Thin Pigeon Archives

VA Shows You Must See This Week: November 27 – December 3

Marilyn Drew Necci | November 26, 2019

Topics: 500$Fine, Agnostic Front, Arms Bizarre, Bandito's, Broken Chains Of Segregation, Bureau, Capital Ale House Music Hall, Cary Street Cafe, Foxing, Fun Size, Funky Monks, J. Roddy Walston & The Business, Keller Williams, Knuckle Hed, Lindsay Lou, Lobby Boy, Manchester Orchestra, Mutually Assured Destruction, NFK Nightmares, Oso Oso, Pat Keefe, Phelics, Raise Hell Over The Summer, shows you must see, Slapshot, smartmouth brewing, The Camel, The Canal Club, The Keels, The National, The NorVa, The Shack Band, Thin Pigeon, Tobacco Company Club, Uphill Down

FEATURED SHOW
Saturday, November 30, 7 PM
St. Edwards Reunion Show, feat. Fun Size (Photo by Joey Wharton), Broken Chains Of Segregation, Uphill Down, Knuckle Hed, 500$Fine, Phelics @ Capital Ale House Music Hall – $10 (order tickets HERE)
We’re used to believing that in the age of the internet, everything lives forever. Of course, if you had a Geocities site 20 years ago or a MySpace account 10 years ago, you know that isn’t true, but still. What about stuff from before the internet, though? How much history that still exists within living memory is totally unknown to everyone that wasn’t there at the time? To be more specific: how many of my readers under the age of 35 have any idea that the basement cafeteria of a Catholic school in Chesterfield County was once one of the more consistent music venues in the Richmond area?

I know, it sounds crazy! And yet, for a time in the late 90s, St. Edwards Epiphany School on Huguenot Road acted as a gateway for an entire generation of suburban high schoolers to get into the music scene. It seemed like a safe place to drop your curious 12 year old — because it very much was — and everyone from teenage pop-punk bands to downtown stalwarts played there on at least a semi-regular basis.

Of course, for the most part, you can’t hear any of the bands that were St. Edwards regulars anymore — at least, not the way they were heard at the time. Their primitive 4-track demo cassettes may have been digitized at some point, but the recording technology 18 year olds had access to at the time wasn’t the greatest, and almost none of these bands left behind recordings that captured the immediacy and joy of seeing them live. Therefore, we can all be grateful that, this Saturday night, half a dozen of the most memorable veterans of St. Edwards’ basement stage will be back together once again, doing a set for old times’ sake down at Capital Ale House.

Fun Size is still around today, so you may have caught their catchy, emotional pop-punk sound at one point or another. But 500$Fine’s bassist, Patrick Daly, tragically died at the age of 16, so this performance, with Bradley Lile of fellow St. Edwards stalwarts Cloud 13 filling Patrick’s spot on bass, will be their first in over two decades. Their fiery, political take on reggae-influenced melodic punk made them Chesterfield’s own high-school Clash for a couple of years. If you’ve never seen them before, you need to fix that. Descendents-style melodic punks Uphill Down will also be returning to action for the first time in a very long time, and a lot of us are itching for our chance to sing along with “Time Bomb” once again.

I’m way over on word count for this section, but I just can’t stop until I mention the Rage Against The Machine-meets-Quicksand midtempo political hardcore stylings of Broken Chains Of Segregation — the only band on this bill I never got to see the first time around (though I did see post-BCS act Conscience, so I’m not a total poser). We also can’t forget Knuckle Hed’s classic snotty pop-punk sound — show up to find out if frontman Brooks Cullum is still as wild onstage as he used to be — and Amelia County’s own Phelics, the emo boys from the country with the catchy tunes about life in the sticks. I know most of you weren’t there the first time, and have no reason to care about all these bands you’ve never heard of, but nonetheless, this is a one-time look back at an important chapter in Richmond music history, and you’d be a fool to pass up an opportunity to see so many of the bands that did the work to get us here today.

Wednesday, November 27, 10 PM
The Shack Band‘s Ninth Annual Gravy Ball @ Tobacco Company Club – $10
Thanksgiving is a great time of year to be a fan of jam bands. I don’t know what it is about this holiday — maybe it’s association with good times, good food, and good friends — but it brings out the best in all our local jam-rockers, and The Shack Band is no exception. For almost a decade now, they’ve been bringing out their sax-driven melodic jams for a super-fun pre-Thanksgiving throwdown known as the Gravy Ball. For year nine of the Gravy Ball, they’ve taken over the basement of the Tobacco Company to bring you two full sets of catchy tunes with plenty of sauce. So spice things up on the last night before the big family meal — you’ll be glad you did.

Thursday, November 28, 10 PM
Funky Monks @ Cary Street Cafe – Free!
Thanksgiving Day is like Christmas Day, in that it’s hard to find live music in which to partake. Most people are visiting family or gathering with a big crew of friends. But if all your peeps are out of town and you’ve got nowhere to go and no one to chill with, Cary Street Cafe has got you covered this year, because the Funky Monks will be doing one of their classic tributes to the Red Hot Chili Peppers — the pre-2006 stuff, when they were still good. This group takes things back to the good ol’ days by reuniting two of the three Santamaria Brothers, Andres and Gabe, who will delight you with live performances of all those Blood Sugar Sex Magik classics. Don’t spend Thanksgiving alone — bring your tube sock down to Cary Street Cafe and get funky with the monks.

Friday, November 29, 8 PM
Keller Williams’ Thanksforgrassgiving, feat. Keller Williams & The Keels, Lindsay Lou @ The National – $23 (order tickets HERE)
So bluegrass isn’t jam-band music, but in this day and age it’s about the closest you can get, at least culturally, so it’s no surprise that another big Thanksgiving throwdown taking place in Richmond this week is bluegrass-centered. Keller Williams has been making music with bluegrass as a foundation for over 25 years now, and he’ll be celebrating his mix of that classic Kentucky folk music and farther-reaching influences like reggae, jazz, and psychedelia with his Thanksforgrassgiving show on Friday night at The National.

For this show, Williams will be playing with Keller & The Keels, his trio with Larry and Jenny Keel, spotlighting their brand-new third album, Speed. This one’s a fun one, as it features bluegrass-style interpretations of popular tunes by such diverse artists as Weezer, Fiona Apple, and The Presidents Of The United States Of America. It should be a blast to see Williams and the Keels up there doing pedal-to-the-metal bluegrass versions of “Hash Pipe” and “Livin’ La Vida Loca,” and if your family Thanksgiving is as tough on your nerves as mine often can be, a little unmitigated fun will be a huge relief.

Saturday, November 30, 8 PM
J. Roddy Walston & The Business @ The National – $20.50 in advance/$23 at the door (order tickets HERE)
This was a tough choice, y’all. For a holiday week, there’s a ton going on this Saturday — Sammi Lanzetta and Tyler Meacham both have record release parties, Cattle Decapitation and Atheist are at the Canal Club, and there’s a big emo-friendsgiving thing happening at the Broadberry. But I felt like I would be doing you a disservice if I sent you anywhere but back to the National this Saturday night to see J. Roddy Walston & the Business one last time.

Yeah, that’s right — I said “one last time.” The group has been open on social media about the fact that this performance will be their last for the foreseeable future. They might play together again at some point in the future, but right now there are no plans for such a thing. So if you loved the piano-driven heartland rock of 2013’s Essential Tremors, featuring classic banger “Heavy Bells,” or their excellent 2017 follow-up, Destroyers Of The Soft Life — or if you’re just one of the fortunate ones who knows that this group puts on an absolutely hellacious live show — you’re going to want to make it out to The National on Saturday. Because if you don’t catch them now, odds are that you’ll never have another chance.

Sunday, December 1, 9 PM
Lobby Boy, Bureau, Thin Pigeon @ Bandito’s – Free!
No matter what time of year it is, the free Sunday night shows at Bandito’s are always a treat. This weekend in particular, we’ll all probably be sick of turkey by Sunday night, so a plate of delicious nachos or tacos will be just what the doctor ordered. And of course, you’ll get some great sounds from up-and-coming Virginia bands in the side room that secretly has the best live sound of any small venue in this city. I’m serious.

What will you be listening to this fine Sunday night? Well, for starters, you get a set from Harrisonburg indie group Lobby Boy, who just released a lovely new EP called Lore! (yes, with the exclamation point) earlier this month. It mixes upbeat guitar melodies and postpunk-style synth textures with some excellent melodic vocals and catchy choruses that’ll get your feet moving. Locals Bureau have a bit of a twee pop vibe about them, which should have the Citrus City-loving indie kids in this town smiling. RVA’s own Thin Pigeon will add a dose of driving postpunk goth energy to the bill, just to bring the lights down a bit. This one will be a fine end to a fine holiday weekend.

Monday, December 2, 8 PM
Pat Keefe & Friends @ The Camel – Free!
It always takes a while to get back into the swing of things after a long holiday weekend, which is probably why your best bet on this Cyber Monday is a relatively low-key affair. Head on down to The Camel after your dreary first day back at work to chill with Dalton Dash leader Pat Keefe, who’ll join together with some friends — including members of Dalton Dash and other rad local combos — to bust out some Dash-style upbeat acoustic tunes and get a smile spreading across your face. It’s not gonna be a super-big deal, but it’ll be a lovely way to spend an evening — and it’s hard to have a problem with that, right?

