The Camel

VA Shows You Must See This Week: July 3 – July 9

Marilyn Drew Necci | July 3, 2019

Topics: .gif From God, Alexander Mack, BATO, Cary Street Cafe, deviant, Eliza Battle, Elucid, Enforced, Gazm, Genosha, Ghost Ship Octavius, He Is Legend, Heavens Die, Illist, Itch, Kept In Line, MTFR, Museum District, Nature Freak, Nickelus F, Party Nails, Pelicanesis, PRXZM, Raw Breed, RIsing Revolution, Rodes Rollins, Ruin By Design, Ryan Com, Sadistik, Secret Ninja Death Squad, SeeYouSpaceCowboy, shows you must see, Sound Of Music Studios, Studio 239B, The Camel, The Canal Club, The Dark Room, The Donalds, The Golden Pony, The Huntrs, The Native Howl, Vegan Llamas, Vulcanite, Walkie Talkie, Wonderland, Worn

FEATURED SHOW
Friday, July 5, 9 PM
SeeYouSpaceCowboy (Photo by Marte Rowsam), Heavens Die, .gif From God, Nature Freak @ Wonderland – $10
Oh boy, I am super-stoked for this one! And not just because SeeYouSpaceCowboy, one of my favorite metallic hardcore bands of the past few years, is coming to town, but because for once, they’re playing a legally-sanctioned venue rather than a house party. That means I can tell you all about it, and in doing so, point out the underground hotbed that is Richmond’s metallic hardcore/noise/screamo/etc scene — something I rarely get to talk to you guys about, since it mostly takes place in basements and living rooms around the less gentrified parts of town. So don’t just go to this show to rock out — go to this show to learn. If you talk to the right people, you’ve got a good chance of hearing about all the underground spots that host shows like this on a weekly basis — spots I can’t tell you about, because there are hella narcs on the internet.

But none of this would have any purpose if it weren’t for how great of a show this is truly gonna be, and how great all the local shows like this are, no matter the venue. This one is particularly exciting to me because of the arrival of SeeYouSpaceCowboy, a Cowboy Bebop-referencing metallic hardcore band hailing from California and bringing serious pedal-to-the-metal spastic energy on their recent Pure Noise Records debut, Songs For The Firing Squad. This release collects all their early EPs and splits, along with a couple of new songs, to hit you with all the frenetic blast beats, stop-on-a-dime tempo changes, and brutal breakdowns that make this band such a standout.

The fact that SeeYouSpaceCowboy have hit the (relative) bigtime by signing to Pure Noise Records means that, like other screamo-associated bands of the past few years, they’re now in prime position to disassociate themselves from the scene that birthed them. But while Vein publicly insulted Richmond’s own .gif From God on their way up, SeeYouSpaceCowboy are playing with them at this show, so that’s certainly a positive sign. It’s also a benefit for you, the showgoer, since .gif From God is probably the best spastic noisy metalcore band in America other than SeeYouSpaceCowboy right now. The bill is rounded out by Heaven’s Die, who will travel down from VA’s Shenandoah Mountains to bring us some serious low-end mosh brutality, and local newcomers Nature Freak, who have some strong death-thrash DNA and are sure to get your head bangin’.

Wednesday, July 3, 8 PM
Alexander Mack (Photo by Cory Hammons), Ryan Com @ The Dark Room – $8 in advance/$12 at the door (order tickets HERE)
Sometimes midweek brings us big bands stopping through RVA on their way from one huge city to another. But when it doesn’t, you can always count on local venues like The Hofheimer and Vagabond to spotlight some deserving locals and give us some good music to spend our hump day evenings with. This show is actually part of a weekly series called Underexposed, presented each Wednesday at The Hof’s Dark Room, and while the combination of Underexposed with a rapper named Alexander Mack makes “secret world” jokes nigh-irresistible, I have to wonder if the young rapper, who named his most recent album ’91 Two Forty after a Volvo that probably seems ancient to him, is even old enough to get those jokes.

It doesn’t matter to you, the listener, though — what’s important to you is whether this young rapper and producer has a good enough sound to make it worth your while to go see him tonight. The answer from me is a resounding “Yes!”, especially if you like jazzy hip hop with breezy, upbeat flows from a talented lyricist who isn’t above dropping a perfectly-sung hook on ya every now and then. Based on what I’m hearing, it doesn’t seem as if Alexander Mack will remain a secret for long. Meanwhile, Northern Virginia rhymer/singer Ryan Cam has more of an R&B energy on his recent Star Power EP, which will add some contrasting flavor to this evening of fine music you probably haven’t encountered before. It’s the perfect time to get familiar.

Thursday, July 4, 7 PM
He Is Legend, The Native Howl, Vegan Llamas, The Huntrs @ The Canal Club – $15 (order tickets HERE)
I know, I know, it’s America’s birthday, and there’s a ton of Independence Day-themed stuff going on around town on Thursday night. But, can I be honest with you? As a socialist trans woman in the age of Trump, I am about as sick as could be of all the rah-rah flag-waving bullshit I encounter each day. And don’t even get me started on the “Blue Lives Matter” flags I see stuck to car bumpers and flying from trucks every time I leave the house. Fireworks are cool, but where the Fourth of July is concerned this year, I mostly just want to stay inside and get it over with.

Fortunately, there is one show happening in town tomorrow night that’s themed around kickass music. He Is Legend are coming back to town, and only a couple months after I last wrote about them, I’m sending you to see them again so that all of us can escape the jingoism and bang our heads to killer tunes from the band’s sixth and latest album, White Bat. He Is Legend are definitely Southern boys, hailing from Florida and letting some of that swampy blues-sludge energy shine through on their latest material, but this veteran metalcore group has always been obsessed with occult matters, so I’m hoping they don’t stop the show mid-set to demand that we pledge allegiance to the flag or anything. God knows I get enough of that bullshit at car shows these days. Shut up and mosh.

Friday, July 5, 7 PM
Genosha, Ruin By Design, Vulcanite, The Donalds, Illist, Eliza Battle @ Sound Of Music Studios – $5
As Virginia bands go, neither Genosha nor Ruin By Design get enough attention. Genosha definitely proved their worth on last year’s LP, Our Conspiracy, which showed that these Orange County boys have a strong command of blackened thrash, metallic hardcore, and brutal mosh riffage. Meanwhile, veteran quartet Ruin By Design showed off their melodic hardcore chops on last year’s From Ashes To Empowerment, bringing us a tough yet catchy and politically informed sound totally befitting a band featuring former members of none other than Avail.

Now, on Merger, a new split EP on Settle For It Records, these two bands have combined forces in an attempt to take their sounds twice as far as either have gotten on their own. And they’ll be celebrating the musical excellence they’ve created together with this release show at Sound Of Music Studios, right here in good ol’ RVA. You’re going to want to be there, and not just to be blown away by the amazing musical power and performance fury of these two bands, either — they’ve brought together a murderer’s row of fellow Virginia bands to act as support, from punk rockers the Donalds to metallic hardcore maniacs Eliza Battle. This one’s gonna be outstanding; those of you who haven’t caught on to the brilliance of Genosha and Ruin By Design need to get your asses to this show.

Saturday, July 6, 9 PM
Sadistik, Nickelus F, Elucid, MTFR @ Wonderland – $10
I’ve been doing this column for too long. You know how I know? Because sometimes I’m looking at a facebook event page and feel like I’m being personally called out. It’s probably all in my head (seriously, writing about ten shows a week for over five years starts to get to you), but regardless, I will admit it — OK, OK, Wonderland isn’t just for punk and metal shows (anymore). Sadistik is coming through town to prove this to me and anyone else who hasn’t gotten the memo yet with a unique sound that I’d have to describe as gothic hip hop.

On his latest album, Haunted Gardens, Seattle’s own Sadistik raps about dark, heavy subjects overtop of ambient goth beats and funereal melodies, which is kind of what he’s been doing throughout his career. If you liked the downcast melodies of that Soundcloud emo-rap movement that sprung up a few years ago, but really wished for more lyrical skills to go with them, Sadistik is here to grant you that wish. And he’ll be joined on this bill not only by Richmond’s foremost practitioner of rhyme skills, the almighty Nickelus F, but hard-hitting, intelligent New York rapper Elucid and MTFR of South Florida’s Nobodies. They’ll prove you can enjoy an outstanding show at Wonderland without ever feeling the urge to headbang.

Sunday, July 7, 7 PM
Party Nails, PRXZM, Rodes Rollins, Museum District @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Are you ready to dance? You better be this Sunday night, because Party Nails is coming to town, and this LA singer/songwriter/producer has some incredibly catchy electro-pop for you. When she starts dishing out tunes from her latest LP, Past Lives And Paychecks, you’re going to find yourself moving whether you’d planned to or not — so you’ll need to be prepared.

The synth-pop sound she cultivates in her music will definitely appeal to those among you who appreciate an 80s-retro good time, but if your aesthetic is firmly based in the 21st century, no worries — Party Nails has a modern appeal that comes through not only in her multilayered grooves but in the way-too-real subjects she deals with in the lyrics of songs like “So Broke” and “The Luxury Of Love” — seems like all of us are spending are last dollars to have a good time these days, and Party Nails knows that feel. Drop your last couple bucks on a ticket to this show, and dance your cares away.

Monday, July 8, 8 PM
Enforced, Gazm, Deviant, Itch @ Cary Street Cafe – $10
It’s time once again to bring some serious rage to the unlikely confines of Cary Street Cafe, as your Monday night gets exploded with some extremely heavy metallic thrashcore courtesy of Enforced. This RVA quintet has brought major heaviness to the mainstream-hardcore scene, and is about to demonstrate the fullness of their powerful talent on debut full-length At The Walls, coming later this month. Get an in-person preview at Cary Street Cafe this Monday night, and be prepared for some decidedly non-hippiefied mosh.

This show will also mark the final date of a weeklong tour that pairs Montreal’s Gazm with Richmond’s own Deviant. Gazm just released an LP entitled Heavy Vibe Music, but if you think that means they’re gonna hit you with some laid-back psychedelic haze, think again — this Canadian crew manages to mix heavy hardcore riffs with a snotty punk attitude and even, yes, a little bit of psychedelic weirdness to create something rather unique in today’s hardcore scene. Meanwhile, Deviant plays fast, angry hardcore that is primarily focused on a dark, nihilistic, and self-abnegating approach to the idea of sexuality. It’s fascinating, and a bit disturbing, but ultimately riveting, especially when they get that maniacal speed going. Local demo-core heroes Itch will get this whole thing started, apparently for the last time ever — so don’t miss a moment of this one.

Tuesday, July 9, 7:30 PM
Ghost Ship Octavius (Photo by MetalTitans), Rising Revolution @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
This is a great one for all you fans of progressive metal. Whether you prefer the erudite approach taken by Opeth and Porcupine Tree or the operatic occult stylings of Borknagar and Arcturus, you’re sure to find an appeal in Ghost Ship Octavius’s music. Formed by members of Nevermore and God Forbid, this group brings quite a pedigree to their symphonic heaviness.

But it’s vocalist Adon Fanion that really takes them to the next level; his soaring vocal melodies are the most overtly beautiful element of their sound. Meanwhile, the group’s lyrical approach brings majestic, haunted thematic elements to complex songs made up of multiple movements and intriguing dynamic textures — exactly the sort of thing that lends itself to such dramatic lyrics. This group is going to take you on a musical journey when you enter into the Camel on Tuesday night — have the courage to set sail with them. The trip will bring tremendous rewards.

Elsewhere Around The State:

Thursday, July 4, 8 PM
Pelicanesis, Walkie Talkie, Secret Ninja Death Squad @ The Golden Pony – $7 ($5 with space suit)
This truly unique July 4th show all but defies description. However, as one who is never at a loss for words, I will sure give it the old college try. Pelicanesis is a band from Harrisonburg who were active in the earlier part of this decade, releasing an album entitled A New Sun back in 2011. That album detailed the story behind Pelicanesis’s origin, one every bit as complicated as the plot to the Star Wars series, and which I will not even attempt to recapitulate here. The important thing you need to know is that Pelicanesis’s music is intended to act as a recruiting tool for an intergalactic mission to the Pelican Nebula to save the civilization of Sarmantia from future apocalypse.

That’s why you’ll get two bucks off the admission price if you show up to this Pelicanesis reunion show in a spacesuit: the band needs you to join with them and fight off an alien apocalypse. Or something like that — all I can tell you for sure is that you’ll be graced with an evening of digitally-infused progressive metal that somehow manages to be equally reminiscent of Thrice, Squarepusher, Grandaddy, and Iron Maiden. And how often does the opportunity to enjoy such a unique sound come around? Clearly not that often, so instead of worrying about the petty concerns of a self-congratulatory nation on a tiny blue planet, you really might want to consider spending your Independence Day with these heroes from another galaxy. The mission is critical.

Saturday, July 6, 9 PM
Bato, Worn, Raw Breed, Kept In Line @ Studio 239B – $5
Saturday night brings raw hardcore rage to a random studio in Norfolk, courtesy of Brain Hemorrhage Records. Bato, who stand among the fastest and angriest bands Hampton Roads has to offer, are joined on this bill by Pennsylvania’s Worn, who mark themselves as devastating practitioners of His Hero Is Gone-style D-beat hardcore madness on their recent EP, Not Your Game. Expect these guys to unleash a whirlwind of circle-pit fury when they take the stage.

They’ll be joined on this excursion to the 757 by Raw Breed, a Colorado-based collection of ragers who go for more of a straight-up tough-guy HC power on their most recent EP, Collected — which combines two different two-to-three-minute demo releases onto one vinyl 7 inch that still clocks in under five minutes. These guys get straight to the point, and do so with a vengeance. The evening is kicked off by a performance from Chesapeake’s Kept In Line. This band is not only straight edge but named after a Left For Dead song, so I am on board for their furious, noisy attack. Get on board for this show by showing up at 25th and Llewellyn in Norfolk Saturday night. All will become clear once you arrive.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 19 – June 25

Marilyn Drew Necci | June 19, 2019

Topics: 3:33, Altria Theater, Among The Rocks And Roots, Briana Marela, Brunswick, Capital Ale House Music Hall, Corrina Repp, Daddy Long Legs, Damien Jurado, Father John Misty, Fred Abong, gallery 5, Greenbeard, Hotspit, Jade Bird, Jason Isbell & the 400 Unit, Kristin Hersh, Lady Killer, M4DF4C3, Magnus Lush, Minor Poet, Moon Hooch, Nathan-Paul & The Admirables, Plastic Pyramid, Sediment Arts, The Broadberry, The Bush League, The Camel, The Connells, The Golden Pony, The HellHounds, The Jefferson Theater, The Wimps, Toxic Moxie, Wonderland

FEATURED SHOW
Sunday, June 23, 7 PM
Toxic Moxie (Photo by David Morton), Magnus Lush, Among The Rocks And Roots @ Gallery 5 – $6 in advance/$8 day of show (order tickets HERE)
One of the core principles of this-here column is as follows: local music, specifically music from Richmond, is awesome. But that’s not just because our city had the fortune of attracting (or incubating) a lot of really talented people. A big part of what makes this relatively small US city so great at producing a ton of wonderful sounds from talented musicians is the community that exists within the scene here. Pretty much everyone involved in the local scene works to help support each other in our mutual creative endeavors. That’s not only true across styles and genres, it’s also true for people who don’t necessarily play music themselves — the promoters, the photographers, the zine-makers, even the kids who just go to a lot of shows and help make sure that bands get paid.

In that spirit, it’s great to see three local bands with significantly different sounds all coming together at Gallery 5 this Sunday to help a friend. I’ve never known Celeste Canady to play in a band, but her photography and overall scene support has made her an essential member of Richmond’s music community for years. Now she’s headed off to start the next chapter in her life by moving to Chicago — and three great Richmond bands are playing this fundraiser to help Celeste on her way.

Whether you personally know Celeste and also want to contribute, or are just looking for a great night of local music to cap off your weekend, Gallery 5 is the place to be this Sunday night. Toxic Moxie are our headliners, and they’ve been teasing a new LP for a damn minute now, so chances that this show will bring you a live preview of their killer new material are pretty high, I’d say. Magnus Lush’s excellent post-hardcore sound is always captivating and worth your time. And Among The Rocks And Roots are still building yet further from their 2018 LP, Raga, a creative peak in their epic multi-movement song construction and noisy, raging, yet hypnotic and enticing bass-drum duo sound. These groups are very different, but they are all excellent, they’re all coming out of Richmond, and best of all, they’re all coming together to support members of their community. Gotta love it.

Wednesday, June 19, 7 PM
Daddy Long Legs (Photo by Colby Sadeghi), The Bush League, The HellHounds @ Capital Ale House Music Hall – $10 (order tickets HERE)
It’s not exactly in the mainstream eye right now, but if you know where to look, you’re sure to notice that there’s quite the revival in rootsy, bluesy rock n’ roll happening these days. Daddy Long Legs are part of that whole thing — the NYC three-piece play music landing somewhere between the amplified Chicago blues of Howlin’ Wolf and Little Walter, and the noisy gutbucket howls of The Cramps and Jon Spencer. Hard not to love that!

On their new LP, Lowdown Ways, dish out some rollicking noise, making the most of their unusual lineup configuration — a slide guitarist, a singer who plays blues harp at times and guitar at others, and a drummer with a tiny kit and an ever-present maraca in one hand — and crank out some sounds that will appeal both to fans of early Fat Possum Records superstars like RL Burnside and T-Model Ford, and to Richmond punks who miss the heyday of local roots-punk rippers The Nervous Ticks. All of this adds up to a ton of fun; you’ll certainly be moving your feet if you make it out to this one.

Thursday, June 20, 8 PM
Moon Hooch (Photo by Jeffery Allen), Nathan-Paul & The Admirables, Brunswick @ The Camel – $15 in advance/$18 day of show (order tickets HERE)
I love it when something totally unexpected rolls through town, and that’s why I’m super-stoked to see Moon Hooch coming through. This trio is the kind of thing you’ve almost never seen before — two saxophones and a drummer, plus some occasional electronic augmentation and a completely unpredictable approach to songwriting that creates some of the freshest sounds I’ve encountered in a while. Moon Hooch are definitely not jazz. Nor are they a sax-driven rock n’ roll band. They aren’t an avant-garde experimental noise ensemble, either. And while their latest release, a collaboration with rapper/producer Tonio Sagan, has a decided boom-bap feel, they aren’t hip hop either.

So if Moon Hooch aren’t any of those things, then what are they? Answer: they’re a whole lot of fun. Any group who got their start as subway buskers are sure to know how to entertain a crowd, and Moon Hooch are no exception. They make danceable tunes full of groove and forward motion that are sure to get your booty shaking. Sometimes the result is reminiscent of John Zorn’s more accessible work, while at other times you just may find yourself thinking of Richmonders Dumb Waiter; those of you with longer memories may also end up thinking at times of Morphine. But mostly what you’re going to be thinking about when Moon Hooch are onstage at the Camel is what a great time you’re having. And that’s ultimately the best result possible.

Friday, June 21, 8 PM
Briana Marela, Plastic Pyramid, M4DF4C3 @ Sediment Arts – $9
This Friday night, it’s time to step into a slightly different headspace over at Sediment Arts. Many of us associate shows at art galleries with avant-garde sounds and performances, and while that isn’t universally true, such an instinct is not going to steer you wrong this Friday night. Briana Marela is an electronic musician from the West Coast, who uses her voice to create ambient layers of ethereal melody, then augments these floaty textures of sound with subtle programmed beats, synths, and gorgeous vocal melodies with their own flawless sense of melodic pop excellence.

The result might make you think of more recent work by Bjork, or even Grimes in her pre-Elon Musk days. But Briana Marela very much has her own thing going on, which she shows both on her most recent LP, 2017’s Call It Love, and a song she created last year in collaboration with Radiolab. “4th Amendment” is a song that uses the Bill Of Rights’ prohibition against unwarranted search and seizure to explore important issues relating to consent. Clearly she’s coming from an intelligent mindset — she’s currently pursuing an MFA in Electronic Music at Mills College — and her complex music demonstrates that, giving the listener a lot of sonic rabbit holes to fall down. In the best way, of course.

Saturday, June 22, 7 PM
Minor Poet (Photo by Joey Wharton), The Wimps, HotSpit @ The Broadberry – $10 in advance/$15 day of show (order tickets HERE)
A whole bunch of Richmond indie musicians — Matthew E. White, Natalie Prass, Lucy Dacus — have made it big in that world over the past several years, and now it appears that Minor Poet’s Andrew Carter is set to follow in their footsteps. Following up on And How!, his 2017 debut LP under the Minor Poet name, Carter has just released his follow-up EP, The Good News, with none other than Sub Pop Records. Which technically makes Minor Poet labelmates with Nirvana, and if that isn’t impressive, I don’t know what is.

