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VA Shows You Must See This Week: November 14 – November 20

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FEATURED SHOW
Thursday, November 15, 9 PM
Forward, Headsplitters, Loud Night, Cement Shoes @ Flora – $10
Burning Spirits. To most, perhaps, it’s a vaguely paranormal-sounding phrase with no real significance beyond that. But for the diehard punks and hardcore kids in the know, it is a password to some of the wildest, craziest, and greatest hardcore the genre has ever produced. Apparently the name Burning Spirits comes from a series of venues that graced Japan in the 80s, but these days it’s a signifier of the bands that came from those venues: Death Side, Bastard, Tetsu Arei, Judgment, etc. These bands had a huge influence on the punk, hardcore, and grind scenes around the world as the 80s turned into the 90s, and while many of them were done by the end of that decade, a new generation of bands formed in their wake.

Forward is one of those bands, and perhaps the most legendary. Formed in the mid-90s by members of Death Side and Insane Youth, they became the foremost torchbearers of burning spirits hardcore over the past two decades. Forward has the traditional Burning Spirits sound, which fused post-Discharge UK hardcore with the speed of Scandinavian crust and the ripping biker-style thrash of early speed metal bands. Motorhead was a key influence as well — in fact, on Forward’s latest EP, Another Dimension, they cover Motorhead’s “Death Or Glory” in tribute to Lemmy Kilmister (RIP) — but they inject surprising melodic touches at the oddest of times, which might be the biggest part of their charm.

Forward making it to Richmond from their native Japan isn’t something that happens every day — in fact, it’s been four years since the last time they came through. It might be at least that long before they make it again. So if you want to come sing along with classics like “Just Go Forward To Death” or “Over The Matter Of Course,” this is your chance. Don’t waste it. New Yorkers Headsplitters are also in on the fun with some raging biker-crust of their own, and Richmond up-and-comers Loud Night and Cement Shoes get this one moving. So spike up your hair, dig out your leather vest, and get ready for some serious circle-pit action.

Wednesday, November 14, 7 PM
Amigo The Devil, Harley Poe, The Wet Boys @ Strange Matter – $15 in advance/$17 day of show (order tickets HERE)
There’s a really interesting stereotype about old-time folk music from the hills of Appalachia. All of it, they’ll tell you, is about degenerate behavior — drugs, gambling, murder, and assorted antisocial behavior. It’s enticing to hear, but other than occasional high-profile exceptions like “Knoxville Girl,” you’re not gonna run across too much from the prewar 78-RPM era that lives up to that billing. But here in 2018, Texas musician Amigo The Devil is doing his best to make that hyped-up legend of folk music’s dark, twisted murder balladry a 21st century reality.

Amigo The Devil plays a banjo, sings in a hypnotic baritone, and has written multiple songs about serial killers, from Ed Gein to Jeffrey Dahmer. He’s even been known to tag his sound as “Murderfolk.” That’s the sort of sound he’s explored on his early EPs; now on debut full-length Everything Is Fine, he’s moving towards a fuller sound with more backing instrumentation. Up front, though, he’s still the same banjo-playing songwriter with an angelic voice and a demonic imagination. He’s joined on this tour by a group with a similar sort of approach to demonic folk music, Harley Poe. These Indiana boys like to sing from the point of view of horrible people, giving them jaunty folk tunes over which to vent their spleens and say horrible things. It’s a forbidden thrill, but it makes for a heck of a fun listen. Give these two artists, as well as VA-based openers The Wet Boys, a night to worm inside your skull, and you might just find yourself walking to work tomorrow humming a song about murder with a big smile on your face. And what could be wrong with that?

Thursday, November 15, 8 PM
Birds And Arrows, Glass Twin, Blush Face @ The Camel – $7
Birds And Arrows have had quite the journey over the past dozen years or so. Starting as a folk duo in North Carolina, the group (which is also a married couple, Andrea and Pete Connolly) pulled up stakes last year and headed across the country to Tucson, AZ. Since resettling there, they’ve been rediscovering rock n’ roll volume, turning up louder and louder. You can hear their newfound embrace of raging noise on single “Stay Down,” which has obvious folk roots in its strummy guitars but nonetheless hits with heavy rockin’ power, like a classic psychedelic stoner tune from the mid-70s.

So what can you expect from Birds And Arrows when they hit The Camel stage tomorrow night? Well, as we’ve always heard, the truth is somewhere in-between, and this duo is sure to bring both the hard-rockin’ power of recent tunes and the more stripped-down feel of their folk roots to life when they play live. They’ll be celebrating the release of their new LP, Arbitrary Magic, which expands on the sound of “Stay Down” and features some overtly political commentary about just how frustrating the current state of our country is. If you’re feeling the frustration, and just need to let out some energy to a high-volume example of rock n’ roll chaos, Birds And Arrows are the band for you. Don’t miss ’em.

Friday, November 16, 7 PM
Druglord, Slump, Lair @ Sound Of Music Studios – $7
You can expect some serious sludge from this loud, noisy affair at Sound Of Music Studios Friday night. Druglord have been dealing out their loud, heavy doom around Richmond for many years now, but returned to the recording arena only recently; new LP New Day Dying is their first release since 2015 EP Deepest Regrets. This is their first release with new bassist Julian Cook, and it shows that despite the departure of local legend Greta Brinkman, these guys can still pound and shred with the best of them.

The new album was released on Sludgelord Records, and it’s an appropriate label for a band with some strong musical resemblances to bands like Grief and Eyehategod. If you’re a fan of slow-motion headbangs and pulverizing low-end distortion, you need to see what this trio has been up to lately. You won’t be disappointed. Heavy-psych weirdos Slump make an intriguing pairing with Druglord for this bill; they trade the sheer slow-motion trudge of Druglord’s sound for some extremely spaced-out ambience of the sort that’ll appeal to Hawkwind fans. Underneath all the trippy noise, though, these guys have some driving riffage that splits the difference between Motorhead and Blue Oyster Cult. Opening up will be Lair, an intriguing newcomer on the Richmond doom metal scene who told you most of what you needed to know about their sound when they released a two-song, 21-minute EP earlier this year. Serious doom, y’all. Get ready.

Saturday, November 17, 7 PM
Mock Orange, Fire In The Radio @ Capital Ale House Music Hall – $15 (order tickets HERE)
It’s been interesting to watch the evolution of our cultural nostalgia over the past several decades of my life. One thing that’s become eminently clear is that nostalgia operates on a 20-year cycle — and the underground is not immune, from the early-00s infatuation with Joy Division-era postpunk to the “emo revival” that was all abuzz circa 2013. While it’s a good idea to be a bit wary of nostalgia, one great thing about the nostalgia cycle as it’s applied to underground music is that sometimes, it causes things that never got enough shine the first time around to receive a long-overdue embrace.

This year, it seems to be Mock Orange’s time to shine; they’re currently on tour to celebrate the 20th anniversary of landmark debut LP Nines And Sixes. That album staked a strong claim on a sound that was somewhere between indie-rock melody and the noisier post-hardcore tendencies of bands like Quicksand and Jawbox. Since then, Mock Orange have evolved quite a bit — they never really stopped making records, and released their sixth album, Put The Kid On The Sleepy Horse, in 2016. Though they still rock hard, their more recent releases show an increased presence of quirky postpunk synths and effects. It’ll be interesting to see how the group applies the results of these evolutions to the material with which they initially made their name. But regardless of the result, the mere fact that Mock Orange are finally getting their due is a positive thing. Whether you’re a curious potential convert or a longtime diehard fan, this show is sure to get your juices flowing.

Sunday, November 18, 7 PM
Tall Heights, Old Sea Brigade, Frances Cone @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one is going to be glorious. Tall Heights have been around for a while now, starting out with a joyfully ethereal indie-folk sound that highlighted the duo’s incredible vocal harmonies. They’ve come a long way since then, though, expanding the group’s instrumentation and lineup well beyond the airy, minimalist melodies on which they made their name. 2016 LP Neptune saw them augmenting their basic guitar-cello configuration with atmospheric percussion and multi-layered synth washes.

Now, with recently-released follow-up Pretty Colors For Your Actions, they’ve taken things to another level entirely, moving away from acoustic folk sounds toward the sort of layered indie-pop productions that have marked the work of Brian Wilson-influenced 21st century experimenters like Animal Collective and Grizzly Bear. Tall Heights have plenty of tunes just as indelible as those of their predecessors, too, and at Capital Ale House this weekend, they’ll dish ’em all out for you. Get ready to bliss out.

Monday, November 19, 8 PM
Bask, Mister Earthbound, Tel @ Strange Matter – $10 (order tickets HERE)
I think we all know there got to be a glut of doom metal bands for a while there, right? Sure, there were a whole bunch who really ruled, and stood head and shoulders above the pack (many of them from right here in Richmond, of course). But new doom bands popping up on a seemingly weekly basis just wore us all down after a while. That’s why it’s been good, in recent years, to see the emergence of groups like Bask — groups that find a way to use the best parts about doom metal (spooky atmosphere, crawling heaviness) in ways we haven’t heard other groups use them a million times before.

Bask’s 2017 LP, Ramble Beyond, does this in brilliant fashion. On this album, Bask uses doom metal’s slowed down tempos and groovy riffs as a part of an expanded sonic palette that incorporates psychedelic astral explorations as well as the evocative melodies of old-time Americana. The result sounds like what you’d get if some talented stoners with a penchant for serious heaviness broke into some old-time Western ballads beneath huge desert skies at twilight. From folk-metal to desert-psych, this band touches on a variety of genres and moods, and as a result has a much broader appeal. Take heart, headbangers — as long as bands are getting this creative with the standard template, doom metal will never die.

