MOVIE REVIEW: Star Trek Into Darkness

by | May 16, 2013

Star Trek Into Darkness
(2013, dir. J.J. Abrams)

I never really connected with Star Trek as a kid. I grew up with a Luke Skywalker action figure firmly gripped in one chubby hand and Darth Vader hectoring him from the other. The schism between the two sci-fi camps, Wars vs Trek, has been joked on forever. For me, the dashing heroism, the witty (to an eight-year-old) banter and sense of adventure in the Star Wars films made the stilted pseudo-science committee-meeting blather of Trek seem like a roomful of nerds being nerdy just waiting for their next wedgie.

Star Trek Into Darkness
(2013, dir. J.J. Abrams)

I never really connected with Star Trek as a kid. I grew up with a Luke Skywalker action figure firmly gripped in one chubby hand and Darth Vader hectoring him from the other. The schism between the two sci-fi camps, Wars vs Trek, has been joked on forever. For me, the dashing heroism, the witty (to an eight-year-old) banter and sense of adventure in the Star Wars films made the stilted pseudo-science committee-meeting blather of Trek seem like a roomful of nerds being nerdy just waiting for their next wedgie. I didn’t want to grow up to be Kirk.

JJ Abrams somehow found a way to make a Star Wars movie using Star Trek parts. He took the rare human-like thing about the original series, the tension-filled bromance between Spock and Kirk, and put it on the dashboard of the careening summer blockbuster sports car he’ll be driving all the way to the bank this year. Then he took every good thing you can do with CGI, 3D and IMAX and did it over and over again til the credits rolled.

This movie is visually gorgeous. It’s fast, loud and satisfying to your popcorn butter core. Benedict Cumberbatch, as terrorist John Harrison, has a voice and steely gaze befitting an old Hollywood space opera serial villain. Every time he delivers a line it’s kinda shocking. That basso vocal eruption reminds me of getting scolded as a kid. After the movie was over, I went home and did my chores.

The plot isn’t necessarily inventive (though there are reveals that made me giddy for friends of mine that love Star Trek) and the dialogue is filled with nods to the sixties series and the Nimoy/Shatner movies (when Kirk was fat and had an afro). The action set pieces and choreography of that action are sublimely impressive. There’s some stuff for a die-hard fan to latch on to and plenty for a non-fan to stare slack-jawed at. The final explosion (there’s no secret here, there’s ALWAYS a final explosion in these movies) tips it’s hat to the first Death Star explosion. The perfect use of 3D technology makes you feel like the glowing sparks are bouncing off your cheeks.

My ultimate takeaway from the film is that–surprise! It’s a big budget action film that is perfectly capable making you forget about the bills, your boy/girlfriend, work, etc. It made me really excited to see JJ Abrams’ new Star Wars film in 2015, for which this film acts as an excellent trailer. But it fails in that it makes you forget about Star Trek. I may not have loved Star Trek as a kid, but I do think there was something unique about it that old-timey fans are going to miss, whether it’s the foam rocks bouncing off redshirts from the Shatner era or the excruciating sincerity of the 90’s series (which, to be fair, was backed by pretty interesting real science). Star Trek: Into Darkness is just way too cool for school.

Marilyn Drew Necci

Marilyn Drew Necci

Former GayRVA editor-in-chief, RVA Magazine editor for print and web. Anxiety expert, proud trans woman, happily married.




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