The NorVa Archives

VA Shows You Must See This Week: December 18 – December 24

Marilyn Drew Necci | December 18, 2019

Topics: 3wayslim, A.Day, Baby Grill, Bandolero, BigDumbBaby, Billy Capricorn, Bon Ki, Chiocca's, Colin Phils, Elizabeth Owens, Fullscreen, Fuzzy Cactus, gallery 5, Garden Grove Brewing, Gritty City Records, Gritty City Sound Machine, Illa Styles, Melul, Men I Trust, Mister Goblin, must see shows, Nah., Naro Cinema, No BS! Brass Band, Persephone, Pet Fox, Poor Boys, Post Sixty Five, R4ND4ZZO BIGB4ND, Radio B, Renata Zeiguer, Reppa Ton, Scuba, Segga Spiccoli, Shawn Mike, shows you must see, Sons Of The Beasts, Spartan Jet-Plex, Starr Nyce, Super Doppler, The Camel, The NorVa, Turnover, Ty Sorrell, Versace Chachi, Wonderland

FEATURED SHOW
Thursday, December 19, 7 PM
Gritty City For The Kids 5, feat. Gritty City Records (Photo by Jake Cunningham), Segga Spiccoli, Radio B, 3WaySlim, Reppa Ton, Scuba, Bandolero, Illa Styles, Versace Chachi, Shawn Mike, Starr Nyce, A.Day, Gritty City Sound Machine @ The Camel – $10 (order tickets HERE)
Y’all, when you’re the editor of a magazine that focuses on the entirety of the music scene in a mid-sized American city, let me tell you, a lot of pressure gets put on you. Specifically, the pressure to say that every single thing from that city is equally great. And that’s an easy job most of the time, because Richmond really does have a tremendous musical scene. But sometimes, especially in this column, I like to drop the facade a little bit and let y’all know how I really feel. This is how I really feel: in Richmond, if you want hip hop, the best place to go is Gritty City Records.

If you ask me, there isn’t even a convincing argument against it. Without even mentioning their formidable, nearly decade-deep back catalog, just look at the wide cross-section of Richmond talent that released projects on Gritty City this year alone! We’re talking Ant The Symbol, Noah-O, Fan Ran, Johnny Ciggs, Rah Scrilla, and more. And look at the wide cross-section of talent appearing on Gritty City’s annual holiday extravaganza this year. From label stalwarts to all-star guests, this one is truly stacked with talents that bring a wide variety of Richmond hip hop flavors to the table.

For example, there’s Illa Styles, whose latest album, A Quarter Til A Mil, released just a month ago, is the kind of hip hop masterwork we’re lucky to get in any year. There’s Radio B, whose work with AGM always dominates the city and remains highly underrated in the world at large. Plus Segga Spiccoli, Versace Chachi, Reppa Ton, Bandolero… the list goes on for quite a while, and it’s all top-quality. Plus, this show is affiliated with Punks For Presents, so cash and toys donated will help add to the annual bonanza that group delivers to the Children’s Hospital. There are a million reasons to be in attendance for this, so you really should just go ahead and do it.

Wednesday, December 18, 9 PM
Mister Goblin, Pet Fox, Baby Grill, BigDumbBaby @ Wonderland – $10
Two Inch Astronaut had a lengthy career full of high points in melodic, emotional postpunk, and it was a real bummer to hear that this Maryland band was ending last year. Thankfully, frontman Sam Woodring didn’t slow down at all, and only a year later, we’ve already got the debut album from his post-Two Inch Astronaut project, Mister Goblin. Is Path Warm?, which sounds like a badly translated subtitle in a foreign film, was released just a few weeks ago by Exploding In Sound Records, and now Woodring and co. are coming to Richmond to bring us some excellent sounds, live and in person.

Mister Goblin might sound like a hip hop or electronic project, but the band isn’t much different than Two Inch Astronaut, really — maybe a little moodier, with a slightly more wistful vibe, but really, if you were into the last Two Inch Astronaut LP, 2017’s Can You Please Not Help (now THAT’s a great album title), you’re not going to find anything not to love in what Mister Goblin’s bringing to you now. They’ll be coming to town accompanied by Bostonians Pet Fox, in which Ovlov drummer Theo Hartlett is stepping out from behind the kit to front a trio with strong melodic inclinations and maybe just a bit less crunch than his other band. If you dig Ovlov, though, you’ll want to catch Pet Fox on their way through town. So spend your midweek evening at Wonderland tonight — you’ll be glad you did.

Thursday, December 19, 7 PM
Post Sixty Five (Photo by Joey Wharton), Nah., Colin Phils, Fullscreen @ Poor Boys – $5
Prsmcat, the new show-booking crew from members of Majjin Boo, have been running things in a downright familial manner over at Poor Boys, and it’s been really nice so far. They picked up the banner of locals-only shows that fell to the ground with the sad departure of Strange Matter, and have been doing shows featuring known and up-and-coming groups regularly over at Poor Boys. This latest, the last before the holidays, is a birthday celebration for Hicham Benhallam, who is not only the soundman at Poor Boys but the frontman for Post Sixty Five. And, not coincidentally, Post Sixty Five will be headlining this show.

The ambient indie group with its roots throughout Virginia haven’t been all that active in recent years — their last EP was released in early 2017 — but if anything, that makes it more exciting to get a set from the quintet to cap off a celebratory evening. What’s more, we’ll also hear from Nah., a DC-based group who stretches the definition of “local” but has a welcome synth-spiced indie-postpunk sound that will go perfectly with that of Post Sixty Five. With local faves Colin Phils and newcomers Fullscreen filling out the bill, this one’s gonna be a wonderful time all around.

Friday, December 20, 8 PM
Ty Sorrell, Bon Ki, Billy Capricorn @ Gallery 5 – $8
One of the greatest things about Richmond label Citrus City is their eclectic palate. From electro-pop to indie-psych to erudite hip hop, they release music from any genre that strikes their fancy, and rapper Ty Sorrell’s brand-new Citrus City cassette, At God’s House, makes that all the more clear. The release, a co-production with Boston’s Disposable America, is what we’ll be celebrating at this show, and it’s certainly worth a party, considering how well Sorrell displays an engaging combo of erudite rhymes and multi-layered beats on this project.

Sorrell brings in all sorts of guests on At God’s House to sweeten the pot and enliven the proceedings, and we should see a similar sort of thing going on at this Gallery 5 throwdown, especially since psychedelic indie space rangers Bon Ki, who appear on the album, will also be playing a set this evening. Will we see folks like Alfred and Rob Gibsun joining Sorrell onstage as well? There’s only one way to find out.

Saturday, December 21, 8 PM
Elizabeth Owens, Spartan Jet-Plex, Melul, Persephone @ Garden Grove Brewing – Donations for VAVP appreciated
Singer-songwriter Elizabeth Owens has been making a name for themselves around Richmond for a couple of years ago. Backed by The Live Bats, they created a moving indie-folk song cycle entitled Coming Of Age in 2018. That album explored the difficulties of finding oneself amid an alienating, oppressive world, through a story of a young princess finally escaping a mystical imprisonment after years of isolation. Now, in 2019, Owens is bringing us another take on that tale with an acoustic EP entitled Still Coming Of Age, which reimagines some of the standout tracks from the original album in a bare-bones solo context.

It’s that EP that this performance at Garden Grove celebrates, and for this release party, Owens will join with other performers to create an intimate, personal evening of solo musical endeavors. Hard-working local collective Grimalkin Records has been Owens’ label of choice for a while now, and fellow Grimalkin artist Spartan Jet-Plex will be one of the performers on this bill, bringing their haunted balladry to the Garden Grove stage. The evening will be rounded out by the dark ambient atmospheres of Melul and a solo turn from Aesthetic Barrier’s Persephone. Plus, Owens will have holiday gifts for friends who attend, so this show is sure to bring a little of the positive holiday spirit into your heart.

Sunday, December 22, 5 PM
R4ND4ZZO BIGB4ND (Photo via VPM/Facebook) @ Fuzzy Cactus – Free!
Last time we were in this space, we talked about Richmond’s own jazz bassist extraordinaire, Andrew Randazzo, and his efforts heading a variety of ensembles here in town. At that time, I told you that there was at least one more opportunity awaiting you to see Randazzo’s foremost orchestra, the R4ND4ZZO BIGB4ND, engaging in their excellent yearly interpretations of Vince Guaraldi’s immortal soundtrack for best Christmas special ever A Charlie Brown Christmas. Well, if you didn’t mark your calendars then, you definitely should now, because that time has come.

Guaraldi’s original soundtrack was performed by a simple trio, with Guaraldi’s piano backed solely by bass and drums. The R4ND4ZZO BIGB4ND treatment is something else entirely, though, as it augments a crack rhythm section featuring Randazzo and some of his Butcher Brown compatriots with a dozen or so horn and reed players, plus even some occasional guest vocals, for a massive big-band treatment of quite a few absolute classic Christmas season tunes. Are you struggling to find the spirit this year? Look no further — R4ND4ZZO BIGB4ND will put you in the proper mood.

Monday, December 23, 7 PM
Sons Of The Beasts @ Chiocca’s – Free!
Relaxing holiday times are much the same throughout the year — the closer they get, the more relaxed things are around the music scene. And when things are relaxed, musicians inclined towards jamming truly come into their own. That’s when we see mainstays of the scene take stages to get loose and explore what can happen outside the confines of a standard set list, and it’s where all kinds of one-offs and improptu supergroups find time to shine.

You’ll see exactly that kind of thing taking place at Chiocca’s, that little sandwich shop in a Museum District basement, when Sons Of The Beasts get together again for the first time in quite a while, in order to unleash some rockin’ acoustic fun times. If you’re not familiar with the name, you still know the musicians — members of The Southern Belles, The Congress, Jackass Flats, and more are represented in this quartet, and they’ll be dishing out a variety of tunes from their other projects along with some fun covers and unexpected delights. We all know no one gets anything of substance done the week of Christmas, so start the week off with some fun and rock out with Sons Of The Beasts at Chiocca’s.

Elsewhere Around The State:

Wednesday, December 18, 8 PM
Turnover, Men I Trust, Renata Zeiguer @ The NorVA (Norfolk) – $23 in advance/$26 at the door (order tickets HERE)
Turnover’s gone through a lot of changes over the years, from their roots as a melodic, emotional post-hardcore group to their middle period as a shoegazing dream-pop combo. Now, with their brand-new fourth album, Altogether, they’ve integrated an 80s New Wave synth sound that finds them progressing yet again — to a land somewhere between Vampire Weekend, ABC, and 60s tropicalia. That’s a long way to go in six years.

However, it’s a trip that’s worth taking with these Tidewater boys, who keep finding fantastic new ways to express their ever-renewing pop sensibility. So join the Turnover crew as they return home for the holidays with a big party at The NorVA. They’ll be accompanied by Men I Trust, a hypnotic bedroom-synth group from north of the border, as well as up-and-coming torchy Brooklyn songwriter Renata Zeiguer. It won’t be a stage-dive fest of old, but if you appreciate good music, Turnover’s latest transformation will please you every bit as much as their previous incarnations.

Thursday, December 19, 6:30 PM
Leukemia & Lymphoma Society benefit, feat. Super Doppler, No BS! Brass Band @ Naro Cinema (Norfolk) – $15 (order tickets HERE)
The holidays bring out the giving spirit in everyone, and our favorite local bands are no exception. Punks For Presents is far from the only example, and live music collective LAVA Presents proves that on Thursday by joining with two of the best bands in Virginia right now — rockers Super Doppler and funk-jazz party-bringers No BS! Brass Band — to throw a hellacious wingding at Norfolk’s Naro Cinema to benefit the Leukemia & Lymphoma Society.

As charity events go, you’ll have more time writing this one off on your taxes than you will pretty much anywhere else, and rest assured that between our two musical hosts, we’re sure to get plentiful opportunities for smiles, singalongs, and dance parties. What better way could there be to kick off the last weekend before Christmas? (Goodness knows, if any weekend starts on Thursday, it’s this one.)

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 27 – December 3

Marilyn Drew Necci | November 26, 2019

Topics: 500$Fine, Agnostic Front, Arms Bizarre, Bandito's, Broken Chains Of Segregation, Bureau, Capital Ale House Music Hall, Cary Street Cafe, Foxing, Fun Size, Funky Monks, J. Roddy Walston & The Business, Keller Williams, Knuckle Hed, Lindsay Lou, Lobby Boy, Manchester Orchestra, Mutually Assured Destruction, NFK Nightmares, Oso Oso, Pat Keefe, Phelics, Raise Hell Over The Summer, shows you must see, Slapshot, smartmouth brewing, The Camel, The Canal Club, The Keels, The National, The NorVa, The Shack Band, Thin Pigeon, Tobacco Company Club, Uphill Down

FEATURED SHOW
Saturday, November 30, 7 PM
St. Edwards Reunion Show, feat. Fun Size (Photo by Joey Wharton), Broken Chains Of Segregation, Uphill Down, Knuckle Hed, 500$Fine, Phelics @ Capital Ale House Music Hall – $10 (order tickets HERE)
We’re used to believing that in the age of the internet, everything lives forever. Of course, if you had a Geocities site 20 years ago or a MySpace account 10 years ago, you know that isn’t true, but still. What about stuff from before the internet, though? How much history that still exists within living memory is totally unknown to everyone that wasn’t there at the time? To be more specific: how many of my readers under the age of 35 have any idea that the basement cafeteria of a Catholic school in Chesterfield County was once one of the more consistent music venues in the Richmond area?

I know, it sounds crazy! And yet, for a time in the late 90s, St. Edwards Epiphany School on Huguenot Road acted as a gateway for an entire generation of suburban high schoolers to get into the music scene. It seemed like a safe place to drop your curious 12 year old — because it very much was — and everyone from teenage pop-punk bands to downtown stalwarts played there on at least a semi-regular basis.

Of course, for the most part, you can’t hear any of the bands that were St. Edwards regulars anymore — at least, not the way they were heard at the time. Their primitive 4-track demo cassettes may have been digitized at some point, but the recording technology 18 year olds had access to at the time wasn’t the greatest, and almost none of these bands left behind recordings that captured the immediacy and joy of seeing them live. Therefore, we can all be grateful that, this Saturday night, half a dozen of the most memorable veterans of St. Edwards’ basement stage will be back together once again, doing a set for old times’ sake down at Capital Ale House.

Fun Size is still around today, so you may have caught their catchy, emotional pop-punk sound at one point or another. But 500$Fine’s bassist, Patrick Daly, tragically died at the age of 16, so this performance, with Bradley Lile of fellow St. Edwards stalwarts Cloud 13 filling Patrick’s spot on bass, will be their first in over two decades. Their fiery, political take on reggae-influenced melodic punk made them Chesterfield’s own high-school Clash for a couple of years. If you’ve never seen them before, you need to fix that. Descendents-style melodic punks Uphill Down will also be returning to action for the first time in a very long time, and a lot of us are itching for our chance to sing along with “Time Bomb” once again.

I’m way over on word count for this section, but I just can’t stop until I mention the Rage Against The Machine-meets-Quicksand midtempo political hardcore stylings of Broken Chains Of Segregation — the only band on this bill I never got to see the first time around (though I did see post-BCS act Conscience, so I’m not a total poser). We also can’t forget Knuckle Hed’s classic snotty pop-punk sound — show up to find out if frontman Brooks Cullum is still as wild onstage as he used to be — and Amelia County’s own Phelics, the emo boys from the country with the catchy tunes about life in the sticks. I know most of you weren’t there the first time, and have no reason to care about all these bands you’ve never heard of, but nonetheless, this is a one-time look back at an important chapter in Richmond music history, and you’d be a fool to pass up an opportunity to see so many of the bands that did the work to get us here today.

Wednesday, November 27, 10 PM
The Shack Band‘s Ninth Annual Gravy Ball @ Tobacco Company Club – $10
Thanksgiving is a great time of year to be a fan of jam bands. I don’t know what it is about this holiday — maybe it’s association with good times, good food, and good friends — but it brings out the best in all our local jam-rockers, and The Shack Band is no exception. For almost a decade now, they’ve been bringing out their sax-driven melodic jams for a super-fun pre-Thanksgiving throwdown known as the Gravy Ball. For year nine of the Gravy Ball, they’ve taken over the basement of the Tobacco Company to bring you two full sets of catchy tunes with plenty of sauce. So spice things up on the last night before the big family meal — you’ll be glad you did.

Thursday, November 28, 10 PM
Funky Monks @ Cary Street Cafe – Free!
Thanksgiving Day is like Christmas Day, in that it’s hard to find live music in which to partake. Most people are visiting family or gathering with a big crew of friends. But if all your peeps are out of town and you’ve got nowhere to go and no one to chill with, Cary Street Cafe has got you covered this year, because the Funky Monks will be doing one of their classic tributes to the Red Hot Chili Peppers — the pre-2006 stuff, when they were still good. This group takes things back to the good ol’ days by reuniting two of the three Santamaria Brothers, Andres and Gabe, who will delight you with live performances of all those Blood Sugar Sex Magik classics. Don’t spend Thanksgiving alone — bring your tube sock down to Cary Street Cafe and get funky with the monks.

Friday, November 29, 8 PM
Keller Williams’ Thanksforgrassgiving, feat. Keller Williams & The Keels, Lindsay Lou @ The National – $23 (order tickets HERE)
So bluegrass isn’t jam-band music, but in this day and age it’s about the closest you can get, at least culturally, so it’s no surprise that another big Thanksgiving throwdown taking place in Richmond this week is bluegrass-centered. Keller Williams has been making music with bluegrass as a foundation for over 25 years now, and he’ll be celebrating his mix of that classic Kentucky folk music and farther-reaching influences like reggae, jazz, and psychedelia with his Thanksforgrassgiving show on Friday night at The National.

For this show, Williams will be playing with Keller & The Keels, his trio with Larry and Jenny Keel, spotlighting their brand-new third album, Speed. This one’s a fun one, as it features bluegrass-style interpretations of popular tunes by such diverse artists as Weezer, Fiona Apple, and The Presidents Of The United States Of America. It should be a blast to see Williams and the Keels up there doing pedal-to-the-metal bluegrass versions of “Hash Pipe” and “Livin’ La Vida Loca,” and if your family Thanksgiving is as tough on your nerves as mine often can be, a little unmitigated fun will be a huge relief.

Saturday, November 30, 8 PM
J. Roddy Walston & The Business @ The National – $20.50 in advance/$23 at the door (order tickets HERE)
This was a tough choice, y’all. For a holiday week, there’s a ton going on this Saturday — Sammi Lanzetta and Tyler Meacham both have record release parties, Cattle Decapitation and Atheist are at the Canal Club, and there’s a big emo-friendsgiving thing happening at the Broadberry. But I felt like I would be doing you a disservice if I sent you anywhere but back to the National this Saturday night to see J. Roddy Walston & the Business one last time.

Yeah, that’s right — I said “one last time.” The group has been open on social media about the fact that this performance will be their last for the foreseeable future. They might play together again at some point in the future, but right now there are no plans for such a thing. So if you loved the piano-driven heartland rock of 2013’s Essential Tremors, featuring classic banger “Heavy Bells,” or their excellent 2017 follow-up, Destroyers Of The Soft Life — or if you’re just one of the fortunate ones who knows that this group puts on an absolutely hellacious live show — you’re going to want to make it out to The National on Saturday. Because if you don’t catch them now, odds are that you’ll never have another chance.

Sunday, December 1, 9 PM
Lobby Boy, Bureau, Thin Pigeon @ Bandito’s – Free!
No matter what time of year it is, the free Sunday night shows at Bandito’s are always a treat. This weekend in particular, we’ll all probably be sick of turkey by Sunday night, so a plate of delicious nachos or tacos will be just what the doctor ordered. And of course, you’ll get some great sounds from up-and-coming Virginia bands in the side room that secretly has the best live sound of any small venue in this city. I’m serious.

What will you be listening to this fine Sunday night? Well, for starters, you get a set from Harrisonburg indie group Lobby Boy, who just released a lovely new EP called Lore! (yes, with the exclamation point) earlier this month. It mixes upbeat guitar melodies and postpunk-style synth textures with some excellent melodic vocals and catchy choruses that’ll get your feet moving. Locals Bureau have a bit of a twee pop vibe about them, which should have the Citrus City-loving indie kids in this town smiling. RVA’s own Thin Pigeon will add a dose of driving postpunk goth energy to the bill, just to bring the lights down a bit. This one will be a fine end to a fine holiday weekend.