Tuesday, November 20, 7 PM
The Story So Far, Turnover, Citizen, Movements @ The National – $23 in advance/$26 at the door (order tickets HERE)
Damn, this one hits close to home. The Story So Far were one of those bands like Knuckle Puck and State Champs and The Wonder Years, the melodic hardcore groups who had enough energy and distortion to appeal to my hardcore punk heart even as their downcast melodies struck me right at the core of my being. This happened a whole lot throughout my 20s and 30s, when I spent most of my time being emotionally vulnerable, alienated, and alone. Life’s gotten a whole lot better for me over the past few years, and I don’t feel that way much anymore (thank god), but I will admit that I’ll always have a soft spot for bands like The Story So Far.

But I’m not just reliving memories of great records they put out years ago — The Story So Far released their fourth album, Proper Dose, only weeks ago, and somehow managed to outdo themselves yet again, bettering their classic self-titled album from a few years ago as well as 2013’s milestone in depressed melodicore awesomeness, What You Don’t See. On Proper Dose, The Story So Far brandch out a bit sound-wise. But they still sound sad, like the post-teenage self-doubt, alienation, and ennui is weighing on them just as hard as ever, despite the fact that they play much bigger venues when they go on tour now. Honestly, I get it — bigger crowds never seemed to make Kurt Cobain feel any better either. But at least when they look out from the stage of the National Tuesday night, they’ll feel a little less alone. You will too if you make the trip down, and between continued amazingness from our consistently brilliant headliners and a slate of outstanding support acts topped by VA’s own Turnover, there’s a lot to enjoy… or at least connect with. And sometimes that’s what we really need.

Bonus Hampton Roads Picks:

Friday, November 16, 8 PM
Part Time, Fenster, Blood Sound, Zabeth @ Charlie’s American Cafe – $12 in advance/$15 at the door (order tickets HERE)
Those of you who sit up late at night watching dumpstered VHS tapes of 80s movies on your crappy thrifted VCR are sure to get something out of what Part Time is doing. This group, the creation of California-based songwriter David Loca, taps into the warped sounds of decaying videotapes and obsolete synthesizers to create the Part Time sound. The group has been around for a decade, releasing cassettes through Burger Records and building a following with their indie-influenced take on 80s new wave electronica, but with new LP Spell #6, freshly released via Tough Love Records, they’re going mega. The album features a guest appearance by obvious influence Ariel Pink, and lush ballads like “So Far Away” and “Hide” capture the lovelorn feel of the best bedroom-pop creations.

Part Time are joined on this bill by Berlin, Germany’s Fenster, who play some strange indie pop sounds of their own. They’ve done some intriguing and memorable things, including a feature-length film entitled Emocean (2015), which documented the band’s attempt to complete their third album while trapped in an alternate dimension. Or so they tell us. New album The Room finds the group continuing to explore sonic possibilities, from space-age lounge music to alternate-universe postpunk. Fenster might throw you for a loop at points, but they keep your feet moving and your ears enchanted by melody. And isn’t that what’s important? Don’t let the static hypnotize you — this dual-headliner bill is more than worth switching off the TV and leaving the bedroom for.

Saturday, November 17, 7 PM
Airpark, Babe Club, Court Street Company @ Toast – $7 in advance/$10 day of show (order tickets HERE)
Nashville’s Airpark is ready for their close-up. This duo of Ford brothers, Ben and Michael Jr., have a lush sound that, on recent single “Devotion,” harks back past modern folk-pop into the early 70s heyday of singer-songwriter soft rock. Chiming acoustic guitars and gorgeous vocal harmonies set the tone, grounded by a rock-solid rhythm section and some creative songwriting choices. The group has released two EPs so far, Early Works volumes 1 and 2, but their forthcoming follow-up promises to take us beyond the early stuff as Airpark comes into their own.

When they make their way to the stage of Norfolk’s Toast, they’ll be well prepared to show the audience what they’ve got to offer. And so will South Carolina’s Babe Club, a newly-formed duo whose members both split from SC indie band Susto earlier this year. For the group’s frontwoman, Jenna Desmond, this group offers her a chance to step out from her previous role in Susto as the female bass player in a band full of men, and express her feelings about being a woman in Trump’s America. She does this over intricate guitar melodies from bandmate Corey Campbell, as well as her own driving bassline, on debut single “Hate Myself,” which gives an intriguing preview of what this group will have in store for us when they hit the stage. If it’s all this stunning and memorable, Babe Club will give Airpark a run for their money. No matter how it turns out, though, you’re going to want to be there and hear it all go down.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Top Image by Lindsay Eastham

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 7 – November 13

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, November 10, 8 PM
GWAR, Municipal Waste, Miss May I, Toxic Holocaust, HAUNT @ The National – $22 in advance/$25 at the door (order tickets HERE)
Folks, it’s time once again that we check in on Richmond’s reigning masters of bloodthirsty metal from outer space. Everyone’s favorite homicidal aliens, GWAR, will return to the National’s stage once again this Saturday night, and it’s sure to be an absolute gorefest, so you know what that means — wear your white t-shirts and get ready to be hit by the cannons of goo that are certain to be unleashed. You know the ones; the ones that throw so much blood and guts all over the place that the National has to drape their balconies in bedsheets just to protect the fancy woodwork. If you think you can be anywhere in the same room as GWAR and stay safe from the splatter, you’re sadly mistaken, but that’s OK — getting covered in slimy stuff of uncertain origin is part of what makes GWAR shows so much fun!

Last year, GWAR released their first new album since the death of founder Dave Brockie. The Blood Of Gods sees the crossover sound GWAR have cultivated over the past several albums giving way to a more over-the-top rock n’ roll sound that sees new vocalist (and originator of the Beefcake the Mighty character) Michael Bishop howling and yowling, Ted Nugent-style. There’s still plenty of thrashing going on with GWAR these days, don’t get me wrong; but the fact that the album ends with a cover of AC/DC’s “If You Want Blood (You Got It)” should tell you something about what you can expect, musically speaking, from GWAR these days.

That said, we all know that the gore-saturated show is the main attraction when seeing GWAR live. But there’s plenty of ass-kicking no-show all-go metal on this bill as well. The main attraction for all of you hoping to spend a few hours focusing on banging your head is the one and only Municipal Waste, who’d been largely dormant for most of this decade but returned to action last year with a beefed-up lineup featuring former Cannabis Corpse axe-slinger Nikropolis on rhythm guitars and their first LP in five years, Slime And Punishment. If you haven’t caught up with the Waste since all that went down, rest assured that they’re gonna fuck you up just like they always have. They’ll do it with the able assistance of their best thrashcore pals, Toxic Holocaust, as well as metalcore mainstays Miss May I and up-and-coming Maiden-esque power-metallers HAUNT. It’s a headbanging bonanza, and it’ll be topped off with a serious bloodbath. Should make for a wonderful weekend.

Wednesday, November 7, 7 PM
Slothrust, Mannequin Pussy, Doll Baby @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Look out, all you rock n’ rollers — the 90s are still back, perhaps more back than ever, and one great aspect of that is the continued ascendance of powerful songwriters with rough, distorted guitars that hit you hard even as their lyrics and vocal melodies make you feel some strong emotions. Slothrust is one of those groups, and singer-guitarist Leah Wellman is showing the world exactly what she has to offer on their brand new LP, The Pact, released a couple months ago on Dangerbird Records. There’s a darkness to songs like “Planetarium” and “Fever Doggs” that if anything harks back to a pre-90s, pre-Nirvana sensibility. These songs should strike familiar chords for fans of the Meat Puppets, or Green River, and do a great job of demonstrating that Slothrust has more to offer than an unabashed reiteration of what bands like Babes In Toyland and L7 did before (though don’t get me wrong, there’s a good bit of that in there too).

Slothrust are joined on this bill by Mannequin Pussy, a Philadelphia punk band who’ve been making a strong impact in Richmond for years now, and have also been growing beyond their noisy punk roots, into a sound that encompasses a variety of genres and combines rage, passion, and melody in an inspiring manner. Their 2016 album, Romantic, moves from roaring blasts of punk fury into moments of breathtaking melody, complete with shoegaze-style guitar swells. One thing that’s present on all of their songs is a strong emotional foundation that singer-guitarist Marisa Dabice communicates with everything from a breathy croon to a frustrated scream. No matter where each moment lands on the spectrum of her vocal range, though, all of them are honest, real, and gripping in their intensity. This isn’t one you’re going to want to miss. Local support by Doll Baby, who have a great deal in common with both touring bands, completes a powerful trifecta. You know what to do.

Thursday, November 8, 9 PM
Roosevelt Collier, Bennett Wales & The Relief, The Bush League @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
If you love to hear people wail on the electric guitar, this is the show for you. Roosevelt Collier is a pedal steel guitarist with roots in the same “sacred steel” tradition that brought Robert Randolph and his family band into the world, but Collier combines that gospel-soul sound with a Hendrix-ian approach that finds him in high demand with heavyweights like the Tedeschi-Trucks Band and the Allman Brothers. He’s a core member of Snarky Puppy bassist Michael League’s “World Music All-Star Band,” Bokanté, and he’s finally stepped out on his own this year as the frontman for his own group, which he’ll be bringing to the Camel.

Collier and his backing band are on tour in support of his debut solo album, Exit 16, on which he worked again with Snarky Puppy bassist Michael League. The album displays a hell of a range, moving from uptempo workouts to slow, seductive grooves, all with a very heavy bottom end. Collier’s playing is always the star of the show, and the man gets some outstanding noise out of his pedal-steel axe. While instrumental music can sometimes feel a bit bare-bones, you’ll never miss the vocals when Roosevelt Collier is laying waste to his slide guitar. He joins with VA Beach funk-rockers Bennett Wales and the Relief and RVA’s own blues-wailing machine, The Bush League, to tear the roof off the Camel this Thursday, and you should really be there to see — and hear — it all go down.

