FILM & TV




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When Progress Meets Petunias: A Test of Richmond’s Imagination

For 35 years, Richmond hairdresser Rick Bridgforth has been quietly transforming a forgotten alley in The Fan into something remarkable. What began as a way to clean up trash and keep crime at bay grew into a lush oasis that's alive with color, buzzing with...

Richmond’s Zoning Code Refresh: Developers Know, Do You?

Most Richmonders haven’t heard about it, but the City of Richmond is rewriting the rules that will determine what can be built, and where, for decades to come. It’s called the Zoning Code Refresh, and right now, it’s quietly moving through the public comment stage. If...

Griffin in Summer: How a Tribeca Winner Was Filmed in Richmond

The new coming-of-age feature Griffin in Summer is already drawing attention for its Tribeca wins and upcoming theatrical release, but for producer Bobby Hoppey, the film carries an extra layer of meaning: it was made in Richmond, a city he’s connected to...

It’s Still Our City | Ep. 13 GULL

"When Nate first got on my radar, it was via SNACK TRUCK. Thanks to @falseidolstoys for this wonderful discovery. There were so many Virginia-based bands absolutely knocking it out of the park, really helping me and my bandmates in our project at the time, The...

Southern Gothic: The Global Underground Hits Richmond

Richmond has always produced world-class talent and just as often, watched it leave. That cycle was exactly what Warren Jones, performer and co-founder of Prison Religion, and Christian Detres, filmmaker and longtime RVA Magazine contributor, set out to change. Their...

Kyle’s Criterion Corner: Jeanne Dielman (1975)

It’s been described as a marathon of the mundane; a work of art built around household chores and boredom, or perhaps even the most relevant films about subtextual feminism. “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” is a seminal work of the 70s and still a very unique experience as a film. The film follows the seemingly...

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‘Rough Night’: But It Could Have Been Worse

I should preface this review by saying I’m unnecessarily harsh in critiquing comedies. I just expect all movies I see to have a decent plot, a conclusive ending, and some form of character development, but I think for most comedies I really just need to ask myself, “Did it make me laugh?” Because that’s really all this movie wanted me to do, and...

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Review: Subjecting ‘Alien: Covenant’ to scrutiny

Tense anticipation describes the sentiment of Alien: Covenant’s pre-premiere marketing season, and torrential amounts of fresh speculation ensued after the London showing stirred more excitement. And yet, even as a Prometheus/Alien superfan, I’m here to tell you that I walked away from Covenant in an oddly unsettled state. But, before I get to...

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New MST3K live show heads to RVA late this summer

The celebrated Public Broadcasting/Comedy Central/Sci-fi Channel show Mystery Science Theatre 3000 has expereince a rebirth with a new, Mike-free version on Netflix, and new host Jonah and the show's creator, Joel, are taking the show on the road with a stop in RVA late this summer.   We're a bit too slammed for more details right now, but...

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Kyle’s Criterion Corner: Woman of the Year (1942)

It’s remarkable how much or little we have changed in America. Around the center of George Stevens’s 1942 Woman of the Year, recently married couple Sam Craig (Spencer Tracy) and Tess Harding (Katharine Hepburn) are going through a newlywed rough patch and come to the conclusion a child would be a great quick fix. Tess, without much forethought,...

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