Richmond Artists Unite for ‘Fall of Freedom’ at Antennae Gallery

by | Nov 20, 2025 | ART, COMMUNITY, POLITICS

Fall of Freedom bills itself as “an urgent call to the arts community to unite in defiance of authoritarian forces sweeping the nation.” The organizers aren’t pulling punches: they argue that democracy is under attack, threats to free expression are rising, dissent is being criminalized, and institutions, including the arts, are being bent toward propaganda.

In response, they’ve launched a nationwide wave of creative resistance beginning November 21–22. Across the country, galleries, museums, libraries, comedy clubs, theaters, and concert halls are hosting exhibitions and performances that speak to the urgency of this moment. It’s intentionally decentralized, an open invitation for artists and communities to take part, celebrate identity and culture, and push back against a world that suddenly feels less stable than it once did. Their message is blunt: Art matters. Artists are a threat to American fascism.

This weekend, Richmond joins that movement.

On East Broad Street, ANTENNAE Gallery is hosting the city’s local expression of Fall of Freedom, a curated show bringing together more than a dozen artists, each responding in their own way to the moment.

Fall of Freedom art show_Antennae Gallery_Todd Hale_RVA Magazine 2025
See the post HERE

A Richmond Interpretation of a National Call

For ANTENNAE’s owner, resident artist and curator Todd Hale, the campaign’s framing landed immediately. Though he doesn’t consider himself a political artist in the traditional sense, the spirit behind Fall of Freedom aligned with the themes that have quietly run through his work for years: freedom, unity, expression, and the dignity of simply being able to say what you need to say.

“I always think of my art as political, even though I’m not a political artist,” Hale told me. “It’s political in the sense that it’s about freedom and expression and unity, things that feel like universal truths.” 

The idea of hosting a show “in defense of democracy” wasn’t something he expected to feel controversial. But while sharing the promotional poster, Hale ran into a moment that stuck with him: a friend who liked the artists involved, wanted to attend, but hesitated to say out loud that they supported democracy. “Apparently that’s not a given anymore,” he said. 

That realization didn’t spark outrage, more a kind of quiet alarm, the sense that the ground has shifted in ways we haven’t fully admitted to ourselves yet. And that’s where the national campaign and Richmond’s iteration overlap: Fall of Freedom isn’t about telling people what to think. It’s about naming something we all feel creeping in at the edges.

The Lineup and the Local Stakes

The show came together fast, just a couple weeks of planning, yet Hale and co-curator Hovey Brock pulled together an impressive lineup: Pia Bakala, Hope Ginsburg, Brian Palmer, Sue Johnson, Aimee Joyaux, Ronald Johnson, Tom Chambers, Gordon Stettinius, Christiane Riederer, Archie Marz, Sirena Pearl, Frankie Slaughter, and others. 

Hale is adamant that this isn’t a partisan show. “It’s not a Democrats’ art show,” he said. “This should be for some real basic things that we can agree on if we actually talk about it.” 

But for him, this moment is personal, too. He spoke about a family member adopted from Guatemala who lives with a constant fear of being targeted, a fear that shouldn’t exist for someone who is, in every legal sense, fully American. “He could be snatched away anytime he walks outside. That’s insane.” 

It’s one example of many pressures people in Richmond navigate quietly every day. And it mirrors the national campaign’s central thesis: the signs are here, and ignoring them won’t make them disappear.

A Show, a Statement, a Starting Point

Fall of Freedom, both nationally and locally, isn’t promising answers. It’s offering a signal, one that’s meant to spark conversation, not shut it down. A space where people can stand in the same room and acknowledge what’s happening around us without retreating into party lines or online noise.

Richmond’s version also goes further by directing proceeds from the onsite bar to a local legal defense fund supporting people harassed by ICE. That’s not performance. That’s real, tangible support for people dealing with the exact pressures the show is responding to.

And for Hale, this likely won’t be the last of its kind. “I have a feeling this isn’t the only one of these we’ll do,” he said. “Now I’m in it.” 

Fall of Freedom art show_Antennae Gallery_Pia_Bakala_RVA Magazine 2025
Artwork by Aimee Joyaux

Event Details

Fall of Freedom: An Art Show in Defense of Democracy
Opening Reception:
Friday, Nov. 21, 6–9 PM
Gallery Hours: Saturday, Nov. 22, 12–6 PM
By Appointment: Nov. 23 – Dec. 1
Location: ANTENNAE — 8 E. Broad Street, Richmond
More info: falloffreedom.com


Support RVA Magazine. Support Independent Media in Richmond.

At a time when media ownership is increasingly concentrated among corporations and the wealthy, RVA Magazine has remained one of Richmond’s few independent voices. Since 2005, the magazine has provided grassroots coverage of the city’s artists, musicians, and communities, documenting the culture that defines Richmond beyond the headlines.

But we can’t do this without you. A small donation, even as little as $2, one-time or recurring, helps us continue to produce honest, local coverage free from outside interference. Every dollar makes a difference. Your support keeps us going and keeps RVA’s creative spirit alive. Thank you for standing with independent media. DONATE HERE.

We’ve got merch HERE
Subscribe to the Substack HERE
And Reddit HERE
And YouTube HERE

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




more in art

Before Anyone Was Watching

I went to Virginia MOCA expecting to hear Andy Howell talk about skateboarding. Instead, I left thinking about community and how people find each other. Howell's installation opens Seamless, the museum's new exhibition exploring the overlap between art and design. At...

The Strange Afterlife of Virginia’s President Heads

Editor's Note: Reminder, the sculptures are located on private property and are not open for general visitation. Access is available only through scheduled guided tours, with Labor Day weekend currently expected to be the final tour on the calendar. Tour information...

Review | ‘As You Like It’ is Just How I Like It

If you’ve been reading these reviews for a while, you’ll notice I love me some context. Especially surrounding William Shakespeare’s plays. One of my favorite things about the existence of Richmond Shakespeare is that they’ve forced me to go back to the English Lit...

IllumiNATION Tells America’s Story on a Monumental Scale

Editor’s Note: RVA Magazine is partnering with the Virginia Museum of History & Culture on coverage related to America’s 250th anniversary, including Richmond SailFest and IllumiNation. It's hard to impress people with just a building. Yet standing in front of the...

Blöthar: “GWAR Didn’t Change. The World Freakin Changed.”

Richmond metal band GWAR says the Secret Service contacted the group following a recent performance at the Vans Warped Tour in Washington, D.C., that featured the mock execution of a Donald Trump effigy. Video of the performance, which showed band members...

Review | ‘Come From Away’ is the Best We’ve Ever Been

Do you remember the rollerblading guy with the American flag kit on September 12th? We will never forget the 11th for the horrors, but do you remember the 12th? The 13th? If you do, I don’t even have to say which year. If you don’t, let me tell you a little bit about...

Before Richmond Was an Arts City, There Was Best Products

Imagine pulling into a suburban shopping center to buy a toaster and finding a department store that appeared to be falling apart with corners breaking away, walls peeling open like a giant cardboard box, or facades seemingly collapsing under their own weight. For...