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RVA #31: Record Reviews

RVA Staff | January 10, 2018

Topics: Antiphons, Big No, black liquid, Butcher Brown, Buzzard Dust, Citrrus City, Doll Baby, Fly Anakin, Gold Goldin & Duce, Gritter, Keep, Koncept Jack$on, Long Arms, Mistaker, My Enemies & I, Positive No, record reviews, River Black, rva music, Talk Me Off, Thorp Jenson, tim barry, Vivian Fantasy

Originally printed in RVA #31 WINTER 2017, you can check out the issue HERE or pick it up around Richmond now. 

Tim Barry
High On 95
(Chunksaah)

Punk rock is the kind of scene that wears a person out. This might sound ridiculous to the kids singing along to “Young Til I Die” covers at the all-ages show, but by the time you’re 29 with two full sleeves of tattoos, sitting at the end of the bar because you don’t have the energy for the pit anymore, you learn the truth. Perhaps it’s not too surprising that Tim Barry, who once led 90s punk heroes Avail, is a decade deep into a solo career as a folk-country artist and shows no signs of looking back. High On 95 is his sixth solo album, and it shows him settling ever more comfortably into the acoustic troubadour role. He only sang in Avail, but his proficiency on acoustic guitar here sees him creating some excellent melodies on songs like “Gumshoe Andy” and “O & DP.” The minimal instrumental backing (slide guitar, violin, the occasional percussion) gives these tunes a rootsy feel and allows you to crank up the volume without bugging the neighbors. The DIY veterans will see the appeal immediately. The kids might not get it yet, but rest assured, their time will come soon enough. (MN)

Ann Beretta
Old Scars, New Blood
(Say-10)

Collections of old songs re-recorded can be a risky move–it may do little more than spotlight the fact that the now-middle-aged members have lost a step. That said, Ann Beretta is lucky enough to retain a vitality that makes the past 20 years seem like the blink of an eye. This one’s worth it even if you have the old records. (MN)

Antiphons
Fine
(Citrus City)


Fine zooms in and out in an incredible way. The EP’s lyrics focus on super-specific circumstances — burning your tongue, going into anaphylactic shock because of a nut allergy — yet the music gradually opens up via savvy guitar work and countermelody, resulting in big, inviting moments. In that way, Fine manages to be personal and universal at the same time. (DJ)

Ashanti Bragg
Journey of a Young Woman Vol. 1
(Datpiff)

With seven tracks giving us a good sample of what’s to come, Virginia Beach native Ashanti Bragg makes her debut almost two years after dropping the video for opener “My Love.” Featuring a variety of songs showing her musical versatility, the confidence that oozes through her music makes for a fun and energetic experience that leaves the listener wanting more. (KMP)

Big No
Get Over Yourself
(bignobigno.bandcamp.com)


Presenting itself as an ambitious and experimental project, Get Over Yourself is vast. One second, the structured sound is airy and poppy, and then the next, it begins to wax into blues. Big No has made it obvious that their strongest musical asset is their instrumentation; Heather Jerabeck owns that piano. (CM)

Black Liquid
ANTi
(self-released)

Two words: Unfiltered. Observation. Black Liquid’s obstinate attitude and sharp public commentary on ANTi challenge local perception and opinion through a conversational approach. His poignant flow found on the title track “ANTi” is relentless, barraging the listener with anecdotes that highlight the MC’s natural inclination for hip-hop as an art form. (CM)

Butcher Brown
Live at Vagabond
(Gearbox Records)

Make room, Donny Hathaway–this is one for the ages. Live at Vagabond captures the energy of the crowd and the virtuosity of individual instrumentalists with remarkable clarity, giving listeners a taste of Devonne Harris’ compositional gifts, adventurous approach to keys, and the ensemble’s knack for seizing the moment. This is the Butcher Brown sound at its most cohesive and dominant. (DJ)

Buzzard Dust
Buzzard Dust
(Forcefield)

What happens when a ragtag group of metal veterans wants to rock? They form a thrash band. Buzzard Dust’s eponymous debut is a 24-minute adrenaline burst of wicked dive bombs, breakneck blast beats, and guttural profanities that recalls the feeling of a dark, sweaty mosh pit. I dare you to not headbang during “Have You Seen Me.” (CM)

Doll Baby
Hell Block EP

Doll Baby blesses listeners with yet another phenomenal demonstration of their artistic prowess. Hell Block is a mere five songs, but holds the sustainability of a traditional full-length album. The four-piece’s jam tracks scratch a deeper itch, bringing everyone to their feet. Singer Julie Storey has the most pleasingly unique punk vocals you’ll ever hear. (CM)

Fly Anakin, Koncept Jack$on & Tuamie
Panama Plus
(Mutant Academy/Smallz World Management & Consulting)

More hardcore, boom-bap hip hop from the Southside’s own Fly Anakin & Koncept Jack$on, this time with fellow Mutant Academy brethren Tuamie handling the production. Hearing the duo spitting over one producer’s sound gives this project a different, more cohesive feel from their last full length, but if you’re expecting a drop off in quality, you won’t find that here. (EH)

God Goldin & Duce
Universal Benefits
(Control Ent)

Bouncing back and forth over each track, Goldin & Duce have a great chemistry, with Duce’s laid-back flow paired on “Lolo” along with Gold’s more hype flow. The songs feel like these two have been a working partnership for years already. If you need a quick musical boost in your workday, give this a spin. (EH)

Gritter
Nobody Cares

Gritter isn’t necessarily reinventing the (steel) wheel on their fourth album, but then again, if it ain’t broke, why fix it? Their brand of harsh, caustic metal has some clear NOLA influences but gives it their own muddy James River flavor. This music will give you strength to face life’s frustrations. Don’t leave home without it. (MN)

Thorp Jenson
Odessa
(South Boulevard)

Fully-formed narrative writing, steady-handed production, and killer performances from top-notch players provide many reasons to disbelieve that Odessa is a debut release. It plays like an expertly crafted survey of styles from the last 60 years, from Stones riffs and heartland rock to country waltzing and soul not unlike Matthew E. White’s. Well-worn and world-class, right out of the gate. (DJ)

Keep
For Your Joy
(Citrus City)

With this monster of a debut full-length, the duo Keep has etched its name among the city’s growing list of musicians on the rise. The group’s sound is diverse and evocative, being deeply rooted in their appreciation of grunge and industrial predecessors. For Your Joy embellishes an introspective atmosphere that lets one track roll right into the next. (CM)

Long Arms
Young Life
(Dead Serious)

Long Arms began as James Menefee’s alt-country project, but with their latest album, they’ve left those touches behind in favor of the punk-influenced heartland rock that feels like Menefee’s natural mode. It suits him; skipping genre tropes in favor of excellent heartfelt tunes with a heavy Replacements influence makes Young Life is a career highlight. (MN)

Mistaker
Goodbye And Other Lies
(Self-released)

An intense, heartfelt slab of pure emotion delivered with power and melody, Goodbye And Other Lies is a worthy contribution to the field of melodic punk rock from a group of veterans who’ve paid plenty of dues. This is music for remembering past struggles and appreciating where you are. With this EP, Mistaker carves out a distinctive niche for themselves. (MN)

My Enemies & I
The Beast Inside
(Fearless)

This VA-based metalcore crew draws a lot of influence from angst-ridden early 00’s nu-metallers like Slipknot and Mudvayne, interjecting melodic choruses and moody breaks into a stew of pounding downtuned riffage and brutal breakdowns. The result is an invigorating, gleefully profane blast that brings me back to my youth. If this is what today’s kids are into, sign me up. (MN)

Positive No
Partners In The Wild
(Trrrash/Little Black Cloud)

This RVA quartet definitely brought the fire this time, cranking up the energy to deliver a louder, more distorted follow-up to debut LP Glossa. The 90s alternative and indie-rock influences that fundamentally inform Positive No’s sound are still dominant, but their punk past is much closer to the surface here–and that’s definitely a good thing. (MN)

River Black
River Black
(Season Of Mist)