OK, actually, I do know what is — the brand new six-song offering from Minor Poet. The Good News is a triumph of pop songcraft, full of lush instrumental augmentation around a really solid core of pop-rock melody that nods toward both the Beatles and the Shins on the way to an excellent, original place of its own. At The Broadberry this Saturday night, Carter and his allies in Minor Poet will bring the whole thing to vibrant Technicolor life before your very eyes. And then you’ll have a chance to grab a copy of The Good News on vinyl for your very own. Trust me, you’re going to want to.

Sunday, June 23, 9 PM
Greenbeard, Lady Killer, 3:33 @ Wonderland – $10
We’ve explored all sorts of multi-faceted sounds and styles this week, but we all know what the music scene in Richmond was built on, so this Sunday night, let’s all head down to Wonderland and get back to our roots in the rich earth of Southern metal. Two Texas bands are headed to Shockoe Bottom to help us out with that, and with a name like Greenbeard, you know the first of these two has to be good. You might wonder whether that name is intended to be a weed reference, but the fact that the first song on their latest EP is called “Contact High II” should remove any doubt.

And of course, these guys churn out exactly the sort of rumbling sun-baked grooves that you’d hope for from any metal band who like to make marijuana references. Greenbeard’s music occupies a territory bordered on one side by the hazy psychedelia of Hawkwind or Monster Magnet, and on the other by the straight-up Camaro grooves of Fu Manchu. If you like spending time in that territory — and let’s be real, who doesn’t? — this show is for you. Fellow Texans Ladykiller push that vibe in a bit more of an 80s cock-rock direction, complete with some of that slightly-awkward “pretty women as scenery” vibe straight out of mid-80s Motley Crue videos. But once they start to play, all doubts go by the wayside — these guys are riff masters, and there’s no denying it. Local metal-punk madmen 3:33 will kick off their next tour with an opening slot on this one, so expect things to be hard n’ heavy from the word go. Which is exactly what you want.

Monday, June 24, 6:30 PM
Jason Isbell & the 400 Unit, Father John Misty, Jade Bird @ Altria Theater – $59.75 – $79.75 (order tickets HERE)
I’ve been a fan of Jason Isbell since back when he was still in the Drive-By Truckers. He wrote some of the best songs on their albums that he played on, and when he left the group a dozen years ago to kick off a solo career, I certainly wasn’t complaining. Isbell’s been repaying my faith in him ever since, creating half a dozen excellent solo albums thus far. The most recent of these, 2017’s The Nashville Sound, was the first to give his band, the 400 Unit, equal billing, and it makes sense — it’s very much a band record, with a sound that is guaranteed to please everyone who loves heartland rock, alt-country, and any sort of heartfelt anthem delivered with grace and sincerity.

Since that album was released, Isbell has contributed a song to the Star Is Born soundtrack. Meanwhile, his current tourmate, Father John Misty, recently started playing a song that he swears was rejected from that same high-profile film. Of course, as with anything Father John Misty is up to, you’ve got to take it with a grain of salt — the guy’s been one of the music world’s most notorious tricksters since he quit Fleet Foxes and changed his name from plain old Josh Tillman back in 2012. But for someone who’s public persona is sometimes quite difficult to figure out, Father John Misty’s music is always excellent, something he proved yet again on last year’s God’s Favorite Customer. You might hear all sorts of weird between-song pronouncements during his set at the Altria this Monday night — but you’ll definitely hear some powerful music. And that’s really what it’s all about.

Tuesday, June 25, 7 PM
Damien Jurado, Corrina Repp @ Capital Ale House Music Hall – $18 in advance/$20 day of show (order tickets HERE)
Here’s another pretty impressive labelmate Minor Poet can now claim as a result of his Sub Pop signing. Damien Jurado’s been making his spare, affecting music for around 25 years now, and in the late 90s and early 00s, he was recording for Sub Pop, releasing moody acoustic singer-songwriter masterpieces like Ghost Of David back before Iron And Wine was a name anyone knew.

In the years since, Jurado’s released over a dozen albums, at times dabbling in full bands and more electrified sounds. But on his latest, the just-released In The Shape Of A Storm, Damien Jurado has once again returned to his roots, producing an album of haunting ballads that aren’t quite folk, country, indie, or emo, but will likely appeal to people who enjoy any of those genres. Jurado’s music is always an intense, haunted listening experience, even on record. When he takes the stage at Capital Ale House this Tuesday night, you should be prepared for an emotional journey — one that may take you to some pretty dark places. But even so, you’ll be tremendously glad you took the ride.

Elsewhere Around The State:

Saturday, June 22, 7 PM
The Connells @ The Jefferson Theater – $20 (order tickets HERE)
It may very well be that you have to be “of a certain age” to remember the Connells in 2019. And if so, that’s a shame, because while this band’s most successful periods were the college radio era of the late 80s and the post-Nirvana alt-rock boom of the early 90s, their songwriting talent was more than sufficient to make them the authors of some truly classic alt-pop tunes. Granted, they weren’t as heavy as the grunge bands of the day. What’s more, their roots in North Carolina linked them much more closely to fellow Southern indie groups like REM and Dillon Fence than to the quirkier collegiate alt-rock of the Massachusetts area (like the Pixies or Dinosaur Jr).

All the same, songs like “Stone Cold Yesterday,” “Slackjawed,” and “Fun And Games” showed that namesake brothers Mike and David Connell, along with perennial lead vocalist Doug MacMillan, knew exactly how to put together a perfect pop tune. The results on album after album harked back to 60s classics by the Beatles and the Byrds while also indicating a clear kinship with UK groups like The Smiths and The House Of Love. All that sounds pretty great, right? And see, that’s why you should definitely make it out to the Jefferson Theater Saturday night when The Connells come through — regardless of whether or not you saw them on the lawn at your college in 1994. Their heyday may be a bit far back in the rearview, but these songs are timeless.

Tuesday, June 25, 7 PM
Kristin Hersh Electric Trio, Fred Abong @ The Golden Pony – $12 in advance/$14 at the door (order tickets HERE)
Kristin Hersh has been making music for nearly 40 years, and she’s been a unique and fascinating artist that entire time. Beginning in the early 80s with her band Throwing Muses, Hersh used a spiky iconoclasm learned from punk to twist her noisy pop tunes into strange, off-kilter shapes that made the results fascinating. Beginning in the early 90s, Hersh began alternating full-band Throwing Muses albums with more minimal but no less fascinating solo albums, which veered from raw emotional declarations to covers of old Appalachian folk ballads.

These days, Hersh has managed to distill all her disparate musical threads into a single unified sound. 2018’s Possible Dust Clouds integrates the noisy, tangled postpunk sound of Throwing Muses and Hersh’s post-Throwing Muses project, 50 Foot Wave, with the arresting minimalist songcraft of her previous solo material. Now she’s out on tour performing not as a solo artist or a bandleader but something in-between — fronting an Electric Trio featuring former Throwing Muses bassist Fred Abong and former 50 Foot Wave drummer Rob Ahlers. Will the result be an overview of her 35-year recording career, or will Hersh plunge fearlessly into the future on the trail of her unique muse? Regardless of which way things go, the result is sure to be a captivating performance. Head up to Harrisonburg and see it for yourself — it’ll be worth the trip.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 12 – June 18

Marilyn Drew Necci | June 12, 2019

Topics: Bandito's, Black Liver, Cary Street Cafe, CB/BJ, Copperhead, Crab Action, Crystal Spiders, DJ Harrison, Donnie Dale, Earth, Eliza Battle, Florida Man, gallery 5, Gardener, Griffin, Have Mercy, Helms Alee, Modern Chemistry, Nat Digga, New Boss, Ohbliv, Omen Stones, Ostraca, Overo, Prayer Group, Savage Kenny, shows you must see, Space Cubs, The Bridge Progressive Arts Initiative, The Camel, The Canal Club, The Dangerous Summer, The Dark Room, The Golden Pony, The Muckrakers, The National, Todd Rundgren, Wonderland, Woodsy Pride, Zolephants, Zooanzoo

FEATURED SHOW
Friday, June 14, 7 PM
Earth (Photo by Sam Gehrke), Helms Alee @ Gallery 5 – $16 (order tickets HERE)
It’s hard to believe that Earth have been cranking out their pulverizing minimalist drone epics for nearly 30 years now. But it’s true, and despite the band’s incredibly slow pace, bandleader and only constant member Dylan Carlson has never fallen behind when it comes to glacial heaviness. Earth’s early works were a crucial influence on doom-drone cult heroes Sunn 0))); beginning with their fourth album, 2005’s Hex, they became a prime mover in the push to find a bridge between the most apocalyptic end of metal and the sweeping melancholy of American folk and country music.

It’s now been five years since Primitive And Deadly, the group’s eighth album and first in over 20 years to feature vocals. Now they’ve returned with Full Upon Her Burning Lips, released only two weeks ago by a stripped-down lineup that finds only Carlson and drummer Adrienne Davies remaining from the four-to-five-member lineups that made their last five albums. The sound has been stripped down, too; while still retaining some of the folk and country flavors that differentiated their more recent albums from their early drone-uber-alles efforts, Full Upon Her Burning Lips finds Earth focusing once again on the almighty riff. Songs are long, slow, and repetitive, but rather than being boring, they are transcendent, placing you in the kind of hypnagogic headspace so awesomely attained by the legendary Earth 2.

Expect all of that and more when Earth hits the Gallery 5 stage, amps cranked to the maximum. No matter what stage of Earth’s evolution pleases you the most, their current incarnation will have plenty to offer you. And with Seattle psychedelic rangers Helms Alee on the bill, you’ll get a special bonus headtrip that’s worth the price of admission in itself. The group’s epic post-metal sound attains new heights on their latest LP, Noctiluca, and their set will act as the perfect appetizer for Earth’s full serving of epic riff triumph.

Wednesday, June 12, 9 PM
Space Cubs (Photo by Jonathan Sherman), Zooanzoo, Gardener, Donnie Dale @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Things are sure to get interesting tonight at The Camel, as the city will be graced by a visit from Space Cubs. Actually hailing from right here on Earth, this group comes to us from Buffalo and features a strange mix of strong riffage, programmed electronics, and outright weirdness, all driven by the unforgettable vocal presence of frontwoman Suzanne Bonifacio. Sometimes the songs are dancefloor calls to action, sometimes they’re ambient mind-expanders, sometimes they’re completely indescribable. But they’re always awesome.