Tuesday, December 3, 7 PM
Agnostic Front, Slapshot, Mutually Assured Destruction @ The Canal Club – $18 (order tickets HERE)
You hardcore heads are going to need to be back in the swing of things by Tuesday, for sure, because an absolute stunner of a bill is heading your way and you’re going to want to be at peak energy for this one. The one and only Agnostic Front are coming to town, and they’re going to play their groundbreaking first album, Victim In Pain, from front to back. Agnostic Front are given credit for pioneering the crossover thrash sound later in the 80s, but Victim In Pain was their original statement of purpose. When it was released in 1984, it defined the classic NYHC sound, and remains a fundamental building block of hardcore to this very day. Tracks like “Blind Justice,” “Your Mistake,” “Last Warning,” and the immortal title track are unparalleled classics, and I guarantee that the entire Canal Club will be on their feet and moshing for all of them.

Amazingly enough considering the history of inter-city beef, Agnostic Front will be accompanied on this tour by near-equally groundbreaking Boston hardcore stalwarts Slapshot, whose 1986 debut Back On The Map defined the sound of that city’s hardcore scene as surely as Agnostic Front had done in New York two years earlier. Expect legendary tracks like “Chip On My Shoulder,” “Hang Up Your Boots,” and “No Friend Of Mine” to get the place going almost as crazy as Agnostic Front will an hour later. And considering that brand new Richmond band Mutually Assured Destruction, featuring former members of Breakaway, Down To Nothing, and Holy Land, is opening this one up, it’s gonna be a night of urgent sounds from beginning to end. Be prepared, y’all — this one’s gonna be off the chain.

Elsewhere Around The State:

Friday, November 29, 2 PM
Dark Arts Fest 2019, feat. Arms Bizarre, NFK Nightmares, Raise Hell Over The Summer @ Smartmouth Brewing (Norfolk) – Free!
We all expect that Black Friday will be a nightmare, right? There’s no way anyone hasn’t gotten to that point yet. But what if I told you that there is a place you can go this Friday where you can have a good time, get some shopping done away from the feeding frenzy of sale-hunting Walmart haunters, and hear some great music in the bargain? Is that something you might be interested in? Yeah, I thought it might be. Smartmouth Brewing is just a short drive down I-64 for all the Richmond denizens, and is right in the heart of Norfolk. It’ll be a great destination for all your Christmas shopping needs this Friday, as their 2019 Dark Arts Festival brings us the opportunity to patronize unique artisans and partake of some lovely art throughout the afternoon.

Then starting at 6 PM, it gives us some excellent musical delights as well! Three Norfolk combos will dispense aural treats for your ears from the stage, beginning with Arms Bizarre, whose heavy yet inviting sounds split the difference between psychedelic doom and fuzzy shoegaze. NFK Nightmares bring more of a catchy punk style to your Friday evening, to get you dancing and burning off those Thanksgiving calories. And Raise Hell Over The Summer will raise hell on Black Friday with some rockin’ tunes to kick off the evening. It’s gonna be a great time — and you can’t say that about anything else you might do on Black Friday, so plan your trip to Smartmouth Brewing now.

Saturday, November 30, 8 PM
Manchester Orchestra, Foxing, oso oso @ The NorVA (Norfolk) – $25 in advance/$29 at the door (order tickets HERE)
As melodramatic, emotional indie rock goes, Manchester Orchestra have certainly established themselves as leading lights of the genre. However, ten years ago, they were still hungry young kids looking to make their mark on the world. The mark they made came in the form of a classic album called Mean Everything To Nothing, which took their sound from their promising earlier records to another level entirely, and gave a generation of emo kids the kind of melodramatic rallying cry that every coming-of-age cohort of kids needs.

Now, ten years later, Manchester Orchestra are going on tour to celebrate a decade since that album’s release. Some things have changed in the interim, from details of sound to intricacies of lineup, but Andy Hull and co. still have that fire in their guts that made them so powerful at the time of Mean Everything To Nothing’s release — something they demonstrated most recently on 2017’s A Black Mile To The Surface — and you can expect both old and new tunes to be delivered with mind-blowing power and urgency on this night.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 2 – October 8

Marilyn Drew Necci | October 2, 2019

Topics: Acid King, Alice Clair, Blush Face, Capital Ale House Music Hall, Diavol Strain, Dumb Waiter, Erin McKeown, Ethanol, Exotica, Fallout, FM Skyline, gallery 5, Ghouli, Gull, Gumming, Haircut, Hardywood, Hotline TNT, Houdan The Mystic, Imelda Marcos, Jono Stewart, just friends, Ladada, Malimpliki, Mister Earthbound, Mojo's, Mudhoney, Operator Music Band, Pissed Jeans, SameStory, Save Face, shows you must see, Snake Mountain Revival, Spooky Cool, The Broadberry, The Bunker Brewpub, The Canal Club, The Sonder Bombs, The Southern Cafe, Thin Pigeon, Warish, Wizard Rifle

FEATURED SHOW
Monday, October 7, 7 PM
Mudhoney (Photo by Charles Peterson), Pissed Jeans, Gumming @ The Broadberry – $25 (order tickets HERE)
Our city is lucky this week, for we are being graced by the presence of grunge royalty. But if you listen to the typical 2019 discussion around the Seattle scene of the early 90s, you might not even know it. For some unfathomable reason, Mudhoney are often left out of the conversation — the most egregious recent example I can think of being after Chris Cornell passed away, when people kept saying “Eddie Vedder is the only singer from the grunge era left.” If I had a nickel for every time I had to tell someone “Mark Arm is still alive and well and touring with Mudhoney” during that whole cultural conversation, I could have cleaned up at dollar taco night.

So let’s set the record straight right now: Mudhoney are one of the primary progenitors of the Seattle sound of the early 90s. Frontman Mark Arm and lead guitarist Steve Turner had previously been in Green River, the other half of which went on to form Pearl Jam, and they got Mudhoney rolling in 1988 with the classic garage-grunge single “Touch Me I’m Sick.” When peers like Soundgarden, Nirvana, and Pearl Jam were signing to major labels and going big, Mudhoney were the last ones to stay faithful to Sub Pop Records, the label that kickstarted it all. And when they finally made the leap to Reprise in 1993, they never quite got the high profile that those other bands attained. If anything, it was because Mudhoney’s sound was too high-octane for the mainstream, a potent mix of garage-punk freakout and noise-blues howl.

But what Mudhoney lost in commercial popularity at the peak of grunge, they’ve more than made up over the years with sheer staying power. Having returned to Sub Pop for 2002 LP Since We’ve Become Translucent, they’ve cranked out four more raging slabs of classic Mudhoney gnarl, and just last week released an absolute burner of a seven-song EP entitled Morning In America. Over 30 years after their formation, they’re showing no signs of slowing down, and Richmond is highly privileged to have the Mudhoney train stop through at the Broadberry this Friday night to rock us in their time-honored fashion. The fact that Pennsylvania sludge-monster maniacs Pissed Jeans and local noise-punk heroes Gumming are also on the bill is a nice bonus treat, but really, it’s all about Mudhoney. Come out to the Broadberry Monday night and get muddy.

Wednesday, October 2, 7 PM
Acid King, Wizard Rifle, Warish @ Capital Ale House Music Hall – $18 in advance/$20 day of show (Order tickets HERE)
Back in the heady days of the mid-90s, if you wanted to be at the forefront of the still-building wave that was the stoner/doom metal scene, you had to be aware of Man’s Ruin Records. The label of legendary Bay Area poster artist Frank Kozik, it’s best remembered today for some of the earliest releases by Queens Of The Stone Age. But that most accessible of stoner groove bands is only the tip of the iceberg. People who knew what was up also picked up on classic releases — many in the 10-inch vinyl format — by bands like Electric Wizard, Orange Goblin, Iron Monkey, and Richmond’s own Alabama Thunderpussy (whose debut LP was a Man’s Ruin release).

Acid King were one of those treasures discovered by Man’s Ruin fans back in the 90s, and unlike Man’s Ruin itself, which folded in the early 00s, Acid King are still going strong over 20 years later. Their current tour is in celebration of their second LP, Busse Woods, released two decades ago and full of the witchy psychedelic doom metal that is Acid King’s stock in trade. Pairing frontwoman Lori S.’s ethereal vocals with absolutely punishing sludge riffs, Acid King created a template that was undoubtedly inspirational for bands like Windhand, and are still dishing it out at peak efficiency after all these years. Come to this one prepared for some slow-motion headbangs — Acid King will not let you down.

Thursday, October 3, 7 PM
Operator Music Band, FM Skyline, Houdan The Mystic, Ethanol @ Gallery 5 – $10
If you enjoy doing shuffle-footed dances to bouncy retro electro-pop, this show is certainly one that will please you. Operator Music Band have a strange name and even stranger haircuts, which are sure to make you wonder how seriously you’re supposed to take them (OK, it makes ME wonder that). However, one listen to their brand new LP Duo Duo is enough to demonstrate that this band is no joke.

Mixing some excellent beat-driven space age bachelor pad vibes in with catchy upbeat tunes that feature the slightest edge of postpunk darkness, mostly covered in dayglo, gives Operator Music Band a certain Stereolab resemblance. But Stereolab never got you dancing quite like this band does, and all of the strange and wonderful trappings ultimately act in service to the hypnotic motorik beat. Wear your dancing shoes for this one — they’re gonna get a workout.

Friday, October 4, 9 PM
Diavol Strain, Thin Pigeon, SameStory @ Fallout – $10
October is only just getting started, but things are always spooky down at Fallout, Shockoe Bottom’s legendary members-only goth fetish club, so I suppose the fact that we still have weeks left before Halloween isn’t really a factor in how dark and occult things get down there on any given weekend. Case in point: this show, featuring Chilean postpunk/darkwave duo Diavol Strain. This non-binary/feminist band brings exactly the sort of terror to Fallout that bands like Siouxsie And the Banshees were bringing to the UK in the early 80s, only with a much stronger political consciousness that’s sure to appeal to the feminist punks who favor heavy eyeliner and black nail polish.

Coming to us all the way from South America, this group’s unique take on the moody synth atmospheres, spectral bass guitar melodies, foreboding vocals, and pounding programmed drums of darkwave stands out as particularly skilled on their 2018 LP, Todo el Caos Habita Aqui (“all the chaos lives here”). The fact that they’re taking the gloom-enshrouded stage at Fallout on a rare weekend night open to non-members makes this a particular treat for all the goth babes out there, non-binary and otherwise. Float on down to Shockoe Bottom Friday night and let’s get spooky. Every day is Halloween.

Saturday, October 5, 6 PM
Blush Face, Gull, Spooky Cool @ Hardywood – Free!
It’s been a couple of years since power-pop/indie-rock combo Blush Face wowed the river city with their debut full-length, What Do You Want?, but they’ve hardly been lazy in the intervening months. If you need proof of that, look no further than the fact that this free Saturday night show at Hardywood is their 100th! Our sincere congratulations to Blush Face, from whom we look forward to many more.

As we reported in the Studio News column in RVA Mag #37, we can expect some new material from Blush Face soon as well — they’ve recently been in the studio with Mitch Clem (Fight Cloud) and Tim Falen (Piranha Rama), crafting a full-length follow-up to What Do You Want? that singer-guitarist-chief songwriter Allie Smith promises should feature not only a new dose of their catchy songs but even some string-section augmentation! Get a preview of all that, as well as a dose of the songs we all know and love, from Blush Face this Saturday night — for the hundredth time! Still not enough for us, by any means. Gull and Spooky Cool will be along for this excellent musical free ride. Don’t be left at the station.

Sunday, October 6, 8 PM
Exotica, Malimpliki, Haircut, Ghouli @ Mojo’s – $8-10 donation
“Exotica” is a musical term that was thrown around a lot in the mid-20th century, but if you show up to Mojo’s this Sunday night expecting some of Martin Denny’s ersatz tropicalia, you’re going to be in for a big surprise. The Exotica that’s coming to Mojo’s is a raging bilingual punk band from New York, whose three releases thus far have all been volumes in their ongoing series of wild, frenetic assaults known as Musique Exotique.

While they definitely hew closely to the sort of old-school punk assault you’d expect from bands using the sort of severe black and white cover art Exotica favor, the spirit of their name does come through in the undeniably chaotic undertones of their songs, which often feature unusual instruments working seemingly at cross purposes to the roaring noise overtop. It all comes together in fine fashion, though, and hits all the harder because of that. Exotica comes to us in the company of Malimpliki, a more stripped-down hardcore punk band hailing from Japan and singing in Esperanto, if online reports are to be believed — it all just sounds like furious screaming to me. Local ragers Haircut and Ghouli are on board to make this one even more wild and wooly. This show’s gonna bowl you over with fury from beginning to end, and you’re going to enjoy it. That’s an order.

Monday, October 7, 6:30 PM
Just Friends, Save Face, The Sonder Bombs, Hotline TNT @ The Canal Club – $13 (order tickets HERE)
Oh shit, y’all — ska-punk is officially back. If you go by what Cali 10-piece (I like to use the number words, but past “octet” I’m kinda lost. Is a 10-piece a “dectet”? That sounds vaguely dirty) Just Friends will tell you, though, they’re funk punk, but anyone else who survived the early-90s post-Nirvana alt-rock explosion knows that “funk-punk” is what you call the Red Hot Chili Peppers and Fishbone. What I hear when I check out Just Friends singles like “Supersonic” and “Stupid” is straight-up ska-punk, and not even the speedy and politically-informed sounds of Operation Ivy or even the early Mighty Mighty Bosstones. No, to understand Just Friends, you’ll need to think more along the lines of Voodoo Glow Skulls and Save Ferris mixed with goofy pop like Len’s “If You Steal My Sunshine” or even the outright joke-band sound of Bloodhound Gang.

None of which is to say that this stuff doesn’t rule; we all need a chance to turn off our brains and just dance like idiots every now and then, and this Monday night at the Canal Club, Pure Noise recording artists Just Friends will be providing exactly that kind of opportunity. They’ll be joined on this trip through RVA by some more straightforward sounds, primarily those of Beatlesque emo-punks Save Face, whose full-length debut, Merci, was released by the almighty Epitaph Records last year. Ohio jangle-pop quartet the Sonder Bombs, who apparently named themselves after the realization that other people have complicated lives too, will make this bill that much sweeter and more special, as Minneapolis trio Hotline TNT kick things off with some shoegaze-grunge-punk awesomeness. This one’s gonna be outstanding.

Tuesday, October 8, 7 PM
Gull, Imelda Marcos, Dumb Waiter, Jono Stewart @ Gallery 5 – $5
The band Imelda Marcos hails from Chicago, not the Philippines, and one would assume they have a much smaller shoe collection than that of their namesake (the wife of a dictator who was deposed in the mid-80s). However, what they lack in flashy footwear is more than made up for by their extravagant collection of riffs, which they roll out spectacularly on latest full-length Tatlo, released on cassette earlier this year.

Imelda Marcos’s guitar-drum instrumentals are the sort sure to please people who loved early Hella, back when they too were a duo that just blasted out tangled, noisy collections of riffs backed by complex, hard-driving beats. There’s some Crom-Tech and some some Lightning Bolt lurking in this band’s DNA as well, but their slices of fascinating instrumental chaos are, at the end of the day, entirely their own. It makes them a perfect pairing with local Richmond talents Gull, that one-man machine of beautiful indescribable noise, and Dumb Waiter, that four-man orchestra of jazz-metal chaos. This show will bring you more RPM (riffs per minute) than any other show happening this week — maybe this entire year. Get on board.

Elsewhere Around The State:

Friday, October 4, 8 PM
Snake Mountain Revival, Ladada, Mister Earthbound @ The Bunker Brewpub (Virginia Beach) – $5 in advance/$8 day of show (order tickets HERE)
Things are getting psychedelic down in Virginia Beach, as Snake Mountain Revival prepares to release the follow-up to last year’s self-titled debut EP. We haven’t been able to get a listen to the new EP, which is entitled Valley Of Madness, but if it’s anything like the sort of witchy desert acid-trip jangle they unleashed on their debut, it’s sure to be excellent.

Lots of bands over the years have engaged in astral travels using vehicles that are lysergic in nature, but it’s a bit rarer to find a band that plumbs the depths of the mind’s spookiest corners the way Snake Mountain Revival does. If you ever wished the “killer on the road” verse of “Riders On The Storm” by The Doors hit as hard as Gun Club or The Wipers, these guys are sure to delight you. So come celebrate a new dose of not quite metal, not quite punk, but certainly heavy psych sounds from this killer VA Beach trio. It’ll be worth the drive — even if you are still seeing trails on your way back.

Sunday, October 6, 6 PM
Erin McKeown, Alice Clair @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
As musicians go, Erin McKeown is not the easiest to categorize — she mixes folk and country with pop, jazz, and rock n’ roll in a way that makes every new tune a bit of an adventure. But after 20 years in the business, she’s built up quite a solid track record of making unique, entertaining music that’s sure to put a smile on your face. Even when you can’t quite determine what genre each individual song belongs in.

McKeown, who originally hails from Fredericksburg and now makes her home in Massachusetts, most recently released 2017 EP Mirrors Break Back, but has also been busy over the past couple of years with Miss You Like Hell, a musical about family, road trips, and the struggles of undocumented immigrants that she wrote with acclaimed playwright Quiara Alegria Hudes. There’s a certain kind of fun you can expect from a performance by any artist who has written a musical, and Erin McKeown will bring plenty of that kind of fun, plus a bag full of excellent tunes from any and all genres you can think of, to Charlottesville’s Southern Cafe this Sunday night. It’s gonna be a fine way to wrap up your weekend.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 25 – October 1

Marilyn Drew Necci | September 25, 2019

Topics: Applaud The Impaler, Autopsy Affair, Baby Grill, Bandito's, Bob Mould, Brain Drain, Braincell, Catfish And The Bottlemen, Cognitive, Coy Pond, Dead Aim, Dirty Fuss, Dori Freeman, gallery 5, Gorrak, Green Fiend, Isabella VanKesteren, J Clyde Morris, Jimmy and the Delay, July Talk, Korine, Leopard Print Taser, Neighbor Lady, Oxx, Paint Store, Shadow Age, shows you must see, Strung Out, The Broadberry, The Bunker Brewpub, The Camel, The Canal Club, The Casualties, The Front Porch, The National, Thin Pigeon, Through The Eyes Of The Dead, Will Johnson, Wingtips, Wonderland

FEATURED SHOW
Wednesday, September 25, 7 PM
Bob Mould, Will Johnson @ The Broadberry – $25 in advance/$30 at the door (order tickets HERE)
This one should just be a given, y’all. That said, we need to talk about Bob Mould, because I feel like he might be fading from the spotlight a bit for anyone who is under 40 — and if you are under 40, and you like loud music played on guitars, you need to be aware of Bob Mould. Here’s why: because he’s been making loud, fast, impassioned, beautiful rock music for four solid decades, and he’s been excellent at it pretty much the entire time. At the dawn of the 80s, he formed Husker Du, a formidable trio who were to the Minnesota punk scene what Black Flag were to LA, or Minor Threat were to DC: the first, the best, the most consistent, the least complacent. Between their 1982 live debut album, Land Speed Record, and their breakup six years later, Husker Du not only made massive innovations in the world of hardcore punk but also laid some of the most important groundwork for the Nirvana-led grunge/alternative rock explosion of the early 90s.

Husker Du had ended by then, but Bob Mould was still heavily involved, then leading an incredible second power trio called Sugar (which also featured future Drive-By Truckers producer David Barbe). Sugar only lasted a few years, but they created a legacy with the four releases they produced in that short time — one that far outlasted their lifespan. Leading lights of the early 00s rock revival like Ted Leo owed a huge debt to the music Mould had created a decade earlier. Today, Mould is in the midst of a late-career renaissance that has seen him, backed by a trio featuring members of Superchunk and Verbow, release four stellar solo albums in a row, the most recent being this year’s outstanding Sunshine Rock.

While Mould isn’t bringing his band to Richmond, his current “solo electric” tour brings us a format with plenty to offer in its own right. Due to his issues with hearing loss (something a lot of us aging musicians can relate to), he often performs by himself, but the lower volume never stops him from giving his all to the performance, and you can certainly expect a powerful set when he takes the Broadberry stage. What’s more, he uses the solo format as an opportunity to perform music from throughout his incredibly consistent 40-year career, so we may be fortunate enough to hear a few Husker Du and Sugar songs mixed into the set as well as a great selection of the many excellent tunes he’s released over the past decade of solo albums. Whether you celebrate Mould’s entire catalog or need a crash course in what makes this guy so great, you’re sure to get a treat tonight at the Broadberry. See you there.

Wednesday, September 25, 6 PM
Through The Eyes Of The Dead, Cognitive, Green Fiend, Applaud The Impaler, Autopsy Affair, Braincell @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
Being in a tech-death band is apparently pretty brutal — and not just in a musical sense. South Carolina band Through The Eyes Of The Dead spent their first decade or so as a band shedding members willy-nilly, with the only constant remainder being lead guitarist Justin Longshore. Each of their first three albums featured a different singer, a different drummer, and a different rhythm guitarist. However, the turbulence within the band seems finally to have calmed, as 2017 saw Through The Eyes Of The Dead release their fourth album, Diosmus, with almost exactly the same lineup as their third album seven years earlier. An impressive achievement, given the circumstances.

But that’s not the only impressive achievement of the band’s recent history. What’s even more awesome is the musical evolution they’ve undergone from their early days as a white-belt hipster deathcore band into the powerhouse of technical death metal heavyosity they’ve become today. Their recent work doesn’t mess around with melody or simplistic breakdowns — it goes straight for the throat with nonstop brutality, of the sort that’ll keep you headbanging throughout a metal-as-fuck evening at The Canal Club. Regional death metal stalwarts aplenty will be on this bill to get you warmed up, but save some of your energy — you’ll need it if you want to make it through the Eyes Of The Dead set in one piece.

Thursday, September 26, 9 PM
Dirty Fuss, Thin Pigeon, J Clyde Morris @ Wonderland – $10
Down n’ dirty, no-frills rock n’ roll — their ain’t a damn thing wrong with that. Proving this statement to be true is Nashville band Dirty Fuss’s prime directive. They do a great job of fulfilling their mission on debut LP American Animals, which was released earlier this summer and is sure to bring a gleam to the eye of Ty Segall and White Stripes fans everywhere.

This isn’t complicated music, and it isn’t recorded in a highly polished and sterilized studio. Instead, it’s the kind of wild noise you’d expect to hear in a sweaty barroom with inadequate climate control, the kind of place where by the end of the night, there are empties with cigarette butts floating in them sitting on every flat surface (gross). Wonderland isn’t quite that room, but it’s as close as you’re gonna get in smoking-ban Richmond, and you’ll be able to catch your breath a little bit easier after you spend an evening dancing your ass off to Dirty Fuss. Hard to complain about that.

Friday, September 27, 9 PM
Oxx, Gorrak, Paint Store @ Wonderland – $10
Back to Wonderland once again, and this time it’s for an entirely different type of chaos. The sort of massive hectic noise that Danish math-metal trio Oxx brings to Shockoe Bottom this Friday night may be summed up by the fact that they called their new album The Skeleton Is Just A Coat Hanger; These Are The Black Strings That Make You Dance.

Having just blown 10 percent of my word count on that title, it’s going to be that much harder to describe exactly what Oxx has in store for you, but considering the complexity, unpredictability, and sheer panicked energy of their music, I have to admit that it’s not all that easy to describe anyway. Do you like fast, heavy, hectic music that makes you want to bang your head but challenges you with knowing exactly when to do so? If so, Oxx is the band for you. Get ready to rock the hell out — and expect some strong help with the rocking from two Richmond noise-rock powerhouses: wild jazz-metal hybrid Gorrak, and math-rock fascination machine Paint Store. It’s gonna rule.

Saturday, September 28, 8 PM
Leopard Print Taser, Brain Drain, Baby Grill, Jimmy and the Delay @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
I love it when a band with a truly original name comes across my radar for the first time. Leopard Print Taser? Holy shit, that’s great. I don’t even care what they sound like — I’m in. Fortunately for me, I didn’t get let down at all once I listened to this Massachusetts quartet, who manage on their 2018 EP, Teeth Are Not Bones, to bring exactly the sort of shocking bite you’d expect from their name to a melodic punk sound that is both energetic and emotionally-driven, in a manner that is sure to please fans of bands like Mannequin Pussy and Screaming Females.

There’s a bunch of awesome local stuff happening on this bill as well, starting with Brain Drain. This trio bashes out some wild, hectic rock n’ roll noise that seems like the perfect fit for this bill — if you haven’t been rocked by this Richmond crew yet, now’s the perfect time to start. Baby Grill, a grungy two-piece who may or may not have a drummer with them at this performance, will get you dancing around the room with a particularly excellent combo of catchy tunes and rumbling distortion. And finally, I have to give a shoutout to RVA Mag contributor Jimmy O’Keefe, who apparently has a solo project that will be opening this show — I had no idea! Bringing catchy indie tunes with baritone vocals, this opener should be a fun time. And so should this entire show — so don’t miss it!

Sunday, September 29, 8 PM
Neighbor Lady, Isabella VanKesteren, Coy Pond @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
As a kid, I would have used this band’s name to describe some weird person who lived on my block. As an admittedly weird adult, I’m sure that phrase gets applied to me on at least an occasional basis. But I’m cool with that, and I’m also cool with Atlanta band Neighbor Lady, whose music has a laid-back cool and relaxed catchiness that makes it easy to slip right into.

On Neighbor Lady’s 2018 LP Maybe Later, they mix a psychedelic take on indie rock tunefulness with more than a touch of old-time Appalachian mystery, in a manner that should definitely appeal to Richmond music fans who miss The Diamond Center and wish Julie Karr would play local solo shows more often. They may not exactly blow the roof off the Camel this Sunday night — they’re too subtle for that. But their set is sure to expand your mind in some pleasing directions.

Monday, September 30, 9 PM
Shadow Age, Wingtips, Korine @ Bandito’s – Free!
Last year, Shadow Age’s self-titled LP was an undisputed highlight of Richmond music. It was made bittersweet when it was followed only a month later by the announcement of the group’s indefinite hiatus. But in light of the fact that they’d departed the scene at the very moment of gaining some incredible creative momentum had to make you wonder whether they wouldn’t be back pretty soon. Sure enough, by December, the occasion of Strange Matter’s extended farewell celebration brought them back from their hiatus to perform their first show as a quintet.

And now, this Monday at Bandito’s, we get another return engagement from Shadow Age, one billed as their “only show this year.” This melodic, fog-enshrouded gothic postpunk group have a ton of great songs in their catalog, and the thought of hearing them live one more time should definitely be enough to entice both longtime fans and new converts down to Bandito’s for this free Monday night show. No word on how many members the group will have for this performance, but trio, quartet, and quintet lineups have all charmed in the past, so it’s sure to be worth it regardless.

Tuesday, October 1, 6:30 PM
Catfish And The Bottlemen, July Talk @ The National – $25.50 in advance/$28.50 at the door (order tickets HERE)
Sometimes it feels like rock music is on a long downward slide into irrelevance. It can be tough to find rock bands that are able to attain a share of popularity while also retaining artistic quality. As has been true for decades now, though, the British continue to be much better at locating exactly that sort of band, and ensuring that they do achieve some degree of success — at least, across the pond.

Catfish And The Bottlemen’s current American tour has brought them to The National, so they’re doing pretty well on this side of the Atlantic as well, but if you haven’t checked them out yourself yet, you owe it to yourself to fix that. This Tuesday night is the perfect time to get better acquainted with this charming group and their catchy brand of melodic pub-rock, which lands somewhere between first-LP Radiohead and The Libertines. Their new album, The Balance, shows that, even though not every song hits the highs of their all-time greatest tune, “Cocoon,” they’ll always keep your toes tapping and give you some great choruses to sing along with. Consistency — it’s an underrated virtue.

Elsewhere Around the State:

Wednesday, September 25, 7 PM
Strung Out, The Casualties, Dead Aim @ The Bunker Brewpub (Virginia Beach) – $20 (order tickets HERE)
In the mid-90s, the California skate-punk sound ruled the world. NOFX and Bad Religion were the kings of the proto-Warped Tour hill, but the bands on their respective labels (Fat Wreck Chords and Epitaph) had ways of distinguishing themselves from the pack. Propagandhi was political, Lagwagon was emo, Ten Foot Pole’s singer was a major-league baseball pitcher… and Strung Out were metal. Don’t get me wrong, they still had the speedy melodic riffing and unforgettable catchy choruses that were common across the entire genre, but the licks guitarists Jake Kiley and Rob Ramos busted out were definitely the group’s most distinguishing characteristic.

These days, though, you’d also have to give Strung Out credit for staying power. After a 2018 acoustic EP, Black Out The Sky, they released their ninth full-length, Songs Of Armor And Devotion, just last month, and it proves they haven’t lost a single step since the heady days of the Survival Of The Fattest compilation. Catchy choruses and metal leads are still in abundance, and they surely will be at The Bunker Brewpub tonight as well! So if neither of the Richmond shows I’ve already told you about tickle your fancy, you certainly can’t go wrong gassing up and heading East on 64. If you hurry, you can catch opening sets by drunk-punk mainstays The Casualties and VA Beach hardcore survivors Dead Aim, which will certainly sweeten the pot.

Sunday, September 29, 7 PM
Dori Freeman @ The Front Porch (Charlottesville) – $18 in advance/$20 at the door (order tickets HERE)
Dori Freeman isn’t from any of the cities our more urbane readers would necessarily expect a Virginia musician to come from. She’s from Galax, a Southwest VA town close to the NC border, about 90 minutes south of Blacksburg. They used to build a lot of furniture down there, but the factories have gone away; these days, the main industry in that city is old-time folk and country music. Therefore, the fact that Freeman has risen to prominence with her old-fashioned blend of Appalachian influence and the Nashville sound of the mid-20th century isn’t nearly as surprising as you might think at first.

Freeman’s set to release her fourth album, Every Single Star, any day now. In fact, it will be released between the time when I write these words and the day this show will take place. The new album finds Freeman much happier than she’s been on previous work — newly married, she’s largely turned away from lonesome lover’s laments in favor of songs about making a relationship work. The result is a collection of positive tunes that incorporate 60s pop influences into a country framework that should delight fans of Loretta Lynn and Emmylou Harris. Dori Freeman will bring all of this to wonderful full-color life at Charlottesville’s the Front Porch this Sunday evening, and you’re going to want to be there. Mark your calendar.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 18 – September 24

Marilyn Drew Necci | September 18, 2019

Topics: Alfred, Benderheads, Bon Ki, Brown's Island, Calebfolks, Captain Scrunchie, Clowns, Cory Wong, Crimson Heat, DJ Sam Slug, Dummies, Elevation27, Fuzzy Cactus, Howlin' Rain, Irreal, J. Roddy Walston & The Business, Kyshona, McKinley Dixon, Mojo's, Noiro Zepol, Parsnip, Pharmakon, Plan 9 Music, Rome Hero Foxes, Shonen Knife, shows you must see, Sinister Haze, Smooth Hound Smith, Stone brewing, Suppression, Talk Me Off, Tavishi, The Camel, The Happy Fits, The Long Ryders, The Red Skulls, The Southern Cafe, Thin Pigeon, This Wild Life, VV, Waxjaw, White Denim, Wonderland

FEATURED SHOW
Saturday, September 21, 3 PM
Stone’s Throw Down In RVA, feat. White Denim (Photo by Barnaby Fairley), J. Roddy Walston & The Business, Cory Wong, Howlin’ Rain, The Long Ryders @ Brown’s Island – $20 (order tickets HERE)
The seasons are changing, y’all. The Autumnal Equinox, one of two days every year in which the sun is up for exactly 12 hours and down for the other 12, will arrive on Monday and mark the first day of fall. Therefore, this makes Saturday and Sunday the official Last Weekend Of Summer. And you know you’re gonna want to make that count. Fortunately for us all, Stone Brewing is here to help, having scheduled their annual Stone’s Throw Down In RVA celebration at Brown’s Island this Saturday afternoon and evening. And you’re going to want to be there.

A duo of massive modern rock n’ roll juggernauts are ready, willing, and able to offer top-quality assistance with making this not only the last but the best weekend of your entire Summer 2019. J Roddy Walston & The Business are the hometown boys, and will wrap the whole evening up in wonderful fashion with the piano-driven down-home rock sound we’ve all come to know and love. Their best-known riff monster may still be 2013’s “Heavy Bells,” from their ATO Records debut, Essential Tremors, but 2017 follow up Destroyers Of The Soft Life offered a pretty massive dose of rock power in its own right, from that incredible title down to the soaring high points of singles like “The Wanting” and “You Know Me Better.”

They’ll be sharing the top of the bill with Texas boogie rockers White Denim, who won my heart back when they released their 2016 monsterpiece of funky Southern rock, Stiff. Since then, they’ve released not one but two more albums, including this spring’s Side Effects — their ninth studio album in just under 11 years, so these guys certainly don’t slow down. The new LP proves that their adeptness with tunes that rock you hard while keeping your body moving on the dance floor is totally undiminished. Come find out for yourself at Brown’s Island this Saturday, and enjoy tunes from rock n’ roll veterans like Howlin’ Rain, Cory Wong, and reunited first-wave Paisley Underground legends The Long Ryders. It’s gonna be a top-notch afternoon of classic rock n’ roll, and the perfect way to say sayonara to summer 2019.

Wednesday, September 18, 9 PM
Pharmakon, Suppression, Tavishi, Noiro Zepol @ Wonderland – $10
Experimental noise artist Pharmakon has never exactly been an easy listen. The solo project of New York native Margaret Chardiet is based around terrifying screams, atonal synth loops, and industrial samples, and while the strong structures of Pharmakon’s music has always made it slightly more accessible than that of your average harsh noise project — think Merzbow — it’s still the kind of thing that could send anyone who isn’t adequately prepared for what’s coming running from a room at top speed. What’s wild is that on their latest album, Devour, released earlier this year, Pharmakon has moved even further in the direction of confrontational noise havoc. Chardiet’s vocals are even more shocking, rising to the outright monstrous level of Alan Dubin’s work with doom/noise project Khanate.

OK, look, I know that those of you who aren’t into testing the limits of the boundary between music and noise may not be catching any of my reference points — and that’s fine. But what you do need to know is that, if you’ve ever found anything enjoyable in the world of angry, noisy, extreme music of any kind, you’re going to want to see Pharmakon tonight. Not only is Chardiet a riveting performer, her compositions have an unusual ability to push beyond the cold intellectual facade of most experimental noise and reach the listener on a deep emotional level. If you haven’t experienced it yet, you owe it to yourself to do so at least once — even if it terrifies you. The terror is the point.

Thursday, September 19, 7:30 PM
Shonen Knife, Talk Me Off, Captain Scrunchie @ The Camel – $17 in advance/$20 at the door (order tickets HERE)
I’m not sure how well young music fans know the name Shonen Knife, but if they don’t, they certainly should. This trio of Japanese women, who released their first LP of catchy melodic punk back in 1982, were instrumental in bringing international attention to the underground punk scene of Japan. They weren’t as unhinged as GISM nor as caustic as Gauze, but that very fact made their heavily Ramones-influenced music approachable by music fans all over the world — and they quickly fell in love. High-profile fans like Kurt Cobain, Thurston Moore, and Steven McDonald of Redd Kross helped ensure that Shonen Knife became a name known all over the alt-rock world.

Today, Shonen Knife has over 20 albums to their credit, and they’re still going strong, releasing latest full-length Sweet Candy Power just a few months ago. The title track still retains the same mix of garage rock grit, DIY spirit, and pure pop goodness that made past Shonen Knife high points like “Twist Barbie,” “Antonio Baka Guy,” and “Catnip Dream” such classic tunes. This show is sure to be full of fun singalongs and big smiles, and if you aren’t part of it, you’ll be missing out, so get together with your friends tomorrow night and let’s knife.

Friday, September 20, 7 PM
McKinley Dixon, Alfred, Bon Ki @ Plan 9 Music – Free!
Richmond hip hop is taking things to the next level, and that’s true in all facets of the scene. McKinley Dixon is a prime example — not only has his focus on killer live performances and frequent tours helped him to gain fans all over the country, he’s reached some pretty influential ears. For proof, look no further than his brand new single, for which this free in-store at Plan 9 acts as a release party. The two song vinyl EP, “Anansi, Anansi” b/w “Wit These,” is coming out as part of the Document Series by powerful midwestern label Saddle Creek.

The Nebraska label made their name releasing legends of post-Y2K emo like Cursive and Bright Eyes, but with the Document Series, they hope to offer a higher profile to work from emerging underground artists all over the world. And of course, there’s no Richmond artist more deserving of this attention than McKinley Dixon, whose powerful hip hop is some of the best music being made locally in any genre, and whose A-side for the Document Series single just might constitute a new career high. Join Dixon, along with fellow local hip hop up-and-comer Alfred (who himself just released Like You!! on Topshelf Records) and newcomers Bon Ki. This one’s gonna be a blast.

Saturday, September 21, 9 PM
Sinister Haze, The Red Skulls, Crimson Heat @ Mojo’s – $5
By late this Saturday evening, you may well have had your fill of rock n’ roll out at Brown’s Island. But if you still want more, you should definitely head over to Mojo’s by 9 PM this Saturday night to catch a triple-threat banger of Virginia-area bands that are underrated, unexpected, and ready to blow your mind. Sinister Haze is at the top of the bill, and while this band has gone through periods of obscurity over the past couple of years, they’ve undergone a bit of lineup revision recently, and are now, if rumors are true (don’t quote me), on the cusp of releasing a new EP. This spaced-out psychedelic doom group showed exactly how heavy they could get on 2017’s Emperor Of Dreams, and if you’re hungry for more — and you should be — Mojo’s is the perfect place to be this Saturday night.

The Haze boys will be joined by a band who have, over the past decade-plus, been far more discussed than seen: The Red Skulls, a Roanoke-based early-2000s rock n’ roll project led by the Lunsford brothers: Joe (Avers/Peace Beast) and Sam (The Young Sinclairs/Stimulator Jones). I’m not sure what’s caused the two brothers to reunite their 2002-era garage rock quartet, but if their reputation for wild shows full of top-volume craziness is even somewhat justified, we’re all gonna be glad they’re back. Mysterious local newcomers Crimson Heat will kick off this show featuring just the right amount of bands (three. The number is three), so show up on time and grab yourself a cheesesteak. You won’t be sorry.

Sunday, September 22, 9 PM
Irreal, Benderheads, Dummies @ Fuzzy Cactus – $8
Here’s your entrance exam for this show. Don’t panic, it’s only one question long. Ready? Which band do you more readily associate with the genre term “hardcore”? A: Hatebreed. B: Anti-Cimex. If you answered B, congratulations — this is the show for you. Irreal is a hardcore punk band from Catalonia’s capital city of Barcelona, and they’ve got that same sort of blown-out rage with strong influences from Discharge and Gauze that you can find in classic Scandinavian hardcore (i.e. Anti-Cimex).

However, they’ve updated it with a creative passion that makes their new album a particularly fascinating listen, even if you don’t own at least a dozen black T-shirts with the sleeves cut off. The album in question, Fi Del Mon, actually comes out between when I’m writing this now and when this show is happening this Sunday. Ideally that means you’ll be able to pick up a vinyl copy for yourself after you storm up a raging circle pit on the floor at Fuzzy Cactus. Even if you haven’t got the scratch for vinyl right now, though, you’re gonna want to be there — this one’s going to be a real ripper. Especially in light of the fact that Irreal will be joined by local punk stalwarts Benderheads and D-beat newcomers Dummies, who apparently feature members of Haircut and Cement Shoes. That’s all the endorsement you should need to show up on time and ready to go off.

Monday, September 23, 9 PM
Parsnip, VV, DJ Sam Slug @ Fuzzy Cactus – $8
I know a parsnip is a vegetable, but I can’t remember if I actually know it under a different name. Let me do a quick Google… [Wait, is she serious? How unprofessional -ed.] OK no, it turns out that parsnips are just called parsnips, and they’re sorta like carrots and sorta like parsley, and… I’m pretty sure I’ve never eaten them. But we’re not here to talk about vegetables, we’re here to talk about bands — specifically the Parsnip that is an Australian band and not the one that I’m pretty sure has never showed up on my dinner plate.

The Australian band Parsnip is not too different from Japanese band Shonen Knife, who we talked about a little earlier — their music is poppy, catchy, and fun, but has a DIY production feel and carries obvious influences from punk and garage rock. The way they mix these two aspects together on brand-new debut LP When The Tree Bears Fruit makes for a very fun listen, and if you enjoyed smiling and bopping along with Shonen Knife at the Camel a few days before, you’re never going to regret doing the same thing again on Monday night at Fuzzy Cactus. Local punks VV are quite a bit weirder, and their music has veered in a decidedly “postpunk” direction over the last year or so, but if you loved their earlier material, you’re sure to have a blast with them at this show too. They’ll offer the perfect acidic counterpoint to Parsnip’s poppy sweetness. And Feel It Records head honcho DJ Sam Slug will be on hand to spin some tunes and get us all in the mood, so this is sure to be a great night all around.

Tuesday, September 24, 9 PM
Clowns, Waxjaw, Thin Pigeon @ Wonderland – $10
Australian punk is always a lot of fun, and Clowns are no exception. This Melbourne punk band are worldwide thanks to their Fat Wreck Chords deal, which brought us their latest LP, Nature/Nurture, earlier this year. It’s a whole ton of fun, bringing the skate-style upbeat melodic punk that we all expect from labels like Fat a big infusion of Aussie-style rollicking garage noise. This Tuesday-night rager marks Clowns’ first time coming through RVA — indeed, this tour is their first-ever jaunt to the East Coast — so it should be a proper fun time in the works! Make sure you’re part of it.

Clowns are joined on this trip through town by Huntington, WV queer punks Waxjaw, whose brand new LP, A Collection of Rituals In Sound, finds them mixing occult-vibe postpunk sounds with a strong sense of ringing melody that ensures this album is still a great deal of fun to listen to. We can surely expect a similar sort of fun from their live performance, and from that of Richmonders Thin Pigeon, who’ll kick off this whole shebang down in Shockoe Bottom! Liven up your midweek with this one, folks.

Elsewhere Around The State:

Friday, September 20, 6:30 PM
Smooth Hound Smith, Kyshona @ The Southern Cafe – $12 (order tickets HERE)
The one-man-band musical formula is one that’s become familiar over several decades, especially if you enjoy that roots-rock/Americana style that’s so conducive to this musical approach. You know the deal — guitar in the hands, drums at the feet, maybe a harmonica on a neck stand, and some heartfelt vocals. Smooth Hound Smith’s Zack Smith does pretty much all of that stuff, but he’s not the only member of this group — he’s joined by his wife, Caitlin Doyle-Smith, who contributes auxiliary percussion and some all-important vocal harmonies to give this band a whole lot more depth than you’d expect from their rudimentary setup.

While Smooth Hound Smith are certainly capable of busting out some raucous down-home rock n’ roll when the occasion calls for it, their latest LP, Dog In A Manger, finds them stretching out in multiple other directions, dipping into Southern soul, sweet folk balladry, and alt-country twang. If any of that sort of thing appeals to you, chances are you’re going to love seeing this two-person one-man band in action. They’ll be accompanied at this performance by Nashville soul-blues singer Kyshona, who’s sure to move you with her powerful, politically-informed tuneage. Show up on time for this one.

Saturday, September 21, 7 PM
This Wild Life, The Happy Fits, Rome Hero Foxes, Calebfolks @ Elevation27 – $16 (order tickets HERE)
The idea of acoustic emo might seem like something recent, like it only showed up once Evan Thomas Weiss of Into It. Over It. or Kevin Morby started touring with just an acoustic guitar. However, it’s actually got a pretty long tradition, one that stretches back to my mid-90s salad days of seeing house show sets by solo artists like Keith Welsh or Tom LoMacchio. This Wild Life approach things a bit differently, augmenting Kevin Jordan’s acoustic guitar and heartfelt vocals with electric guitar melodies and vocal harmonies from Anthony Del Grosso, but the percussionless, melody-first results of their approach are decidedly familiar both to vets of Vinnie Caruana and Geoff Rickly’s Acoustic Basement Tour from a couple of years ago and those of us who saw these kinds of acoustic sets in actual basements over a decade ago.

This Wild Life bring a particularly lovely flavor to their take on the acoustic sound, which makes them a welcome addition to a scene ususally much more dependent on percussion and distortion. On last year’s Petaluma LP, This Wild Life avoided the temptation to make their acoustic songs lightweight tunes about love and flowers, instead tackling difficult subjects that lie at the heart of life’s difficult moments and offering catharsis and support through their delightful melodies. You can certainly enjoy their music as you lie alone in your darkened bedroom, but it’s sure to be far more fulfilling to see This Wild Life perform live in a bright room full of smiling faces. So head to Elevation27 this Saturday night and let their music surround you. It’s gonna be beautiful.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]yrva.com

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 7 – August 13

Marilyn Drew Necci | August 7, 2019

Topics: Alcindor, Another Round Bar and Grill, Bad Motivator, Bandito's, Bashful, Body Of Light, Clementine, Crucial Rip, Drab Majesty, Faded Home, Funeral Proposals, gallery 5, Garden Grove Brewing, Gravebound, Hide, Jerome's Dream, Marshall Family Values, Matt and the Skeleton Crew, Nightcreature, Ostraca, Peabody's, Psychonaut, Queen Of Jeans, Scott Yoder, shows you must see, Site Of Suffering, Talk Me Off, The Broadberry, The Canal Club, The Lawrence Arms, The Magenta Shift, The Menzingers, The Sidekicks, Thin Pigeon, This Kills Me, Turbo Mansion, Twin Films, Under Broken Skies, Vein, Walkie Talkie, Watchdogs

FEATURED SHOW
Friday, August 9, 7 PM
Jerome’s Dream, Vein, Ostraca, Watchdogs @ Gallery 5 – $15 (order tickets HERE)
If you have paid any attention to the underground screamo scene over the past decade or so, you’re sure to have heard of Jerome’s Dream. Active in the late 90s and very early 00s, this New England-based trio were crucial in defining the faster, more chaotic end of the genre as it was codified at the dawn of the new millennium. Bassist Jeff Smith’s high-pitched screams and refusal to use a mic during shows set a template for an entire generation of bands, and the band’s frenetic, dynamic songwriting demonstrated the most effective way of making a basement full of kids with dyed-black hair writhe and scream spastically along.

Of course, having broken up in 2001, the height of Jerome’s Dream’s fame and influence came long after their demise. But they returned to action this year with a long-awaited crowdfunded album that constitutes their first release in 18 years. Is it as good as the old stuff? Well, it shouldn’t be a surprise to hear that opinions are sharply divided on that subject! Between Smith’s inability to recreate his trademark wail (he’d already ceased to do so on the band’s final pre-breakup EP, Presents), the significantly more metallic sound of the guitars on the new LP (entitled LP, of course), and the less frantic, more complex song structures, Jerome’s Dream have certainly undergone a noticeable evolution in their 18 years away from the spotlight.

But will the live show still rule now that the members are all pushing 40? Well, there’s only one way to find out, and that’s to show up at Gallery 5 Friday night and see what these guys have to offer. All the stoked young screamo kids in attendance are sure to provide plenty of high-pitched screams of their own, so you may not even miss Smith’s screech. And with youthful screamo apostates Vein — who, on last year’s Errorzone, patterned themselves more after Slipknot and Mudvayne than anything associated with the 7-letter S word (not that that’s a bad thing) — in tow, local vets Ostraca representing Richmond screamo, and mosh-lovers Watchdogs opening things up, this is sure to be a killer show even if Jerome’s Dream just stand still and play their instruments. And let’s be real, even that will still be cool.

Wednesday, August 7, 7 PM
Drab Majesty, Hide, Body Of Light @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
The new romantics of the 80s aren’t so far gone, and these three Dais Records bands are coming to The Broadberry tonight to prove that. Drab Majesty are at the top of the bill, and there could be no other place for Deb Demure and Mona D, with their gothic-electro-postpunk beats, melodies, and life. Having just released their third LP, Modern Mirror, they’ll be taking over the Broadberry tonight to get all the eyeliner-bedecked dance floor warriors to move their feet in the dark.

Drab Majesty’s music definitely brings a nighttime ambience to the air, even if you’re listening to it at 11 AM on a sunny day, but there’s a surprising amount of melody built into what they’re doing as well, making for some killer tunes that’ll lock into your brainstem and refuse to let go. In a good way, of course. Chicago’s Hide, who are also on this bill, have not yet released their latest Dais Records LP, Hell Is Here, but the single preview track available is enough to let us all know that they’ll bring a decidedly angrier and more ominous vibe during their portion of the evening. If Drab Majesty will make you dance and sing along, Hide is going to make you stomp and scream. The bill will be rounded out by Body Of Light, whose brand new LP, Time To Kill, splits the difference between the other two bands on this bill with its pounding yet subtly melodic industrial approach. Dress in black for this one.

Thursday, August 8, 7 PM
Scott Yoder, Nightcreature, Thin Pigeon @ Gallery 5 – $7
A veteran of garage-rockers The Pharmacy and indie-folk singer-songwriter Kimya Dawson’s backing band, Seattle’s Scott Yoder has become quite the unique musical auteur over the past several years. His solo work mingles hints of retro psychedelia with the glamour of old Hollywood and the outright glam of Marc Bolan and David Bowie. Right now, he’s in the midst of releasing six different 7 inch singles over the course of this year, and on songs like “Silver Screen Starlet” and “Cloaked In Nite,” he’s brought a unique world to life in his music — a world he’ll bring to the Gallery 5 stage this Thursday night.

You’re not going to want to miss this one, and not just because Scott Yoder is gracing a local stage — he’ll meet his match in glamour and glitz when Richmond’s own Nightcreature take the stage. On their debut EP, On The Loose, released last fall, this powerful ensemble displayed plenty of garage grit and androgynous glam, all of which they’re sure to bring to the Gallery 5 stage on this lovely evening. Postpunk trio Thin Pigeon will open this one up with some elegant and memorable tunes of their own — expect glittering pop genius from one end to the other with this one.

Friday, August 9, 7 PM
Funeral Proposals, Marshall Family Values, Twin Films, Faded Home @ The Canal Club – $8 in advance/$10 at the door (order tickets HERE)
Ohio’s Funeral Proposals have been together for a few years, so I suppose by this point someone’s already made the “they put the ‘fun’ in funeral” joke. I still want to make it myself, though, because this band’s music is undeniably fun, at least on their latest EP, 2018’s Blue Deluxe. On some tracks they get an upbeat alt-rock groove going, on others they’re more of a bouncy pop group, but the element all of their songs retain in common is a contagious joy — which is only enhanced by the occasional surf-music vibe that comes through.

A trio of local groups join Funeral Proposals at The Canal Club this Friday night to provide various fun sounds of their own. Marshall Family Values sounds like something a politician might talk about, but musically they are quite a bit more pleasant than that might make it seem, mixing wailing guitars and prominent keyboards into a tasty melodic rock sound. Twin Films get more hazy and psychedelic with their indie vibes, and bring quite a bit of gorgeous melody in the process. And Faded Home have a raw, ambient sound that’s sure to evoke some feels. All in all, an excellent way to spend your Friday night.

Saturday, August 10, 7 PM
Crucial Rip, Gravebound, Under Broken Skies, Alcindor, Site Of Suffering @ Another Round Bar and Grill – $8
There was a point when it felt like Richmond’s home for brutal metal was Shockoe Bottom, but in recent months, it’s started to seem like the RVA metal scene has moved out to Lakeside. Another Round in particular has become a central gathering place for all of this city’s headbangers, and this Saturday night of brutal mosh madness will demonstrate to all the doubters exactly why that’s an entirely positive development. Death metallers Crucial Rip, who’ve been one of the city’s leading lights of metal for years now, will be at the top of this bill, giving you a heaping helping of rumbling low-end power, complete with the kind of sick breakdowns that fans of extremely heavy hardcore will gravitate to just as quickly as the death-heads do.

But they’re not all this evening has to offer — oh, far from it! Gravebound are also RVA-based, but their sound is much more familiar to those who dig bands like Sworn In and Chelsea Grin. It’s metalcore, but it’s extremely heavy metalcore — the type that’s also sure to start at least a few mosh pits over the course of their set. With Fredericksburg brutality merchants Under Broken Skies on the bill, as well as newcomers Alcindor and Site Of Suffering, this show is going to be full of reasons to bang your head. And we could all use more of those.

Sunday, August 11, 7 PM
This Kills Me (photo by Brianna Spause), Turbo Mansion, Matt and the Skeleton Crew, Bad Motivator @ Garden Grove Brewing – Free!
Philadelphia’s This Kills Me are coming to Garden Grove this weekend, and that’s going to be a real treat for all of us — whether you know it yet or not. Earlier this year, they released The End, an 8-song project that’s either a mini-LP or a long EP. I’ve never been any good at figuring that sort of thing out, but I do know great melodic songwriting when I hear it. Folks, this is it.

I’m tempted to call This Kills Me a post-hardcore band, but if anything I think it may be more true to say post-pop-punk (which is too many hyphens — believe me, I know); their sound is sure to appeal to fans of classic late-90s bands like Farside and Gameface. Whether those references mean anything to you or not (and if you’re under 30, I’m betting you’re on the latter side of that one), you’ll certainly have a lovely time seeing this band at Garden Grove, especially since the bill features multiple excellent local bands, Turbo Mansion foremost among them. AND, on top of all that, it’s free! Who can argue with that?

Monday, August 12, 8 PM
The Lawrence Arms, Talk Me Off, Bashful @ Bandito’s – Free!
One absolute treat of a free show deserves another, right? For those of you out there who love modern pop-punk, the headline of this little blurb is all you really need to hear — I’m guessing you’re already making plans to queue up outside Bandito’s the second you get off work on Monday. But for those who don’t quite know the deal, here it is: The Lawrence Arms is one of the most important bands in the world of melodic, emotional punk rock since the turn of the millennium. Albums like 2003’s The Greatest Story Ever Told have long since proved this to all who’ve encountered them.

They’ve been around for two entire decades at this point, and have been a bit less active over the past ten years or so, but they’re working on a new album scheduled for next year, and they’re coming to RVA because they have a night off their current tour with Bad Religion and felt like sharing their many classic tunes with us all. Bandito’s shows are always free, so it’s strictly first-come first-served for this one. Luckily for us all, tacos are cheap during Bandito’s happy hour, so come early, grab dinner, and be ready for the show to get rolling by 8:45. It’s gonna be a great one.

Tuesday, August 13, 7 PM
Beres Hammond, DJ Inferno @ The National – $25 in advance/$30 at the door (order tickets HERE)
Not just a Clash song or a Sade album, lovers rock is an entire subgenre of reggae, one that exists in contrast to the heavy-dub sound and Rasta politics of famous Jamaican reggae exports like Bob Marley and Peter Tosh. Lovers rock mixes the classic reggae lilt with soulful vocals and a stronger emphasis on melodies and balladry. Beres Hammond started out as a Jamaican dancehall singer in the 80s, but established himself internationally with his 90s work, which cemented him as a top-tier lovers rock single and led him to work in the early 00s with everyone from Big Youth to Wyclef Jean.

Now it’s 2019, and Hammond is in the midst of an international tour behind Never Ending, his 20th album and first in over five years. Singles like “I’m Alive” and the title track have proved that his talent is as strong as ever, and he’ll be coming to The National this Tuesday night to charm reggae fans all over the metro area with his reggae balladry. Get ready for an evening of dancing with your baby to Beres Hammond’s smooth, sweet lovers rock. It may only be Tuesday night, but this high’s gonna carry you straight through to the weekend.

Elsewhere Around The State:

Friday, August 9, 8 PM
The Menzingers, The Sidekicks, Queen Of Jeans @ Peabody’s (Virginia Beach) – $22 in advance/$25 at the door (order tickets HERE)
Here’s another one of the most important melodic, emotional punk rock bands to come along since the turn of the millennium. Two in one week? That’s pretty amazing, and if you’re a true fan, driving to Virginia Beach will seem like a small price to pay to catch Scranton pop-punk geniuses The Menzingers on their current tour. It’s been two years since their excellent fifth album, After The Party, and they’re currently preparing a sixth one, Hello Exile, for an October release.

That’s still a bit away, and so far, we’ve only heard one of the songs from it, but “Anna” is a gorgeous, heartrending banger that lets us all know the band who brought us angst-ridden classic “I Don’t Wanna Be An Asshole Anymore” still have all of their chops 100 percent intact. That’s reason enough to drive down for this one, but the fact that Ohio pop-punk/power-pop veterans The Sidekicks, as well as Philly indie/power-pop trio Queen Of Jeans, are also on the bill makes this one a downright can’t-miss event. So don’t miss it, punk!

Saturday, August 10, 8 PM
Psychonaut, The Magenta Shift, Walkie Talkie @ Clementine (Harrisonburg) – $7
It might be easy for Harrisonburg to slide right by the consciousness of a VA music fan from more populous cities closer to I-95, but paying even a little bit of attention will make it abundantly clear that the scene in the city of Macrock is jumping all year round, not just on that one spring weekend. Psychonaut are a Harrisonburg-based band bringing an excellent psychedelic sound to the city of JMU and beyond, if the rest of the state will only listen.

This show is a celebration of Mind — no, this isn’t some weird new-age workshop, Mind is the name of the new Psychonaut LP, and it’s an album full of dark, moody soundscapes that bring to mind Paisley Underground classics by Rain Parade and The Dream Syndicate, while also harking back to some of the deeper, more subtle bands of the post-Nirvana alt-rock revolution (though I’m gonna guess that neither they nor you, reader, have any memory of California trio Dada — but I promise they were good). The overall result is an album full of intriguing, multi-layered melodies and glittering guitars that pull you in deeper with every listen. To see Psychonaut bring this one to life onstage is sure to be the kind of treat that’s worth driving across the mountain for. Gas up the Jeep.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

“We’re Bird People Now”: Thin Pigeon’s Sneaky Musical Activism

Alicen Hackney | June 11, 2019

Topics: activism, postpunk, richmond music, Thin Pigeon

Richmond postpunk band Thin Pigeon uses their music as a tool for both expression and LGBTQ advocacy.

Be honest. Have you ever seen a thin pigeon?

While such an animal might seem impossible to find, Richmond’s young and mighty postpunk band, Thin Pigeon, has been rocking the local scene lately with their wobbly melodies and sharp eye for justice in activism.

“When I came up with the name Thin Pigeon, I didn’t intend to have any bird imagery,” said Max, Thin Pigeon’s vocalist and guitarist. “It just became a joke after a while, because people would ask me what the band was called and when I’d tell them, they would make bird jokes. So we went with it, and we’re bird people now.”

After only two years on the ground, and a couple member changes, Max, along with Quinn on bass and Micah on drums [Editor’s note: the group’s former drummer, Anna, left the band in April and is in all of the photos included in this article], are setting their sights on building their local crowd through inclusion and focusing energy into the hard topics — both in their music and in their day to day. Even the band’s name holds a story with depth that the world needs to pay attention to.

“A lot of the songs I’ve written revolve around my eating disorder and how it affects different parts of my life, so I always knew the word ‘thin’ was going to be in the name as a sort of symbolic thing…” said Max. “Pigeons are not very thin, they’re chunky looking birds, and you can’t place this ideal on them to be thin. The way I think about it people who are perceived as women are often expected to be thin, to be beautiful, to be socially acceptable… It might sound kind of silly, but I thought it was like this cool sneaky metaphor.”

Topics like eating disorder awareness, racism, and transphobia have been no stranger to Thin Pigeon in their efforts to speak out and use their music to show people what really matters.

“I feel like a lot of people think that you can’t change the political climate unless you work within electoral politics, which is bullshit,” said Max. “I think that anybody can do solidarity work, and it looks a lot of different ways. With my music, I’m trying to create representation and support for trans people of color in the DIY scene.”

As a trans, queer person of color themselves, Max, along with the rest of Thin Pigeon, has made a point to be a representative for the good in the scene as both a part of their community and an ally to their fans and audience members.

“I like to show other trans people or people of color that there is a safe space for them within the alternative music and DIY scene — that they can go to a place where they’re welcome and this music is about them and for them,” said Max.

Of course, people from marginalized communities have often been through traumas in their own lives, and Thin Pigeon always strives to acknowledge that in their own performances.

“Every time we perform the song ‘Silver Spoon,’ I always throw a content warning in the beginning, since it talks about the damages of eating disorders,” said Max. “I always try to be conscious of the people around me at shows, and I want them to feel safe. I don’t want anyone to feel triggered by my music. I respect people who come out to see us.”

Being an ally to their fans isn’t the only endeavor Thin Pigeon has focused their time and energy into. They make activism a fundamental component of their existence as a band, using their music as a tool to aid with fundraisers and community organizing, for the Richmond community and beyond.

“A lot of it for me is through playing shows, but I do stuff on the side too,” said Max. And they hope to expand the issues they’re able to work on in the future.

“I want to get into doing work with harm reduction, mutual aid, and transformative justice,” they said. “It’s not a concrete job for me, but it’s just something I’ve always been interested in doing.”

Their time as a band has been relatively short, but all of their experiences both as musicians and activists have led Thin Pigeon to an appreciation for those who are allies in ways that go beyond lip service.

In particular, Max appreciates people who are willing to lend their resources to the cause.

“Donate when you come to our shows,” they said. “Listen to our music; buy our music. If you can’t afford it, at least spread the word.”

Max emphasizes that donations are important — and not just to Thin Pigeon themselves.

“The money doesn’t always go to us,” they said. “We have a lot of friends who work in activist groups, or will put on community fundraisers to help support marginalized folks in need. For me, it’s about helping trans artists continue to be able to do what they do, and just helping us to be able to survive. It’s a big part of allyship, along with respecting us out there.”

Ensuring that marginalized minority groups are able to lead their lives with as little interference as possible has been a cornerstone of Thin Pigeon’s own allyship. Just by making their music, Thin Pigeon and artists like them help shine a light on what is possible for others facing similar struggles to their own.

With their deeply held values and their passion for music and community, Thin Pigeon is looking forward to playing more shows in Richmond and, eventually, beyond. But for now, they’re trying not to get too ambitious.

“We’re mostly focused on the near future right now, and going day by day,” said Max.

Thin Pigeon’s next show will be at Wonderland in Shockoe Bottom on Friday, June 28, with Iowa band Karen Meat and fellow Richmonders Baby Grill. Doors open at 9 PM, admission is $10. For more info, click here.