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VA Shows You Must See This Week: April 17 – April 23

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FEATURED SHOW
Saturday, April 20, 8 PM
Battlemaster (Photo by David Morton), Sinister Purpose, Horse Culture, Doll Baby, Shormey @ Gallery 5 – $6 in advance/$12 at the door (order tickets HERE)
This year 420 falls on a weekend, and for quite a few of y’all out there, that’s a particular cause for celebration. I may not choose to partake in the herbal sacraments, but I like music and munchies as much as the next girl, so I can certainly appreciate a good 420 party — and Gallery 5 is throwing a great one this Saturday. My old roommate, who handled all the booking back when I lived at a show house, has moved up in the world, and is booking at Gallery 5 these days (remember that the next time someone tells you you’re wasting your time with all this DIY crap and it’ll never amount to anything), and she’s pulled together a show that reminds me of the great holiday shows we used to throw in our living room, not so long ago. Boy, a lot can change in three years, huh?

At the top of the bill, heading up Gallery 5’s 420 festivities for the third year in a row, is the almighty Battlemaster. Richmond’s death-thrash terrors may not be the most active of bands — it’s been four years since the release of their last LP — but their onstage energy is nothing to scoff at. Rest assured, when these maniacs start dishing out the riffs, blastbeats, and tortured screams, you’re gonna be headbanging at full speed just like everyone else in the room. Rockin’ rollin’ hardcore maniacs Sinister Purpose, who somehow manage to sound like Motorhead, Negative Approach, and the New Bomb Turks at the same time, are equally prepared to lay you out with their fierce sounds.

Horse Culture are also on the bill, presenting their multi-layered take on blackened shoegaze sludge. But it’s not all heaviness — the show will also feature a set of heartfelt melody and passionate emotion from Richmond faves Doll Baby, and Tidewater favorite Shormey will be joining in with some gorgeous electro-indie sounds. Plus, in a move that takes me back to the house-show days, this event will feature a table full of munchies to ease your 420 cravings, along with a photo spot and some fun temporary tattoos! Gotta keep shows interesting, right? What’s more, I really must advise you to buy your tickets in advance — if you wait to pay at the door, the price doubles. If that’s not an incentive, I don’t know what is.

Wednesday, April 17, 7 PM
Delta Sleep, Bogues, Hikes, Venus Milo @ The Canal Club – $15 in advance/$17 day of show (order tickets HERE)
There are those who will tell you that UK band Delta Sleep are math-rock, but if you ask me, that’s a bit of a misnomer. While they do incorporate the sort of delicate melodic complexity that has become a hallmark of post-Y2K math rock (replacing the harsh atonal noise that was the genre’s signature in the 90s), this band demonstrates on last year’s Ghost City that what really matters to them is creating music that moves you. They pull that off with aplomb and panache on their latest LP, and they’re sure to do the same when they hit the stage at the Canal Club tonight.

Nashville’s Bogues join Delta Sleep on this trip to Richmond, and while they’ve got an excellent sound in their own right, there’s definitely some daylight between the two out-of-towners. A solo-oriented project that sometimes takes the form of frontman AJ Gruenewald strumming an electric guitar and singing his heart out, Bogues have a strong melodic feel and a definite emotional orientation that’s likely to remind you of Julien Baker or Into It. Over It. in solo form. Texas band Hikes, who have a bit of the twinkly emo revival about them but are by no means easily slotted into a simple flavor-of-the-month genre, will also be on the bill to delight fans of tangled guitar leads, while relatively new locals Venus Milo kick the whole thing off.

Thursday, April 18, 7 PM
LA Guns @ Beacon Theatre – $22-30 (order tickets HERE)
One of the classic Sunset Strip glam metal bands of that genre’s 80s heyday, LA Guns have quite a storied history. Early lineups featured everyone from a pre-Guns n’ Roses Axl Rose (indeed, that’s where the “guns” half of his signature group’s name came from) to Weirdos/Germs drummer Nickey Beat, while more recent years saw longtime singer Phil Lewis and founding guitarist Tracii Guns leading two different versions of the group on competing US tours. Eep. Thankfully, the two buried the hatchet several years ago, and now lead a unified version of LA Guns once again (…though apparently the band’s longtime drummer now has a competing version with a bunch of randos he hired. It never ends, apparently).

Guns and Lewis will be coming to Hopewell’s Beacon Theatre, a venue that has quietly become the most reliable place in Virginia at which to see still-touring glam metal greats of decades past. I don’t know about y’all, but I for one am IN. A chance to hear classics like “Sex Action,” “Never Enough,” and “Rip And Tear,” along with the immortal power ballad “The Ballad Of Jayne,” of course — who could pass that up? These guys may not be as young and gorgeous as they once were, but the riffs are still straight fire, and that’s what should really matter, right? Head down to Hopewell this Thursday night, and let’s rock.

Friday, April 19, 8 PM
Cris Jacobs, Landon Elliott, Tavernier @ The Broadberry – $15 (order tickets HERE)
Singer-songwriter Cris Jacobs might be a relatively new name to some of you, but he’s been around for quite a while, getting his start in the early 00s fronting a Baltimore band called The Bridge. He’s been a solo artist for a while now, and his brand new album, Color Where You Are, features Richmond musicians Todd Herrington (Big Payback/Mekong Xpress) and Dusty Ray Simmons (DJ Williams Projekt/Fear Of Music) making up the rhythm section. And anybody who can recruit local talents like these to make up the core of his backing band, not only in the studio but on tour as well, is assuredly worth paying attention to.

Jacobs does a great job of laying out his sound on Color Where You Are, an album he wrote in the few spare moments he could find between his day job as a touring musician and his home life as a husband and father. The result is full of the hum and buzz of day to day life, a heartfelt album featuring touches of country, folk, and heartland rock all mingling together in a classically American sound. It’s the opposite of a stressful listen, and hearing Jacobs and his band bring the album to life at The Broadberry this Friday night is sure to ease your mind and help you put your cares aside. Don’t let the work week wear you out — come have some fun this Friday night with Cris Jacobs and his band. You’ll never regret it.

Saturday, April 20, 9 PM
Toward Space, Snake Mountain Revival, High Voltage @ Wonderland – $5
In the days since Slaughterama went away, I’ve been less than completely aware of what the dirt bike scene is like around Richmond. But there’s one thing I know that hasn’t changed in the years since I was up on all that — dirt bike kids are crazy. They do insane things frequently; it’s their idea of fun. And while I’ve never been the type to join in that kind of high-stakes broken-bone-risk action, I’ve always known how fun it is to watch. So the fact that FBM Bikes and DIG BMX will be holding the latest installment of their DIY World Championships at semi-secret bike/skate spot the Lost Bowl this Saturday lets me know that lots of fun will be had.

I can’t tell you where the Lost Bowl is, so #askapunk, but I can tell you that everyone will be headed straight for the bottom for the afterparty. I speak of Shockoe Bottom, of course, and the punkest bar in town, Wonderland. There, sets from (post-)teenage garage punk maniacs Toward Space and Virginia Beach-based psych-noise trio Snake Mountain Revival are set to get everyone flipping out. Plus, the evening will start with a (you guessed it) AC/DC tribute set from High Voltage, who based on their name are sure to go heavy on the Bon Scott era — as one should. So whether you make it to the Lost Bowl to see the crazy dirt bike action or not, you’re well advised to coast your dirt bike downhill to the Bottom and rock out with the BMX kids. Because as many of us know by now, BMX kids throw some incredible parties.

Sunday, April 21, 9 PM
HotSpit, Beeline, The Do-Nothings, Strawberry Moon @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Y’all, is HotSpit one word or two? I’ve certainly written it as both, and looking around facebook, I see I’m not the only one. Right now I’m going with the one-word-featuring-mid-word-capital-letter thing, but I’m sure in a few months I’ll have a much better understanding of what is correct. For you see, while HotSpit are a relatively new local band without too much history to draw on, I’m sure we’ll all be hearing a lot more about them in the next few months. Their demo shows a promising shoegaze quartet with strong vocal melodies and ringing guitars flexing their muscles and launching a distinctive and memorable sound.

So yeah, certainly the kind of band worth taking a Sunday night flyer on. HotSpit will be joined at The Camel by a few other local up-and-comers, first and foremost of which is Beeline. I hadn’t even heard this band’s name before now, but I’m glad they’ve been brought to my attention, as their demo shows off a catchy 90s-style jangly indie-rock sound that has significant charms. I’m already looking forward to more from these guys. The Do-Nothings, yet another new-to-me band, feature members of Recluse Raccoon playing some weird, shambling rock n’ roll that’s straight out of a basement somewhere in town. It’s hard to get a handle on, but it has its charms — as, of course, does Strawberry Moon, probably the most seasoned indie-pop group here, kicking off a fine bill that’s sure to please you, assuming you like catchy songs — and I’m not ashamed to say I do.

Monday, April 22, 7 PM
Jeremy Enigk, Tomo Nakayama @ The Canal Club – $16 (order tickets HERE)
Jeremy Enigk is a tough guy to figure out. Were he not so incredibly talented, people might have just given up trying to figure out what he’s up to. But as the frontman and chief songwriter for Sunny Day Real Estate, Enigk crafted some truly classic albums, the first of which, 1993’s Diary, has sometimes been credited with launching the emo genre (it didn’t really, but its importance can’t really be overstated). However, Enigk has broken up Sunny Day Real Estate, and post-SDRE band The Fire Theft, at least three separate times. It seems he’s ultimately most comfortable in the solo environment, and it’s as a solo artist that he returns to Richmond this Monday night for the first time in quite a while.

Enigk is currently touring behind his crowdfunded 2017 album Ghosts, his first release in nearly a decade. Fans quickly realized that his long period out of the spotlight had in no way diminished his songwriting powers, and indeed, Ghosts finds Enigk at the top of his game, his acoustic solo chops just as powerful in their own way as his louder electric sound was at the head of SDRE. The melancholy introspection and angst-ridden beauty of Enigk’s classic solo debut, Return Of The Frog Queen, shows through in abundance on Ghosts. The subdued, mostly-acoustic backing band provides a perfect canvas for Enigk’s gorgeous vocals and incredibly powerful guitar melodies. Enigk will come to town with a full band backing him up, and it’s easy to imagine the sound of Ghosts filling The Canal Club with gorgeous, vibrant sound. But why imagine it when you can be there? Get your tickets yesterday.

Tuesday, April 23, 7 PM
Crumb, Corridor, Lance Bangs, Slump @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
Psychedelic indie-rockers Crumb first came to my attention through the attentions of Citrus City Records, who released the cassette version of their self-titled debut EP, so it’s no surprise that the show-promotion arm of Citrus City, Underground Orchard, brings them to RVA once again this Tuesday night. Crumb, who hail from NYC these days, are preparing for the release of their debut LP, Jinx, which based on advance singles certainly seems like a deeper delve into the groovy, soulful take on indie-psych bounce that Crumb have made their stock in trade from day one. That’s certainly an appealing prospect.

They’ll be joined on their latest passage through RVA by Francophone Montreal group Corridor, who’ve demonstrated a Television/Parquet Courts-like facility for guitar-driven rock/punk/indie songcraft on releases like their 2017 full-length, Supermercado. Their toe-tapping melodies and popwise song construction also makes me think of late 80s/early 90s UK indie-pop groups like The Dentists or Heavenly, but I might be showing my age with references like that (as usual). Regardless, this two-band package packs enough of a soul-pop-indie-psych punch to keep you smiling throughout — and local support from slack alt-rockers Lance Bangs and psych-noise-core freaks Slump is a significant bonus.

Elsewhere around the state:

Friday, April 19, 7 PM
Bantustans, Han Gan, Broken Beaches, From Overseas @ Toast (Norfolk) – $10 in advance/$12 day of show (order tickets HERE)
Things are gonna get interesting at Norfolk’s Toast this Friday night, and I don’t mean that in a Top Five sort of way either. For starters, dual-drummer quartet Bantustans is at the top of the bill, and when they’re in the house, it’s always gonna be an unusual situation. While the group hasn’t released anything officially since 2016, they’ve recently been playing material from an upcoming album due for release sometime this year. And as with previous material, they continue to interweave complex guitar lines with even more complex multi-layered percussion to create instrumentals so intense and dynamic they have absolutely no need of vocals.

DC’s Han Gan will provide all the vocals you need, though, as Norfolk hometown boy Brian Nicewander, of storied 90s Norfolk post-hardcore group Words A Game, comes to town at the head of an energetic, Fugazi-esque trio with political energy and musical power to spare. If the group’s excellent 2018 debut, The City Of Magnificent Intentions, is any indication, this will be a proud homecoming indeed. Tidewater hometowners Broken Beaches, who have a heavy-grunge shoegaze vibe about them, and ambient guitar solo project From Overseas open this one up to get y’all going.

Saturday, April 20, 8 PM
Earthling, Red Death, Brick @ The Golden Pony (Harrisonburg) – $7
Harrisonburg metal heroes Earthling are celebrating 10 years of existence this weekend at their hometown venue, the Golden Pony. It doesn’t seem like it’s been that long, but then, that’s life, isn’t it? It’s already been two years since the last Earthling full-length, Spinning In The Void, launched forth from Richmond’s own Forcefield Records, full of epic brutality and blackened psychedelic rage, so the fact that this band released their first demo all the way back in 2009 isn’t that shocking in retrospect.

It is, however, a cause for celebration, and Earthling will be celebrating at the Golden Pony this Saturday night. They’ll be joined by the almighty Red Death, who have connections to both DC and RVA, and who just signed to Century Media records a couple months ago. Their 2017 LP, Formidable Darkness, has the crossover thrash-core chops to make such a signing eminently apropos, and it seems likely that you’ll be seeing Red Death in much bigger venues in another six months or so. So join them at The Golden Pony now, and thrash to your heart’s content before you’ve got to compete with 1000 other hessians for your floor space. Harrisonburg hardcore crew Brick kick this whole thing off, and they’re gonna kick it HARD. Show up on time to this one, and get ready to go off.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 26 – October 2

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, September 28, 8 PM
MDC, The Elected Officials, Cult Of Frost, Lipid, The Alex Jonestown Massacre @ Strange Matter – $12 (order tickets HERE)
I grew up going to punk and metal shows, losing my mind over harsh music with provocative lyrics. I grew up with radical left-wing politics, which are even farther outside the mainstream than they were when I was a teenager, being treated as perfectly normal ways of seeing the world (and to be honest, I still think they are). Therefore, when I see that a band whose nominal acronym has meant (many things, but most often) “Millions Of Dead Cops” is coming to town, all I think is “Oh wow, classic punk band with tremendous career gracing us all with their presence! FEATURED.”

So maybe this isn’t the most family-friendly pick. For those of you who that bugs, I’d recommend scrolling down to the Steely Dan blurb below. For the cool kids among you who stuck around, though, let me explain why MDC are both outstanding and important. Their 1980 debut single, “John Wayne Was A Nazi,” was a groundbreaking early example of re-examining the myths of pop culture to expose the racism, misogyny, and xenophobia lurking at their heart. Their 1982 debut LP, Millions Of Dead Cops, brought us the classic left-wing protest slogan, “No War! No KKK! No Fascist USA!” And it isn’t just their earliest material that deserves celebration; by their 1987 third LP, This Blood’s For You, they had become “Millions Of Damn Christians,” and were infusing their classic speedy hardcore with complex song structures and mind-bending riffs that they still delivered at a million miles an hour.

They’re still relevant today, too. In 2016, they rerecorded their classic tune “Born To Die” as an anti-Trump anthem (chanting “No Trump! No KKK! No Fascist USA!”), then followed that with their first album in over a decade (this time under the name “Millions of Deceived Citizens”), Mein Trumpf, which showed that the hardcore veterans (who still feature three of their four original members) are as fired-up, pissed-off, and full of raging punk tunes as ever. They’ll be joined by fellow politically-informed Texas punk rippers The Elected Officials, as well as Ohio’s Cult Of Frost, who are, of all things, a Celtic Frost tribute act who only play the Hellhammer demos and the first three albums (aw, Monotheist though…). Local freakers Lipid and The Alex Jonestown Massacre will get this started in fine fashion so you can circle-pit all night. No Trump! No KKK! No Fascist USA!

Wednesday, September 26, 8 PM
1476, Paint Store, Desert Altar, Vulcanite @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
As a relatively old lady who was born exactly 500 years after the year Salem, Massachusetts band 1476 named themselves after, I’m a little fuzzy on what was actually going on that year, but if you check Wikipedia, you’ll find that notorious Romanian prince Vlad The Impaler was killed that year, and I think that gives you somewhat of an idea. This band pulls from all sorts of dark, mysterious genres of guitar-based music, from ambient folk and moody progressive rock to hardcore punk and black metal.

On their 2017 album, Our Season Draws Near, they create a foreboding musical atmosphere highlighted by passionate vocals and intricate multilayered guitar riffing, all driven by a ferocious rhythm section. They’re sure to take you on a dark journey of the mind when they hit Strange Matter’s stage tonight, and they’ll be aided in their mission by a trio of local bands who all capture a different aspect of 1476’s multi-genre melange: Paint Store, whose technical instrumental metal sound summons memories of long-gone Richmond legends Breadwinner, for one. For another, Desert Altar, who take a fascinating and fun approach to the whole retro-doom thing. And then there’s the groovy sludge of Vulcanite, starting this night off right. Get into it.

Thursday, September 27, 7 PM
Low Cut Connie, Ruby Boots @ Capital Ale House Music Hall – $15 (order tickets HERE)
When you think of rock n’ roll these days, the piano is not the first instrument you think of. However, we’d be fools to ignore the legacy this instrument has in the history of the music: founding figures like Little Richard and Jerry Lee Lewis used their pianos to generate firestorms of rockin’ energy that set the dancehalls and roadhouses of the mid-50s American South on fire. And now, 60 years later, Low Cut Connie frontman Adam Weiner is coming to Richmond to do it all over again.

Low Cut Connie have a hellacious reputation for killer live shows, and in an NPR interview earlier this year, Weiner talked about his onstage activity, and how he can’t stand to sit still in front of his piano when there’s a crowd to interact with. It’s the fact that he’s able to mix it up, getting sweaty and wild onstage every night, while continuing to crank out the old-school country-tinged rock n’ roll sound of Low Cut Connie — as displayed on new LP Dirty Pictures (Part 2) — with flawless aplomb that makes this group an absolutely unmissable live act.  Bloodshot recording artist Ruby Boots, who’s got a raging femme energy and a powerful country-punk sound, kicks things off in a manner worth arriving early for. So you know what to do — get down to Capital Ale House tomorrow night and see it all for yourself!

Friday, September 28, 6 PM
Come Clean, Sharp Sleeves, Nine Line, We Call This Courage @ Cornerstone Cigar Bar – Free!
I may write a weekly column about music, but y’all, I’ve never claimed to be the coolest girl in the world. I just know what I like. Honestly, that’s a whole lot of stuff, and sometimes it’s stuff that no one else seems to pick up on. About a decade back, the thing I was into that no one else (or at least, no one else over 25) was picking up on was “easycore,” a genre that mixed the chunky guitars of melodic hardcore with the catchiness and emotional tone of pop-punk. A whole bunch of bands were doing this par excellence circa 2010 — Four Year Strong, Fireworks, Set Your Goals — but they all either changed their sound or broke up, and it’s been years now since I heard a really good example of the sound. I miss it.

That’s why I’m stoked to hear about North Carolina’s Come Clean coming to town. Their new EP, From Down The Street, isn’t quite out yet, but their 2016 debut, Won’t Wait, hits all the same pleasure centers for me as classic New Found Glory and first-LP Saves The Day did, and I can never get enough of stuff like that. They’ll be coming to the Cornerstone Cigar Bar (really? I hope they don’t allow smoking in the show room) in the company of Sharp Sleeves, who hail from Blacksburg and have a bit of a Florida tinge (a la Hot Water Music) to their pop-punk. With the addition of RVA locals Nine Line and We Call This Courage, you’re looking at a stacked bill of mid-Atlantic pop-punk excellence. Best of all, this show is free! That might even be worth braving a bit of cigar smoke for (be ready to wash everything you wore immediately afterwards though).

Saturday, September 29, 8 PM
Centerfolds, Something More, Nominee, House & Home @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
One good pop-punk show deserves another, right? And this time, the headliners are local. Centerfolds have a bit of an easycore connection, as some members of Centerfolds used to play music with members of RVA’s leading easycore export, Broadside. However, since their 2017 LP, Bad Heaven, they’ve definitely moved in a more angst-ridden emotional direction — the desperation in their vocals and the minor-chord moods of the guitars are sure to make this band a fave for anyone who stays up late blasting Real Friends and Knuckle Puck records with the lights off (yes, that has definitely been me at times).

Now, if you were paying attention to this column last year around this time, you probably noticed the Common Grounds fest, an eight-band pop-punk package show that featured not only Centerfolds but also the other two headliners on this bill, Baltimore’s Something More and RVA’s own Nominee. I have never hidden the fact that I love Nominee — last year’s Drag Me Out EP was a big personal fave — and Something More have won me over with excellent tunes like “Brentwood Park” (from their split with Carry The Banner) and “All My Best Friends Are Dogs” (from their Dogs EP). Local newcomers House & Home kick this one off, and it’s gonna rule. Get stoked.

Sunday, September 30, 8 PM
Ocean Heights, Venus Milo, Cupid McCoy, Solace Sovay, Missangelbird @ The Camel – $10 (order tickets HERE)
A decade after we first learned that Beyonce was a Grizzly Bear fan, the ever-increasing cross-pollination between the worlds of indie and r&b is a well-established reality. However, there’s still a lot of new territory to explore in the intersections between the two genres, and New Jersey’s Ocean Heights are one of the first groups to start mapping that interstitial space out. The results they’ve generated, showcased most prominently on recent single “No Waves,” are both fascinatingly unpredictable and pleasing in the extreme.

Mixing the sort of jangly guitar that early 80s UK bands like Orange Juice and Tears For Fears were drawing from 70s R&B records anyway with a smooth soul vocal and electronic sound results in some incredibly delicious tunes, the sort of thing that will appeal to anyone who ever wished Chromeo were more sincere, or Mac DeMarco had a bit more funk to his sound. A whole bunch of local groups on a similar tip, including up-and-coming standouts Cupid McCoy, the excellently-named Missangelbird, and the dirty-faced, angel-voiced boys of Venus Milo, are also on the bill. Solace Sovay, who are a bit closer to the indie-shoegaze side of things, will make an appearance to start things out and get the atmosphere in The Camel perfectly aligned for a night of musical deliciousness.

Monday, October 1, 7:30 PM
Steely Dan @ Altria Theater – $49.50 – $149.50 (order tickets HERE)
Would you believe that one of the highest-selling, most-played artists of the 70s and 80s, one of the best-produced and most polished-sounding bands of all time, were also a celebration of decadence with a name derived from a sex toy in William Burroughs’ Naked Lunch? Well, it’s true; not only is that really where Steely Dan’s name comes from, singer Donald Fagen loved to write lyrics glorifying debauched behavior, from giving your phone number to a woman marrying one of your friends in case the relationship doesn’t work out (“Rikki Don’t Lose That Number”) to gratuitous drunk driving (“Deacon Blues”) to getting ratted out by a friend and busted for drugs at Bard College (“My Old School”). So much for your family-friendly alternate show pick, huh?

After the 2017 death of founding guitarist Walter Becker, Steely Dan aren’t quite the same as they once were, but singer-keyboardist Donald Fagen is still holding it down behind the mic, and anyone who ever listened to their records knows that the best element of Steely Dan’s many classic progressive rock albums is the top-notch work from hired-gun studio musicians under Fagen and Becker’s direction. Rest assured the backing band will be a thousand percent on point at this show, and Fagen will sing just as wonderfully as ever about major dudes and Haitian divorces; it’ll be totally worth the $50 second-balcony tickets. Get yours now.

Tuesday, October 2, 7 PM
Death Bells, Narrow Head, True Body, Serqet @ Capital Ale House Music Hall – $10 (order tickets HERE)
I love the way the hardcore kids who are hitting their late 20s these days are all going full-on goth. Something about having that sort of musical background makes bands do a really good job at the whole dark, moody postpunk thing — witness Iceage, Ceremony (the CA one, not the VA one that’s been goth the whole time), and quite a few other bands. Death Bells, who started out in Australia but are located in Cali these days, have a similar thing going on.

Their most recent single, “Echoes,” uses wire-tight guitar leads and foreboding synths to create an atmosphere that is then infused with a dark, spectral energy by their rumbling rhythm section and the powerful, hypnotic voice of frontman Will Canning. For a band that had already hit a high-water mark with 2017 debut LP Standing At The Edge Of The World, it’s a pleasantly surprising ascension to new heights. That’s certainly something you’ll want to experience, as is the set that you’ll get from Death Bells tourmates Narrow Head, who are tapping into that same sort of super-loud shoegaze sound that Jesu and Nothing have done so well with. Norfolk post-punkers True Body and RVA goth-peacepunk band Serqet round out this incredible bill, taking place within the refined halls of Capital Ale House. How strangely appropriate.

Bonus Hampton Roads Picks:

Friday, September 28, 7:30 PM
Meg Myers, Adam Jones @ The NorVA – $18 in advance/$22 at the door (order tickets HERE)
Meg Myers is a new discovery for me, but I really dig her. Her latest album, Take Me To The Disco, has a variety of different sounds going on at once, to the point that it’s hard to know what genre it is or how to even describe it. The best I can tell you is that it should appeal to fans of everything from Bat For Lashes to Garbage to Florence And The Machine; it has that sort of dark postpunk appeal while also incorporating a strong electronically-based pop songwriting sense.

Despite the use of the word “disco” in the title of her latest record, there’s no dance music here — you’re more likely to find crunchy guitars running up against programmed beats, like the best of the post-Nirvana 90s meeting the progressive alt sounds of the 21st century. It is at times tough to categorize, but it’s just as tough to dislike — Meg Myers is a talented lady with a ton of emotional intensity injected into her music, and you’re sure to feel the effects, especially when it’s all happening right in front of you in a live environment.

Saturday, September 29, 7 PM
Super Whatevr, Beach Goons, Dube, Morningside, Party Wave @ 37th and Zen – $12 in advance/$15 day of show (order tickets HERE)
I’ve seen a lot of different ways to render the word “whatever” over the years, from people making a “W” with their fingers to a fad amongst my friends back at the dawn of the current millennium to say “whatev” or even “whatev2k” (boy, that’s aged poorly). I’ve never seen “whatevr” before, but in this time of dropping vowels to look cool, I’m not surprised — just kind of amazed that Super Whatevr don’t write their name in all caps. But I’m actually glad they don’t, because this California alt-rock band have a much more fun and creative sound than I’d expect from any band pulling the MGMT move in 2018.

Their new album, Never Nothing, is full of catchy choruses and bouncy rhythms, mixing a bit of the ol’ emo revival with that disco-fied garage rock thing that a bunch of bands used to make hay while the sun was shining around the turn of the millennium — think the Strokes, Franz Ferdinand, etc. Why am I talking so much about the Y2K era? Maybe this band put me in the mood — but considering how great music was back then, it’s certainly not a bad thing. They’re joined by fellow Californian rock revivalists Beach Goons, who are capable of evoking everything from mid-60s garage raunch to late 50s teenage-queen balladry. Canadian group Dube will also be on the bill, bringing a similarly fun brand of loud-guitar rock n’ roll. If you wanna dance, this show is really where you’re gonna want to be this Saturday. These groups will get you moving.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond