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VA Shows You Must See This Week: September 18 – September 24

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FEATURED SHOW
Saturday, September 21, 3 PM
Stone’s Throw Down In RVA, feat. White Denim (Photo by Barnaby Fairley), J. Roddy Walston & The Business, Cory Wong, Howlin’ Rain, The Long Ryders @ Brown’s Island – $20 (order tickets HERE)
The seasons are changing, y’all. The Autumnal Equinox, one of two days every year in which the sun is up for exactly 12 hours and down for the other 12, will arrive on Monday and mark the first day of fall. Therefore, this makes Saturday and Sunday the official Last Weekend Of Summer. And you know you’re gonna want to make that count. Fortunately for us all, Stone Brewing is here to help, having scheduled their annual Stone’s Throw Down In RVA celebration at Brown’s Island this Saturday afternoon and evening. And you’re going to want to be there.

A duo of massive modern rock n’ roll juggernauts are ready, willing, and able to offer top-quality assistance with making this not only the last but the best weekend of your entire Summer 2019. J Roddy Walston & The Business are the hometown boys, and will wrap the whole evening up in wonderful fashion with the piano-driven down-home rock sound we’ve all come to know and love. Their best-known riff monster may still be 2013’s “Heavy Bells,” from their ATO Records debut, Essential Tremors, but 2017 follow up Destroyers Of The Soft Life offered a pretty massive dose of rock power in its own right, from that incredible title down to the soaring high points of singles like “The Wanting” and “You Know Me Better.”

They’ll be sharing the top of the bill with Texas boogie rockers White Denim, who won my heart back when they released their 2016 monsterpiece of funky Southern rock, Stiff. Since then, they’ve released not one but two more albums, including this spring’s Side Effects — their ninth studio album in just under 11 years, so these guys certainly don’t slow down. The new LP proves that their adeptness with tunes that rock you hard while keeping your body moving on the dance floor is totally undiminished. Come find out for yourself at Brown’s Island this Saturday, and enjoy tunes from rock n’ roll veterans like Howlin’ Rain, Cory Wong, and reunited first-wave Paisley Underground legends The Long Ryders. It’s gonna be a top-notch afternoon of classic rock n’ roll, and the perfect way to say sayonara to summer 2019.

Wednesday, September 18, 9 PM
Pharmakon, Suppression, Tavishi, Noiro Zepol @ Wonderland – $10
Experimental noise artist Pharmakon has never exactly been an easy listen. The solo project of New York native Margaret Chardiet is based around terrifying screams, atonal synth loops, and industrial samples, and while the strong structures of Pharmakon’s music has always made it slightly more accessible than that of your average harsh noise project — think Merzbow — it’s still the kind of thing that could send anyone who isn’t adequately prepared for what’s coming running from a room at top speed. What’s wild is that on their latest album, Devour, released earlier this year, Pharmakon has moved even further in the direction of confrontational noise havoc. Chardiet’s vocals are even more shocking, rising to the outright monstrous level of Alan Dubin’s work with doom/noise project Khanate.

OK, look, I know that those of you who aren’t into testing the limits of the boundary between music and noise may not be catching any of my reference points — and that’s fine. But what you do need to know is that, if you’ve ever found anything enjoyable in the world of angry, noisy, extreme music of any kind, you’re going to want to see Pharmakon tonight. Not only is Chardiet a riveting performer, her compositions have an unusual ability to push beyond the cold intellectual facade of most experimental noise and reach the listener on a deep emotional level. If you haven’t experienced it yet, you owe it to yourself to do so at least once — even if it terrifies you. The terror is the point.

Thursday, September 19, 7:30 PM
Shonen Knife, Talk Me Off, Captain Scrunchie @ The Camel – $17 in advance/$20 at the door (order tickets HERE)
I’m not sure how well young music fans know the name Shonen Knife, but if they don’t, they certainly should. This trio of Japanese women, who released their first LP of catchy melodic punk back in 1982, were instrumental in bringing international attention to the underground punk scene of Japan. They weren’t as unhinged as GISM nor as caustic as Gauze, but that very fact made their heavily Ramones-influenced music approachable by music fans all over the world — and they quickly fell in love. High-profile fans like Kurt Cobain, Thurston Moore, and Steven McDonald of Redd Kross helped ensure that Shonen Knife became a name known all over the alt-rock world.

Today, Shonen Knife has over 20 albums to their credit, and they’re still going strong, releasing latest full-length Sweet Candy Power just a few months ago. The title track still retains the same mix of garage rock grit, DIY spirit, and pure pop goodness that made past Shonen Knife high points like “Twist Barbie,” “Antonio Baka Guy,” and “Catnip Dream” such classic tunes. This show is sure to be full of fun singalongs and big smiles, and if you aren’t part of it, you’ll be missing out, so get together with your friends tomorrow night and let’s knife.

Friday, September 20, 7 PM
McKinley Dixon, Alfred, Bon Ki @ Plan 9 Music – Free!
Richmond hip hop is taking things to the next level, and that’s true in all facets of the scene. McKinley Dixon is a prime example — not only has his focus on killer live performances and frequent tours helped him to gain fans all over the country, he’s reached some pretty influential ears. For proof, look no further than his brand new single, for which this free in-store at Plan 9 acts as a release party. The two song vinyl EP, “Anansi, Anansi” b/w “Wit These,” is coming out as part of the Document Series by powerful midwestern label Saddle Creek.

The Nebraska label made their name releasing legends of post-Y2K emo like Cursive and Bright Eyes, but with the Document Series, they hope to offer a higher profile to work from emerging underground artists all over the world. And of course, there’s no Richmond artist more deserving of this attention than McKinley Dixon, whose powerful hip hop is some of the best music being made locally in any genre, and whose A-side for the Document Series single just might constitute a new career high. Join Dixon, along with fellow local hip hop up-and-comer Alfred (who himself just released Like You!! on Topshelf Records) and newcomers Bon Ki. This one’s gonna be a blast.

Saturday, September 21, 9 PM
Sinister Haze, The Red Skulls, Crimson Heat @ Mojo’s – $5
By late this Saturday evening, you may well have had your fill of rock n’ roll out at Brown’s Island. But if you still want more, you should definitely head over to Mojo’s by 9 PM this Saturday night to catch a triple-threat banger of Virginia-area bands that are underrated, unexpected, and ready to blow your mind. Sinister Haze is at the top of the bill, and while this band has gone through periods of obscurity over the past couple of years, they’ve undergone a bit of lineup revision recently, and are now, if rumors are true (don’t quote me), on the cusp of releasing a new EP. This spaced-out psychedelic doom group showed exactly how heavy they could get on 2017’s Emperor Of Dreams, and if you’re hungry for more — and you should be — Mojo’s is the perfect place to be this Saturday night.

The Haze boys will be joined by a band who have, over the past decade-plus, been far more discussed than seen: The Red Skulls, a Roanoke-based early-2000s rock n’ roll project led by the Lunsford brothers: Joe (Avers/Peace Beast) and Sam (The Young Sinclairs/Stimulator Jones). I’m not sure what’s caused the two brothers to reunite their 2002-era garage rock quartet, but if their reputation for wild shows full of top-volume craziness is even somewhat justified, we’re all gonna be glad they’re back. Mysterious local newcomers Crimson Heat will kick off this show featuring just the right amount of bands (three. The number is three), so show up on time and grab yourself a cheesesteak. You won’t be sorry.

Sunday, September 22, 9 PM
Irreal, Benderheads, Dummies @ Fuzzy Cactus – $8
Here’s your entrance exam for this show. Don’t panic, it’s only one question long. Ready? Which band do you more readily associate with the genre term “hardcore”? A: Hatebreed. B: Anti-Cimex. If you answered B, congratulations — this is the show for you. Irreal is a hardcore punk band from Catalonia’s capital city of Barcelona, and they’ve got that same sort of blown-out rage with strong influences from Discharge and Gauze that you can find in classic Scandinavian hardcore (i.e. Anti-Cimex).

However, they’ve updated it with a creative passion that makes their new album a particularly fascinating listen, even if you don’t own at least a dozen black T-shirts with the sleeves cut off. The album in question, Fi Del Mon, actually comes out between when I’m writing this now and when this show is happening this Sunday. Ideally that means you’ll be able to pick up a vinyl copy for yourself after you storm up a raging circle pit on the floor at Fuzzy Cactus. Even if you haven’t got the scratch for vinyl right now, though, you’re gonna want to be there — this one’s going to be a real ripper. Especially in light of the fact that Irreal will be joined by local punk stalwarts Benderheads and D-beat newcomers Dummies, who apparently feature members of Haircut and Cement Shoes. That’s all the endorsement you should need to show up on time and ready to go off.

Monday, September 23, 9 PM
Parsnip, VV, DJ Sam Slug @ Fuzzy Cactus – $8
I know a parsnip is a vegetable, but I can’t remember if I actually know it under a different name. Let me do a quick Google… [Wait, is she serious? How unprofessional -ed.] OK no, it turns out that parsnips are just called parsnips, and they’re sorta like carrots and sorta like parsley, and… I’m pretty sure I’ve never eaten them. But we’re not here to talk about vegetables, we’re here to talk about bands — specifically the Parsnip that is an Australian band and not the one that I’m pretty sure has never showed up on my dinner plate.

The Australian band Parsnip is not too different from Japanese band Shonen Knife, who we talked about a little earlier — their music is poppy, catchy, and fun, but has a DIY production feel and carries obvious influences from punk and garage rock. The way they mix these two aspects together on brand-new debut LP When The Tree Bears Fruit makes for a very fun listen, and if you enjoyed smiling and bopping along with Shonen Knife at the Camel a few days before, you’re never going to regret doing the same thing again on Monday night at Fuzzy Cactus. Local punks VV are quite a bit weirder, and their music has veered in a decidedly “postpunk” direction over the last year or so, but if you loved their earlier material, you’re sure to have a blast with them at this show too. They’ll offer the perfect acidic counterpoint to Parsnip’s poppy sweetness. And Feel It Records head honcho DJ Sam Slug will be on hand to spin some tunes and get us all in the mood, so this is sure to be a great night all around.

Tuesday, September 24, 9 PM
Clowns, Waxjaw, Thin Pigeon @ Wonderland – $10
Australian punk is always a lot of fun, and Clowns are no exception. This Melbourne punk band are worldwide thanks to their Fat Wreck Chords deal, which brought us their latest LP, Nature/Nurture, earlier this year. It’s a whole ton of fun, bringing the skate-style upbeat melodic punk that we all expect from labels like Fat a big infusion of Aussie-style rollicking garage noise. This Tuesday-night rager marks Clowns’ first time coming through RVA — indeed, this tour is their first-ever jaunt to the East Coast — so it should be a proper fun time in the works! Make sure you’re part of it.

Clowns are joined on this trip through town by Huntington, WV queer punks Waxjaw, whose brand new LP, A Collection of Rituals In Sound, finds them mixing occult-vibe postpunk sounds with a strong sense of ringing melody that ensures this album is still a great deal of fun to listen to. We can surely expect a similar sort of fun from their live performance, and from that of Richmonders Thin Pigeon, who’ll kick off this whole shebang down in Shockoe Bottom! Liven up your midweek with this one, folks.

Elsewhere Around The State:

Friday, September 20, 6:30 PM
Smooth Hound Smith, Kyshona @ The Southern Cafe – $12 (order tickets HERE)
The one-man-band musical formula is one that’s become familiar over several decades, especially if you enjoy that roots-rock/Americana style that’s so conducive to this musical approach. You know the deal — guitar in the hands, drums at the feet, maybe a harmonica on a neck stand, and some heartfelt vocals. Smooth Hound Smith’s Zack Smith does pretty much all of that stuff, but he’s not the only member of this group — he’s joined by his wife, Caitlin Doyle-Smith, who contributes auxiliary percussion and some all-important vocal harmonies to give this band a whole lot more depth than you’d expect from their rudimentary setup.

While Smooth Hound Smith are certainly capable of busting out some raucous down-home rock n’ roll when the occasion calls for it, their latest LP, Dog In A Manger, finds them stretching out in multiple other directions, dipping into Southern soul, sweet folk balladry, and alt-country twang. If any of that sort of thing appeals to you, chances are you’re going to love seeing this two-person one-man band in action. They’ll be accompanied at this performance by Nashville soul-blues singer Kyshona, who’s sure to move you with her powerful, politically-informed tuneage. Show up on time for this one.

Saturday, September 21, 7 PM
This Wild Life, The Happy Fits, Rome Hero Foxes, Calebfolks @ Elevation27 – $16 (order tickets HERE)
The idea of acoustic emo might seem like something recent, like it only showed up once Evan Thomas Weiss of Into It. Over It. or Kevin Morby started touring with just an acoustic guitar. However, it’s actually got a pretty long tradition, one that stretches back to my mid-90s salad days of seeing house show sets by solo artists like Keith Welsh or Tom LoMacchio. This Wild Life approach things a bit differently, augmenting Kevin Jordan’s acoustic guitar and heartfelt vocals with electric guitar melodies and vocal harmonies from Anthony Del Grosso, but the percussionless, melody-first results of their approach are decidedly familiar both to vets of Vinnie Caruana and Geoff Rickly’s Acoustic Basement Tour from a couple of years ago and those of us who saw these kinds of acoustic sets in actual basements over a decade ago.

This Wild Life bring a particularly lovely flavor to their take on the acoustic sound, which makes them a welcome addition to a scene ususally much more dependent on percussion and distortion. On last year’s Petaluma LP, This Wild Life avoided the temptation to make their acoustic songs lightweight tunes about love and flowers, instead tackling difficult subjects that lie at the heart of life’s difficult moments and offering catharsis and support through their delightful melodies. You can certainly enjoy their music as you lie alone in your darkened bedroom, but it’s sure to be far more fulfilling to see This Wild Life perform live in a bright room full of smiling faces. So head to Elevation27 this Saturday night and let their music surround you. It’s gonna be beautiful.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 7 – August 13

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FEATURED SHOW
Friday, August 9, 7 PM
Jerome’s Dream, Vein, Ostraca, Watchdogs @ Gallery 5 – $15 (order tickets HERE)
If you have paid any attention to the underground screamo scene over the past decade or so, you’re sure to have heard of Jerome’s Dream. Active in the late 90s and very early 00s, this New England-based trio were crucial in defining the faster, more chaotic end of the genre as it was codified at the dawn of the new millennium. Bassist Jeff Smith’s high-pitched screams and refusal to use a mic during shows set a template for an entire generation of bands, and the band’s frenetic, dynamic songwriting demonstrated the most effective way of making a basement full of kids with dyed-black hair writhe and scream spastically along.

