An architectural breakdown of VCU’s new Institute for Contemporary Art

by | Apr 25, 2017 | MUSEUM & GALLERY NEWS

If you’ve driven through the Broad and Belvidere intersection at any point in the last year and a few months, you’ve noticed the construction of a hulking glass and steel building that will soon house VCU’s new Institute of Contemporary Art (ICA). In a press conference held today, VCU teamed up with BCWH Architects to offer some insight into the mysterious structure designed by NYC-based Steven Holl Architects.

“The site is a gateway to the city, and through the evolution of the Monroe Park campus, its also a gateway between the campus itself and the city of Richmond,” said Charles Piper, Principal at BCWH. His group has been working with Steve Holl locally to help facilitate the creation of the structure.

Holl, whose works are recognized internationally for their beauty and ability to transform spaces, started designing the ICA building in 2011. The $41 million (and 41,000 square ft.) structure it is set to open this October, just in time for November’s First Fridays art walk.

Piper said the Broad and Belvidere intersection itself helped inspire the ICA’s design – specifically the heavy traffic flow and the area’s many turning movements. All these features helped form the “torsion” of the building, its circular motion, both in the planning and vertically in its section.

“It’s as if the energy of the intersection threw itself up into the forms of the twisting shapes of the building,” said Piper. “All the energy drawn from the intersection twists and rises into the rectangular tower”

The ICA hopes to serve many purposes – gallery space, public forum, entertainment and event venue, as well as a meeting space for students and the community. Upon completion, the center of the building will be transparent through from the street to “invite entry and free exploration and connection” according to Piper.

Piper also pointed out the obvious: “the building is unlike anything else in Richmond,” but he hopes the intersection’s influence will help the building to “respond contextually” as a gateway to Broad st and Belvedere as an urban entrance. The “double front” of the structure will offer human entry from either the city-side, or the rear where a sculpture garden will guide folks from campus.

Piper said contemporary art has the “catalyzing power” to pose questions about perspective about experience, values and memories and the ICA building hopes to embody that potential “every time you drive by or come inside.”

The building’s dramatic curves and surfaces will also act to alter our impression depending on the time of day, weather and season – from roof top gardens to how light will play off and reflect from its zinc walls. Add to that the asymmetrical nature of the structure and it promises to be a truly unique end cap to RVA’s Broad St. Arts District.

“It’s not the same building from any two points of view,” Piper said, specifically referring to the building as a piece of “functional Sculpture” that is animated by its occupants and the items placed in it.

As with any modern building, there’s also a stress on sustainability with most of the structure’s guts – steel, glass, concrete and zinc – being made from recyclable materials.

Heating a cooling will be handled by 43 geothermal vents that will further reduce the electrical demands while walls will be made of dual layers of insulated glass that act as natural vents for excess heat.

“These design elements, as well as the sustainable features, will support the curatorial and educational mission of the ICA,” said Piper in closing – you’re chance to see the structure complete happens October 28th, 2017.

Renderings via Steven Holl Architects, construction photos via Institute for Contemporary Art at VC

Brad Kutner

Brad Kutner

Brad Kutner is the former editor of GayRVA and RVAMag from 2013 - 2017. He’s now the Richmond Bureau Chief for Radio IQ, a state-wide NPR outlet based in Roanoke. You can reach him at BradKutnerNPR@gmail.com




more in art

Review | Oscar Wilde Still Knows Exactly Who We Are

The Importance of Being Ernest has been on my radar since I was 13, when my beloved Morrissey mentioned Oscar Wilde in an interview. (Mind you, this was long before Morrissey’s far-right weirdo rants.) As a massive fan of the arch, wry, witty lyrics of the Smiths and...

Review | Little Bear Ridge Road is an Artistic Gut Punch

Little Bear Ridge Road, does something you rarely see in popular media these days. It reminisces on the period during and just after Covid. Somehow, collectively, we’ve silently agreed to just not talk about it anymore. We don’t want to relive it on TV, in books, or...

Richmond’s Famous Romantix Mural Gets a New Chapter

For a decade, the mural outside the Romantix adult store, formerly Taboo, on Midlothian Turnpike has been one of Richmond's most debated pieces of public art. Now it's gone, replaced by a new collaboration between tattoo artist and muralist Jesse Smith and Miami-based...

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...