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VA Shows You Must See This Week: January 15 – January 22

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FEATURED SHOW
Sunday, January 20, 1:30 PM
Dave Watkins @ The Pump House (1708 Pump House Dr) – $30 (order tickets HERE)
Our city has a long and fascinating history, going back hundreds of years, and one result of this fact is that there are random neglected corners of Richmond that hold fascinating treasures mostly undiscovered by the city’s population at large. A great example of this is the old Richmond Pump House, which can be found at the end of a little-used road just up the hill from the toll booths at the nickel bridge (aka the Boulevard Bridge). Long ago, it pumped the city’s water out of the Kanawha Canal and uphill to the Byrd Park reservoir, from which it made its way to the taps and spigots of the city.

The Pump House is a big old stone castle of the building, and its gothic spires are irresistible when you come around the curve and see them standing tall. It’s been almost a century since it supplied the city with water, and almost as long since the huge dance hall on the balcony was open for events. When I first discovered it in the mid-90s, my friends and I enjoyed wandering around its dusty depths, but these days it is not open to the public due to safety issues. However, the non-profit Friends Of Pump House have some grand wishes for it, and are currently working with Enrichmond and the city’s Parks and Recreation Department to restore it to its former glory and gain it an occupancy permit, so it can host events and dazzle visitors once again.

To that end, they’re holding a pretty excellent and unique music-related event this Sunday afternoon, and while tickets are extremely limited, there were still a dozen or so left when I checked this morning, so you absolutely still have a chance to be part of it. The event will begin at 1:30 with a full tour of the Pump House, and if you aren’t old enough to have had the chance to explore it years ago, it’s definitely worth getting a full tour (especially since you’ll have knowledgeable people there to tell you what you’re looking at and what its purpose was). Then at 2 PM, Richmond mainstay Dave Watkins will break out his homemade dulcitar and grace all in attendance with a beautiful set of avant-garde music incorporating his fascinations with old-time folk music and electric-guitar ambience. I talk a lot about great shows in this column, but full-on experiences that incorporate this city’s rich history are rare indeed. Make it your business to be part of this one.

Wednesday, January 16, 8 PM
The Spliffs @ Vagabond – Free!
When I hear a name like the Spliffs, my mind goes in one of two directions — either irreverent punk or marijuana-scented jam-band. However, the Spliffs coming to Vagabond tonight to play a free show for us all occupy neither of those genres. Instead, they’re a vehicle for the amazing soulful vocalizations of Brittany O’Neill, a lady who has been lighting up stages and recordings around the Richmond scene for years — I first saw her take a guest vocal for The Big Payback at The Republic, so you know that was a while back.

She’s been back and forth between RVA and LA for the past couple of years, but she’s home now, and she’ll be fronting the Spliffs for a set of soulful jazz fusion at Vagabond tonight. And she’s got some powerful friends backing her up — the group also consists of People’s Blues of Richmond drummer Neko Williams, jazz pianist Macon Mann (probably better known to RVA Mag readers as “Mc Chicken,” the rapper responsible for the viral “Richmond River Rat” video of a few years ago), and brothers Paul and Dmitri Yeonas of the Twin Brothers Band (and they are indeed identical twins). This quintet’s sure to be responsible for some deep grooves down in the Vagabond’s downstairs space, known as “The Rabbit Hole.” So head down the stairs and enjoy the underground sounds.

Thursday, January 17, 7 PM
Jackie Cohen, Angelica Garcia, Strawberry Moon @ Gallery 5 – $10 (order tickets HERE)
Spacebomb Records isn’t always right in your face with what they’re up to, but one thing’s for sure — they never sleep. This past year saw them release music from a variety of artists, and one particularly striking voice on their roster came from Jackie Cohen. She released two EPs on Spacebomb in 2018, known as the Tacoma Night Terror EPs, parts one and two. The nine songs in total presented by these two dispatches from Cohen’s personal emotional landscape that might have started out as quirky indie-folk tunes, but bear the unmistakable stamp of Spacebomb in their final form, harking back to the funky smoothness of the 70s Laurel Canyon music scene just as easily as they evoke post-y2k oddball indie singer-songwriter vibes.

It’ll be fascinating to see what form this sound takes in a live environment, and we’ll have just that opportunity on Thursday night, as Jackie Cohen takes the Gallery 5 stage and presents us with her unique tunes, including such hits as “Make U Sick,” “Ladies’ Man,” and the memorably-titled “I Hate My Body.” She’s joined in this endeavor by Richmond singing sensation Angelica Garcia, who’s currently hard at work on the follow-up to her attention-grabbing 2016 debut, Medicine For Birds. Recent Bandcamp uploads indicate promising results being achieved in the studio, and Ms. Garcia always brings her A game to the live environment, so you’re sure to enjoy this one. Strawberry Moon opens up with their entrancing ambient indie-pop — get there on time, and stay all night. Not a minute of this evening will be missable.

Friday, January 18, 7 PM
Gabby’s World, Yowler, Missangelbird @ Capital Ale House Music Hall – $10 in advance/$12 day of show (order tickets HERE)
This is one for all you young indie kids. Gabrielle Smith hasn’t been performing under the name Gabby’s World for very long; previously, she was known as Eskimeaux, a name that undoubtedly got the boot due to dodgy cultural implications. However, both under that name and at the head of her new quartet, she’s produced some undeniably memorable music. Beast On Beast, the album Gabby’s World released a couple of months ago, show that her delicate vocals and assured songwriting touch are both very much intact; indeed, this just might be her best work yet.

You’re not going to want to miss out on what Gabby’s World conjure up in a live environment. Equally, you’re going to want to catch every second of the set from Yowler, a solo vehicle for Maryn Jones, who previously grabbed attention as the leader of All Dogs. On Yowler’s second full-length, Black Dog In My Path, Jones brings us a set of hushed, mournful songs that center on her softly plucked acoustic guitar and vocals delivered at a near whisper. The room will have to get quiet for this performance, but it will certainly be worth it to hear the dark, delicate beauty of Yowler’s music. Richmonders Missangelbird will get this one started off right, and it’ll only get better from there.

Saturday, January 19, 8 PM
Louis York, Calvin Presents, Weekend Plans @ Capital Ale House Music Hall – $15 in advance/$18 day of show (order tickets HERE)
Louis York is a group whose name you may not know as yet. They’ve been recording for a few years now, and have released three installments in their Masterpiece Theater series of EPs. But what really makes the duo of singer Claude Kelly and pianist/multi-instrumentalist Chuck Harmony so distinctive is their background in the behind-the-scenes world of the pop music industry. Both have some heavyweight songwriting credits to their name — Kelly for Miley Cyrus’s “Party In The USA,” Harmony for Rihanna’s “Russian Roulette, among many others of course — and both made quite a name for themselves in that world separately.

The combination of their talents into the duo known as Louis York has only produced more gold in a variety of genres, from the dance-club bounce of “Don’t Play” and the cocktail jazz of “I Enjoy You” to the orchestral R&B-pop of “Clair Huxtable” and the Queen/MCR power balladry of “Nerds.” This isn’t a group with limited ambitions, by any means, and they certainly don’t seem to have any limit to their talent, so when they hit the stage, there’s no telling what sort of amazing flights of musical fancy you’ll be privy to. What we can tell you, though, is that you’re sure to enjoy every moment of it.

Sunday, January 20, 7 PM
Brower, Nightcreature, Weird Tears, Brain Drain @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
I love it when a band I’ve never heard of shows up in town and blows my mind. Well, Brower aren’t here yet, but considering it’s my job to write this column every week, I always get a little bit of advance warning — which is my cue to alert all you Richmond music fans. And this week, it falls to me to ensure that all of you are aware of Brower, the New York power-pop group who’ll be taking the Gallery 5 stage this Sunday night. A fuzzy garage-rock edge is certainly present in Brower’s music, but what really makes this group stand out is their flawless sense of pop-rock songcraft.

Led by Nat Brower, a singer-songwriter with credits from garage rockers Nancy, Brower does quite a bit to evoke the best sounds of 70s rock radio, from David Bowie to T. Rex, on their new album, Buzzsaws. The result is a recipe for nonstop dancefloor action, of the sort that’ll have you smiling all night. We all could use a bit of that, especially since we’ll all have to head back to work the next morning. Excellent local support from garage-punk up-and-comers Nightcreature, post-Cherry Pits rockers Weird Tears, and bubbling-under punk group Brain Drain will only make this evening even sweeter.

Monday, January 21, 6:30 PM
Cracker, Camper Van Beethoven @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
It’s always nice when post-punk bon vivant and one-time Richmond hero David Lowery brings his music back to a stage in RVA, and this particular event promises an overview of Lowery’s entire career in one enchanted evening. It all got started back in the early 80s with the formation of Camper Van Beethoven, who both ascended from the California punk scene of that era and tweaked its incipient orthodoxy by breaking all sorts of unwritten rules: using acoustic instruments and violins, incorporating country and folk sounds into their punk-tinged melodies, and Lowery’s iconoclastic lyrics, always delivered with biting wit.

But it was Cracker that really made David Lowery a star. Brought together in the Oregon Hill neighborhood, long before it was gentrified beyond all recognition, Cracker grew to international stardom with early-90s heartland-rock hits like “Low” and “Get Off This.” Today, David Lowery plays and records regularly with both of his bands, and double-billed shows like this one have been an outstanding result of that synergy. We’ll all get an amazing overview of David Lowery’s entire four-decade career, from “When I Win The Lottery” to “Euro Trash Girl” to “Waited My Whole Life.” And every moment of it is going to be excellent. We don’t get a treat like this every day here in Richmond — I’m counting on you not to miss out on this one.

Tuesday, January 22, 8 PM
Brunswick @ The Hof – Free!
One way you can tell that Richmond is a great town for music is by taking a look at the caliber of mid-week free shows we get around here. For a great example, look no further than this jazz performance taking place in The Hof’s “Darkroom” performance space on Tuesday night. Brunswick is a name that might not grab as much attention in discussions of local jazz groups as more prominent leading lights like No BS! Brass and Butcher Brown.

Nonetheless, this 13-piece ensemble is a local mainstay, and features members who’ve done time in all sorts of other noteworthy jazz groups around town. Last summer, they released Five Years, their debut LP, which celebrated the amount of time leader John Hulley and his talented bandmates had been working toward this milestone. Live, they’ll intersperse original tunes from the album with brilliantly unorthodox covers of artists like Frank Ocean and Daft Punk, giving you an up-close experience of jazz in the 21st century. And you get all this for free on a Tuesday night — how awesome is this town?

Bonus Hampton Roads Picks:

Saturday, January 19, 7 PM
Ghouli, dad, Bato, Nervous System, Single Use Plastic @ Charlie’s American Cafe – $5
Both of the picks for the Hampton Roads area this week are on Saturday night, which is something I usually try not to do. However, with the way everything stacked up this week, unless you want to catch up on what Jimmie’s Chicken Shack are up to in 2019, or see a solo show by one of the ICP guys, you’re gonna have to try and double up on Saturday night. So it goes. The question you must answer, in order to know which of these is more up your alley, is: are you more of a punk rocker, or a hardcore kid?

If you picked the former, you’re going to want to head to Charlie’s American Cafe, where two RVA groups head up a bill of punk rock excellence. Ghouli keep it raging and ranting with their straight-ahead punk riffs, while dad’s pensively furious queercore summons up memories of pre-Sleater-Kinney group Heavens To Betsy. A fierce trio of Tidewater punk rock crews are also on the bill, with the hyperspeed punk rage of Bato being a standout. Nervous System has a creative D-beat sound, mixing that genre’s expected UK punk gnarl with a surprising talent for multi-layered guitar harmonies. Local newcomers Single Use Plastic get things started off right. This one will rule.

Saturday, January 19, 7 PM
Faded, Circle Back, Beggar’s Row, Down To This, Violent Life Violent Death @ West Beach Tavern – Free!
But don’t get us wrong, this one will be a ton of fun too, and if you answered “hardcore kid” to our question above, it will appeal to you in particular. This one will offer chances aplenty for serious mosh pit action, as a quintet of hardcore bands from Tidewater and the Carolinas come together to lay the brutality on ya. VB rippers Faded have shown a serious talent for metallic hardcore of the breakdown-laden variety; they’ll get the spin-kicks flowing for sure. And of course, fellow Virginia Beachers Beggar’s Row take things in a thrashier direction, picking up the speed without dropping an ounce of the metal.

These groups are joined by a trio of powerhouses from the Carolinas, bringing their riffs northward to devastate the Tidewater region. Circle Back in particular has a powerful sound with an outright death-metal undercurrent, but rest assured, these guys keep it core all the way. This Charleston SC band comes to us in the company of Charlotte, NC’s Violent Life Violent Death, who have the most direct appeal for those who want their hardcore to bear at least a passing resemblance to Swedish thrash (I’m definitely one of those people). And of course, Down To This, who hail from the oceanside military town of Jacksonville, NC (not FL), have some serious thick-necked beatdowns to deliver. This one’s gonna be heavy as fuck, so come prepared to move.

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Top photo via Friends Of Pump House

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

The Spliffs, Imaginary Boys, DJ RIP @ Strange Matter

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Here’s one of those fun random one-offs I was talking about before. The holidays are always a bit weird, and for everyone who has a great time with a loving family over each and every holiday weekend, there’s another person with no one to hang out with or nothing to look forward to back at the old homestead but a bunch of awkwardness, discomfort, and maybe even arguments. Plenty of us need a way to blow off steam after all that, and that’s even more true if we have the misfortune to work or even shop on the day known as Black Friday.

Luckily, Strange Matter is giving us all a chance to let our hair down–or put our hair up, as the case may be–and enjoy ourselves with a fun little covers show. Taking the Black Friday name as an ironic theme, this night features tribute acts covering the Smiths and the Cure, the dynamic duo of darkness and despair. Both of these bands are surprisingly danceable for groups with such persistently gloomy lyrics, and local ensembles The Spliffs and Imaginary Boys will bring their sounds to life and get you waving your arms around in a baggy sweater with a big smile on your face, even as you sing along with lines like “I am human and I need to be loved just like everybody else does” and “Found myself alone, alone, alone above a raging sea.” What’s not to love about that?

RVA Shows You Must See This Week: 11/22-11/28

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FEATURED SHOW
Friday, November 24 – Sunday, November 26, 7 PM all three nights
J Roddy Walston & The Business 3 Night Stand, feat. The Trillions (Fri), Spooky Cool (Sat), Sleepwalkers (Sun) @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
It’s a holiday weekend, so to a certain extent, all bets are off where live entertainment is concerned. There’ll still be something happening, but it’ll be tribute shows, or goofy themed dance parties, or random one-offs. You’ll see most of that stuff later in the column, but right now, we’ve got a rare case in which the holiday weekend has inspired something pretty amazing.

Back in the day, mid-level touring rock n’ roll bands would do multi-night stands at venues all the time, but these days it’s a pretty rare thing. However, one thing J. Roddy Walston & The Business have always been is old-school, and they’re demonstrating that to the fullest extent this weekend with the total baller move of doing a three-night stand at the Broadberry, booking the entire post-Thanksgiving weekend at one of the bigger rock clubs in town. This might have been a mistake that saw the band playing to a half-full hall three nights in a row, but as of now it looks like they pulled it off–Saturday is a hair’s breadth away from selling out, and Friday’s closing in on a sellout itself.

Walston & co. released their long-awaited followup to 2013 game-changer Essential Tremors a couple months ago, and Destroyers Of The Soft Life adds a bit more Kings Of Leon-style swagger to their energetic, sweat-soaked sound, making that four-year wait totally worth it. The Broadberry is, as previously mentioned, one of the bigger clubs in town, but with the Business’s roof-shaking sound, it’s sure to feel like an intimate night communing with the closest this city’s got to a true rock n’ roll hero. So pick the opener you like best (though if the answer to that one is Spooky Cool, you better hop to it!) and grab a ticket for the night of your choice. Party away the extra weight you gained on Thanksgiving!

Wednesday, November 22, 7 PM
White Boy & The Average Rat Band, Lightning Born, DJ Jeeb, DJ Slimehole @ Champion RVA – Free!
Look, I know–you’ve got holiday traffic to deal with, Mama wants you to make it up to the old homestead before dark, and you always get a kick out of staying up late watching TV on your parents’ couch like nothing’s changed since high school. But I’m gonna advise you to skip all that and do your driving at the crack of dawn on Thanksgiving Day, because you’ll really be blowing it in a major way if you don’t stick around Richmond long enough to catch a free show from White Boy & The Average Rat Band over at Champion tonight. A lot of you are probably wondering who the hell that even is, but trust me, your friend with the encyclopedic record collection already knows, and he’s already let Mama know he won’t be at the house til 11 tomorrow morning.

If you want to get in the know here, the best way to do that is to take a chance and come out tonight–but failing that, I can let you in on some of the details. White Boy & The Average Rat Band was a tiny little group out of Tazewell County, VA at the dawn of the 80s. They made one solitary LP full of metallic punk sounds at the time, and it totally rips and would thrill today’s denim n’ leather set. And now it’s got a chance to, since that long-gone LP, which has been fetching heavy prices on the collector’s market for years has finally been reissued on CD–which might be why this band is suddenly back in action. Whatever the reason, come out to Champion tonight and find out why Richlands isn’t as much of a hole as you might have been led to believe. Plus, catch a bonus opening set from Demon Eye, still featuring old Richmond pal Erik Sugg, and now featuring Mike Dean of Corrosion of Conformity as well!

Friday, November 24, 8 PM
The Spliffs, Imaginary Boys, DJ RIP @ Strange Matter – $5
Here’s one of those fun random one-offs I was talking about before. The holidays are always a bit weird, and for everyone who has a great time with a loving family over each and every holiday weekend, there’s another person with no one to hang out with or nothing to look forward to back at the old homestead but a bunch of awkwardness, discomfort, and maybe even arguments. Plenty of us need a way to blow off steam after all that, and that’s even more true if we have the misfortune to work or even shop on the day known as Black Friday.

Luckily, Strange Matter is giving us all a chance to let our hair down–or put our hair up, as the case may be–and enjoy ourselves with a fun little covers show. Taking the Black Friday name as an ironic theme, this night features tribute acts covering the Smiths and the Cure, the dynamic duo of darkness and despair. Both of these bands are surprisingly danceable for groups with such persistently gloomy lyrics, and local ensembles The Spliffs and Imaginary Boys will bring their sounds to life and get you waving your arms around in a baggy sweater with a big smile on your face, even as you sing along with lines like “I am human and I need to be loved just like everybody else does” and “Found myself alone, alone, alone above a raging sea.” What’s not to love about that?

Saturday, November 25, 8 PM
Beex, Memory Loss, Smoke Break, DJ Baby Maria @ Strange Matter – $5
All the young and not-so-young punks need to be paying attention for this one. It’s yet another installment of Strange Matter’s Locals Only series, and this one features some punk-as-fuck tuneage from a variety of different scenes and eras of Richmond punk history. Beex go a long, long way back. Best known for early 80s singles like “Beat Beat” and “Black Boots and Pills,” this band was originally led by dynamic vocalist Christine Gibson and her husband, guitarist Tom Applegate. Gibson passed away about a decade ago, unfortunately, but Applegate is still leading a revived version of the band, which has been making excellent new music full of punkabilly swagger for several years now. Recently released album Zero Degree isn’t quite like the Beex of old, but it still has a lot to offer, and it’s great to see these scene legends still out there kicking as hard as ever.

Memory Loss are a much more au courant example of the punk form, bringing it old-school USHC style in a manner that has become quite popular in recent years. Memory Loss brings together people you’ll know from quite a few other recent local punk bands, and speed, anger, and noisy undertones mark the sound they crank out. Get ready to start the pit. Smoke Break have a similar speedy punk vibe going on, but where Memory Loss are abrasive, this trio bringing together members of Sundials, Hold Tight, Springtime, and more is melodic and fun. Their 2016 LP Everything Is Wrong didn’t really get enough attention locally, either, so if they’ve got any left, you’d do well to pick up a copy. Hell, buy all these bands’ records. After the show, though–you wouldn’t want them to get messed up while you’re rocking out.

Sunday, November 26, 8 PM
Exhumed, Arkaik, Disintegration, Loud Night @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
What a way to cap off Thanksgiving weekend–with a night of brutal, gory death metal! Exhumed, the legendary California gore metal band who released a bushel of 90s classics before disappearing in the early 2000s, has been back for a while, and thankfully, they’ve now brought us their third LP of new material since their reformation. Their lineup has switched around a bit over the past several years, but leader Matt Harvey’s still heading things up, and his current backing group is mainly made up of veterans from 90s-era Exhumed lineups, so take heart–this is still the brutal machine of death you’ve always loved. Seventh album Death Revenge carries on the band’s traditions of alternating high-low vocals, shredtastic riffage, and surprisingly memorable hooks that’ll keep these powerful songs running through your head all day.

Exhumed are joined on this trek by fellow Californians Arkaik, who are certainly bringing plenty of death metal on their own behalf, though theirs has a bit of a different flavor than that of Exhumed. Where Exhumed are dark and messy, Arkaik is technically-driven and clean as a whistle. Both bands have one thing in common, though–they’ll rip your head off if you’re not careful. Arkaik’s brand new full-length, Nemethia, is a full-on killer, and you can believe that this tunes will knock your socks off even quicker in a live environment. Add opening sets from local grinders Disintegration and thrash shredders Loud Night, and you’ve got a full night of ripping metal power. Don’t miss out on that!

Monday, November 27, 8 PM
Jake McKelvie & The Countertops, Sid Kingsley, Blush Face, Addy @ The Camel – $5 (order tickets HERE)
And now for something completely different. Unlike that last show, this one is not heavy at all, but Jake McKelvie and his Countertops are bringing a sound to the Camel that’s sure to make you smile. Their undistorted guitars, bouncy tempos, and vocal harmonies are closer to a folky power-pop sound than anything, although there’s a nervous energy underlying all of their tunes that make a punk lineage completely undeniable. These guys seem like they’d appeal to fans of Jeff Rosenstock, or the Violent Femmes. Maybe even if you like the dBs or the Bongos you should check this out, though at this point I’m making references that will probably only even ring a bell if you’re at least as old as I am. Oh well, let’s move on.

There’s plenty to move on to, with the lineup of local support this bill is carrying. Sid Kingsley’s been doing a lot to raise his profile around town lately, at least if live dates are anything to go by. His soulful crooning and layered piano melodies stand out in a town full of guitar-slingers, but he’s a bit more Elton John than Little Richard–which is a nice thing, especially in this context. Local up-and-coming power-pop crew Blush Face are also a good compliment to the whole vibe being created here, as has been shown by their excellent new LP, What Do You Want? I honestly have no idea who Addy are, and it’s not an easy name to google, but one band being a mystery is easily dealt with when the other three are this much powerful, melodic fun.

Tuesday, November 28, 8 PM
Cloak, Occultist, Embra, R-Complex @ Strange Matter – $8 (order tickets HERE)
Metal is a great thing. Whenever you’re confused, not knowing where to turn, you can always count on metal being there for you. It’s the same with this excellent bill happening at Strange Matter Tuesday night–Atlanta killers Cloak will be there to give you something to headbang about and dissolve the mid-week doldrums. Their new album, To Venomous Depths, simultaneously reaches deep into the heart of metal’s mournful roots and explores the sonic rage of classic Swedish death metal sounds like At The Gates, all while bringing a feel that’s completely modern and entirely their own. Seeing this volcanic sound come alive onstage is sure to burn you, but only in the best possible way.

RVA metallic-punk (or is it punk-ish metal?) vets Occultist have been keeping a low profile lately, what with two of the band’s members getting busy in gothic side project Unmaker and all. But they’ve chosen to rear their head for this evening of metal thrashery, and not a moment too soon. We could all use a fiery jolt of blackened thrash terror, and this is just the band to give it to us. Be prepared. Brand new shredders Embra and the experimental noise industrial weirdness of R-Complex round out the lineup, and if the night won’t necessarily be wall-to-wall headbangs, it’s sure to jolt you with a full dose of that cosmic energy. BASH!

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]