Space Cubs are accompanied on this trip to the ol’ RVA by Zooanzoo, a Harrisonburg-based project with a similarly indescribable gender-hopping sound. Last year’s Neck Out is a beat-heavy mixtape from outer space, moving from jazz to ambient techno to bedroom-pop and boom-bap beats all in the space of a single song. What form this will take onstage is certainly open to question, but it’s sure to be captivating. Gardener, the solo project of experimental musician Dash Lewis, and Donnie Dale, a moody electronic project with a great deal of soul, will open things up. Get there.

Thursday, June 13, 9 PM
Florida Man, Prayer Group, Copperhead @ Wonderland – $10
We all know about Florida Man — the descriptor generally attached to a person in the news who has done something totally insane and often hilarious. From throwing an alligator through a drive-thru window to wearing a “Fuck The Police” shirt to court, Florida Man is always up to something. It’s that zany anti-social spirit that the band Florida Man — who actually come from South Carolina — conjure up on their latest LP, Tropical Depression.

While it’s easy to come up with adjectives to describe this band’s music — loud, fast, intense — it’s much harder to slot it into a pre-existing genre. Maybe it’s punk, maybe it’s metal, maybe it’s noise-rock or grunge… the truth is, it’s probably a little bit of all those, along with quite a few more. But it’s sure to get you moving and rock you hard when Florida Man rolls into Shockoe Bottom’s punkest club, Wonderland, and that’s what really counts, isn’t it? (Yes.) Florida Man will be joined by Richmond noise-metallers Prayer Group and Copperhead to make this a truly powerful bill that you won’t want to miss out on.

Friday, June 14, 9 PM
Ohbliv, DJ Harrison, Nat Digga, Floppy Sisk @ The Dark Room – $10
Forget what you’ve heard about love and money — beats make the world go round. How would you get out of bed in the morning, or walk down the street to your job, without a good beat? When the world is difficult, beats keep your head up and help you to move ahead. And that’s why, after a long hard week, you just might need a good healthy serving of beats. Never fear, because that’s what you’re going to get at The Dark Room Friday night. Four talented producers at the top of their class both in this city and in the world as a whole will drop a series of deep, hard, head-nodding beats upon you, and you will enjoy every second of it.

The big name here is, of course, Ohbliv, who followed up his immortalization in a Nils Westergard mural with two full-length albums of stone-cold classics so far this year — Soulphonic in January, and Give Thanks last month. An artist this prolific is sure to have some surprises up his sleeve — don’t miss out. He’s joined by the equally formidable DJ Harrison, who in addition to his plentiful work with a variety of jazz ensembles around town, is always giving us beats to move to, most recently with last winter’s IndieGiver. Nat Digga (I see what you did there), formerly known around town as Sound Genesius, remains a mysterious and powerful beatmaker who is decidedly underrated by the city at large. Floppy Sisk, the production alter ego of local jazz musician Griffin Sisk, starts the whole thing up. Come to the Dark Room and let the vibes overtake you.

Saturday, June 15, 6 PM
The Dangerous Summer, Have Mercy, Modern Chemistry, Black Liver @ The Canal Club – $15 (order tickets HERE)
Summer can indeed be dangerous — last summer, Maryland emo band The Dangerous Summer ended a tour by having all of their equipment stolen from their van. But they didn’t let it slow them down; they just made a video about it and carried on. Then they headed home, put together their next album, and got ready to tour again. The group’s fifth album, Mother Nature, comes out this Friday — coincidentally, the day before they come to Richmond and rock the Canal Club. And if you’re as big a fan of moving, powerful, melodic rock music (think Manchester Orchestra) as I am, then you’re definitely going to want to be there.

Fellow Marylanders Have Mercy have a new album coming this summer too — it’s called The Love Life and will be out in August. For now, only one song has been released, but “Clair” shows that the emotionally powerful lyrics and sure-footed melodies of their 2017 comeback, Make The Best Of It, have held true, and that the reconstituted group (only frontman Brian Swindle remains from the lineup that made their first two albums) is moving forward stronger than ever. Either one of these bands on their own would certainly reach must-see levels, but this double-shot of emo power? Absolutely unmissable. Plan accordingly.

Sunday, June 16, 9 PM
Omen Stones, Crystal Spiders, CB/BJ @ Bandito’s – Free!
These days we talk about a ton of different genres that make the Richmond music scene as powerful and outstanding as it is, from jazz and hip hop to indie and Americana. But the genre that first put Richmond on the map is definitely metal, and in 2019, the city’s metal scene remains as rich (no pun intended) as ever. Case in point: Omen Stones, a new trio of Richmond heavy hitters who’ve come together to crank out some powerful grooves in predictably mindblowing fashion.

Omen Stones brings together Tommy Hamilton (Druglord), Erik Larson (Avail/Alabama Thunderpussy), and Ed Fierro (Desert Altar/Tel) into a unit that’s even greater than the sum of its parts. On their recent self-titled EP, this group crafts its formidable stoner-metal lineage into a collection of memorable anthems that forgo doom-metal’s sludgy tempos in favor of some serious Camaro-rattling riffage. Fans of Red Fang, Kyuss, and yes, any of these talented musicians’ former groups certainly need to be on the lookout. And what better place to do it than Bandito’s, where the admission is always free, the sound is always great, and the nachos are always delicious? I sure can’t think of any. Enjoy sets from NC fuzz-jammers Crystal Spiders and local riff titans CB/BJ in the bargain — you won’t regret a second of it.

Monday, June 17, 9 PM
Overo, Ostraca, Eliza Battle @ Cary Street Cafe – $10
It’s always fun to see completely unexpected sounds invade the hippie sanctum that is Cary Street Cafe. No offense to the Deadheads amongst you, but if you ask me, variety, not cannabis, is definitely the spice of life. So shake it up this Monday night, and check out Overo, a new emo-core outfit hailing from Houston, TX, and featuring former members of Football, etc and Perfect Future. No American football-themed song titles this time around (more’s the pity), but the group’s two-song debut single show them moving smoothly and nimbly between driving screamo crescendos and gorgeous melodies. This is definitely a band to watch in 2019, and you can start doing so in just a few short days.

They’ll be joined by Richmond’s foremost practicioners of gloomy metallic screamo, Ostraca — who, coincidentally enough, also feature former members of Perfect Future. Having brought us three full-length albums in the past four years, Ostraca is on a prolific pace, but their music has remained top-notch throughout, and chances are they’ll blow you away with at least one or two new songs at this show. Dark hardcore up-and-comers Eliza Battle will kick this one off with some powerful fury to get you in the mood. Every minute of this will rule — even if none of these bands have dancing-bear stickers on their amps.

Tuesday, June 18, 7:30 PM
Todd Rundgren @ The National – $25 – $43 (order tickets HERE)
For at least half a century now, Todd Rundgren has been one of pop music’s most aggressively original talents. And even now, at 70 years of age, he shows no signs of slowing down. His most recent album, 2017’s White Knight, focused on the sort of electro-synth stylings that are much more common to artists half a century younger than he is, and brought in a variety of celebrity guest vocalists, including everyone from Trent Reznor to Steely Dan’s Donald Fagen to Swedish pop legend Robyn.

But there’s far more than Rundgren’s latest album to recommend seeing him live. His back catalog includes everything from his classic 1972 pop breakthrough, Something/Anything?, to his decade fronting prog-rockers Utopia, to his mid-90s “interactive albums,” which still stand as unique and unreplicated experiments in the possibilities inherent in digital music. While Rundgren has rarely been at the top of the pop charts, he’s built up a strong and loyal cult over his 50-plus year career. Come to the National this Tuesday night and find out why. Expect to have your mind blown in the bargain.

Elsewhere Around the State:

Thursday, June 13, 6 PM
New Boss, The Zolephants, Woodsy Pride @ The Bridge Progressive Arts Initiative – $?
Back when I was in high school and lived in the country outside Charlottesville, I knew what was going on with the music scene in that city. But I graduated and left the area over 25 years ago, so my recent attempts to catch up with things in my former sorta-hometown have been quite illuminating. One fascinating discovery has been New Boss, the local headliners atop this particular bill. On their most recent release, 2018 EP No Breeze, I hear a technicolor spectrum of psychedelic pop, one that pulls from sources like XTC, Guided By Voices, and Of Montreal, as well as the members’ own history in the DIY music scene. It’s a fascinating sound, one that is certainly worth delving more deeply into.

We’ll all get that chance this Thursday night, as New Boss share the bill with some upstate friends with a similar delightfully off-kilter musical vision. The Zolephants are tough to pin down, though it’s certainly fair to point to a fair bit of surf guitar in their mostly-instrumental soundscapes. But The Zolephants aren’t just a post-Y2K take on Man or Astro-Man? — their use of analog synths bring quite a few unusual sounds into the mix, and make the whole thing a lot more fun. They’re accompanied on their trip through C-Ville by Woodsy Pride, a rootsy yet experimental folk-rock project that won’t completely make sense until you hear them. So I recommend you head over to The Bridge Progressive Arts Initiative and do just that.

Saturday, June 15, 8 PM
The Muckrakers, Crab Action, Savage Kenny @ The Golden Pony – $7
Here at RVA Magazine, we don’t often get the chance to engage in proper muckraking — there just isn’t too much shadowy intrigue to dig up when you’re on the arts and culture beat. However, in its own way, the arrival of punk rockers The Muckrakers at Harrisonburg’s The Golden Pony this Saturday night is a huge scoop for all of the music fans on our staff — and in our readership.

The Muckrakers originate from New York, and take the original punk rock credo of being yourself and playing the music you want to hear quite seriously. On 2018 EP The Album’s Off, their sound is fast and furious, simultaneously full of pop-punk melody and metallic hardcore intensity. The result sounds like what you’d get if Bad Religion and Iron Reagan made a record together — and if that sounds awesome to you, then you’re on our wavelength for sure. Head out to the Golden Pony this Saturday night and do some headbanging muckraking of your own. You heard it here first!

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 5 – June 11

Marilyn Drew Necci | June 5, 2019

Topics: Angel Dust, Asylum 213, Bandito's, Berries, Big Gorgeous, Broken Beaches, Brown's Island, Cardinal, Cary Street Cafe, Charlie's American Cafe, Colder Planets, Colin Phils, Comrades, Cuzco, Dave Watkins, Deli Kings, Doll Baby, Dumb Waiter, Eaves, evolv, F.R.E.E., feat. MAP Quintet, Firehouse Theatre, Founding Fathers, friday cheers, gallery 5, Gel, Ghost Piss, Glitterer, Gouge Away, Gull, Gumming, Honor Code, ING, Invalids, Kore Rozzik, Ladada, Larrabee/Millner Duo, Mingus Awareness Project, Nervous System, New Turks, Nita Strauss, Piranha Rama, POST RVA Fest, Post Sixty Five, Raging Nathans, Raise Hell Over The Summer, Retrosphere, ROC KANDI, Saint Mingus, shows you must see, shy low, Smoke Break, Spooky Cool, Street Weapon, Talk Me Off, THE BBC, The Broadberry, The Camel, The Canal Club, The Teskey Brothers, The War And Treaty, Toast, Truth Cult, Unity Fight, way shape or form

FEATURED SHOW
Saturday, June 8, 7 PM
New Turks (Photo by Sarmistha Talukdar), Gumming, Deli Kings, Ghost Piss, F.R.E.E., ing @ Gallery 5 – $5 in advance/$10 day of show (order tickets HERE)
The arrival of Raw Mom Presents on the Richmond live music scene has made me really happy, mainly because it allows my old pal Rivanna Youngpool to put her personal stamp on some of the shows she puts on at Gallery 5. Years ago, when we were roommates, Rivanna worked hard to make the shows she booked in our living room safe, welcoming, and fun, and to keep the emphasis on community and friendship. Now that she’s booking at a real venue, it’s nice to see her keeping the vibe alive with an awesome all-local show to celebrate her birthday.

As befitting any birthday party, this one is full of friends, and the headliners in particular are two long-lost friends you’ll all want to see. Heavy bass-drum duo New Turks rocked the hell out of Richmond during their four years of existence, but Ethan and Lou stopped making music together back in 2015, and other than one reunion gig a year later, they haven’t done a thing since. But just for old times’ sake, they will be returning for one night only this Saturday night to headline this show, and that’s a birthday gift not just for Rivanna but for the whole city. You won’t want to miss this one, because who knows if — not when, IF — they’ll ever do it again.

The fun doesn’t stop there, as this gig features a highly varied lineup sure to keep your attention throughout the night. Deli Kings have got that Southern-style garage rock on lock, and Ing keep things eclectic and melodic with some charming lo-fi pop. Former Richmonder and eternal friend River Allen will be back in town for the evening with her haunting electro-ambient project, Ghost Piss, and I can’t seem to figure anything out about F.R.E.E. except that they are neither a reformed version of Have Heart nor that British band who sang “All Right Now.” But with the rest of the bill looking so great, this one is worth taking a chance on. Plus, advance tickets are literally 50% cheaper than the price at the door, so mark your calendar, make your plans, and hit that ticket link now!

Wednesday, June 5, 9 PM
Founding Fathers, Big Gorgeous, Asylum 213 @ Cary Street Cafe – $10
I’ve heard a lot of synth-based bands over the years, and one thing I can say for sure is that the studio recordings by the majority of them give you no idea what the band could possibly sound like live. That’s why it’s always refreshing to run across a band that is both synth-heavy and manages to sound on its records like an actual band playing their songs as a unit. Ohio band Founding Fathers, who place the emphasis on synthesizers and programmed beats but also incorporate guitars and live drums into their sound, totally pull this off on their 2018 LP, Mating Rites, and that’s a big part of why I think you should go see them tonight at Cary Street Cafe.

The music reminds me somewhat of Future Islands, another synth-based band that works particularly well as a live act, and there are also hints of upbeat early-00s bands like Bloc Party and Franz Ferdinand in there. It all adds up to a rocking band that’ll keep you dancing throughout the evening — and the world could definitely use more of those, so come out tonight and get familiar with the Founding Fathers. While you’re at it, check out the ridiculously fun synth-metal antics of California’s Big Gorgeous, who’ll give you even more reason to dance around with a big grin on your face. This one’s gonna rule.

Thursday, June 6, 9 PM
Raging Nathans, Smoke Break, Talk Me Off @ Bandito’s – Free!
Raging Nathans are a band out of time. This band from Dayton Ohio, who are probably tired of hearing about Guided By Voices, have a sound that is in its own way just as anachronistic as that of GBV themselves — only instead of harking back to some alternate-universe lo-fi garage-psych past, Raging Nathans will make any of you old-timers who were there the first time around think of pop-punk’s mid-90s heyday. Post-y2k pop-punk tends to follow in the gruffer footsteps of bands like Hot Water Music and Dillinger Four, but on last year’s Cheap Fame LP, Raging Nathans bypass all that for some good old Lookout!/Fat Wreck sounds that, while I wasn’t looking, seemingly became part of a bygone era.

This Bandito’s show is the perfect opportunity for all of us to bring that era back, at least in our own hearts. The fact that the Raging Nathans have released splits with both The Parasites and Jon Cougar Concentration Camp in the past year should let you know that they’re on board. And they’ll have you pogoing up a storm when they hit the stage on Thursday night. They’ll be joined by one of Richmond’s great slacker melodic-punk bands, Smoke Break, who may not play another show for six months, so you better get there. And of course, Talk Me Off opens up with a snottier brand of punk, mostly without the pop, to remind us all of our angry teenage days. It’s gonna be a whole lot of fun.

Friday, June 7, 6 PM
The War And Treaty, The Teskey Brothers @ Friday Cheers at Brown’s Island – $10 (order tickets HERE)
Usually you can expect the bands who play Friday Cheers to be pretty familiar, so I was surprised to see a name I didn’t know on the schedule this week: The War And Treaty. I’m glad I dug in, though, because this musical group is one of the most interesting that’s come to my attention recently. Specifically, The War And Treaty is a husband-and-wife duo, Michael and Tanya Trotter, who sing together while Michael plays piano and a variety of other musicians add color and depth to their exuberant, soulful songs.

The result, born from Michael’s difficult experiences growing up impoverished and joining the military just in time for the Iraq war, is a sound that taps into blues, R&B, folk, gospel, country, and a ton of other American sounds. On their debut album, Healing Tide, Michael and Tanya sing together to chase away the darkness and create a musical force more powerful than any trauma. They pull it off flawlessly, and they’re sure to uplift all of Brown’s Island this Friday night when they take that Friday Cheers stage and make this whole city their own. Be there ready to sing along — this kind of healing is exactly what we all need.

Saturday, June 8, 3 PM
POST RVA Fest, feat. Comrades, Invalids, Gull, Shy Low, Colin Phils, Dumb Waiter, evolv, Spooky Cool, Cuzco, Post Sixty Five, Eaves, Cardinal, Way Shape Or Form, Dave Watkins, Colder Planets @ The Broadberry – $12 – $18 (order tickets HERE)
Here’s an impressive effort that’s starting out the right way. Spearheaded by Richmond-via-Korea band Colin Phils, the first ever POST RVA Fest will take over the Broadberry for a full nine hours of music this Saturday. Rather than going too big and biting off more than they can chew (something I know all about), the organizers of POST RVA Fest have mostly stuck with local groups in pulling together this 15-band showcase sure to appeal to anyone who digs epic instrumental post-rock, jazzy technical math-rock, melodic progressive metal, complex guitar-driven indie, and everything in-between — which covers a good deal more ground than you might expect.

Just look at this bill, which is topped by peripatetic former locals Comrades, a heavy trio who combine metalcore, post-rock, emo, indie, and a whole bunch of other genres into their unique, driving sound. New Jersey’s Invalids, by contrast, dish out hyperspeed math-rock with emphasis on guitar and drum pyrotechnics that’ll have the gear nerds in the audience watching very closely. There are a ton of other amazing bands, mostly from the Richmond area, on the bill, from Gull’s indescribable one-man sonic creations and Cardinal’s gorgeously complex indie-math-rock to Dumb Waiter’s freaky instrumental jazz-metal and Shy Low’s Mogwai-style moving instrumental epics. There’s so much here, for such a cheap ticket price, and if it all comes together perfectly, it may just be able to draw a loose, disparate group of musically similar local musicians into an actual scene. What could be a greater goal for a show than that? Get your ticket and be a part of it. You won’t be sorry.

Sunday, June 9, 7:30 PM
Mingus Awareness Project, feat. MAP Quintet, Larrabee/Millner Duo, Saint Mingus @ Firehouse Theatre – $15 in advance/$20 day of show/$10 for students (order tickets HERE)
This Sunday, if you want to both support a great cause and hear some amazing music you won’t hear anywhere else, then the only place you need to go is Firehouse Theatre. There, you’ll find local jazz-rock drum legend Brian Jones putting on the 12th edition of his yearly Mingus Awareness Project concerts, which exist to bring attention and support to the cause of curing ALS, the deadly incurable disease that took the life of bass legend Charles Mingus back in 1979. And as part of this charitable goal, Jones will be joining together with a variety of confederates from around the Richmond jazz scene to pay unique tribute to the phenomenal masterpieces of the one and only Mingus.

This time around, those tributes will take three forms, beginning with the MAP Quintet, which matches Jones up with his longtime collaborator, saxophonist JC Kuhl, as well as Virginia jazz powerhouses John D’earth on trumpet, Mike Hawkins on bass, and Calvin Brown (aka Calvin Presents) on piano. Then we’ll get a performance from the electric-guitar duo of Adam Larrabee and Jamal Millner, as well as a quintet known as Saint Mingus, which will match Jones with Richmond jazz ambassador Reggie Pace as well as Suzi Fischer (The Big Payback), Giustino Riccio (Bio Ritmo), and Stefan Demetriadis (No BS! Brass). Such an incredibly talented conglomeration of musicians is sure to do justice to Charles Mingus’s incredible compositions, and you’re going to want to be there to see them do it. Donating to a good cause is just the icing on the cake.

Monday, June 10, 7 PM
Angel Dust, Gouge Away, Glitterer, Truth Cult @ The Camel – $15 (order tickets HERE)
One thing I’ve learned from my years in the hardcore scene is that, as long as you put a few years into playing hardcore music, the kids will follow you to whatever new thing you do, regardless of how it sounds. Angel Dust is a perfect case in point: while this band features members of Trapped Under Ice, Turnstile, and Mindset, you’d be totally incorrect to expect anything hard or heavy from their brand-new album, Pretty Buff. Instead, this album finds the quintet of tough boys showing their sensitive side and, indeed, getting downright upbeat. And that’s not to mention the predominantly-acoustic guitar sound.

