. And regardless of who is singing, it’s obvious that singer/guitarist Skye Handler is the Anton Newcomb of the group — as various talented, noteworthy members have come and gone, he’s held things together, regardless of how much of a mess he himself seems during any given performance.

These days, Handler’s band features Peace Beast frontwoman Kelly Queener as well as some other capable if slightly lesser-known players. The sound they churn out on their new LP has a stumbling, louche glamour to it, and is sure to slowly entrance you as its tendrils work their way from the Flora stage into your waiting mind. Ladygod will be joined on this bill by Rikki Shay (and the Martin Ruthless, I guess?), whose indie hipster-lounge funk sound was clarified on their own debut full-length of a few months ago, The Mixed Tapes. Opening sets will also be provided by local singer-songwriter Ben Shepherd and Houston’s Cool Moon. You won’t even dance, you’ll drift blissfully across the floor.

Wednesday, November 1, 8 PM
The American Indie, Fontaine, The Firnats, Don Fredrick @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I admit it–I’m a bit flummoxed by a band calling themselves “The American Indie.” It feels sort of like a band from Oslo calling themselves “The Norwegian Black Metal.” But hey, this is the United States, after all, where anytime we seek to give something profundity, we put the word “American” in the title (American Hustle, American Gangster, American Gigolo, American Idol, American Horror Story, American Dad, etc. ad nauseam). So hey, why not?

The American Indie have a pretty good sound, after all, with a surprising smoothness and some killer melodies that bring together power pop guitars with silky 80s synth-pop keys and killer vocal calisthenics. Their When Money Swallows Up Your Time EP is full of killer tunes that’ll have you hitting the dancefloor the way you normally only do at 80s nights. And then there’s Fontaine, the Boston band joining with Nashvillians The American Indie for this tour. In a geographic surprise, they’ve got a bit more of that heartland jangle than their Southern counterparts. But it all evens out in the end, right? Hot new locals The Firnats and Don Fredrick will get it warmed up in fine fashion, so get set for some good ol’ American Fun!

Thursday, November 2, 6 PM
Pinact, Teen Death, Carry Fisher @ Champion RVA – Free!
Another Thursday, and once again, we’re back at Champion gaining fortification for the last work day of the week with a shot of heavy-duty musical salvation for the low low price of nothing at all. There’s even beer, if that’s your kind of thing. But more importantly, there’s rad music, this week featuring a performance from touring Scottish act Pinact, who just released their second album, The Part That No One Knows. Its killer punk riffs incorporate the sorts of awesome post-Nirvana early-90s alt-rock influences that have been showing up across the indie underground for the past few years to outstanding effect. It also features some excellent choruses that will stick in your head and refuse to go away, keeping your toes tapping all night. Who can complain about that?

Pinact are excellently paired with local rockin’ punk trio Teen Death, who have been back on the radar after a relatively quiet last year or so with a bunch of local shows and a recent trip to The Fest in Gainesville, FL. These guys mix early 90s influences of their own with some crunchy garage sounds that crank up the punk quotient and give you something to snarl about. Recent Woodbridge transplants Carry Fisher kick things off with what promises to be the noisiest, sloppiest set of the night–and if you don’t think those are good qualities, I’ll have to ask you to re-evaluate what you look for in good music. Come to this one ready to rock, because the heavy jolt of energy this show is packing is sure to get you moving.

Friday, November 3, 8 PM
Chino Amobi, McKinley Dixon & Friends, Toxic Moxie, Lotus @ Strange Matter – $8
Chino Amobi has remained steadily fascinating throughout his lengthy tenure as part of the RVA music scene. Beginning in his days performing under the name Diamond Black Hearted Boy and continuing to his current solo work, Amobi’s had a constant sonic thrust paired with an intense political message, all of which added up to rejecting of current political realities through genre-spanning works of experimental gothic noise pop. Or something like that. Deep dives into his recently released album PARADISO, the sonic environments of which often give the lie to the sunny-sounding title, will yield a variety of strange electronic grooves, which sometimes bring a hypnotic funk sensibility sure to charm any listener, and other times disrupt themselves with harsh explosions of found sound. It changes from moment to moment, and while the change can wrong-foot you a bit, it’s always an engrossing experience, reflecting Amobi’s noted antipathy towards passive listening. Your listening experience at Strange Matter this Friday night will be an active one–Amobi guarantees it.

In this performance, he unites with several other Richmond artists to raise funds for Advocates For Richmond Youth, an activist group dedicated to preventing youth homelessness in our area. A worthy cause, one that it’s no surprise to see uniting POC and LGBTQ artists who themselves are members of marginalized groups more likely to encounter the grim reality of homelessness than the average person. It’s not just words on paper to them. And not only is this clear from listening to Amobi’s music, it shines through just as brightly from the music of hot local rapper McKinley Dixon, who’s brought a notable social consciousness to his meteoric rise through the ranks of Richmond musicians. Meanwhile, disco-punk ragers Toxic Moxie have always shown a dedication to moving bodies with tremendous grooves backed by sincere conviction. I’m not as familiar with newcomers Lotus, who open this night of noise for a cause, but their position on this bill alone is enough to speak well for them. Come catch this whole show, and dance your ass off for a good cause!