This combo sees Municipal Waste drum-pounder Dave Witte reuniting with his Burnt By The Sun bandmates, John Adubato (guitar) and Mike Olender (vocals), to carry on that band’s brutal, politically-driven metal rampage. Doom-infused metallic hardcore riffs meet grinding blast beats and double-bass mayhem to create an unstoppable steamroller of a record. (MN)

Talk Me Off
Talk Me Off

Some fun, speedy punk with a tendency toward retro stylings. The first song has a borderline-hardcore intensity, but the others get more melodic in a manner reminiscent of early 80s SoCal punk–Agent Orange, first-LP Bad Religion, that kind of thing. The furious anti-white-nationalism lyrics on “Inglorious Bastards” are a particularly nice touch. (MN)

Vivian Fantasy
Deep. Honey.
(Hush Hush)

Can music be simultaneously comforting and unsettling? Deep. Honey. makes a pretty strong case in the affirmative. Warm synth sounds and layered guitars lay down pillowy sonic padding, yet Danny Bozella’s singing is manipulated throughout, coming across as uncanny. “I put effects around my voice to hide what I write,” he sings on “Charms,” ringing with a beautifully ironic honesty. (DJ)

Reviews by: Marilyn Drew Necci (MN), Eugene Henry (EH), Davy Jones (DJ), Kiara M.P. (KMP), Christopher Alan McDaniel (CM)

Top Photo Credit: Joey Wharton Photography

The RVA Videos You Missed in 2017: ROCK/INDIE/FOLK

Tony The Pilgrim | January 2, 2018

Topics: angelica garcia, Dazeases, FLO MORRISSEY and MATTHEW E. WHITE, J. Roddy Walston & The Business, Ladygod, Lobo Marino, Manatree, Minor Poet, Opin, Pete Curry, Saw Black, The Folly, the head and the heart, The Milkstains, THE TROGONE BAND, The Weak Days, tim barry

It’s been a great year in local music. The sound coming from our local scene has a cohesive quality that’s pushing everything forward.  In looking through all these noteworthy videos coming out of Richmond, you get a sense that our town is making itself known all over with our own energy and sound.

It has taken awhile to get to this point, but any scene needs a few things to help it grow. We needed the venues. Now, with places like The National, The Broadberry, The Camel, Strange Matter, and Cary Street Cafe leading the way, musicians have quality places to play. We needed top level production teams making records, creative people adding the visuals, and record labels willing to take risks to bring out the best in our talent. And of course, we needed an audience which has been growing in part because we have the best breweries on the East Coast, a top shelf art scene, and so many awesome restaurants you probably couldn’t name them all. Put it all together, and you have a recipe for something special. If you haven’t already been paying attention to what’s under your nose, take a minute to check out this sampling of music videos you probably missed in 2017.

THE FOLLY, ‘Hold You Down’
Jan 15, 2017

MANATREE, ‘Fat Jackson’
Jan 18, 2017

ANGELICA GARCIA, ‘The Devil Can Get In’
Jan 25, 2017

SAW BLACK, ‘Rosie’s Comin Home’
Feb 7, 2017

FLO MORRISSEY and MATTHEW E. WHITE, ‘Look At What The Light Did Now’
Mar 29, 2017

DAZEASES, ‘Botetourt’
Apr 13, 2017

OPIN, ‘Get Home’
May 8, 2017

PETE CURRY, ‘Dark in the Night’
May 11, 2017

THE MILKSTAINS, ‘Young Scum’
May 12, 2017

THE HEAD AND THE HEART, City of Angels
Jul 27, 2017

THE WEAK DAYS, ‘Non Sibi’
Sep 4, 2017

TIM BARRY, ‘Running Never Tamed Me’
Oct 4, 2017

MINOR POET, ‘River Days’
Oct 5, 2017

LOBO MARINO, ‘Celebrate’
Oct 24, 2017

LADYGOD, ‘Witchhunt’
Oct 31, 2017

THE TROGONE BAND, ‘Blind’
Oct 30, 2017

J. RODDY WALSTON & THE BUSINESS, ‘The Wanting’
Nov 16, 2017

 

