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VA Shows You Must See This Week: June 19 – June 25

Marilyn Drew Necci | June 19, 2019

Topics: 3:33, Altria Theater, Among The Rocks And Roots, Briana Marela, Brunswick, Capital Ale House Music Hall, Corrina Repp, Daddy Long Legs, Damien Jurado, Father John Misty, Fred Abong, gallery 5, Greenbeard, Hotspit, Jade Bird, Jason Isbell & the 400 Unit, Kristin Hersh, Lady Killer, M4DF4C3, Magnus Lush, Minor Poet, Moon Hooch, Nathan-Paul & The Admirables, Plastic Pyramid, Sediment Arts, The Broadberry, The Bush League, The Camel, The Connells, The Golden Pony, The HellHounds, The Jefferson Theater, The Wimps, Toxic Moxie, Wonderland

FEATURED SHOW
Sunday, June 23, 7 PM
Toxic Moxie (Photo by David Morton), Magnus Lush, Among The Rocks And Roots @ Gallery 5 – $6 in advance/$8 day of show (order tickets HERE)

One of the core principles of this-here column is as follows: local music, specifically music from Richmond, is awesome. But that’s not just because our city had the fortune of attracting (or incubating) a lot of really talented people. A big part of what makes this relatively small US city so great at producing a ton of wonderful sounds from talented musicians is the community that exists within the scene here. Pretty much everyone involved in the local scene works to help support each other in our mutual creative endeavors. That’s not only true across styles and genres, it’s also true for people who don’t necessarily play music themselves — the promoters, the photographers, the zine-makers, even the kids who just go to a lot of shows and help make sure that bands get paid.

In that spirit, it’s great to see three local bands with significantly different sounds all coming together at Gallery 5 this Sunday to help a friend. I’ve never known Celeste Canady to play in a band, but her photography and overall scene support has made her an essential member of Richmond’s music community for years. Now she’s headed off to start the next chapter in her life by moving to Chicago — and three great Richmond bands are playing this fundraiser to help Celeste on her way.

Whether you personally know Celeste and also want to contribute, or are just looking for a great night of local music to cap off your weekend, Gallery 5 is the place to be this Sunday night. Toxic Moxie are our headliners, and they’ve been teasing a new LP for a damn minute now, so chances that this show will bring you a live preview of their killer new material are pretty high, I’d say. Magnus Lush’s excellent post-hardcore sound is always captivating and worth your time. And Among The Rocks And Roots are still building yet further from their 2018 LP, Raga, a creative peak in their epic multi-movement song construction and noisy, raging, yet hypnotic and enticing bass-drum duo sound. These groups are very different, but they are all excellent, they’re all coming out of Richmond, and best of all, they’re all coming together to support members of their community. Gotta love it.

Wednesday, June 19, 7 PM
Daddy Long Legs (Photo by Colby Sadeghi), The Bush League, The HellHounds @ Capital Ale House Music Hall – $10 (order tickets HERE)

It’s not exactly in the mainstream eye right now, but if you know where to look, you’re sure to notice that there’s quite the revival in rootsy, bluesy rock n’ roll happening these days. Daddy Long Legs are part of that whole thing — the NYC three-piece play music landing somewhere between the amplified Chicago blues of Howlin’ Wolf and Little Walter, and the noisy gutbucket howls of The Cramps and Jon Spencer. Hard not to love that!

On their new LP, Lowdown Ways, dish out some rollicking noise, making the most of their unusual lineup configuration — a slide guitarist, a singer who plays blues harp at times and guitar at others, and a drummer with a tiny kit and an ever-present maraca in one hand — and crank out some sounds that will appeal both to fans of early Fat Possum Records superstars like RL Burnside and T-Model Ford, and to Richmond punks who miss the heyday of local roots-punk rippers The Nervous Ticks. All of this adds up to a ton of fun; you’ll certainly be moving your feet if you make it out to this one.

Thursday, June 20, 8 PM
Moon Hooch (Photo by Jeffery Allen), Nathan-Paul & The Admirables, Brunswick @ The Camel – $15 in advance/$18 day of show (order tickets HERE)

I love it when something totally unexpected rolls through town, and that’s why I’m super-stoked to see Moon Hooch coming through. This trio is the kind of thing you’ve almost never seen before — two saxophones and a drummer, plus some occasional electronic augmentation and a completely unpredictable approach to songwriting that creates some of the freshest sounds I’ve encountered in a while. Moon Hooch are definitely not jazz. Nor are they a sax-driven rock n’ roll band. They aren’t an avant-garde experimental noise ensemble, either. And while their latest release, a collaboration with rapper/producer Tonio Sagan, has a decided boom-bap feel, they aren’t hip hop either.

So if Moon Hooch aren’t any of those things, then what are they? Answer: they’re a whole lot of fun. Any group who got their start as subway buskers are sure to know how to entertain a crowd, and Moon Hooch are no exception. They make danceable tunes full of groove and forward motion that are sure to get your booty shaking. Sometimes the result is reminiscent of John Zorn’s more accessible work, while at other times you just may find yourself thinking of Richmonders Dumb Waiter; those of you with longer memories may also end up thinking at times of Morphine. But mostly what you’re going to be thinking about when Moon Hooch are onstage at the Camel is what a great time you’re having. And that’s ultimately the best result possible.

Friday, June 21, 8 PM
Briana Marela, Plastic Pyramid, M4DF4C3 @ Sediment Arts – $9

This Friday night, it’s time to step into a slightly different headspace over at Sediment Arts. Many of us associate shows at art galleries with avant-garde sounds and performances, and while that isn’t universally true, such an instinct is not going to steer you wrong this Friday night. Briana Marela is an electronic musician from the West Coast, who uses her voice to create ambient layers of ethereal melody, then augments these floaty textures of sound with subtle programmed beats, synths, and gorgeous vocal melodies with their own flawless sense of melodic pop excellence.

The result might make you think of more recent work by Bjork, or even Grimes in her pre-Elon Musk days. But Briana Marela very much has her own thing going on, which she shows both on her most recent LP, 2017’s Call It Love, and a song she created last year in collaboration with Radiolab. “4th Amendment” is a song that uses the Bill Of Rights’ prohibition against unwarranted search and seizure to explore important issues relating to consent. Clearly she’s coming from an intelligent mindset — she’s currently pursuing an MFA in Electronic Music at Mills College — and her complex music demonstrates that, giving the listener a lot of sonic rabbit holes to fall down. In the best way, of course.

Saturday, June 22, 7 PM
Minor Poet (Photo by Joey Wharton), The Wimps, HotSpit @ The Broadberry – $10 in advance/$15 day of show (order tickets HERE)

A whole bunch of Richmond indie musicians — Matthew E. White, Natalie Prass, Lucy Dacus — have made it big in that world over the past several years, and now it appears that Minor Poet’s Andrew Carter is set to follow in their footsteps. Following up on And How!, his 2017 debut LP under the Minor Poet name, Carter has just released his follow-up EP, The Good News, with none other than Sub Pop Records. Which technically makes Minor Poet labelmates with Nirvana, and if that isn’t impressive, I don’t know what is.

OK, actually, I do know what is — the brand new six-song offering from Minor Poet. The Good News is a triumph of pop songcraft, full of lush instrumental augmentation around a really solid core of pop-rock melody that nods toward both the Beatles and the Shins on the way to an excellent, original place of its own. At The Broadberry this Saturday night, Carter and his allies in Minor Poet will bring the whole thing to vibrant Technicolor life before your very eyes. And then you’ll have a chance to grab a copy of The Good News on vinyl for your very own. Trust me, you’re going to want to.

Sunday, June 23, 9 PM
Greenbeard, Lady Killer, 3:33 @ Wonderland – $10

We’ve explored all sorts of multi-faceted sounds and styles this week, but we all know what the music scene in Richmond was built on, so this Sunday night, let’s all head down to Wonderland and get back to our roots in the rich earth of Southern metal. Two Texas bands are headed to Shockoe Bottom to help us out with that, and with a name like Greenbeard, you know the first of these two has to be good. You might wonder whether that name is intended to be a weed reference, but the fact that the first song on their latest EP is called “Contact High II” should remove any doubt.

And of course, these guys churn out exactly the sort of rumbling sun-baked grooves that you’d hope for from any metal band who like to make marijuana references. Greenbeard’s music occupies a territory bordered on one side by the hazy psychedelia of Hawkwind or Monster Magnet, and on the other by the straight-up Camaro grooves of Fu Manchu. If you like spending time in that territory — and let’s be real, who doesn’t? — this show is for you. Fellow Texans Ladykiller push that vibe in a bit more of an 80s cock-rock direction, complete with some of that slightly-awkward “pretty women as scenery” vibe straight out of mid-80s Motley Crue videos. But once they start to play, all doubts go by the wayside — these guys are riff masters, and there’s no denying it. Local metal-punk madmen 3:33 will kick off their next tour with an opening slot on this one, so expect things to be hard n’ heavy from the word go. Which is exactly what you want.

Monday, June 24, 6:30 PM
Jason Isbell & the 400 Unit, Father John Misty, Jade Bird @ Altria Theater – $59.75 – $79.75 (order tickets
HERE)
I’ve been a fan of Jason Isbell since back when he was still in the Drive-By Truckers. He wrote some of the best songs on their albums that he played on, and when he left the group a dozen years ago to kick off a solo career, I certainly wasn’t complaining. Isbell’s been repaying my faith in him ever since, creating half a dozen excellent solo albums thus far. The most recent of these, 2017’s The Nashville Sound, was the first to give his band, the 400 Unit, equal billing, and it makes sense — it’s very much a band record, with a sound that is guaranteed to please everyone who loves heartland rock, alt-country, and any sort of heartfelt anthem delivered with grace and sincerity.

Since that album was released, Isbell has contributed a song to the Star Is Born soundtrack. Meanwhile, his current tourmate, Father John Misty, recently started playing a song that he swears was rejected from that same high-profile film. Of course, as with anything Father John Misty is up to, you’ve got to take it with a grain of salt — the guy’s been one of the music world’s most notorious tricksters since he quit Fleet Foxes and changed his name from plain old Josh Tillman back in 2012. But for someone who’s public persona is sometimes quite difficult to figure out, Father John Misty’s music is always excellent, something he proved yet again on last year’s God’s Favorite Customer. You might hear all sorts of weird between-song pronouncements during his set at the Altria this Monday night — but you’ll definitely hear some powerful music. And that’s really what it’s all about.

Tuesday, June 25, 7 PM
Damien Jurado, Corrina Repp @ Capital Ale House Music Hall – $18 in advance/$20 day of show (order tickets HERE)

Here’s another pretty impressive labelmate Minor Poet can now claim as a result of his Sub Pop signing. Damien Jurado’s been making his spare, affecting music for around 25 years now, and in the late 90s and early 00s, he was recording for Sub Pop, releasing moody acoustic singer-songwriter masterpieces like Ghost Of David back before Iron And Wine was a name anyone knew.

In the years since, Jurado’s released over a dozen albums, at times dabbling in full bands and more electrified sounds. But on his latest, the just-released In The Shape Of A Storm, Damien Jurado has once again returned to his roots, producing an album of haunting ballads that aren’t quite folk, country, indie, or emo, but will likely appeal to people who enjoy any of those genres. Jurado’s music is always an intense, haunted listening experience, even on record. When he takes the stage at Capital Ale House this Tuesday night, you should be prepared for an emotional journey — one that may take you to some pretty dark places. But even so, you’ll be tremendously glad you took the ride.

Elsewhere Around The State:

Saturday, June 22, 7 PM
The Connells @ The Jefferson Theater – $20 (order tickets HERE)

It may very well be that you have to be “of a certain age” to remember the Connells in 2019. And if so, that’s a shame, because while this band’s most successful periods were the college radio era of the late 80s and the post-Nirvana alt-rock boom of the early 90s, their songwriting talent was more than sufficient to make them the authors of some truly classic alt-pop tunes. Granted, they weren’t as heavy as the grunge bands of the day. What’s more, their roots in North Carolina linked them much more closely to fellow Southern indie groups like REM and Dillon Fence than to the quirkier collegiate alt-rock of the Massachusetts area (like the Pixies or Dinosaur Jr).

All the same, songs like “Stone Cold Yesterday,” “Slackjawed,” and “Fun And Games” showed that namesake brothers Mike and David Connell, along with perennial lead vocalist Doug MacMillan, knew exactly how to put together a perfect pop tune. The results on album after album harked back to 60s classics by the Beatles and the Byrds while also indicating a clear kinship with UK groups like The Smiths and The House Of Love. All that sounds pretty great, right? And see, that’s why you should definitely make it out to the Jefferson Theater Saturday night when The Connells come through — regardless of whether or not you saw them on the lawn at your college in 1994. Their heyday may be a bit far back in the rearview, but these songs are timeless.

Tuesday, June 25, 7 PM
Kristin Hersh Electric Trio, Fred Abong @ The Golden Pony – $12 in advance/$14 at the door (order tickets HERE)

Kristin Hersh has been making music for nearly 40 years, and she’s been a unique and fascinating artist that entire time. Beginning in the early 80s with her band Throwing Muses, Hersh used a spiky iconoclasm learned from punk to twist her noisy pop tunes into strange, off-kilter shapes that made the results fascinating. Beginning in the early 90s, Hersh began alternating full-band Throwing Muses albums with more minimal but no less fascinating solo albums, which veered from raw emotional declarations to covers of old Appalachian folk ballads.

These days, Hersh has managed to distill all her disparate musical threads into a single unified sound. 2018’s Possible Dust Clouds integrates the noisy, tangled postpunk sound of Throwing Muses and Hersh’s post-Throwing Muses project, 50 Foot Wave, with the arresting minimalist songcraft of her previous solo material. Now she’s out on tour performing not as a solo artist or a bandleader but something in-between — fronting an Electric Trio featuring former Throwing Muses bassist Fred Abong and former 50 Foot Wave drummer Rob Ahlers. Will the result be an overview of her 35-year recording career, or will Hersh plunge fearlessly into the future on the trail of her unique muse? Regardless of which way things go, the result is sure to be a captivating performance. Head up to Harrisonburg and see it for yourself — it’ll be worth the trip.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 7 – November 13

Marilyn Drew Necci | November 7, 2018

Topics: Ann Beretta, Bennett Wales & The Relief, Bigwig, Butt, classical revolution RVA, CounterPunch, Dad, Doll Baby, Fat Spirit, Fishbone, Flora, Good Riddance, gwar, HAUNT, Jackmove, Jafar Flowers, Madison Turner, Mannequin Pussy, Matthew E. White, Miss May I, Miya Folick, Municipal Waste, NØ Man, Pale Waves, Peabody's, planned parenthood, Roosevelt Collier, Sensual World, Shaka's, shows you must see, Slothrust, strange matter, Super Unison, The Broadberry, The Bush League, The Camel, The Candescents, The HofGarden, The National, Toxic Holocaust, Toxic Moxie, Trey Pollard, Ugly Muscle, Video Shoppe, Wargo

FEATURED SHOW
Saturday, November 10, 8 PM
GWAR, Municipal Waste, Miss May I, Toxic Holocaust, HAUNT @ The National – $22 in advance/$25 at the door (order tickets HERE)
Folks, it’s time once again that we check in on Richmond’s reigning masters of bloodthirsty metal from outer space. Everyone’s favorite homicidal aliens, GWAR, will return to the National’s stage once again this Saturday night, and it’s sure to be an absolute gorefest, so you know what that means — wear your white t-shirts and get ready to be hit by the cannons of goo that are certain to be unleashed. You know the ones; the ones that throw so much blood and guts all over the place that the National has to drape their balconies in bedsheets just to protect the fancy woodwork. If you think you can be anywhere in the same room as GWAR and stay safe from the splatter, you’re sadly mistaken, but that’s OK — getting covered in slimy stuff of uncertain origin is part of what makes GWAR shows so much fun!

Last year, GWAR released their first new album since the death of founder Dave Brockie. The Blood Of Gods sees the crossover sound GWAR have cultivated over the past several albums giving way to a more over-the-top rock n’ roll sound that sees new vocalist (and originator of the Beefcake the Mighty character) Michael Bishop howling and yowling, Ted Nugent-style. There’s still plenty of thrashing going on with GWAR these days, don’t get me wrong; but the fact that the album ends with a cover of AC/DC’s “If You Want Blood (You Got It)” should tell you something about what you can expect, musically speaking, from GWAR these days.

That said, we all know that the gore-saturated show is the main attraction when seeing GWAR live. But there’s plenty of ass-kicking no-show all-go metal on this bill as well. The main attraction for all of you hoping to spend a few hours focusing on banging your head is the one and only Municipal Waste, who’d been largely dormant for most of this decade but returned to action last year with a beefed-up lineup featuring former Cannabis Corpse axe-slinger Nikropolis on rhythm guitars and their first LP in five years, Slime And Punishment. If you haven’t caught up with the Waste since all that went down, rest assured that they’re gonna fuck you up just like they always have. They’ll do it with the able assistance of their best thrashcore pals, Toxic Holocaust, as well as metalcore mainstays Miss May I and up-and-coming Maiden-esque power-metallers HAUNT. It’s a headbanging bonanza, and it’ll be topped off with a serious bloodbath. Should make for a wonderful weekend.

Wednesday, November 7, 7 PM
Slothrust, Mannequin Pussy, Doll Baby @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Look out, all you rock n’ rollers — the 90s are still back, perhaps more back than ever, and one great aspect of that is the continued ascendance of powerful songwriters with rough, distorted guitars that hit you hard even as their lyrics and vocal melodies make you feel some strong emotions. Slothrust is one of those groups, and singer-guitarist Leah Wellman is showing the world exactly what she has to offer on their brand new LP, The Pact, released a couple months ago on Dangerbird Records. There’s a darkness to songs like “Planetarium” and “Fever Doggs” that if anything harks back to a pre-90s, pre-Nirvana sensibility. These songs should strike familiar chords for fans of the Meat Puppets, or Green River, and do a great job of demonstrating that Slothrust has more to offer than an unabashed reiteration of what bands like Babes In Toyland and L7 did before (though don’t get me wrong, there’s a good bit of that in there too).

Slothrust are joined on this bill by Mannequin Pussy, a Philadelphia punk band who’ve been making a strong impact in Richmond for years now, and have also been growing beyond their noisy punk roots, into a sound that encompasses a variety of genres and combines rage, passion, and melody in an inspiring manner. Their 2016 album, Romantic, moves from roaring blasts of punk fury into moments of breathtaking melody, complete with shoegaze-style guitar swells. One thing that’s present on all of their songs is a strong emotional foundation that singer-guitarist Marisa Dabice communicates with everything from a breathy croon to a frustrated scream. No matter where each moment lands on the spectrum of her vocal range, though, all of them are honest, real, and gripping in their intensity. This isn’t one you’re going to want to miss. Local support by Doll Baby, who have a great deal in common with both touring bands, completes a powerful trifecta. You know what to do.

Thursday, November 8, 9 PM
Roosevelt Collier, Bennett Wales & The Relief, The Bush League @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
If you love to hear people wail on the electric guitar, this is the show for you. Roosevelt Collier is a pedal steel guitarist with roots in the same “sacred steel” tradition that brought Robert Randolph and his family band into the world, but Collier combines that gospel-soul sound with a Hendrix-ian approach that finds him in high demand with heavyweights like the Tedeschi-Trucks Band and the Allman Brothers. He’s a core member of Snarky Puppy bassist Michael League’s “World Music All-Star Band,” Bokanté, and he’s finally stepped out on his own this year as the frontman for his own group, which he’ll be bringing to the Camel.

Collier and his backing band are on tour in support of his debut solo album, Exit 16, on which he worked again with Snarky Puppy bassist Michael League. The album displays a hell of a range, moving from uptempo workouts to slow, seductive grooves, all with a very heavy bottom end. Collier’s playing is always the star of the show, and the man gets some outstanding noise out of his pedal-steel axe. While instrumental music can sometimes feel a bit bare-bones, you’ll never miss the vocals when Roosevelt Collier is laying waste to his slide guitar. He joins with VA Beach funk-rockers Bennett Wales and the Relief and RVA’s own blues-wailing machine, The Bush League, to tear the roof off the Camel this Thursday, and you should really be there to see — and hear — it all go down.

Friday, November 9, 7 PM
Pale Waves, Miya Folick, The Candescents @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
These days when you hear the sort of reverbed guitars and ambient synth sounds that have been a marker of the goth-postpunk sound in vogue at the moment for several years now, you expect to know what you’re getting. Dark moods, downcast eyes, sad lyrics full of desolate imagery that connect strongly with your personal alienation as you sit alone in your room in the dark. But haven’t we all had our fill of that sort of approach to the mid-80s postpunk sound? After a few years, all those 80s goth kids turned into bouncy New Wavers that would rather dance to New Order than cry to the Cure anyway — isn’t it time we found an antidote for our own post-millennial kohl-eyeliner blues?

That’s what Pale Waves is here to offer. The Manchester band may trace their aesthetic back to Siouxsie and the Banshees, but their sound is building on the uplifting synth melodies of recent UK postpunk successes CHVRCHES and adding some of the same glittering guitars and melodic bass lines that the original goth bands excelled at. Recently released LP My Mind Makes Noises hits all the right notes for the kids who still want to wear all black but are discovering the thrill of new love and the promise of sunny days. God knows everything is depressing enough these days… don’t we need our music to lift the veil at least a little bit? If you’re ready to dance with a smile on your face rather than tears in your eyes, come to The Broadberry this Friday night and bounce to the music of Pale Waves. It can’t rain all the time.

Saturday, November 10, 7 PM
Eat Your HRT Out: A Trans Health Clinic Benefit, feat. Toxic Moxie, Madison Turner, Wargo, Dad, Jafar Flowers @ Strange Matter – $15-20 suggested donation
I know, I know, I just wrote about Toxic Moxie like two weeks ago. But what was the rule we established the last time I wrote about them? I do believe it was “you will go see Toxic Moxie whenever they play a show.” We just had an election, but this one wasn’t on the ballot, so it is still very much in force. You want punk rage and disco euphoria? You want serious political views leavened with some good-time party energy? Toxic Moxie have got it all.

And what’s more, they’re bringing it to you this time in support of a very good cause. Planned Parenthood’s Trans Health Clinic is one of the only steady providers of transgender-specific health services in Richmond, and considering that trans people are much more likely to be unemployed or underemployed than the general population, their patients are more likely to face economic strain in finding ways to pay for their medical care. What your donation at the door of this show — which, in addition to the disco party punk of Toxic Moxie, will also feature an always-rockin’ full band set from Madison Turner, some electronic dance sounds from Jafar Flowers, and a good bit more — will go toward is helping ensure that prices for Planned Parenthood’s much-needed medical support for the trans community remain as affordable as possible. Plus you’ll have a great time in the bargain, and who doesn’t need more of those?

Sunday, November 11, 8 PM
Video Shoppe, BUTT, Fat Spirit @ Flora – $?
It’s always fascinating to see how people find ways to do a band despite lacking some seemingly crucial core members. Providence duo Video Shoppe easily found a way around this particular dilemma. No drummer? No problem — just bring in a primitive electronic beat machine, trigger it with foot pedals, and stack TVs and VCRs around you to when you play to make up for the fact that there’s nobody flailing away behind a kit and giving the audience some sudden moves to latch onto.

But that sort of creative problem-solving only goes so far if you don’t have some really cool songs to bring to the world when you play, and Video Shoppe’s latest EP, Nostalgia Trap(s), finds them filling that need in excellent fashion as well. Their pounding drum machine makes for an interesting contrast with their delicate postpunk guitar sound, just as their singer’s moody baritone offers an emotional feel completely different from that presented by their chiming melodies. The result has both power and ethereality, and will glow brightly in the dark room at the back of Flora this Sunday night. Their pairing with local ramshackle garage-rockers BUTT and the glorious grunge fury of Fat Spirit will round out the evening into a blast of rock n’ roll fun you’ll be willing to pay whatever the heck they’re actually charging at the door to get into.

Monday, November 12, 8 PM
Super Unison, NØ Man, Sensual World, Ugly Muscle @ Strange Matter – $10 (order tickets HERE)
This is one I’ve been looking forward to. Super Unison recently released their second LP, Stella, and it took their already powerful post-hardcore sound to a whole new level. You may know this group from the fact that singer-bassist Meghan O’Neil previously fronted ripping fastcore band Punch, but from their inception, Super Unison have had a great deal more to offer than O’Neil’s previous group, as they both retain the hardcore velocity of Punch and integrate the sort of driving, noisy energy of bands like Drive Like Jehu (who inspired the group’s name) and Rodan.

Stella finds Super Unison expanding beyond the sound of their 2016 debut LP by incorporating more dynamic shifts within single songs; they’ve also increased the melodic quotient of their guitar riffs, even as O’Neil’s vocals have become harsher and more emotionally-driven. Some might say these guys have been listening to some of the screamo stuff coming out of their home state of California — Vril, say, or Loma Prieta — and I think there’s definitely evidence to support that conclusion. Whether you’re a fan of passionate screamo, hardcore fury, or noisy rock chaos, though, you’re sure to get a lot out of Super Unison’s unrelenting attack. Put yourself in the way of it — you’ll never regret it.

Tuesday, November 13, 6:30 PM
Classical Revolution RVA presents Trey Pollard, Matthew E. White @ The HofGarden – $7 in advance/$10 at the door (order tickets HERE)
This is about as far as you can get from post-hardcore rage, but like they say, variety is the spice of life. It’s also how we keep things interesting here in Richmond, which a lot of people (including me) will tell you is one of the best music cities in the entire country. This Tuesday night sees some tremendously interesting things happening at The HofGarden, as Spacebomb Records head honchos Trey Pollard and Matthew E. White join together with local chamber music collective Classical Revolution RVA in order to present the live premiere of compositions from Pollard’s new album, Antiphone, coming later this month from Spacebomb.

Trey Pollard isn’t the sort of musician we’re used to interacting with here in the indie rock world. He’s a true composer, one who has done orchestral compositions and arrangements for everyone from Spacebomb compatriots Matthew E. White and Natalie Prass to Scottish indie-folk group The Waterboys and This American Life-affiliated podcast S-Town. Now he’s releasing the first album of his own compositions, which was recorded by a 16 piece ensemble earlier this year with Pollard conducting. For the performance at The Hof, a string quintet featuring members of Classical Revolution RVA will play compositions from Antiphone live for the first time. They’ll also accompany Matthew E. White for portions of a solo piano-and-vocal set that he’ll treat us all to, before we dive fully into the bold new works Pollard is bringing into the world. This is an evening for people who love all forms of music, and are most excited to see something unlike anything else out there. If you’re a true music fan, you’re not going to want to miss it.

Bonus Hampton Roads Picks:

Thursday, November 8, 7 PM
Fishbone, Jackmove @ Shaka’s – $27 in advance/$32 day of show (order tickets HERE)
Remember how we were talking earlier about the 90s being back? It doesn’t just show through in the return of sounds and styles that were popular back then; it also shows up in all the bands that are getting back together and returning to the road after decades away. Strictly speaking, this doesn’t describe Fishbone — they’ve been together the whole time, with founding vocalist Angelo Moore and bassist John Norwood Fisher sticking around through thick and thin. However, this year has seen the group return to their classic lineup for the first time since the late 90s. Or, well, that’s not entirely true — no one familiar with the whole saga will be surprised to hear that Kendall Jones isn’t back. But other than Jones, the lineup responsible for classic late-80s/early-90s LPs Truth And Soul, The Reality Of My Surroundings, and the unforgettably titled Give A Monkey A Brain and He’ll Swear He’s The Center Of The Universe is back once again and hitting the road to remind us why we loved Fishbone back in the day.

Of course, some of you are going to wonder what the heck I’m talking about. I hear you muttering: “Who is Fishbone, and why does it even matter?” Here’s the deal: back when “funk-punk” was a real, up-and-coming hybrid genre with underground energy and vitality, Fishbone were at the center of it. Never mind Red Hot Chili Peppers (who knew enough to shout Fishbone out constantly on their early albums); tracks like “Party At Ground Zero,” “Bonin’ In The Boneyard,” “Swim,” and “Everyday Sunshine” showed a talented group absorbing everything from ska and soul to hardcore and metal, then spitting it all back out in a wave of talented originality like nothing else out there, then or now. The members of Fishbone are quite a bit older now, but the songs they created in their heyday are still great, and their talent (and singer Angelo Moore’s boundless energy) are undiminished. This show will be both the perfect introduction for the young ‘uns among you and an outstanding opportunity for those of us who know exactly what Fishbone is all about to see the classic lineup in full nutt-megalomaniac form. Hell yeah.

Saturday, November 10, 7 PM
Good Riddance, Bigwig, Ann Beretta, Counterpunch @ Peabody’s – $20 in advance/$22 day of show (order tickets HERE)
And speaking of excellent bands from prior eras returning to demonstrate that they’ve still got it going on… here’s an excellent example of not one but THREE melodic punk bands of the 90s doing exactly that. California’s Good Riddance are at the top of this bill, nicknamed the “Fall Brawl 2018,” and they’ve got the kind of gritty hardcore feel underlying their more melodic moments to back that name up. Of the 90s Fat Wreck bands that cemented the skatepunk genre as the go-to sound for a generation of rebellious high school freshmen, Good Riddance were always the toughest, the dirtiest, the most hardcore. Returning to action a few years ago after almost a decade away, 2015’s Peace In Our Time showed that Good Riddance still had the goods.

New Jersey’s Bigwig haven’t made a new album in over a decade, but they’ve stayed on the road, cranking out their brand of metallically-melodic skatepunk for years now, and they’re still bringing the fire as well. More momentous news for longtime fans of RVA punk has been the return over the past couple of years of Ann Beretta, who were mainstays here in Richmond back in the late 90s but have been out of action since shortly after the dawning of the new millennium. They came back to us this year with Old Scars, New Blood, a new album of old hits rerecorded for the modern era, and the word is that they’re working on another entirely new collection that’ll hit town in the near future. This weekend, though, old-school RVA heads and melodic punk skate rats alike are gonna want to gas up the coupe and head down to Peabody’s, because this show is going to be full of excellent sounds from the past three decades of punk rock awesomeness.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

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