Photo via Facebook

Saturday, November 4, 7 PM
Blitzen Trapper, Lilly Hiatt @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
I’ll say this for Blitzen Trapper–they haven’t settled into some sort of mid-career rut. No, the band’s recent days have seen them putting together a full-on stage production, debuted in their Portland, OR hometown earlier this year. And you can make cracks about the fact that of course it’s a band from the setting of Portlandia who are the ones to do something like this, or how go figure that a band with major Springsteen influences have finally done what Bruce’s critics always accused him of, i.e. turning rock n’ roll into a Broadway show, but the songs that are part of Wild N’ Reckless are enough to hush up any such wisecracks in a big hurry. The seven-song rock opera joins with five more songs on the band’s new album of the same name, and its title track has a real Desire-era Dylan fed through, yes, 70s Springsteen sound, but I can’t imagine why anyone would complain about that.

Make no mistake, these songs have a real darkness at their heart. Blitzen Trapper is older and wiser now, finding themselves looking back at their younger days and wondering if they can somehow recapture the energy of those days and feel truly alive again without reliving the mistakes they made back then. It’s kind of an alt-country Beach Slang move, if anything, and fans of groups from The Band to the Drive-By Truckers should find something to enjoy here, both musically and lyrically. And you know, it’s always a great to catch a band at the moment of their big statement, so if you were ever gonna go see Blitzen Trapper, you couldn’t do better than going this Saturday night. You’re sure to feel some feels.

Sunday, November 5, 6 PM
Knuckle Puck, Movements, With Confidence, Homesafe, Everview @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
OMG, y’all. This show almost escaped my notice, because I had forgotten to check the Canal Club’s website. Thank god I headed over there randomly this morning as I was getting this column together–I would definitely never want to miss a show by one of my favorite melodic punk bands of the past several years. If I’d missed this show I would have cried–just like I have done more than once while listening to their records. Hey, I’m not too proud to admit it. The brand new Knuckle Puck LP, Shapeshifter, was also news to me, which is if anything embarrassing in light of my long-professed fandom for this group. But if you need any reason to actually take the plunge on this show, one listen to the new album should be enough to give you plenty.

While the band has steadily grown from the rawness of their early EPs, this full-length follows on the heels of their debut LP, Copacetic, in its simultaneous leavening of the band’s harsh teenage momentum with heartfelt melody without doing anything to dull the powerful emotional punch their music packs. If there’s only one pop-punk band you’re still willing to hang with in this post-Fall Out Boy world (and who could blame you, with what that band sounds like now? We all got burned by that one), Knuckle Puck are an excellent choice. And I’m right there making it with you. Get down there early, because all-ages shows don’t observe “rock time,” and make sure you catch the excellent opening bands as well. But yeah, I admit it–this show is all about Knuckle Puck for me. If they play “No Good” I’m gonna freak out.

Photo via Bandcamp

Monday, November 6, 8 PM
Earthling, Knight Terror, Left Cross, Lore @ Strange Matter – $8 (order tickets HERE)
It’s a Monday night double whammy, as two local labels present two Virginia bands that just released albums on their respective labels to an always-rabid RVA metal scene. We start off with headliners Earthling, who’ve been around the scene here in the Commonwealth for years and have returned to Forcefield Records for a follow-up to their 2013 Forcefield release, Dark Path. The new record, Spinning In The Void, sees the band carrying on its tradition of epic riffs and intricate songcraft complete with an always jet-black vein of crust, doom, and black metal running through things. And really, could you expect anything less?

You’re in luck, because there’s not less but MORE! Local thrashers Left Cross have their first full-length on deck for you as well, this one coming from fellow local powerhouse label Vinyl Conflict. Chaos Ascension finds these guys continuing to ply their trade in late 80s death metal moves, channeling Scream Bloody Gore and Slowly We Rot with abandon on this brutal full-length. A special bonus appearance by Knight Terror, who hail from Brooklyn, feature members of Mutilation Rites, and are every bit as raw and ripping as these two facts would lead you to expect, is sure to thrill all assembled.

Tuesday, November 7, 8 PM
Demoncy, Crurifragium, Ululatum Tollunt, ASM, American @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
I hope you didn’t think that last show is as brutal as things would get in this column. Sure, Earthling, Left Cross, and Knight Terror are all pretty blackened, but the unutterable horror of Demoncy takes things to another level entirely. Their killer 2012 album Enthroned Is the Night was released on Nuclear War Now (so you know they’re for real) and features a constant low-end pummeling rumble laden with blast beats and topped with a sinister, throaty growl that speaks of Satan and infinity with sinister intent. Halloween was last Tuesday, but this band doesn’t care for your petty holidays–they’re terrifying all the time.

Fellow Seattle-ites Crurifragium (which seems like the sort of name a band picks mainly because of the ways its letters flow together to create a totally brutal logo) bring more high-end guitar buzz than Demoncy on their most recent full-length, Beasts Of the Temple of Satan, but the result is essentially the same–and really, how could you expect anything less from an album with that title? Prepare to throw the horns and bang your head, because this show is going to bring the beast out of you.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]