Of course, having broken up in 2001, the height of Jerome’s Dream’s fame and influence came long after their demise. But they returned to action this year with a long-awaited crowdfunded album that constitutes their first release in 18 years. Is it as good as the old stuff? Well, it shouldn’t be a surprise to hear that opinions are sharply divided on that subject! Between Smith’s inability to recreate his trademark wail (he’d already ceased to do so on the band’s final pre-breakup EP, Presents), the significantly more metallic sound of the guitars on the new LP (entitled LP, of course), and the less frantic, more complex song structures, Jerome’s Dream have certainly undergone a noticeable evolution in their 18 years away from the spotlight.

But will the live show still rule now that the members are all pushing 40? Well, there’s only one way to find out, and that’s to show up at Gallery 5 Friday night and see what these guys have to offer. All the stoked young screamo kids in attendance are sure to provide plenty of high-pitched screams of their own, so you may not even miss Smith’s screech. And with youthful screamo apostates Vein — who, on last year’s Errorzone, patterned themselves more after Slipknot and Mudvayne than anything associated with the 7-letter S word (not that that’s a bad thing) — in tow, local vets Ostraca representing Richmond screamo, and mosh-lovers Watchdogs opening things up, this is sure to be a killer show even if Jerome’s Dream just stand still and play their instruments. And let’s be real, even that will still be cool.

Wednesday, August 7, 7 PM
Drab Majesty, Hide, Body Of Light @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
The new romantics of the 80s aren’t so far gone, and these three Dais Records bands are coming to The Broadberry tonight to prove that. Drab Majesty are at the top of the bill, and there could be no other place for Deb Demure and Mona D, with their gothic-electro-postpunk beats, melodies, and life. Having just released their third LP, Modern Mirror, they’ll be taking over the Broadberry tonight to get all the eyeliner-bedecked dance floor warriors to move their feet in the dark.

Drab Majesty’s music definitely brings a nighttime ambience to the air, even if you’re listening to it at 11 AM on a sunny day, but there’s a surprising amount of melody built into what they’re doing as well, making for some killer tunes that’ll lock into your brainstem and refuse to let go. In a good way, of course. Chicago’s Hide, who are also on this bill, have not yet released their latest Dais Records LP, Hell Is Here, but the single preview track available is enough to let us all know that they’ll bring a decidedly angrier and more ominous vibe during their portion of the evening. If Drab Majesty will make you dance and sing along, Hide is going to make you stomp and scream. The bill will be rounded out by Body Of Light, whose brand new LP, Time To Kill, splits the difference between the other two bands on this bill with its pounding yet subtly melodic industrial approach. Dress in black for this one.

Thursday, August 8, 7 PM
Scott Yoder, Nightcreature, Thin Pigeon @ Gallery 5 – $7
A veteran of garage-rockers The Pharmacy and indie-folk singer-songwriter Kimya Dawson’s backing band, Seattle’s Scott Yoder has become quite the unique musical auteur over the past several years. His solo work mingles hints of retro psychedelia with the glamour of old Hollywood and the outright glam of Marc Bolan and David Bowie. Right now, he’s in the midst of releasing six different 7 inch singles over the course of this year, and on songs like “Silver Screen Starlet” and “Cloaked In Nite,” he’s brought a unique world to life in his music — a world he’ll bring to the Gallery 5 stage this Thursday night.

You’re not going to want to miss this one, and not just because Scott Yoder is gracing a local stage — he’ll meet his match in glamour and glitz when Richmond’s own Nightcreature take the stage. On their debut EP, On The Loose, released last fall, this powerful ensemble displayed plenty of garage grit and androgynous glam, all of which they’re sure to bring to the Gallery 5 stage on this lovely evening. Postpunk trio Thin Pigeon will open this one up with some elegant and memorable tunes of their own — expect glittering pop genius from one end to the other with this one.

Friday, August 9, 7 PM
Funeral Proposals, Marshall Family Values, Twin Films, Faded Home @ The Canal Club – $8 in advance/$10 at the door (order tickets HERE)
Ohio’s Funeral Proposals have been together for a few years, so I suppose by this point someone’s already made the “they put the ‘fun’ in funeral” joke. I still want to make it myself, though, because this band’s music is undeniably fun, at least on their latest EP, 2018’s Blue Deluxe. On some tracks they get an upbeat alt-rock groove going, on others they’re more of a bouncy pop group, but the element all of their songs retain in common is a contagious joy — which is only enhanced by the occasional surf-music vibe that comes through.

A trio of local groups join Funeral Proposals at The Canal Club this Friday night to provide various fun sounds of their own. Marshall Family Values sounds like something a politician might talk about, but musically they are quite a bit more pleasant than that might make it seem, mixing wailing guitars and prominent keyboards into a tasty melodic rock sound. Twin Films get more hazy and psychedelic with their indie vibes, and bring quite a bit of gorgeous melody in the process. And Faded Home have a raw, ambient sound that’s sure to evoke some feels. All in all, an excellent way to spend your Friday night.

Saturday, August 10, 7 PM
Crucial Rip, Gravebound, Under Broken Skies, Alcindor, Site Of Suffering @ Another Round Bar and Grill – $8
There was a point when it felt like Richmond’s home for brutal metal was Shockoe Bottom, but in recent months, it’s started to seem like the RVA metal scene has moved out to Lakeside. Another Round in particular has become a central gathering place for all of this city’s headbangers, and this Saturday night of brutal mosh madness will demonstrate to all the doubters exactly why that’s an entirely positive development. Death metallers Crucial Rip, who’ve been one of the city’s leading lights of metal for years now, will be at the top of this bill, giving you a heaping helping of rumbling low-end power, complete with the kind of sick breakdowns that fans of extremely heavy hardcore will gravitate to just as quickly as the death-heads do.

But they’re not all this evening has to offer — oh, far from it! Gravebound are also RVA-based, but their sound is much more familiar to those who dig bands like Sworn In and Chelsea Grin. It’s metalcore, but it’s extremely heavy metalcore — the type that’s also sure to start at least a few mosh pits over the course of their set. With Fredericksburg brutality merchants Under Broken Skies on the bill, as well as newcomers Alcindor and Site Of Suffering, this show is going to be full of reasons to bang your head. And we could all use more of those.

Sunday, August 11, 7 PM
This Kills Me (photo by Brianna Spause), Turbo Mansion, Matt and the Skeleton Crew, Bad Motivator @ Garden Grove Brewing – Free!
Philadelphia’s This Kills Me are coming to Garden Grove this weekend, and that’s going to be a real treat for all of us — whether you know it yet or not. Earlier this year, they released The End, an 8-song project that’s either a mini-LP or a long EP. I’ve never been any good at figuring that sort of thing out, but I do know great melodic songwriting when I hear it. Folks, this is it.