All told, Angel Dust’s upbeat sound has led to comparisons with groups like the Lemonheads or early Green Day. But despite all that, it’s done nothing to chase the hardcore faithful away — and one listen to Pretty Buff is enough to see why. These guys are every bit as good at lovelorn melodies as they are at hard n’ heavy mosh-pit anthems. So why not celebrate all of it equally? Join all the HC kids Monday night in doing exactly that at The Camel. And while you’re at it, enjoy what’s sure to be an incredible set from raging hardcore-punk quartet Gouge Away, who will deliver every bit of vitriol you might have expected from Angel Dust and then some. The bill will also feature Title Fight frontman Ned Russin’s electronic side project, Glitterer, and the killer up-and-coming sounds of Baltimore’s Truth Cult, a decidedly Swiz-ish group featuring members of Give, Red Death, and more. Every second of this is sure to be outstanding.

Tuesday, June 11, 6 PM
Nita Strauss, Kore Rozzik, THE BBC, Roc Kandi, Retrosphere @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
Maybe it’s only because I came up in the late 80s era of hair metal’s world domination (OK, yeah, that’s probably it), but I just love some really ridiculous over the top metal shredding. And as much as I enjoy this kind of thing from veteran masters of the field — Yngwie Malmsteen, Steve Vai, you know the ones — it makes me way happier to see someone younger carrying on the tradition. And a woman, at that! Nita Strauss first grabbed attention with her string-bending star turn in all-female Iron Maiden tribute act The Iron Maidens, but she’s since graduated to all sorts of original work, from joining Alice Cooper’s touring band to scoring video games like Metal Gear Rising: Revengeance.

Now she’s gone out on her own, releasing her debut solo album, Controlled Chaos, last year and hitting the road on a headlining tour to support it. Keeping with the tradition of shredders past such as Steve Vai and Joe Satriani, Strauss forgoes vocals for this album’s anthems, instead using her multilayered melodic leads as color and giving the album’s many headbanging riffs more than sufficient texture to keep you smiling and thrashing along. You can do that exact thing at the Canal Club Tuesday night when Strauss’s headlining set caps off a night full of shred-tastic adventures. Notorious NYC metal maniacs Kore Rozzik will provide plenty of those, along with several killer locals. Get ready for some serious thrash, y’all — because it’s happening.

Elsewhere around the state:

Friday, June 7, 7 PM
Gel, Honor Code, Nervous System, Street Weapon, Unity Fight @ Charlie’s American Cafe – $5
For all you diehards who might be feeling a little deprived by Angel Dust’s relentlessly upbeat post-hardcore melodies, rest assured we’ve still got plenty of straight-ahead no-frills hardcore for ya, and — unsurprisingly enough — it’s happening this Friday night in Norfolk. Gel, a recently formed New Jersey band who have only a demo to their name, are coming to town to tear it up. The demo’s five songs blow by incredibly fast, and are full of sloppy, out-of-control hardcore riffage with a decidedly maniacal edge. This band seems like a prime candidate for an absolutely explosive live performance, and you’re gonna want to be there to see it go down.

Down in the Hampton Roads area, Honor Code are sure to draw just as much attention as the New Jersey headliners — after all, this is their first show in nearly two years. Does that mean this 82-style old school VBHC combo has returned to full time action? Maybe, maybe not, but it does mean you’ll have one more chance to circle pit to their legendarily primitive hardcore tuneage — and that’s sure to be a blast. The show will also feature local NFKHC up-and-comers Nervous System, as well as brand-new VB bands Street Weapon and Unity Fight, both of whom have names that sound suspiciously randomly generated. However, we can guarantee that both are entirely made up of real flesh-and-blood humans. Pure organic hardcore, coming right up.

Saturday, June 8, 5 PM
LAVA Presents GRILLED OUT, feat. Ladada, Berries, Piranha Rama, Broken Beaches, Doll Baby, Raise Hell Over The Summer @ Toast – $10 in advance/$14 day of show (order tickets HERE)
Memorial Day has come and gone, and at least in Virginia, that means summer has arrived, y’all. And what better way to spend a sunny summer evening than grillin’ out and chillin’ out with some great tunes? This weekend, LAVA Presents has you covered on both of those scores, as their Saturday evening GRILLED OUT fest will find the Tidewater-area promotional crew hanging out in the Toast parking lot, joined by Handsome Biscuit burgers, Smartmouth Beer, and a whole conglomeration of excellent Virginia musicians.

Ladada are at the top of the bill, and this Norfolk indie group has just the tunes you need for a summer afternoon cookout — they even put a guy floating down a river with a red solo cup in hand on the cover of their recent LP, Heaven On The Rocks, so you know they’ve got the right idea. The day will also feature delicious indie-pop sounds from VB group Berries, excellently named New York indie-rockers Raise Hell Over The Summer, and some rad RVA sounds from local faves Piranha Rama and Doll Baby. You Richmonders might want to get a crew and roll down with a carful — especially since the tickets are cheaper if you buy them at the group rate! Grab some burgers, rock out to some tunes, and enjoy the summer — it’ll be gone before you know it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 29 – June 4

Marilyn Drew Necci | May 29, 2019

Topics: American Television, Amy Klein, angelica garcia, Bacchae, Ben Katzman's DeGreaser, Big Baby, Black Plastic, Blue Streak, Camp Howard, Dead Format, Decide By Friday, Deer Eats Birds, Diseased Earth, Doll Baby, Fat Spirit, gallery 5, Garden Grove Brewing, Justus Proffit, Kristeva, Lobby Boy, Matron, McCormack's, Mojo's, New Lions, Newscaster, Organ Trail, Phobia, SameStory, shows you must see, Sleepwalkers, SLOGAME, Strawberry Moon, The Broadberry, The Camel, The Cryptkeeper Five, The Firnats, The Golden Pony, The Great Noise, The Vansaders, Tired All The Time, W I S H, West Beach Tavern, Wolcott's Invisible Hand, Wonderland, Wring Out

FEATURED SHOW
Friday, May 31, 8 PM
New Lions, Doll Baby, Fat Spirit @ The Camel – $6 in advance/$8 day of show (order tickets HERE)
Remember when Trump won and, alongside everyone who fucking hated it, there were a few people babbling about how “at least there’ll be some good angry music again”? Let me just say right now: it wasn’t worth it, especially for all the women, people of color, and LGBTQ people who’ve found themselves in the crosshairs. But if the return of New Lions is any indication, I’ll go ahead and grant it to those people — y’all were right.

New Lions, which is what Clair Morgan and his band are calling themselves now that they’ve accepted their past several years of existence as a full band, are celebrating the release of their latest EP and first new record in three years, End Story, at The Camel Friday night. With a band name drawn from the final Clair Morgan album, New Lions and the Not-Good Night, they’re clearly building on what has come before. But where previous Clair Morgan LPs mixed Clair’s mathy post-hardcore guitar style with melodic indie riffing, End Story finds this band writing in a decidedly more aggressive vein, with political lyrics and a harsher vocal sound that pushes them almost all the way to the border between post-hardcore and outright screamo.

If the Trump era can get an indie band this upset, imagine what it can do to all the marginalized communities the administration is taking aim for (though actually, you don’t have to imagine — it’s reality). At least we’ll have a killer soundtrack for the battle lines. Or for a Friday night at the Camel, trying to forget it all and enjoy a truly positive thing for this city — the return of one of the city’s leading musical lights to full-throated action. Doll Baby and Fat Spirit will open this one up, and you should definitely bring some extra cash to grab yourself a copy of End Story. You’re gonna need this one by your side this summer.

Wednesday, May 29, 8 PM
Tired All The Time, SameStory @ McCormack’s – $?
Tired All The Time have given themselves the perfect name for this era of millennial burnout and rapidly increasing income inequality. If you’re not one of the rare elites driving a $100,000 European sports car to your fantastically outfitted corporate office, you’re part of the vast assemblage of the rest of us, driving a used 10-year-old European sedan for Uber and panicking at the thought of an unexpected car repair. Is it any surprise that so many of us are, yes, Tired All The Time?

This DC band who wryly uses corporate-style text and iconography to send up the aforementioned elites, may not be able to keep you from having to replace your water pump in six months, but they sure can rock away your cares for one night. Tonight at McCormack’s, down in lovely Shockoe Bottom, they’ll bring their keyboard-laced postpunk sounds, displayed adroitly on last year’s Be Well EP, to the upstairs stage. And it won’t be long before you’re moving your feet with a big smile on your face. Don’t worry about tomorrow morning — just this once, you can wait til 9:30 to sign into the app. We promise.

Thursday, May 30, 9 PM
Ben Katzman’s DeGreaser, Newscaster, The Firnats @ Wonderland – $6
Rock n’ roll never goes out of style, and that’s why the arrival of Ben Katzman’s DeGreaser at another Shockoe Bottom mainstay, Wonderland, is a very welcome fact. Katzman has a Florida metal background and it comes through in spades on 2018’s Quarter Life Crisis, a true wailer of an album whose best tracks would have fit right in next to Van Halen and Judas Priest on early 80s hard rock radio.

But hot licks and killer riffs aren’t the only things Katzman’s DeGreaser have to offer the discerning patron of rock power. Their songs are incredibly well-constructed and have a subtle intelligence at work underneath all those Trans Am-rattling anthems. You can really tell when you check out the lyrics to songs like “Too Old For Retail,” “Goodbye Wi-Fi,” and “Cool Points Don’t Pay The Rent” — these guys know the struggle. And they’re coming to town Thursday night so we can all put it aside for just one night, and rock! You know you need it; let your hair down for this one.

Friday, May 31, 8 PM
Sleepwalkers, Wolcott’s Invisible Hand, Angelica Garcia @ The Broadberry – $12 in advance/$15 day of show (order tickets HERE)
Sleepwalkers have been an active force on the Richmond music scene for years now, but recently, with their debut full-length, Greenwood Shade, five years in the rearview, it has started to feel like they were fading a bit. Thankfully, that has all turned around in the last few months, with the group signing to Spacebomb and preparing to end the five-year drought of new Sleepwalkers tuneage with a new LP, coming later this year.

It’s not out yet, but the group is celebrating this weekend nonetheless. The first single from the new LP, “Fault Is Me,” came out a couple months ago. Now, Spacebomb is releasing a limited-edition cassette containing remixes of the single by noteworthy local producers including DJ Harrison and Giavos, and Friday night’s show at the Broadberry is your first chance to grab it for yourself! It’s also sure to give you an opportunity to familiarize yourself with some of the other material Sleepwalkers have in store for their full-length Spacebomb debut later this year. Be there and get in on the ground floor.

Saturday, June 1, 9 PM
The Cryptkeeper Five, The Vansaders, Decide By Friday, Dead Format, American Television @ Mojo’s – $5 suggested donation
You might think this is the band Bobby “Boris” Pickett was singing about back in 1962, but no — that was actually the Crypt-Kicker Five. The Cryptkeeper Five are actually a quartet, and they play rollicking punk n’ roll tunes that are sometimes augmented by a Springsteen-style expanded band, complete with horn section. The stage at Mojo’s can’t accomodate all that, but the original four-piece will rock you all the same this Saturday night.

On their latest LP, The Stronghold — which was released on local powerhouse Say-10 Records, not coincidentally the label putting on this entire show — The Cryptkeeper Five come across like a strange combination of the Smoking Popes, Alkaline Trio, and Titus Andronicus, and if you dig any of that (or, for that matter, the subtle Springsteen mention above), you’re sure to have a blast when they hit the stage. Tourmates the Vansaders are actually from Asbury Park, but their acoustic folk-punk sound is a bit less Boss-ish and more reminiscent of The Waterboys or The Pogues. Both of these bands and some killer local groups as well will be combining powers to make this Saturday night musical extravaganza one to remember. Bring cash for the donation pot, and bring your card to buy a cheesesteak — they’re delicious.

Sunday, June 2, 6 PM
Matron, Kristeva, Deer Eats Birds @ Garden Grove Brewing – Free!
Free shows to end your weekend are always fun, and there are multiple places around town willing to hook us up with such things on a near-weekly basis. It’s just another wonderful thing about living in RVA. Matron are not from RVA — they come to us from New Orleans — but they’re bringing some wonderful sounds to our town that are sure to wrap up your weekend right. Their latest EP, Standing Water, shows off their unusual hybrid between energetic, mathy post-hardcore and synth-driven alt-rock weirdness, and the group is sure to blow us all away with it once they hit the stage.

We’re lucky enough to get some wonderful local sounds on this bill too — in fact, one or more of these local bands may play after Matron (I’d put one before and one after, but I stopped booking shows a while back due to a permanent case of exhaustion so I may not be the one to ask). No matter when these bands perform, we can be sure that the brilliant, epic post-rock of Kristeva and the complex, melodic alt-rock of Deer Eats Birds will add additional spice and flair to our weekend’s all-too-imminent end. And that’s wonderful.

Monday, June 3, 7 PM
Amy Klein (Photo by Orlando S. Gondar), Black Plastic, SLOGAME, Strawberry Moon @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
You might know Amy Klein from her days in Titus Andronicus — she played guitar on the band’s early high-water mark, The Monitor — from her politically-informed online writings, or from her 2016 solo debut, Fire. But Klein is taking things to a whole new level with her upcoming sophomore LP, Winter/Time. Not only does the LP’s lead single, “Nothing,” show both a driving punk energy and some serious postpunk/new wave melodic chops, the album as a whole will apparently tackle complicated narratives constructed from an imaginary world that Klein nurtured in her mind as a child, known as a paracosm.

That might sound like pretty insane stuff at first blush, but album-as-high-concept-fantasy-novel is a familiar trope across the history of intelligent, unorthodox rock n’ roll, from Rush’s 2112 to The Who’s legendarily unrealized Lifehouse. With the album on the eve of release, it seems likely that Klein will go the way of the Rush classic rather than the Who’s nervous-breakdown-fueling collapse, and that’s certainly a great thing. If nothing else, it offers us the tantalizing possibility of a whole album full of songs as good as “Nothing” — which will certainly be a lovely treat for us all this summer. Get ready by heading down to the Camel and rocking with Amy Klein this Monday night. It’s a great way to start your week.

Tuesday, June 4, 7 PM
Justus Proffit, Camp Howard, Big Baby, Lobby Boy @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
You know, I can’t say I’m familiar with memorably-named LA singer-songwriter Justus Proffit, but he’s apparently somewhat of a prodigy, having played in touring bands since he was 16 or so. Now he’s 25, and if you’re thinking, “Oh, is this kid the next Jay Reatard then?” you’re not entirely on the wrong track. His new album, LA’s Got Me Down, is full of psychedelic garage tunes, doused in noisy guitar distortion that can’t quite hide the brilliant melodies at its heart.

Proffit’s tunes of LA struggle reference drugs, death, and a culture of false allegiances, but they’re kept aloft by his flawless ear for pop melodies. There’s an ever-present psychedelic weirdness as well, just to keep the whole thing glowing with the sunlight of a slightly overexposed photograph. The combination is unique, arresting, and memorable, and if Proffit carries on in this fashion, he’ll be hugely famous before you know it. Get in on this movement before the rest of the world catches on, and spend your Tuesday night at Gallery 5. You won’t regret it.

Elsewhere Around The State:

Thursday, May 30, 8 PM
Phobia, Diseased Earth, Organ Trail @ The Golden Pony – $12 (order tickets HERE)
Legendary California grindcore ragers Phobia have been around for damn near 30 years now, and despite many different trials and tribulations over that time, they continue rolling along at full speed — their forthcoming LP, Generation Coward, is something like their 16th release, and that’s not even counting the million split EPs they’ve done over the years. They’ve still got the fire in their bellies, though, as is clear from the new LP’s advance single, “Internet Tough Guy.” We’ve all known a few of those, am I right?

Anyway, Phobia are coming to Harrisonburg’s Golden Pony tomorrow night, and they’re going to rock the place like crazy. Roaring, growling vocals, grinding thrash guitar riffs, and super-fast blast beats aplenty await the fortunate souls who stumble into the Golden Pony. It’s going to be awesome, especially with regional powerhouses Diseased Earth and Organ Trail (not the computer game you played in middle school — oh my, no) dropping a bomb loaded full of death-metallic grind power on you to kick this night off. Be ready to bang your head, because you’re going to be doing a lot of that.

Saturday, June 1, 8 PM
Blue Streak, The Great Noise, Bacchae, W I S H, Wring Out @ West Beach Tavern – $10 (order tickets HERE)
Hardcore isn’t just a sound, it’s a culture. Want proof? Check out hardcore bands like Angel Du$t, or Culture Abuse — bands that are both beloved in the scene and bear no resemblance to Minor Threat, Black Flag, Bad Brains, or any of the other agreed-upon touchstones of the sound. But their members have played hardcore music before, so hardcore kids are willing to check them out. Blue Streak might be another one of those bands; featuring members of Give, Red Death, and — sure enough — Angel Du$t, this group nonetheless brings a sound that comes much closer to indie pop and alternative rock than anything approaching hardcore.

Will the kids love it nonetheless? It’s an open question with this relatively new band, who’ve only released two singles thus far. However, considering the quality of the songs on offer, they certainly should. And those of you who couldn’t care less about hardcore might want to consider doing so as well. Fans of everything from Sloan to Braid to The Breeders are going to hear things they really like in this band’s sound — regardless of cultural affiliation. They’ll be playing with a bunch of other melodic indie, alt-rock, and shoegaze groups as well, so you’re sure to have a full night of joy with fellow DC power-poppers Bacchae, Hampton Roads killers The Great Noise, and even Richmond’s own hazy-guitar maestros, W I S H. What are you waiting for? Get down with it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 15 – May 21

Marilyn Drew Necci | May 15, 2019

Topics: .gif From God, Bandito's, Bat, BATO, blessed, Blunt, Capital Ale House Music Hall, Charming Disaster, Coherence, Copperhead, Cursive, Dehd, Enforced, Fallout, Flatline, gallery 5, GosT, Hardywood, HIRS, Julie Karr, Left-Handed Smoke Shifters, MewithoutYou, NØ Man, Opin, Outer Spaces, Perturbator, Plastic Nancy, Semtex, Serqet, shows you must see, Spooky Cool, The Appleseed Cast, The Broadberry, The Camel, The NorVa, The Struts, True Body, Under Attack, Unmaker, West Beach Tavern, Witchtrial

FEATURED SHOW
Monday, May 20, 7 PM
Cursive, Mewithoutyou, The Appleseed Cast @ The Broadberry – $22 in advance/$25 day of show (order tickets HERE)
This show is an absolute bonanza for people who were crazy about emo fifteen years ago. I shouldn’t even have to tell you that I’m one of those people. Back in 2004, Cursive, a band closely associated with the Omaha scene that also produced Bright Eyes, The Faint, and Saddle Creek Records, had just topped off a string of killer emotionally-driven alt-rock albums with the instant classic The Ugly Organ. MewithoutYou had just released their stunning sophomore LP, Catch Us For The Foxes, which introduced a wider audience to frontman Aaron Weiss’s strangely moving story-songs. And The Appleseed Cast had both blown everyone away and helped to push the genre forward with a trio of amazing albums: Mare Vitalis, the two-volume Low Level Owl series, and the moving, unforgettable Two Conversations.

But look — this Monday night triple-header at The Broadberry is far from a pure nostalgia act. Oh, I’m sure the groups on this bill will play some old tunes you know and love, but all of them remain active, powerful creative forces to this day. Last year, Cursive reunited with original drummer Clint Schnase after a decade, released their first album in six years, and brought in cellist Megan Seibe to recapture the sound they’d had on previous high-water marks Burst And Bloom and The Ugly Organ. Vitriola turns out to be every bit as great as those emo classics, and should be more than capable of capturing the full attention of fans who currently plan to hit the bar during the new songs. (Yo, don’t be that guy. For real.)

MewithoutYou remains a powerful creative force fifteen years later as well. On 2018’s dual releases, an LP and an EP (both untitled), Aaron Weiss engaged in matter-of-fact examination of his own struggles with mental illness and the way it mirrors the mental illness in his ancestry and that of disparate historical figures, including European royalty from centuries past. And amazingly enough, the music behind this emotional travelogue is some of the best of the band’s career thus far. Meanwhile, it’s been six years since the last full LP of Appleseed Cast material, 2013’s Illumination Ritual, but Christopher Crisci and company released a new single, “Asking The Fire For Medicine,” in January, and it apparently heralds a new LP that seems sure to follow their recent pattern of atmospheric, melodic, progressive post-hardcore. Will they bust out some other new ones at The Broadberry? The prospect alone makes this one worth the trip.

Wednesday, May 15, 8 PM
Charming Disaster, Left-Handed Smoke Shifters @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
A simple way to describe Charming Disaster, who come to Richmond from their hometown of Brooklyn this very night, is as a gothic-folk duo. However, if such a descriptor conjures up thoughts of Comus, Current 93, or Simon Finn for you, then it’s been a bit misleading. There’s much more of the carnival folk traditions of old Europe in Charming Disaster’s music, and even as they bring a decided noir sensibility to their memorable ballads, there’s a clear sense of humor running throughout, letting you know that this, um, charming duo have a lot to offer besides pain and sadness.