RVA Shows You Must See This Week: 9/20-9/26

Marilyn Drew Necci | September 20, 2017

Topics: Bio Ritmo, Brainbuster, Bren Lukens, Candy Spots, Centerfolds, Champion RVA, Clair Morgan, Common Ground Fest, Daisyhead, Dazeases, Dryjacket, Eaves, El Malpais, Elisa Faires, gallery 5, Love Roses, Madeline Kenney, Majjin Boo, Matthew E. White, McCormack's, Meg Mulhearn, Minor Poet, Modern Baseball, Natalie Prass, Night Idea, Nine Line, Nominee, Paint Store, Polyphia, Rachel Lynch, Rikki Shay, rva live!, She's A Legend, shows you must see, Skumboyz, Sleave, Small Talks, Something More, strange matter, Telltale, The Broadberry, The Carpenter Theatre, The Donalds, tim barry, Vagabond, Womajich Dialysiez, Worse Curses

FEATURED SHOW
Saturday, September 23, 8 PM
The Broadberry presents RVA Live! feat. Matthew E. White, Natalie Prass, Tim Barry, Bio Ritmo, Clair Morgan @ Carpenter Theatre at Dominion Arts Center – $10-80 (order tickets HERE)
OK yes I am usually on some more underground/DIY type stuff than anything that takes place at the Carpenter Theatre but sometimes something too big and important and cool to ignore comes along and you just gotta send people to the big bourgeois theatre in the center of town, right? Well, that’s my opinion anyway. This event is also being presented by The Broadberry, a relatively small venue with deep connections to the local independent music scene, so its DIY bona fides are pretty well beyond question.

Therefore, I must tell you that something amazing and very difficult to rationalize missing is happening downtown at the Carpenter Theatre this Saturday night, and tickets start at a very reasonable $10, so there’s really no excuse not to be in attendance. RVA Live! is an evening featuring several of the Richmond scene’s most noteworthy veteran artists–everyone from salsa stalwarts Bio Ritmo to punk-gone-country troubadour Tim Barry–performing in collaboration with the Richmond Symphony. With orchestration and arrangements being handled by Trey Pollard of Spacebomb Records, who has done string arrangements for artists ranging from Matthew E. White to Foxygen and The Waterboys; along with Bio Ritmo members Marlysse Simmons and Toby Whitaker; this is going to be a collaborative project on multiple levels, bringing the best of Richmond’s singer-songwriter community together with the leading lights of our local classical music scene–a scene that popular-music fanatics like myself, and probably yourself, tend to sleep on.

With Matthew E. White and Natalie Prass at the top of this bill, you know Spacebomb is going to be representing itself admirably at this performance. Bio Ritmo’s Latin swing and jazzy funk influences will get a whole new twist when recontextualized through the lens of the Richmond Symphony, and will add a multicultural strain to an evening that could get decidedly monochromatic without them. Plus, we’ll get the mathematical pop of Clair Morgan and the austere country blues punk of Tim Barry, embellished with the sorts of layers neither of their sounds generally contain. All of this will be fascinating for any music lover. And with so many hotshot performers on the bill, you’re sure to get caught up in the awesomeness of it all, even if seeing the symphony at the Carpenter Theatre generally isn’t your thing.

Wednesday, September 20, 8 PM
Polyphia, Night Idea, Paint Store @ The Broadberry – $15 (order tickets HERE)
The worlds of screamo, math-rock, prog-metal, and metalcore have some pretty surprising intersection points at times, and the whole prog-metalcore scene that’s built up around bands like Periphery is one of the strangest and most interesting ones. Polyphia are a metallic instrumental quartet of young post-metalcore dudes with swoop haircuts and skills for days, and they’re hitting Richmond tonight on a day off from their current tour opening for prog-metalcore pioneers Between The Buried And Me. If you want to dig into the shred-heavy instrumental end of this whole scene, this show is your perfect chance to do it at a relatively small venue for a reasonable ticket price.

Polyphia’s latest release, The Most Hated EP, sees them dipping into more electronic layers, including programmed beats and synthesized background swells. However, the guitar pyrotechnics remain on full display, with occasional licks copped from the dawn-of-the-90s micro-trend of blazing metal guitarists putting out instrumental solo albums. What I’m saying is, these guys have a definite Vai/Satriani tinge to their djent-inspired riff fests these days, and the intersection of these surprisingly congruent sounds is a lot of fun to explore. With local openers consisting of poppy math-rockers Night Idea (the only band this night to feature a vocalist) and fellow math-obsessed instrumental shredders Paint Store, this show is guaranteed to fill your quota for riffage, even if it does run slightly low on vocalizations. You definitely won’t get bored in their absence.

Thursday, September 21, 6 PM
El Malpais, Candy Spots, Worse Curses @ Champion RVA – Free!
And we progress from one instrumental group to another as we go through this week’s picks, landing once again at Champion RVA on Thursday night to shed the night-before-payday blues with some excellent free sounds from both local and touring artists. The stars of this Thursday night’s show will be El Malpais (“the bad country,” if my rusty high-school Spanish hasn’t failed me), who come from Charlotte, NC with an original and fascinating instrumental sound pairing guitar and drum rhythms with flute to create the kind of unusual and engaging sound that “jazz flute” might have conjured up in your head if it weren’t for that phrase’s eternal association with Anchorman.

Regardless of whether you would ever expect a group based around flute melodies to be able to rock with aplomb, you should definitely be in the house when El Malpais takes the stage, because they’re guaranteed to erase all doubts. Their excellent self-titled LP from earlier this year is full of somewhat foreboding tunes accented by riveting melodies, which create the overall impression of tiptoeing through a forest late in the afternoon, on the hunt for forgotten old huts where strange creatures may or may not still live. OK, maybe I’ve read too many horror novels in my time, but still, this band rocks. They’ll be joined on this bill by local alt-garage rockers Candy Spots and catchy up-and-comers Worse Curses for an evening of jams that would be cheap at twice the price (because after all, zero dollars x2 is still zero dollars).

Friday, September 22, 7 PM
Madeline Kenney, Rikki Shay, Majjin Boo, Minor Poet @ Gallery 5 – $5 in advance/$7 day of show (order tickets HERE)
The Broadberry’s showing up all over town this week. This show, which is actually the night before that RVA Live! show up at the top of the column (my chronology’s a little weird, deal with it), sees the larger venue collaborating with generally awesome (and kinda cavernous itself) DIY art gallery space Gallery 5 to present an evening headlined by Oakland singer-songwriter Madeline Kenney. You may be unfamiliar with this artist, but Kenney’s brand new album, Night Night At The First Landing, gives all the reason you need to change that in a hurry. In a manner that is spiritually if not entirely sonically similar to alt-rock shredder Marnie Stern, Kenney takes that whole singer/guitarist/songwriter mold and smashes it over her knee on her new album, integrating dreamy guitar textures with an ambient overall sound and topping them all off with evocative vocal melodies and profound lyrics that cut to the heart of the emotional issues that plague so many young women in this world.

Expect her live performance to do just as much to both destroy and elevate your expectations from a “female singer-songwriter” (kill that cliche forever please). Kenney’s openers on this bill definitely reflect the Broadberry’s involvement in this evening, with recent Broadberry performers Rikki Shay and Minor Poet making a rare appearance at Gallery 5. That’s good, though, maybe it’ll bring some new people out to check out this excellent venue. Madeline Kenney is really all the inducement you, the super clued-in RVA show attendee, should need to add this show to your calendar, though. She’s worth the price of admission all by herself.

Saturday, September 23, 8 PM
Meg Mulhearn + Elisa Faires, Dazeases, Womajich Dialysiez, Rachel Lynch @ Vagabond – Free!
OK, this is two awesome free shows in the space of three days; you should definitely take advantage of this phenomenon, because it’s not something that occurs every week by any means. This evening over at up-and-coming new live music space Vagabond brings us a couple of heavy hitters in the ambient/experimental music world, on a collaborative tour linked to a still-in-production album-length collaboration that’s apparently on the way next year. You can get a preview of it this Saturday night at Vagabond though, and that’s certainly worth doing.

Meg Mulhearn is a violinist who has worked with US Christmas, Void Ensemble, and others, and releases solo recordings under the name Divine Circles. Elisa Faires is an experimental vocalist who has taken part in projects like Astral Magick Soundtrack and Xambuca. Both of these artists use electronic effects to loop, layer, and otherwise accent their instruments, and the two together bring to life a lush ambient soundscape that seems way bigger than anything two musicians can produce by themselves. Combined with the soulful vocal-driven ambience of Dazeases, the constantly-evolving improvisational experimental project Womajich Dialysiez, and experimental performance artist Rachel Lynch, this bill will explore all sorts of different musical and performative avenues, and should take the listener on a sonic journey that is not too frequently experienced, but all the richer for that fact.

Sunday, September 24, 6 PM
Common Ground Fest South, feat. Bren Lukens, Daisyhead, Centerfolds, Something More, Small Talks, Telltale, Nominee, She’s A Legend @ Strange Matter – $14 (order tickets HERE)
OK yes there’s always gonna be some emo coming to you in my column, and I guess this is where it arrives, because seriously–how could I neglect this excellent event? Common Ground Fest, a one-day mini-festival of emo/pop-punk bands put on by Common Ground Records and taking place in three different cities across the US over the course of this month, brings its southernmost incarnation to Richmond VA, and we are in for a treat. After all, not long after Modern Baseball co-founder Jake Ewald hit the Strange Matter stage with his Slaughter Beach Dog project, we get the other Modern Baseball co-founder, Bren Lukens, coming through with a solo acoustic performance. How sweet is that?

But that’s just the beginning. If you ask me, one of the biggest thrills on this whole lineup shows up down towards the bottom of the bill in the form of excellent up-and-coming emotionally-driven pop-punk band Nominee, whose January EP Drag Me Out has been a big one for me so far this year. Hearing songs like “Stay” and “White Water” live might just be enough to get me to pay the full ticket price all by itself. But even with both Bren Lukens and Nominee on this bill, so many other awesome groups are showing up that it’s hard to even attempt a full encapsulation. That said, Nashville’s Daisyhead, who released a killer LP In Case You Missed It on No Sleep earlier this year; and Baltimore’s Something More, who impressed all comers with their 2015 EP compilation Physical Copy, are just some of the additional reasons to make sure you’re right up front for this entire gig. I could say more, but this should be enough. Be there.

Monday, September 25, 8 PM
Love Roses, Brainbuster, The Donalds, Skumboyz @ McCormack’s Irish Pub – $5
I was introduced to Love Roses’ fun, speedy take on punk rock earlier this year when my admittedly pretty screamo band played a house show with them. It wasn’t exactly a predictable pairing, but we ended up meshing pretty well, and I really dug this band’s energetic rage. Since then, Love Roses have been busy, releasing a brand new split on local label Tired & Pissed with Fredericksburg punks Brainbuster, who by no coincidence at all are also on this bill. Love Roses and Brainbuster are just finishing up a tour together, and this is a much more predictable pairing of VA punk bands than anything involving my band would have been.

Brainbuster have a Dead Kennedys-ish sarcastic approach to their lyrics and an early-80s LA punk approach to their music, showing influence from bands like the Adolescents and Bad Religion as well as a snottier edge that gives the whole thing a harsh bite. That split is gonna be a real ripper when it hits, that’s one thing I know for sure. Local punks The Donalds and Skumboyz round out a lineup full of Tired & Pissed artists who are sure to please the circle-pitting punk fanatics of this town–of whom there are more than you think–as well as anyone who gets a kick out of speedy riffs that are both angry and fun.

Tuesday, September 26, 8 PM
Dryjacket, Eaves, Sleave, Nine Line @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
And here we have some more emo, because it’s awesome. New Jersey’s Dryjacket really impressed many listeners, myself among them, with their debut full-length For Posterity. That album, released earlier this year, shows an introspective, multi-layered approach to the sort of emo-revival template that the best bands from that slowly-fading era are still building and improving upon. Dryjacket definitely demonstrates their own qualification for that top tier of still-extant emo bands with a sound incorporating the complex guitar arpeggios that led people to throw the term “twinkle” around a few years ago and some incredible pop choruses that seem to draw as much influence from The Beatles as from Dads–always a welcome phenomenon.

And how about the RVA bands on this bill? Well, Eaves has certainly shown their own bona fides in the whole introspective, multi-layered emo genre over the past little while, and their contribution to this show is therefore sure to be both apropos and entirely welcome. Sleave has a gruffer approach that draws a great deal from that whole vibe of bands like Hot Water Music or Latterman, but with a chunkier guitar sound that shows a bit more hardcore influence than you might expect. Newcomers Nine Line hark back to the 90s days of the more emotionally-driven Fat Wreck bands like Lagwagon or Good Riddance, which is a refreshing change. There’s definitely some daylight between these four bands, but all share a similar feel, one that’s sure to move you.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [the rvamag address isn’t working for some reason, I haven’t had time to look into it! Bear with me]

Matthew E. White, Natalie Prass, Bio Ritmo & more to perform at Dominion Arts Center 9/23

Amy David | August 7, 2017

Topics: Bio Ritmo, Carpenter Theatre, Clair Morgan, Dominion Arts Center, Matthew E. White, Natalie Prass, richmond symphony, rva music, RVA musicians, The Broadberry, tim barry

Some of Richmond’s finest musicians will bring their acts together for the first time on stage at Dominion Arts Center next month.

Matthew E. White,  Natalie Prass Tim Barry, Bio Ritmo, and Clair Morgan will headline RVA Live! a showcase put on by The Broadberry and Richmond Symphony designed to incorporate the musical arts of all genres and styles that represent our city’s diverse range of talent.

Orchestrations and arrangements by Trey Pollard (Spacebomb) and Marlysse Simmons and Toby Whitaker of Bio Ritmo.

To give you a little taste of what you’ll be getting, check out some info and music from the musicians below ahead of the event.

If you haven’t already, pick up indie rock group Clair Morgan’s New Lions And The Not-Good Night, which came out in May.

Beloved Richmond salsa group Bio Ritmo has entertaining us for over 20 years and they don’t seem to be slowing down anytime soon. There’s a little something for everyone with this band.

Musician and Spacebomb Records founder Matthew E. White last big release was Fresh Blood in 2015, but the local indie label has been steadily churning out solid hits and building its roster with the likes of Natalie Prass, ReSound, Georgie and Beodouine.

Songbird Natalie Prass flew her way into our hearts with her sweet sing “Birds of Prey”, a song off her self-titled debut album which dropped in 2014 via Spacebomb Records. We’ve been hooked ever since.

Many Richmonders know him as the former frontman for Avail, but Tim Barry has been churning out folk tunes solo for years now. RVA Mag last gave you the scoop on the singer/guitarist when he was releasing Lost and Rootless back in 2014, but Barry has a new record called High on 95 that will drop in September so check out the sneak peek below.

RVA Live! will be held at the Carpenter Theatre at Dominion Arts Center on Sat. Sept. 23 at 8 pm. Tickets range from $10 to $80 and can be purchased here.  

The Broadberry Presents RVA Live!

R. Anthony Harris | July 21, 2017

Topics: Bio Ritmo, Clair Morgan, Matthew E White, Natalie Prass, RVA, rva live!, tim barry

The Broadberry Presents
RVA Live! feat
Matthew E. White (RVA)
Natalie Prass (RVA)
Tim Barry (RVA)
Bio Ritmo (RVA)
Clair Morgan (RVA)

RVA Live! is a showcase designed to incorporate the musical arts of all genres and styles that represent Richmond’s top talent; and for the first time, bringing these acts together on one stage. From classical orchestra to rock and roll, “RVA Live!” will demonstrate and highlight the beauty of Richmond’s historical and ever-rising music scene proving RVA to be a top music destination.

Orchestrations and arrangements by Trey Pollard (Spacebomb) and Marlysse Simmons and Toby Whitaker of Bio Ritmo.

General admission tickets go on sale August 1.
Artist promo code presales will begin on July 10.

RVA’s Tim Barry premiers “the James” video on NewNoise

Brad Kutner | January 28, 2015

Topics: Good Day RVA, RVA music videos, tim barry

Somewhere between Johnny Cash and the shallow depth lys the incredible vocal stylings of RVA’s own Tim Barry.

[Read more…] about RVA’s Tim Barry premiers “the James” video on NewNoise

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