I’m tempted to call This Kills Me a post-hardcore band, but if anything I think it may be more true to say post-pop-punk (which is too many hyphens — believe me, I know); their sound is sure to appeal to fans of classic late-90s bands like Farside and Gameface. Whether those references mean anything to you or not (and if you’re under 30, I’m betting you’re on the latter side of that one), you’ll certainly have a lovely time seeing this band at Garden Grove, especially since the bill features multiple excellent local bands, Turbo Mansion foremost among them. AND, on top of all that, it’s free! Who can argue with that?

Monday, August 12, 8 PM
The Lawrence Arms, Talk Me Off, Bashful @ Bandito’s – Free!
One absolute treat of a free show deserves another, right? For those of you out there who love modern pop-punk, the headline of this little blurb is all you really need to hear — I’m guessing you’re already making plans to queue up outside Bandito’s the second you get off work on Monday. But for those who don’t quite know the deal, here it is: The Lawrence Arms is one of the most important bands in the world of melodic, emotional punk rock since the turn of the millennium. Albums like 2003’s The Greatest Story Ever Told have long since proved this to all who’ve encountered them.

They’ve been around for two entire decades at this point, and have been a bit less active over the past ten years or so, but they’re working on a new album scheduled for next year, and they’re coming to RVA because they have a night off their current tour with Bad Religion and felt like sharing their many classic tunes with us all. Bandito’s shows are always free, so it’s strictly first-come first-served for this one. Luckily for us all, tacos are cheap during Bandito’s happy hour, so come early, grab dinner, and be ready for the show to get rolling by 8:45. It’s gonna be a great one.

Tuesday, August 13, 7 PM
Beres Hammond, DJ Inferno @ The National – $25 in advance/$30 at the door (order tickets HERE)
Not just a Clash song or a Sade album, lovers rock is an entire subgenre of reggae, one that exists in contrast to the heavy-dub sound and Rasta politics of famous Jamaican reggae exports like Bob Marley and Peter Tosh. Lovers rock mixes the classic reggae lilt with soulful vocals and a stronger emphasis on melodies and balladry. Beres Hammond started out as a Jamaican dancehall singer in the 80s, but established himself internationally with his 90s work, which cemented him as a top-tier lovers rock single and led him to work in the early 00s with everyone from Big Youth to Wyclef Jean.

Now it’s 2019, and Hammond is in the midst of an international tour behind Never Ending, his 20th album and first in over five years. Singles like “I’m Alive” and the title track have proved that his talent is as strong as ever, and he’ll be coming to The National this Tuesday night to charm reggae fans all over the metro area with his reggae balladry. Get ready for an evening of dancing with your baby to Beres Hammond’s smooth, sweet lovers rock. It may only be Tuesday night, but this high’s gonna carry you straight through to the weekend.

Elsewhere Around The State:

Friday, August 9, 8 PM
The Menzingers, The Sidekicks, Queen Of Jeans @ Peabody’s (Virginia Beach) – $22 in advance/$25 at the door (order tickets HERE)
Here’s another one of the most important melodic, emotional punk rock bands to come along since the turn of the millennium. Two in one week? That’s pretty amazing, and if you’re a true fan, driving to Virginia Beach will seem like a small price to pay to catch Scranton pop-punk geniuses The Menzingers on their current tour. It’s been two years since their excellent fifth album, After The Party, and they’re currently preparing a sixth one, Hello Exile, for an October release.

That’s still a bit away, and so far, we’ve only heard one of the songs from it, but “Anna” is a gorgeous, heartrending banger that lets us all know the band who brought us angst-ridden classic “I Don’t Wanna Be An Asshole Anymore” still have all of their chops 100 percent intact. That’s reason enough to drive down for this one, but the fact that Ohio pop-punk/power-pop veterans The Sidekicks, as well as Philly indie/power-pop trio Queen Of Jeans, are also on the bill makes this one a downright can’t-miss event. So don’t miss it, punk!

Saturday, August 10, 8 PM
Psychonaut, The Magenta Shift, Walkie Talkie @ Clementine (Harrisonburg) – $7
It might be easy for Harrisonburg to slide right by the consciousness of a VA music fan from more populous cities closer to I-95, but paying even a little bit of attention will make it abundantly clear that the scene in the city of Macrock is jumping all year round, not just on that one spring weekend. Psychonaut are a Harrisonburg-based band bringing an excellent psychedelic sound to the city of JMU and beyond, if the rest of the state will only listen.

This show is a celebration of Mind — no, this isn’t some weird new-age workshop, Mind is the name of the new Psychonaut LP, and it’s an album full of dark, moody soundscapes that bring to mind Paisley Underground classics by Rain Parade and The Dream Syndicate, while also harking back to some of the deeper, more subtle bands of the post-Nirvana alt-rock revolution (though I’m gonna guess that neither they nor you, reader, have any memory of California trio Dada — but I promise they were good). The overall result is an album full of intriguing, multi-layered melodies and glittering guitars that pull you in deeper with every listen. To see Psychonaut bring this one to life onstage is sure to be the kind of treat that’s worth driving across the mountain for. Gas up the Jeep.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

“We’re Bird People Now”: Thin Pigeon’s Sneaky Musical Activism

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Richmond postpunk band Thin Pigeon uses their music as a tool for both expression and LGBTQ advocacy.

Be honest. Have you ever seen a thin pigeon?

While such an animal might seem impossible to find, Richmond’s young and mighty postpunk band, Thin Pigeon, has been rocking the local scene lately with their wobbly melodies and sharp eye for justice in activism.

“When I came up with the name Thin Pigeon, I didn’t intend to have any bird imagery,” said Max, Thin Pigeon’s vocalist and guitarist. “It just became a joke after a while, because people would ask me what the band was called and when I’d tell them, they would make bird jokes. So we went with it, and we’re bird people now.”

After only two years on the ground, and a couple member changes, Max, along with Quinn on bass and Micah on drums [Editor’s note: the group’s former drummer, Anna, left the band in April and is in all of the photos included in this article], are setting their sights on building their local crowd through inclusion and focusing energy into the hard topics — both in their music and in their day to day. Even the band’s name holds a story with depth that the world  needs to pay attention to.

“A lot of the songs I’ve written revolve around my eating disorder and how it affects different parts of my life, so I always knew the word ‘thin’ was going to be in the name as a sort of symbolic thing…” said Max. “Pigeons are not very thin, they’re chunky looking birds, and you can’t place this ideal on them to be thin. The way I think about it people who are perceived as women are often expected to be thin, to be beautiful, to be socially acceptable… It might sound kind of silly, but I thought it was like this cool sneaky metaphor.”

Topics like eating disorder awareness, racism, and transphobia have been no stranger to Thin Pigeon in their efforts to speak out and use their music to show people what really matters.

“I feel like a lot of people think that you can’t change the political climate unless you work within electoral politics, which is bullshit,” said Max. “I think that anybody can do solidarity work, and it looks a lot of different ways. With my music, I’m trying to create representation and support for trans people of color in the DIY scene.”

As a trans, queer person of color themselves, Max, along with the rest of Thin Pigeon, has made a point to be a representative for the good in the scene as both a part of their community and an ally to their fans and audience members.

“I like to show other trans people or people of color that there is a safe space for them within the alternative music and DIY scene — that they can go to a place where they’re welcome and this music is about them and for them,” said Max.

Of course, people from marginalized communities have often been through traumas in their own lives, and Thin Pigeon always strives to acknowledge that in their own performances.

“Every time we perform the song ‘Silver Spoon,’ I always throw a content warning in the beginning, since it talks about the damages of eating disorders,” said Max. “I always try to be conscious of the people around me at shows, and I want them to feel safe. I don’t want anyone to feel triggered by my music. I respect people who come out to see us.”

Being an ally to their fans isn’t the only endeavor Thin Pigeon has focused their time and energy into. They make activism a fundamental component of their existence as a band, using their music as a tool to aid with fundraisers and community organizing, for the Richmond community and beyond.

“A lot of it for me is through playing shows, but I do stuff on the side too,” said Max. And they hope to expand the issues they’re able to work on in the future.

“I want to get into doing work with harm reduction, mutual aid, and transformative justice,” they said. “It’s not a concrete job for me, but it’s just something I’ve always been interested in doing.”

Their time as a band has been relatively short, but all of their experiences both as musicians and activists have led Thin Pigeon to an appreciation for those who are allies in ways that go beyond lip service.

In particular, Max appreciates people who are willing to lend their resources to the cause.

“Donate when you come to our shows,” they said. “Listen to our music; buy our music. If you can’t afford it, at least spread the word.”

Max emphasizes that donations are important — and not just to Thin Pigeon themselves.

“The money doesn’t always go to us,” they said. “We have a lot of friends who work in activist groups, or will put on community fundraisers to help support marginalized folks in need. For me, it’s about helping trans artists continue to be able to do what they do, and just helping us to be able to survive. It’s a big part of allyship, along with respecting us out there.”

Ensuring that marginalized minority groups are able to lead their lives with as little interference as possible has been a cornerstone of Thin Pigeon’s own allyship. Just by making their music, Thin Pigeon and artists like them help shine a light on what is possible for others facing similar struggles to their own.

With their deeply held values and their passion for music and community, Thin Pigeon is looking forward to playing more shows in Richmond and, eventually, beyond. But for now, they’re trying not to get too ambitious.

“We’re mostly focused on the near future right now, and going day by day,” said Max.

Thin Pigeon’s next show will be at Wonderland in Shockoe Bottom on Friday, June 28, with Iowa band Karen Meat and fellow Richmonders Baby Grill. Doors open at 9 PM, admission is $10. For more info, click here.

VA Shows You Must See This Week: April 24 – April 30

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FEATURED SHOW
Saturday, April 27, 2 PM
RVA (All Day) Block Party, feat. No BS! Brass Band (Photo by Lauren Serpa), The Trongone Band, The Congress, Kenneka Cook, Camp Howard, Piranha Rama, Calvin Presents @ The Broadberry – $25 (order tickets HERE)
Y’all had to know this was coming. How could I not talk about the Broadberry’s first big all-day outdoor throwdown of the year? After the long rainy winter we’ve endured, after the chilly late-breaking first half of spring, we’re finally getting some warm weather, and you better believe it’s a cause for celebration! And who better to celebrate great days in RVA with than No BS! Brass Band?

Who indeed. By now, this group of horn-playing troubadours should need no introduction, but on the off chance you moved to Richmond last week and still don’t know the basics, you’re in luck, because this show will act as a perfect introduction! Not only will you get an amazing outdoor live performance overlooking the beautiful intersection of West Broad and Arthur Ashe Boulevard, at this show you’ll also get the first opportunity to purchase No BS! Brass’s brand new double album, A Decade Of Noise, recorded live at their 10th anniversary show — at the Broadberry, natch. From their amazing covers of everyone from A-Ha to Led Zeppelin, to their many unforgettable originals, No BS! Brass Band are sure to bring the jazz, funk, soul, and hip hop your booty craves.

But that’s just the main course — and we all know that sometimes the side dishes are just as good, if not better! At this party, which kicks off about the time you roll out from brunch (2 PM, that is) and rolls on… wait for it… ALL DAY, you’ll get a killer indoor set from rockers The Trongone Band to close out the evening, as well as a diverse selection of excellent music earlier in the afternoon on the outdoor stage, from postpunk indie boys Camp Howard to electro-soul innovator Kenneka Cook and jam masters The Congress, along with quite a bit more. There were earlier tiers of tickets available for as low as $10, but they’re all sold out now. However, if you slept on this excellent bill, take heart — you can still grab a spot for your very own for only $25, a total bargain for such an embarrassment of musical riches as this.

Wednesday, April 24, 6 PM
Sylar, Cane Hill, Varials, Bloodline, Nhibitions @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
We’re in a new era of heavy music, and the main way I can recognize that is by seeing how common and accepted nu-metal influences are. When I was growing up two decades ago, all the metal dudes mocked bands like Korn and Coal Chamber; even when you found some good in the genre from heavier bands like Slipknot and System Of A Down, you had to be careful about who you discussed it with. That’s how it was for my generation, but we’re all hitting middle age now, and the young metal kids on the come-up today seem completely unencumbered by this sort of elitism.

This bill is the proof — a double-headlining stomper that brings Queens, NY’s Sylar and New Orleans’ Cane Hill to the stage at the Canal Club tonight. Sylar was formed by a former roadie for Emmure, which should tell you something about their sound — that they’re heavy as fuck, in a sometimes ignorant fashion. But what’s more, they integrate the same sorts of touches from hip hop and Nine Inch Nails that you can find in Korn in their most famous era (i.e. “Freak On A Leash”). Meanwhile, Cane Hill conjures a heavier sort of nu-metal influence, reviving that downtuned Slipknot/Coal Chamber midtempo thud that also helped give birth to deathcore — but in the sort of straightforward manner that’s more likely to make you think of Mushroomhead than Suicide Silence. I don’t know how the kids are gonna mosh it up in the tight pants they wear today — Jncos would probably be a big relief for some of them (I’m calling it now: revival within five years). But rest assured, you’ll be headbanging right along with them at this one. Even if you did tell all your friends back in the day that you hated nu-metal.

Thursday, April 25, 7 PM
Nico Rivers & the Black Grass, Tyler Meacham, Natalie Tyer @ Garden Grove Brewing – Free!
I would never have predicted it, but Garden Grove Brewing has become one of the more reliable standby venues in town for music on the more melodic side of things — and considering how difficult it always is to keep a longtime venue going, that’s welcome news indeed. This is a particularly good example of what they have to offer, as they’ll be presenting two local songwriters and an excellent touring ensemble on a Thursday night, and charging you no money to see it! How awesome is that?

It’s even more awesome once you hear the work of Nico Rivers and realize what a treat you’re in for. This Massachusetts singer-songwriter travels with a revolving collective known as The Black Grass, which can consist of everything from his female singing partner and seemingly constant companion (whose name I can’t find anywhere online, though I don’t know if it’s me or Nico who should be embarrassed by that) to a full band featuring multiple electric guitars and a full drum kit. What will we get tomorrow night? I can’t tell you that, but I can tell you that Rivers’ atmospheric but rockin’ take on indie-Americana is sure to make you smile. Local singer-songwriters Tyler Meacham and Natalie Tyer will provide lovely sounds to get the room warmed up for the arrival of the Black Grass. Don’t miss a moment.

Friday, April 26, 9 PM
The Loneliers, Lounge Lizzard, Atamada @ Wonderland – $10
This’ll be a fun punk rock Friday night in Shockoe Bottom for sure. The Loneliers are coming to town from New York, and their sound constitutes a real breath of fresh air in 2019. They play jangly, upbeat melodic punk with a decidedly twee-pop edge, harking back to some classic mid-90s bands who paired their punk rock spirit with catchy tunes full of more than a spoonful of sugar.

If you dug Tiger Trap, Go Sailor, or Courtney Love (the Lois Maffeo-led band that had nothing to do with the singer for Hole), The Loneliers are sure to make you smile. Plus, they’re known to cover tunes from the Powerpuff Girls show, so you know they know what’s up. They’re paired on this bill with Lounge Lizzard, the new group featuring Toxic Moxie’s Sera Stavroula on lead vocals and members of bands like Cremains, Pissing Contest, and The Donalds backing her up. As I’m sure you’ve guessed, they’re cool as hell. Brand new locals Atamada will kick things off with some Tigers Jaw-ish melodic emo sounds from members of Truman. It’ll be a great way to kick off your weekend, so make the trip down to the Bottom, even if you have to do so on foot — you can worry about the long uphill walk home afterwards.

Saturday, April 27, 7:30 PM
The Jasons, The World’s Greatest Detective, Love Roses, Personal Crisis @ McCormack’s Irish Pub – $13
The love affair between melodic punk rock and classic horror cinema, launched over three decades ago by The Misfits and TSOL, continues apace in the new millennium. The Jasons are standard-bearers of this exact crossover, named as they are for the mysterious zombie murderer clad in a goalie mask, who murdered teenagers everywhere from summer camp to outer space in the classic Friday the 13th series of films — or at least all of the sequels (which stalled at Part 12 a decade ago, what’s up with that?).

The Jasons are on tour promoting the impending release of their latest album, Blood In The Streets, but this show has a more important cause, being a fundraiser for Scares That Care. This charity group, run by horror fiction creators and fans, not only holds a horror convention in Williamsburg every summer but also donates all the funds they raise each year to children experiencing medically-related hardships. In other words, it’s super-cool, and the fact that your door price will go to them is all the more reason to make it out to McCormack’s on Saturday night for this rager. The fact that Brooklyn punkers World’s Greatest Detective, local HC-punk heroes Love Roses, and Fredericksburg’s Personal Crisis are also on the bill only makes this even cooler. So show up already, punk.

Sunday, April 28, 8 PM
Orville Peck, Holy Roller, LIZA And The Heart-Takers @ The Camel – $10 (order tickets HERE)
This one is gonna be weird — but in the best possible way. Orville Peck is, in the simplest of terms, a country singer, but from the face-hiding fringed mask he wears during his performances to the effect-laden electric guitar he plays, he’s certainly an unusual one. I’ve heard him compared to shoegaze bands, but on his brand new Sub Pop LP, Pony, I hear a lot of other sounds at work — Roy Orbison’s spooky, ambient ballads; the apocalyptic pop of Lana Del Rey; even the occasional touch of Lee Hazlewood or Scott Walker.

So yeah, don’t show up if you’re expecting a singer who’ll effortlessly channel Merle Haggard, but DO show up if you like music that is both intriguing and challenging, music that both calls to mind references from across the rich history of recorded music and doesn’t sound much like anything that’s come before. And of course, you’ll get an opening set from Holy Roller, who’ve changed their name in the recent past but are still cranking out the same killer rock n’ roll sounds, with just a hint of twang. Plus, there’s the lush, downcast pop of LIZA and the Heart-takers to kick it all off, so you’re certainly in good hands with this one.

Monday, April 29, 9 PM
Those Far Out Arrows, Plastic Nancy, Thin Pigeon, So Badly @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Let’s all admit it, because we know it’s true: Mondays usually suck. I know, I know, there are a few of you restaurant workers out there who get Monday off every week, but for the rest of us, it’s soul-crushing. Nothing worse than staring down a week of work with no relief in sight. That’s why it’s always such a relief to find a good show happening on what’s typically considered by the music industry to be an “off” night — it brightens up the dullest day of most people’s weeks.

Those Far Out Arrows are coming to Richmond to brighten up your Monday, and they’ll do it with aplomb, if their latest album, Part Time Lizards, is any indication. If you dig upbeat rock n’ roll with a garage-punk flavor and a Southern-fried twang, these Nebraskans will thrill you with their Natural Child-ish vibes. Plus there are some rad Virginia bands on the bill to further add cheer to your work week — energetic garage noise from Plastic Nancy, postpunk queer-core from Thin Pigeon, and fuzzy indie punk from Fredericksburg’s So Badly. This one’s gonna put a smile on your face — and by the time it starts, you’re gonna need it.

Tuesday, April 30, 7 PM
Weedeater, ASG, Druglord, The Astral Void @ Capital Ale House Music Hall – $17 in advance/$20 at the door (order tickets HERE)
I put forth the proposition (that you can petition the Lord with prayer… wait, no, what was I saying? Oh right) in a recent show column that where shows that used to go to Strange Matter are concerned, Wonderland has picked up the heavier end of the spectrum, while Capital Ale House’s downtown music hall has grabbed the lighter, more indie-fied side of things. And now here comes this Weedeater gig at Capital Ale House to shoot my theory all to shit. Look, I’m just glad this show still has a home in town, so I’m certainly not complaining.

And you won’t be complaining either, because the (ahem) Richmond Music Hall at Capital Ale House is a great space in which to see a show, and North Carolina’s own Weedeater is a great band to see — there or anywhere. They deal in a particularly fun brand of sludgy stoner metal, with the emphasis on “stoned” — copping some of that sticky green before this show is recommended if you, you know, engage in that sort of thing. Weedeater’s been quiet on the studio front for a while, having last released an album four years ago, but losing one drummer to health problems and another to a sudden passing, they’ve rejuvenated themselves with frontman Dixie Dave’s former Buzzoven bandmate, Ramzi Ateyeh, holding down the kit. So all is well and rest assured, you’re gonna get your head rocked at this one. Fellow North Carolinians ASG join this stoner carnival with some Camaro-rattling riffs of their own, and local openers Druglord and The Astral Void will do more than enough to get you warmed up and in the properly stoney frame of mind. I’m not talking about the mayor, either.

Elsewhere around the state:

Friday, April 26, 7 PM
The Happy Fits, Early Eyes, Kid Brother @ Charlie’s American Cafe (Norfolk) – $12 in advance/$15 day of show (order tickets HERE)
I am not a Spotify user. I don’t know if that’s something I should be ashamed or proud to admit, but regardless, it’s just the truth. The Happy Fits are a band who owe their success to Spotify — a song from their first EP was featured on a “Fresh Finds” playlist back in 2016 — and therefore it’s entirely possible you’re already familiar with this youthful New York trio. For me, they were a totally new discovery as of earlier this week, when their name jumped out at me from a long list of shows I was considering for potential inclusion in this column. “Wow, what’s the deal with these guys?” I thought. “Are they the opposite of the Misfits, or something like that?”

Well, no, not really. Their driving sound is more akin to the early Black Keys (you know, back when they were still an excellent garage band rather than the mediocre hitmakers your aunt loves now), only with more of an acoustic, raw, in-the-room feel. 2018 debut full-length Concentrate is a rollicking blast of pure rock n’ roll fun, with some outstanding melodic chops thrown in to make everything brighter, catchier, and overall better. In the studio, this band has the virtue of capturing what sure sounds like the sound they’d make playing right there in the room with you, so having heard their recordings, I feel extremely confident in advising you to go see The Happy Fits when they come to Charlie’s American Cafe this Friday night. You’re sure to wear a smile throughout the night — even on the long drive home.

Saturday, April 27, 8 PM
Guerilla Toss, Toxic Moxie, The Dawn Drapes @ The Southern Cafe (Charlottesville) – $10 in advance/$12 day of show (order tickets HERE)
Guerilla Toss (shut up, spellcheck, that’s how they spell it) have been around for nearly a decade now, and they’ve remained fascinating and fun the entire time. Early days saw them getting pretty wacky and noisy, but still managing to pound out an invigorating groove at all times. As they metamorphosed over the years into the fully formed band they are today, the funk, dance, and electro elements rose to the surface, slowly overtaking the noise and allowing the group to become the effortless dance machine they are on last year’s Twisted Crystal LP.

These days, Kassie Carlson screams quite a bit less, and the guitars are way less atonal — Guerilla Toss have kinda evolved into a sort of electro-funk version of punk rock, in a manner that will appeal both to fans of early 80s NYC groups like Liquid Liquid and tapped-in young Virginians who are rightfully hyped on … Richmond’s own Toxic Moxie, who coincidentally just happen to be traveling up I-64 from RVA to open up this killer bill. The results are sure to be uproarious, and keep your feet moving and your body shaking throughout the night. I know, there’s a whole lot going on Saturday night — I already told you about a couple of things, in fact. So it’s really up to you whether Charlottesville is the place you most want to be. But let me tell ya, if you are already up that way, or happen to land there Saturday night, you’re guaranteed a good time with Guerilla Toss and Toxic Moxie at The Southern. So hey, tell ’em we sent ya.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 9 – January 15

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FEATURED SHOW
Thursday, January 10, 9:30 PM
Petrichor, Bad Magic, Doubtfire @ Don’t Look Back/Triple (3306 W. Broad St.) – Free!
The Richmond music scene has been showing its resilience for decades now, and the reaction it’s had to the latest trying time we’ve found ourselves in — prompted by the loss of Strange Matter, the steadiest venue for local shows anytime in the past decade — is just the latest example. You can see it in this show column; after last week’s unfortunately light post-holiday listing, the scene has rebounded with brilliance and ingenuity, finding new venues to fill the gaps and replace what we’ve lost.

One of these is the newly reincarnated Triple, a long-running Scott’s Addition pool hall that had been sitting empty for years, at least until Don’t Look Back brought it back last year. A decade or so ago, when it was still a pool hall, it hosted the occasional show, and now with the loss of Strange Matter, it has been pressed into service once again. This Thursday night, Petrichor will be holding the release celebration for their three-years-in-the-making new album, Petrichor II, and rock n’ roll will live in the Triple space once more. Viva RVA!

Petrichor has been an intriguing if somewhat low-profile institution on the Richmond scene for years now. Pairing the powerful voice of singer-songwriter Tess Fisher with a dark, heavy backing band that tends towards witchy early-70s-style doom, this group is a unique phenomenon both within and outside the borders of Richmond. That can be seen from their new album, which features acoustic moments as well as a sludged-up Misfits cover you probably won’t even recognize at first. The presentation of this incredible music is sure to be heightened to an impressive extent in the live environment, and what’s more, the show is free, so you’ll get to spend all the cash you bring on tacos and Petrichor albums. Which is as it should be.

Wednesday, January 9, 7 PM
Patrick Bates, Kenneka Cook, Keilan Creech @ Sound Of Music Studios – Free!
Traditionally, we don’t get too much out of Richmond singer-songwriter Patrick Bates. Though he does play solo shows occasionally, it’s been about four years since he last released a new record. That’s all set to change in the new year, though, as he’s currently ramping things up for a brand new collection of tunes. And it’s about time! On previous releases, such as 2015’s Feathers and Pearls, his delicate melodies had a fragile, aching beauty suffused with emotion. And while he’s certainly been known to recruit excellent local players to back him up, it’s his excellent voice and strong guitar playing that made his music so memorable.

What’s he got coming for us in 2019? This show will be our first opportunity to find out, and it’s taking place at Sound Of Music, a recording studio and occasional venue that also appears to be taking on an increased amount of live gigs in the wake of Strange Matter’s departure. Every little bit helps! And the fact that they’re hosting this impressive lineup of local singer-songwriters — not just Bates by RVA electro-soul phenomenon Kenneka Cook and folk-rocker Keilan Creech — makes this the perfect time to check this place out. You know what to do.

Thursday, January 10, 10 PM
Calvin Presents, Brain Drain, Dave Watkins @ Bandito’s – Free!
Damn… even Bandito’s is getting in on the act. This local home for outstanding nachos and what is secretly one of the best-sounding rooms for live music this city has to offer traditionally only hosts shows on Sundays. However, this trio of local performers are taking the stage at Bandito’s on a Thursday, and as far as we can tell, it isn’t even a particularly special occasion — they just needed somewhere to play. You need to go to Bandito’s to see them, too — and I’m not just saying that because it’s got incredible food.

If you keep your ear to the ground in this town, you’re sure to have heard the name Calvin Presents in recent months. This talented singer and pianist has been catching a lot of ears with his unique take on the place where soul, jazz, R&B, and hip hop all meet. His music is powerful and memorable, and it’s sure to sound outstanding in the Bandito’s back room. This show certainly offers variety as well; local punk-rock noisemakers Brain Drain are also on the bill. What’s more, the talented and eclectic Dave Watkins, who is capable of everything from old-time Americana to post-rock guitar ambience, is opening this show up — so you’ll be getting killer sounds from start to finish. Grab some tacos and get ready to rock.

Friday, January 11, 8 PM
Basilica, Home Astronomy, One Less Life, Referendum @ McCormack’s Irish Pub – $5
I have always found it important to keep a high level of metal in my diet — and I’m not talking about iron supplements either (though, as an aging lady, I should probably be looking into such things). Right now I’m talking about Basilica, a death metal band from North Carolina who will be bringing their remarkably catchy bangers to McCormack’s in Shockoe Bottom this Friday night. Last year’s Orbit Has Ceased EP shows that this band is ready, willing, and able to get your feet moving not only because they’re heavy as fuck, but also because they have some incredible riffs on offer.

If you’re not prepared for a full night of metal awesomeness, though, you’re in luck, because this show offers a variety of tuneage for the discriminating music connoisseur. Fellow Boone, NC residents Home Astronomy will arrive in company with Basilica, and their sound has not an ounce of metal to it, instead dabbling in the introspective moods of modern emo. And as you know if you’ve been reading this column for a while, that’s another genre I try to keep at high levels in my musical diet. With the addition of Tidewater deathcore mavens One Less Life and Lynchburg mosh machines Referendum, this bill has everything your body craves. Drink up.

Saturday, January 12, 6 PM
Tallies, Tula Vera, Nightcreature, Thin Pigeon @ Hardywood – Free!
The sounds are gonna get downright gorgeous over at Hardywood early on Saturday night. A pair of excellent groups will be bringing their excellent music to town from points Northeast of here, and we should all make sure to head to Hardywood and enjoy them going down. Tallies are a Toronto band with a brand new LP coming out only a day before they arrive in RVA, and from the advance singles that have hit the internet thus far, it appears this group has a downright brilliant dream-pop sound that should make fans of Baltimore’s Wildhoney or UK duo Honeyblood very happy (even though Tallies don’t have “honey” in their name).

As for Tula Vera, who come to us from New Jersey, they’re a bit more of a bouncy indie rock group, but they’ve got melodic sensibility to spare and brought a ton of it to the world on their excellent self-titled debut from a year or so ago. Both of these groups are sure to get your hips shaking, and they come to us in company of excellent local up-and-comers Nightcreature and Thin Pigeon. Plus, word has it there’ll be a curry truck at Hardywood for all your dining needs, and I guess they sell some drinks there too. “Not a bad way to spend your Saturday evening” is certainly a massive understatement, but you probably already knew that.

Sunday, January 13, 7 PM
Jon Spencer & the HITmakers, The Ar-Kaics @ Capital Ale House Music Hall – $15 in advance/$18 day of show (order tickets HERE)
The man, the myth, the legend… Jon Spencer is coming to town, he of the mighty Blues Explosion, as well as Pussy Galore, Boss Hog, and a few other excellent projects. He’s been blowing the minds of rock n’ rollers around the world with his unique brand of down n’ dirty, booty-shaking rock n’ roll noise fuckery for going on 40 years now, and his currently on tour with a group he’s calling the HITmakers. They’re here to revel in the fact that, after four decades of trash-rock excellence, Spencer has finally released an album as a solo artist, cleverly entitled Spencer Sings The Hits!

Now, as with Pussy Galore’s 1990 swan song, Historia de la Musica Rock, this ironically-titled collection isn’t actually a “hits” record at all, instead presenting us with a new slab of fine Spencer tunes with all the gas-tank-clanging gutter-blues excellence we’ve come to know and love from his previous work. His touring group features veteran Michigan outsider-rocker M. Sord on drums and Sam Coomes, formerly of Quasi and Heatmiser, on keys. Spencer hollers and whales away at the guitar, and as usual, there’s no bass — though Coomes’ keyboard will fill in plenty of low-end on its own. Chances are you’ll hear not only rad new rockers but some Spencer classics from throughout his career… and you’ll definitely get an opening set from VA’s own retro-garage heroes The Ar-Kaics. So really, what’s not to like?

Monday, January 14, 6:30 PM
Tyler Carter, R I L E Y, Matty Wavez, Calebfolks @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
Tyler Carter is probably most familiar these days as the angel-voiced clean singer for bizarre yet incredible emo-R&B-metalcore group Issues, who have proven over a couple of excellent albums that they can spin gold out of a musical hybrid that seems like it shouldn’t work for even five seconds. However, Carter, who also previously spent time in metalcore group Woe Is Me, has been dabbling in solo work for a while, first releasing a solo track back in 2010. As of 2019, he’s finally worked his way up to completing a full-length solo effort, Moonshine, and it’s that project that he’s on tour in support of right now.

If Carter’s group work leads you to expect heaviness from his solo music, you might be thrown a little bit for a loop by the smooth, emotionally-driven pop/R&B sounds he’s created for Moonshine. That said, anyone who’s heard more than 30 seconds of Issues’ music has to know that he’s always had this in him. And while we haven’t heard the album in its entirety yet (it’s supposed to be coming sometime soon…), the songs that have made their way to the internet show that Carter has every bit the facility with soulful pop crooning that he’s shown in the metalcore world. So get stoked for this one, regardless of what genres you usually gravitate toward… it’ll be a satisfying performance no matter what.

Tuesday, January 15, 7 PM
Tancred, Haybaby, Sammi Lanzetta @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Jess Abbott’s been demonstrating her talent in the field of songcraft for a while now. With each of her first three solo albums under the name Tancred, she showed further growth, as well as increasing comfort with what she’s doing and just what kind of music she wants to make. Her fourth album, Nightstand, which came out last summer, took things to a new level; largely gone is the introspective-acoustic format that was her standard MO back when Tancred started. These days, the songs are catchy and musically upbeat, featuring full-band backing and an alt-rock/indie-pop sound that’s sure to make your smile.

However, Abbott’s lyrics have remained dark and moody, expressive of an inner struggle that is by no means over. In that sense, she’s kind of followed the Waxahatchee path — steadily moving towards accessible melodies while continuing to focus on dark topics that most of us are sure to relate to, no matter how post-adolescent we are (like 25 years post-adolescent, in my case). And Tancred has quite a bit in common both musically and lyrically with Haybaby and Sammi Lanzetta, the two excellent local artists sharing this bill — even if they aren’t completely on the same page genre-wise (Haybaby’s a bit darker, Lanzetta a bit more straight-up rock). If any of this sounds appealing to you, rest assured it all will — and if you’re still not tuned in to what Tancred is up to, you really can’t afford to miss this one.

Bonus Hampton Roads Picks:

Friday, January 11, 8 PM
School Drugs, Nervous System, BATO, Street Weapon, Kept In Line @ Charlie’s American Cafe – $7
Almost every time I ever did drugs was when I was at school, which might seem slightly less insane if I tell you that I’ve been straight edge since 11th grade. But my point is that the name School Drugs makes pretty instinctive sense to me — didn’t we all do drugs in school at some point? Chances are, the answer for most of you is “LOL WTF no!” but maybe the members of this band will get where I’m coming from. I sure get where they’re coming from, at least on a musical level.

This New Jersey band mixes antisocial punk rage with old-school hardcore velocity and a few metallic touches. It’s definitely right up my alley, and it’ll be up yours too (heh heh) if you love cutting the shit and starting the pit. Just don’t take any of those dumb orange pills that weirdo metalhead from your study hall gave you — they don’t do anything. This show will feature a bunch of other killer punk bands from the Tidewater area, some of which are faster than others but all of which are sure to grab your attention. Don’t forget your steel-toed boots.

Tuesday, January 15, 8 PM
Beggar’s Row, Pummel, Compulse, Street Weapon @ Pourhouse of Norfolk – $5
We’re staying in the hardcore-punk world this week for our second Hampton Roads show, but this one is definitely for the kids who identify much more with the HC end of the spectrum. This show finds powerful, heavy Virginia Beach hardcore crew Beggar’s Row presiding over a murderer’s row of hardcore talent from around the state and beyond. Pummel hail from New Jersey and bring a solid dose of uptempo if not speedy hardcore to the Pourhouse — expect to see a lot of two-stepping (the hardcore kind, not the square-dancing kind) in the pit for these guys.

From within the boundaries of the Commonwealth — but almost as long a drive away — comes Roanoke, VA hardcore quartet Compulse, who definitely keep it rough and tough on their EP from last summer, Forged By Struggle. Not to be outdone, the show will kick off with a set from VB rabble-rousers Street Weapon, who’ve got that whole Negative Approach-core thing down cold, complete with slight tinges of Blitz-style oi and early-Warzone fury. This one’s gonna be a rager from top to bottom, and on a Tuesday night in January, you really can’t ask for more.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

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