Friday, November 9, 7 PM
Pale Waves, Miya Folick, The Candescents @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
These days when you hear the sort of reverbed guitars and ambient synth sounds that have been a marker of the goth-postpunk sound in vogue at the moment for several years now, you expect to know what you’re getting. Dark moods, downcast eyes, sad lyrics full of desolate imagery that connect strongly with your personal alienation as you sit alone in your room in the dark. But haven’t we all had our fill of that sort of approach to the mid-80s postpunk sound? After a few years, all those 80s goth kids turned into bouncy New Wavers that would rather dance to New Order than cry to the Cure anyway — isn’t it time we found an antidote for our own post-millennial kohl-eyeliner blues?

That’s what Pale Waves is here to offer. The Manchester band may trace their aesthetic back to Siouxsie and the Banshees, but their sound is building on the uplifting synth melodies of recent UK postpunk successes CHVRCHES and adding some of the same glittering guitars and melodic bass lines that the original goth bands excelled at. Recently released LP My Mind Makes Noises hits all the right notes for the kids who still want to wear all black but are discovering the thrill of new love and the promise of sunny days. God knows everything is depressing enough these days… don’t we need our music to lift the veil at least a little bit? If you’re ready to dance with a smile on your face rather than tears in your eyes, come to The Broadberry this Friday night and bounce to the music of Pale Waves. It can’t rain all the time.

Saturday, November 10, 7 PM
Eat Your HRT Out: A Trans Health Clinic Benefit, feat. Toxic Moxie, Madison Turner, Wargo, Dad, Jafar Flowers @ Strange Matter – $15-20 suggested donation
I know, I know, I just wrote about Toxic Moxie like two weeks ago. But what was the rule we established the last time I wrote about them? I do believe it was “you will go see Toxic Moxie whenever they play a show.” We just had an election, but this one wasn’t on the ballot, so it is still very much in force. You want punk rage and disco euphoria? You want serious political views leavened with some good-time party energy? Toxic Moxie have got it all.

And what’s more, they’re bringing it to you this time in support of a very good cause. Planned Parenthood’s Trans Health Clinic is one of the only steady providers of transgender-specific health services in Richmond, and considering that trans people are much more likely to be unemployed or underemployed than the general population, their patients are more likely to face economic strain in finding ways to pay for their medical care. What your donation at the door of this show — which, in addition to the disco party punk of Toxic Moxie, will also feature an always-rockin’ full band set from Madison Turner, some electronic dance sounds from Jafar Flowers, and a good bit more — will go toward is helping ensure that prices for Planned Parenthood’s much-needed medical support for the trans community remain as affordable as possible. Plus you’ll have a great time in the bargain, and who doesn’t need more of those?

Sunday, November 11, 8 PM
Video Shoppe, BUTT, Fat Spirit @ Flora – $?
It’s always fascinating to see how people find ways to do a band despite lacking some seemingly crucial core members. Providence duo Video Shoppe easily found a way around this particular dilemma. No drummer? No problem — just bring in a primitive electronic beat machine, trigger it with foot pedals, and stack TVs and VCRs around you to when you play to make up for the fact that there’s nobody flailing away behind a kit and giving the audience some sudden moves to latch onto.

But that sort of creative problem-solving only goes so far if you don’t have some really cool songs to bring to the world when you play, and Video Shoppe’s latest EP, Nostalgia Trap(s), finds them filling that need in excellent fashion as well. Their pounding drum machine makes for an interesting contrast with their delicate postpunk guitar sound, just as their singer’s moody baritone offers an emotional feel completely different from that presented by their chiming melodies. The result has both power and ethereality, and will glow brightly in the dark room at the back of Flora this Sunday night. Their pairing with local ramshackle garage-rockers BUTT and the glorious grunge fury of Fat Spirit will round out the evening into a blast of rock n’ roll fun you’ll be willing to pay whatever the heck they’re actually charging at the door to get into.

Monday, November 12, 8 PM
Super Unison, NØ Man, Sensual World, Ugly Muscle @ Strange Matter – $10 (order tickets HERE)
This is one I’ve been looking forward to. Super Unison recently released their second LP, Stella, and it took their already powerful post-hardcore sound to a whole new level. You may know this group from the fact that singer-bassist Meghan O’Neil previously fronted ripping fastcore band Punch, but from their inception, Super Unison have had a great deal more to offer than O’Neil’s previous group, as they both retain the hardcore velocity of Punch and integrate the sort of driving, noisy energy of bands like Drive Like Jehu (who inspired the group’s name) and Rodan.

Stella finds Super Unison expanding beyond the sound of their 2016 debut LP by incorporating more dynamic shifts within single songs; they’ve also increased the melodic quotient of their guitar riffs, even as O’Neil’s vocals have become harsher and more emotionally-driven. Some might say these guys have been listening to some of the screamo stuff coming out of their home state of California — Vril, say, or Loma Prieta — and I think there’s definitely evidence to support that conclusion. Whether you’re a fan of passionate screamo, hardcore fury, or noisy rock chaos, though, you’re sure to get a lot out of Super Unison’s unrelenting attack. Put yourself in the way of it — you’ll never regret it.

Tuesday, November 13, 6:30 PM
Classical Revolution RVA presents Trey Pollard, Matthew E. White @ The HofGarden – $7 in advance/$10 at the door (order tickets HERE)
This is about as far as you can get from post-hardcore rage, but like they say, variety is the spice of life. It’s also how we keep things interesting here in Richmond, which a lot of people (including me) will tell you is one of the best music cities in the entire country. This Tuesday night sees some tremendously interesting things happening at The HofGarden, as Spacebomb Records head honchos Trey Pollard and Matthew E. White join together with local chamber music collective Classical Revolution RVA in order to present the live premiere of compositions from Pollard’s new album, Antiphone, coming later this month from Spacebomb.

Trey Pollard isn’t the sort of musician we’re used to interacting with here in the indie rock world. He’s a true composer, one who has done orchestral compositions and arrangements for everyone from Spacebomb compatriots Matthew E. White and Natalie Prass to Scottish indie-folk group The Waterboys and This American Life-affiliated podcast S-Town. Now he’s releasing the first album of his own compositions, which was recorded by a 16 piece ensemble earlier this year with Pollard conducting. For the performance at The Hof, a string quintet featuring members of Classical Revolution RVA will play compositions from Antiphone live for the first time. They’ll also accompany Matthew E. White for portions of a solo piano-and-vocal set that he’ll treat us all to, before we dive fully into the bold new works Pollard is bringing into the world. This is an evening for people who love all forms of music, and are most excited to see something unlike anything else out there. If you’re a true music fan, you’re not going to want to miss it.

Bonus Hampton Roads Picks:

Thursday, November 8, 7 PM
Fishbone, Jackmove @ Shaka’s – $27 in advance/$32 day of show (order tickets HERE)
Remember how we were talking earlier about the 90s being back? It doesn’t just show through in the return of sounds and styles that were popular back then; it also shows up in all the bands that are getting back together and returning to the road after decades away. Strictly speaking, this doesn’t describe Fishbone — they’ve been together the whole time, with founding vocalist Angelo Moore and bassist John Norwood Fisher sticking around through thick and thin. However, this year has seen the group return to their classic lineup for the first time since the late 90s. Or, well, that’s not entirely true — no one familiar with the whole saga will be surprised to hear that Kendall Jones isn’t back. But other than Jones, the lineup responsible for classic late-80s/early-90s LPs Truth And Soul, The Reality Of My Surroundings, and the unforgettably titled Give A Monkey A Brain and He’ll Swear He’s The Center Of The Universe is back once again and hitting the road to remind us why we loved Fishbone back in the day.

Of course, some of you are going to wonder what the heck I’m talking about. I hear you muttering: “Who is Fishbone, and why does it even matter?” Here’s the deal: back when “funk-punk” was a real, up-and-coming hybrid genre with underground energy and vitality, Fishbone were at the center of it. Never mind Red Hot Chili Peppers (who knew enough to shout Fishbone out constantly on their early albums); tracks like “Party At Ground Zero,” “Bonin’ In The Boneyard,” “Swim,” and “Everyday Sunshine” showed a talented group absorbing everything from ska and soul to hardcore and metal, then spitting it all back out in a wave of talented originality like nothing else out there, then or now. The members of Fishbone are quite a bit older now, but the songs they created in their heyday are still great, and their talent (and singer Angelo Moore’s boundless energy) are undiminished. This show will be both the perfect introduction for the young ‘uns among you and an outstanding opportunity for those of us who know exactly what Fishbone is all about to see the classic lineup in full nutt-megalomaniac form. Hell yeah.

Saturday, November 10, 7 PM
Good Riddance, Bigwig, Ann Beretta, Counterpunch @ Peabody’s – $20 in advance/$22 day of show (order tickets HERE)
And speaking of excellent bands from prior eras returning to demonstrate that they’ve still got it going on… here’s an excellent example of not one but THREE melodic punk bands of the 90s doing exactly that. California’s Good Riddance are at the top of this bill, nicknamed the “Fall Brawl 2018,” and they’ve got the kind of gritty hardcore feel underlying their more melodic moments to back that name up. Of the 90s Fat Wreck bands that cemented the skatepunk genre as the go-to sound for a generation of rebellious high school freshmen, Good Riddance were always the toughest, the dirtiest, the most hardcore. Returning to action a few years ago after almost a decade away, 2015’s Peace In Our Time showed that Good Riddance still had the goods.

New Jersey’s Bigwig haven’t made a new album in over a decade, but they’ve stayed on the road, cranking out their brand of metallically-melodic skatepunk for years now, and they’re still bringing the fire as well. More momentous news for longtime fans of RVA punk has been the return over the past couple of years of Ann Beretta, who were mainstays here in Richmond back in the late 90s but have been out of action since shortly after the dawning of the new millennium. They came back to us this year with Old Scars, New Blood, a new album of old hits rerecorded for the modern era, and the word is that they’re working on another entirely new collection that’ll hit town in the near future. This weekend, though, old-school RVA heads and melodic punk skate rats alike are gonna want to gas up the coupe and head down to Peabody’s, because this show is going to be full of excellent sounds from the past three decades of punk rock awesomeness.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 24 – October 30

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Sunday, October 28, 7:30 PM
Titus Andronicus, Ted Leo @ Capital Ale House Music Hall – $20 (Order tickets HERE)
It’s Halloweek, and the main thing everyone knows to expect this week is tribute shows. All sorts of different musicians from all kinds of different local bands regroup in new and fun configurations (or maybe even in the same configuration as their usual band) to learn a bunch of covers by some particular band or other, and play a Halloween show with the logic that they’re “in costume” as this other band. There’s no denying that it’s fun, but it’s become such an expected part of Halloween that these days, it’s everywhere. The custom has even spread to other holidays, like Christmas and Valentine’s Day. And to be honest with you, this year I don’t feel like writing about any of it.

Now, you might think I’m just getting old (true), or that I’m just a grumpy bitch who hates fun (also true), but I prefer to frame the decision to skip the covers shows this year as a push to remind you all that there’s still plenty of other awesome music happening in Richmond this week, and while you could spend the entire week hopping from one tribute show to another, you’ll miss out on a lot of great bands who are doing their actual music in town this week. Call me a stick in the mud all you want, but I don’t feel like feeding into that.

Instead, I’m gonna tell you that you should go see Titus Andronicus this week. Titus Andronicus has been around for quite a while now, and honestly, you’ve had plenty of chances to catch them in town before. But if you’ve been following the career of Patrick Stickles and his ragtag band of punk rockers for a while, you know that it’s always worth catching them again. For one thing, the band is different pretty much every time you see them — not only in personnel but in sound. For another thing, they’ve got a powerful live attack that turns their overwhelming Springsteen-ish soul-revue take on punk rock into a powerful locomotive of urgency.

It may be a little less like that this time, though — brand new LP A Productive Cough is, in many ways, their mellowest effort yet. Featuring seven songs, they lean heavily on their tendency to write rambling epics full of rock n’ roll melodrama — the loudest and heaviest thing on it is a first-person rewrite of Dylan classic “Like A Rolling Stone,” and the most obviously punk-ish tune (“Crass Tattoo”) is a morosely beautiful piano ballad. Will they still bust out the historical-reference-laden ragers live? I’d certainly expect them to, but you’ll ultimately have to find out for yourself. One thing’s for sure, this show — which features an incredible bonus opening set by the legendary Ted Leo, performing solo this time out — will offer way more surprises than any night full of tribute bands.

Wednesday, October 24, 7 PM
Iron Chic, Somerset Thrower, Doll Baby, Talk Me Off @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
Iron Chic have dealt with their share of pain. Two years ago, the group lost guitarist Rob McAllister, who died unexpectedly at only 36. They’ve soldiered on since then, continuing to write the emotionally-driven melodic punk tunes that have always been their stock in trade, now with a new wistfulness and undercurrent of sorrow that runs through 2017 album You Can’t Stay Here, the first written after McAllister’s death. Songs like “Let’s. Get. Dangerous.” and “A Headache With Pictures” show that the band has retained its wry sense of humor and facility with anthemic hooks, as well as retaining a tough edge that explains why Iron Chic seem to be the favorite pop-punk band of hardcore kids.

Speaking of hardcore, Iron Chic’s Long Island tourmates in Somerset Thrower have a much more direct connection to that scene, dishing out melodic post-hardcore in a manner that harks back to the early 90s days of Quicksand and Texas Is the Reason with aplomb on their new LP, Godspeed. Fans of Iron Chic will dig the way Somerset Thrower mixes strong melodies into their Hum-ish guitar crunch, while the hardcore kids among the audience should get a kick of how surprisingly hard this band’s crescendos hit. With Doll Baby providing a bit of a high-lonesome emo sound to the proceedings and Talk Me Off kicking things off in snotty punk fashion, this show is sure to satisfy all comers — even if it does leave you in a bit of a pensive mood.

Thursday, October 25, 6 PM
Carach Angren, Mors Principium Est, Wolfheart, Awaken Cthulhu, Gutted Christ, Deathkids @ The Canal Club – $18 in advance/$22 day of show (order tickets HERE)
OK look — you want some Halloween entertainment? Look no further than the Canal Club this Thursday night. What Dutch black metallers Carach Angren lack in holiday spirit, they more than make up for by being scary as hell. You’ll find this band widely billed as “symphonic black metal,” but if that leads you to expect some Nightwish-style opera-goth bombast, you best think again. These guys know what black metal is about; that being blast beats, tremolo-picked guitar riffs, and hoarse guttural screams. They also know when to let their keyboards take the fore to create some serious atmosphere, but they don’t overdo it — where this kind of music is concerned, they are far more second-LP Emperor than fourth-LP Cradle Of Filth.

So yes, if you want some serious Halloween headbangs, you need look no further. Carach Angren’s 2017 LP, Dance And Laugh Amongst The Rotten, is a slab of ferocity perfectly titled for the Trump era.  And they’re not the only metal ass-kickers coming to the Canal Club Thursday night, either. They’re joined by fellow Europeans Mors Principium Est (“Death is the beginning” in Latin), who bring us some Finnish melodic death metal in the vein of their countrymen Children Of Bodom, perhaps with a bit more of a thrashy edge. Wolfheart are also from Finland, making this show a veritable embarrassment of riches where European metal is concerned; these guys are closer to what Carach Angren do, and if anything go a bit heavier on the black metal end of things. Blast beats ahoy! Local support includes the Tidewater band Awaken Cthulhu, who are seeking to resurrect the Great Old Ones through ripping thrash terror. That’s a mission I can wholeheartedly support. Come, armageddon, come.

Friday, October 26, 9 PM
The Camel’s Friday Festival of Frights, feat. Toxic Moxie, Piranha Rama, Nightcreature, Pagan Reagan @ The Camel – $8 in advance/$10 day of show (order tickets HERE)
I said I was skipping the tribute shows this year, but I can cover Halloween shows full of original music, right? Why am I asking you? I make the damn rules around here! And I’m establishing this rule right now: you will go see Toxic Moxie whenever they play a show. This band does a better job finding the sweet spot between punk rock rampage and disco euphoria than pretty much any other band you’ll find anywhere. And while we still haven’t heard that wealth of new material they’ve been stockpiling in recorded form, it’s easy to catch ahold of their musical whirlwind anytime they take the stage.

They recently acquired a new drummer, and the switch-up didn’t slow them down for a second. Find out for yourself this Friday night at The Camel — it’s sure to be a night of nonstop fun, even when Toxic Moxie aren’t onstage. Nightcreature, a new band who’ve already made a big splash in the time they’ve been playing around Richmond, are bringing us a release party for their debut EP, which confirms what everyone who’s seen them live already knows — these maniacs have rock n’ roll oozing from their pores, and they’re gonna smear it all over you! Piranha Rama’s musical melange will bring the zombie beach party vibe to West Broad St, while DC’s Pagan Reagan drive down to deliver us a set chock-full of surf-garage awesomeness. Plus, there’ll be a costume contest, complete with prizes! Make sure you wear a costume that’s easy to dance in, because you’re gonna be dancing once Toxic Moxie comes on. We guarantee it.

Saturday, October 27, 8 PM
Mary Chapin Carpenter, Laura Cortese and the Dance Cards @ The National – $29.50 in advance (order tickets HERE)
A key sign of my encroaching middle age: I think country music’s pretty tight these days, y’all. I’m still picky about what I like, and all that modern stuff coming out of Nashville is the most fake plastic bro-truck bullshit I’ve ever heard, but some really great musicians have operated in that particular genre milieu over the past few decades, and when they come to town, I feel obligated to let y’all know that I’d probably rather be seeing them than whatever grimy metal show is happening in some dark rock club across town. OK, that isn’t always true, but when Mary Chapin Carpenter comes to town, it definitely is.

Mary Chapin Carpenter had quite the run back in the 90s. From Cajun party jams (“Down At The Twist And Shout”) and heartfelt slices of life (“He Thinks He’ll Keep Her”) to playful romps (“Shut Up And Kiss Me”) and yearning declarations of desire (“Passionate Kisses”), Carpenter gave us a succession of top-10 country hits that showed both a significant musical range and a strong songwriting ability that made her a reliable source of excellent tunes. She’s getting less attention these days, but she’s still at it, making the same excellent music as she ever has. Her thirteenth album, Sometimes Just The Sky, came out earlier this year, and acts as incontrovertible proof that, even three decades later, Mary Chapin Carpenter has the goods. Go to The National this Saturday night and experience the work of an incredibly talented singer-songwriter who’ll remind you that country music can be awesome.

Sunday, October 28, 8 PM
She Wants Revenge, Shadow Age @ The Broadberry – $30 (order tickets HERE)
Halloween may be the scary holiday, it may be the costume holiday, but it’s also definitely the goth holiday, and this is one that’s sure to bring all the goths out of the woodwork, the black hair dye dripping from the tips of their hairsprayed mops… or something like that. She Wants Revenge has been out of the limelight for years, having taken a hiatus after their 2011 third LP, Valleyheart. However, they’ve been slowly ramping back up into full-time action for the past couple of years, and their current tour sees them jumping fully back into the fray with their moody, foreboding take on post-Joy Division gothic postpunk sounds.

The fact that they’re hitting Richmond just in time for Halloween is eminently appropriate, and their pairing with local postpunk trio Shadow Age is equally apropos. Shadow Age just released an excellent self-titled full-length that ramps things up to the next level for the group, injecting their bleak, cold sound with a welcome dose of frenetic energy. Tunes like “Montrose” and “Reign” fulfill the promise of their earlier EPs, and bring us a band at the top of its game. Sadly, they recently posted on facebook that they’d be taking an indefinite hiatus of their own after this show, so this may be the last chance you get to see them perform this material live. If you miss it, you’re sure to regret it. Don’t do that to yourself.

Monday, October 29, 7 PM
Nosferatu feat. live score @ Strange Matter – Free!
I don’t want to give anyone the wrong impression. The fact is, I love horror. I love horror stories, I love horror novels, and I love horror movies. That’s why I can’t possibly prevent myself from recommending this film event taking place at Strange Matter on Monday night. They’ll be showing the classic 1922 silent film Nosferatu, complete with a live score. This film, directed by legendary German filmmaker FW Murnau, is one of the crucial establishing works of horror film, following up on the example of 1920 German expressionist film The Cabinet of Dr. Caligari, and setting the tone for all vampire films to come after.

Murnau’s haunting direction and German stage actor Max Schreck’s unforgettable portrayal of Count Orlok make this suspenseful classic essential viewing, and its status as a silent film opens up a perfect opportunity for some local musicians to enhance the film’s atmosphere with a soundtrack of their own. Members of R-Complex, Prisoner, Asylum, Sinister Haze, Cough, and others will all join together to create a soundscape likely to pull a great deal from these musicians’ backgrounds in metal, noise, punk, and experimental music. It will definitely not be the sort of thing you’ve come to expect from an organ-soundtracked showing of Phantom Of The Opera, but if anything, that makes it better. Head to Strange Matter Monday night and see Nosferatu like you’ve never seen it before.

Tuesday, October 30, 9 PM
Dead Bars, Love Roses, Yeehaw Junction @ Wonderland – $5
Seattle’s Dead Bars are coming to town to liven up the bars in Shockoe Bottom. Well, one bar in particular — Wonderland, the punkest dive bar in the Bottom, which is sure to rise to the Devil’s Night occasion with this show, which constitutes what they’re doing for a Halloween party down there. They may very well go all-out with the decor — we all know Wonderland owner Chad Painter is a big White Zombie fan, after all, and therefore you can assume he takes Halloween seriously. But don’t feel any big sense of obligation — as long as you come to party, you’re sure to have found the right place.

Dead Bars are pretty excellent musically, and though they don’t have any real Halloween-like attributes — most of their stuff is solidly in line with the musical tradition of their label, No Idea; which is to say, anthemic pop-punk with witty lyrics about struggling through life with one foot in the gutter — they’re sure to rock the place like no other. And that’s what we all really want. Locals Love Roses will do a very similar sort of thing, but at twice the speed and with twice the velocity. Meanwhile, relative newcomers Yeehaw Junction are bringing some programmed beats and synth whooshes to a place that’s probably not used to this sort of thing. It’ll be interesting to see how that goes over. Regardless, though, this is going to be an excellent night of punk rock jams, whether you care about the holiday or are just looking for something to do on a Tuesday night. Get into it.

Bonus Hampton Roads Picks:

Wednesday, October 24, 5 PM
Bloodletting, feat. Arsis, Internal Bleeding, Pyrexia, AngelMaker, Within Destruction, Crucial Rip @ Shaka’s – $20 in advance/$22 day of show (order tickets HERE)
Now hear this! This show is happening today, it’s happening over an hour from here, and it starts early. You know what that means — if you don’t have your tickets now, you better order ’em immediately and go running out of work full-tilt at 5 PM if you wanna catch the maximum amount of headbanging carnage at Shaka’s tonight. Of course, the main thing you’re gonna want to see is the performance by headliners and hometown favorite sons Arsis, who hail from the Hampton Roads area and are just about to release their sixth LP, Visitant, next week. You’ll get a killer live preview of the record at Shaka’s, complete with sick death-metal riffs, hyperspeed thrash beats, and James Malone’s unmistakable throat-shredding vocals. And who knows? They may even have copies for sale. Regardless, this is sure to be a rager of a set.

And that’s far from the only dose of awesomeness you can expect from this stop of the Bloodletting North American tour. Internal Bleeding, who hail from Long Island, were one of the pivotal groups in establishing the slower, heavier, more breakdown-focused version of death metal that became a New York trademark and helped create the death metal subgenre known as slam. They’re still at it today, having released their sixth album, Corrupting Influence, earlier this month. And they’re still crushing heads with maximum power, which should be brutal music to the ears of anyone who loves death fucking metal. Fellow NY death-metal headcrushers Pyrexia are also on this tour, and while they’re not quite as legendary as Internal Bleeding, they’re maybe a half-step down. This is going to be a hell of a show, y’all, and the fact that AngelMaker, Within Destruction, and VA locals Crucial Rip are also on the bill only sweetens the pot. You know what to do.

Friday, October 26, 6 PM
Piece Of Mind, Typecaste, Atonement, Knife Spitter, Compulse, Patheos @ 37th And Zen – $10 (order tickets HERE)
If you’re looking for some super-tough hardcore, Norfolk is often the place to be. This weekend is no exception — Oklahoma’s Piece Of Mind, who’ve been making their mark in a big way over the past year or so, are rolling through with some harsh, metallic hardcore full of powerful breakdowns and aggressive rage. They recently joined up with Safe Inside Records to release Trilogy, a compilation that pulls together three EPs (hence the name) and sets the stage for a new record soon to come from the band. The new material they’ve previewed thus far shows the same sort of heavy-as-fuck hardcore power that they’ve been dishing out all along; fans of Hatebreed and Buried Alive are sure to appreciate this one.

Piece Of Mind are joined on this bill by equally powerful hardcore crew Typecaste, who hail from Boston and feature a harsher vocal attack and some harder-hitting breakdowns but are very much on the same page overall as Piece Of Mind. If you’re expecting to get anywhere near the stage during their set without being in the middle of a massive mosh pit, I have some news for you: it ain’t gonna happen. This triple threat of touring hardcore heaviness is rounded out by Connecticut rippers Atonement, who are all about the Slayer-style riffs in pursuit of the ultimate powerful breakdown. It works, too — these guys will make your head explode. This show, which also features three killer bands from around the region, including the outstandingly named Knife Spitter, is acting as a benefit for Braeden Branch of VA Beach deathcore band Deathsinger, who recently suffered a collapsed lung and had to be hospitalized. Help a fellow rager cover some medical expenses; kick in the cash at the door, and come to 37th and Zen ready to mosh hard.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 17 – October 23

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Sunday, October 21, 7 PM
OH SEES, Escape-ism @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
Oh goodness. Where to begin with OH SEES? They’ve been Thee Oh Sees. They’ve been OCS. They’ve been Orange County Sound and Orinoka Crash Suite. For their past two albums, they’ve been OH SEES (in all caps). But whatever anyone is calling them these days, this fearless band of psychedelic musical explorers has been rocking out for over two decades now, during which they’ve produced 21 different albums featuring a wide range of sounds and styles.

Right now, they’re coming to Richmond on tour to support their latest album, Smote Reverser, released a couple months ago. On it, band founder, mainstay, and only constant member John Dwyer is backed by the dual-drumming quartet that’s been his musical ensemble for the group’s last five albums (all of which came out in the past 26 months). While his three backing musicians focus on rhythm, Dwyer’s all over the map, contributing not only his usual acid-drenched vocalizations but guitar, keyboards, Mellotron, Wurlitzer, and various effects that all amp up the lysergia and take your head on a one-way trip to the Crab Nebula.

It’s weird, it’s awesome, it’s unforgettable, and in the live environment, it’s something else to see. Dwyer and co. don’t make it to town very often — this is their first trip through Richmond in half a dozen years — and when they do, they make it count. Unfortunately, so do local music fans; this show sold out as we were putting this column together. You’re welcome to hit up the facebook event page and see if anyone’s got an extra they want to sell you (though we have to warn you, you’re not the first in line). But if nothing else, take this as a lesson to ya — when there’s a possibility of seeing OH SEES, you better not wait until I’m telling you about it. Set up a google alert, because believe me, you’re gonna want to get your tickets ASAP.

Wednesday, October 17, 9 PM
Night Business, Bonjinski, Vulcanite @ Flora – Donations requested
You may not make it into the OH SEES show this week, but you’ll certainly be able to check out some brand new local rock n’ roll tonight at Flora, and that’s a pretty good consolation prize, right? All three of these bands are Richmond-based, all of them have just started to make a name for themselves, and all of them are solid rockers with some great tuneage to bless your ears. Night Business may be the first name on the flyer, but they’re also the newest of these groups, with only one track on their Bandcamp account.

However, a quick look at the names of the band members should catch your interest if you’ve been a longtime follower of RVA music. Members of Eliza Battle, Extant Deth, and Five Flew Over (remember them?) are rocking out in this project, and it sounds like just what you’d expect from those bands — uptempo punk with equal tinges of hardcore rage and power-pop melody. It’s great, is what I’m trying to say. And so is Bonjinski, which brings us some of those killer 90s-are-back riffs a la Dinosaur Jr, or for a more modern example, Ovlov. Vulcanite round this out with some Entombed-style biker-core rockouts, with an undeniable 90s influence of their own that shows up in the occasional Nirvana cover. These may not be household names just yet, but this is an unbeatable trio, and you can’t beat the price for this night of music at Flora either. Scoop the change out of your car’s cupholder, drop it in the bucket, and get ready to rock.

Thursday, October 18, 9 PM
CloZee, Frameworks @ The Canal Club – $17 (order tickets HERE)
OK, listen — I know most of you don’t usually get down with EDM. And I hear you — I don’t usually either. But writing off the entirety of any genre of music is always a bad look, so when I get a hot tip from a friend about an EDM artist coming to town that’s not just the usual twirling glowsticks and bass drops, I look into it. And sometimes, I hit paydirt. This is definitely true of French artist CloZee, who comes to the Canal Club Thursday night in support of her debut full-length, Evasion. CloZee isn’t just another electronic artist who gets onstage, punches a button, and bounces around behind a bank of computers while a pre-programmed file plays through the speakers. She’s not just a producer but a talented guitarist, and often plays guitar as part of her performances.

She also pulls from a wide variety of musical influences to create her sound, which integrates musical styles she’s encountered in her travels around the world with a fundamental grounding in melodic electro-dance rhythms. This isn’t music that gets you shaking your booty to eardrum-imploding bass drops — CloZee takes you on a spiritual journey, using her multi-layered soundscapes to evoke far-flung landscapes and inspire your imagination. You can dance to it, but you’ll get just as much out of the show if you just listen to what she’s playing and let your mind go where it will. Don’t worry, hardcore EDM fans, there’ll still be a complex, enthralling light show and plenty of pounding beats — but if that’s all you get out of the evening, you’re missing the best of what CloZee has to offer. Don’t do that.

Friday, October 19, 8 PM
JFA (Photo by James Sakert), Ruin By Design, Sinister Purpose, Deathbirds Surf Club @ Strange Matter – $15 (order tickets HERE)
Sometimes you’ve just got to take it back to the old school, and who better to do that with than JFA? An acronym for Jodie Foster’s Army (which was originally a reference to John Hinckley Jr’s attempt to assassinate Ronald Reagan, allegedly because he wanted to impress Jodie Foster), this Arizona punk band began when a bunch of teenage skate rats wanted to play fast and get under people’s skin. They’ve been doing so for nearly 40 years now, starting with the classic 1981 EP Blatant Localism and their 1983 debut full-length, Valley Of The Yakes. JFA’s connections to the early skateboard culture of Southern California fueled their snotty teenage iconoclasm and love for out-of-control speed, but the group always had unique elements to their sound, drawing from the same surf-guitar style that influenced fellow early West Coast punkers Agent Orange, as well as a low-key weirdness that was all their own.

Their most recent album, Speed Of Sound, has a slightly tougher approach than they showed in the early days, but the nihilistic speed and circle-pit anthems are just as present as ever. No matter what era of their catalog they dip into for their performance at Strange Matter, they’re sure to keep you slamming. As a bonus, they’re joined on this bill by Ruin By Design, the latest driving melodic punk project from former Avail and Lickity Split vocalist Brien Stewart. Their new album, From Ashes To Empowerment, is fast, energetic, and catchy as hell — you’re really gonna wanna see these guys bust it out live. A pair of RVA bands — rockin’ hardcore wildmen Sinister Purpose and retro-surf sweethearts Deathbird Surf Club — will kick things off right and proper.

Saturday, October 20, 9:30 PM
BB and the Blips, Benderheads, Ugly Muscle @ My Noodle & Bar – $8
Here’s some exciting news — the return of UK punk phenom Bryony Beynon to our lovely river city is only days away. You might remember Beynon from her time in the incredible London band Good Throb, a vitriolic burst of musical frustration that took aim squarely at the many frustrations that plague a young woman without much money in our modern misogynistic, class-obsessed society. Their 2014 LP Fuck Off was one of the best albums of the past decade, but the band fell apart soon after its release, and Beynon departed the UK for Australia.

Now she’s back with her new Australian band, BB and the Blips (she’s the BB, if you didn’t guess), and they just released their debut LP, Shame Job, on Thrilling Living Records. Beynon’s energetic vocals are both confrontational and slightly melodic as she delivers odes to feminist heroes (“Materialist Girl”) and sarcastic takes on empty self-help slogans (“The Ballad Of Personal Growth”). Behind her, the Blips bash out some catchy punk tunes that hark back to the catchy rage of foundational punk bands like X-Ray Spex and The Avengers. Like Good Throb, it’s a frenetic dose of witty, angry snark; what’s not to love? Richmond punks Benderheads and Ugly Muscle get this basement-bar show rolling with aplomb, but BB and the Blips are the reason for the season. Don’t miss this one.

Sunday, October 21, 7 PM
Weakened Friends, Nervous Dater, Haybaby @ Capital Ale House Music Hall – $10 (order tickets HERE)
I’m not even gonna front — I’m a sucker for stuff like this. Weakened Friends, who hail from Maine of all places, are a kickass trio pulling from the excellent alt-rock sound of classic 90s bands like Veruca Salt and Nada Surf, as well as more modern excellence like Speedy Ortiz and Swearin’, to create some incredibly catchy distorted-guitar anthems. Debut LP Common Blah will hit the world only two days before Weakened Friends hits Richmond, and you’re gonna want to bring whatever cash you can scrounge up to get yourself a copy.

Frontwoman Sonia Sturino puts a ton of energy and emotion into her music, and it bleeds through her frantic vocal performances on advance singles “Peel” and “Blue Again.” I honestly have no idea how she’ll survive a full set of all-out rocking like this, let alone a full tour, but it’s certainly going to make Weakened Friends’ live show worth watching closely. Tourmates Nervous Dater, who hail from the more conventional hometown of NYC, have a bit more melody and less emotional rage in their sound, but the two bands are definitely simpatico, and are sure to pair exquisitely. Local mainstays Haybaby will get things started, and if you haven’t caught on to them yet, you’re going to want to show up on time. If you have caught on to them, you already know that shit.

Monday, October 22, 7 PM
Charley Crockett, Chamomile and Whiskey @ Capital Ale House Music Hall – $10 in advance/$12 day of show (order tickets HERE)
If you look at Charley Crockett’s name and find yourself singing the theme song to that old Davy Crockett TV show… well, for one thing, you’re at least as old as I am. But for another, you’re onto something — this Texas singer-songwriter really does trace his lineage back to the legendary frontiersman who lost his life at the Alamo. But Charley Crockett is a thoroughly modern young man; growing up on hip hop, he eventually found his way to the streets of New Orleans, where he got into music by busking on the streets. He’s gone through a lot of struggles to get to where he is now — from criminal charges to spending long stretches with no fixed address — but it’s all worked out in the end.

Crockett released his new album — the first of all original material — Lonesome As A Shadow earlier this year, via Nashville conglomerate Thirty Tigers, and it’s got a whole lot of Southern styles wrapped up into it, from old-school country and blues to the Cajun and Tejano sounds he grew up around. Crockett’s music is the real thing, 180 degrees from the million faceless singers with brand-new cowboy hats and overdone fake accents you’ll find on country radio these days. And if you know what true country is all about, you’re sure to appreciate hearing it. Crockett is joined on this bill by Charlottesville’s own youthful progenitors of bluegrass, Chamomile and Whiskey. This show will be the perfect way to chase away a bad case of the Mondays.

Tuesday, October 23, 8 PM
Adult Mom, Derek Ted, Cupid McCoy, Warrington @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Adult Mom’s really come a long way since this project was just Stephanie Knope singing by themselves with a guitar, and I for one am really glad to see it. The group’s 2017 album, Soft Spots, didn’t just bring another top-notch collection of emotionally-driven melodic indie-pop tunes into the world via excellent label Tiny Engines; it also gave a voice to the lovelorn, angst-ridden longings of a new generation of young people with tons of feels who just don’t see themselves represented in the inescapably binary and heteronormative world of mainstream pop music.

Adult Mom makes music for boys, girls, and especially those who don’t fit into either category, who struggle to find their place in the world, to find someone who will see them and love them for who they are and not just whatever restrictive category they can be awkwardly shoved into. On songs like “Full Screen” and “Drive Me Home,” Adult Mom encapsulate all of the beautiful difficulties of our complicated identites, and it’s glorious. No matter what sort of expression feels most natural to you, you’re sure to feel like you fit in at The Camel this Tuesday night. And you’ll hear some excellent music while you’re there — always a good thing.

Bonus Hampton Roads Picks:

Friday, October 19, 9 PM
Yamantaka//Sonic Titan, Gull, Buck Gooter @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
Seeing Yamantaka//Sonic Titan is an awe-inspiring experience. They last made it to Virginia several years ago, touring for their album UZU, and anyone who caught their set at Gallery 5 on that tour knows how outstandingly overwhelming they are as a live act. A lot has happened with the group since that time, though, and this year saw the long-awaited release of their third album, Dirt, which brought it all home with a musical statement that takes Yamantaka//Sonic Titan to a new level of intensity.

On Dirt, the group showcases their incredible range, moving from delicate, atmospheric melodies to pounding metallic explosions of heaviness in back-to-back moments. There’s a triumphant air to some of the album’s most epic moments, and if you find yourself recalling Queen’s heaviest moments, or Iron Maiden’s most dramatic, it’s not without reason. But fans of Bjork and Diamanda Galas might find quite a bit that strikes a chord here too. Yamantaka//Sonic Titan contains multitudes. And their dramatic performances, striking song construction, and incredible musical crescendos are worth the trip down to Norfolk — and then some.

Sunday, October 21, 8 PM
Full Of Hell, Left Cross, Outer Heaven, Ancient Torture Techniques @ Riffhouse Pub – $10 in advance/$12 at the door
Maryland grind maniacs Full Of Hell have never been content with the traditional understanding of what it means to play grindcore. Establishing their bona fides with a couple of excellent super-heavy, hyperfast albums back at the beginning of the decade, they began to move in a more experimental direction, collaborating with legendary Japanese extreme noise pioneer Merzbow and Southern sludge-metal explorers The Body. 2017 saw the release of their latest solo album, Trumpeting Ecstasy, and it showed that Full Of Hell’s brutal, uncompromising vision remained fully intact, with all the throat-destroying screams, metallic riffage, and blast beats you could ever want.

Full Of Hell will carry that legacy forward into some serious eardrum destruction when they take the stage at Riffhouse this Sunday night. But you’d be ill-served to consider this nothing more than a Full Of Hell show. Richmond’s own Left Cross, who find a way to merge the darkest, filthiest edges of the hardcore scene with the primitive origins of US death metal, will also be on hand to rip your face off with a rusty crowbar (we mean that in the best way possible). You’ll also get a set from Pennsylvania death metallers Outer Heaven, whose just-released Realms Of Eternal Decay casts a gloomy, foreboding atmosphere over some outstandingly guttural vocals and shred-tastic metal riffage. Reincarnated Tidewater power-violence nutcases Ancient Torture Technique will start this one off, but if you think they’re just another opening act, they’ll be quick to disabuse you of that notion. Show up on time and ready to headbang — it’s your duty as a true metal warrior.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 26 – October 2

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FEATURED SHOW
Friday, September 28, 8 PM
MDC, The Elected Officials, Cult Of Frost, Lipid, The Alex Jonestown Massacre @ Strange Matter – $12 (order tickets HERE)
I grew up going to punk and metal shows, losing my mind over harsh music with provocative lyrics. I grew up with radical left-wing politics, which are even farther outside the mainstream than they were when I was a teenager, being treated as perfectly normal ways of seeing the world (and to be honest, I still think they are). Therefore, when I see that a band whose nominal acronym has meant (many things, but most often) “Millions Of Dead Cops” is coming to town, all I think is “Oh wow, classic punk band with tremendous career gracing us all with their presence! FEATURED.”

So maybe this isn’t the most family-friendly pick. For those of you who that bugs, I’d recommend scrolling down to the Steely Dan blurb below. For the cool kids among you who stuck around, though, let me explain why MDC are both outstanding and important. Their 1980 debut single, “John Wayne Was A Nazi,” was a groundbreaking early example of re-examining the myths of pop culture to expose the racism, misogyny, and xenophobia lurking at their heart. Their 1982 debut LP, Millions Of Dead Cops, brought us the classic left-wing protest slogan, “No War! No KKK! No Fascist USA!” And it isn’t just their earliest material that deserves celebration; by their 1987 third LP, This Blood’s For You, they had become “Millions Of Damn Christians,” and were infusing their classic speedy hardcore with complex song structures and mind-bending riffs that they still delivered at a million miles an hour.

They’re still relevant today, too. In 2016, they rerecorded their classic tune “Born To Die” as an anti-Trump anthem (chanting “No Trump! No KKK! No Fascist USA!”), then followed that with their first album in over a decade (this time under the name “Millions of Deceived Citizens”), Mein Trumpf, which showed that the hardcore veterans (who still feature three of their four original members) are as fired-up, pissed-off, and full of raging punk tunes as ever. They’ll be joined by fellow politically-informed Texas punk rippers The Elected Officials, as well as Ohio’s Cult Of Frost, who are, of all things, a Celtic Frost tribute act who only play the Hellhammer demos and the first three albums (aw, Monotheist though…). Local freakers Lipid and The Alex Jonestown Massacre will get this started in fine fashion so you can circle-pit all night. No Trump! No KKK! No Fascist USA!

Wednesday, September 26, 8 PM
1476, Paint Store, Desert Altar, Vulcanite @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
As a relatively old lady who was born exactly 500 years after the year Salem, Massachusetts band 1476 named themselves after, I’m a little fuzzy on what was actually going on that year, but if you check Wikipedia, you’ll find that notorious Romanian prince Vlad The Impaler was killed that year, and I think that gives you somewhat of an idea. This band pulls from all sorts of dark, mysterious genres of guitar-based music, from ambient folk and moody progressive rock to hardcore punk and black metal.

On their 2017 album, Our Season Draws Near, they create a foreboding musical atmosphere highlighted by passionate vocals and intricate multilayered guitar riffing, all driven by a ferocious rhythm section. They’re sure to take you on a dark journey of the mind when they hit Strange Matter’s stage tonight, and they’ll be aided in their mission by a trio of local bands who all capture a different aspect of 1476’s multi-genre melange: Paint Store, whose technical instrumental metal sound summons memories of long-gone Richmond legends Breadwinner, for one. For another, Desert Altar, who take a fascinating and fun approach to the whole retro-doom thing. And then there’s the groovy sludge of Vulcanite, starting this night off right. Get into it.

Thursday, September 27, 7 PM
Low Cut Connie, Ruby Boots @ Capital Ale House Music Hall – $15 (order tickets HERE)
When you think of rock n’ roll these days, the piano is not the first instrument you think of. However, we’d be fools to ignore the legacy this instrument has in the history of the music: founding figures like Little Richard and Jerry Lee Lewis used their pianos to generate firestorms of rockin’ energy that set the dancehalls and roadhouses of the mid-50s American South on fire. And now, 60 years later, Low Cut Connie frontman Adam Weiner is coming to Richmond to do it all over again.

Low Cut Connie have a hellacious reputation for killer live shows, and in an NPR interview earlier this year, Weiner talked about his onstage activity, and how he can’t stand to sit still in front of his piano when there’s a crowd to interact with. It’s the fact that he’s able to mix it up, getting sweaty and wild onstage every night, while continuing to crank out the old-school country-tinged rock n’ roll sound of Low Cut Connie — as displayed on new LP Dirty Pictures (Part 2) — with flawless aplomb that makes this group an absolutely unmissable live act.  Bloodshot recording artist Ruby Boots, who’s got a raging femme energy and a powerful country-punk sound, kicks things off in a manner worth arriving early for. So you know what to do — get down to Capital Ale House tomorrow night and see it all for yourself!

Friday, September 28, 6 PM
Come Clean, Sharp Sleeves, Nine Line, We Call This Courage @ Cornerstone Cigar Bar – Free!
I may write a weekly column about music, but y’all, I’ve never claimed to be the coolest girl in the world. I just know what I like. Honestly, that’s a whole lot of stuff, and sometimes it’s stuff that no one else seems to pick up on. About a decade back, the thing I was into that no one else (or at least, no one else over 25) was picking up on was “easycore,” a genre that mixed the chunky guitars of melodic hardcore with the catchiness and emotional tone of pop-punk. A whole bunch of bands were doing this par excellence circa 2010 — Four Year Strong, Fireworks, Set Your Goals — but they all either changed their sound or broke up, and it’s been years now since I heard a really good example of the sound. I miss it.

That’s why I’m stoked to hear about North Carolina’s Come Clean coming to town. Their new EP, From Down The Street, isn’t quite out yet, but their 2016 debut, Won’t Wait, hits all the same pleasure centers for me as classic New Found Glory and first-LP Saves The Day did, and I can never get enough of stuff like that. They’ll be coming to the Cornerstone Cigar Bar (really? I hope they don’t allow smoking in the show room) in the company of Sharp Sleeves, who hail from Blacksburg and have a bit of a Florida tinge (a la Hot Water Music) to their pop-punk. With the addition of RVA locals Nine Line and We Call This Courage, you’re looking at a stacked bill of mid-Atlantic pop-punk excellence. Best of all, this show is free! That might even be worth braving a bit of cigar smoke for (be ready to wash everything you wore immediately afterwards though).

Saturday, September 29, 8 PM
Centerfolds, Something More, Nominee, House & Home @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
One good pop-punk show deserves another, right? And this time, the headliners are local. Centerfolds have a bit of an easycore connection, as some members of Centerfolds used to play music with members of RVA’s leading easycore export, Broadside. However, since their 2017 LP, Bad Heaven, they’ve definitely moved in a more angst-ridden emotional direction — the desperation in their vocals and the minor-chord moods of the guitars are sure to make this band a fave for anyone who stays up late blasting Real Friends and Knuckle Puck records with the lights off (yes, that has definitely been me at times).

Now, if you were paying attention to this column last year around this time, you probably noticed the Common Grounds fest, an eight-band pop-punk package show that featured not only Centerfolds but also the other two headliners on this bill, Baltimore’s Something More and RVA’s own Nominee. I have never hidden the fact that I love Nominee — last year’s Drag Me Out EP was a big personal fave — and Something More have won me over with excellent tunes like “Brentwood Park” (from their split with Carry The Banner) and “All My Best Friends Are Dogs” (from their Dogs EP). Local newcomers House & Home kick this one off, and it’s gonna rule. Get stoked.

Sunday, September 30, 8 PM
Ocean Heights, Venus Milo, Cupid McCoy, Solace Sovay, Missangelbird @ The Camel – $10 (order tickets HERE)
A decade after we first learned that Beyonce was a Grizzly Bear fan, the ever-increasing cross-pollination between the worlds of indie and r&b is a well-established reality. However, there’s still a lot of new territory to explore in the intersections between the two genres, and New Jersey’s Ocean Heights are one of the first groups to start mapping that interstitial space out. The results they’ve generated, showcased most prominently on recent single “No Waves,” are both fascinatingly unpredictable and pleasing in the extreme.

Mixing the sort of jangly guitar that early 80s UK bands like Orange Juice and Tears For Fears were drawing from 70s R&B records anyway with a smooth soul vocal and electronic sound results in some incredibly delicious tunes, the sort of thing that will appeal to anyone who ever wished Chromeo were more sincere, or Mac DeMarco had a bit more funk to his sound. A whole bunch of local groups on a similar tip, including up-and-coming standouts Cupid McCoy, the excellently-named Missangelbird, and the dirty-faced, angel-voiced boys of Venus Milo, are also on the bill. Solace Sovay, who are a bit closer to the indie-shoegaze side of things, will make an appearance to start things out and get the atmosphere in The Camel perfectly aligned for a night of musical deliciousness.

Monday, October 1, 7:30 PM
Steely Dan @ Altria Theater – $49.50 – $149.50 (order tickets HERE)
Would you believe that one of the highest-selling, most-played artists of the 70s and 80s, one of the best-produced and most polished-sounding bands of all time, were also a celebration of decadence with a name derived from a sex toy in William Burroughs’ Naked Lunch? Well, it’s true; not only is that really where Steely Dan’s name comes from, singer Donald Fagen loved to write lyrics glorifying debauched behavior, from giving your phone number to a woman marrying one of your friends in case the relationship doesn’t work out (“Rikki Don’t Lose That Number”) to gratuitous drunk driving (“Deacon Blues”) to getting ratted out by a friend and busted for drugs at Bard College (“My Old School”). So much for your family-friendly alternate show pick, huh?

After the 2017 death of founding guitarist Walter Becker, Steely Dan aren’t quite the same as they once were, but singer-keyboardist Donald Fagen is still holding it down behind the mic, and anyone who ever listened to their records knows that the best element of Steely Dan’s many classic progressive rock albums is the top-notch work from hired-gun studio musicians under Fagen and Becker’s direction. Rest assured the backing band will be a thousand percent on point at this show, and Fagen will sing just as wonderfully as ever about major dudes and Haitian divorces; it’ll be totally worth the $50 second-balcony tickets. Get yours now.

Tuesday, October 2, 7 PM
Death Bells, Narrow Head, True Body, Serqet @ Capital Ale House Music Hall – $10 (order tickets HERE)
I love the way the hardcore kids who are hitting their late 20s these days are all going full-on goth. Something about having that sort of musical background makes bands do a really good job at the whole dark, moody postpunk thing — witness Iceage, Ceremony (the CA one, not the VA one that’s been goth the whole time), and quite a few other bands. Death Bells, who started out in Australia but are located in Cali these days, have a similar thing going on.

Their most recent single, “Echoes,” uses wire-tight guitar leads and foreboding synths to create an atmosphere that is then infused with a dark, spectral energy by their rumbling rhythm section and the powerful, hypnotic voice of frontman Will Canning. For a band that had already hit a high-water mark with 2017 debut LP Standing At The Edge Of The World, it’s a pleasantly surprising ascension to new heights. That’s certainly something you’ll want to experience, as is the set that you’ll get from Death Bells tourmates Narrow Head, who are tapping into that same sort of super-loud shoegaze sound that Jesu and Nothing have done so well with. Norfolk post-punkers True Body and RVA goth-peacepunk band Serqet round out this incredible bill, taking place within the refined halls of Capital Ale House. How strangely appropriate.

Bonus Hampton Roads Picks:

Friday, September 28, 7:30 PM
Meg Myers, Adam Jones @ The NorVA – $18 in advance/$22 at the door (order tickets HERE)
Meg Myers is a new discovery for me, but I really dig her. Her latest album, Take Me To The Disco, has a variety of different sounds going on at once, to the point that it’s hard to know what genre it is or how to even describe it. The best I can tell you is that it should appeal to fans of everything from Bat For Lashes to Garbage to Florence And The Machine; it has that sort of dark postpunk appeal while also incorporating a strong electronically-based pop songwriting sense.

Despite the use of the word “disco” in the title of her latest record, there’s no dance music here — you’re more likely to find crunchy guitars running up against programmed beats, like the best of the post-Nirvana 90s meeting the progressive alt sounds of the 21st century. It is at times tough to categorize, but it’s just as tough to dislike — Meg Myers is a talented lady with a ton of emotional intensity injected into her music, and you’re sure to feel the effects, especially when it’s all happening right in front of you in a live environment.

Saturday, September 29, 7 PM
Super Whatevr, Beach Goons, Dube, Morningside, Party Wave @ 37th and Zen – $12 in advance/$15 day of show (order tickets HERE)
I’ve seen a lot of different ways to render the word “whatever” over the years, from people making a “W” with their fingers to a fad amongst my friends back at the dawn of the current millennium to say “whatev” or even “whatev2k” (boy, that’s aged poorly). I’ve never seen “whatevr” before, but in this time of dropping vowels to look cool, I’m not surprised — just kind of amazed that Super Whatevr don’t write their name in all caps. But I’m actually glad they don’t, because this California alt-rock band have a much more fun and creative sound than I’d expect from any band pulling the MGMT move in 2018.

Their new album, Never Nothing, is full of catchy choruses and bouncy rhythms, mixing a bit of the ol’ emo revival with that disco-fied garage rock thing that a bunch of bands used to make hay while the sun was shining around the turn of the millennium — think the Strokes, Franz Ferdinand, etc. Why am I talking so much about the Y2K era? Maybe this band put me in the mood — but considering how great music was back then, it’s certainly not a bad thing. They’re joined by fellow Californian rock revivalists Beach Goons, who are capable of evoking everything from mid-60s garage raunch to late 50s teenage-queen balladry. Canadian group Dube will also be on the bill, bringing a similarly fun brand of loud-guitar rock n’ roll. If you wanna dance, this show is really where you’re gonna want to be this Saturday. These groups will get you moving.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Mekong Xpress Delivers Funky Soulful Debut Album, ‘Common Knowledge’

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For a group of musicians who came together by accident, Mekong Xpress have kept fans coming back time and time again. Holding down a weekly residency at The Answer Brewpub since 2013, the lively, eclectic group has entertained crowds with their mix of vintage blues, R&B, and funk, and this month, we will finally get to hear what they’ve been working on these past few years with the release of their debut album, “Common Knowledge.”

“It was a really cool, organic experience, I’ve never had anything creative happen like this,” said bassist/vocalist Todd Herrington. “We’re all in heavy touring bands so any second that we had that we could get together, we put a mark in the studio and recorded some stuff.”

The story of how the band formed isn’t the typical “met in college” or “parent’s garage,” or “house show” tale. Herrington, along with guitarist Andrew Raspisarda, keyboardist Ben White (Cris Jacobs Band), and drummer Kelli Strawbridge  (KINGS, Mikrowaves) have An Bui to thank for bringing them together.

After noticing a regularly packed restaurant of musicians on Monday nights, Bui, who owns Mekong and The Answer, suggested the crew start performing at the West Broad Street restaurant.

“The next Monday, the whole back room was set up, we hadn’t played together or anything,” he said. “Some of us knew each other, some of us didn’t. It was a scene. Every Monday night, it was awesome. Everyone would meet there, and then An would teach you about beer, you would be there after hours he would cook for you, the musicians would get to talk about music and hang out.”


Soon, their casual Monday night jam session grew to a full-fledged band, moving over to play The Answer Brewpub a year later with JC Kuhl (sax), Bob Miller (trumpet), Toby Whitaker (trombone), and Hector Barez (percussion), coming on to amplify their sound and round them out as Mekong Xpress and the Get Fresh Horns.

In 2014, the band started writing together and in the fall of that year, they finally headed into the studio at Montrose, working with Adrian Olsen and Alex Spalding on material that would later make up their debut album. Known for their funky, groovy originals as well as covers, this nine-track album is all original material and a soulful collection of songs that was a collaborative process among the group.

The name of the album, also their second single which officially drops Oct. 9, is a personal message to a friend that Herrington said is a favorite among the members.

“We all love ‘Common Knowledge’ and the way it was written, it was this really great creative moment all of us we’re contributing and it was really cool,” he said.

With most members on the road constantly, touring with major acts like Shakira, Foxygen, Blues Traveler, Govt Mule as well as local big names like Bio Ritmo and Matthew E. White., Herrington said Mekong Xpress serves as a fun creative outlet for each of the members even though they can only get together once a week.

“It’s like a release. We can literally never play together other than these Monday nights,” he said.

Mekong Xpress finished up the album this spring and decided to put it out on vinyl through local record label, Egghunt Records.  Herrington has known Egghunt founder Adam Henceroth since childhood, and while they’ve released other material on other labels, when it came to their debut, he said he knew he wanted to collaborate with Henceroth.

“Adam and I had always talked about doing something together and when this project happened, I thought it would be fun to work with him,” he said.

To give you a taste of what’s to come, the band has released the first single, “Light On,” an upbeat, feel-good tune that’s got this super trancey 70s vibe to it featuring local producer Dj Harrison.

“It’s a quirky little thing. It’s another example of us writing together and throwing stuff at the wall and messing around with sounds and sections in the studio,” he said.

According to Herrington, much of the album pulls from the 60s and 70s. The song “Games” has an Earth Wind and Fire vibe for all you old school music lovers. But “Common Knowledge” doesn’t stick to any one genre so there’s a little something in there for everybody, no matter what you get down to.

“There’s instrumental stuff, there’s different genres all over. There’s some jazz funk tunes, there’s some classic rock tunes, some R&B stuff,” he said. “There was no plan we would just write, the four of us would just get together and sit in a room and play off each other and however it sounded was fine.”

And while they’ve performed at Cary St. Cafe and other venues around town, The Answer Brewpub is their home, where that chemistry and creativity initially sparked, and Herrington doesn’t see the band changing that up anytime soon.

“We’ll do it as long as he [An] wants us,” he said. “We love being here, it could be a great crowd it could be three people, it doesn’t really matter, we’re here to just make music together.

Mekong Xpress will throw their record release party next Fri., Sept. 28 at The Camel, with performances by Kenneka Cook and Sid Kingsley. The official online release of the album will drop Oct. 19.

Photos By: Joey Wharton Photography 

 

Music Sponsored By Graduate Richmond