Their brand new album, Spells & Rituals, doesn’t get an official release until June 7, so chances are you will not have an opportunity to pick up a copy for yourself at the show. But you will get a delightful preview of the excellent sounds on offer — just enough to whet your appetite for your very own pre-order. Opening sounds will be provided by Left-Handed Smoke Shifters, a band named after an old campfire joke and bringing together the talents of local bellydancing sensation Madame Onca and singer/vaudeville host extraordinaire Mark Slomski. It’s always nice to see what these two are up to, so don’t miss this one!

Thursday, May 16, 9 PM
BAT, Witchtrial, Under Attack @ Bandito’s – Free!
If you love metal, hardcore, and/or general headbanging madness, Bandito’s is the place you should be this Thursday night. This free show will serve as a record release party for not one, not two, but ALL THREE bands on this bill! BAT are your headliners, and it’s a fitting spot on the bill for a trio featuring current or former members of Municipal Waste, Cannabis Corpse, and DRI. This old-school thrash band has been inducing serious fist-pumping headbanging good times around Richmond and beyond for years now, and on this night, they’re releasing their second LP, Axestacy.

Axestacy takes things to the next level for BAT; it’s full of the kind of incredible riffs and ridiculous lyrics that fans of early Exodus or Dark Angel are sure to appreciate. They’ll probably also appreciate the new LP from Witchtrial; this DC band is releasing their first full-length on VA’s own Beach Impediment Records, and have a lot of links to the world of hardcore — but the music on their self-titled LP is pure thrash. With a roaring attack sure to remind you of prime German thrash, fans of Sodom and Kreator are definitely going to want to pay attention to this one. Not to be left out, Richmond’s own Under Attack are releasing a new tape full of speedy, no-frills hardcore on the Vinyl Conflict label, and if you dig pedal-to-the-metal ‘core action, you’re gonna want a copy of this. Since this show is free, you’ll be in prime financial position to pick up releases from all three of these ragers. But wait til after the set; you don’t want your brand new records getting messed up in the pit!

Friday, May 17, 8 PM
Perturbator, GOST, True Body @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
For those of you who were stoked to see Fallout on the list this week, only to be let down that it wasn’t an industrial show I’m sending you to there — take heart! For the industrial sound can be found in all sorts of places around town, if you know where to look. Take Perturbator’s arrival at The Broadberry this Friday night. People talk a lot with respect to Perturbator about spooky synth soundtracks to 70s and 80s Italian horror movies, and listen, there is a fair bit of that in Perturbator’s sound. But the group’s most recent LP, 2017’s New Model, is going to be even more familiar to fans of Skinny Puppy or Front 242 than it will be to fans of Goblin or Tangerine Dream.

Seriously, regardless of whatever you’ve heard thrown around about “retrosynth,” all you coldwave, postpunk, and industrial fans owe it to yourselves to listen to Perturbator. Because even if the hipsters don’t know how to contextualize this stuff, the goth kids are sure to understand. This is prime stomping-around-a-foggy-dancefloor-in-black-Docs music — black fingernails are definitely a plus. Just to further drive the point home, GOST is on this bill as well, bringing you the exact sort of industrial electro-pound that you know and crave. True Body will start the evening with some moody postpunk from right here in VA. Get the leather pants out, y’all.

Saturday, May 18, 5 PM
Spooky Cool, Outer Spaces, Opin, Julie Karr @ Hardywood – Free!
When you can give your band a name that actually describes your band, you’re really onto something good. Take Spooky Cool, for example; this Richmond band’s name may not tell you what genre they play or how many people are in the band, but it does offer you two specific bits of info: they’re spooky, and they’re cool. That’s enough to make a lot of people curious. And then when you actually hear this band’s hybrid math-prog alt-indie sound, you realize that the name hasn’t steered you wrong. There’s a definite spooky vibe to what this group is up to on their first EP, Every Thing Ever. And it’s definitely cool as hell.

Then there’s Outer Spaces, a band I’ve been excited about for quite a while now. This latest project of incredibly talented Baltimore singer-songwriter Cara Beth Satalino hasn’t released an LP since 2016’s A Shedding Snake, but is returning in a big way over the next month or so — first with a brand-new two-song EP on Saddle Creek, then with a new LP, Glazing Globe, scheduled for release next month. As a longtime fan, I couldn’t be more stoked, and the songs that have been released thus far from these two projects sound excellent, despite their genesis in anxiety, self-doubt, and the end of a long-term relationship. Hey, we’ve all been there, right? Sometimes making art is the best way out. Outer Spaces has made some great music in the past, and there’s no reason to think that’ll change now. Do yourself a favor and go see both of these groups. After all, the price is right.

Sunday, May 19, 7 PM
HIRS, Coherence, NØ MAN, .gif From God @ Gallery 5 – $10 in advance/$12 at the door (order tickets HERE)
The most confrontational queer grindcore band ever finally comes to Richmond and I for one couldn’t be more stoked. HIRS grabbed some relatively mainstream attention in 2018 with the release of Friends, Lovers, Favorites, their first full-length of new material — relatively speaking, that is; its 20 songs still blow by in under 15 minutes. They’ve hardly rested on their laurels since then, cranking out several EPs in the past year or so, as well as a split LP of Nirvana covers with celebrated New Orleans sludge masters Thou.

When HIRS arrive in Richmond, you can expect the confrontational spirit embodied in past EP titles like Trans Girl Takeover, You Can’t Kill Us, and How To Stop Street Harassment, as well as the harsh, raging grind sound of their breakthrough LP, to hit you like a ton of bricks. It won’t just be lightspeed velocity, either — this group knows how to bring the most headcrushingly powerful of breakdowns as well. Basically, this is the heaviest band you’ll see in Richmond anytime this year, and you’re going to thoroughly enjoy having your head knocked off by them. Trust me.

Monday, May 20, 7 PM
Dehd, Blunt, Plastic Nancy @ Capital Ale House Music Hall – $10 (order tickets HERE)
A few years ago, that whole droney jangly post-Velvet Underground sound was in the ascent in the indie world, and I was digging it. More recently, it seems like everyone’s on that synthesized bedroom-pop tip, which I guess is also cool, but I’m glad to see Dehd out here proving that the jangle-drone sound is not, um, dead. This Chicago band’s new LP, Water, shows that there are many possibilities for musical greatness embedded within the basic no-frills rock n’ roll package. By channeling VU and The Cramps through a more modern sound that reminds me of Parquet Courts, Beach Fossils, and the like, Dehd has created some serious gold soundz. Yes, with a Z.

Dehd will be joined on this bill by a couple of RVA newcomers with a lot to offer. Blunt takes a sludgy approach to dark garage punk sounds, while Plastic Nancy cranks out some psychedelic punk rock fun. This whole show is gonna rock like crazy, and in 2019, that can’t always be guaranteed. Treasure it when you find it.

Tuesday, May 21, 7 PM
Blessed, Unmaker, Serqet @ The Camel – $10 (order tickets HERE)
Some serious goth vibes going on around Richmond this week, although this Tuesday night show at The Camel only bears a passing resemblance to the other two shows this week that have led me to use that term. Specifically, Blessed play a gloomy, metallic form of postpunk that veers from morose to anxious on their debut LP, Salt, released earlier this spring. The results this Vancouver band are able to generate are transfixing in the extreme, and their reputation for live greatness only makes this show at The Camel feel that much more of an essential part of your midweek.

The fact that Richmond’s own Unmaker are on the bill as well only makes this an even more essential evening of sounds. This group shows off their more intense version of goth-metal awesomeness on debut full-length Firmament, an album that’s turned a lot of heads locally and nationally since its release six months ago. Mixing this powerful blend of Killing Joke-style rage with Blessed’s more deliberate approach will make for a heady musical brew, and adding the gothic peace-punk vibes of Serqet to the mixture is only going to take things to an even higher level. Get on board with this one.

Elsewhere Around The State:

Thursday, May 16, 7:30 PM
The Struts @ The NorVA – $22.50 in advance/$25.50 at the door (order tickets HERE)
The Struts are one of the more fascinating discoveries the mainstream rock world has yielded in recent years. This British band has a fashion sense that seems equally derived from Guns N’ Roses, Aerosmith, and the Sex Pistols, but musically, they land somewhere in the area of a 21st-century update on Queen. This group clearly comes from a modern time in which the backlash against the 80s hair-metal era has faded from youthful memory; rather than playing their glammed-out, swaggering rock n’ roll for over-the-top laughs the way The Darkness did, The Struts are 100 percent serious about their desire for world domination.

Which might be totally obnoxious if they didn’t have the songs to pull it off. Singles like “Could’ve Been Me,” “Kiss This,” and their collaboration with Kesha, “Body Talks,” are proven arena-rock anthems, and they’re sure to get the NorVA popping on Thursday night. Once you’ve seen The Struts blow the roof off the joint, all your doubts will be cleared away, leaving only the desire to rock! The Struts will definitely help you with that, though after the night that awaits you, you may feel the need to call in to work Friday morning. But hey, why not? That’s the rock n’ roll thing to do.

Sunday, May 19, 6 PM
Enforced, Copperhead, Flatline, Semtex, Bato @ West Beach Tavern – $10
I love the way a lot of tough-guy hardcore is metal as fuck these days. I mean, granted, I still don’t like to get up front at the shows (who enjoys having to keep your back to the band just so you can dodge flying fists and feet?), but the music sure is a lot better when I go to them, and that makes us middle-aged ladies standing in the back of the room real happy. Enforced have shown their crossover-thrash chops off both on tape and in the live environment for a while now, and with their At The Walls LP soon to drop, they’re about to take it to the next level. Get on board now.

Both Richmond’s own Enforced and fellow RVA thrash-masters Copperhead will be heading down to VB for this end-of-weekend rager at West Beach Tavern, and both will bring the sort of aggressive hardcore attack that, if you close your eyes (or even if you keep them open, considering how many longhairs there are in hardcore bands these days) you’ll likely mistake for straight-up metal. Which rules. They’ll be joined on this bill by three Hampton Roads-based ensembles; Flatline and Semtex bring a more straightforward Agnostic Front/Negative Approach-style HC attack, while Bato verge on fastcore with their speedy beats and energetic sound. The pit should be going hard from beginning to end at this one; I’ll be sure to stand back.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond