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RVA Shows You Must See This Week: June 13- June 19

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FEATURED SHOW
Saturday, June 16, 6:30 PM
Saw Black, David Shultz, Graham Stone @ Hardywood – Free!
Summer’s here; it’s time for long evenings out on the porch, watching the sun seemingly take hours to set as we all relax with some tasty beverages. I know, I know, summer actually doesn’t start for another week, but here in Richmond, it might as well last half the year, so celebrating its arrival now hardly seems like jumping the gun. And what better way do we have to usher in the summer than by welcoming Saw Black’s latest album, Water Tower, into the world with a celebration of its release on a Saturday evening at Hardywood?

If you’ve got one, I suppose you’re welcome to suggest it, but as perfect as this free Saturday show is going to be, I highly doubt you’re going to convince me. Mr. Black’s really established himself over the past few years as Richmond’s resident troubadour of our Southern city’s subtly rich emotional life, and Water Tower takes things to the next level, as Black and his backing band bring to mind everything from Harvest-era Neil Young to early My Morning Jacket and the Drive-By Truckers at their more heartfelt moments. They’ll be recreating the album’s warm, enveloping sound from the Hardywood stage this weekend, as Black brings the ensemble that performed the album with him for this special musical celebration.

You should be able to grab one of the limited edition vinyl copies of Water Tower from Crystal Pistol at the show, though honestly, word has it that they’re selling fast, so you might wanna hit the merch table even before you go to the bar. But save a few bucks for the plentiful offerings Hardywood has on tap, and make sure you arrive on time. Opening acts will include local singer-songwriter David Shultz, who has a long history of heartfelt country sounds to draw from for this performance, as well as up-and-comer Graham Stone, who’s been generating a buzz lately with his frequent local performances. This won’t be the most intense show this week, but with hot weather on its way, some more laid-back evenings are going to be the thing you’re looking for. Find one at Hardywood this weekend; you’ll be glad you did.

Wednesday, June 13, 9 PM
False Figure, Cruz De Navajas, Serqet, Sensual World @ Wonderland – $5
An interesting strain on the rise in the punk rock world recently has been strong goth vibes. And I’m not talking about dudes with deep voices intoning portentously over drum-machine beats, either. No, I’m talking about a revival of the dark, reverbed-out sound that grew hand-in-hand with the early 80s UK postpunk scene, the one that centered around a club called the Batcave and drew in bands from The Cure to The Birthday Party. You can hear a big dose of that whole sound in Oakland’s False Figure, who are coming to Wonderland tonight with an undeniable blast of punk energy that nonetheless maintains an ominous undercurrent, one providing an atmosphere of gothic intrigue that’s reminiscent of Antisect or Amebix, and is sure to send a chill down your spine.

Mexico City’s Cruz De Navajas accompany False Figure on this trip, and they take things still further into the world of gothic 80s postpunk, using drum machine beats to undergird their energetic rhythms and cutting, Cure/Echo-ish guitar sound. Their excellent singer’s undeniable vocal resemblance to Siouxsie Sioux only takes things to a higher level, and new album Dominación presents a preview of some truly excellent sounds that await you tonight at Wonderland. Local gothic peace-punk exponents Serqet will provide excellent support, and opening up will be a new local ensemble called Sensual World (word to Kate Bush), featuring members of Kommunion and Bad Magic. It’s gonna be a real ripper, so whether you’re punk as fuck or more from the goth side of things, wear your darkest clothes and your dancing shoes down to Shockoe Bottom tonight.

Thursday, June 14, 8 PM
RIP, Plaque Marks, Prayer Group, Swathe @ Strange Matter – $10 (order tickets HERE)
Oh wow, I’m not sure how I missed out on RIP but I’m glad they’re coming to Richmond so that I could learn of their existence and bring some more reasons to headbang into my life. I’ve been known to complain about doom metal getting played out, becoming repetitive, etc. but a band like this bypasses all those criticisms by setting themselves apart from the standard doom tropes with the style they’ve christened “street-doom.” Really, it sounds like those early Kyuss records from the dawn of the 90s, when no one had really even started calling it doom and it was just dirty, Sabbath-influenced metal that sounded perfect blasting out of a lowered American muscle car with a metal flake paint job.

RIP bring that era back to life with their Street Reaper album from last fall, which even features the band’s members sitting in a pristine convertible lowrider on the cover. Color me stoked. The fact that they’re coming to town in the company of Philly’s Plaque Marks is even more reason for excitement; this band brings together members of Creepoid and Fight Amp, among others, to dish out the exact sort of psychotic, psychedelic, metallic rage you’d expect from a band with such a strong pedigree. Last year’s Anxiety Driven Nervous Worship has a pummeling drive guaranteed to run you over; I expect no less from their live show. Local noise-punkers Prayer Group and Swathe will kick things off with some serious chaos to get you warmed up for the main course, so show up on time and prepared to bang your head.

Friday, June 15, 8 PM
All Our Exes Live In Texas, The Hot Seats @ Capital Ale House Music Hall – $10 (order tickets HERE)
Here’s something completely different — and completely charming. How can you not love a band who gives themselves a name like All Our Exes Live In Texas? I suppose you could be young enough not to remember the George Strait hit they’re referencing here, but talking about that makes me feel old, so I’m gonna pretend you all get the reference and move on to telling you about the plentiful charms embedded in the music of this Australian country-folk quartet. All Our Exes Live In Texas are old-school — members play mandolin, accordion, guitar, and ukulele, and sing incredible close harmonies that are sure to remind you of old Carter Family records.

Their 2017 EP, Watch Me Fall, shows that even ladies from the other side of the world can grasp the strong folk traditions that run through Appalachia. Of course, it makes sense when you consider the fact that Australia was settled by the same British Isles working-class folks who settled in the Blue Ridge and Shenandoah mountains hundreds of years ago. Perhaps we aren’t so different, after all. Certainly the music can bring us together. Opening sounds from long-running local string band The Hot Seats will add a touch of bluegrass to the evening, and we can all use some more of that, right?

Saturday, June 16, 9 PM
EdHochuli, The Reptilian, Window Liquor, USA Big Dogs @ Mojo’s – Donations requested for touring bands
It’s always awesome to see long-running DIY bands stick with it year after year, and the arrival of Pittsburgh’s EdHochuli back in Richmond at least a decade after the first time I saw them play here is gratifying to see. This band hasn’t lost inspiration over their decade-plus of activity, either — 2015’s Dream Warriors LP showed them still in top form, mixing epic post-hardcore sounds with crushing metal heavyosity and a much-needed dose of melody and emotion. It’s been a few years since they brought us any significant new material — which is understandable, they’re not teenagers anymore and god knows life can get in the way. But whether they have brand new material with which to grace our ears or not, it’s going to rule seeing them rip it up once again over at Mojo’s.

This show’s got more to offer than just EdHochuli, though. For one thing, it’s got Window Liquor, who I’m assuming are the same Philly band from a few years ago who did a split with Richmond punks Bitchmouth. These guys have a pretty gnarly sound, mixing a sloppy sludge-punk aesthetic with some seriously heavy rock n’ roll energy. Third in the trio of killer out-of-town bands on this bill is Michigan’s The Reptilian, who channel passionate emotional delivery through melodic math-rock complexity for an intricate and unpredictable result that’s sure to keep your attention. Local off-the-chain rockers USA Big Dogs (that’s seriously their name, I kind of love it) will get things rolling in proper fashion with a set full of killer riffs. Plus you’ll be at Mojo’s, so you can get some great food before the show kicks off. What more could you ask for?

Sunday, June 17, 8 PM
Young Widows, Null, Manzara @ Strange Matter – $12 (order tickets HERE)
There’s not much out there that will make me feel old faster than watching bands go on anniversary tours for albums that came out when I was well into adulthood. In this case, it’s Young Widows, who are celebrating the tenth anniversary of their breakthrough second album, Old Wounds, which came out in 2008… when I was 32. Ugh, I am a dinosaur. Anyway, enough of my angst, let’s all take refuge in the beautiful pounding this album delivered both when it was brand new and when you put it back on today.

Old Wounds saw Evan Patterson and co. moving beyond the hardcore sound that had dominated previous projects — Breather Resist, Black Cross — and finding a new, more intense sound in the noise-rock rage of bands like the Jesus Lizard and Unsane. It kicked things up a notch from their first LP and set the tone for future releases. Now, four years after Young Widows’ fourth album, Easy Pain, they’re heading back on tour to memorialize what many fans consider their high-water mark as a band. And it’s going to rule, so get ready to relive the many past occasions where Young Widows knocked your head off from the Strange Matter stage — complete with their floodlit amps — and reminisce about one of the best albums to be released when I was in my early 30s. Yeesh.

Monday, June 18, 6 PM
Smile Empty Soul, Flaw, Kaleido, Talia, Alluvion, No One Hero @ The Camel – $15 in advance/$20 at the door (order tickets HERE)
Wow, OK, so we’ve talked a lot recently about how the 90s are back in a big way, but now we have to ask a bigger question: is the world ready for an early 2000s revival? If so, the stage is set to get it rolling this Monday night at The Camel, with the arrival of two early-to-mid-00s trendsetters. Smile Empty Soul might be a name you haven’t thought of in a while — but I’ll bet if you cast your mind back, you’ll remember their first and biggest single, “Bottom Of The Bottle,” which lit up rock radio in 2003 with its (generally censored) “I do it for the drugs!” refrain. They haven’t really hit it big since that first self-titled debut, but fifteen years later, this band is still going strong, and currently on tour behind their brand new seventh album, Oblivion. Don’t front — you know you’re curious.

With the addition of co-headliner Flaw, we move from post-grunge alt-rock to straight-up nu metal, and a band I’d completely forgotten about until I looked up the video for their biggest single, “Payback.” Oh yeah, these guys. They’ve kinda got a Mudvayne vibe, mixing chunky mosh-metal riffs with moody goth vocals and some pretty crucial 2001-era hairdos. 17 years later, these guys may not still have quite as much hair to throw around, but they’re sure to get you jumping around with the same midtempo fury they were bringing to the table at the dawn of the new millennium. This jam packed bill is full of openers from various locales, from Detroit’s Kaleido to Fredericksburg’s own Alluvion. But really, this one is all about the early 00s. Dig your Jncos and stocking cap out of the bottom of the closet before you head for the Camel this Monday night.

Tuesday, June 19, 8 PM
Young Scum, Shady Bug, Twin Drugs, Keep @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
One of the best indie-pop bands this town has seen in a long time is bringing us some new material, and you can count me among the many Richmonders very excited at the prospect. Young Scum’s self-titled debut full-length is coming in July from Citrus City, but there’s no reason not to start the party a month in advance at Strange Matter, especially since they’ve already shared an absolutely incredible slice of glittering jangle brilliance with us in the form of advance single “Wasting Time.” The writeup that accompanies the album, which talks about the inevitability of getting old (boy do I know that feel), makes me wonder if they shouldn’t have called the new album Not-So-Young Scum, but pop music this excellent never ages or goes out of style, and if Young Scum are becoming more emotionally evocative as they continue into their musical career, I for one am good with it.

Young Scum are joined on this rad Tuesday night by Shady Bug, a St. Louis band with a very similar approach to indie-pop, though their 2017 LP, tbh idk (that album name gets an A+), demonstrates a significant tendency toward speed, energy, and joyful distortion-pedal stomp that always adds welcome spice to an indie-pop sound. Think Black Tambourine or Boyracer if you need a reference here; yes, they’re that good. The bill will be rounded out by some excellent local sounds from Twin Drugs and Keep, two bands that should need no introduction to the clued-in RVA crowd that is no doubt already salivating at the prospect of new Young Scum material. You know what you’re in for with this show, and you know you want every bit of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 4/11-4/17

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FEATURED SHOW
Saturday, April 14, 7 PM
SCAN Benefit, feat. Gull, Alfred., Womajich Dialysiez, DJ Jafar Flowers, DJ Synthia Slimez @ Champion RVA – $6-10 donation
Music is at its best when it is used to help make the world a better place. And musicians tend to understand that, which is why you see so many benefit shows taking place over the course of any given month. This particular month, April, is Child Abuse Awareness Month, and in the spirit of that cause, a few Richmond artists in the broader field of experimental electronic music have come together to throw a benefit for Greater Richmond SCAN (Stop Child Abuse Now). This group runs programs doing everything from providing preschool for children who’ve experienced trauma to ensuring children have advocates for their interests in abuse/neglect cases. They’re doing important work, and community support is essential.

That’s what you’ll be providing by paying admission to this show at Champion Brewing Company, but don’t worry, you’ll be getting something out of the deal as well. For starters, Gull is performing at the top of the bill, and this one-man musical dynamo has been continually impressive for its near-decade of existence. Beginning as a fast, slightly quirky hardcore band, Gull has evolved into a hard-to-define project that takes its main elements — percussion and vocals, both fed through a variety of effects — and does all sorts of things with them. 2017 album Lurcher demonstrates the latest form the Gull identity has taken, bringing together ambient electronic swells with hypnotic repeating percussion patterns and Gull’s distinctive vocals — always sung through a microphone-equipped mask.

Gull won’t be the only artist immersing you in an all-encompassing world of sound at this show. Local rapper Alfred. has undermined a lot of expectations that come along with the hip hop genre by approaching it from an introspective, emotionally open, and musically adventurous mindset. His 2017 mixtape, So Sensitive, makes clear how gloriously unusual this “queer rap scallion” really is, and his unique approach will bloom into full life in the live performance environment. Meanwhile, Womajich Dialysiez is an experimental musical collective that focuses on improvisation from a femme perspective. Its shifting lineup brings a variety of local femme and gender non-conforming musicians together to create spontaneously generated music full of life and energy. Expect a whirlwind of percussion, electronics, and all sorts of other elements; there’s no telling where the music will go, but it’ll definitely take you on a journey. DJ sets from Jafar Flowers of Ice Cream Support Group and Synthia Slimez of Aesthetic Barrier will get this party rolling. Be there, and expand your mind for a good cause.

Wednesday, April 11, 8 PM
Infinite Third, Lobo Marino, Owlrare @ Pik Nik – Free!
I’ve been hearing a lot of people talk about this Pik Nik place lately, though thus far no one has elaborated on the role of baskets in this restaurant’s operation. Like, seriously, if they don’t bring your food to the table in a basket I don’t know what this restaurant is up to. However, we’re not here to talk about the food. We’re here to celebrate the fact that yet another local venue is dipping their toe into the world of live music. And since everyone likes seeing new places get into the show-booking game, it’s pretty essential to support those places when they start getting into the game, so they’ll want to continue.

Not that that’s a difficult thing to do when a venue offers an excellent midweek lineup like this one. Florida artist Infinite Third is at the top of the bill, returning to Richmond quite soon after his last performance as part of Silent Music Revival a few months ago. This artist brings us ambient guitar melodies that build into palaces of sound held up by the bones of programmed beats and sampled field recordings; his most recent LP, 2017’s Channel(s), is the sort of sound world one can get lost in for an extended period of time. The thought of this world taking over a restaurant on a Wednesday evening is fascinating, and certainly not an experience to be missed. Infinite Third will be joined on this outing by peripatetic experimentalists Lobo Marino, who bring together a variety of sounds from around the world in their unique, atmospheric style. The whole evening starts off with a set from intriguing local singer-songwriter OwlRare, and will be delightful from beginning to end — even if it doesn’t come in a basket.

Thursday, April 12, 8 PM
Rosetta, Ostraca, Truman, Twin Drugs @ Strange Matter – $10 (order tickets HERE)
This show is exciting for a variety of reasons. First and foremost is the obvious — Rosetta has returned to RVA once again. This Philadelphia band, who started out working with labels but eventually decided to go it alone and has been self-releasing their material ever since, has been producing high quality material for quite a long time, and they’re showing no signs of stopping. 2017’s Utopioid was their sixth album, and it’s every bit as brilliant as previous career highs such as the excellent 2013 album The Anaesthete. With Utopioid, Rosetta continue evolving, expanding, and exploring their sound, now mixing the sludge, noise, and metallic hardcore elements that have been there from the start with increasing doses of shoegaze melody and post-rock atmosphere. They send all of this through a filter of passionate emotion that gives everything they do a heightened level of power and intensity.

Therefore, one can imagine that their performance at Strange Matter Thursday night will be one for the books, with an impact you won’t soon forget. And of course, the same can be said of any performance from local heavy hitters Ostraca, who’ve been unleashing their own intense, passionate take on metallic hardcore for over a decade now. 2017 brought us three new releases from Ostraca, all of which dramatically demonstrate how much better this band continues to get. There’s no better place to experience Ostraca than in live performance, and if you don’t know that firsthand, it’s time for you to find out. The bill offers an added bonus in the form of a performance by Truman, who’ve been playing less often in recent months but are no less awesome. Their epic take on emotionally-driven hardcore will have you riveted, so don’t miss it. Twin Drugs will kick the night off with what promises to be an excellent set of heavy shoegaze sounds, so show up on time and be prepared to immerse yourself in a night of outstanding sound.

Friday, April 13, 6 PM
Movement Presents PLRLS, Danger Boy, Serqet, Nocere, DJ Cortes @ Hardywood – Free!
Movement is an intriguing new group on the Richmond music scene. This vinyl-only DJ collective has two main goals: promoting the post-punk sound, and offering safer spaces for music fans of all types to dance together in harmony (a refreshing and positive goal). They don’t just do these two things in the context of dance nights either; they’re working to bring in killer postpunk bands from around the country and beyond to perform for us right here in RVA — which is how they came to produce Friday night’s show at Hardywood.

The event, which will feature Movement’s DJ Cortes spinning vinyl before and between bands throughout the night, is focused around the arrival of PLRLS, who hail from Baltimore and have a quirky take on postpunk that sees them integrating the goofy catchiness of Devo with the rumbling menace of Gang Of Four and the post-garage drive of The Rezillos. They’ll be joined by South Carolina’s Danger Boy, who bring us a fuzzy, punked-out take on the foreboding melodic sounds of early 80s UK stars like The Chameleons and The Cure. Two local groups will open up for these touring ensembles. Serqet is a local crew featuring former members of Hot Dolphin and Lost Tribe and bringing us a moody mix of early goth-punk Siouxsie and the Banshees, and rumbling peace-punk vibes a la Zounds. Finally, we’ll have the return of Nocere, which brings Shadow Age’s Aaron Tyree together with vocalist Emily Symington to create some prime drum machine-fueled coldwave sounds. This one really is essential.

Saturday, April 14, 8 PM
The Human Race Is Filth, Drugs Of Faith, Coroner’s Report, Amara, Hepatagua @ McCormack’s – $10
It’s a loud, heavy week here in RVA, y’all. We’ve already covered some loud sounds and it’s just gonna get louder from here, so if you can’t handle it, batten the hatches. The rest of us will be out here joyously banging our heads, beginning with Saturday night’s show at McCormack’s in Shockoe Bottom. This show is a Between 2 Beers production, and as usual, they’re out here making sure that we all get the proper amount of metal in our diets. This week’s installment sees excellence arriving in Richmond from several different fronts. Most importantly, this show will bring us the excellently named The Human Race Is Filth, a grinding crust band that can also slow down enough to drop incredible downtuned grooves on us all… at least, once in a while. Mostly though, this is shred-heavy speed freak music about how the world is doomed. I can’t argue with any of that.

Drugs Of Faith are also on this bill, and while they aren’t at the top, they’re at least as big an attraction as our headliners. This is the current project of Richard Johnson, the man known as the “grindfather,” who spent the 90s running pioneering American grindcore group Enemy Soil before forming Drugs Of Faith back in the early 2000s. Drugs Of Faith expand on the Enemy Soil legacy of blistering grindcore by integrating riffy midtempo grooves and more complex songwriting into their sound. And while they don’t release records as often as Enemy Soil did, by any means (their last release, a split EP with Cloud Rat, was three years ago), they keep the quality high and the rage unrelenting. This show will also feature a special appearance by Bostonian duo Hepatagua, who have some driving midtempo sludge-core to lay on us all, and will feature local blackened shredders Amara and brand-new local death metal duo Coroner’s Report laying some ugly sounds on us all. It’s a jam-packed night of unparalleled heavyosity. Just what we all need.

Sunday, April 15, 8 PM
Impiety, Divine Eve, Gravehill, Voarm @ Strange Matter – $15 (order tickets HERE)
Continuing with our theme, Strange Matter will bring us metal sounds spanning all corners of the globe this Sunday night, most notably Singapore death-rippers Impiety. And what better band could there be to grace the lord’s day than this blatantly sacreligious group of metal veterans, responsible for such classics as 1992’s Ceremonial Neochrist Redesecration EP, and 2009’s Terroreign (Apocalyptic Armageddon Command)? These metal vets have been coming out of the Far East to assault our ears with apocalyptic riffs, insanely precise lightspeed drums, and brutal death metal growls since back when I was in high school (and believe me when I tell you, that was a LONG time ago).

If you haven’t had the pleasure of experiencing Impiety’s pulverizing metallic destruction in person, you better make sure you’re at Strange Matter this Sunday night, because it’s a long way back to Singapore, and chances are they won’t make the trip again soon. Sweetening the pot will be another veteran band, this one from right here in the USA, Texas’s Divine Eve, who grabbed some underground recognition in the early 90s with their crushing death-doom sound, but spent many of the intervening years out of action and are only now returning to the world with a full tour. This band constitutes another rare opportunity, so you’ve got twice as many reason to make sure you don’t miss this show! And of course, we can’t forget California maniacs Gravehill, who’ve made quite a name for themselves with their dark, filthy take on thrash metal. Once you add local black metallers Voarm at the start of the evening, you’ve got a completely unmissable bill full of legends. You know what to do.

Monday, April 16, 9 PM
Seraph, Dr. No, Black Mountain Massacre @ The Camel – $5 (order tickets HERE)
Here’s a name I haven’t heard in a while! Seraph were a pretty strong presence in the local metal scene back in the first part of the decade, bringing us a powerful deathcore sound full of skull-fracturing low end intensity. Since not long after the release of 2014 EP Embrace Your Demise, though, Seraph have been on hiatus, biding their time until all members of the band could live in the same place again. Fortunately, that came to pass last fall, and they’ve been woodshedding and playing the occasional live gig around town since then.

This show is the latest step in their return to action, and promises to bring local fans some long-awaited new material as well as the highlights from their previous releases. If crushing ultra-slow breakdowns are your idea of fun, you’ll definitely want to catch this one. Seraph are joined on this bill by Dr. No, a new local group with some heavy metal tendencies, as well as a bit of good ol’ rock n’ roll thrown into the mix. The bill is rounded out by the memorably named Black Mountain Massacre, who get down with the Fu Manchu-style midtempo rockin’ metal grooves to get you raising your fist in the air. It’s gonna get heavy, folks.

Tuesday, April 17, 6 PM
Morbid Angel, Misery Index, Dreaming Dead, Hate Storm Annihilation @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
Let’s wrap up the week with the most classic and essential metal firestorm of the many hitting RVA this week. At the top of this bill sits Morbid Angel, one of the most important death metal bands to come out of the genre. From groundbreaking 1989 classic debut Altars Of Madness to last winter’s Kingdom Disdained (yes, all their album titles are in alphabetical order), this band has never lost its ability to dish out fast and heavy riffage that is both incredibly brutal and surprisingly catchy. A lot of metal might fade into a rumbling blur, but Morbid Angel’s riffs are always memorable, most likely due to the guitar mastery of sole original member Trey Azagthoth, who has pulled together a variety of killer lineups over the years to keep Morbid Angel shredding at the highest levels.

These days, the band is rounded out by bassist/vocalist Steve Tucker, returning to the position he capably held down in the late 90s and early 00s after yet another departure by founding bassist/vocalist Dave Vincent. With Annihilated’s Scott Fuller skillfully laying down the killer beats, this lineup promises to tear all our heads off with aplomb, just as we always expect from these metal legends. Of course, Morbid Angel are reason enough to go to this show all by themselves; however, it certainly doesn’t hurt that they’ve brought along such a powerful supporting lineup to devastate you throughout the night. The grinding death metal attack of Maryland’s Misery Index is the most notable addition, and while it’s been four years since their last album, brand new single “I Disavow” shows that they’re still as intense as ever, so be prepared. This killer lineup is rounded out by melodic death metallers Dreaming Dead and the excellently monikered tech-death of Hate Storm Annihilation. Get ready to thrash.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee, based on a photo by Joey Wharton

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 1/10-1/16

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FEATURED SHOW
Friday, January 12, 7 PM
RVA Lyricist Lounge, Vol. 1, hosted by Radio B, feat. Michael Millions, AGM/Southpaw, Mutant Academy, Gritty City, Noah O, Joey Gallo, Born Unique, Intalek, Easalio, Chance Fischer, Cane, Cole Hicks, J Slim, Nu3ra Ness, Misterelle, Reppa Ton, RezonDaDawn, and more @ Strange Matter – $10
Radio B has been a prime mover on the Richmond hip hop scene for a while now, and his efforts not only to make great music but to help cultivate the culture and push the genre forward locally have been the reasons. With 2018 just getting started, he’s wasting no time, bringing the first installment of a planned monthly event, RVA Lyricist Lounge, to Strange Matter this Friday. With this event, Radio B and his compatriots hope to “be the catalyst for better writers and emcees in Richmond and all over the world” by emphasizing lyricism and making bars, flows, and wordplay important within the local scene. Sounds like a worthy goal. Are you in?

Well, for those on the fence, there’s a powerful inducement to make it out to the premiere of this new series right at the top of the bill. Michael Millions, who has been one of local hip hop’s leading lights, just dropped Hard To Be King, a new album that’s getting everyone talking. Word on the street is that this guy’s poised to blow up, so now’s the time to get in on the ground floor and catch him live in an intimate setting. Plus, there’ll be a limited physical release of Millions’ 2016 collaboration with Radio B, Tenthsndhrs, available at the show for the first time.

This is just the beginning of what is going on at this show, and we don’t have too much space, so let’s lay it down real quick: cyphers from hot local crews AGM/Southpaw, Mutant Academy, and Gritty City, as well as more cyphers featuring a variety of local and regional lyrical talent–a list is above, and I know you know at least some of those names. Southpaw Battle Coalition, who’ve been making battles a threat again locally, will be sponsoring a tryout battle between up-and-comers TRIG and Basement Chemistry. And there are 15 cypher slots available on a first-come-first-serve basis so you young unknowns can grab the mic and let the people know. The whole thing will be aired on the RVA Lyricist Lounge YouTube channel, but it’s just not the same when you’re not there in person. You know what to do.

Wednesday, January 10, 8 PM
True Widow, Hex Machine, Twin Drugs @ The Camel – $12 (order tickets HERE)
Veteran Dallas act True Widow returns to RVA for what has to be at least their seventh time or so playing here. This is their first time playing The Camel, which is at least somewhat noteworthy, but more important is the hazy, heavy sound they’re bringing with them. You might hear True Widow described as shoegaze in certain circles, but this description will in no way prepare you for the volume and power of their three-piece attack, which to my mind lands closer to doom metal. However, the melodic, psychedelic streak running through this band’s material, especially their most recent album, 2016’s Avvolgere, leavens their more crushing moments with a beautiful undertone that will keep you smiling even as they bowl you over.

They’ll be joined on this bill by local noise-rock trio Hex Machine, who’ve been mostly inactive since the release of their 2013 album Fixator, mainly because singer/guitarist Trevor Thomas and drummer Douglas Andrae have been holding it down as the latest rhythm section for celebrated noise legends Today Is The Day since 2015. However, they’ve brought in Antelope King’s Alex Ricart on bass and returned to action over the last few months, firing on all cylinders and with some new material in the works. Theirs is a welcome return, and their presence on this bill is equally welcome. Fuzzy newcomers Twin Drugs will kick the whole thing off and get you in the mood for the serious amplifier volume that awaits.

Thursday, January 11, 8 PM
Aerica Lauren, OwlRare, On The Water, Julie Storey @ Sound Of Music Studios – $6
It’s a night of quiet beauty at Sound Of Music, with headliners that seem to share a similar vibe even as they take completely different approaches to their music. Prolific songwriter Aerica Lauren a prolific songwriter keeps it raw and real with acoustic instrumentation and some memorable, affecting lyrics. The intricate beauty of her softly plucked strings intertwines with her strong, clear voice and sends you drifting away on the breeze. OwlRare has a darker, moodier vibe on first listen, but this solo performer’s deep, emotionally vulnerable vocal tones and unadorned acoustic guitar strums are equally likely to transport you to some secret place deep inside your mind. Both must be heard to be believed.

Philadelphia’s On The Water are not a solo project, but despite bringing together multiple members, this group operates in a quiet, ambient space constructed as much out of the space between notes played on several instruments as by the chords being struck–though they’re not afraid to hit hard and crank up the volume when the occasion merits it. Finally, this show will also feature Doll Baby frontwoman Julie Storey playing a solo set–and the word is that this will be her last time doing so. Therefore you’d be very well-advised to arrive on time.

Friday, January 12, 8 PM
Post Nothing, Crushed!?, Deadball @ McCormack’s – $5
I know we all get used to thinking of Between 2 Beers Productions as the go-to people for metal in this town, but they’ve got broader horizons than you might think, as this Friday night Shockoe Bottom bill will make clear. California’s Post Nothing and New Mexico’s Crushed!? are coming through with a killer tour package, and while it’s certainly awesome, there’s not really anything metal about it. Post Nothing have a raging sound that is both indebted to hardcore and pushing completely beyond that genre’s borders. It’s really tempting to call this band “post-hardcore,” in fact, but based on their name I have a feeling they’d be a little frustrated about that, so I’ll just say that their hard-rocking riffs remind me of bands like Xerxes and Refused and leave it at that.

As for Crushed!?, (love that little confluence of punctuation marks) they have a bit more of an emotional focus, as is made clear on 2017 EP Giant Robots And Existentialism. The same sort of hardcore influence lies beneath their driving, melodic riffs as one can hear from Post Nothing, but they take it in an introspective rather than forceful direction, bringing to mind bands like Hot Water Music or local heroes Sea Of Storms. Local openers Deadball are a loud n’ proud punk rock band with no frills on offer–slightly different than what you might expect from the local openers on a show like this, but sure to be plenty of fun nonetheless. You really can’t lose with this one, metal or no metal.

Saturday, January 13, 8 PM
When Particles Collide, Glass Twin, School of Rock Short Pump, School Of Rock Midlothian @ The Camel – $7 (order tickets HERE)
This will be an entertaining and unusual night at the Camel, that’s for sure. It all starts with When Particles Collide, a bouncy duo with an elastic sound that calls to mind everything from Blondie and Devo to Cheap Trick and oldies radio. They’ve been on a crowdfunded tour since last May, and their Patreon-like subscription service (fans can contribute amounts equivalent to tanks of gas, hotel rooms, meals, and more, on a monthly automatic-donation basis) has kept them rolling thus far, and they hope to keep things going til at least next summer.

See how it’s going and get rocked in the bargain by coming out to The Camel this Saturday night–and while you’re at it, you’ll not only get a great set from capable local indie vets Glass Twin; you’ll also get to see performances by student groups from two different local branches of the School Of Rock. That’s right, the program for middle schoolers that Jack Black started in the Richard Linklater movie is based on a real thing. So this night will give you a chance to check out some hard-rocking kids strutting their stuff and showing what they’ve learned. That alone is probably worth the price of admission, and you get two excellent adult bands in the bargain. Why not?

Sunday, January 14, 6 PM
Iron Reagan, Despise You, Cemetery Piss, Left Cross @ Champion RVA – Free for 21+, $10 for under 21
It’s not quite a beer bash at the moon tower, but this sure does look like a wild, excellent party that’ll hark back to days of yore for many of us who still love to thrash despite not being as young as we once were. Iron Reagan, once a young upstart of a Municipal Waste side project, are now on their third album, and have become just as venerable a crossover thrash institution as the Waste themselves. In preparation for their upcoming split with Gatecreeper, they’re out on tour once again, and in celebration of Champion’s one-year anniversary of opening their Richmond location, this rock n’ roll brewery will be bringing Iron Reagan to their stage for a night of metal thrashing madness!

Iron Reagan’s partner on this tour is Los Angeles band Despise You, a pioneering grind-crust ripper of a band that made a big noise back in the 90s and returned to action more powerful than ever a little less than a decade ago. This will be their second time hitting Richmond since the reformation, but the first time was over six years ago, so surely a lot of us have built up a big time thirst to see them rip it up once again. Baltimore rippers Cemetery Piss and local old-school death-thrash revivalists Left Cross will round out the lineup with plenty more awesomeness, and–if you’re over 21–the whole thing is free! I’m sure the $10 admission for those under 21 is to offset lost beer sales, but honestly, it’s pretty steep, especially since 40-something straight edge kids like myself can beat the system by neither paying admission nor buying beer! Oops, I did it again!

Monday, January 15, 8 PM
Anneliese, Donnie Dale, Kenneka Cook, Tara Dillard @ Strange Matter – $5
It’s time for another edition of Strange Matter’s excellent Locals Only series. This week’s curator, Anneliese Grant, sings in The Folly, a local folk-rock combo who’ve been very active around town for the last couple of years. However, she’s been making a name for herself as a solo artist lately too, with the release last summer of her Out To Graze EP. The soulful pop bounce of the tracks on this EP have a totally different flavor than her work in The Folly, but that knack with a melody shines through in both venues, so anyone who gets down with one project should enjoy both.

Anneliese isn’t the only member of the Folly who made it onto this bill, with fiddler Tara Dillard taking an opening slot to roll out a set of her solo tunes. Inbetween her kickoff set and Anneliese’s big closer will be two other intriguing performances. One will come from Donnie Dale, a local singer and producer who has previously recorded and performed under the name MNLV, and apparently has a whole new approach to lay on us. The other is from Kenneka Cook, who’s been getting a ton of attention lately as she prepares to release her debut album, Moonchild. This soul-jazz singer has a distinctive style that’s already won many listeners over, and if you’re not among that number, this night is sure to convert you.

Tuesday, January 16, 8 PM
Rosedale, Halfcast, Silver Twin, In The Water @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
If you thought you would get through a whole week of my column without me talking about emo, well, you’ve got another think coming. Not that Rosedale would necessarily identify as emo–this 15 year veteran project hailing from Canada is actually the work of one man, Mike Liorti, who according to facebook would call Rosedale a “progressive power pop” group. But I know emo when I hear it, and considering that this Canadian guitar-slinger alternates between playing with a full band and touring with a solo setup that he brings to life all by himself, it seems to me that this group could easily be called Canada’s answer to Into It. Over It.

Of course, Rosedale busts out a lot more synths on a typical release than Evan Thomas Weiss would, and ultimately seems to draw more from the softer side of the genre–they’re more Spill Canvas than Pianos Become The Teeth, that’s for sure. But one listen to recent EP Again is enough to convince me that, regardless of genre, Rosedale is well worth catching live. The fact that they’re joined by some killer local rockers like Halfcast and Silver Twin, along with new local group In The Water, is enough to let us all know that this will be an excellent show from beginning to end. Don’t miss out, y’all–after all, what else have you got going on on a Tuesday night?

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Antiphons, Private Cry, Castle Of Genre, Twin Drugs, Groovy Movies @ Hardywood

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If there’s one takeaway from the Richmond music scene in 2017, it’s that the whole Citrus City crew just keeps going with a high rate of great stuff. Antiphons are further proving this with their brand new EP, the release celebration for which will take place at this stacked free show at Hardywood Saturday evening. Fine is a five-track followup to their debut full-length, Groan, which was also released by Citrus City this year.

The EP isn’t out yet, obviously, so therefore we’ve only heard the first song thus far. But right now, it’s clear from opening single “Benadryl” that this band has a lot more in store. The title, referencing a stupor-inducing antihistamine that has had me staggering half-awake through many a spring day in my lifetime, fits well with the sound the band creates on this track and indeed, on all of their material. Glittering guitars flutter above hazy vocals and a muted yet subtly propulsive rhythm, which keeps the whole thing from drifting into somnolence. It’s not shoegaze in any traditional sense, but it would certainly make sense for you to gaze at your shoes while listening.

I’m going to advise you keep your eyes on the stage throughout this Saturday night festival of sound, however, as Antiphons are but one of the many local talents that await you on this bill. There aren’t many recorded sounds out there from Private Cry as yet, but the band’s done a lot to generate excitement on the local scene with striking live performances, so if you haven’t caught them yet, now’s a perfect time. Castle of Genre and Twin Drugs are both worth your time as well, with the former finding a niche somewhere not too far removed from that beautifully sluggish indie sound that’s all the rage lately, as the latter strike a much more traditional shoegaze chord with their Lilys/Swirlies-derived sound. All this plus newcomer Groovy Movies, about whom I know little beyond their admittedly appealing name, kicking things off–and it’s free! You can’t afford NOT to come to this one!

RVA Shows You Must See This Week: 11/8-11/14

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FEATURED SHOW
Saturday, November 11, 5 PM
Antiphons, Private Cry, Castle Of Genre, Twin Drugs, Groovy Movies @ Hardywood – Free!
If there’s one takeaway from the Richmond music scene in 2017, it’s that the whole Citrus City crew just keeps going with a high rate of great stuff. Antiphons are further proving this with their brand new EP, the release celebration for which will take place at this stacked free show at Hardywood Saturday evening. Fine is a five-track followup to their debut full-length, Groan, which was also released by Citrus City this year.

The EP isn’t out yet, obviously, so therefore we’ve only heard the first song thus far. But right now, it’s clear from opening single “Benadryl” that this band has a lot more in store. The title, referencing a stupor-inducing antihistamine that has had me staggering half-awake through many a spring day in my lifetime, fits well with the sound the band creates on this track and indeed, on all of their material. Glittering guitars flutter above hazy vocals and a muted yet subtly propulsive rhythm, which keeps the whole thing from drifting into somnolence. It’s not shoegaze in any traditional sense, but it would certainly make sense for you to gaze at your shoes while listening.

I’m going to advise you keep your eyes on the stage throughout this Saturday night festival of sound, however, as Antiphons are but one of the many local talents that await you on this bill. There aren’t many recorded sounds out there from Private Cry as yet, but the band’s done a lot to generate excitement on the local scene with striking live performances, so if you haven’t caught them yet, now’s a perfect time. Castle of Genre and Twin Drugs are both worth your time as well, with the former finding a niche somewhere not too far removed from that beautifully sluggish indie sound that’s all the rage lately, as the latter strike a much more traditional shoegaze chord with their Lilys/Swirlies-derived sound. All this plus newcomer Groovy Movies, about whom I know little beyond their admittedly appealing name, kicking things off–and it’s free! You can’t afford NOT to come to this one!

Wednesday, November 8, 8 PM
JonWayne, Danny Watts, EMV, Adam Jackson @ Capital Ale House – $10 in advance/$12 day of show (order tickets HERE)
Am I a jerk if I look at JonWayne and my first thought is “Oh, I guess he’s the hipster Action Bronson”? Maybe, but upon listening I’ve learned that I’m wrong (and not just because the hipsters already love Action Bronson). JonWayne is not only a rapper but a producer, and he not only creates the beats for his rap tracks but also has released multiple instrumental albums, in the tradition of Dilla or Peanut Butter Wolf–the latter of which signed JonWayne to his Stones Throw label back in 2012. Since then, JonWayne has released multiple vocal and instrumental albums, his most recent being Rap Album Two earlier this year. Between his thick, soulful beats, which betray a history of serious crate-digging, and his sluggish yet erudite rhymes, the guy’s got a lot to recommend himself. Fans of deep, head-nodding beats and smooth flows should definitely stop sleeping on this guy.

Danny Watts is joining JonWayne on this trip to Richmond, and this Houston rapper just released his first LP, Black Boy Meets World. Coming out on Authors Recording Company, JonWayne’s new label, it also features production by JonWayne, who apparently missed producing for other rappers and signed Watts to give him an opportunity to step back behind the boards again. The results are killer, with Watts’s skilled flow taking center stage over subtler, more melodic beats than one might expect from a JonWayne solo joint. The two will be joined on this bill by LA rapper EMV and local opener Adam Jackson, bringing a night of hip hop to Capital Ale House of all places–which seems to be expanding its horizons lately. Commendable.

Thursday, November 9, 9 PM
Classical Revolutions RVA & Quatro Na Bossa @ Flora – $10
It’s time to expand our horizons, and get outside our comfort zones a little bit. I don’t know about you, but for me, a collaborative performance bringing together a local bossa nova quartet and a classical music ensemble definitely qualifies. Quatro Na Bossa have been playing bossa nova music around Richmond and the world for about 15 years now, and their smooth, sunny take on this traditional Brazilian form is enrapturing and shows off a wealth of talent among the group’s members.

Classical Revolutions RVA has been around for quite a bit less time than Quatro Na Bossa, but it is this group that is the reason for the event. Classical Revolutions RVA is kicking off a week-long celebration of their fifth anniversary with this performance. The ensemble formed with the mission to bring classical music out of the fancy music halls and back into the spaces where music lives and breathes, and they certainly achieve that end by spending an evening collaborating with a bossa nova band in the back room of a Mexican restaurant. The combined ensembles will bring us a variety of classical and popular compositions from some of Brazil’s greatest composers–and couldn’t we all do with a little more enlightenment where that’s concerned? I’d say so! Let’s hit this one up.

Friday, November 10, 8 PM
Night Idea, Cinemechanica, Dumb Waiter, Doubtfire @ Gallery 5 – $7
Things are getting both mathy and metallic this Friday night at Gallery 5. Night Idea are coming to us directly on the heels of releasing their excellent fourth LP, Riverless, which takes the band’s sound further in all sorts of different directions than it’s ever gone before. I love all the King Crimson-esque touches that bleed into the new songs, and all of the excellent melodies that remain at the foreground as they have throughout the band’s history. However, I must admit, when I think about math-rock, I’m always hoping for something heavier–something that harks back to the genre’s pioneering days here in RVA, with excellent bygone bands like Breadwinner, Slianglaos, and Ladyfinger.

For that reason, I’m super stoked to see that Night Idea will share the top spot on this bill with Cinemechanica, an Athens, Georgia band with a less-than-prolific track record (their 2016 self-titled LP is their first release since 2008 EP Rivals, and only their third release overall) but an incredibly powerful and, yes, heavy sound that makes up for any amount of lag time between albums. The group’s crunchy, powerful sound and completely unpredictable song structures and time signatures all unite to create the same sort of frenetic, powerful vibe generated by bands like Barkmarket, Meshuggah, and Drive Like Jehu. It’s super sick, it’s loaded with energy, and it’s set to knock your socks off when Cinemechanica take the stage–and who knows when the band will be back, considering their track record, so don’t miss this one! Local jazz-metal instrumental firebrands Dumb Waiter and metal powerhouse Doubtfire will kick things off in fine fashion, so show up on time–you won’t regret it.

Saturday, November 11, 8 PM
Thorp Jenson, Deau Eyes, Moosetrap @ The Camel – $7 (order tickets HERE)
If there’s one thing I’ve learned in the four or so years I’ve been doing this column, it’s that you should never assume you know about everything that’s happening around here, because the Richmond scene is always capable of throwing you a curveball. Thorp Jenson is the scene’s latest curveball for me personally–I was certainly not expecting a heartfelt alt-country singer to suddenly show up fully formed on our local scene, complete with praise from Rolling Stone magazine slotted into his press kit. Of course, a little digging shows that it’s not really as big a surprise as it seems at first blush–Jenson is really local singer-songwriter Chris Ryan, who picked up a goofy name from bandmates poking fun at his ranch-hand mustache and decided to run with it.

Jenson clearly has quite a few great local connections formed back when he was just another dude named Chris, as can be seen in the list of backing musicians and collaborators he’s accumulated on this album. With songwriting help from Spacebomb all-star Cameron Ralston and bass tracks on the album laid down by Butcher Brown’s Andrew Randazzo, it’s clear the man knows who to call to flesh out his tunes. That said, he’s the one who deserves the ultimate credit for new album Odessa‘s stunning mix of Petty, Springsteen, Willie Nelson, and the Drive-By Truckers–and you’re sure to get a kick out of the set he lays down while celebrating that album’s release at The Camel this Saturday night. So don’t let the many twists and turns of the local scene throw you–come out and catch on to this one.

Sunday, November 12, 5 PM
My Enemies & I, Give Em Hell Kid, Vilified, Voids, Telltale, Mending Fences @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I’ve never been ashamed to admit my love for metalcore, but once we cross the line into full-on nu-metal revival, things tend to head towards guilty pleasure territory. That said, if it’s done right I end up loving it just as much, which is why I’m stoked to see Richmond’s own nu-metal revivalists My Enemies & I celebrating the release of their first LP, The Beast Inside, at the Canal Club on Sunday. The album’s on Fearless Records, who I’ll always think of as the least likely home of At The Drive-In but has had considerable success in recent years with much heavier groups like Pierce The Veil and The Word Alive.

It’s pretty cool to see a local group hitting the big time like this, especially when their music is the kind of ridiculous blast of energy straight to the brain that this band brings. Their mix between rebellious mosh anthems and surprisingly emotional breakdowns is leavened with the hip hop-derived rhythms and programmed beats of Korn and the harsh, scraping noise and foul-mouthed irreverence of Slipknot. Songs like “Riot” (“Speak, motherfucker! Stand up, motherfucker!”) and “Funeral Party” (“Fuck what you heard of me”) remind me exactly why I loved blasting Iowa and Life Is Peachy out of my car’s tape deck 15 years ago. It’s high time this kind of thing showed back up. This show starts early and features fully FIVE opening bands, so I’m not gonna say you have to get there right when doors open, but this jammer is all-ages, so if you want to get down front, you better be ready to beat the rush. And watch out for stagedivers.

Monday, November 13, 8 PM
Astronoid, Shy Low, Paint Store @ Strange Matter – $10 (order tickets HERE)
Oh wow, new discovery of the week alert! Somehow I missed Astronoid’s 2016 album, Air, back when it came out, and only realized what this band actually has going on once I checked out this upcoming show to decide what to write about for Monday. Something like 30 seconds in, the debate was over. There’s no way I can miss the chance to highlight a band doing something this incredible. Air is an album that has received comparisons to Deafheaven and Alcest, which is automatically exciting to me. But what really makes this album stand out in the field of what has annoyingly been called “blackgaze” (shoegaze black metal. Don’t worry, I hate it too) is the way it manages to hide all its brutal riffing and blasting drums beneath gorgeous layers of beautifully harmonized clean vocals and some downright PRETTY guitar leads. Who saw that coming?

I didn’t, but I’m delighted to see this band coming to Strange Matter next Monday, and taking the opportunity to entrance us all with their intriguing hybrid sound, which I am imagining will somehow be both heavier and prettier in a live environment. They are well paired with Shy Low, whose recent Burning Day EP sees the band moving in a heavier direction from their earlier material while still retaining the elements of their epic instrumental sound with which they originally made their sound. Openers Paint Store have some of that Breadwinner-ish metallic math sound I was talking about earlier going on, and it’s always a welcome phenomenon. On the whole, this show is a can’t lose proposition. Don’t miss it.

Tuesday, November 14, 8 PM
Gas Station Mentality, CGI Jesus, Vanilla Summit @ The Camel – $5
I guess this is the week for heavy, metallic math-rock, and I suppose someone could imply that this betrays a lack of imagination on my part. But really, with the kind of bands that are coming to town this week, can you blame me? Gas Station Mentality is the latest intriguing math-metal group to grab my attention, and if you’re the sort of person who can resist a name like that, you’re stronger than I am. Now that I’ve heard the band’s Systematically Manufactured album from earlier this year, though, I know my instincts were correct, because this is definitely a trio to watch.

Gas Station Mentality cite jazz and funk influences in what they do, and you can certainly hear those bleeding through in the background, but the foreground is all Don Caballero/Breadwinner/Blind Idiot God type vibes, and it’s completely thrilling. Headbangers who enjoy the challenge of having to second-guess the beat on which they should throw their hair around will get a kick out of this one, as will the instrumental technicians who prefer to study a band’s dynamic fretwork. With CGI Jesus and Vanilla Summit representing RVA on the bill, there’ll be additional opportunities for study, as both of these bands bring a complex metallic sensibility to the realms of jazz improvisation. Whether you choose to closely follow the moves of the instrumentalists or to rock out with abandon, though, this is the show for you. You’ll have plenty of chances to do either–or both.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]