Kyle Shearin

Powered by coffee, Kyle Shearin is a regular contributor for RVAmag for better part of the decade. Mr. Shearin studied journalism/film at VCU while eventually graduating from the University of Mary Washington with a B.A. in English Lit. Started KCC (Kyle's Criterion Corner) in 2015. Probably likes a lot of the same stuff you do.

stories by Kyle Shearin

Kyle’s Criterion Corner: The Lure (2016)

Kyle’s Criterion Corner: The Lure (2016)

Not exactly a modern-spin on an old fable, The Lure is a stirring, if fragmented coming-of-human tale of two sisters who happen to be carnivorous, singing, vampire-like mermaids. After being lured by a family of intriguing music performers, Silver (Marta Mazurek) and...

Kyle’s Criterion Corner: Certain Women (2016)

Kyle’s Criterion Corner: Certain Women (2016)

Certain Women, director Kelly Reichardt’s modern pioneer-woman film not only explores the temporary trials and tribulations of its three contemporary women, conjured from the short stories of Maile Meloy, it also showcases how the gorgeous, wide-open, the Montana...

Kyle’s Criterion Corner: Meantime (1983)

Kyle’s Criterion Corner: Meantime (1983)

As political as it’s a social statement, writer and director Mike Leigh’s (Secrets and Lies, Happy-Go-Lucky) 1983 tragicomedy, Meantime, centers on the downtrodden poverty stricken Pollock family, amid the jobless working-class placed in the grim societal backdrop of...

Kyle’s Criterion Corner: L’argent (1983)

Kyle’s Criterion Corner: L’argent (1983)

They say money is the root to all evil right? Renowned French director Robert Bresson may agree to that. Loosely based on Leo Tolstoy’s novella The Forged Coupon, his final film L’argent (money) follows the downfall of a young-ish fuel truck driver, Yvon Targe...