Monday, December 2, 8 PM
Pat Keefe & Friends @ The Camel – Free!
It always takes a while to get back into the swing of things after a long holiday weekend, which is probably why your best bet on this Cyber Monday is a relatively low-key affair. Head on down to The Camel after your dreary first day back at work to chill with Dalton Dash leader Pat Keefe, who’ll join together with some friends — including members of Dalton Dash and other rad local combos — to bust out some Dash-style upbeat acoustic tunes and get a smile spreading across your face. It’s not gonna be a super-big deal, but it’ll be a lovely way to spend an evening — and it’s hard to have a problem with that, right?

Tuesday, December 3, 7 PM
Agnostic Front, Slapshot, Mutually Assured Destruction @ The Canal Club – $18 (order tickets HERE)
You hardcore heads are going to need to be back in the swing of things by Tuesday, for sure, because an absolute stunner of a bill is heading your way and you’re going to want to be at peak energy for this one. The one and only Agnostic Front are coming to town, and they’re going to play their groundbreaking first album, Victim In Pain, from front to back. Agnostic Front are given credit for pioneering the crossover thrash sound later in the 80s, but Victim In Pain was their original statement of purpose. When it was released in 1984, it defined the classic NYHC sound, and remains a fundamental building block of hardcore to this very day. Tracks like “Blind Justice,” “Your Mistake,” “Last Warning,” and the immortal title track are unparalleled classics, and I guarantee that the entire Canal Club will be on their feet and moshing for all of them.

Amazingly enough considering the history of inter-city beef, Agnostic Front will be accompanied on this tour by near-equally groundbreaking Boston hardcore stalwarts Slapshot, whose 1986 debut Back On The Map defined the sound of that city’s hardcore scene as surely as Agnostic Front had done in New York two years earlier. Expect legendary tracks like “Chip On My Shoulder,” “Hang Up Your Boots,” and “No Friend Of Mine” to get the place going almost as crazy as Agnostic Front will an hour later. And considering that brand new Richmond band Mutually Assured Destruction, featuring former members of Breakaway, Down To Nothing, and Holy Land, is opening this one up, it’s gonna be a night of urgent sounds from beginning to end. Be prepared, y’all — this one’s gonna be off the chain.

Elsewhere Around The State:

Friday, November 29, 2 PM
Dark Arts Fest 2019, feat. Arms Bizarre, NFK Nightmares, Raise Hell Over The Summer @ Smartmouth Brewing (Norfolk) – Free!
We all expect that Black Friday will be a nightmare, right? There’s no way anyone hasn’t gotten to that point yet. But what if I told you that there is a place you can go this Friday where you can have a good time, get some shopping done away from the feeding frenzy of sale-hunting Walmart haunters, and hear some great music in the bargain? Is that something you might be interested in? Yeah, I thought it might be. Smartmouth Brewing is just a short drive down I-64 for all the Richmond denizens, and is right in the heart of Norfolk. It’ll be a great destination for all your Christmas shopping needs this Friday, as their 2019 Dark Arts Festival brings us the opportunity to patronize unique artisans and partake of some lovely art throughout the afternoon.

Then starting at 6 PM, it gives us some excellent musical delights as well! Three Norfolk combos will dispense aural treats for your ears from the stage, beginning with Arms Bizarre, whose heavy yet inviting sounds split the difference between psychedelic doom and fuzzy shoegaze. NFK Nightmares bring more of a catchy punk style to your Friday evening, to get you dancing and burning off those Thanksgiving calories. And Raise Hell Over The Summer will raise hell on Black Friday with some rockin’ tunes to kick off the evening. It’s gonna be a great time — and you can’t say that about anything else you might do on Black Friday, so plan your trip to Smartmouth Brewing now.

Saturday, November 30, 8 PM
Manchester Orchestra, Foxing, oso oso @ The NorVA (Norfolk) – $25 in advance/$29 at the door (order tickets HERE)
As melodramatic, emotional indie rock goes, Manchester Orchestra have certainly established themselves as leading lights of the genre. However, ten years ago, they were still hungry young kids looking to make their mark on the world. The mark they made came in the form of a classic album called Mean Everything To Nothing, which took their sound from their promising earlier records to another level entirely, and gave a generation of emo kids the kind of melodramatic rallying cry that every coming-of-age cohort of kids needs.

Now, ten years later, Manchester Orchestra are going on tour to celebrate a decade since that album’s release. Some things have changed in the interim, from details of sound to intricacies of lineup, but Andy Hull and co. still have that fire in their guts that made them so powerful at the time of Mean Everything To Nothing’s release — something they demonstrated most recently on 2017’s A Black Mile To The Surface — and you can expect both old and new tunes to be delivered with mind-blowing power and urgency on this night.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 13 – November 19

Marilyn Drew Necci | November 13, 2019

Topics: Appalling, Beach Slang, Ben Butterworth, Ben Nelson, Bennie Blonkoe Perry, Blackwater Holylight, Candy, Capital Ale House Music Hall, Carpenter Theatre, Creeping Death, Cruzer, David Marie-Garland, Devil Master, Eradicant, Fuzzy Cactus, Ghostemane, Goo Goo Dolls, Halshug, Herschel Stratego, High on Fire, Horus The Astroneer, Idol Womb, Kate Carroll, LE Zarling, Loud Night, Mind Dweller, Miss JR Rose, Mister Earthbound, Monolord, Parv0, Power Trip, Riffhouse Pub, Robyn Hitchcock, Rotten, Sadistikum, Sarah White, Serpentshrine, shows you must see, SNAFU, The Broadberry, The Camel, The NorVa, The Wilful Boys, Timmy's Organism, Vital Remains, Wonderland

FEATURED SHOW
Saturday, November 16, 6 PM
High On Fire (Photo by CE Kelco), Power Trip, Devil Master, Creeping Death @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
This week, Richmond is visited by the band that started it all: High On Fire, the kings of apocalyptic doom metal ever since guitarist/vocalist Matt Pike bailed on Sleep to start his own musical engine of brutality. That was over 20 years ago, and High On Fire are still going strong today, releasing their eighth album, Electric Messiah, last year and following it up this year with a killer EP called Bat Salad. That EP pays tribute to Black Sabbath, Celtic Frost, and Bad Brains — three seminal bands whose influence can clearly be felt in High On Fire’s roaring musical rampage.

For the uninitiated, High On Fire’s sound can be explained to some extent by the fact that 2018 LP Electric Messiah was inspired by comparisons Matt Pike always gets to Lemmy. His gravelly bark certainly isn’t too far from that of the late, great Motorhead majordomo, but musically, High On Fire explore a variety of directions, some of which are more comparable to the speed-loving London trio, while others move in more of a spaced-out astral epic direction. While the former material is always the real catnip for me (is this because I don’t smoke weed? Widespread polling makes it seem like this might just be the case), the longer, slower epics are always fan favorites, mixing the foreboding astral-plane wanderings of Neurosis with the more straightforward old-school doom vibes of my favorite Wino project, Spirit Caravan.

Basically, High On Fire offers the perfect opportunity for all you sleeveless-denim scuzzballs to achieve cannabis-infused headbang nirvana. And on this jaunt through our local atmosphere, they’re accompanied by legendary Texas thrashcore veterans Power Trip, who arose from the hardcore scene a decade ago to engage in a top-notch reincarnation of classic 80s thrash that was just a little too evil to find itself within the notoriously goofy world of “crossover.” So much the better — these guys are capable of all the string-bending leads, propulsive circle-pit tempos, and terrifying vocal exhortations of the best thrash, with a decidedly dark undercurrent that almost reaches the level of early Scandinavian black metal. These two masterful metallic combos will also be joined on this trip through RVA by Philadelphia blackened-punk mayhem creators Devil Master and early-Metallica-loving Texas death metallers Creeping Death. It’s a bonanza for your scorched ears, a circle-pit demon’s delight. Be sure to partake.

Wednesday, November 13, 8 PM
Halshug, Mind Dweller, Loud Night @ Fuzzy Cactus – $8
Southern Lord has been the prime stadium crust label for a while now, and Denmark’s Halshug are just the latest example of that trend. You may not know what I mean when I use the phrase “stadium crust” to describe a band, but you can probably guess based on context clues — filthy hardcore punk that just sounds like its creators are all wearing leather jackets, made by punks who’ve clearly got Disrupt and Tragedy in their DNA but are shooting the moon with a big, loud sound that seems engineered to headline California Jam alongside Sabotage-era Black Sabbath.

While we can’t say that 30,000 kids would pack out the Nissan Pavilion (or Jiffy Lube Live, or whatever that place is called now) to see Halshug, it seems a sure thing that their loud, proud rage will fill the confines of Fuzzy Cactus with arena-worthy riff pyrotechnics tonight. That’s something you won’t want to miss, especially with Raleigh rockin’-punk powerhouse Mind Dweller on the bill as well, doing that classic Black Flag-meets-Ted Nugent sound that Annihilation Time made its name on. The bill is rounded out with the inclusion of local rippers Loud Night, who’ve got their own spin on that exact point where Motorhead meets Discharge, complete with a rollicking thrash vibe that’s sure to make the old-school metalheads smile and raise their studded-bracelet-bedecked fists.

Thursday, November 14, 8 PM
Monolord, Blackwater Holylight, Mister Earthbound @ The Camel – $15 in advance/$18 day of show (order tickets HERE)
It’s easy to get overwhelmed by the glut of doom metal that has overtaken the heaviest of genres in the past decade or so — sometimes it feels like it’s just slow grooves all the way down, and that can cause us to go from headbanging to nodding off. But it is still, in 2019, possible to do doom metal right, and Sweden’s Monolord are just the latest combo to prove exactly that with their new LP on Relapse Records, No Comfort. As with a lot of bands who achieve success in a world of a million soundalike Sabbath/Wino worshippers, Monolord do this by moving away from the 70s proto-metal influences to concentrate on late 60s psychedelia and classic Southern sludge.

No Comfort feels like the record Eyehategod would have made if they’d been contemporaries of Charles Manson rather than some of the foremost metalheads to develop an edgy fascination with that mass-murdering cult-leading scumbag at the dawn of the 90s. And while I love those first couple Eyehategod records, No Comfort‘s relatively unusual approach to moody sludge is like a breath of fresh air compared to the millionth band ripping off the genre’s godfathers. Monolord arrive in Richmond accompanied by Portland’s Blackwater Holylight, who show absolute mastery of witchy psychedelic foreboding on their 2018 self-titled debut LP. Light a candle for this set — it’ll be appropriate.

Friday, November 15, 9 PM
SNAFU, Eradicant, Idol Womb @ Wonderland – $5
This is probably only a warning I have to give to my fellow olds, but: don’t get it twisted, this is not an appearance by legendary Canadian skate-punk band SNFU. Hailing from just across the Canadian border in Detroit and featuring an extra letter in their acronym band-name, SNAFU are just as speedy and intense as their almost-homophone Canadian counterparts, but have a ton more metal in their sound, straddling the border between metal-thrashing crossover-core and outright skate-obsessed thrash-grind.

They haven’t released anything new since 2015’s heaping helping of speedy noise, Present Day Plague, but they are apparently in the process of preparing to record a new album, their first in four years. So you can expect them to have a ton of new tuneage for you when they show up at Wonderland this Friday night. This show, which serves as a birthday bash for Wonderland owner Chad Painter and a warmup for the Wonderland Quinceanera celebration that’s coming up just before New Years, will also feature two new Richmond ragers — Eradicant, who play death metal and feature members of 3:33; and Idol Womb, who are more of a black-death mix (metal, not plague), and feature members of Cruelsifix. Get ready to rock out!

Saturday, November 16, 7 PM
Robyn Hitchcock @ Capital Ale House Music Hall – $25 (order tickets HERE)
Robyn Hitchcock is an absolute legend. This British singer-songwriter has been at the forefront of psychedelic pop for over four decades now, starting out as the frontman for psychedelic postpunk band The Soft Boys in the late 70s, and beginning his solo career in 1981. Since then, he’s released 21 studio albums and a ton of live albums and outtake collections documenting his prolific muse. He veers back and forth between solo acoustic albums with a sort of witchy-English-backwoods psych-folk vibe and full-band outings with backing bands The Egyptians and The Venus 3 (which features members of REM), aiding his creation of impeccable alt-pop gems. In indie circles, he’s considered a godfather of the sound, and has worked with XTC, The Decemberists, and Jeff Mangum of Neutral Milk Hotel.

With all that in mind, the fact that I can’t even tell you whether Hitchcock is bringing a full band with him for his appearance this Saturday night at Capital Ale House’s Richmond Music Hall shouldn’t even matter to you. His last full-length album, 2017’s Robyn Hitchcock, featured a full band and a bushel of delightful melancholy pop tunes with the subtlest of punk undercurrents — but that was two years ago, and the ever-creative Mr. Hitchcock may have moved on to something else by now. Considering how excellent he’s been at every phase of his career, from The Soft Boys’ immortal 1980 single “I Wanna Destroy You” to his outstanding 1990 solo outing, Eye, and from career-defining 1984 masterwork I Often Dream Of Trains to 2006 late-career highlight Ole! Tarantula, featuring the Venus 3… well, there’s no reason to think whatever he wishes to share with us will be anything other than great. Get over to Cap Ale and groove on this one.

Sunday, November 17, 9 PM
Timmy’s Organism, Cruzer, The Wilful Boys @ Fuzzy Cactus – $7 in advance/$9 day of show (order tickets HERE)
Garage rock can sometimes be the rawest, rootsiest expression of the original rock n’ roll spirit as possible, but Timmy’s Organism isn’t that kind of group. Instead, this project from longtime garage innovator Timmy Vulgar (formerly of the Epitonix, Clone Defects, and more) has a bit of an off-kilter, sidewise approach to the garage thing. On their 2018 LP, Survival Of The Fiendish, Timmy’s Organism veer from song to song between the Stones circa Exile On Main Street’s dankest basement sessions, the Replacements at their most plastered, and a loose, antisocial version of the MC5’s soul-inspired full-throttle rock n’ roll attack. It’s wild, it’s crazy, it’s a ton of fun, and it’s sure to get things all stirred up when Vulgar and co. arrive at Fuzzy Cactus this Sunday night.

They’ll be joined in their rock n’ roll assault on Richmond by The Wilful Boys, an NYC quartet fronted by Australian singing drummer Steven Fisher. Something about the way Aussie bands approach no-frills rock n’ roll is unbridled in a manner you’ll never see on this side of the international dateline, and with a half-Aussie lineup including Fisher, The Wilful Boys bring that Cosmic Psychos-esque approach to bear in an enjoyably brutal fashion. They’ll pair perfectly with the northern hemisphere wildmen of Timmy’s Organism, and local surf-punk fun-starters Cruzer will open this one up with the perfect mix of beach-blanket fun and out-of-control bonfire parties. Get stoked for this one.

Monday, November 18, 8 PM
Comedy & Western Showcase, feat. Sarah White & The New Band, Miss JR Rose, Ben Butterworth, Ben Nelson, David Marie-Garland, LE Zarling, Kate Carroll, Bennie Blonkoe Perry, hosted by Herschel Stratego @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
I don’t know what possessed someone to create a showcase like this, but I’ve gotta admire their creativity. It certainly would never occur to me to combine standup comedy performances with country music, but considering the mutual variety-show roots of both disciplines, it actually makes a ton of sense. And it gives those of us who are more musically inclined an opportunity to feast our ears on some of the modern country sounds being created right here in VA, which doesn’t ever seem to happen often enough. So liven up your Monday night with this one.

Specifically, enjoy a performance from Virginia singer-songwriter Sarah White, whose 2018 LP High Flyer mixes heartland rock sounds with some classic country approaches and instrumentations to create a result that fans of No Depression-style alt-country are sure to enjoy. Miss J.R. Rose is someone I don’t know a lot about, but her classic country ballads seem like a perfect old-school note to add to this many-flavored stew. And of course Ben Butterworth is a local musical mainstay, though I don’t know as much about his fellow Ben, Nelson. The comedy half of this evening’s entertainment is on lock with some of the best local comedians to ply their trade in this city over the past decade on the bill. And of course, Herschel Stratego will deliver his own unique and inimitable skills as the host. This one’s sure to be a blast. Don’t miss out.

Tuesday, November 19, 7:30 PM
The Goo Goo Dolls, Beach Slang @ Carpenter Theatre – $38 – $73 (order tickets HERE)
I know what some of my longtime readers are probably thinking right now: “The Goo Goo Dolls? This is Drew’s ultimate troll move on all of us.” And I’ll grant that sometimes I have way too much fun in this column engaging in — how should I put this? — “subversion of your expectations.” But y’all, I am not fucking with you in the slightest bit on this recommendation. The Goo Goo Dolls are awesome. I will admit that their last few albums have seen time catching up on these guys, turning them from the best matured-ex-punks-turned-heartland-rockers since The Replacements to a group that’s a bit too Matchbox 20-ish in their balladry these days. But that’s OK, because you don’t have to buy their brand new album (which is called Miracle Pill and is their 12th overall) to enjoy the hell out of their live performances.

And for real, I’ve seen video of them performing in the past year, and they’re still rad! Bassist Robby Takac still bounds all around the stage doing jump-kicks, Johnny Rzeznik still plays electric guitar for most of the set, and they’re still playing legit great tunes from decades past, like “Big Machine,” “January Friend,” and “Broadway.” Granted, there’ll be a few lite-rock radio chestnuts to sit through (I never did fuck with “Iris”), but to make up for those, you get an opening set from legit punk band Beach Slang, who are about to release their fourth album, The Deadbeat Bang of Heartbreak City, and still have the high-energy drive that made classic early-90s Goo Goo Dolls albums like Superstar Carwash and A Boy Named Goo so great. As for the headliners, chances are the Goos are gonna show their age at a couple points during their set, but where their best moments are concerned, you’re still not gonna find anything better.

Elsewhere Around The State:

Thursday, November 14, 6 PM
Vital Remains, Serpentshrine, Sadistikum, Appalling, Rotten @ RiffHouse Pub (Chesapeake) – $12 in advance/$15 day of show (order tickets HERE)
Death metal mainstays Vital Remains have been bringing us some of the most punishing riffs in the game for 30 full years now, and they’re on tour right now to celebrate. Having formed in the late 80s, established themselves as one of the foremost groups in the genre with 1998’s Forever Underground, and gone on to collaborate with the almighty Glen Benton of Deicide on Dechristianize and Icons Of Evil — two of the best death metal albums the 21st century has seen thus far — Vital Remains definitely have a lot to celebrate on this tour.

Now, I will grant you that they haven’t released an album since Icons Of Evil in 2007, and that at this point both Benton and longtime drummer/lead guitarist Dave Suzuki have left the band. However, Tony Lazaro is still fielding a lineup of powerful metal players — including latest vocalist Scott Eames of Thy Antichrist. In addition to the full catalog of raging hits that the band has to draw from, he’s supposedly got multiple albums worth of new material in the can and waiting to be recorded. Maybe if this anniversary tour is successful enough, Vital Remains will finally break their 12-year drought and grace us with a new album. But even if they don’t, you’ll get to see them decimate RiffHouse Pub with an unrelenting metal onslaught. And that’s certainly good enough reason to go to this one.

Friday, November 15, 7 PM
Ghostemane, Candy, Horus The Astroneer, Parv0 @ The NorVA (Norfolk) – $23 (order tickets HERE)
I gotta tell ya, I find Ghostemane pretty fascinating. Purely on a visual level, he looks like a goth kid who likes metal a whole lot. But he’s at least ostensibly a rapper — though hardly a straight-up old-school rapper, in light of his connections to $uicideboy$ and Lil Peep. He also used to play in hardcore and metal bands, and has been known to take current hardcore bands out with him on tour (note that Richmond hardcore up-and-comers Candy are playing with him on this NorVA bill). All of this speaks to a pretty wide-ranging set of influences that drive Ghostemane, and you can hear all of those influences on the highly prolific (20 releases in the past five years) rapper’s discography.

Sometimes he croons like Trent Reznor at his most emotionally fraught moments. At other times, his stuff sounds almost like Slipknot and Ministry jamming on solely electronic instruments. Sometimes it sounds like the sort of hazy, downbeat hip hop you’d expect from a $uicideboy$ affiliate. And his latest EP, Hiadica, isn’t even hip hop at all — it’s a straight up metallic hardcore record, full of throaty screams, blastbeats, and breakdowns. Whether you’re into the weirder end of the modern hip hop scene, brutal hardcore, or some combination of the two, Ghostemane’s NorVA performance is sure to have something to delight you.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 11 – September 17

Marilyn Drew Necci | September 11, 2019

Topics: Antonio Garcia, Arrival Of Autumn, Bandito's, BigDumbBaby, Black Iris, Blackliq, Brian Jones, Cary Street Cafe, Charlie's American Cafe, Colleen Thorburn, Coy Pond, D R O N E S, Druglord, Finding Verona, Flaural, gallery 5, Grebes, Hand Out, Incite, John Cage, Justin Alexander, Justin McConchie, Killroy G, Long Division, Max Gowan, Midlife Pilot, militia, Moons, Muscle Worship, Nicomo, Pinson Chanselle, prison, PT Burnem, Reggie Pace, RIsing Revolution, Scaphe, Scott Burton, Serial Hawk, shows you must see, Soulfly, Sun Against Artemis, Suzi Fischer, Swordplay, The Appleseed Cast, The Camel, The Dark Room, The NorVa, Tony Martucci, Triptides, Unearth, W I S H, WE Singleton Center for the Performing Arts, Wonderland, Zach Ware

FEATURED SHOW
Sunday, September 15, 7 PM
Swordplay, PT Burnem, Blackliq, Killroy G, D R O N E S @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
It’s always nice when a prodigal Richmond musician returns home, and that’s what’ll be happening at Gallery 5 this Sunday as Swordplay hits Richmond once again to celebrate the release of his latest album, Paperwork. The rapper who last made a mark on the Richmond scene with his 2013 LP Tap Water has been living on the West Coast for over four years now, and he returns to Richmond having received a law degree from Berkeley. Not bad, right?

While Paperwork isn’t technically Swordplay’s first release in six years — a reissue of a 2009 CD-R release (remember those?) called Malista came out on cassette (we would have said “remember those?” about cassettes in 2009) earlier this year on MilledPavement Records — it is the first real new material from Swordplay in over half a decade, and shows quite a bit of growth since Tap Water, even as it retains all the qualities that made previous Swordplay albums so great: forthright emotion, complex and irreverent wordplay, acoustic and melodic touches mixing with pounding boom-bap beats to keep you dancing.

It’s always nice to see what’s been up with someone we haven’t been in touch with for a while. On Paperwork, Swordplay makes clear that he’s still doing well. And for his release party at Gallery 5, he’ll be gathering together a whole bunch of old friends to remind us all what we’ve been missing. He’s joined by some frequent collaborators, including the illustrious and always furiously political PT Burnem and the introspective and talented producer Erik Akers, aka D R O N E S. Sets from veteran Richmond emcee Blackliq and recent up-and-comer Killroy G will round out this bill with some serious rhyme fire. Get ready.

Wednesday, September 11, 8 PM
John Cage’s Musicircus, curated by Brian Jones, Justin Alexander, Antonio Garcia; feat. Suzi Fischer, Pinson Chanselle, Scott Burton, Reggie Pace, Zach Ware, Justin McConchie, Colleen Thorburn, Tony Martucci @ WE Singleton Center For The Performing Arts – Free!
It’s the middle of the week and we could all use something different. But over at VCU’s WE Singleton Center For The Performing Arts, some music-department faculty are getting together with a bunch of notable Richmond musicians to find out just how different things can get. Tonight they’ll all be gathering to perform John Cage’s Musicircus, one of many conceptual pieces created by 20th century experimental composer John Cage, who is most famous for “4’33” (yeah, the totally silent song).

This Cage piece is not silent at all, but instead described as a situation in which any number of musicians are gathered together in the same place at the same time and instructed to play whatever they want, without regard to what anyone else is playing, for at least an hour. If you’re imagining a wall of absolute noise chaos, you’re on the right track — but the whole reason Cage came up with the idea was to get people to look beyond the wall of noise and find the interesting juxtapositions that exist within. With members of the Spacebomb house band, No BS! Brass Band, Luray, The Big Payback, Agents Of Good Roots, and many more talented local musicians involved in this particular performance, potential is high for some amazing sounds to come out of it. Listen closely.

Thursday, September 12, 8 PM
Hand Out, W I S H, Midlife Pilot @ Bandito’s – Free!
Going to free shows is never a bad idea — even if you’ve never heard the bands involved. Take this one, for example — before I checked out the event page for this free show at Bandito’s, I had no idea who Hand Out are. Now that I’m familiar with this New Orleans-based melodic punk quartet, I’m giving this show highest marks. Hand Out’s 2018 EP, Blood & Water, was already pretty great, and they took things to an even higher level of excellence on their split EP with Ghostpool, released earlier this year.

Having spent some time with Hand Out’s ringing guitars, excellent vocal harmonies, and driving tempos, I’d say that they’d be worth paying a significant sum to see live. But hey, at Bandito’s this Thursday, you get to see them for free! You’d be a fool to turn that deal down, especially with local shoegazers W I S H and catchy Richmond pop-punkers Midlife Pilot on the bill as well. Plus — like I’m always telling you with Bandito’s shows — you can use the money you would have spent on admission to buy a big delicious plate of nachos. There’s nothing not awesome about that.

Friday, September 13, 7 PM
Max Gowan, Coy Pond, BigDumbBaby @ Black Iris – $5-10 suggested donation
The experimental sounds that were a regular occurrence at Black Iris a year or so ago have mostly died away or found other places to land, but this Friday night event shows that this gallery hasn’t entirely turned away from live performance — always a nice thing to learn in a city where finding a place to catch live music can sometimes be a challenge. What’s really nice is the sounds Black Iris is bringing us this Friday, mainly from DC songwriter Max Gowan.

Gowan sometimes performs under the name Max Gowan And The, which should tell you a little bit about how he operates. Bygones, the LP he released earlier this year, is full of quietly beautiful acoustic pop tunes that sound like they were recorded in a very private ad-hoc space (a bedroom, perhaps?), but glow with perfect melodies that shine in the slightly experimental context in which they exist. This sort of music may experience an interesting transition into the live environment; indeed, this may be the sort of show that everyone will get the most out of if everyone is very very quiet. But that doesn’t mean you should skip it — quite the contrary. Gowan has a lot to offer, and the fact that you might have to listen closely only makes the eventual payoff that much more rewarding.

Saturday, September 14, 9 PM
Grebes, Nicomo, Moons @ The Dark Room – $5
I haven’t heard much about Richmond-based singer-songwriter project Grebes, and apparently I’ve been missing out. A solo creation from Jacob Ungerleider, who previously played in Natalie Prass’s backing band, Grebes is a keyboard-driven powerhouse of quietly soulful indie pop sounds. They demonstrate their facility with that style on debut LP House Creature, which was released earlier this year, and if you dig the idea of The Beatles jamming with Marvin Gaye in the wee small hours of the morning, you’re going to want to dig into this one.

You’re also going to want to come check out New York trio Nicomo, the Nico Osborne-led trio who just released their latest EP, Views, last month. Its six songs showcase Osborne’s songwriting prowess, and the group’s charming folkish sound, which also mixes in unusual instruments and field recordings to add a bit more texture — though who knows how such things will come off in the live environment. Regardless, it should be lovely. Richmond-based opener Moons will add some texture to the evening with some Hendrix-inspired psych-rock jams to get your night started right.

Sunday, September 15, 9 PM
Serial Hawk, Druglord, Scaphe @ Wonderland – $10
This show is for all you intellectual post-metallers who enjoy slow-motion headbangs but get more stoked when you’re afforded an opportunity for contemplation of sheer riff majesty. Serial Hawk, an epic quartet who mix Isis-style moments of mood with brutal slow-motion pound and outright noise like Windhand jamming with Neurosis, are sure to please your ears when they pound hairline cracks into the Shockoe Bottom sidewalks outside Wonderland this Sunday night.

On tour behind their brand new double LP, Static Apnea, Serial Hawk are bringing an intriguingly complex and less-than-predictable approach to the intersection of two genres — post-metal and doom — which in 2019 can both feel very played out in less capable hands. Serial Hawk will remind you of why you loved all this music in the first place, and they’ll do so while blowing your mind (and your eardrums). They’ll be joined in this by Minnesota ragers Scaphe, who up the tempo and the noise for their complex and scathing two-piece approach. Richmond stoner heroes Druglord will kick the evening off with a set of hazy proto-metal dirges sure to put you in the proper mood for an evening of powerful noise.

Monday, September 16, 9 PM
Triptides, Flaural @ Cary Street Cafe – $10
A name like Triptides might lead you to expect some pretty straightforward jam-band action, but this California crew who are pulling into Richmond for the very first time are much more complicated than all that. Rather than dipping into the Deadhead sound that constitutes the usual brew for everyone’s favorite hippie hangout, Cary Street Cafe, this group takes a left turn into technicolor psychedelic pop.

On latest LP Visitors, Triptides bust out a powerful sound that harks back to some of the best acid trips pressed to vinyl over the past half-century — Innerspeaker, Incense & Peppermints, Skylarking, Magical Mystery Tour, and more all shine through the sounds dished out by this excellent group of psychedelic rangers. Denver’s Flaural are also on the bill, and bring a similarly acid-soaked psychedelic pop style into play; though they may be a bit more grounded in melody, their sound constitutes the perfect pairing with Triptides’ glorious musical space travels. Catch both of them this Monday night, and take a trip into the center of your mind.

Tuesday, September 17, 7:30 PM
Rising Revolution, Finding Verona, Sun Against Artemis, Militia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
OK, this is going to be a lot of fun — especially since I didn’t think this kind of thing happened anymore. By “this kind of thing,” I mean random shows bringing together a variety of surprisingly young rock bands from the outer edges of the Richmond suburbs — which are very far out indeed in 2019. Rising Revolution headline this show, and this symphonic power metal group have an entire fictional backstory built up around their band which sounds straight out of Blade Runner, or maybe a Coheed And Cambria record.

Rising Revolution are serious about their symphonic chops, leaning into the sort of operatic vocals and baroque guitar leads that make bands like Dragonforce so entertaining. Meanwhile, Flaming Verona, who hail from out Louisa way and are one of two bands on this show whose only internet presence is an Instagram account (#generationz), are going for more of a Killswitch Engage/All That Remains metalcore-with-emphasis-on-metal thing. Sun Against Artemis have a 70s proto-metal thing going on that makes me think of Deep Purple crossed with first-LP Heart, and Militia are clearly going for some 80s thrash sounds. But what really makes all of them interesting is how young and fresh-faced they are — if most of these bands are too young to drive, I wouldn’t be surprised. How wild is that? The kids are still out there doing it. Get down with it.

Elsewhere Around the State:

Saturday, September 14, 7:30 PM
The Appleseed Cast, Muscle Worship, Long Division @ Charlie’s American Cafe – $15 (order tickets HERE)
The Appleseed Cast have been one of the longer-lived midwestern emo bands to come out of the late 90s emo scene that also produced bands like Braid, American Football, and The Jazz June. They also have managed to stay relatively consistent across a 20-year history that’s seen them endure quite a few lineup changes. At this point, singer-guitarist Christopher Crisci is the only original member that remains, but as the band has always been fueled by his creative choices, that’s not a bad thing.

This summer saw The Appleseed Cast release their eighth album and first in six years, The Fleeting Light Of Impermanence. And if you loved their atmospheric, progressive take on an emo sound that often strayed well into post-rock territory, it’s sure to make you smile just as much as previous efforts have. Crisci’s vocals retain the power to evoke both vulnerability and extreme beauty, and the soaring guitar melodies and powerful drumming only underscore the fact that The Appleseed Cast are still at the top of their game after two decades. How amazing is that going to be in the live setting? It’s certainly worth quite a bit more than the admission price you’ll pay to find out.

Monday, September 16, 5:30 PM
Soulfly, Unearth, Incite, Prison, Arrival Of Autumn @ The NorVA – $21.50 in advance/$25 at the door (order tickets HERE)
Back when Max Cavalera left Sepultura at the height of their fame to form Soulfly, it seemed like the legendarily riff-obsessed guitarist may have screwed up. Now, 20 years later, it’s clear that Cavalera’s choice just managed to create two great brutal thrash bands out of what had been only one. Which is a pretty excellent result, if you think about it. On 2018’s Ritual, the 11th Soulfly album, Cavalera and his crew of metal ragers — which currently includes his son Zyon on drums — show that they can still crank out powerful riffs with a strong Brazilian tribal influence and some serious groove power, just as they always have.

Long-running Boston metalcore rippers Unearth are also on this bill, and have quite a strong track record in their own right. Seventh album Extinction(s), released late last year, shows that Unearth have remained consistently talented at both metal shredding and serious mosh brutality. They’re sure to get the pit raging at the NorVA once they hit the stage. In addition to these two legends of metal rage, this bill also features a few talented members of the younger generation, most notably Phoenix metalcore headbangers Incite. Floridian relative newcomers Prison and Canada thrashers Arrival Of Autumn round out a bill full of serious metal. Get ready.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 28 – September 3

Marilyn Drew Necci | August 28, 2019

Topics: Appalling, Battlemaster, Bean Weatherford, Bryan Fountain, Court Street Company, Croy & The Boys, Danet Jackson, Daniel Clark, Dave Brockie, deathcrown, Deau Eyes, Dominy, Enhailer, Fruit & Flowers, Fuzzy Cactus, Gene Loves Jezebel, Gutterance, gwar, GWARbar, Habibi, Hewolf, Hot Coffee, LAVA, Leya, LIZA, Logan Vath, Modern English, Museum District, Occultist, Pet Name, Pip The Pansy, Piranha Rama, RAWG, Righter, Serqet, Shockoe Denim, shows you must see, Silence In The Snow, Super Doppler, The Alarm, The Camel, The Dark Room, The Day Of The Beast, The Gilberts, The Heart Stompers, The NorVa, Thief, Thieves Of Shiloh, Toast, Vomit Stain, Wonderland

FEATURED SHOW
Saturday, August 31, 1 PM
Brockie Birthday Bash, feat. RAWG, Battlemaster, Occultist, Hewolf, Enhailer @ GWARBar – Free!
It can be a sad thing, to gather in celebration of a dead person’s birthday. However, Dave Brockie was never the sort of person to dwell on sadness, so when GWAR gathers the bohabs together this weekend in celebration of their late, lamented leader, it’s sure to be a party regardless. Things really kick off the day before this show, when the new monument to Brockie’s memory will be unveiled in Hollywood Cemetery. But then on Saturday afternoon, the parking lot of GWARBar will be transformed into a raging outdoor rock-a-thon to commemorate what would have been Brockie’s 56th birthday.

And what a rager it will be! GWAR themselves won’t be performing, but RAWG — their alter-ego from the days when Richmond had a ban against GWAR shows within the city limits — will headline this event, bringing you all the goofily hilarious thrash-metal power of a typical GWAR show… only without the costumes. It’ll be a headbanging good time regardless — after all, these guys have got some great tunes!

They’ve also got some great friends with excellent bands, and a lovely selection of Richmond metal tunesmiths will be taking the stage in support of the GWAR… er, RAWG headlining set on this lovely Saturday afternoon. Battlemaster’s swords n’ sorcery thrash metal is on the menu, as is Occultist’s blackened death rage, finally back to full-time activity after a few years of woodshedding. Hewolf sees the return to action of several longtime Richmond metal veterans from bands like Iron Reagan, Darkest Hour, Alabama Thunderpussy, and HRM, who bring us some groovy headbanging grunge-metal stomp. And Ohio’s Enhailer bring their mostly instrumental doom-sludge to town to liven things up. It’s gonna be an afternoon of amazingness, so don’t miss a moment of the happenings at GWARBar!

Wednesday, August 28, 9 PM
Silence In The Snow, Thief, Serqet @ Wonderland – $10
Here’s an evening of music that’s sure to bring some relief to all you gothic post-punkers currently wilting and melting away in the oppressive heat of Richmond’s scorching, sticky summer. Silence In The Snow brings an icy, fog-enshrouded sound from their home in the SF bay area to RVA tonight. On new LP Levitation Chamber, frontwoman Cyn M. picks out harsh, cold melodies on her electric guitar, while bearing a striking vocal resemblance to Siouxsie Sioux circa 1985.

The whole thing adds up to a spiky gothic postpunk sound that’s sure to thrill all the black-enshrouded night children who wait until darkness has fallen before they venture out of their air-conditioned chambers. Such habitues of the shadows are sure to also be intrigued by LA’s Thief, who bring a spooky electronic sound and a strong influence from sacred chants and medieval hymns to their postmodern gothic sound. And of course, Richmond’s own Serqet is in the house to provide a dose of their always-on-time anarcho-postpunk sound. When the sun goes down, head to Wonderland tonight — you’ll find what you’re looking for.

Thursday, August 29, 7 PM
Habibi, Fruit & Flowers, LIZA @ The Camel – $10 in advance/$13 day of show (order tickets HERE)
New York’s a multicultural place, and the melting pot culture it creates is clear in the music of Habibi. Reflecting the members’ Middle Eastern and Latin American heritage, this NYC group focuses on psychedelic garage pop from a variety of different traditions. On latest EP Cardamom Garden, they use layered vocal harmonies, hazy guitar textures, and rock n’ roll backbeats to create a sound that’s simultaneously reminiscent of The Byrds, The White Stripes, and Brazilian psych group Os Mutantes. The EP even includes a cover of 60s proto-punk classic “Green Fuz,” sung in Farsi — making that Middle Eastern influence that much clearer.

Habibi are joined on this trip to RVA by fellow New Yorkers Fruit & Flowers, who have a more American-oriented garage-punk bounce that’s shown off to excellent effect on their 2017 EP, Drug Tax. Like Habibi, this quartet will get you dancing around, but they’ve got a decidedly more uptempo approach that’ll keep your feet moving double-time throughout their set. This three-band lineup will be rounded out with a set by Richmond locals LIZA, who will bring a live, full-band expansion to the psychedelic bedroom pop tunes of singer-songwriter Liza Grishaeva. It’ll be a great way to start out an evening of delicious psych-pop excellence.

Friday, August 30, 9 PM
Deathcrown, Appalling, The Day Of The Beast, Gutterance @ Wonderland – $10
Death metal still rules. We all know it, even if we don’t always talk about it. But on a Friday night like this one, it becomes clear that the best way to spend our live music dollar is to head to Shockoe Bottom and let almighty death metal roll overtop of us in its own inimitable way. That’s the opportunity that Wonderland is offering us with this tour-kickoff show for Deathcrown and Appalling, a couple of the heaviest death metal bands currently active in this town.

Deathcrown’s been dishing out that raging sound that’s sure to appeal to fans of bands that came out of Florida in the 90s — think Morbid Angel, or Death themselves — for a while now, most recently on their 2018 split LP with Ribspreader, Comorbid Diagnosis. Meanwhile, Appalling take a more Scandinavian approach to raging speed on their recently-released LP, Inverted Realm, evoking the harsh snarling rage that you At The Gates fans can never get enough of. Virginia Beach rippers The Day Of The Beast will augment all this heavy-as-fuck pummelling with some furious death metal noise of their own, while King George-based newcomers Gutterance will get things kicked off in proper fashion. Come ready for serious headbangs — because you’re going to get them.

Saturday, August 31, 9 PM
Museum District, Hot Coffee @ The Dark Room – $5
When Saturday night comes around, it’s time to dance, and this weekend, The Dark Room has you covered, presenting a set by Museum District. Not actually a performance by an entire neighborhood (which was called “the Upper Fan” when I was living up there in the 90s, grumble grumble, I’m an old person who hates change), but instead a duo made up of two talented RVA musicians with credentials of their own. Jame Moorfield has been producing dancefloor bangers on his own around town for years now, while Anneliese is a fixture on the local music scene due both to her longtime membership in The Folly and her solo work.

When the two combine their talents, though, magic happens, and on recent EPs like Hairdown and I Like It, Museum District has unleashed some powerful disco-house grooves with strong diva-style vocal melodies and thrilling musical crescendoes. They’ll fill The Dark Room at The Hof with some powerful booty-shaking anthems this Saturday night, and you’ll want to save some energy throughout the day so you’re prepared to dance the night away with them. DC producer Hot Coffee will be warming up the joint with a set of his own, but Museum District is what this evening’s all about.

Sunday, September 1, 7 :30 PM
Leya, Thieves Of Shiloh @ Shockoe Denim – $10
If you’re a fan of musical experimentation, you’re definitely going to want to end your weekend at Shockoe Denim this weekend, regardless of who makes your pants. On this Sunday evening, Little Dumbo is bringing Leya to town, and this New York duo combines instruments with centuries of history into sounds that are unlike any you’ve heard before. Leya brings together harpist Marilu Donovan (Eartheater) and violinist Adam Markiewicz (PC Worship) in pursuit of a sound that has nothing to do with the classical music fields in which these instruments are normally deployed.

On their 2018 album The Fool, Leya run their instruments and their voices through a variety of effects and use unorthodox tunings to create otherworldly sounds that would be completely at home on the soundtrack to a horror movie, but also manage to evoke an atmospheric beauty. It’s the kind of thing that fans of Philip Glass or Diamanda Galas might tap into, but for most will take some getting used to. It’s worth the effort, though — this evening of unusual sounds is sure to be rewarding for all in attendance. Leya will be joined by local sound experimentalists Thieves Of Shiloh on this bill — news that’s sure to make attendees of Cheap Fest in years past very happy.

Monday, September 2, 8 PM
Danet Jackson, Bryan Fountain, The Gilberts @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
Band names are getting weirder and weirder, y’all, and Danet Jackson might just be the weirdest one I’ve heard yet. That said, if you’re expecting a combination of The Dan Band and the lady who sang “Rhythm Nation” from this Richmond group, you may or may not be let down, as this group fronted by local singer-songwriter Dan Jackson (the name makes a little more sense now — but only a little) dishes out some shambolic bedroom indie-pop in a manner that evokes both Wavves and Washed Out. Or maybe that’s just me.

Either way, on recent LP Planet Danet, this group is better than you’d ever expect them to be based on the name. Give them a listen. And expect things to get even weirder when fellow Richmonder Bryan Fountain takes the stage, bringing a memorable form of psych-damaged hip hop that, at least to me, sounds like Lil Ugly Mane at times, Lil Uzi Vert at others. The man can definitely rhyme, but if you ask me, the weirdness is the best part. The stumbling, jangly punk-pop of The Gilberts rounds out this fun evening of Labor Day musical madness. Get with it.

Tuesday, September 3, 9 PM
Croy & The Boys, Bean Weatherford @ Fuzzy Cactus – $8
Fuzzy Cactus just opened a couple weeks ago, but they’re already integrating themselves into the Richmond live music scene, and that’s certainly a wonderful thing. This Tuesday night show is billed as “Totally Pauly Tuesdays,” and is apparently themed around which bartender is behind the bar, but as far as I’m concerned, the main reason you want to be at this show is because Austin, Texas’s Croy & The Boys are playing it. This quintet brings classic country, Western swing, and Tejano-style bounce to their classic Lone Star sound, but it’s frontman and chief songwriter Corey Baum’s wry, tongue-in-cheek approach that really makes them stand out.

On new LP Howdy High-Rise, fun songs like “A Song To Play The Next Time That I Meet Your Mother” and “For The First Time I’m Starting To Think About My Age” alternate with humorously-delivered but sincere laments about income inequality and working-class struggles that any Richmonder without a $75k a year Capital One job is sure to relate to. Singing along with “I’m Broke” by Croy & The Boys might not make you any richer, but it’ll bring a smile to your face this Tuesday night, and with the rent coming due any day now, that’s something we could all use.

Elsewhere Around The State:

Saturday, August 31, 4 PM
LAVA Mini-Fest, feat. Super Doppler, Piranha Rama, Court Street Company, The Heart Stompers, Dominy, Pet Name, Righter, Daniel Clark, Logan Vath, Deau Eyes, Pip The Pansy @ Toast – $12 in advance/$15 at the door (order tickets HERE)
We’ve definitely got a big afternoon outdoor fest of our own happening here in Richmond this weekend, but if you’re not feeling like an afternoon of metal, you certainly can’t go wrong heading down 64 E to join our indie-rock pals from Norfolk-based LAVA, who are throwing a one-day fest of their own at Norfolk’s own Toast this Saturday evening. It’s jam-packed with talent, too, and topping the bill is Super Doppler, whose Beatlesque psychedelic pop sound has been a Tidewater treat for years now. They’re about to release their self-titled debut album, and this show will mark the official release celebration, so get ready to party with them!

But there’s a lot more happening at this party, so you’ll want to show up early and plan to stay all night. RVA’s own Piranha Rama have been making their mark in the region with their unique, multi-layered indie-psych sound over the past year or two, and if you haven’t gotten down with that yet, the time has definitely come. There’s plenty more to enjoy on this bill as well, from Norfolk alt-country veterans The Heart Stompers to Atlanta pop goddess Pip The Pansy and even a solo set from Richmond’s own Deau Eyes. There’s even more than that, but we frankly don’t have the space to go through it all — you’re just going to have to show up and find out for yourself. Trust us, it’s worth the trip.

Sunday, September 1, 7:30 PM
The Alarm, Modern English, Jay Aston’s Gene Loves Jezebel @ The NorVA – $25 in advance/$30 at the door (order tickets HERE)
The UK punk explosion of the late 70s affected a lot of musicians, and in the next few years, the punk-influenced musicians of the British Isles went in a variety of different directions, from the noisy, ferocious hardcore of Discharge to the experimental weirdness of Flux Of Pink Indians. Welsh group The Alarm represent yet another branch on that post-punk evolutionary tree, having landed on an acoustically-fueled anthemic sound with a ringing, emotional power that retained all of the furious defiance of the classic first-wave punk bands. On 1984 debut Declaration, the band staked out a sound somewhere between U2, The Pogues, and The Clash at their arena-filling height.

35 years later, The Alarm is still marching on, and despite only retaining original singer Mike Peters throughout their career, the group currently features former members of Gen X and Joe Strummer’s Mescaleros, so the fact that their 17th album, Sigma, released earlier this year, still shows plenty of their arena-filling anthemic power only makes sense. They come to The NorVA this weekend in the company of two other 80s UK post-punk powerhouses — Modern English, about whom I need only say four words: “I Melt With You”; and Gene Loves Jezebel, best remembered for their late 80s gothic glam-rock smash, “Jealous.” If you loved the big anthemic sound of the 80s New Wave, this is your night.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 15 – May 21

Marilyn Drew Necci | May 15, 2019

Topics: .gif From God, Bandito's, Bat, BATO, blessed, Blunt, Capital Ale House Music Hall, Charming Disaster, Coherence, Copperhead, Cursive, Dehd, Enforced, Fallout, Flatline, gallery 5, GosT, Hardywood, HIRS, Julie Karr, Left-Handed Smoke Shifters, MewithoutYou, NØ Man, Opin, Outer Spaces, Perturbator, Plastic Nancy, Semtex, Serqet, shows you must see, Spooky Cool, The Appleseed Cast, The Broadberry, The Camel, The NorVa, The Struts, True Body, Under Attack, Unmaker, West Beach Tavern, Witchtrial

FEATURED SHOW
Monday, May 20, 7 PM
Cursive, Mewithoutyou, The Appleseed Cast @ The Broadberry – $22 in advance/$25 day of show (order tickets HERE)
This show is an absolute bonanza for people who were crazy about emo fifteen years ago. I shouldn’t even have to tell you that I’m one of those people. Back in 2004, Cursive, a band closely associated with the Omaha scene that also produced Bright Eyes, The Faint, and Saddle Creek Records, had just topped off a string of killer emotionally-driven alt-rock albums with the instant classic The Ugly Organ. MewithoutYou had just released their stunning sophomore LP, Catch Us For The Foxes, which introduced a wider audience to frontman Aaron Weiss’s strangely moving story-songs. And The Appleseed Cast had both blown everyone away and helped to push the genre forward with a trio of amazing albums: Mare Vitalis, the two-volume Low Level Owl series, and the moving, unforgettable Two Conversations.

But look — this Monday night triple-header at The Broadberry is far from a pure nostalgia act. Oh, I’m sure the groups on this bill will play some old tunes you know and love, but all of them remain active, powerful creative forces to this day. Last year, Cursive reunited with original drummer Clint Schnase after a decade, released their first album in six years, and brought in cellist Megan Seibe to recapture the sound they’d had on previous high-water marks Burst And Bloom and The Ugly Organ. Vitriola turns out to be every bit as great as those emo classics, and should be more than capable of capturing the full attention of fans who currently plan to hit the bar during the new songs. (Yo, don’t be that guy. For real.)

MewithoutYou remains a powerful creative force fifteen years later as well. On 2018’s dual releases, an LP and an EP (both untitled), Aaron Weiss engaged in matter-of-fact examination of his own struggles with mental illness and the way it mirrors the mental illness in his ancestry and that of disparate historical figures, including European royalty from centuries past. And amazingly enough, the music behind this emotional travelogue is some of the best of the band’s career thus far. Meanwhile, it’s been six years since the last full LP of Appleseed Cast material, 2013’s Illumination Ritual, but Christopher Crisci and company released a new single, “Asking The Fire For Medicine,” in January, and it apparently heralds a new LP that seems sure to follow their recent pattern of atmospheric, melodic, progressive post-hardcore. Will they bust out some other new ones at The Broadberry? The prospect alone makes this one worth the trip.

Wednesday, May 15, 8 PM
Charming Disaster, Left-Handed Smoke Shifters @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
A simple way to describe Charming Disaster, who come to Richmond from their hometown of Brooklyn this very night, is as a gothic-folk duo. However, if such a descriptor conjures up thoughts of Comus, Current 93, or Simon Finn for you, then it’s been a bit misleading. There’s much more of the carnival folk traditions of old Europe in Charming Disaster’s music, and even as they bring a decided noir sensibility to their memorable ballads, there’s a clear sense of humor running throughout, letting you know that this, um, charming duo have a lot to offer besides pain and sadness.

Their brand new album, Spells & Rituals, doesn’t get an official release until June 7, so chances are you will not have an opportunity to pick up a copy for yourself at the show. But you will get a delightful preview of the excellent sounds on offer — just enough to whet your appetite for your very own pre-order. Opening sounds will be provided by Left-Handed Smoke Shifters, a band named after an old campfire joke and bringing together the talents of local bellydancing sensation Madame Onca and singer/vaudeville host extraordinaire Mark Slomski. It’s always nice to see what these two are up to, so don’t miss this one!

Thursday, May 16, 9 PM
BAT, Witchtrial, Under Attack @ Bandito’s – Free!
If you love metal, hardcore, and/or general headbanging madness, Bandito’s is the place you should be this Thursday night. This free show will serve as a record release party for not one, not two, but ALL THREE bands on this bill! BAT are your headliners, and it’s a fitting spot on the bill for a trio featuring current or former members of Municipal Waste, Cannabis Corpse, and DRI. This old-school thrash band has been inducing serious fist-pumping headbanging good times around Richmond and beyond for years now, and on this night, they’re releasing their second LP, Axestacy.

Axestacy takes things to the next level for BAT; it’s full of the kind of incredible riffs and ridiculous lyrics that fans of early Exodus or Dark Angel are sure to appreciate. They’ll probably also appreciate the new LP from Witchtrial; this DC band is releasing their first full-length on VA’s own Beach Impediment Records, and have a lot of links to the world of hardcore — but the music on their self-titled LP is pure thrash. With a roaring attack sure to remind you of prime German thrash, fans of Sodom and Kreator are definitely going to want to pay attention to this one. Not to be left out, Richmond’s own Under Attack are releasing a new tape full of speedy, no-frills hardcore on the Vinyl Conflict label, and if you dig pedal-to-the-metal ‘core action, you’re gonna want a copy of this. Since this show is free, you’ll be in prime financial position to pick up releases from all three of these ragers. But wait til after the set; you don’t want your brand new records getting messed up in the pit!

Friday, May 17, 8 PM
Perturbator, GOST, True Body @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
For those of you who were stoked to see Fallout on the list this week, only to be let down that it wasn’t an industrial show I’m sending you to there — take heart! For the industrial sound can be found in all sorts of places around town, if you know where to look. Take Perturbator’s arrival at The Broadberry this Friday night. People talk a lot with respect to Perturbator about spooky synth soundtracks to 70s and 80s Italian horror movies, and listen, there is a fair bit of that in Perturbator’s sound. But the group’s most recent LP, 2017’s New Model, is going to be even more familiar to fans of Skinny Puppy or Front 242 than it will be to fans of Goblin or Tangerine Dream.

Seriously, regardless of whatever you’ve heard thrown around about “retrosynth,” all you coldwave, postpunk, and industrial fans owe it to yourselves to listen to Perturbator. Because even if the hipsters don’t know how to contextualize this stuff, the goth kids are sure to understand. This is prime stomping-around-a-foggy-dancefloor-in-black-Docs music — black fingernails are definitely a plus. Just to further drive the point home, GOST is on this bill as well, bringing you the exact sort of industrial electro-pound that you know and crave. True Body will start the evening with some moody postpunk from right here in VA. Get the leather pants out, y’all.

Saturday, May 18, 5 PM
Spooky Cool, Outer Spaces, Opin, Julie Karr @ Hardywood – Free!
When you can give your band a name that actually describes your band, you’re really onto something good. Take Spooky Cool, for example; this Richmond band’s name may not tell you what genre they play or how many people are in the band, but it does offer you two specific bits of info: they’re spooky, and they’re cool. That’s enough to make a lot of people curious. And then when you actually hear this band’s hybrid math-prog alt-indie sound, you realize that the name hasn’t steered you wrong. There’s a definite spooky vibe to what this group is up to on their first EP, Every Thing Ever. And it’s definitely cool as hell.

Then there’s Outer Spaces, a band I’ve been excited about for quite a while now. This latest project of incredibly talented Baltimore singer-songwriter Cara Beth Satalino hasn’t released an LP since 2016’s A Shedding Snake, but is returning in a big way over the next month or so — first with a brand-new two-song EP on Saddle Creek, then with a new LP, Glazing Globe, scheduled for release next month. As a longtime fan, I couldn’t be more stoked, and the songs that have been released thus far from these two projects sound excellent, despite their genesis in anxiety, self-doubt, and the end of a long-term relationship. Hey, we’ve all been there, right? Sometimes making art is the best way out. Outer Spaces has made some great music in the past, and there’s no reason to think that’ll change now. Do yourself a favor and go see both of these groups. After all, the price is right.

Sunday, May 19, 7 PM
HIRS, Coherence, NØ MAN, .gif From God @ Gallery 5 – $10 in advance/$12 at the door (order tickets HERE)
The most confrontational queer grindcore band ever finally comes to Richmond and I for one couldn’t be more stoked. HIRS grabbed some relatively mainstream attention in 2018 with the release of Friends, Lovers, Favorites, their first full-length of new material — relatively speaking, that is; its 20 songs still blow by in under 15 minutes. They’ve hardly rested on their laurels since then, cranking out several EPs in the past year or so, as well as a split LP of Nirvana covers with celebrated New Orleans sludge masters Thou.

When HIRS arrive in Richmond, you can expect the confrontational spirit embodied in past EP titles like Trans Girl Takeover, You Can’t Kill Us, and How To Stop Street Harassment, as well as the harsh, raging grind sound of their breakthrough LP, to hit you like a ton of bricks. It won’t just be lightspeed velocity, either — this group knows how to bring the most headcrushingly powerful of breakdowns as well. Basically, this is the heaviest band you’ll see in Richmond anytime this year, and you’re going to thoroughly enjoy having your head knocked off by them. Trust me.

Monday, May 20, 7 PM
Dehd, Blunt, Plastic Nancy @ Capital Ale House Music Hall – $10 (order tickets HERE)
A few years ago, that whole droney jangly post-Velvet Underground sound was in the ascent in the indie world, and I was digging it. More recently, it seems like everyone’s on that synthesized bedroom-pop tip, which I guess is also cool, but I’m glad to see Dehd out here proving that the jangle-drone sound is not, um, dead. This Chicago band’s new LP, Water, shows that there are many possibilities for musical greatness embedded within the basic no-frills rock n’ roll package. By channeling VU and The Cramps through a more modern sound that reminds me of Parquet Courts, Beach Fossils, and the like, Dehd has created some serious gold soundz. Yes, with a Z.

Dehd will be joined on this bill by a couple of RVA newcomers with a lot to offer. Blunt takes a sludgy approach to dark garage punk sounds, while Plastic Nancy cranks out some psychedelic punk rock fun. This whole show is gonna rock like crazy, and in 2019, that can’t always be guaranteed. Treasure it when you find it.

Tuesday, May 21, 7 PM
Blessed, Unmaker, Serqet @ The Camel – $10 (order tickets HERE)
Some serious goth vibes going on around Richmond this week, although this Tuesday night show at The Camel only bears a passing resemblance to the other two shows this week that have led me to use that term. Specifically, Blessed play a gloomy, metallic form of postpunk that veers from morose to anxious on their debut LP, Salt, released earlier this spring. The results this Vancouver band are able to generate are transfixing in the extreme, and their reputation for live greatness only makes this show at The Camel feel that much more of an essential part of your midweek.

The fact that Richmond’s own Unmaker are on the bill as well only makes this an even more essential evening of sounds. This group shows off their more intense version of goth-metal awesomeness on debut full-length Firmament, an album that’s turned a lot of heads locally and nationally since its release six months ago. Mixing this powerful blend of Killing Joke-style rage with Blessed’s more deliberate approach will make for a heady musical brew, and adding the gothic peace-punk vibes of Serqet to the mixture is only going to take things to an even higher level. Get on board with this one.

Elsewhere Around The State:

Thursday, May 16, 7:30 PM
The Struts @ The NorVA – $22.50 in advance/$25.50 at the door (order tickets HERE)
The Struts are one of the more fascinating discoveries the mainstream rock world has yielded in recent years. This British band has a fashion sense that seems equally derived from Guns N’ Roses, Aerosmith, and the Sex Pistols, but musically, they land somewhere in the area of a 21st-century update on Queen. This group clearly comes from a modern time in which the backlash against the 80s hair-metal era has faded from youthful memory; rather than playing their glammed-out, swaggering rock n’ roll for over-the-top laughs the way The Darkness did, The Struts are 100 percent serious about their desire for world domination.

Which might be totally obnoxious if they didn’t have the songs to pull it off. Singles like “Could’ve Been Me,” “Kiss This,” and their collaboration with Kesha, “Body Talks,” are proven arena-rock anthems, and they’re sure to get the NorVA popping on Thursday night. Once you’ve seen The Struts blow the roof off the joint, all your doubts will be cleared away, leaving only the desire to rock! The Struts will definitely help you with that, though after the night that awaits you, you may feel the need to call in to work Friday morning. But hey, why not? That’s the rock n’ roll thing to do.

Sunday, May 19, 6 PM
Enforced, Copperhead, Flatline, Semtex, Bato @ West Beach Tavern – $10
I love the way a lot of tough-guy hardcore is metal as fuck these days. I mean, granted, I still don’t like to get up front at the shows (who enjoys having to keep your back to the band just so you can dodge flying fists and feet?), but the music sure is a lot better when I go to them, and that makes us middle-aged ladies standing in the back of the room real happy. Enforced have shown their crossover-thrash chops off both on tape and in the live environment for a while now, and with their At The Walls LP soon to drop, they’re about to take it to the next level. Get on board now.

Both Richmond’s own Enforced and fellow RVA thrash-masters Copperhead will be heading down to VB for this end-of-weekend rager at West Beach Tavern, and both will bring the sort of aggressive hardcore attack that, if you close your eyes (or even if you keep them open, considering how many longhairs there are in hardcore bands these days) you’ll likely mistake for straight-up metal. Which rules. They’ll be joined on this bill by three Hampton Roads-based ensembles; Flatline and Semtex bring a more straightforward Agnostic Front/Negative Approach-style HC attack, while Bato verge on fastcore with their speedy beats and energetic sound. The pit should be going hard from beginning to end at this one; I’ll be sure to stand back.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond